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Hey everybody, it's Bret Benner.
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Welcome to another episode of Behind the Stack.
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The author that I am talking with today is gonna be familiar to so many of you because her previous books have been such massive hits, but I have to tell you, I think it's her best.
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Not only that, but when I finished this book yesterday after racing to get to the end, my mind was so blown in so many parts that as I say to her in the interview, I can't wait for more people to read this and talk about it because there's no way to really talk about it without giving away spoilers.
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So I'm gonna preface this before I even introduce the book and say, for those of you who have read the book, you can listen to the end.
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For those of you who haven't, I clearly delineate at one point in this conversation that we're about to enter spoiler territory, frankly because I had to have questions answered that I thought I might never get a chance to ask her again.
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So bear that in mind when you listen to the episode.
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She is Chloe Benjamin, and the book is Understory.
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A little bit about Chloe.
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She's the author of The Immortalists, which was a New York Times bestseller, and The Anatomy of Dreams, a Barnes Noble Discover Great New Writers selection, Library Reads Favorite, and number one Indie Next Pick.
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The Immortalists was named a best book of 2018 by NPR, The Washington Post, Entertainment Weekly, and others.
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The Anatomy of Dreams received the Edna Ferber Fiction Book Award and was long-listed for the 2014 Center for Fiction First Novel Prize.
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Originally from San Francisco, Chloe is a graduate of Vassar College and an MFA in fiction at the University of Wisconsin.
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Her work has been translated into over 30 languages.
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She lives with her husband in the San Francisco Bay Area.
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So I hope you enjoy this episode of Behind the Stack hey everybody, welcome back.
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I am really thrilled to be sitting down today with Chloé Benjamin for her latest book, which is, to say that it's mind-bending and mind-blowing is, is probably the understatement of the year.
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The book is Understory.
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Oh my gosh, it's so beautiful and so moving, and, uh, we have a lot to unpack.
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Thank you so much, Brett.
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I'm so happy to be here.
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Thank you.
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And
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wait, Chloé, you're gonna have to help me out here because I'm gonna
Load full transcript
s- try to steer around spoilers, because I don't wanna get into any of that.
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Mm-hmm.
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And yet I feel like there is gonna be a point where I'm gonna have to get into spoiler territory, and I'm going to announce it for people who haven't read the book yet.
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Yeah.
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Because first of all, there's just things I want to talk about and want answered, and I'm not gonna have the chance to do it again.
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Yeah.
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And-
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I would love that.
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I haven't been able to have a spoilery conversation-
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Okay
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yet.
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Okay.
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Yeah.
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So, so just for our listeners and for our viewers, this whole first part, we really are gonna steer around it.
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But then unfortunately, then the last part is gonna be for people who have already read the book or will have read the book by the time they see this or listen to it.
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Okay.
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Perfect.
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Beautiful.
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So I have to tell you, one of my greatest joys of doing this podcast, besides the obvious, which is I get to sit down with so many amazing authors and their work, is something like this which truly, like, wrecked my brain through a lot of it.
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I would never get the chance to, sit with someone and ask them all of the questions regarding what were you thinking, where were you at, what is the genesis?
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And so I feel so fortunate to be able to do that with you today because this is that book, and it is that book- Hmm that makes you not only ask so many questions of yourself and of these characters, but also just, for me, the, the sheer mechanics of it and what-
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Hmm
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you put into it to get to where we are today.
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It took you seven years to write this, right?
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Yeah, it was about, um...
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It's, it's about seven years from idea to publication, so it was five years for the first draft, and then for the past two years or so, it's been editing and then getting ready for publication.
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And everything that you said is how I feel about being able to talk with people who have read it because I do keep work very close to my chest while I'm working on it.
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Like, I didn't share the concept, shared with very few readers during the writing process.
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So it's so exciting now that people like you have read it, and, like, I can pick your brain too.
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So I'm just thrilled to be able to talk about it with somebody who's as engaged as you are as a reader.
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Oh,
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my God.
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Well, so this is my...
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Like, i- i- was your husband, did he even know anything?
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I mean, could
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you sit down- Yeah, so he did.
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Okay.
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Yes.
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Yeah, so he, he knew.
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He's actually a phenomenal editor.
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But we instituted some boundaries when I was working on this book, which were that he wasn't gonna read any material until I had half of the book.
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Okay.
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So we- he definitely did a lot of conversation and brainstorming with me.
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Like, there were just dark nights of the soul when we would be, like, just scraping the, like, the barrel of our brains trying to figure something out.
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but he didn't read anything until I was over two years into the project.
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That's when I had the first half.
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And then I had to wait another two and a half years to give him, you know, the full book.
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But the other people who were kind of in the inside were my editor read at about halfway, and then my agent was, was reading throughout, and a couple of friends, like one or two friends.
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So I really keep it pretty small in this- When I'm working on it, which was really torturous for this because it's like- Oh
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my God
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it's, there's like so much...
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Oh, and I have to give a shout-out to my research assistant.
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My research assistant, Dr.
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Alyssa Adams, is an astrobiologist.
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They are phenomenal, and we're tr- It was the first time I ever had a research assistant while working on a book.
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So to have somebody to whom I could pose questions like,"I want to make this happen fictionally.
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What's a justification that you can give me?" It was incredible.
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So, I mean, it still took this long, but I was so lucky to have research help.
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My God.
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I can imagine.
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First of all, I picture some room in your house just covered with whiteboards and strings and
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pieces of paper.
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Yeah.
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Like an investigation into- That's my brain.
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That's the inside- Yeah of my brain.
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Yes.
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I
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just pictured, like, this almost like a, a murder investigation- Yeah.
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and all the suspects and everything connected because- Yeah yeah, it's really like you talk, like, again, saying in the beginning about the mechanics and how something is put together and the way you make it tie together, and by the way, believably too, right?
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Mm.
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And, and, and your use of f- factual things, and I, you know, I couldn't even come out of this and say,"Well, that was, you know, not real- Yeah or that's not true," is like, it's like a magic act to me.
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Yeah.
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Oh, thank you.
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Um, truly.
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Yeah, and also, the other thing that blew me away about this is reading that you are not, or were not, like, a science person.
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No.
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I mean, not in terms of, like, being a science person in school.
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Yeah.
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I was never great at science.
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Um, I, you know, I, I'm not at all a math person, and so the kind of like harder elements of, like, hard science elements are things that just don't necessarily make sense to my brain.
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But I love science from a storytelling perspective and kind of from a philosophical perspective, because it's the way that we can try to understand the world.
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And I'm fascinated by existential mysteries, things like what happens after we die, and is there life elsewhere in the universe, and why does time only move in one direction?
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And science is one of the tools that we have to investigate those things.
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So it's very strange to me and a bit mysterious that, you know, I've, in each of my novels now, I've written about scientists.
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Hmm.
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And at this point, I feel like I have some amateur- Right.
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science background.
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Right.
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Um, but, uh, but it's really, like, interest-based, um, not sort of something that I'm naturally, I think, or, or was previously strong in.
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Well, and what it does is, and this is another reason, like, why I personally love books and love books that engage, because something like this, I was immediately, I was looking up so much.
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Like Silent Springs, for example- Mm is referenced by Rachel Carson- Mm in the book, which I was like,"This has to be a real thing." And so I immediately- Yeah looked it up.
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I put it in my PangoBooks cart,'cause I was like,"Well, I have
to read this book."
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Oh, cool.
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So it's that kind of extension-
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Yeah
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that I find is so fascinating, and just, like, literally- Yeah it sounds so obvious to say, but learning about these things through the written word.
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But it truly is- Yeah that, because you're so invested in what's happening, which is great.
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I'm so happy to hear that, and I, I really hope that the book, uh, if, if it in fa- if it impacts other people to read it the way that it impacted me to write it, I will be so happy because the research that I did for this novel, especially around the non-human, you know, non-human intelligence or sentience, whatever words we want to use, was so impactful to me.
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I just really look at other beings differently.
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Um, yeah, it really, it's exciting to me to hear.
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And I, I don't know, I've been thinking about this as I've been asked about the kind of cross-hatching of real science and science fiction in this book.
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It really mattered to me while writing that there was a lot of verisimilitude, that I was using real things- Mm and then jumping off of them to create something imaginary, and I don't even know why that felt like such a priority for me.
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I think it felt like a way to make it convincing, and, and maybe, maybe harder for a reader to discard and say, like,"Well, this isn't really about our world." Like, maybe I feel it makes the book more accountable to the real world or the, or the reader more engaged with the real world while reading.
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I loved kind of finding...
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It- it's sort of like a magpie instinct.
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There's, like, a nest of, like- real things and fictional things, and they're all...
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I can tell you, like, if there, if there was anything you're like,"Is this real?" Like, I can break everything down, but maybe that's for the spoiler part of the- Right, right episode.
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Okay, so for our listeners and our viewers, do you have a, an elevator pitch for the book?
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Kind
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of jumped right in.
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Yes.
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Yes.
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So my elevator pitch, and, you know, this is a very hard book to discuss without spoilers, but it's essentially that we have two, uh, protagonists, a, a divorced couple, Laurel and Eli, both scientists, who are unwillingly reunited at a research base in Antarctica, where a visual disturbance known as the Ark is behaving very strangely.
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And I think that the jacket copy alludes to the fact that this is a novel
that is ultimately about multiple universes.
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So I'll say those, those two things.
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So yes, and the book covers so many things betwe- between, like, mycology and physics and the, this, like, the space-time continuum.
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I know that the seed of this, can you tell our viewers and our listeners, w- I know the story, but, like, what the story is and how this, what prompted for you?
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But then beyond that, what part of this kind of, uh, for lack of a better word, science aspect of it did you start to focus on before other threads started to come in?
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Sure.
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So the initial spark for the novel came to me in early 2020.
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Um, there was an experiment in Antarctica at the US research base called McMurdo that found an elementary particle called neutrinos were behaving very strangely.
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And one very speculative idea to explain how they were behaving was that perhaps they were evidence of a parallel universe that moved backward in time.
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This was soon disproven as an explanation for the particular phenomenon in the study, but I thought it was fascinating, and so I kind of ran with it.
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And so it's a little bit complicated to explain because there was the experiment that took place in Antarctica by, by a group called ANITA, A-N-I-T-A.
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It's an acronym.
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They are in the book, I mean, a fictionalized version.
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And then there was a separate trio of scientists who hypostulated this idea of a...
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Or hypostulated is not a word.
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Who hypothesized- Hypothesized?
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And/or postulated.
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But I totally went with it.
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I'm like, she knows science.
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Yeah.
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That could be a word I haven't heard yet.
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Any scientist listening to this is like,"Yeah, we know she's, she, this woman is not- Right one of us." Right.
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Anyway, they hypothesized this idea of a CPT symmetric universe, which is, uh, you know, that the Our universe is actually two universes, one that has inverted properties.
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And then a third scientist linked these two, two things, the ANITA results and the CPT symmetric universe theory.
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So I kind of ran with, with this and fictionalized it heavily to suit my purposes, but I did start by interviewing one of the physicists who came up with the idea of the CPT symmetric universe.
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His name is Latham Boyle, and he was really kind to do some early brainstorming with me, and then I sort of went off the deep end.
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But the same, at the same time, I knew that I wanted to have a really strong interpersonal core, and I was interested in writing about a marriage.
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The Immortalists, my previous novel, follows four siblings, and each of those siblings has one section of the novel.
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And so there's four different perspectives, and there's a, there's a love story in at least one of them, but I hadn't really focused on that, exclusively in a book before.
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So I wanted there to be something really tense in this relationship that, you know, there would be a sense of suspense throughout the book, and what came to me was the idea of a couple that is divorced.
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And so what is keeping them apart is not anything external, but something internal.
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It's their own former decision.
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Um, and, and that was really interesting to me.
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And then where did the mycology come into it?
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I mean, the mushrooms, and it's so amazing to me.
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Well, you know, I think mushrooms have really been in the ether in the past, like, five- Mm 10 years.
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So I'm sure I was picking up on that.
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The protagonist, Laurel, is a mycologist, so she researches fungi.
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And I was trying to think, like, when exactly did that come in?
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And I, I need to go back and look at my notebooks, but I know that a large part of it was something that I don't know how to talk about without getting into, uh, spoiler territory, but, um, it, but how life begins in- in the other universe Yeah.
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Yes
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Let's say, let's say that.
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Um, that when I knew that I needed that piece, then it made sense for that to be her focus.
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Interesting.
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Interesting.
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Wow.
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I'm just sitting with it for a second because my, my brain is, again, going through so much of this, and we may be going into spoilers sooner than later because I'm still trying to, like, navigate.
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Um- Mm-hmm after spending so much time researching for this book and spending time,'cause a lot of the book, it deals with a lot of different subjects, but one of them is our relationship to the natural world.
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Has your own outlook on things, and I think you alluded to it when we started-
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Mm-hmm
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changed since going through all this?
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Yes.
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Also, I, I, and I also, I ask that
question because I know that you spent most of your life in an urban setting- Mm-hmm and now you live in Wisconsin, which is a very different thing, and I'm experiencing that now, having lived almost my entire adult life in Los Angeles, and now live-
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Hmm
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basically in a forest on an island.
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Oh,
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wow.
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Yeah.
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And
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so I'm so curious if that, has that affected you at all?
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Yes.
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Well, I'm curious about your experience as well.
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But yeah, I grew up in San Francisco, and, um, I'm, when I went to grad school for creative writing, I moved to Wisconsin, and I was there for 15 years.
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My husband and I actually moved back to the Bay Area just a year ago.
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Um, he's now working at UC Berkeley.
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But suffice it to say that I have always been a city kid and kind of an indoor cat.
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You know, I'm a reader.
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I'm a knitter.
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I'm a writer.
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None of these things are, like, outdoorsy pursuits.
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And, um, so the fact that I wrote this book, like, sometimes I, I almost feel like a fraud or an imposter, but I also think that it's like I came to the natural world with the passion of a convert.
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Like, as I, as I interacted more and more with- With the non-human, as I studied and researched the subjects for this book, I just had this profound experience of being tenderized.
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That's the best way I can put it.
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Like, it- I feel pained to see a worm crushed on the sidewalk now because I know what worms do, um, f- you know, for soil, for plants, for our food systems.
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I stopped eating meat midway through the research process.
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I just feel this intense compassion and awe for other beings, and I never expected that.
00:16:46.785 --> 00:17:09.306
It's, it's, like, more painful to live in the world now, but I think that's so true to, like, the more compassion we have, the, the more painful life can be, and that's maybe one reason why it's, like, much easier to go through the world with a hard shell because then you're not hurting as much if you're not thinking about what other people or, um, beings are experiencing.
00:17:09.836 --> 00:17:09.976
Um-
00:17:10.125 --> 00:17:10.695
Empathy sucks.
00:17:11.506 --> 00:17:12.195
Yeah, right.
00:17:12.246 --> 00:17:13.006
Don't do it.
00:17:14.135 --> 00:17:14.885
It's the worst.
00:17:17.875 --> 00:17:20.796
Um, so yeah, it's, I mean, my...
00:17:20.836 --> 00:17:25.496
I, I also give credit to my husband for kind of opening my eyes to some of these things.
00:17:25.506 --> 00:17:27.346
He's a sustainability professional.
00:17:27.395 --> 00:17:30.776
He work- he's actually the director of sustainability at UC Berkeley.
00:17:30.806 --> 00:17:39.496
Grew up, you know, off a dirt road in Massachusetts, has always been incredibly connected to his environment, and I've learned a lot from him.
00:17:39.506 --> 00:17:41.155
So yeah, it's, it...
00:17:41.306 --> 00:17:43.026
I mean, I don't know where...
00:17:43.026 --> 00:17:45.185
It's kind of like with the science, you know?
00:17:45.513 --> 00:17:55.584
I, it, it's sort of a mystery to me how I found my way to certain subjects in the book, but I think what I hope comes through is just the, like, enlightenment that I felt while working on it.
00:17:55.594 --> 00:18:01.163
And there was like a, you know, I kind of fell in love with, with the world around me while-
00:18:01.203 --> 00:18:01.423
Mm
00:18:01.423 --> 00:18:01.923
writing the novel.
00:18:01.963 --> 00:18:05.993
Yeah, I feel, I feel so much of that too living in this environment.
00:18:06.013 --> 00:18:06.023
Mm.
00:18:06.034 --> 00:18:13.049
I also feel, this is a weird thing to say, but almost your insignificance in a way- Mm-hmm in the greater of it all.
00:18:13.119 --> 00:18:16.299
But I stand here and there's these trees that are so tall.
00:18:16.500 --> 00:18:16.519
Yeah.
00:18:16.599 --> 00:18:17.289
And like just-
00:18:17.289 --> 00:18:17.480
Yeah
00:18:17.609 --> 00:18:20.910
the, the floral, the fauna, and the life of just the animals.
00:18:20.920 --> 00:18:20.940
Yeah.
00:18:21.240 --> 00:18:27.410
And like walking at night and seeing an owl on a telephone wire or seeing, waking up one morning and there's a fawn outside my bedroom door.
00:18:27.420 --> 00:18:27.440
Yeah.
00:18:27.450 --> 00:18:29.733
All of this kind of stuff and this, I don't know.
00:18:29.733 --> 00:18:39.680
And I, I think like you it's, I, I feel the same way, where I've suddenly become so aware of every single thing, and kind of the connectedness of all of it.
00:18:39.720 --> 00:18:46.990
And I feel like- Yeah part of that for me has been separating out of a place that's so overwhelmingly stimulating all the time.
00:18:47.000 --> 00:18:47.420
Yeah.
00:18:47.430 --> 00:18:49.910
The people, and noise, and all of it.
00:18:49.950 --> 00:18:58.369
It's interesting with the book because it's bringing up these two ideas of kind of science, not necessarily versus spirituality, but-
00:18:58.539 --> 00:18:58.910
Hmm
00:18:59.190 --> 00:19:01.170
in, in terms of belief.
00:19:01.759 --> 00:19:02.200
Yeah.
00:19:02.200 --> 00:19:08.900
And it made me think a lot about the way that people kind of try to make sense of the world by using one of these two things.
00:19:08.900 --> 00:19:08.910
Hmm.
00:19:08.920 --> 00:19:14.019
Whether a belief in a higher power, or a spiritual thing, or relying on science.
00:19:14.019 --> 00:19:18.006
Do you think you as a, as a person- Favor one more than the other?
00:19:18.135 --> 00:19:18.655
Mm.
00:19:19.226 --> 00:19:28.615
I, I'm so glad that came through in this book because that's something that I think about a lot, kind of science and spirituality as being different ways of coping with mystery.
00:19:28.655 --> 00:19:35.385
I think spirituality sort of holds space for it and lets it be there, and science is more interested in figuring out.
00:19:35.465 --> 00:19:45.836
And I feel like there's, there's not as much of the spirituality or kind of religious interest in this book as there is in- Right like, The Immortalist, so I'm glad it still came through to you in some way.
00:19:45.875 --> 00:19:59.605
And I think what is there is a conversation about faith and belief and intuition, and that is kind of an alternate way of knowing that I think in the Western world we don't always know how to understand or fully respect.
00:19:59.655 --> 00:20:01.996
I don't think I fall to one side or the other.
00:20:02.016 --> 00:20:06.256
I think I'm, I'm interested in both and what they have to offer.
00:20:06.266 --> 00:20:06.276
Mm.
00:20:06.286 --> 00:20:09.336
But yeah, I mean, I, I grew up in a...
00:20:09.395 --> 00:20:26.865
I- my dad is Jewish and my mom is Episcopalian, and, you know, so I grew up with multiple religions, and they're, they're divorced but grew up with households with different religions and have just been always fascinated by the way that spirituality offers ways of thinking about these things.
00:20:26.915 --> 00:20:38.155
One of the things I also loved in the book was your whole supporting cast of characters and- Mm the, the diversity of them, and especially in regards to sexuality and gender, I just really appreciated it.
00:20:38.155 --> 00:20:38.236
Mm.
00:20:38.236 --> 00:20:39.776
And was that very intentional for you?
00:20:39.955 --> 00:20:40.546
Mm.
00:20:40.935 --> 00:20:41.395
Thank you.
00:20:41.395 --> 00:20:49.435
Well, I grew up with gay parents, so, um, after my, my mom and my dad divorced, my mom, was with her partner Molly for about 17 years.
00:20:49.445 --> 00:20:49.455
Mm.
00:20:49.476 --> 00:20:54.865
They're no longer together, but I, I was raised by my mom and Molly, and then my dad and my stepmom Ellen.
00:20:54.875 --> 00:21:15.405
And, so yeah, having, having representation that is diverse has always been really important to me, and I think the LGBTQ+ community has been really meaningful to me throughout my life because of my mom and Molly, and a lot of our family friends were queer and are kind of aunties to me.
00:21:15.445 --> 00:21:17.425
Um, uh, so...
00:21:17.455 --> 00:21:29.746
And also growing up in San Francisco, you know, it's a, it's a diverse, um, a, you know, for the most part accepting place where a lot of different people have gone to find community and refuge.
00:21:29.746 --> 00:21:34.155
And yeah, I think that was intentional, but also it's just kind of part of my, my life.
00:21:34.195 --> 00:21:34.536
Yeah.
00:21:34.665 --> 00:21:38.665
Okay, now I have to tell everybody that at this point I'm going to be dipping into the-
00:21:38.796 --> 00:21:39.036
Okay
00:21:39.536 --> 00:21:40.816
potentially spoiler stuff.
00:21:40.816 --> 00:21:43.486
Put, put it down if you haven't, and then come back after you've-
00:21:43.496 --> 00:21:43.905
That's right.
00:21:43.905 --> 00:21:44.165
That's right read the book.
00:21:44.736 --> 00:21:49.105
Because I have some questions we're gonna get into, and I just can't not ask, and so it's gonna spoil.
00:21:49.125 --> 00:22:05.256
Okay, so I have to say, one of the things that I really dug, and it must've been so much fun for you in terms of, uh, in an exploratory way, was the kind of inverse world that- Mm-hmm these two end up in.
00:22:05.695 --> 00:22:14.634
And I kind of loved to see what- versions of not only, not them, not Eli or Laurel necessarily, but, but the other characters.
00:22:14.644 --> 00:22:14.953
Yeah.
00:22:15.074 --> 00:22:17.064
And particularly I'm thinking Gloria.
00:22:17.314 --> 00:22:17.384
Yeah.
00:22:17.503 --> 00:22:32.884
Because I loved her and I, I, I loved this poignant moment how you bookend it so beautifully where, you know, she starts as Laurel's professor and then Laurel becomes her teacher in the other side.
00:22:32.894 --> 00:22:32.923
Mm-hmm.
00:22:33.284 --> 00:22:35.354
And I thought that was so beautiful.
00:22:35.354 --> 00:22:42.723
But not only that, of just watching Laurel get to witness Olivia become young.
00:22:43.538 --> 00:22:44.657
And I thought that was...
00:22:44.928 --> 00:22:58.178
Like, she, she describes her at one point, her, her hair when she hasn't seen her for a while- Mm and how it's all the colors all coming back to it, and that she could see the woman that she actually was in her, like, vibrant part of her life.
00:22:58.548 --> 00:22:58.557
Mm.
00:22:58.798 --> 00:23:02.907
I just thought that was so, so incredibly beautiful and so moving.
00:23:03.387 --> 00:23:14.107
But I have to think, it must have been so fun for you to kind of parse things out, but not only just characters, but also just cultural references, historical references- Mm all these little things.
00:23:14.117 --> 00:23:14.157
Uh-huh.
00:23:14.407 --> 00:23:19.077
Like, I kept thinking if you were just brainstorming ideas, down to tech, right?
00:23:19.367 --> 00:23:19.597
Like
00:23:20.657 --> 00:23:20.938
a computer- Yeah, like the iCane the iPhone.
00:23:20.938 --> 00:23:22.708
I feel really proud of the iCane.
00:23:23.077 --> 00:23:23.307
Yes,
00:23:23.788 --> 00:23:23.857
yes.
00:23:23.877 --> 00:23:31.857
So, you know, if we're in the spoilery part of the, of the episode that, you know, in the anti-universe, people are born in old age, and then they age down to youth.
00:23:31.897 --> 00:23:38.298
So essentially when they're in their, you know, 60s, 70s, 80s, depending on when somebody is born, they're effectively teenage...
00:23:38.307 --> 00:23:40.518
They've had a teenage number of years on earth.
00:23:40.678 --> 00:23:48.157
Uh, so Apple comes out with these- devices like the iCane that, you know, come in, like, these different, like, rose gold and stuff like that.
00:23:48.157 --> 00:23:48.837
That was really fun.
00:23:50.928 --> 00:23:51.498
Yes, the color.
00:23:51.498 --> 00:23:51.948
Yeah.
00:23:51.948 --> 00:23:56.998
Um, so yeah, I mean, Gloria is just very close to my heart.
00:23:56.998 --> 00:24:02.758
I don't know if you, um, if you've seen the deck that my publisher has sent out to some media.
00:24:02.758 --> 00:24:02.928
No.
00:24:02.958 --> 00:24:03.877
But Glor-...
00:24:03.917 --> 00:24:04.387
Oh, good.
00:24:04.407 --> 00:24:09.397
Well, I mean, good because I can tell you that Gloria is very much based on my grandmother.
00:24:09.397 --> 00:24:09.678
Oh, wow.
00:24:09.678 --> 00:24:14.268
Um, so my, my grandma was just a magical being.
00:24:14.488 --> 00:24:23.718
Not at all outdoorsy, so it was funny kind of putting her into this character, but incredibly curious, compassionate, eccentric.
00:24:23.748 --> 00:24:25.387
She had a blackbird hat.
00:24:25.387 --> 00:24:26.597
So she's on my desk.
00:24:26.597 --> 00:24:27.147
I'll show you.
00:24:27.147 --> 00:24:28.238
This is my grandmother.
00:24:28.238 --> 00:24:31.807
Um- Oh my God, there's the hat and this blackbird hat with the necklace wound up going- Yes.
00:24:32.508 --> 00:24:33.278
in the book.
00:24:33.407 --> 00:24:35.538
Um, and, and my...
00:24:35.617 --> 00:24:40.397
And Grandma passed about a year before I started the book, and I was devastated.
00:24:40.478 --> 00:24:47.067
And also I was dealing with a lot of chronic pain at that time that prevented me from crying, because crying was a, was a major migraine trigger.
00:24:47.438 --> 00:24:58.498
And so I think that writing her into this book was a way that I coped, and it was sort of a way to try to save her and introduce her to other people, selfishly.
00:24:58.557 --> 00:25:03.438
And so I'm thrilled whenever anybody, you know, likes Gloria.
00:25:03.478 --> 00:25:11.167
And then the inverse, Gloria 2, it's really funny because sometimes I, I don't understand the inspiration until I get through a book.
00:25:11.178 --> 00:25:13.698
And so my, my youngest...
00:25:13.698 --> 00:25:18.018
I am the oldest of my cousins, and I was very close to my grandmother.
00:25:18.038 --> 00:25:22.377
And my youngest cousin, whose name is India, also very close to our grandmother.
00:25:22.438 --> 00:25:28.587
After I finished the book, I was like,"I think India is so much the inspiration for Gloria too," because she's much younger than me.
00:25:28.768 --> 00:25:30.428
She's, like- Mm in her early 20s.
00:25:30.478 --> 00:25:36.788
And so th- that sense of kind of sisterhood and, like, how she, sh- you know, she's kind of an upstart.
00:25:36.798 --> 00:25:43.748
She's- Yeah like super smart, kind of- challenges Laurel, but also just,
like, an absolute delight.
00:25:43.827 --> 00:25:55.807
Um, I, I gave the book to India to read, and I was like,"I have to admit, I think that, like, there's some of you in there." And then the upstart she is, she flipped to the end to try to find Gloria 2.
00:25:55.948 --> 00:25:58.048
She was like,"You said I'm Gloria 2." I was like,"What are you doing?
00:25:58.307 --> 00:26:05.518
Start at the beginning." Um, so so that, you know, that was really fun to write.
00:26:05.557 --> 00:26:07.018
And yeah, all the tech was...
00:26:07.117 --> 00:26:08.928
I mean, the tech was largely a blast.
00:26:08.978 --> 00:26:12.748
There were things about the world building that were just so difficult to figure out.
00:26:13.018 --> 00:26:15.018
But- Oh, my God you know, the tech was really fun.
00:26:15.228 --> 00:26:23.607
Yeah, basically, in this backwards univer- I don't know why I'm explaining this'cause I guess hopefully anybody who's listening to this has already read- Has read it, knows it, yeah this part of the book.
00:26:23.817 --> 00:26:24.188
Yes.
00:26:24.218 --> 00:26:33.847
But in case there's anybody who is masochistic like my cousin India and is re- listening to this before they, before they read, technology goes in reverse.
00:26:33.877 --> 00:26:39.778
Um, uh, so they're, we are coming from a more technologically advanced future in the anti-universe.
00:26:39.837 --> 00:26:54.307
If you had the opportunity to go to that other side and live from now, and I'm talking about from where you are now, to go over- Mm-hmm and to your life, and then do it backwards, would you do it?
00:26:55.290 --> 00:27:05.211
No, but I guess I say that with some wistfulness because it's, because there are things that I would love to reexperience, but you can't have both, and that's sort of the point.
00:27:05.221 --> 00:27:05.250
Right.
00:27:05.611 --> 00:27:05.971
You know?
00:27:05.980 --> 00:27:15.871
Whichever way you're going, whether you're going forward in our world or you're going backward in theirs, you can't have all of the gifts of each universe at once.
00:27:15.871 --> 00:27:17.050
You still have to choose.
00:27:17.701 --> 00:27:18.111
Would you?
00:27:19.505 --> 00:27:21.734
I don't think I would, and I don't think I would...
00:27:21.795 --> 00:27:22.855
Well, I, let me put it this way.
00:27:22.884 --> 00:27:35.025
It's hard because I say I, I wouldn't do it knowing what I know, but what I know- Yeah are only the factual things, like in 197- you know, this person was president or this- Mm we went to the moon this year.
00:27:35.394 --> 00:27:39.325
But you don't know that your experience would necessarily be the same.
00:27:39.325 --> 00:27:41.805
It's not like you're gonna repeat the way you grew up, right?
00:27:41.835 --> 00:27:42.214
Right.
00:27:42.605 --> 00:27:57.005
Well, yeah, I mean, I think one quest- one open question is how much the universes diverge, and I really wanted- Yeah there to be enough wiggle room there that there, there
is the possibility of n- of doing things differently, but you have to work at it.
00:27:57.035 --> 00:28:10.805
It's kind of like when Laurel is able to escape the clutches of this ex that she has in, in our universe, and then he's coming onto her in the anti-universe, but she now- Yes knows that he's, like, a dick, and she doesn't want anything to do with him.
00:28:10.815 --> 00:28:14.755
But she really has to, like, push against the will of the do-overs to do that.
00:28:14.755 --> 00:28:15.035
Right.
00:28:15.214 --> 00:28:17.355
And that's kind of how I envision it.
00:28:17.434 --> 00:28:22.295
And I think that there's a parallel with, like, changing the trajectory of our world.
00:28:22.295 --> 00:28:22.605
Right.
00:28:22.605 --> 00:28:33.755
I mean, I've been thinking about this politically because I hate the thought that the anti-universe is moving inevitably back toward these horrors of the past, of our past.
00:28:33.765 --> 00:28:39.634
You know, I don't wanna accept that that has to be true, and for it not to be true, it would take work.
00:28:39.644 --> 00:28:43.944
It would take organizing and, like, pushing back, and I think the same is true now, right?
00:28:43.974 --> 00:28:44.230
Like, our world- I
00:28:44.230 --> 00:28:46.115
was gonna say, are you talking about our world or their world?
00:28:46.615 --> 00:28:47.525
Well, exactly.
00:28:47.525 --> 00:28:54.335
I know because- Like, our-- There's so many things that I just feel really terrified about the direction that we're going in.
00:28:54.365 --> 00:29:01.974
And- Yeah so I would like to believe that there is the chance of change, but it can't be passive.
00:29:02.704 --> 00:29:03.075
Yeah.
00:29:03.134 --> 00:29:12.759
No, I think you're right The other thing that I, we couldn't get into is the whole element of with Silas, with their losing- Mm their son, and this idea of grief.
00:29:12.798 --> 00:29:21.638
But it also plays into what you're just talking about, of like making the decision for them to go back to try to recapture this moment to save him.
00:29:21.648 --> 00:29:21.679
Mm-hmm.
00:29:21.959 --> 00:29:24.028
But what does that do to the other side?
00:29:24.278 --> 00:29:25.159
And also-
00:29:25.419 --> 00:29:25.519
Mm-hmm
00:29:25.568 --> 00:29:26.588
what is the trade-off?
00:29:26.608 --> 00:29:30.409
There, there's, there is a, there's a payment that's due kind of either way-
00:29:30.499 --> 00:29:30.588
Mm.
00:29:30.588 --> 00:29:30.989
Mm
00:29:30.989 --> 00:29:33.979
in some respect, which I find so fascinating.
00:29:34.648 --> 00:29:50.459
But one of the most powerful things, and I was sitting in the car, my husband was driving and I was reading, and I got to the point when, you know,'cause I, when Eli says like, you know, y- have, do you know what, what's going to happen in terms
00:29:50.459 --> 00:29:50.578
of- Mm
00:29:50.689 --> 00:29:51.288
their son on- To
00:29:51.298 --> 00:29:51.818
Laurel
00:29:51.868 --> 00:29:52.338
the other side.
00:29:52.709 --> 00:29:54.538
To Laurel- Yeah at this point.
00:29:54.538 --> 00:29:54.999
Mm-hmm.
00:29:54.999 --> 00:29:55.138
Mm-hmm.
00:29:55.148 --> 00:29:58.929
And that birth scene, or I should say death scene-
00:29:59.459 --> 00:29:59.598
Mm
00:29:59.608 --> 00:30:01.009
is so incredible.
00:30:01.009 --> 00:30:03.729
And I was reading that out loud to my husband, who I'd only given him...
00:30:03.749 --> 00:30:06.199
It's again, very hard to describe the book, so I'm giving him broad strokes.
00:30:06.199 --> 00:30:06.419
Mm-hmm.
00:30:06.419 --> 00:30:15.798
And I just had to read the paragraph- Mm-hmm when the nurse takes her hand and s- she says, you know,"You're gonna know what to do." And she's like,"What should I do?" And she says,"Pull" instead of push.
00:30:15.798 --> 00:30:16.358
Yeah.
00:30:16.868 --> 00:30:17.028
Yeah.
00:30:17.028 --> 00:30:17.659
And I was like...
00:30:20.499 --> 00:30:24.709
I was so, I was so- Aw, thank you blown away by that and moved by that.
00:30:25.068 --> 00:30:38.249
But also it just put a whole nother level in terms of this mother and the mourning process, but also- Mm this child becoming a part of her again.
00:30:38.969 --> 00:30:39.078
Mm.
00:30:39.759 --> 00:30:40.108
I don't know.
00:30:40.108 --> 00:30:45.823
It, it, that has made me kind of like, I can't get that idea- And
00:30:45.823 --> 00:30:46.653
I- Thank you
00:30:47.303 --> 00:30:51.542
I don't know where you, how you even came up to think, oh, well, she- they're gonna take them in.
00:30:51.603 --> 00:30:52.083
And-
00:30:52.682 --> 00:30:52.792
Mm
00:30:52.813 --> 00:30:57.623
this idea of an overseer who kind of shepherds it along, that again was-
00:30:57.633 --> 00:30:58.042
Mm-hmm
00:30:58.173 --> 00:30:59.163
so incredible.
00:30:59.232 --> 00:31:01.482
Because it all made sense to me, and that's the crazy thing.
00:31:01.482 --> 00:31:01.782
Mm-hmm.
00:31:01.782 --> 00:31:01.932
Mm-hmm, yeah.
00:31:01.952 --> 00:31:09.853
All of the things that we're working backwards, because of the way that we know as someone ages, they really become childlike again, whether it's-
00:31:09.853 --> 00:31:10.373
Yes
00:31:10.692 --> 00:31:15.262
being dependent on other people, and, uh, even going as far as- Yeah putting a diaper on.
00:31:15.522 --> 00:31:16.373
Right, right.
00:31:16.952 --> 00:31:17.292
Yeah I mean, really.
00:31:17.403 --> 00:31:22.512
And it's like I'm at the phase in my life when all of our parents are passing or we're getting to that phase.
00:31:22.613 --> 00:31:22.623
Mm.
00:31:22.682 --> 00:31:24.643
People are losing their mind, and they're, you know.
00:31:24.643 --> 00:31:24.742
Yeah.
00:31:24.742 --> 00:31:30.299
And so the fragility of all of it on either end- Yeah you've captured it beautifully.
00:31:30.440 --> 00:31:32.559
I mean- Oh, thank you it's
00:31:32.559 --> 00:31:33.029
crazy.
00:31:33.029 --> 00:31:50.022
I- I'm so touched to hear that, and, um, I, I also, I can relate to what you're saying
because when I was working on this book, my stepmother, Ellen, was slowly deteriorating with a very difficult dementia called Lewy body.
00:31:50.022 --> 00:31:50.383
Hmm.
00:31:50.383 --> 00:32:04.522
And I think I thought a lot about just the, the reversal, you know, and the kind of loss of independence and, and rights and sentience that you experience as you get- Yeah into that part of life.
00:32:04.563 --> 00:32:11.932
And I think the reason why even the surreal parts of this universe make sense is that they are the mirror of ours.
00:32:12.103 --> 00:32:12.313
That's
00:32:12.313 --> 00:32:12.452
right.
00:32:12.452 --> 00:32:13.772
And so, you know, when...
00:32:13.853 --> 00:32:20.123
I mean, it is absolutely wild to me that we are born out of a human body and then disintegrate in the earth.
00:32:20.232 --> 00:32:23.942
We just don't think of it that way as wild because we're used to it.
00:32:23.952 --> 00:32:25.393
So all I did- Yeah was flip it.
00:32:25.848 --> 00:32:29.479
It's that you're born of the earth, and then you return to a human body.
00:32:29.759 --> 00:32:33.068
And that's- Yes mind-blowing, but it really is just the mirror.
00:32:33.078 --> 00:32:45.898
So that, that was sort of a guiding light for me, and, and I think my hope is that it makes us feel alive to all of the things that are awe-inspiring about life as it is, because it- it's not so different.
00:32:45.898 --> 00:32:53.719
But you know what, and you know what I've loved that you've done, because you've taken this story, and centrally, centrally, it's this story of these two people, and it is a love story, right?
00:32:53.739 --> 00:32:57.919
That, that honestly goes over years and reverses and goes back.
00:32:58.328 --> 00:33:01.429
But you, you, you take it at one point that's simple.
00:33:01.429 --> 00:33:03.098
It's like a, it's a meet cute, right?
00:33:03.098 --> 00:33:04.558
These two people coming together.
00:33:04.558 --> 00:33:05.098
Mm-hmm.
00:33:05.098 --> 00:33:15.989
And then all of this literally world explodes, and, and but you bring it all back to the most simplistic moment that's really just about the two of them again.
00:33:15.989 --> 00:33:16.419
Yeah.
00:33:16.419 --> 00:33:22.548
And I love that so much because, you know, there is that moment as the reader where I'm thinking,"Oh, my God.
00:33:22.548 --> 00:33:23.068
Oh, my God.
00:33:23.068 --> 00:33:23.739
They're gonna get over.
00:33:23.739 --> 00:33:24.409
They're gonna take him.
00:33:24.409 --> 00:33:35.189
They're gonna get him." And even to the point- Mm-hmm when Silas is becoming part of her again, and the beautiful moment- Mm when Eli pushes the head in, and just that- Mm they do it together.
00:33:35.249 --> 00:33:36.949
And I kept thinking- Mm"Wait a minute.
00:33:36.949 --> 00:33:40.898
There's still 100 pages left of this book." Like they have to get over.
00:33:40.929 --> 00:33:42.378
They have to have this moment.
00:33:42.409 --> 00:33:47.538
And then finding out about Celeste and realizing- Yeah it's not just this.
00:33:47.598 --> 00:33:55.489
It's a really about the two of them and surviving through grief and surviving through- Mm-hmm everything that they've gone through together.
00:33:56.328 --> 00:33:57.298
It's really remarkable.
00:33:57.368 --> 00:34:00.269
And I don't know if that's- Oh, thank you even what you intended, but that's what I took from it.
00:34:00.689 --> 00:34:01.798
No, no, it is.
00:34:01.838 --> 00:34:09.159
I, I, you know, I knew from the start when I had the idea that they would find Silas 2 again and lose him again.
00:34:09.688 --> 00:34:16.929
Like, that was always a part of the idea because I didn't want the takeaway of this book to be like,"Yay, they did it." You know?
00:34:16.929 --> 00:34:17.028
Right.
00:34:17.028 --> 00:34:22.509
"They're the heroes, and they succeeded, and they got everything they wanted," because that's not how life is.
00:34:22.778 --> 00:34:28.478
I knew that I wanted the book to exceed that point and to be more about finding acceptance afterward.
00:34:28.489 --> 00:34:36.878
And in some ways, they have gotten everything they wanted, or they've gotten more than they ever would have- Sure had they stayed in our world.
00:34:37.289 --> 00:34:39.708
But even so, there's loss.
00:34:39.778 --> 00:34:58.438
But something that I can say, s- since we're having a spoiler conversation, which I have been able to say to very few people, is that in my initial conception of the book, I knew that there needed to be doubles of each person in the anti-universe because I knew I needed Silas 2, but I wanted nothing to do with Laurel and Eli 2.
00:34:58.478 --> 00:34:59.619
I thought,"We're gonna make...
00:34:59.628 --> 00:35:02.389
I'm gonna destroy them." Laurel and Eli 1- Ah are gonna cross.
00:35:02.418 --> 00:35:05.039
That matter, anti-matter imbalance is gonna kick in.
00:35:05.268 --> 00:35:08.418
Laurel and Eli 2 disappear because all I need is Silas.
00:35:08.909 --> 00:35:20.635
And as I got into the second half, I just realized, like, that would be so disappointing, and also- This book is about Laurel's relationship with herself.
00:35:20.864 --> 00:35:21.105
Yeah.
00:35:21.164 --> 00:35:26.375
And I think the relationship between Laurel 1 and 2 is actually the heart of the novel.
00:35:26.385 --> 00:35:26.394
Mm.
00:35:26.715 --> 00:35:33.625
Um, there's a, there's a few lines at the end where, you know, when they're trying to decide what to set the time- the stopwatch to.
00:35:33.635 --> 00:35:33.655
Yeah.
00:35:33.885 --> 00:35:34.864
And Eli's like...
00:35:35.025 --> 00:35:40.545
Or the pocket watch, and Eli says,"Set it to, to this year, then we can go back to before Silas died." Right.
00:35:40.545 --> 00:35:50.304
And Laurel says,"No, because we can't risk destroying our doubles." And then there's a, a paragraph there that are some of my favorite lines in the book about her relationship with the other Laurel.
00:35:50.355 --> 00:36:07.385
And, um, I th- you know, I, I mentioned briefly that I've been through chronic pain, which was a very long, multi-year process of healing for me, and so much of that was about building a healthier and more loving and more sustainable relationship with myself.
00:36:07.485 --> 00:36:16.445
And I think that is the undercurrent of this book that no one would ever know without hearing that because there aren't mig- there aren't migraines in the book.
00:36:16.445 --> 00:36:19.155
It's not, you know- Right that thread is not there.
00:36:19.184 --> 00:36:22.215
But I feel that I've learned how to be my own...
00:36:22.255 --> 00:36:25.894
It sounds so cheesy, but it's like to be my own friend.
00:36:25.925 --> 00:36:54.425
Like, the way that I feel about myself now is like,"We're in this together." Like,"Let's, let's do this." And that's, um, I think, yeah, it's, it's just what, what created Laurel 1 and 2, and I knew so little consciously about that at the start, and so that means there was no Celeste in my initial idea either because once I realized I wasn't going to destroy Laurel and Eli 2, I needed a reason that they would've crossed over.
00:36:54.875 --> 00:37:08.364
And so all of those, like, it's just amazing how, like, you can know so much at the outset, but then these major pieces didn't come in until years into the project, and they're absolutely crucial I think now.
00:37:09.175 --> 00:37:12.514
Well, yeah, and that's why I said in the beginning, it's like I can't imagine...
00:37:12.545 --> 00:37:20.605
Like, as things, as, like you said, as you go on, things are surprising you and informing itself as you get deeper into it, as you learn more.
00:37:20.644 --> 00:37:28.023
It's kind of like they're- They're, in a way, telling you what can and can't work for what you're doing.
00:37:28.282 --> 00:37:28.293
Mm.
00:37:28.293 --> 00:37:30.853
Do you believe in a, in an inverse world?
00:37:30.943 --> 00:37:36.112
Do you believe, or I should say even in the more simplistic terms, do you believe that we all have a double out there somewhere?
00:37:37.762 --> 00:37:38.922
I mean, I, I-
00:37:39.753 --> 00:37:39.913
Right
00:37:40.563 --> 00:37:46.992
I can't say that I believe it in the sense, like I feel that would be a little bit insane if it's like I created this and I believe...
00:37:47.003 --> 00:37:49.202
Like, I, it feels a bit cult leader.
00:37:49.233 --> 00:37:54.242
I guess I feel, you know, like, but I guess I feel like I don't...
00:37:54.253 --> 00:37:55.172
Who knows?
00:37:55.592 --> 00:37:55.742
Right.
00:37:55.742 --> 00:37:56.322
Who knows?
00:37:56.532 --> 00:37:58.853
You know, this is kind of one hypothesis.
00:37:59.333 --> 00:38:00.253
Um, so-
00:38:00.552 --> 00:38:03.052
You're like,"Scan the QR code at the end of the book."
00:38:04.952 --> 00:38:05.842
Join me.
00:38:06.342 --> 00:38:07.702
Yes, exactly.
00:38:08.023 --> 00:38:08.342
Exactly.
00:38:08.362 --> 00:38:22.916
My agent did say when I told her about this
book years ago, she, or maybe when she read the, the first bit of it, she was like,"I think there is gonna be like a Reddit forum that where people believe in the dualverse and talk about it." And I was like- Oh, I-"That's kind of my dream." I think that for sure.
00:38:22.916 --> 00:38:23.753
Like, I love
00:38:24.172 --> 00:38:24.202
that,
00:38:24.862 --> 00:38:34.043
I love that people, I mean, if it gives people a way to like think about life, like that's, that's really thrilling as a writer.
00:38:34.072 --> 00:38:39.063
My, my last question before we go is the final moment in the book.
00:38:39.842 --> 00:38:43.152
I actually love the way you end it, which is very open.
00:38:44.072 --> 00:38:44.083
Mm.
00:38:44.112 --> 00:38:45.083
In your mind-
00:38:45.682 --> 00:38:45.932
Mm-hmm
00:38:45.932 --> 00:38:46.802
do you know where they are?
00:38:47.342 --> 00:38:47.722
Mm-hmm.
00:38:48.853 --> 00:38:50.382
Can you say, or do you not wanna say?
00:38:51.793 --> 00:38:58.293
I don't think I should because if I- Okay left it that way, don't you think it would sort of undo what- You know, yes but what do you think?
00:39:01.561 --> 00:39:02.490
I think they crossed.
00:39:02.990 --> 00:39:03.610
I think they crossed.
00:39:03.610 --> 00:39:03.880
Mm-hmm.
00:39:03.880 --> 00:39:04.670
I think they're back.
00:39:05.090 --> 00:39:05.121
Mm-hmm.
00:39:05.121 --> 00:39:12.911
But it didn't matter to me because, again- Mm by the time I was at the end, uh, I guess what I felt is this: I wanted them to cross-
00:39:13.271 --> 00:39:13.550
Mm-hmm
00:39:13.581 --> 00:39:20.181
because I want their life to kind of reverse course and move on the way it was originally intended.
00:39:20.690 --> 00:39:20.990
Mm-hmm.
00:39:21.030 --> 00:39:38.550
Um, because they were so far along in the other that they were regressing so much that I felt like they were, like we talked about, losing autonomy in a different way that I think would- Mm-hmm be so much harder, and I also wanna believe in some kind of fantasy fiction thing that they go on, and maybe they have another child.
00:39:39.041 --> 00:39:39.460
Uh-
00:39:39.471 --> 00:39:39.481
Mm.
00:39:39.891 --> 00:39:42.371
But it didn't matter to me.
00:39:42.400 --> 00:39:42.951
I didn't feel like...
00:39:42.951 --> 00:39:45.831
There's some times- Mm I get toward the end, I'm like,"Come on!" But I didn't feel that here.
00:39:45.831 --> 00:39:45.891
I
00:39:45.891 --> 00:39:53.021
know, I know, and I know there's a risk of that, but it felt like it had to be that way because the book is so much about possibility.
00:39:53.701 --> 00:39:58.190
Um, but yeah, we should check back in a little while.
00:39:58.280 --> 00:39:59.311
That's all I'll say.
00:39:59.911 --> 00:40:00.300
Okay.
00:40:00.300 --> 00:40:00.360
We
00:40:00.360 --> 00:40:00.960
should check back- Yeah, I'm, I'm- in a little while
00:40:00.960 --> 00:40:01.161
I'm
00:40:01.641 --> 00:40:02.201
game for that.
00:40:02.300 --> 00:40:03.041
I'm game for that.
00:40:03.050 --> 00:40:03.081
Okay.
00:40:03.101 --> 00:40:03.911
And I'm not even gonna...
00:40:03.920 --> 00:40:08.110
I will tell everyone, I'm not gonna stop this recording and then be like,"Okay, tell me now." I
00:40:08.110 --> 00:40:09.081
wouldn't.
00:40:09.081 --> 00:40:09.240
I
00:40:09.240 --> 00:40:09.541
really,
00:40:09.541 --> 00:40:10.081
no- I wouldn't.
00:40:10.090 --> 00:40:10.550
No, I
00:40:10.550 --> 00:40:10.780
know.
00:40:10.780 --> 00:40:10.900
I know.
00:40:10.900 --> 00:40:11.610
But I do have a question.
00:40:11.630 --> 00:40:12.820
I have a question for you.
00:40:13.070 --> 00:40:13.440
Yeah.
00:40:13.731 --> 00:40:16.101
So I saw you've worked in casting, right?
00:40:16.110 --> 00:40:16.460
You've worked-
00:40:16.460 --> 00:40:17.021
I still do.
00:40:17.050 --> 00:40:17.481
Yeah, that's what I
00:40:17.481 --> 00:40:17.911
do as a casting...
00:40:17.920 --> 00:40:19.061
Or you, or you do, okay.
00:40:19.471 --> 00:40:30.561
So one of the things that I loved about a character like Gloria is what it would offer an actor, like the ability to play, like, a teenaged elderly person.
00:40:30.760 --> 00:40:30.940
Yeah.
00:40:30.971 --> 00:40:33.360
And so I'm curious, did any...
00:40:33.740 --> 00:40:35.451
What casting would you do?
00:40:35.490 --> 00:40:35.791
Well, you
00:40:35.791 --> 00:40:37.271
could do a lot of different-'Cause it is gonna be adapted.
00:40:37.601 --> 00:40:37.960
Oh, it is?
00:40:37.960 --> 00:40:38.431
So- Okay.
00:40:38.521 --> 00:40:40.411
Is it doing a- Yeah is it a feature or a series?
00:40:40.731 --> 00:40:43.791
Yeah, it's WB, um, and David Heyman is producing.
00:40:43.811 --> 00:40:44.911
Okay, so wait, a series?
00:40:45.670 --> 00:40:46.231
Oh, no, sorry.
00:40:46.231 --> 00:40:46.510
Film.
00:40:46.851 --> 00:40:47.661
Warner Brothers, okay.
00:40:47.971 --> 00:40:47.990
Um-
00:40:48.041 --> 00:40:48.260
Yeah,
00:40:48.490 --> 00:40:48.661
yeah,
00:40:48.661 --> 00:40:49.400
yeah
00:40:49.400 --> 00:40:50.581
well, you can do something.
00:40:50.630 --> 00:40:52.271
I mean, there are so many people that could do this.
00:40:52.271 --> 00:40:53.501
You can have a Glenn Close.
00:40:53.530 --> 00:40:56.971
You can have a Meryl Streep, who would tap into- Oh that so easily.
00:40:56.971 --> 00:40:58.141
Do you know Lesley Manville?
00:40:58.610 --> 00:40:59.371
I know the name.
00:40:59.371 --> 00:41:00.201
I need to look her up.
00:41:00.800 --> 00:41:01.920
I, I probably recognize
00:41:01.920 --> 00:41:01.996
her.
00:41:01.996 --> 00:41:07.641
Lesley Manville just did this, she just did this production of Les Liaisons dangereuses in, London at the National.
00:41:07.681 --> 00:41:10.271
She has a ton of movies, and she would be great.
00:41:10.271 --> 00:41:10.701
She was also...
00:41:10.701 --> 00:41:11.710
Did you watch The Crown?
00:41:12.007 --> 00:41:12.567
No
00:41:12.773 --> 00:41:12.923
Okay.
00:41:13.043 --> 00:41:15.434
She was in the second set in The
Crown.
00:41:15.443 --> 00:41:18.463
She played Margaret- Okay um, the- Okay the, the sister.
00:41:18.853 --> 00:41:22.173
But she's an amazing actress, so I think she would be great, too.
00:41:22.514 --> 00:41:33.344
But I think, like, Close or Streep would be great,'cause they both- Mm-hmm also too are so smart to me- Mm in terms of being that scientist and that professor.
00:41:33.539 --> 00:41:34.039
Yeah.
00:41:34.184 --> 00:41:34.364
It's...
00:41:34.384 --> 00:41:36.583
I think I would just love to see that.
00:41:36.764 --> 00:41:44.574
I feel like I haven't seen that on screen yet, and I, I mean, Laurel and Eli are very hard for me to cast in my mind.
00:41:44.583 --> 00:41:46.313
Yeah, I mean, what age do you see them?
00:41:46.503 --> 00:41:47.893
I know, but that's the thing.
00:41:48.244 --> 00:41:51.954
If they have to go from, like, 16 to 36-ish.
00:41:52.403 --> 00:41:53.253
And then do you...
00:41:53.304 --> 00:42:00.324
'Cause you obviously physically they start to change, so I mean, the majority- Mm-hmm of it they're one thing, but then- Mm-hmm you also have to find kids.
00:42:00.333 --> 00:42:03.543
I mean, look at, there's those Stranger Things kids who are...
00:42:03.583 --> 00:42:07.244
Like, Sadie Sink could be an amazing You know who Sadie Sink is?
00:42:07.393 --> 00:42:07.474
Mm.
00:42:07.503 --> 00:42:08.134
Yeah, yeah, yeah.
00:42:08.134 --> 00:42:08.523
Mm-hmm.
00:42:08.744 --> 00:42:11.643
She would be an amazing young version of Laurel.
00:42:11.653 --> 00:42:11.664
Mm.
00:42:11.684 --> 00:42:13.224
But then who does Sadie Sink become?
00:42:13.224 --> 00:42:20.237
Does she become Julianne, you know, Julianne Moore is too old I think now, but does she become- Yeah you know, Emily, Emily Blunt, or does she become- Mm.
00:42:20.237 --> 00:42:20.403
You know what I mean?
00:42:20.403 --> 00:42:21.534
Mm-hmm.
00:42:21.954 --> 00:42:26.603
Do you think that one person could play teenage to late 30s
00:42:26.664 --> 00:42:32.523
i mean, you could get somebody and they could digitally, I'm sure, do something with somebody to make them still do the performance, but make them-
00:42:32.574 --> 00:42:33.134
Mm-hmm
00:42:33.184 --> 00:42:34.193
um, younger.
00:42:34.333 --> 00:42:37.594
You can get someone in cast who would match so well with-
00:42:37.733 --> 00:42:37.974
Mm-hmm
00:42:37.983 --> 00:42:40.273
whatever adult you get- Yeah that.
00:42:40.313 --> 00:42:48.364
God, but she's such a great role, like they both are, but she in particular, that is such- Mm an amazing role to think about all
00:42:48.594 --> 00:42:51.934
the people- It's a bit, it's a lot of range that the person would have to have.
00:42:51.943 --> 00:42:51.963
Yeah.
00:42:51.983 --> 00:42:54.563
I could see, like, a Jennifer Lawrence, like a Brie Larson.
00:42:54.563 --> 00:42:55.563
Oh my God.
00:42:56.034 --> 00:42:56.304
Yep.
00:42:56.454 --> 00:42:59.304
Um, those were kind of some people that...
00:42:59.333 --> 00:43:03.833
But, I mean, there's nobody who's, like, clear to me for that.
00:43:03.844 --> 00:43:05.634
So I was just so curious.
00:43:05.634 --> 00:43:11.824
It's, you know, I don't often get to talk about the, that side of things with an expert, so I just had to pick your brain.
00:43:11.873 --> 00:43:17.074
But I'm so curious, do you ever write with someone in mind at times, or does someone come up for you, or is it completely...
00:43:17.074 --> 00:43:19.393
It's more like- Sometimes you might be inspired by somebody
00:43:19.746 --> 00:43:25.445
I mean, like with my grandmother and Gloria- Yeah but I don't picture Gloria looking exactly like my grandmother.
00:43:25.706 --> 00:43:32.525
I usually don't have, like, a celebrity in mind because I think that just conflicts with the sort of like-
00:43:32.525 --> 00:43:33.365
The purity of it?
00:43:33.916 --> 00:43:34.525
Yeah.
00:43:34.556 --> 00:43:35.045
Yes.
00:43:35.076 --> 00:43:38.505
But I do, I do sometimes think about the adaptation.
00:43:38.516 --> 00:43:47.085
I can't help but not sort of have that cross my mind as I'm working, just because that's something that, you know, can happen in this field.
00:43:47.085 --> 00:43:48.135
So yeah.
00:43:48.440 --> 00:43:49.510
So we'll, we'll see.
00:43:49.719 --> 00:43:52.750
Chloé, I just wanna say thank you so much.
00:43:52.760 --> 00:43:58.730
I mean, first of all, uh, thank you for answering my, my private questions that we got at the end because I had to know, and I couldn't let you go without them.
00:43:58.730 --> 00:44:04.340
But the book is just absolutely beautiful and mind-blowing and mind-bending.
00:44:04.489 --> 00:44:05.329
Please go out and get it.
00:44:05.349 --> 00:44:07.309
Buy independent if you can.
00:44:07.320 --> 00:44:11.840
Have an amazing tour and, uh, you know, I just can't wait to see people's reaction to it.
00:44:12.539 --> 00:44:13.940
Oh, thank you so much, Brett.
00:44:13.940 --> 00:44:22.309
You have been such an incredible reader and interviewer, and it's just, like, one of the most joyful parts of this process to be able to talk about it with somebody like you.
00:44:22.320 --> 00:44:23.489
So I appreciate you
00:44:23.818 --> 00:44:24.829
Thank you again, Chloe.
00:44:24.929 --> 00:44:33.208
If you've liked today's episode or other episodes of Behind the Stack, please consider liking and subscribing so that you never miss an episode.
00:44:33.469 --> 00:44:43.079
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00:44:43.112 --> 00:44:48.842
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00:44:48.842 --> 00:44:59.242
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00:44:59.286 --> 00:45:00.702
And as always, thanks for listening