ABOUT THIS EPISODE

Black music, forged in captivity, became the sound of complete artistic freedom. It also became the sound of America. On today’s episode: Wesley Morris, a critic-at-large for The New York Times.

“1619” is a New York Times audio series hosted by Nikole Hannah-Jones. You can find more information about it at nytimes.com/1619podcast.

This episode contains explicit language.

English
United States

TRANSCRIPT

Disclaimer: The podcast and artwork embedded on this page are from The New York Times, which is the property of its owner and not affiliated with or endorsed by Listen Notes, Inc.

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