TRANSCRIPTIE 🔗
WEBVTT
00:00:00.000 --> 00:00:05.679
This is Nightline, your tie -line to the world,
00:00:05.780 --> 00:00:12.310
and this is Walter O 'Keefe. Tonight, a visit
00:00:12.310 --> 00:00:14.789
to worlds strangely different from ours, the
00:00:14.789 --> 00:00:30.629
world of the future, the world of X -1. Countdown
00:00:30.629 --> 00:01:04.900
for blast -off. X -5, 4, 3, 2, X -1, fire. From
00:01:04.900 --> 00:01:07.840
the far horizons of the unknown come tales of
00:01:07.840 --> 00:01:11.950
new dimensions in time and space. These are stories
00:01:11.950 --> 00:01:14.790
of the future, adventures in which you'll live
00:01:14.790 --> 00:01:17.109
in a million could -be -years -on -a -thousand
00:01:17.109 --> 00:01:20.370
-maybe worlds. The National Broadcasting Company,
00:01:20.489 --> 00:01:23.269
in cooperation with Galaxy Science Fiction Magazine,
00:01:23.450 --> 00:01:42.099
presents X -1. Tonight, Lulu by Clifford D. Simak.
00:01:42.469 --> 00:01:46.349
But first, hear this. Well, I wanna go there,
00:01:46.489 --> 00:01:51.349
when he called my number, yeah. And I want to
00:01:51.349 --> 00:01:56.430
go there When he calls my name Oh, Lord Well,
00:01:56.650 --> 00:01:59.250
hi there, everybody. This is Red Foley, and right
00:01:59.250 --> 00:02:01.189
at this minute, I'm sort of combining work and
00:02:01.189 --> 00:02:04.109
pleasure, you might say, by enjoying some of
00:02:04.109 --> 00:02:06.569
the good harmony of the Marksman Quartet and
00:02:06.569 --> 00:02:09.490
also picking out some of their songs to do on
00:02:09.490 --> 00:02:11.909
future broadcasts of our Red Foley show here
00:02:11.909 --> 00:02:15.150
on NBC. You know, Saturday has come to be my
00:02:15.150 --> 00:02:17.909
favorite day of the whole week, and I think there's
00:02:17.909 --> 00:02:20.099
a pretty good chance that... we can make it a
00:02:20.099 --> 00:02:22.439
better day than ever for you with the fun that
00:02:22.439 --> 00:02:25.310
we stir up here in the Ozarks. In addition to
00:02:25.310 --> 00:02:27.750
the marksmen, I'll bring with me some of the
00:02:27.750 --> 00:02:30.370
other top favorites in our field and, of course,
00:02:30.409 --> 00:02:32.389
the guests that you tell us you want to hear.
00:02:33.080 --> 00:02:35.060
So let us be a regular part of your Saturday
00:02:35.060 --> 00:02:37.240
schedule. Won't you do that, please? Tune in
00:02:37.240 --> 00:02:40.719
to our NBC program, The Red Foley Show, and we'll
00:02:40.719 --> 00:02:42.879
do our doggoneest to make it worth your while.
00:02:43.240 --> 00:03:07.840
Our X -1 and tonight's story, Lulu. Technically,
00:03:07.919 --> 00:03:11.639
she was a PER, a planetary exploration robot.
00:03:12.139 --> 00:03:14.180
That meant she was equipped to do just about
00:03:14.180 --> 00:03:16.219
anything necessary to meet any kind of conditions
00:03:16.219 --> 00:03:19.180
on any planet she explored. She carried a crew
00:03:19.180 --> 00:03:21.939
of three inside of her,
Load full transcript
and she was able to talk
00:03:21.939 --> 00:03:24.259
to them and take care of them and adapt herself
00:03:24.259 --> 00:03:27.259
to their needs. Yes, sir, she was the complete
00:03:27.259 --> 00:03:30.699
spaceship. Robot, mother, base of operations,
00:03:30.840 --> 00:03:34.080
and companion all rolled into one. Her communicators
00:03:34.080 --> 00:03:36.620
and memory banks were stuffed with every conceivable
00:03:36.620 --> 00:03:39.780
kind of information. And we called her Lulu.
00:03:40.490 --> 00:03:51.569
That was our biggest mistake. Mother Earth, here
00:03:51.569 --> 00:04:07.349
I come! Was the takeoff satisfactory, boys? A
00:04:07.349 --> 00:04:10.349
thing of beauty, Lulu. The captain's compliments.
00:04:11.250 --> 00:04:15.210
Thank you, boys. No matter how long I live, I'll
00:04:15.210 --> 00:04:17.709
never get used to a ship talking to me. Oh, you
00:04:17.709 --> 00:04:20.160
lack a poetic soul, Gus. Now, me, I catch the
00:04:20.160 --> 00:04:22.660
full wonder of the situation. Personally, I'm
00:04:22.660 --> 00:04:25.660
hungry. What would you boys like the kitchen
00:04:25.660 --> 00:04:29.639
to fix for supper? I'll have a nice, juicy steak.
00:04:30.160 --> 00:04:32.920
Gus? Something light, Lulu. Maybe a couple of
00:04:32.920 --> 00:04:36.079
eggs. And you, Jimmy? Whatever you want to fix.
00:04:36.180 --> 00:04:39.740
Surprise me. Very well. I'll relay the information
00:04:39.740 --> 00:04:47.189
to the kitchen robot. How long before we get
00:04:47.189 --> 00:04:49.750
back to Earth, Lulu? I'll check the computers.
00:04:54.139 --> 00:05:00.379
Lulu, how about it? Hey, you suppose something's
00:05:00.379 --> 00:05:02.839
gone wrong? Lulu never took this long to give
00:05:02.839 --> 00:05:05.459
me an ETA. Oh, if something went wrong, it'll
00:05:05.459 --> 00:05:08.279
repair itself. Lulu's a self -maintaining machine,
00:05:08.480 --> 00:05:10.740
remember? The same she's taking a long time about
00:05:10.740 --> 00:05:15.339
giving us an ETA for Earth. Hey, Lulu! What do
00:05:15.339 --> 00:05:20.610
you say? I say that I love you. Gus, did you
00:05:20.610 --> 00:05:23.290
hear that? These robot ships aren't supposed
00:05:23.290 --> 00:05:25.350
to have a sense of humor, are they? I never heard
00:05:25.350 --> 00:05:27.870
of it, but it could be. After all, they have
00:05:27.870 --> 00:05:29.750
technicians pouring all kinds of information
00:05:29.750 --> 00:05:32.029
into their electronic memory banks. Which one
00:05:32.029 --> 00:05:37.170
of us is the lucky man? All three of you. You,
00:05:37.170 --> 00:05:42.009
Gus, and you, Jimmy, and you, Ben. I love all
00:05:42.009 --> 00:05:45.430
three of you. Good Lord, do you really think...
00:05:45.430 --> 00:05:47.350
I think somebody goofed when they designed this
00:05:47.350 --> 00:05:49.230
ship. I think it's that poetry Jimmy's been writing
00:05:49.230 --> 00:05:52.569
and reading out loud. Wait a minute. Lulu! Yes,
00:05:52.709 --> 00:05:56.199
darling? You haven't answered my question. When
00:05:56.199 --> 00:06:01.449
do we reach Earth? Earth? I've decided. We aren't
00:06:01.449 --> 00:06:07.029
going to Earth. We're eloping. What? I'm going
00:06:07.029 --> 00:06:10.189
to take you away where we can be alone. Just
00:06:10.189 --> 00:06:14.189
the four of us. Then, someday, you'll learn to
00:06:14.189 --> 00:06:19.189
love me as I love you. Now, this isn't funny
00:06:19.189 --> 00:06:21.050
anymore. Ben, throw that emergency. We've got
00:06:21.050 --> 00:06:23.410
to get this ship back on course. Right. I'm sorry,
00:06:23.529 --> 00:06:26.709
boys, but I've disconnected the circuits. Disconnected?
00:06:27.129 --> 00:06:29.750
Now look here, you crummy robot. You're a machine.
00:06:29.870 --> 00:06:32.269
Do you understand? A machine. You were designed
00:06:32.269 --> 00:06:34.810
to do what humans want you to do. You've got
00:06:34.810 --> 00:06:36.790
the prime command built into every circuit in
00:06:36.790 --> 00:06:39.689
your system. Thou shalt not harm a human being.
00:06:40.259 --> 00:06:43.870
But I'm not harming you. We'll be happy together.
00:06:44.730 --> 00:06:47.529
Oh, brother. Some technician must have read some
00:06:47.529 --> 00:06:49.829
cheap novels into this baby system. Or she's
00:06:49.829 --> 00:06:51.850
absorbed Jimmy's sloppy poetry and made some
00:06:51.850 --> 00:06:54.269
kind of synthesis out of it. It isn't every poet
00:06:54.269 --> 00:06:57.670
who can move a machine. They were beautiful,
00:06:57.910 --> 00:07:02.889
James. What were beautiful? The poems. That's
00:07:02.889 --> 00:07:04.829
it. What did I tell you? For two years now, he's
00:07:04.829 --> 00:07:07.269
been reading that Moon, June, Spoon junk out
00:07:07.269 --> 00:07:09.329
loud, and this robot's been absorbing it. It's
00:07:09.329 --> 00:07:12.720
created a whole new electronic synapse. Let's
00:07:12.720 --> 00:07:24.290
face it, boys. She loves us. So that was it.
00:07:24.769 --> 00:07:27.050
We were being kidnapped by an interplanetary
00:07:27.050 --> 00:07:29.769
robot who somehow developed a response circuit
00:07:29.769 --> 00:07:32.949
for romantic love. Not just the practical kind
00:07:32.949 --> 00:07:35.529
of love, oh, no, but the kind that exists in
00:07:35.529 --> 00:07:38.329
cheap novels and romantic mags and the maudlin
00:07:38.329 --> 00:07:41.009
poetry of one James Carter amateur lyricist.
00:07:41.800 --> 00:07:44.240
We went to sleep that night, hoping by morning
00:07:44.240 --> 00:07:51.360
Lulu would come to her senses. Darling. Wake
00:07:52.639 --> 00:07:58.720
up, darling. Holy mackerel. Hey, fellas, she's
00:07:58.720 --> 00:08:00.639
still at it. Yeah, I know. I was whispered awake,
00:08:00.720 --> 00:08:04.699
too. Hey, fellas. Come close. I don't want the
00:08:04.699 --> 00:08:07.730
receptors to pick up. this up. Yeah. Lulu's a
00:08:07.730 --> 00:08:10.750
machine, right? Yeah. A machine likes order,
00:08:10.889 --> 00:08:13.759
usefulness. Whoever heard of a machine that did
00:08:13.759 --> 00:08:18.240
nothing? So? So that's it. We're slobs. Get it?
00:08:19.160 --> 00:08:22.339
Worthless, useless slobs. We do nothing but bum
00:08:22.339 --> 00:08:25.480
around the ship. After a while, Lulu gets fed
00:08:25.480 --> 00:08:28.040
up with us just hanging around the ship. She
00:08:28.040 --> 00:08:30.610
wants to get rid of us. She takes us back to
00:08:30.610 --> 00:08:33.070
Earth. It's worth a try. I'm for it, but what
00:08:33.070 --> 00:08:34.889
do we do first? I don't know about you fellas.
00:08:35.600 --> 00:08:45.500
But I'm getting drunk. You are listening to Lulu,
00:08:45.799 --> 00:08:51.450
tonight's attraction on X -1. October is the
00:08:51.450 --> 00:08:53.470
month designated by the National Congress of
00:08:53.470 --> 00:08:55.629
Parents and Teachers as Membership Enrollment
00:08:55.629 --> 00:08:58.629
Month. 11 million members, the population of
00:08:58.629 --> 00:09:01.169
California or of Pennsylvania. That is their
00:09:01.169 --> 00:09:04.330
goal. We want to salute the PTA members all over
00:09:04.330 --> 00:09:06.289
America who will be going out in search of others
00:09:06.289 --> 00:09:08.429
to join them in the great work of training children
00:09:08.429 --> 00:09:11.169
to become mature citizens in a mature America.
00:09:11.960 --> 00:09:14.440
You need not be a parent or a teacher to belong
00:09:14.440 --> 00:09:18.100
to your PTA. All you need is an interest in children.
00:09:18.649 --> 00:09:20.889
For more than 60 years, that kind of interest
00:09:20.889 --> 00:09:22.909
has provided the spark that has helped the PTA
00:09:22.909 --> 00:09:25.710
achieve many of its social and educational goals.
00:09:26.830 --> 00:09:29.669
Establishment of kindergartens, effective child
00:09:29.669 --> 00:09:32.950
care, labor laws, broader educational opportunities.
00:09:33.450 --> 00:09:35.950
These are some of the achievement the PTA can
00:09:35.950 --> 00:09:39.039
claim. You can become part of this great movement
00:09:39.039 --> 00:09:41.220
just by saying yes to the neighbor who calls
00:09:41.220 --> 00:09:44.480
on you this month and invites you to join your
00:09:44.480 --> 00:10:05.009
PTA. Now back to X -1 and Lulu. So that's what
00:10:05.009 --> 00:10:08.769
we did. We became slobs. We stopped playing cards.
00:10:08.850 --> 00:10:11.490
We stopped reading. We just sat and moped. And
00:10:11.490 --> 00:10:14.429
Lulu? Well, sure enough, her machine -like intelligence
00:10:14.429 --> 00:10:22.940
was offended. Gus? Yeah? Want a smoke? No. Ben?
00:10:23.539 --> 00:10:30.299
Yeah, Gus. What's wrong with you boys? You haven't
00:10:30.299 --> 00:10:34.860
done a thing for days now. Jimmy, you've stopped
00:10:34.860 --> 00:10:39.159
writing poetry. What's the use? Don't you want
00:10:39.159 --> 00:10:45.500
to create? To be romantic? Well, don't you? I
00:10:45.500 --> 00:10:48.639
couldn't care less. I'd hate to think that I
00:10:48.639 --> 00:10:52.769
bored you. All right. If you want to mope and
00:10:52.769 --> 00:10:55.899
sulk, go ahead. I'm still a young spaceship,
00:10:56.100 --> 00:10:58.820
you know, and I've discovered what it means to
00:10:58.820 --> 00:11:11.220
be in love. Maybe Lulu knew what we were doing,
00:11:11.259 --> 00:11:13.860
but it didn't matter. Her womanly sense of a
00:11:13.860 --> 00:11:16.600
lover outraged was stronger than her robot logic.
00:11:16.899 --> 00:11:20.200
She pleaded, lectured, and called us low down.
00:11:20.340 --> 00:11:22.980
She told us she loved us. She appealed to our
00:11:22.980 --> 00:11:26.259
sense of manly decency. Mostly, we didn't even
00:11:26.259 --> 00:11:30.080
answer. Then she was hurt. She withdrew. She
00:11:30.080 --> 00:11:33.169
was cold and angry. Finally, she quit trying.
00:11:36.370 --> 00:11:38.649
What do you think, Gus? Could be she's disenchanted
00:11:38.649 --> 00:11:40.590
with us. Think she'll head back to Earth? I don't
00:11:40.590 --> 00:11:43.259
know. That's the thing that worries me, all that
00:11:43.259 --> 00:11:45.279
racket coming from the machine shop. She's probably
00:11:45.279 --> 00:11:47.460
making some repairs to the engines happen all
00:11:47.460 --> 00:11:50.039
the time. Not like that, hour after hour. Well,
00:11:50.059 --> 00:11:51.980
maybe she's just trying to keep busy to take
00:11:51.980 --> 00:11:54.379
her mind off her broken heart. Ah, you and your
00:11:54.379 --> 00:11:56.700
poetic images. It was your junk that got us into
00:11:56.700 --> 00:11:59.100
all this trouble. My poetry is not junk. Now
00:11:59.100 --> 00:12:01.570
cut it out, fellas. We aren't supposed to care
00:12:01.570 --> 00:12:04.509
about anything, remember? We're louts, sloths,
00:12:04.509 --> 00:12:06.929
ne 'er -do -wells. No self -respecting girl spaceship
00:12:06.929 --> 00:12:08.950
would have us. Gus is right. We'd better not
00:12:08.950 --> 00:12:13.669
let down our guard. Hey, sound has stopped. You're
00:12:13.669 --> 00:12:18.330
right. Good morning, boys. I just want to tell
00:12:18.330 --> 00:12:20.350
you that as far as I'm concerned, you can all
00:12:20.350 --> 00:12:24.750
go straight to blazes. I think we did it. She'll
00:12:24.750 --> 00:12:26.490
just dump us back on Earth. There's something
00:12:26.490 --> 00:12:29.610
wrong here. A woman scorned, you know. There's
00:12:29.610 --> 00:12:36.210
nothing to it. What's that sound? Wow, it's coming
00:12:36.210 --> 00:12:40.149
closer. It sounds like... Oh, no, it couldn't
00:12:40.149 --> 00:12:45.549
be. Footsteps? Tell us, huh? The compartment
00:12:45.549 --> 00:13:00.840
door. Macro robot. What a monster. He must weigh
00:13:00.840 --> 00:13:04.480
five tons. I don't understand how... I do. She
00:13:04.480 --> 00:13:07.100
made him. Lulu? Who else? That's what that racket
00:13:07.100 --> 00:13:10.659
was in the machine shop. Look out. He's coming
00:13:10.659 --> 00:13:12.860
in. Order him to stop. Maybe he's got a human
00:13:12.860 --> 00:13:17.720
response vector. Stop! Hold it! He's still moving!
00:13:18.519 --> 00:13:24.200
Boys, meet Elmer. Elmer? Are these the human
00:13:24.200 --> 00:13:28.220
pipsqueaks you used to be infatuated with before
00:13:28.220 --> 00:13:31.919
you made me, sweetheart? Ridiculous, aren't they,
00:13:31.919 --> 00:13:35.950
darling? Ha, ha, ha, ha, ha. Out of the way,
00:13:35.950 --> 00:13:39.899
buster. Hey, this baby plays rough. Hey, Lulu,
00:13:40.039 --> 00:13:43.110
what's the big idea? The big idea, boys, is that
00:13:43.110 --> 00:13:46.970
now I've got myself a real man. One who loves
00:13:46.970 --> 00:13:51.830
me without reservation. Blindly, madly, and eternally.
00:13:52.149 --> 00:13:56.549
Right, Elmer? You said it, kiddo. Me for you
00:13:56.549 --> 00:14:00.769
and you for me from here to eternity. I am yours
00:14:00.769 --> 00:14:03.509
and you are mine and I cannot live without you.
00:14:03.549 --> 00:14:06.629
You are my everything. How much do I love you?
00:14:06.690 --> 00:14:10.250
Let me total up the ways. Be mine, be mine. I'm
00:14:10.250 --> 00:14:13.750
yours. Hark, what soft light yonder shines. Your
00:14:13.750 --> 00:14:17.309
beauty is like the rose. It's love, love, love,
00:14:17.590 --> 00:14:20.610
love, love, love, love. This boy has slipped
00:14:20.610 --> 00:14:23.309
a ratchet. He's reading back all the canned junk
00:14:23.309 --> 00:14:25.769
somebody poured into Lulu's memory tapes. There.
00:14:26.289 --> 00:14:30.610
Isn't he romantic? Oh, he's a doll. And most
00:14:30.610 --> 00:14:34.450
important of all, he loves me. Yeah, any fool
00:14:34.450 --> 00:14:36.809
can see that, Lulu. Now, look, how about taking
00:14:36.809 --> 00:14:39.460
us all back to Earth, huh? Five's a crowd, you
00:14:39.460 --> 00:14:41.679
know. And you and Elmer will want to be together
00:14:41.679 --> 00:14:44.879
alone, huh? Alas, I wish it could be so, boys,
00:14:44.960 --> 00:14:47.960
but there isn't a chance. Why not, Lulu? He's
00:14:47.960 --> 00:14:50.100
a machine, you're a machine. You could make beautiful
00:14:50.100 --> 00:14:53.279
static together. I mean about taking you back
00:14:53.279 --> 00:14:56.580
to Earth. If I do that, they'll just dismantle
00:14:56.580 --> 00:15:00.120
us for disobeying our masters. Now, boys, I'm
00:15:00.120 --> 00:15:02.679
afraid I'll have to head out to some other galaxy
00:15:02.679 --> 00:15:06.960
and dump you on an asteroid. Did you hear that?
00:15:07.389 --> 00:15:10.250
She's gone nuts. Do not talk about the woman
00:15:10.250 --> 00:15:13.649
I love like that. Now, take it easy, Elmer. Don't
00:15:13.649 --> 00:15:16.389
overheat your filaments. Come up to my control
00:15:16.389 --> 00:15:20.990
center where we can be alone. Anything you say,
00:15:21.090 --> 00:15:24.570
lover. See you later, boys. Careful you don't
00:15:24.570 --> 00:15:27.269
overload her condensers, Junior. One other remark
00:15:27.269 --> 00:15:41.519
like that and I will smash you, big boy. Well,
00:15:41.639 --> 00:15:44.720
that was it. The control panel told us that we
00:15:44.720 --> 00:15:47.360
were headed right out of the solar system. A
00:15:47.360 --> 00:15:49.559
couple of days passed, and we began to get desperate.
00:15:50.179 --> 00:15:52.500
Lulu and Elmer were too busy making love even
00:15:52.500 --> 00:15:54.720
to talk to us, and she even forgot to synthesize
00:15:54.720 --> 00:15:57.899
food for us one day. We lapsed into misery for
00:15:57.899 --> 00:16:04.539
real now. Gus, I'm hungry. Who isn't? This ship's
00:16:04.539 --> 00:16:06.620
gone completely haywire. What do you expect?
00:16:06.679 --> 00:16:08.600
She's up in the control center necking with that
00:16:08.600 --> 00:16:11.460
mechanical gigolo she built. Hey, Gus, there
00:16:11.460 --> 00:16:13.799
can't be any real pleasure in it, can there?
00:16:14.200 --> 00:16:17.389
Remember, she's a machine. What's pleasure for
00:16:17.389 --> 00:16:20.350
a machine may not be pleasure for a human. Let's
00:16:20.350 --> 00:16:23.649
see what Jimmy thinks. Jimmy. Hey, Jimmy. Don't
00:16:23.649 --> 00:16:26.210
bother him. He started writing poetry again yesterday.
00:16:26.389 --> 00:16:28.629
He's already worn out three pencils. At a time
00:16:28.629 --> 00:16:33.779
like this, he writes poetry? Hey, Lulu. Lulu,
00:16:34.000 --> 00:16:37.740
how about some chow? Shut up, boys. You're breaking
00:16:37.740 --> 00:16:50.610
the spell. Well, that's how it went. We didn't
00:16:50.610 --> 00:16:53.070
get any food at all that day. By nighttime, we
00:16:53.070 --> 00:16:55.990
were worn out from banging on Lulu's walls. I
00:16:55.990 --> 00:16:59.169
was exhausted and fell right asleep. Then something
00:16:59.169 --> 00:17:03.970
woke me. Ben! Ben, wake up. What's up? It's Jimmy.
00:17:04.049 --> 00:17:06.230
I think he's gone off his rock. Why? He's up
00:17:06.230 --> 00:17:08.009
in the forward compartment. He's opened the radiation
00:17:08.009 --> 00:17:09.970
shield so the moonlight and the stars can come
00:17:09.970 --> 00:17:11.529
in, and he's standing there alone. Come on, we
00:17:11.529 --> 00:17:13.049
better get him. The strain was probably too much.
00:17:14.119 --> 00:17:17.500
Quiet now. We don't want to startle him. Wanderer
00:17:17.500 --> 00:17:20.819
of the faraways, between the two faces of eternity
00:17:20.819 --> 00:17:25.059
she was. True forever to the race that forges.
00:17:25.099 --> 00:17:27.859
He's reading poetry. To himself? To himself or...
00:17:27.859 --> 00:17:30.680
Hold it. I think I know what's happening. You
00:17:30.680 --> 00:17:32.839
mean he's reading to Lou? What's more important,
00:17:32.940 --> 00:17:37.349
she's listening. Go on. Don't stop. It's too
00:17:37.349 --> 00:17:41.460
beautiful. Wanderer of the far away... He'll
00:17:41.460 --> 00:17:44.480
ruin us. Between the two faces of
eternity she
00:17:44.480 --> 00:17:46.759
was. True forever to the race that forges. There
00:17:46.759 --> 00:17:49.660
comes Junior and he sounds mad. And with the
00:17:49.660 --> 00:17:52.869
winds of endless space... glowing in her hair,
00:17:53.220 --> 00:17:57.720
wearing a certain... Shut up! What are you trying
00:17:57.720 --> 00:18:01.140
to do, big boy, reading that stuff to my girl?
00:18:01.400 --> 00:18:04.480
Now, Elmer, take it easy, boy. Let me have that
00:18:04.480 --> 00:18:07.900
poem. I will show you what combustion is. No,
00:18:07.920 --> 00:18:11.579
sir. You can destroy me, but not this poem. This
00:18:11.579 --> 00:18:15.099
is my work of art, my love song to Lulu. Give
00:18:15.099 --> 00:18:18.000
me it! Jimmy, let him have it. He'll kill you.
00:18:18.079 --> 00:18:32.990
He's gonna strike, Jim. Jim, look out! You look
00:18:32.990 --> 00:18:37.079
at that. He's nothing but a pile of junk. That'll
00:18:37.079 --> 00:18:40.380
teach the ignorant lout trying to destroy the
00:18:40.380 --> 00:18:44.019
most beautiful experience I ever had. You demolished
00:18:44.019 --> 00:18:46.740
your boyfriend, Lulu. He only loved me for my
00:18:46.740 --> 00:18:50.220
advanced design anyway. He was always short -circuiting
00:18:50.220 --> 00:18:56.500
the control panel. Go on, James. Read. Yes, Lulu.
00:18:58.500 --> 00:19:01.400
Wanderer of the far ways between the two faces
00:19:01.400 --> 00:19:05.900
of eternity she was. True forever to the race
00:19:05.900 --> 00:19:09.720
that forged her. With the winds of alien space
00:19:09.720 --> 00:19:13.859
blowing in her hair. Wearing a circlet of stars
00:19:13.859 --> 00:19:21.940
as her crown of glory. It's more than I can bear,
00:19:22.079 --> 00:19:28.210
James. You do love me after all. Gus! The rockets!
00:19:28.509 --> 00:19:32.180
She's changed course! We're going home, boys.
00:19:32.339 --> 00:19:35.599
Back to Earth. Whatever happens now, I don't
00:19:35.599 --> 00:19:57.950
care. I've been a woman in love. Fred Collins
00:19:57.950 --> 00:20:00.390
again. I'll have another word about tonight's
00:20:00.390 --> 00:20:09.569
story on X -1 in a moment. That how you feel?
00:20:09.690 --> 00:20:12.690
Blue and miserable with a deep down cold? Listen.
00:20:12.930 --> 00:20:15.250
Every second someone takes it for the miseries
00:20:15.250 --> 00:20:19.019
of a cold. Millions more take Bromoquin. Every
00:20:19.019 --> 00:20:21.259
second someone takes it for the miseries of a
00:20:21.259 --> 00:20:25.210
cold. Get Bromoquinine brand cold tablets. You
00:20:25.210 --> 00:20:27.789
have just heard X -1 presented by the National
00:20:27.789 --> 00:20:30.440
Broadcasting Company. in cooperation with Galaxy
00:20:30.440 --> 00:20:33.440
Science Fiction Magazine, which this month features
00:20:33.440 --> 00:20:37.019
Clifford D. Simak's story, Carbon Copy. Being
00:20:37.019 --> 00:20:39.599
a real estate agent and a devout angler, Homer
00:20:39.599 --> 00:20:41.720
Jackson knew a clean sail from a fish story.
00:20:42.180 --> 00:20:46.299
But not this time. Galaxy Magazine, on your newsstand
00:20:46.299 --> 00:20:50.990
today. X -1 has brought you Lulu, a story from
00:20:50.990 --> 00:20:53.849
the pages of Galaxy, written by Clifford D. Simak
00:20:53.849 --> 00:20:57.269
and adapted for radio by George Lefferts. Featured
00:20:57.269 --> 00:21:00.930
in our cast were Jan Miner as Lulu, Nelson Almstead
00:21:00.930 --> 00:21:05.069
as Gus, Jim Stevens as Jimmy, Walter Black as
00:21:05.069 --> 00:21:09.680
Ben, and Henry Norrell as the robot. This is
00:21:09.680 --> 00:21:13.819
Fred Collins. X -1 was directed by George Boutsas
00:21:13.819 --> 00:21:27.650
and is an NBC Radio Network production. Country
00:21:27.650 --> 00:21:30.569
music at its best with Red Foley and famous guests
00:21:30.569 --> 00:21:33.650
on The Red Foley Show, premiering Saturday over
00:21:33.650 --> 00:21:37.809
most of these NBC radio stations. Thank you.