# Bob Ezrin
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Robert Alan Ezrin (born March 25, 1949) is a Canadian music producer and keyboardist, best known for his work with Lou Reed, Alice Cooper, Kiss, Pink Floyd, Deep Purple, Peter Gabriel, Andrea Bocelli and Phish. As of 2010, Ezrin's career in music had spanned four decades and his production work continued into the 21st century, with acts such as Deftones and Thirty Seconds to Mars.Since co-founding interactive media company 7th Level in 1993, Ezrin has branched out into philanthropy, activism and being an eco-warrior, supporting several organizations and individuals fighting for the future of our planet. Music has also been introduced into this realm of his life, underpinning projects such as Music Rising and Young Artists for Haiti.
How Darlene Koldenhoven Hit the Charts With No Manager or Label | Bobby Owsinski's Inner Circle Ep. 631
On this week's episode, session vocalist Darlene Koldenhoven tells us how her music hit #4 on the Billboard classical crossover chart with no manager or label.
The common assumption that a major-label infrastructure is required to chart is exactly what her story dismantles, and she walks through th…
Baxie's Musical Podcast: Scott Phares and the amazing comeback of The Hollywood Stars
Baxie talks with Scott Phares from The Hollywood Stars. The Hollywood Stars were a band that was hand selected by the notorious Kim Fowley to be the West Coast answer to the New York Dolls. While things didn’t exactly work out that way, the Hollywood Stars attempted to record several albums that we…
Breaking Through the Dream: Discovering What's Real|Aja Emmanuel
Breaking Through the Dream: Discovering What's Real|Aja Emmanuel Introduction
Aja Emmanuel is the Vice President of Strategic Growth at Art+Logic, one of America's oldest and most respected custom software development firms. For more than 30 years, Art+Logic has helped startups, enterprises, and or…
#12: Destroyer - KISS (1976)
On this episode of 300 Favorite Albums, number 12 on my list is Destroyer by Kiss, released March 15, 1976 — the record I spent three-plus years researching for my book Shout It Out Loud: The Story of Kiss's Destroyer and the Making of an American Icon, which turned me, for good or ill, into "the D…
RSR571 Brian Moncarz - Mixing Rock Drums for Bob Ezrin, Alice Cooper & Our Lady Peace
Have you ever wondered whether a killer drum sound starts with the right mic placement and kit selection, or if it’s something you can still craft in the mix? Or maybe you’re curious about how much room tone, mic choice, and tuning actually influence the final impact of your drums?
My guest today i…
Dead Broke to CEO: Rebuilding After Failure w/ Aja Emmanuel
In this episode, we sit down with Aja Emmanuel—technology executive, entrepreneur, and creative leader—for a conversation about innovation, failure, and resilience. Aja shares his extraordinary journey from co-founding an award-winning music technology company with Bob Ezrin and Dallas Austin to hi…
The Metal Forge - 395 - Alpha Destroyer
ALPHA DESTROYER is a high-octane collaboration featuring Martin Sweet (Crashdïet), Kelly LeMieux (Buckcherry), and Eric Sexton-Dorsett (Sleepless). The band dug deep into the annals of KISStory to put their own unique stamp on the song. Guitarist Eric Sexton-Dorsett explains. "We based our version …
Episode 46: Right Song, Wrong Timing | Canada Comes South
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Why were some of the biggest Canadian rock bands of the 1980s huge at home, yet barely known in the United States?
In Episode 46 of "Who Ordered the Pie?," Christopher heads north for another installment of "Right Song, Wrong Timing" and follows 5 Canadian bands as they try to turn…
Bob Ezrin: Holding Artists to Their Own Best Work
This week we're putting The Tonearm's needle on famed record producer Bob Ezrin.
Bob has worked with artists including Pink Floyd, KISS, Deep Purple, and countless others, though he is best known for his nearly 60-year relationship with Alice Cooper.
He's back working with The Jayhawks on their lat…
Ep.106 - Destroyer: Genesis
Mark, Ken, and Julian consider what might have resulted if Bob Ezrin didn't produce the album that became Destroyer. Using the Magna Graphic demos as a base for what was available to the band to use for a new album, what would the next KISS album have been like?
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