TRANSKRYPCJA 🔗
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Speaker 1: M hm.
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Speaker 2: You all ready, let's go. Well, so missus, Michael called this world started doing Venice Peach. Now he reached in the world. He'll make you left ticket, stomach cars, superfly, nice guy, prad If you need to trust, he's ready for the star sirts winner and oh g three times.
00:00:21
Speaker 3: This ain't gonna be get up. Whether you went down house, you want your brother.
00:00:24
Speaker 2: Out's a dinner on your job and your brother, I mean he's a Michael Taus said, everybody like to call Michael Taus and everybody.
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Speaker 3: Like to call. Yes, Michael Sauce say, everybody, you know what Shin called.
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Speaker 2: Michael Fox said, Everybody called Michael Taus and everybody minday to say my body.
00:00:43
Speaker 3: Everybody, everybody call Hey, everybody, welcome to Michael talks to everybody. This is special. This is the part too. You know we we had Chuck did on here the legend uh episode. We just can scratch the surface in thirty minutes. Man, he got so much wonderful stuff going on. You can't get all that done in the one episode. So we're black, I mean, we're back here. He is my friend, Chuck d Welcome back, brother.
00:01:12
Speaker 1: Thank you, Mike.
00:01:13
Speaker 3: Back to the book. The book is studio. Is that actual music too, or just an actual book?
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Speaker 4: No, it's now I call it Nafi gravel because right now, graphic novels are the thing. A lot of people don't want to read all those words or the pictures. You know, they go back to first grade and second grade. Really, But my thing is this was like not just a journal, but every day I would say a little bit that was on my mind, but I would just put an illustration next to it. It's called the sum of ham and that talked about the summer of twenty two where it seems like it was so many mass shootings and the United States making some rules in law whenever they want to stop something, they can stop something with rules and laws and lobby in Congress. And we've been talking about this black community man ever since. You know, R and B and R and B is like regging and bush drugs and the guns all of a sudden seemed like they came out of nowhere and happened to be in the black communities first.
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Speaker 1: So we had the answer to that.
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Speaker 4: But twenty twenty two is crazy and twenty twenty three is just as crazy. But they don't put it up in the media a lot, so they're trying to like subdue the news. But man, today, man, you hear about somebody shooting somebody. That's a United States of America disease every day.
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Speaker 3: And I'm from Chicago, brother, and we shooting each other twenty thirty people at a time on the weekends. Man, we gotta fand some type of way to turn that around. I have a bright ideal. I'll talk to you about it if you're interested. I got a bright ideal, man, and with a music giant like you working with me, because I put together a musical piece that would just sort of remind us of how we're wiping each other out as well as remind us of our greatness, you know. And it's called the soundtrack of My life, because in Chicago, the soundtrack of our lives is gunshots, helicopters and sirens, you know what I'm saying. And it's just this really beautiful piece. But I don't even know what it is or what to call it. I bet you can help me define it. I'll bring that to you. And we're not here talking to the peoples, but in talking to the peoples, tell us how important is it you're the founder of the hip Hop Alliance. How important is that the hip hop has an alliance that they have some type of reunion because with us striking on the actor, we're striking.
00:03:27
Speaker 1: I'm also a writer.
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Speaker 3: We was striking. How important is the hip hop Alliance to the.
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Speaker 1: Artist anything that says it's fifty years old.
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Speaker 4: You can't start tagging yourself on the back and beating yourself in the chest for being Oh yeah, we accountable now, I mean we should have been done this, but it's come together with myself. Really, this is Courtigs Blow, Curtis Blow our first star idea. And Curtis Blow had a serious ailmen, he had a heart transplant. It wouldn't have been possible if he wasn't a part of the Screen Actors Guild SAD, which helped insurance help pay for the operation. And Kirk from that vision was able to say, listen, I know a lot of people who aren't as fortunate as me that not only just meet and things such as insurance and healthcare and concerns or whatever, even down to your dental but like we are your royalties, what are the right people to align yourself up with to let your family know that you've been in a business that also has something waiting for you. You have a legacy and an heirloom. So the Hip Hop Alliance is pretty much the first union of rappers, DJs, dances, all the elements of rap music and hip hop. And the thing about it, it's just like it's aligned be official with the Screen Actors Guild and have them.
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Speaker 1: That makes it really official.
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Speaker 4: And we wanted them to recognize us as being real music, real musicians. And yeah, it aligns all the other organizations like the Universal Hip Hop Museum and places like that makes places like the Rock and Roll Hall of Fame and the NAACP to understand that we are in the house.
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Speaker 3: So yeah, it effectively gives hip hop a union. Yes, yes, some guardianship. Somebody look out for you. Flavor Flave, you started with just you and Flavor Flave right now.
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Speaker 1: We started organic organization.
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Speaker 4: We did radio shows, We were mobile DJs in the Long Island.
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Speaker 1: Hanks Shockley led Spectrum City.
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Speaker 4: Bill Stephanie my college mate, you know, he was the first black executive at Deaf Jam. That's who like swept me through. But we were a big organization. When Republicanny made the Rock and roll Hall of
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Fame. One hundred people flew out from New York to wow La. We had one hundred people up there. A lot of people didn't talk about it in the news because we've always been an organization that did it our way. Not to say it always worked out well, but there's always been autonomous.
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Speaker 1: So we all come from that.
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Speaker 4: And Flavor was one of, you know, one of the guys, and when we put together Public Enemy, I asked him to come along because actually, you know, we began a friendship within the unit just moving furniture for my pops had a furniture moving well, he had a moving company, so we moved everything from furniture to tapestry and everything. So there's a story before Public Enemy, which is a movie in itself, and that's me and Flavor driving around.
00:06:29
Speaker 1: New York City moving driving truck.
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Speaker 4: I had eighteen jobs before I signed my defty and contract in nineteen eighty six.
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Speaker 1: I was twenty six, so it wasn't like I was forty fifteen.
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Speaker 4: My first job was nineteen seventy seven in Manhattan is shipping under my dad. So I mean I had an experienced grown life way before, and then I learned to appreciate a van ryde. You know, today you see new artists and you know their first record they up in the private jet.
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Speaker 1: I didn't.
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Speaker 4: I ain't fly proper like I was fifty six years old.
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Speaker 3: Bro, Wow, you appreciated a band ride. But wait, how'd you meet Flave? You met him after y'all came together as a musical group, or was he somebody you grew up with?
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Speaker 4: Now, we all grew up in the same area, but we ain't None of us was friends like that. We all knew each time found each other sort of, but we came together for the sake of what we did at college radio Spectrum City as DJ's. You know, I grew up down the street from Eddie and Charlie Murphy, you know, so we all from that neck of the woods.
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Speaker 3: Did y'all know each other? When he was coming up.
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Speaker 4: So much that like when he's trying to see if my sister's home, I got a lot to him at the door and she at the time, always cool Murphey used to come to the come to the parking shoes man always always trying to talk to girls.
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Speaker 3: Being dress shoes like Sunday School show.
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Speaker 4: And this dude's always dressed with me. I talked to girls. He talking boxing and he's and he's snapping, telling jokes and cool. Now, Charlie is a different dude. Charlie make you laugh, matter of fact, even laugh more. But he arrobbed you at the same time. Ernie rapper.
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Speaker 1: Ernion actually was in a group of the K nine Posse. They're all cool people. Man.
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Speaker 4: Yeah, I've known that, and we've all known each other. You know, Hank and Keith Murphy used to come in and do comedy on top of DJing.
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Speaker 3: Let me ask you this, how did you know it would work, the combination of you and flave? How did you know that would work? Because that's the hell of a thing. I got a chicken and people be asking me what are you doing with that chicken? I said, well, this is like flavor flavors. Clock man, this is my thing. When you see it, you know it's coming. But is he a rapper? Is he a hype man? What the hell is he? And how does it work?
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Speaker 1: Bill? But well, you James Brown, then come to Chicago, right right, right right?
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Speaker 4: What did Bobby Bird do? Bobby Bird was like, you know everybody over there? You don't know everybody? Yeah, I decided to make records. I said, all I want you to do is be Bobby Bird and sometimes will flip flop it like that. So that's where the combination came from. Also, school he d and Code Money had that thing going back and forth. But the thing is really James Brown and Bobby Bird. Bobby Bird was so bad himself, Bobby Bird spending off of James Brown. That was an unbelievable combination. But Bobby Bird was the original hype man.
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Speaker 3: So Buster rhymes stage name. They said, you had something to do with that, did you?
00:09:41
Speaker 1: Yeah? Yeah, I used to.
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Speaker 4: I was like Smokey Robinson and Hank Shockley's Arry Gordy. So I was used to write and the arrange the songs and get all the young artists and and kind of train them. You don't teach them, but you train them how not to do the wrong thing and spend their time wasting their time on the wrong way to do it. I'll say, yet, stage presentation, you don't turn your back to an audience. You stay up in the front of the middle. You stop looking for crutches once you front and center. I mean, you're really not really teaching any other techniques and then stage techniques are the same whether you're doing comedy, whether you're doing singing, whether you're doing folk.
00:10:19
Speaker 1: It's the audience and you were at the stage.
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Speaker 4: So things like I used to teach staff, those are just played playing theatrics. But when you talking to a young kid who want to rap at seventeen and fifteen, you're kind of teaching them in the basics on the thing that they like to do. So leads of New School with some kids that was downstairs and one of our cohorts, the head of our musicians. They were always hanging because they had a mutual They were the younger brother of a friend of the main musician, Eric Vietnam Sadler, so he buster Charlie Brown Dinko d. They was always downstairs, hanging out underneath our DJ headquarters. But when they wanted to be a group, just like you know, they want to be a rapper, but they didn't have the names, and they had their own names, And I said, listen, in order for y'all to get a good start, you gotta be named right, and you gotta have something that's jumping, because there's there's nine million people out there with the same name.
00:11:15
Speaker 1: Well, here's a group named Leaders of New School.
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Speaker 4: And I went to Buster and said,
listen, his name was tyeem And I said, listen, I don't know man, if thats gonna make it because it was a football player that played college football named Buster Rhymes. If I could shoose, if I could, I'm already a little bit established. If I could take the name, I would take the name. But you know I can't take the name. You take the name. And of course he gave me the side that I looked and I was like, trust be, it'll work for you. And then Buster Tyheen became Buster Rhymes. Yeah, he's like you, it's the best thing ever happened to me. You say, you're damn right.
00:11:58
Speaker 3: So so did the CIA track your movements when you guys with the peak as public enemy.
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Speaker 4: Not even the peak before the peak, Because if the CIA is seveiling rap music and we going around the world, you you better.
00:12:13
Speaker 1: Believe there's a beat on it. Just believe the height.
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Speaker 4: Believe that that you do that talks about coin tell throw and going up against it and liberating the minds and the souls of our people. Not only you scoring upon but you're under surveillance so I made sure like why I ain't keeping no secret and I don't do crime. So I ain't doing nothing criminal, nothing for me to hide.
00:12:36
Speaker 3: And I don't do crime.
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Speaker 1: I like that part.
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Speaker 4: And I'm gonna say what I think is right. The minute you are dipping into dirty, then they got you because they say you're doing a criminal act.
00:12:46
Speaker 1: But what we always did as public enemy is we use.
00:12:49
Speaker 4: The freedom of speech, freedom all you know what I'm saying, all this stuff in the company.
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Speaker 3: Well, I got two. I got two major questions. I hate to cut you out. I got two major questions. I gotta I'm back in the eggs, want to come back. One is I really want to know, especially since you with the Hip Hop Alliance, it's gonna help a lot to explain what fire, what file sharing is, what's that about? And then secondly, I want to know how much has the game changed this whole music extinction? Those are two. When we come back, we'll be right. Black ladies, gentlemen, you know we have to sell something. This this this is a real business over here, you know we would this ain't like no non for profit organization. No, we're making dollars over here. Gotta go sell something be right back after this commercial, Michael talks to everybody and today the great Chuck d see in a minute and we're black. Yes, sir, I'm saying there would Chuck be with a legend? Wait, this is legend or legend?
00:13:52
Speaker 1: You know what I'm saying me.
00:13:53
Speaker 3: People call me legend too, but it's not because I accomplish anything in particular. It's just like I outlived all these other motherfuckers. But anyway, we are both sitting here as legends. And brother, these are two questions. I gotta get these before this shows over. But this is a part to y'all. We did two parts and we still have a scratch of service. I ain't layd. You still got so much more stuff. But first, which one you gonna do? First? Explain file sharing or tell me how much the game is changed? File sharing first.
00:14:20
Speaker 1: Sharing and simple.
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Speaker 4: It's like, you know, you have a gadget of phone and at the same time and somebody uploads a file without no intermediary and you able to pull it down.
00:14:29
Speaker 1: There in the file.
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Speaker 4: Well, you know, if file is anything that you have is data on your phone, you created something you could share with somebody without nobody, you know, having a business plan on what you create. Like if I create all right, and I put on my phone, I send it to you right away.
00:14:45
Speaker 1: We sharing a file.
00:14:47
Speaker 4: It's that simple, boy. It's like, you know, I go record a song. Now I got to go to you know, Sony and CBS. They got to press it up, they got to put it in the store. Then you get it. That's what we had to make the We had to make the software hard order for you to go purchase it. But if we got a file on our phone or in the MP three on our computers, I got a file. It could be a picture, it could be a song, it could be an essay, it could be the dirty or whatever. I could get it straight to you with not nobody you know in the middle of that. Of course, there's always something, there's the powers that be at know everything that's going on.
00:15:21
Speaker 1: But we had a file. And this is why the music business started.
00:15:24
Speaker 4: It was offensive because here I'm signing you to a contract and you getting your music without my permission over to somebody else. Blame Blame the gadget. You know what I'm saying. And listen, Mike, we come from a time man. I know you know people too that when you told me about computers, they'd be like, nah, I ain't trying to do that. I ain't trying to have big brother watch me. I ain't trying to find out these same person on Facebook looking up their old girlfriends.
00:15:51
Speaker 1: Yeah she divorced.
00:15:52
Speaker 4: Now I'm gonna look her up and like just right, okay, Now you're on Instagram at fifty seven what.
00:15:58
Speaker 3: Same technology, same tek. You just have a different look at it. You know, it's never what we what we're looking at, it's always what we see.
00:16:06
Speaker 4: Peoper, Michael Kay, I'll tell you that that that wasn't on the last episode. It's like, yeah, Quincy Jones says, yeah, you know, music and artist is great, but when you know money talks, God walks out the room. And then you said, some people ask him to leave. I got your I'm gonna use it. I got your wealty check coming to you in the mail boom.
00:16:29
Speaker 3: I'm looking forward to that. See. That's why we have the Hip Hop Alliance so people could be protected around here. You know, he didn't want me ask you what do you love most.
00:16:39
Speaker 1: Books and all this stuff? Like I do.
00:16:40
Speaker 4: It took a
while to get my style back, you know, I graduated university and art degree. I was renowned at nineteen eighty four, and then I got into music for twenty five years in a row. But I designed things. I gave art departments, you know, leads on things. We really just developed the first art departments in hip hop for the companies.
00:17:00
Speaker 1: But I didn't do hand in hand art a lot.
00:17:03
Speaker 4: I did a lot of music and directing, but after fifty five I got back into doing art full time. Yeah, it was like one of those things. Man, It's like I went right back into it. And it's funny back back to the computer thing. It's like everybody got a gadget and I tried to get the most out of it.
00:17:24
Speaker 1: Yeah.
00:17:24
Speaker 3: You you seem like even trying to be techie for a long time when most of us old folks because I'm three years older than you, but that's all. But most of us senior sittings like, man, I ain't fooling with that technology, you know. But that's that's the age, that's where everybody is. That's what the information is a technology.
00:17:41
Speaker 4: I mean, listen, what you gotta do. You gotta keep your integrity and keep your style. I think able to do in the arts and I've always been done in the music. Is that it's very hard to get a style. But you know, as a as a brother is done writing acting and comedy, Michael Kaya has a style.
00:17:58
Speaker 1: They can't never get your stuff.
00:18:01
Speaker 3: That's true.
00:18:01
Speaker 4: Style is your signature, even your mistakes. Your mistakes are your signature and your style. We got to learn to live up with it.
00:18:08
Speaker 3: Most people know me as a crackhead mistakes as well. Will did you be listen? You have a cold line in one of your songs, Satan never knew what NICI is?
00:18:19
Speaker 1: What is that?
00:18:20
Speaker 3: How would you interpret that? Satan never knew what niciest.
00:18:24
Speaker 1: I don't know what I'm from. I think, I think, I think, I think maybe he got Game.
00:18:29
Speaker 3: It is from he Got Game, and I really liked he Got Game.
00:18:33
Speaker 4: You write half your life, and life writes the other half. God writes the other half, and ooh, I like that. We can't make one hundred percent claim on none of this. If it comes to us, it comes to us, and then oh yeah I did that. Oh oh, I'm always going forward. So sometimes when somebody says something like I don't have a good memory for lyrics either, I never had block.
00:18:57
Speaker 1: I could write right right right.
00:19:00
Speaker 4: And also I think the key is, also Mike, is that you got to know what your shortcomings are. I never ever was good at memorizing. Oh okay, it takes me up. Maybe was take the average person maybe twenty times. I take me a hundred times. I never had creative block in my life. Never I could create any When it comes down to retaining and memorizing difficult for a minute, like yo jumping, do a play like even when I do like a lot
of reads and stuff like that. You know, I would have a person give me like a small paragraph that I gotta remember, and they looking at me, are you stupid? And I'm like, damn, I just I just it's me. I'm off to the next thing so quick. I done left the thing that I created. I don't know. I've been coached some of the best rappers in the world and gave me advice. Care us one to be real, and they give me tips, and I try to go to like what they call a hypnotherapist and try to learn how to memorize.
00:20:00
Speaker 3: Wow, I'm with you on that. I can't. It take me a long time to memorize. I just got a new series yesterday, and I got the script. I was up till like three in the morning going on lines because it was too many of them for me. I was like, wait a minute, they're not paying me for this many lines. You know, I'm trying to justify it. But the same time, I'm going over and over. I call Samuel Jackson. When I had this movie like two years ago, this is this Christmas movie. The first time I had to lead, and I was terrified because I thought, you have to memorize an entire movie, you know, like like if it was a play, you have to memorize every line and in the order's end. But with a movie, you shooting different. So I didn't know no of that song. I'm calling sameel and I said, brother, I just need to know what is your secret? Dude, what's the secret for memorizing? He said, dude, the secret is you keep reading over and over and over and over until you memorizing. That's the only secret. It ain't no magic pill. You ain't gonna rub your stomach and patch your head. You just got to read it over and over and over and over until it locks in. You know.
00:20:58
Speaker 4: Well, see you know what That's gonna take me a thousand times and I'd be like, you know what, if I'm learning the same thing that I did a thousand times over, that means I ain't making nothing new.
00:21:09
Speaker 3: I think I can squeeze two more things in here. One is what the heck is a rock supergroup. Profece of Rage.
00:21:18
Speaker 1: Prophets of Rage came about in twenty sixteen.
00:21:20
Speaker 4: The great Time Morello from Rage Against the Machine said while his group was in pieces, said, I want to be able to answer to this lunarcy that's about to take place in twenty sixteen. Maybe we do music, art and things to prevent this momentum of this uncoming fascism.
00:21:39
Speaker 1: And that was the whole thing with Trump.
00:21:41
Speaker 4: After we had eight years of President Obama, we were going into four years of Trump and whatever.
00:21:48
Speaker 1: Games we had in eight years.
00:21:50
Speaker 4: And of course, you know, see I can talk about this in the hour because I would be shutting a critic down. Like what President Obama and First Lady Michelle Obama bought for me in the United States of America, I needed be Jesus, but what it brought me brought me time. Mm I also I needed time to go around the world and not be scrutinized as this mf that came out of the United States of America, spoiled privilege.
00:22:17
Speaker 1: And now you over here, you know, I when Trump wuked up in.
00:22:20
Speaker 4: There, I go Tom countries and they be looking at me like, y'all allowed to y'all allowed that to happen on yall watch. He'd be like, well, you know, I said, I'm a musician. I look at the world as a planet Earth.
00:22:32
Speaker 1: Chuck.
00:22:32
Speaker 3: I feel the same way though, that we let this happen on our watch. That what Trump was was I believe, and I will always say this, that he was the worst thing that ever happened to this country in the history of this country when it comes to the Constitution and how he wiped his behind with it, Like Van Camps, He's.
00:22:49
Speaker 1: Just white, white wipe.
00:22:50
Speaker 3: Every day he would throw away a rule, throw away something that people died for to get these certain rights put in place, and he just smeared them and stepped all over. But it's we the people who's done nothing about it, because the Constitution said we are supposed to We're supposed to confront any of our anyone who's against the country, rather they're foreign or domestic, any of of this government's enemy is supposed to be our enemies, and sometime the enemy lies within. We allow him to be that and do that, and they look like they're trying to do it again. The boy going to jail, and still half the voters want them back.
00:23:26
Speaker 4: Here with our history, a sense of history of where you at in this world, the geography. You are here by a slave, meaning that we need understanding, knowledge, wisdom, understanding for other places to understand and know where we're at. So when anybody comes up about the Trump thing, I'm like, listen, I'm from New York, right, I've been seeing this dude for like all my life, for sixty three years, right, really, right right saying that, Yo, I'm not saying you the devil per se whatever. You can do, whatever you want, that's whatever, But you don't need to be the president of this spot where I got all my family here.
00:23:56
Speaker 1: You know what I'm saying.
00:23:57
Speaker 4: And even if you a contrary the things I believe, I don't need you to be a fuck up at the wheel. Because the first people to go, Michael, whether we get into this that whatever, is that we're the first people to go because we're not collected as black folks in the United States of America and we be first to go, that's right, And that's why we can't afford like to be like, oh, them Negroes and Caribbean and they ain't got nothing to do with us. And those black folks in Africa, we ain't from Africa. So now you're going to reduce that to where we are right here and we ain't together right here.
00:24:28
Speaker 1: The fuck here's my language.
00:24:30
Speaker 3: And that's another whole thing. You got to come another day, because that's another whole thing I want to talk about. We send so much money to other countries to heal their problems while we
have a tremendous amount of problems right here. Why we send the money to the Ukraine? Why we send the money to all these different places? When South Central get people laying on the ground, downtown La half a million people laying on the ground, living under boxes.
00:24:54
Speaker 4: Black lives don't matter. So I don't care how many statements or rallies we have in the United States America. If black lives don't matter, that means we have to do our best to figure figure out how much support do we get for the black lives that are And that's that's just real nineteen twenty four, Adolf Hitler gets out of German prison, he writes the book mindkom Right, and at the same time he runs for the head of Germany. At the time, I just rushing it down in a quick notes. Right, he don't win, right for what happens. A lot of things happen where people were like on their heels kind of figuring it out after World War One and not paying attention full time to this momentum that would scapegoat everybody else. And if he wasn't Airan in blue Eyes, when Hitler wasn't blue eyes or blonde either, he took this momentum and by nineteen thirty three you have the rise of Nazism. When Peter they people didn't see it coming, some people for coming, a lot of people to see it come in It was like, what, oh WTF?
00:26:04
Speaker 1: So all this talk.
00:26:05
Speaker 4: About I'm not you know, history is cyclical because you fool new generations by not having that history embedded into your present. There we go again in nineteen and twenty four to twenty twenty four. A person be a damn liar if they try to tell me exactly that they know what's gonna happen in twenty twenty four.
00:26:26
Speaker 1: We don't have no clue.
00:26:29
Speaker 3: We better just hold on and speaking a hold on, we got to go.
00:26:33
Speaker 4: We out.
00:26:33
Speaker 3: Then you got a lot of great stuff to talk about. But you're right. If I tell you the question, you gonna go on and on. So it's there's gonna be one question, but you answered plenty of them. Everything I need to get answered. You got it out there already.
00:26:46
Speaker 4: Keep it to the five areas I made, and when I'm requested, I'll give out. But thank you, Mike, and maybe I can come on you other medically. If we get into a tough spot, like everybody looking for answers, maybe the two of us could figure it out.
00:27:00
Speaker 3: I love that. Let's do that. Let's do that sometimes just on a humbug, just get in there and mix it up and see what we can figure I love you, sir, I appreciate you. I respect you more. And I could say, it's so good talking to a legend and to hear your story so vibrant because you in the middle of all of it, and you are a part of this fifty year celebration of hip hop. So I'm honorative have you here today. Tell people how they can find you so they can get them books and everything else.
00:27:23
Speaker 1: Yeah.
00:27:24
Speaker 4: Well, the biggest thing I've done this year is starting the world's first cultural app. It's not social media, it's cultural media. So they could go to Bring the Nooise dot com. It's nothing like it. And we have the eleven channel wrap station radio inter network where we've broken twenty five thousand songs over fourteen years and ten thousand artists with their service vehicle.
00:27:43
Speaker 1: You can't be over there.
00:27:44
Speaker 4: I'll do a weekly show call and you don't stop for fourteen years in a row. Bring the noiseapp dot com and you see that there's a whole universe up in there to check me out on.
00:27:56
Speaker 3: Well, I love you, brothers. We're absolutely out of time. I'm so grateful to you came and you. We have to do a two part of because you got so much goodness to share, My King, and please come back again. Let's come on, just me and you. Let's just chop it up. I love you. Matter of fact, I'm gonna do some of the talking next time I'm playing with you. I'm playing with you. I love you, brother, Thank you, King much respect, peace and blessings. Hey, y'all, you've been listening to Michael Talks to Everybody, but you really been listening to Chuck D. Who knows that he got it down. He knows what was going on in music, he knows what's going on in life. And I'm glad that he took time to share with us enough to do a two parter. So tell all your friends Chuck D is on, y'all and sit down in front of the machine and listen to Michael Talks to everybody. Gotta go, get place to go when people do. I hope you have a super calif Friday. You listen to ext to me all the doors just candaday. Let no one steal your rainbow. And remember life is a garden if you dig it. Three days a week. Were doing new shows. I'll see you on the next one. By Woo, I had a good time today. I hope y'all did too. Man, Thank y'all for checking us out here at Michael Talks to Everybody. Hey, you can follow me, man, I'm easy to follow. I'm on Instagram just under at Michael Kaya. I'm on TikTok. That's Michael Kaye one three five. I have a very sexety webpage called the Realmichael Kaye dot Com. You know, you go over there, you can find out about my merchandise and what I'm doing and with all my shows. Our airthing is right there. Or if you really love me, you can go to my cashapp. That's dollar Sign Michael Kaya's money. I'm playing with y'all, but I accept Green Stand foods and Canadian money. I'll take your bus transfer if you got some time left on it. And my morning show, oh my goodness, the Michael Kaye Morning Show. That's seven eight m Pacific time, YO, five days a week. This has been a ray Lock Group production. I see y'all later