► Tell us about you and your podcast
I've done writing, singing and performing before and even some radio but nothing grand. I wanted to do a new writing project at the start of 2020 and somehow fell into podcasting (a medium I had not considered before) about Iron Maiden (a band I hadn't given much thought about for over 25 years)
The show is a character-based comedy which covers the songs of Iron Maiden and a lot of 80s cultural nostalgia. Wayne, the host, looks at each song chronologically and analyses them while drawing on how he felt listening to it as a boy in the 1980s. He is quite a sad character, and a bit of an outcast for liking Iron Maiden as a young boy. he doesn't appear to have changed much as a grown man!
I have a mixture of listeners, mainly Iron Maiden fans of course and the title of the podcast perhaps prevents more casual listeners but I know a few people who regularly listen who aren't fans of the band and some have become fans as a result which is nice!
► Why & how did you start this podcast?
I was hoping to do some writing and stage work in 2020 but the pandemic stopped those plans. Podcasting seemed a natural thing to do given my background. I had the equipment and knowhow of getting it out there. I only did one episode as a joke on Mixcloud but then it took off so I did more. I hadn't really listened to a lot of podcasts but as I started getting more serious I would listen to some similar ones to make sure I was different to those. As I'm not a comedy writer I also listened to some comedy podcasts to get some ideas.
The first episode was put up in February 2020 and I only shared it with a couple of friends as the characters were based on people we knew. It was done very quickly in one evening - the writing, recording and editing. It was only 13 minutes long and deliberately awful in the presentation. I didn't expect to do a second episode but luckily people got the joke and the feedback was so good that I shared it more widely. There was no goal and I always considered it wouldn't last for very long so I didn't think much about such things. When the number of downloads increased this gave me more motivation to continue and I've now done over 70 weekly episodes.
► How'd you find the time and funding to do this podcast?
I release episodes weekly and this is difficult as I have to write, record and edit around a demanding 9-5 job, and I've got a 3 year old so I am very restricted to evenings. It has been very last minute sometimes but while I might notice if one episode may not be as good as another I am always surprised and delighted to get good feedback on elements of the show I may not have thought as strong.
There's no real funding. I thought about patreon but didn't think I could guarantee the podcast would last a year as well as provide additional content. I have used ko-fi which is more flexible as people can give one-off tips and you can use it as a website for blog and shop functions. I have sold some merch including t shirts, music downloads and a special poetry book from Wayne's friend Trevor and I am amazed and grateful that people have wanted to spend money on it.
► What do you gain from podcasting?
I don't gain financially and that is fine. I see it as a hobby rather than a potential career. I've not seriously considered sponsorship even though there is a fictional sponsor each episode. I have to pay for hosting and various platforms and I make that up from ko-fi tips and occasional purchases. I'm not an aggressive seller and I actually see my gains in terms of listeners, interaction and relationships formed through the podcast.
► How does your podcasting process look like?
Each episode I will listen to the song featured in the episode, think of some ideas and jot them down. I'll structure it into blocks and then record an ad-lib session. I prefer a podcast delivery to sound natural rather than read. Often the best lines or ideas come while waffling on and this suits the characters.
I use Ableton to record and produce
► How do you market your show?
Initially I used social media to promote and market, with the occasional advert targeted to certain audiences at the beginning. I get 64% of my audience from UK/US but I love the fact I have strong download numbers in places like Sweden, Mexico and Brazil as it's an unusual style of humour which I wasn't sure would translate well.
I have tried to create unique content based on some of the obscure trivia that comes out of the show, from time travelling ex-singers to fictional band appearances or Fray Bentos pies.
► What advice would you share with aspiring (new) podcasters?
Give it a go and don't be discouraged if it takes a while to see results. Believe in your idea and make sure it stands out.
► Where can we learn more about you & your podcasts?
You can find details at linktr.ee/wimp