TRANSCRIPT 🔗
WEBVTT
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[SPEAKER_04]: I was working in the lab at the age of one light, when my eyes be held, an ear-ease
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[SPEAKER_04]: He did the monster man, it was a graveyard's man, he did the monster man, he did the monster man,
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[SPEAKER_02]: and you press play.
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[SPEAKER_01]: Oh, the DASEC DJ is here with your boy DJ, MC, give it to, give it to, give it to, give it to, give it to, give it to, give it to, give it to, give it to, give it to, give it to, give it to, give it to, give it to, give it to, give it to, give it to, give it to, give it to, give it to, give it to, give it to, give it to, give it to, give it to, give it to, give it to, give it to, give it to, give it to, give it to, give it to, give it to, give it to, give it to, give it to, give it to, give it to, give it to, give it to, give it to, give it to, give it to, give it to, give it to, give it to,
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[SPEAKER_01]: What the fuck is this, huh?
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[SPEAKER_02]: What?
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[SPEAKER_02]: It's the monster master.
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[SPEAKER_02]: I know.
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[SPEAKER_01]: I know it's the monster mesh.
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[SPEAKER_01]: I've been hearing it my whole life.
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[SPEAKER_01]: It's a dance.
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[SPEAKER_02]: Apparently it's this.
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[SPEAKER_01]: What the fuck is this?
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[SPEAKER_01]: Is there is there actual monster mesh?
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[SPEAKER_02]: Can you see?
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[SPEAKER_02]: I guess I could look that up.
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[SPEAKER_02]: No.
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[SPEAKER_02]: She probably should have read it.
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[SPEAKER_01]: She likes to look it up.
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[SPEAKER_02]: Okay.
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[SPEAKER_02]: We're doing it.
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[SPEAKER_02]: I've seen it on like, you know, dance.
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[SPEAKER_02]: Dance revolution.
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[SPEAKER_02]: Just stuff where they taught they did the dance.
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[SPEAKER_01]: You were like, no, dance and dance.
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[SPEAKER_01]: Dance revolution is a real dance.
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[SPEAKER_01]: It's just, hey, hey.
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[SPEAKER_02]: No, but it was the one where you have to hold it.
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[SPEAKER_01]: One time you've seen somebody do like crush dance in a revolution where I was like, oh dude, that guy's dancing like crazy.
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[SPEAKER_01]: No, you were just impressed by this.
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[SPEAKER_02]: You want me to name the one time?
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[SPEAKER_02]: Yeah.
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[SPEAKER_02]: It's really hard.
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[SPEAKER_02]: How would I do about doing that?
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[SPEAKER_02]: I would I have to give you the date that you know what I'm saying?
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[SPEAKER_02]: It's a hard way for me to do that.
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[SPEAKER_01]: I had a song.
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[SPEAKER_01]: Give me the song that was played.
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[SPEAKER_01]: Anyways.
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[SPEAKER_01]: I don't know what the monster message is, Castle.
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[SPEAKER_02]: But I do know that people used to party to this.
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[SPEAKER_02]: Dave, like they were at the club and they were like, yo, could you got to play the monster match?
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[SPEAKER_02]: And then everybody got down.
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[SPEAKER_01]: Okay, so as a DJ, come Halloween season.
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[SPEAKER_01]: Does it happen to you regularly?
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[SPEAKER_01]: When you're like DJing a Halloween party?
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[SPEAKER_01]: Like, however.
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[SPEAKER_02]: This is the one I first started back in the day.
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[SPEAKER_02]: So we've ever requested any of that anymore.
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[SPEAKER_01]: What happened?
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[SPEAKER_01]: If you play it like you, they get, do you ever play it?
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[SPEAKER_02]: Yeah, yeah, I mean during Halloween and someone like on the mix if you're just in a background and it's maybe dinner or something And it and a cat, you know, they're not looking to dance yet.
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[SPEAKER_02]: They actually want you get people to ask we want classic Halloween music That's okay classic Halloween music got throwing that, you know, you got it throwing thriller and then you got one go boy and go dead man's party It's not like that.
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[SPEAKER_02]: That's dead.
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[SPEAKER_02]: Adam's family.
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[SPEAKER_02]: You know, Adam's family is always a good one
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[SPEAKER_01]: Taking too long to get into, maybe.
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[SPEAKER_05]: Just watch me dance.
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[SPEAKER_05]: Just watch me.
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[SPEAKER_02]: You're right, I could have cut one of those beats out of family.
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[SPEAKER_02]: Just when you're trying to show your steas, you know, when people are trying to ask for classic Halloween music, you have that, you know.
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[SPEAKER_01]: And when you're a veteran like DJ Jag, you know you have a chest full to just be like, you want, oh, you want me to, show me your heart.
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[SPEAKER_02]: Show me your heart.
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[SPEAKER_00]: Show me your heart.
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[SPEAKER_01]: Yeah, okay, so that's going to get to mine now.
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[SPEAKER_01]: I do see what it is It's gonna take a long time to get in there.
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[SPEAKER_01]: I can tell oh
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Load full transcript
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[SPEAKER_01]: Anyways, just like I said, yeah, okay, I'm with it.
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[SPEAKER_01]: So obviously this song goes at any Halloween party, and if you play it, people are gonna be like yeah, the monster mash Yeah, but they really don't don't you know, but here's my question
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[SPEAKER_00]: What the fuck is this song?
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[SPEAKER_01]: No, because obviously it works for Halloween and it goes along the same lines with Christmas music We're like you'll have somewhere Christmas songs like say maybe baby.
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[SPEAKER_01]: It's cold outside where nobody would ever play it at any party ever in the last like 50 years But because it just aligns with this holiday that gets celebrated every year People are just cool with its weirdness, and it plays and it works
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[SPEAKER_01]: But it's kind of weird fucking song.
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[SPEAKER_01]: It's a weird song.
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[SPEAKER_01]: You're like nobody the beat sings like that.
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[SPEAKER_01]: Well, the beat is fine The beat actually carries it a little bit.
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[SPEAKER_02]: What does it?
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[SPEAKER_02]: Let me show you a beat.
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[SPEAKER_02]: Let me show you a beat.
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[SPEAKER_02]: Can you beat that would work?
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[SPEAKER_02]: That would work better.
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[SPEAKER_02]: Okay, right?
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[SPEAKER_01]: Let me show you a bit Upgrade immediate upgrade Lip in the plug never relaxes
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[SPEAKER_03]: One night, my eyes be held in eerie sight For my monster for his slab began to rise And suddenly, to my spine He did the monster
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[SPEAKER_02]: Was that not a better beat?
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[SPEAKER_02]: Didn't that add a little more, ugh, to the geese part?
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[SPEAKER_01]: You don't have to like, twist my arm to tell me that they can make a better beat for the song in 2026 or whenever the fuck they made that.
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[SPEAKER_01]: I'm just saying, when you combine that guy's voice to like what he's singing about and kind of the weirdness all around of the song, it's funny that it's a song that has lasted.
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[SPEAKER_01]: Do you know what year this song was released?
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[SPEAKER_01]: 19,
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[SPEAKER_02]: That's what I put last time.
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[SPEAKER_02]: That's why I said last time when you asked this question.
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[SPEAKER_01]: Yeah, yeah.
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[SPEAKER_01]: 1962.
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[SPEAKER_01]: I think it came around there.
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[SPEAKER_01]: Yeah, yeah, yeah.
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[SPEAKER_01]: So that think about the sixties with this thing.
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[SPEAKER_01]: It's so
hard to imagine music like this being new.
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[SPEAKER_02]: But like this is, uh, I always imagine like if this was asked at a club, you know what I mean?
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[SPEAKER_02]: If this was like the bank or like, oh,
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[SPEAKER_02]: Oh, the master master's on.
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[SPEAKER_02]: We got to get like what I was going to the club.
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[SPEAKER_02]: It was juvenile back that ass up.
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[SPEAKER_02]: It was like, oh, wait, it's time to get to the dance for it.
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[SPEAKER_02]: I got a report now.
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[SPEAKER_02]: Was that this song, but Monster Mash?
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[SPEAKER_01]: Oh, in 1962, twuzz, especially where Halloween season.
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[SPEAKER_01]: I guess, man.
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[SPEAKER_01]: Have you heard that new Monster Mash song?
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[SPEAKER_01]: And it's just the song, Monster Mash.
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[SPEAKER_01]: Weird guy just be like,
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[SPEAKER_02]: and then the video shot the video of the original guy you saw with his eye Yeah, no, I That dude, not behind me.
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[SPEAKER_02]: I can't get it back here, but Casino show you on the YouTube They should guys get it on YouTube.
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[SPEAKER_02]: That's where we see on the videos.
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[SPEAKER_02]: I'm dressed like a bear right now Half-man half bear, you know my name
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[SPEAKER_01]: Doesn't matter because I am, I don't know, let's go with that damn it That's just in the bear just in the bear and then we got steas over here looking extra smooth with the trench the trench I'm going full on monster mash trench because I did not want to go full Frankenstein makeup But when I hear this song, I think of like a dude singing in like Frankenstein makeup And look at this guys.
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[SPEAKER_02]: We are show them right.
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[SPEAKER_02]: Yeah, the video that guys we
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[SPEAKER_01]: But I mean, he's obviously playing up the weird facial expressions because he did this song, which still looks a little excessive But my point is like this song would only play as like a Halloween song and it works in it because it's called the monster mash and Because it's Halloween season you're going to play and I'm not even saying I don't like it like I've heard it come on at Halloween parties and been like All right, yeah, let's fuck with the monster magic.
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[SPEAKER_01]: It just it has a place a time in a place every year and it's called the Halloween party
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[SPEAKER_02]: I'll be honest, I'd never even have my Halloween parties that for me, I'm like, you don't need to put that on.
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[SPEAKER_01]: No, you're good.
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[SPEAKER_02]: You really don't need to,
but if it's like Paul McCartney and Michael Jackson in the third track of fucking thrill out of him, I'm really going to put it on.
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[SPEAKER_01]: You don't need to put it on there.
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[SPEAKER_01]: It doesn't need to be there.
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[SPEAKER_01]: I will say if I was at like a Halloween party and I was like on the dance floor and then this song came on, I'd probably be like, I think maybe get another drink.
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[SPEAKER_01]: Great time.
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[SPEAKER_01]: You guys want to use this guy?
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[SPEAKER_01]: Shot's around.
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[SPEAKER_01]: Everybody go.
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[SPEAKER_01]: That's why you're here.
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[SPEAKER_01]: You want to, don't you?
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[SPEAKER_01]: Okay, I got it.
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[SPEAKER_01]: the nerds are gonna keep the dance for a company.
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[SPEAKER_01]: Wow, they got this.
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[SPEAKER_01]: But the song is incredibly popular for life because it's tied for Halloween.
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[SPEAKER_01]: Despite being very weird, which got me thinking.
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[SPEAKER_01]: I got a list for you, Justin.
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[SPEAKER_02]: Oh, a list.
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[SPEAKER_02]: You know, I love this.
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[SPEAKER_02]: Give it to me, Steve.
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[SPEAKER_01]: The five.
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[SPEAKER_01]: We're songs that people absolutely love.
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[SPEAKER_01]: Maybe she actually weird one.
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[SPEAKER_02]: Yeah, kids love it.
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[SPEAKER_02]: I specifically kids go absolutely I can't believe that anybody actually likes that song and if you go over it's really just it goes It talks about the family and then they have to run away, which you don't even know You don't even know why they're running away from anything.
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[SPEAKER_02]: I don't I only heard like three seconds of it And then they're safe at last and that's the end of song
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[SPEAKER_01]: I don't know anything about it.
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[SPEAKER_01]: I've just heard I mix it when I'm at a kid party mix it don't oh my god I love you dude.
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[SPEAKER_02]: It's party love it.
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[SPEAKER_02]: It'll be I'll do like Justin Timberlake in the baby shark.
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[SPEAKER_02]: They're like
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[SPEAKER_01]: They love it.
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[SPEAKER_01]: Okay.
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[SPEAKER_01]: Fair enough.
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[SPEAKER_01]: Baby.
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[SPEAKER_01]: I don't want to hear it.
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[SPEAKER_01]: That's all I've ever heard of it is that.
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[SPEAKER_01]: So I don't know.
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[SPEAKER_02]:
I didn't know there were two stalkers.
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[SPEAKER_02]: You should hear the scream that happened from that mix.
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[SPEAKER_01]: All right.
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[SPEAKER_01]: One more OLI which by the way stands for outside looking in, just in OEs.
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[SPEAKER_02]: LAS!
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[SPEAKER_01]: Just like OLI.
09:52.643 --> 09:53.204
[SPEAKER_01]: YoEs says OLI.
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[SPEAKER_02]: It reminds me of OIL.
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[SPEAKER_01]: Yeah.
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[SPEAKER_01]: This one might hurt some people.
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[SPEAKER_01]: Just fucking deal with it.
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[SPEAKER_01]: Don't worry, be happy.
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[SPEAKER_01]: I know it's positive that's why people like it.
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[SPEAKER_01]: It's just super positive, but like anybody that actually wants to hear Don't worry be happy when they're like if you're hanging out with their house and like hey, do you got any music you got a ox and they put on don't worry be happy you would be like
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[SPEAKER_01]: kind of weird choice man.
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[SPEAKER_01]: I don't know.
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[SPEAKER_01]: I don't really why do you why you put this and then you and they just act like it's a totally normal song It has its place again.
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[SPEAKER_01]: None of these.
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[SPEAKER_01]: I'm saying the list is not bad songs.
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[SPEAKER_01]: It's weird sucks
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[SPEAKER_01]: Song's kind of a weird song.
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[SPEAKER_01]: It'd just be like, and then the music video's got like robber Well, if you're gonna say that then the banana boat's even we're there.
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[SPEAKER_02]: No.
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[SPEAKER_01]: Yeah, that's a weird one.
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[SPEAKER_02]: Hey, is that on the list?
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[SPEAKER_01]: No, it's not on the list.
10:41.634 --> 10:41.974
[SPEAKER_01]: That's it.
10:41.994 --> 10:44.435
[SPEAKER_01]: Well, that's my uh, uh, uh, uh, uh, uh, uh, uh Had it to the oilize.
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[SPEAKER_01]: All right.
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[SPEAKER_01]: Do like Robin Williams.
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[SPEAKER_02]: They want to go.
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[SPEAKER_01]: Oh, yeah, for sure.
10:49.417 --> 10:50.057
[SPEAKER_01]: That totally fits.
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[SPEAKER_01]: Robin Williams in the video is just Robin Willingzing out of his mind.
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[SPEAKER_01]: All right.
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[SPEAKER_01]: Let's get to the top five.
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[SPEAKER_01]: No.
10:56.640 --> 10:57.140
[SPEAKER_01]: No.
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[SPEAKER_02]: Well, hey, me and Rhapsody.
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[SPEAKER_02]: Oh, yeah.
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[SPEAKER_02]: And that song goes different to great song
again.
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[SPEAKER_01]: I'm not saying these are bad songs It's just a weird song.
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[SPEAKER_01]: We're in song and then it ends a little weird at a certain point.
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[SPEAKER_01]: He's talking about He's talking about some bugling somebody.
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[SPEAKER_01]: We dissected this song by the way episode 20
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[SPEAKER_01]: And we got a lot of bit of hate because we didn't do any pre-research which by the way guys That's what we really do, we're the DASIC DEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEE
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[SPEAKER_01]: He's like yodeling at one point in the song.
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[SPEAKER_01]: It's just like a weird.
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[SPEAKER_02]: Yeah, I give it to you But he may rap shit and the name is a little bit out there, right as well So I give it to you guys made a weird song.
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[SPEAKER_01]: It's just weird.
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[SPEAKER_01]: It's fine And people love it to this day.
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[SPEAKER_01]: Thanks to wins real.
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[SPEAKER_01]: I think mostly number four
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[SPEAKER_01]: I'm too sexy for my shirt.
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[SPEAKER_02]: Fantastic song.
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[SPEAKER_02]: Super weird though.
12:05.384 --> 12:05.844
[SPEAKER_01]: Super weird.
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[SPEAKER_02]: Yeah, super weird.
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[SPEAKER_01]: Again, I'm not trying to say these are bad songs.
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[SPEAKER_02]: I really don't play that song too.
12:10.046 --> 12:10.827
[SPEAKER_02]: It's really cliche.
12:10.867 --> 12:11.547
[SPEAKER_02]: It's really corny.
12:11.647 --> 12:12.748
[SPEAKER_02]: It's corny as fuck.
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[SPEAKER_02]: How ever I just think I might be able to bring that back.
12:15.770 --> 12:16.670
[SPEAKER_01]: It should be that back.
12:16.890 --> 12:20.332
[SPEAKER_01]: Here was what the crux of like what I was getting out when I was making this list.
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[SPEAKER_01]: The idea of like putting the song together to be like, you know what?
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[SPEAKER_01]: That's a song.
12:24.855 --> 12:52.675
[SPEAKER_01]: So the bohemian wraps me with your all-for-the-dacity of the bohemian wraps me with your all-for-the-dacity of the bohemian wraps me with your all-for-the-dacity of the bohemian wraps me with your all-for-the-dacity of the bohemian wraps me with your all-for-the-dacity of the bohemian wraps me with your all-for-the-dacity of the bohemian wraps me with your all-for-the-dacity of the bohemian
wraps me with your all-for-the-dacity of the bohemian wraps me with your all-for-the-dacity of the bohemian wraps me with your all-for-the-dacity of the bohemian wraps me with your all-for-the-dacity of the bohemian wraps me with your all-for-the-dacity of the bohemian wraps me with your all-for-the-dacity of the
12:52.875 --> 12:54.477
[SPEAKER_01]: What does the fox say?
12:54.497 --> 13:03.588
[SPEAKER_01]: No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
13:16.638 --> 13:18.139
[SPEAKER_01]: Yeah, cuz fuck that's on dude.
13:18.159 --> 13:19.000
[SPEAKER_01]: Fuck that one.
13:19.040 --> 13:41.457
[SPEAKER_01]: Just and all and I I don't even play that anymore Cuz that's it kids don't even know it anymore Yeah, yeah, no, it that you get it out of life forever But 2013 for some reason that she wasn't hot Did you say everywhere you could all see play out the club and it was still working and people dance to it and be like I don't know this song this this this is also the other crux of this list is People for some reason accepting oh no, yeah, no, I like that song
13:42.017 --> 13:45.041
[SPEAKER_01]: Even though it's weird it's just like we're the same ever.
13:45.061 --> 13:45.662
[SPEAKER_01]: I give it to you.
13:45.682 --> 13:50.087
[SPEAKER_01]: It's the people being like yeah, all right So then the one I had the list was with it by Devo.
13:50.488 --> 13:51.849
[SPEAKER_02]: Oh, that's not weird that it's all right.
13:51.869 --> 13:57.036
[SPEAKER_02]: Yeah, so we're quick I like we just did number three and now it's time for number two
13:58.559 --> 14:18.391
[SPEAKER_01]: Penta, penta, penta, penta, penta, penta, penta, penta, penta, penta, penta, penta, penta, penta, penta, penta, penta, penta, penta, penta, penta, penta, penta, penta, penta, penta, penta, penta, penta, penta, penta, penta, penta, penta, penta, penta, penta, penta, penta, penta, penta, penta, penta, penta, penta, penta, penta, penta, penta, penta, penta, penta, penta, penta, penta, penta, penta, penta, penta, penta, penta, penta, penta, penta, penta, penta, penta, penta, penta, penta, penta, penta, penta, penta, p
14:28.618 --> 14:36.552
[SPEAKER_01]: And I think I can actually like pin points at the point when like they were like panda pandas like the best hip-hop song in the year and like 2004 And that's where you were like music's fucked.
14:36.692 --> 14:39.578
[SPEAKER_01]: I'm like that's the best hip-hop we got now like I don't
14:53.232 --> 15:08.058
[SPEAKER_01]: I think each one of these songs will have like a little moment of it where you'd be like, like, like, all right, real quick, just to run through them, you got to
do it, do it, do it, do it, do it, do it, I'm too sexy, that part, the little build up, that's fun, you know?
15:13.418 --> 15:19.663
[SPEAKER_01]: The Bohemian Rhapsody has, like, the whole song, that song is actually good.
15:19.703 --> 15:22.725
[SPEAKER_01]: There's, yeah, there's a lot of parts you could, like, talk about this for that last one.
15:28.432 --> 15:35.797
[SPEAKER_01]: Yeah, yeah, I mean the beat the beat is kind of epic like 90s like fucking club beat It really is like they has a little shaker in the bag of shit.
15:35.877 --> 15:36.098
[SPEAKER_02]: Yeah.
15:36.118 --> 15:36.258
[SPEAKER_02]: Yeah.
15:36.278 --> 15:36.478
[SPEAKER_02]: Yeah.
15:36.658 --> 15:36.878
[SPEAKER_02]: Okay.
15:36.898 --> 15:38.559
[SPEAKER_01]: Except for Baby Shark has nothing good to it.
15:38.639 --> 15:39.560
[SPEAKER_01]: The kids love it.
15:39.580 --> 15:39.760
[SPEAKER_01]: Dude.
15:39.960 --> 15:41.241
[SPEAKER_01]: Oh, it's a banger for kids love it.
15:41.261 --> 15:49.227
[SPEAKER_01]: What is the fuck say song actually has like I'm over that but it has parts of the beat where you can up with the annoying the lyrics are annoying as fuck But like this parts of the song.
15:49.287 --> 15:53.270
[SPEAKER_02]: I just think I don't even remember what it sounds like back that I even brought it up and talked about it
15:53.450 --> 16:19.343
[SPEAKER_01]: I know, but it did fit in this list perfectly, so well-called, but I'm just saying like a lot of these songs will just have like at least one part that you're like, all right, well that part I kind of understand like why it makes like the song work, where was that you're number one, waving it, you're on number one, number one, and a number one, it was the monster mash, oh yeah, that's the word I song, this is weird I song, this is this remix I have of it
16:24.164 --> 16:39.478
[SPEAKER_03]: I was, I was, I was working in the lab It won't night, my eyes be held in eerie sight For my monstour from his slab began to rise And suddenly, to my spine
17:25.508 --> 17:27.090
[SPEAKER_01]: Fuck I mashed out hard to that.
17:27.290 --> 17:28.011
[SPEAKER_02]: Where am I right now?
17:28.091 --> 17:31.894
[SPEAKER_01]: Oh my goodness, dude But that's what the monster mesh needs to be turned into.
17:31.914 --> 17:32.275
[SPEAKER_02]: Finish it.
17:32.335 --> 17:32.735
[SPEAKER_02]: You're finished.
17:32.775 --> 17:32.875
[SPEAKER_02]: Okay.
17:32.895 --> 17:37.520
[SPEAKER_01]: Oh my five should we dissect any larys Or because I do think it's a little important go through it.
17:37.980 --> 17:46.869
[SPEAKER_01]: All right, so he's working on his lab late last night when his eyes be held in Erie's sight for his monster From his slab
17:49.156 --> 17:51.958
[SPEAKER_01]: Let's just put what he has a monster in a slab.
17:53.059 --> 17:53.759
[SPEAKER_01]: Why?
17:54.620 --> 17:58.823
[SPEAKER_01]: All right, so this has got to be like a weird doctor sign, like a doctor Frankenstein, right?
17:58.923 -->
17:59.584
[SPEAKER_02]: Okay, keep going.
17:59.764 --> 18:00.484
[SPEAKER_02]: I think I'm getting something.
18:00.504 --> 18:01.225
[SPEAKER_01]: Be gay and to rise.
18:01.265 --> 18:02.466
[SPEAKER_01]: So it's like a Frankenstein situation.
18:02.566 --> 18:03.747
[SPEAKER_02]: Is he talking about his penis right there?
18:04.327 --> 18:05.248
[SPEAKER_02]: Yeah, probably actually.
18:05.608 --> 18:06.329
[SPEAKER_01]: This could be a penis.
18:06.389 --> 18:07.770
[SPEAKER_01]: He's mashing his monster dude.
18:08.010 --> 18:10.892
[SPEAKER_01]: Let's think about this as a penis song and see if it plays.
18:12.787 --> 18:14.668
[SPEAKER_01]: I'm just saying let's follow the lyrics.
18:15.068 --> 18:35.600
[SPEAKER_01]: Is that what monster mashing is the whole time hey I can only oh my good follow the journey to the destination See where it takes us so Let's keep going ash your monster all right and suddenly to my surprise It feels very Reaction based he did the mash the monster mash
18:36.952 --> 18:38.853
[SPEAKER_01]: It was a graveyard smash.
18:38.893 --> 18:40.693
[SPEAKER_01]: He's fucking in a graveyard right now.
18:40.713 --> 18:41.673
[SPEAKER_02]: Check it off in a very weird.
18:41.933 --> 18:49.496
[SPEAKER_01]: Yeah, well, is he jacking over is he yeah, he's probably jacking off.
18:49.596 --> 18:53.577
[SPEAKER_02]: We have officially found a graveyard in a graveyard That's what this song was actually.
18:53.617 --> 18:55.577
[SPEAKER_02]: Monster bashing is jacking off in graveyards.
18:55.877 --> 18:56.117
[SPEAKER_02]: Wow.
18:56.398 --> 18:57.838
[SPEAKER_02]: See only what he said PJs
18:59.940 --> 19:01.422
[SPEAKER_02]: We figured this shit out guys.
19:01.642 --> 19:02.824
[SPEAKER_02]: We get into the details.
19:02.844 --> 19:10.914
[SPEAKER_02]: We get into the nitty gritty and find out What are they talking about and the monster mash is officially And we figured it out great job a great job castle jang off.
19:10.934 --> 19:15.960
[SPEAKER_01]: We're dead people live Did should I go beyond that we could keep it all let's see whatever continues
19:16.180 --> 19:29.099
[SPEAKER_01]: from the laboratory in the castle east to the master bedroom where the vampire feast, the goals all came from their humble abodes to get a jolt from my electrodes.
19:29.861 --> 19:31.143
[SPEAKER_01]: That's cement, right?
19:33.120 --> 19:41.385
[SPEAKER_01]: I've never heard the word electros before, but the only thing it makes me think of is absolutely Now he might have just gotten to an origin, that's how the more like he gets all right It actually feels like we're turning this out.
19:41.565 --> 19:42.645
[SPEAKER_01]: So he started it.
19:42.665 --> 19:50.750
[SPEAKER_01]: He got warmed up He got warmed up and he was like, oh, it's gonna be a crazy party tonight at the master mash at the castle east Monster mash.
19:50.790 --> 19:55.793
[SPEAKER_01]: Yeah, and then and then the goals and the vampires all showed up and then he's like
19:56.473 --> 20:17.015
[SPEAKER_01]: he mashed up well got a jolt of my uh let's throw the all the mess he did the boss the mess he did the mess and that is that is the song the zombies were having fun the party had just begun the guests included wolf man Dracula and his son
20:22.885 --> 20:24.006
[SPEAKER_02]: Okay, maybe it's not as sexual.
20:24.026 --> 20:25.967
[SPEAKER_01]: Folks listen to me.
20:25.987 --> 20:27.008
[SPEAKER_01]: You're going the other way now.
20:27.148 --> 20:27.668
[SPEAKER_02]: Well, maybe.
20:27.749 --> 20:27.969
[SPEAKER_02]: Okay.
20:27.989 --> 20:28.789
[SPEAKER_02]: How old is Jack?
20:28.849 --> 20:31.791
[SPEAKER_02]: Okay, Dracula and it's Sun could be like plus 40 like right.
20:31.811 --> 20:32.572
[SPEAKER_01]: They could be plus 400.
20:32.632 --> 20:35.074
[SPEAKER_01]: 100 Dracula's on it.
20:35.094 --> 20:36.294
[SPEAKER_01]: They just got the sun.
20:36.354 --> 20:37.015
[SPEAKER_01]: That's true.
20:37.035 --> 20:42.799
[SPEAKER_01]: Put it to your sounds bed on paper and in print and in lyric and in lyric.
20:42.859 --> 20:47.002
[SPEAKER_01]: Okay, sure I agree with here's the thing sometimes when you dissect songs you don't know where you're ended up
20:47.382 --> 20:51.063
[SPEAKER_01]: And this became a pretty sure what I want about a monster or a monster orgy.
20:51.244 --> 20:59.167
[SPEAKER_01]: That's where we got include siblings and which to be fair the song is called the monster Mash we should have seen it coming out long Why wasn't this?
20:59.267 --> 21:00.147
[SPEAKER_01]: Oh, I love it.
21:00.207 --> 21:11.211
[SPEAKER_01]: You know, we all thought the song was about a dance and everybody would be doing this No, no, it's monsters Smash it was a grave yard and it's like no, they're monsters fuck is that even monsters?
21:11.431 --> 21:12.472
[SPEAKER_01]: It's just weird people
21:13.232 --> 21:14.353
[SPEAKER_01]: at a castle.
21:14.413 --> 21:15.775
[SPEAKER_02]: Well, they said Dracula is there.
21:15.815 --> 21:16.695
[SPEAKER_02]: He kind of a monster.
21:16.776 --> 21:18.417
[SPEAKER_01]: It's costumes probably, right?
21:18.477 --> 21:19.758
[SPEAKER_01]: It's just a Halloween orgy.
21:19.799 --> 21:20.319
[SPEAKER_01]: I think, right?
21:20.359 --> 21:21.340
[SPEAKER_02]: It's Halloween orgy.
21:21.400 --> 21:23.162
[SPEAKER_02]: Monster matching is Halloween orgy.
21:23.362 --> 21:30.169
[SPEAKER_01]: But let us not lose set of the fact that this dude was jing off in the graveyard to start to start this whole thing off to get warmed up.
21:30.369 --> 21:32.651
[SPEAKER_01]: Crazy sounds kind of creepy as fuck.
21:32.831 --> 21:36.255
[SPEAKER_02]: With that said, I got one final remix that actually mixes shake it off.
21:36.815 --> 21:38.716
[SPEAKER_02]: I've been tricked with the MasterMash.
21:38.736 --> 21:39.577
[SPEAKER_02]: I've never been tricked.
21:39.597 --> 21:43.119
[SPEAKER_02]: Now, when you think about that, putting that together with the story that we've
already just done.
21:43.599 --> 21:45.640
[SPEAKER_02]: Shaking it off after you MasterMash?
21:46.581 --> 21:53.105
[SPEAKER_02]: Oh my goodness.
22:06.303 --> 22:07.564
[SPEAKER_04]: He did the mountains, come on.
22:07.584 --> 22:08.344
[SPEAKER_04]: He did the mountains, come on.
22:08.364 --> 22:09.304
[SPEAKER_04]: He did the mountains, come on.
22:09.344 --> 22:09.925
[SPEAKER_04]: He did the mountains.
22:09.945 --> 22:10.545
[SPEAKER_04]: He did the mountains.
22:10.585 --> 22:29.953
[SPEAKER_01]: Come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on, come on
22:30.344 --> 22:33.707
[SPEAKER_03]: Shake it off, shake it off, man, man, bend up.
22:33.767 --> 22:35.889
[SPEAKER_01]: Or would you just stick with the beat?
22:35.909 --> 22:37.171
[SPEAKER_01]: The pencil and the crowd that's in front of me?
22:37.291 --> 22:37.951
[SPEAKER_01]: Yeah, that's good call.
22:38.312 --> 22:40.714
[SPEAKER_02]: I'm just going to say, I'm just going to answer one of one people.
22:42.336 --> 22:43.116
[SPEAKER_01]: I passed the test.
22:43.136 --> 22:43.637
[SPEAKER_01]: That's what you do.
22:44.103 --> 22:47.244
[SPEAKER_01]: I'm looking at verse three and it doesn't get better.
22:47.364 --> 22:48.945
[SPEAKER_01]: Uh-oh, but should we listen to it first?
22:49.645 --> 22:50.365
[SPEAKER_01]: Let's listen him say.
22:50.385 --> 22:50.885
[SPEAKER_01]: Okay.
22:51.026 --> 23:08.452
[SPEAKER_01]: Well, because a lot of people because there's a thing a lot of people will play the monster mash at like a party Not realizing, but we don't get to verse three, you know, it's like I'll pay attention when verse three Come somebody playing I got friends in low places by Garth Brooks nobody gets to the third verse of that you just usually
23:09.332 --> 23:37.526
[SPEAKER_04]: I'll go bring Well, the third verse is timbre peating that over and over for the last 3rd verse I like to repeat the same thing for timbre A lot of songs are like this Alright, the first verse Nobody ever the secret 3rd verse kind of gets even weirder Oh, here we go Whatever happened to my 3rd verse, it's not the next It's not the next It's not the most dumbass You're coming And it's a graveyard It's not the next It's a hot horn and a fly It's not the next
23:38.573 --> 24:06.272
[SPEAKER_04]: It's now the monster match Now everything's cool Racks apart of the band And I'm monster match Is the hit of the band Are you the living This match was meant to When you get to my door Tell them what is in Read that back to me Let me see First of all Did you know
24:08.280 --> 24:10.441
[SPEAKER_01]: Fuckin' five verses to this song.
24:11.161 --> 24:11.381
[SPEAKER_01]: Yeah.
24:12.122 --> 24:12.682
[SPEAKER_02]: Did you know that?
24:13.022 --> 24:14.403
[SPEAKER_02]: Yeah, I just never paid attention to him.
24:14.423 --> 24:15.883
[SPEAKER_01]: You know what he's ever listened past the first verse?
24:15.903 --> 24:16.944
[SPEAKER_01]: No, you just always know that.
24:16.964 --> 24:19.925
[SPEAKER_01]: Everyone also hears, oh, it was working in the lower way.
24:20.005 --> 24:20.586
[SPEAKER_01]: Oh, my gosh.
24:20.646 --> 24:21.266
[SPEAKER_02]: Oh, my gosh.
24:21.286 --> 24:23.147
[SPEAKER_01]: Yeah, nobody actually gets the verse five.
24:23.187 --> 24:23.927
[SPEAKER_02]: Wow.
24:25.007 --> 24:26.468
[SPEAKER_01]: Okay, so that wasn't here.
24:26.508 --> 24:27.068
[SPEAKER_01]: Repeat that again.
24:27.108 --> 24:36.493
[SPEAKER_01]: That wasn't even the one I was looking at, but that one got weird too, because he said, like, if they get to my room, say that virus in you, or like some name,
24:37.618 --> 24:38.038
[SPEAKER_02]: Hey, what?
24:38.759 --> 24:39.019
[SPEAKER_02]: Okay.
24:40.099 --> 24:41.800
[SPEAKER_02]: You're being sent by another.
24:41.840 --> 24:50.944
[SPEAKER_01]: You want you want to claim somebody else is the reason that you're here and that's the past word to let you into this party Here's what I see.
24:51.385 --> 24:54.646
[SPEAKER_01]: Okay, tell me because I'm really for versus.
24:54.746 --> 24:55.887
[SPEAKER_02]: Mentally mashed right now.
24:56.667 --> 25:00.109
[SPEAKER_01]: The scene was rocking all we're digging the sounds.
25:01.101 --> 25:05.087
[SPEAKER_01]: Igor on chains, backed by his banghounds.
25:06.129 --> 25:12.799
[SPEAKER_01]: The coffin bangers were about to arrive, with their vocal group the crypt kicker five.
25:13.849 --> 25:29.860
[SPEAKER_01]: no monster mash i'm just i'm not sure how i feel about uh anybody being referred to as the coffin bangers as their squad and just saying look into them a little bit as the parties rocking as the scene was rocking monster mash is a monster order it's a monster
25:33.762 --> 25:42.386
[SPEAKER_01]: That's how we learned here today and guess what you've been playing at at your five-year-olds Halloween party You should rethink that this past week.
25:42.446 --> 25:48.349
[SPEAKER_01]: You just played it, but it's cool because we all like me All listen to it at the same age and we grew up fine, right?
25:48.889 --> 25:58.833
[SPEAKER_02]: And I look at us the dot-6 DJs Jay's that guy's sex What do you rate this one to these snaps and slaps are we done with a monster match?
25:58.853 --> 25:59.353
[SPEAKER_02]: Yeah, we're done.
25:59.614 --> 26:00.634
[SPEAKER_02]: Yeah, did we do the match?
26:00.774 --> 26:02.215
[SPEAKER_02]: Yeah, we do the monster match together
26:03.375 --> 26:05.458
[SPEAKER_01]: Oh I will tell you.
26:06.539 --> 26:16.428
[SPEAKER_01]: I do like the my favorite thing about the song is that it has that like old school like 60s 50s kind of like R&B music how it has like those the girls in the background can we give it up for the
26:20.512 --> 26:23.253
[SPEAKER_01]: Yeah, they really bring it home.
26:23.333 --> 26:40.641
[SPEAKER_01]: They're the pretty only the part I really remember about this song to be honest Yeah, because the guys weird and creepy in it in order to write this song and then perform it like we saw how weird he looks You had to have some ladies around him keeping him keep it wasn't for them this song would never have gotten played again It's not the beat that gets replayed that makes it replayable.
26:40.721 --> 26:41.942
[SPEAKER_01]: It's the home girls in the back.
26:42.342 --> 26:46.484
[SPEAKER_01]: All right for the monster mash and the graveyard smash I'm gonna give it
26:54.550 --> 26:59.571
[SPEAKER_01]: Two slaps, and a little back up singer will fail.
27:00.971 --> 27:02.871
[SPEAKER_01]: There we go, that's what I give it.
27:03.372 --> 27:04.552
[SPEAKER_01]: All right, ready?
27:04.872 --> 27:05.092
[SPEAKER_01]: Yes.
27:08.452 --> 27:12.173
[SPEAKER_02]: And because of the back up singers, you want to give it a how, too.
27:12.353 --> 27:13.013
[SPEAKER_01]: Go ahead and give it one.
27:24.290 --> 27:25.251
[SPEAKER_01]: Feels like Halloween now.
27:25.411 --> 27:26.712
[SPEAKER_01]: Now it feels like Halloween.
27:26.832 --> 27:27.773
[SPEAKER_01]: I will give it to this.
27:28.313 --> 27:29.314
[SPEAKER_01]: You hear monster mash.
27:29.334 --> 27:30.675
[SPEAKER_01]: You know what season it is.
27:30.955 --> 27:33.737
[SPEAKER_01]: And by the way, that's our favorite time of year.
27:33.997 --> 27:34.518
[SPEAKER_02]: It's Halloween.
27:34.558 --> 27:35.799
[SPEAKER_02]: People going join yourselves.
27:36.539 --> 27:41.903
[SPEAKER_02]: Pass a fucking dressed up and eat some candy because it's time to master Matt.
27:41.923 --> 27:42.764
[SPEAKER_02]: Let's go master Matt.
27:42.804 --> 27:44.905
[SPEAKER_03]: And by the way, what have I happened to my central minion?
27:45.466 --> 27:47.727
[SPEAKER_01]: And if it comes up, go have a graveyard smash.
27:47.868 --> 27:49.989
[SPEAKER_03]: What have I happened to my central
28:02.633 --> 28:23.514
[SPEAKER_03]: It's now the months to match And now everything's cool, tracks apart of the bad And my months to match is the hit of the land You're the living, the smash was meant to And you get to my door, tell them Boris And you can match No!
28:23.874 --> 28:25.256
[SPEAKER_01]: Great set Boris sent you
28:54.331 --> 28:57.653
[SPEAKER_02]: It really is a Buster, like it could clear that up at the very end.
28:58.278 --> 28:59.184
[SPEAKER_01]: Signed it off with it.