TRANSCRIPTIE 🔗
WEBVTT
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Luchar claims to be a Martian, and he places his
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account with New York publicity agent Sid Ryan. The assignment
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calls for an extravagant campaign declaring that the Martians are coming,
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leading toward a June 1st parade on Fifth Avenue, as
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Ryan finds the premise harder to dismiss. From NBC's Dimension X,
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this is Episode 21, The Parade, first broadcast August 25th, 1950.
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Joseph Curtin plays Ryan, with Barry Kroger as Lucha and
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Alexander Scarby as broadcaster Ron Heilman. It is an original
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radio drama by George Lefferts, produced by Van Woodward and
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directed by Edward King. And now, our story begins.
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It's National Wheaties Week!
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¶ ¶.
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Yes, it's National Wheaties Week, and Wheaties presents Dimension X.
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Transcribed on stage tonight, Dimension X. Another in the Wheaties
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big parade of exciting half-hour presentations.
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It's National Wheaties Week, and here's the forecast for tomorrow morning.
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Bright and cheerful with occasional smiles, followed by a good
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morning all morning long. You think I'm kidding?
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No, sir, you can have a better morning around your
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house tomorrow if you start it off with a good breakfast, including,
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I hope, a bowl of Wheaties with milk and fruit.
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Nourishment? Say, Wheaties have it to give. To you, right
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here in National Wheaties Week, there's a whole kernel of
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wheat in every Wheaties flake. Talk about vitamins and minerals
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and protein. They're yours in Wheaties. All you have to
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do is get them, those Wheaties, at your nearest store.
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Get them and try them once this week.
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For me.
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For you.
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Try them once and see for yourself how Wheaties at
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7 can help at 11.
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Ready?
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Let's go.
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It's National Wheaties Week.
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Now, tonight's adventure into the unknown world of the future...
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The world.
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Of Dimension X, where anything can happen.
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You are Mr. Sid Ryan?
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The same.
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My name is Lucia. I'm a Martian.
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Pleased to meet you, Mr.
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Lu.
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What was that again? A Martian. A Martian, huh? As
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in Orson Welles?
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Precisely.
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I'm a Rotarian myself. Sit down.
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Thank you.
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And now that we've had our little joke, Mr. Luchar,
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what can publicity associates do for you? It has been my.
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Observation that advertising and publicity... At the very backbone of
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earthly civilization.
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Spoken like a true Martian, Mr. Lushar. Now, if you'll
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tell me the name of the client.
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The client, of course, will be the Martians.
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You don't give up, do you?
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Give up?
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The gag, I mean.
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Oliver. Oh, yes, Mr. Ryan?
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This is Mr.
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Lushar. How do you do, Mr.
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Lushar? Mr. Lushar claims to be a Martian. Take him outside,
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will you, Oliver? Get the name of the sanatorium he
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escaped from and tell them to bring the butterfly net.
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Wait, sir.
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I'm happy to see, Mr.
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Ryan, that my telling you I am a Martian has
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approximately the effect I supposed it would have.
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I believe we can do business.
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I have here the cash retainer for.
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$ 5, 000.
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$ 5, 000?
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Sit down, Mr.
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Lucia.
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Oliver, get the client a cigar.
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Yes, sir.
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No, no, no, the other box, the other box.
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Thank you.
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Well, now, what can I do for you, sir? I
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wish you to manage a publicity campaign. A very large,
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a very important campaign.
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Is the product established or is it something brand new?
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Oh, something quite new.
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Now, what would you judge to be the most effective
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type of campaigns?
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Load full transcript
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Well, if the client has a lot of dough to
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throw around, a suspense campaign is best. First, you place
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ads in the paper saying, watch this space. Then, about
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a week later, you run an ad saying XYZ or PDQ,
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and you get people guessing what it means. Then, finally,
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when you've teased them enough, you bust loose and unveil
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the product.
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Excellent. Very well, sir. We shall conduct a suspense campaign.
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Of course, in this kind of campaign, secrecy is very important.
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Once the name of the product leaks out, it spreads
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like wildfire and the whole campaign is kerflopple.
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Kerflopple. Yes, quite so, quite so. Utmost secrecy.
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That's right. You realize, of course, these things cost like crazy. Would, say,
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one million dollars cover the expense? Come again?
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I said, would one million dollars cover it?
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Why, yes, I imagine you did say one million dollars.
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I understood that you had handled some very large accounts.
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Of course, if this is too big... Oh, not at all,
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not at all. As a matter of fact, I seldom
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touch anything less.
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Right, Oliver?
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Huh?
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Oh, oh, oh, of course, that's right, Mr. Ryan, absolutely right.
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Good. You will begin, then, by saturating the newspapers, the radio,
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streetcars with a very simple statement.
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What's that? I shall write it for you. The Martians
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are coming. Say, that's not a bad teaser. Got that, Oliver?
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Yes, sir. The next ad will read, June 1st is
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Martian Day.
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June 1st is Martian Day. What happens on June 1st?
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The parade takes place.
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What parade?
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I wish you to arrange a parade up Fifth Avenue.
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You mean like the Macy Parade?
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Exactly. Except that the theme will be the world of tomorrow.
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The Martian world.
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My client would like it to be a gay affair.
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Balloons, clowns, pennants, pretty drum majorettes.
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Hey, that sounds terrific. I might be able to interest
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the department stores in a tie-in.
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Fine.
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The parade will climax the campaigns. On June 1st, the
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product will be unveiled.
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Good enough. By the way, Mr. Lucia, just what is
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the product? What are we selling?
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Oh, no, Mr.
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Ryan.
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Secrecy, remember. All will be revealed to you in good.
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Time, Mr.
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Ryan.
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For the moment, let us say we are selling a concept.
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A concept?
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Precisely. The concept of invasion from Mars.
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Benny Marcus, please.
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This is Benny.
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Benny, this is Sid Ryan over at Publicity Associates. Listen, Benny,
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how you fixed for midgets?
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I got midgets.
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Fine. I need 40 midgets for a parade.
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40.
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June 1st. And listen, Benny, I want them dressed in
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little space suits.
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What?
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You know, like men from Mars, okay?
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Midgets.
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And I want some movie extras, maybe 50 of them.
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Also rigged up like men from Mars. Make them look gruesome.
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Got that? Gross. Also, I need some horses with pretty
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girls on top of them. Maybe you can get that
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bunch from Moroni's Traveling Circus, the ones we booked for
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the fireman's parade in Albany last year.
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I'll try, sir.
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And never mind the expense. Just get me the talent, okay?
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I gotta hang up now. Call me back, Benny. How
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you doing, Oliver? Oh, fine, Mr. Ryan, just fine.
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We got full-page ads in all the dailies and ten-second
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spot announcements on every local station.
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It's costing a fortune. The more it costs, the bigger
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our percentage. Spend like you are going to the electric chair, Oliver.
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Yes, sir.
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How you making out on the parade?
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If it comes off, it'll be the biggest thing since
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Barnum invented the midget. I've got maces, gimbals, and sacks
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to contribute floats. Everything is built around the Martian theme, see?
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Even the horses will have long feelers attached to them
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and funny-looking extra legs. It'll be sensational. Oh, yeah, yeah,
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it sounds fine, only, uh... Only what?
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Oh, Mr.
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Ryan, we don't even know what we're selling. Oliver, my boy,
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do you think old Sid Ryan has been sitting here
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spending all this moolah and not putting two and two together?
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You mean you know who Lushar represents? Just by accident, understand?
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I have learned that Century Pictures is making a big
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new epic. A space opera entitled Invasion from Mars.
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Get it?
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Oh, oh, I begin to see. Also, by mere coincidence,
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it happens to be the premiere sometime around June 1st.
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You follow me?
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But, Mr.
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Ryan, Century has an exclusive contract with New Features Syndicate
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for all their publicity.
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Suppose Century Pictures doesn't like the way New Features is
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handling this.
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Stuff.
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They want to get out of the contract, but New
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Features says no. So they have to get around the contract.
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A man named Lucia, a client unknown, starts publicizing the
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Martian invasion. Need I go further? Oh, I get it, Mr.
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Ryan.
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Gee.
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I suppose I should have thought of that. No, Oliver,
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that's what I like about you. You're so innocent. Let
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me talk to Commissioner Patrick, please. Sid Ryan.
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Hello?
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Commish, Sid Ryan.
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Oh, it's you.
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Well, what is it this time?
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If you want to drop a man off the Empire
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State Building into a teacup full of water, the answer
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is no.
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Also, we are not arresting any fan dancers.
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You know I
don't handle fan dancers. I want a
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permit for a parade, June 1st, Fifth Avenue. It's a Sunday.
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There's no traffic.
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Oh, come now. Look.
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Macy's gets a permit. Gimbel's gets a permit. The American
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Legion gets a permit. The Sons of Aaron march every
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time Morton Downey sings the Word of the Green. Don't
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give me a hard time, Patrick. This is too big.
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I have the Fifth Avenue Merchants Association behind me.
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Okay, Ryan.
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Fill out the forms.
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I'll pass them along to the license commissioner.
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That's my boy.
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Oh, by the way, what's the occasion?
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Oh, don't you read the papers, Patrick? June 1st is
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Martian Day.
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Well, Mr. Ryan, how is the campaign going?
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Like fire, Mr. Lushar, like fire. Everybody and his brother
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is going along with the gang. Yesterday, we distributed 50,000
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Martian hats to school kids. I even arranged for Commissioner
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Patrick to accept a $ 50, 000 check for the policeman's benevolent
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fund from the man from Mars. Excellent. I, um, I
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understand Century Pictures spent over a million bucks making that
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space opera?
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I beg your pardon?
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Oh, calm, calm, Mr.
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Lucia.
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Sid Ryan wasn't born yesterday, you know. I know who
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our client is, even if you don't admit it.
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You do?
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Always thinking that's me.
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Well, as long as you know, let's keep it to ourselves,
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shall we, Mr.
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Ryan?
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As you once remarked, when these things leak out.
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It destroys the surprise and ruins the effectiveness of the campaign.
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Ladies and gentlemen, this is Ron Heilerman speaking to you
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from our portable transmitter atop the reviewing stand for the
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much-heralded Martian Parade on Fifth Avenue.
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It's a beautiful sunlit.
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Day here in New York.
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Perfect day for a parade.
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And the streets are packed with thousands of spectators, all
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eager to find out what this is all about. There's
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an air of shrill expectancy.
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Come on, over.
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Here! Okay, tell them all right.
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I just had word from Sol Brown up at Central
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Park Mall that the Martians have landed from Big Pink Balloons.
255
00:13:22.009 --> 00:13:24.070
And while we're waiting here for the arrival of the parade,
256
00:13:24.090 --> 00:13:26.149
we brought some people up to our microphone to tell
257
00:13:26.169 --> 00:13:30.159
you their reactions to this spectacular affair.
258
00:13:30.179 --> 00:13:31.200
What's your name, madam?
259
00:13:31.240 --> 00:13:32.259
Miss Ada Shackley.
260
00:13:32.360 --> 00:13:33.360
A little louder, please.
261
00:13:33.600 --> 00:13:34.899
Miss Ada Shackley.
262
00:13:34.980 --> 00:13:36.019
And where are you from, Mrs.
263
00:13:36.039 --> 00:13:37.100
Shackley?
264
00:13:37.379 --> 00:13:38.419
Columbus, Ohio.
265
00:13:38.480 --> 00:13:38.840
I see.
266
00:13:39.220 --> 00:13:39.600
Mama.
267
00:13:39.720 --> 00:13:41.519
I see you have your family with you. Two little
268
00:13:41.590 --> 00:13:44.830
curly-headed boys. Are you in New York for your vacation?
269
00:13:44.850 --> 00:13:47.649
Yeah, we came for the Shriners Convention with their daddy.
270
00:13:47.669 --> 00:13:48.139
Well, uh.
271
00:13:48.490 --> 00:13:50.309
What do you think of Martian Day, Mrs.
272
00:13:50.350 --> 00:13:50.730
Shackley?
273
00:13:50.789 --> 00:13:53.610
Well, it all seems very strange to me, but the
274
00:13:53.629 --> 00:13:55.639
boys have been pestering me to watch it, so we've
275
00:13:55.659 --> 00:13:57.000
been standing here for two hours.
276
00:13:57.340 --> 00:13:59.179
I can't make head or tail of it. Well, neither
277
00:13:59.200 --> 00:14:00.320
can a lot of other people, Mrs.
278
00:14:00.360 --> 00:14:02.759
Shackley, but judging by the thousands here already, there's a
279
00:14:02.799 --> 00:14:03.600
lot of curiosity.
280
00:14:03.830 --> 00:14:06.429
Curiosity killed a cat, folks say.
281
00:14:06.450 --> 00:14:06.950
Let's hope not.
282
00:14:08.259 --> 00:14:08.679
Thank you, Mrs.
283
00:14:08.830 --> 00:14:09.269
Shackley.
284
00:14:09.330 --> 00:14:13.629
And now, here's the... Here they come, ladies and gentlemen.
285
00:14:13.909 --> 00:14:16.330
The first units of the big Martian parade swinging down
286
00:14:16.350 --> 00:14:22.580
Fifth Avenue. Fanfare, colored streamers, music, confetti, floats, all the
287
00:14:22.620 --> 00:14:24.200
trashies of a Mardi Gras.
288
00:14:24.480 --> 00:14:26.039
Let's listen to the band for a minute.
289
00:14:28.080 --> 00:14:34.500
Here in the vanguard, the whole group of little midgets
290
00:14:34.620 --> 00:14:38.919
in weird-looking pink and blue spacesuits carrying Rube Goldberg weapons
291
00:14:38.960 --> 00:14:40.860
with signs painted on them.
292
00:14:41.299 --> 00:14:44.539
I can read one which says, Atomic Blaster. Another has
293
00:14:44.600 --> 00:14:50.720
a placard reading, We're marching through Georgia. And here come
294
00:14:50.740 --> 00:14:53.159
the clowns, laughing and falling.
295
00:14:52.899 --> 00:14:55.580
All over each other. They're giving free sugar candy to
296
00:14:55.600 --> 00:14:56.460
the kids along the way.
297
00:14:57.789 --> 00:15:00.490
Yes, ladies and gentlemen, there's a happy, laughing crowd along
298
00:15:00.529 --> 00:15:03.909
Fifth Avenue today. A true reflection of the great sense
299
00:15:03.950 --> 00:15:06.190
of humor and good nature that makes America the place
300
00:15:06.250 --> 00:15:06.509
it is.
301
00:15:07.080 --> 00:15:07.509
Why, only.
302
00:15:09.860 --> 00:15:10.149
What's this?
303
00:15:10.200 --> 00:15:14.059
The crowd's murmuring now. They've fallen somewhat silent. There's something coming.
304
00:15:14.080 --> 00:15:14.899
I'll try to get it for you.
305
00:15:15.519 --> 00:15:15.720
What?
306
00:15:17.600 --> 00:15:22.220
Oh, ladies and gentlemen, here comes the Martian contingent. This
307
00:15:22.299 --> 00:15:25.379
is promised at the climax of the show. And now
308
00:15:25.460 --> 00:15:28.470
a great hush has fallen over the crowd. It's quite
309
00:15:28.509 --> 00:15:31.610
a sight to see these thousands of people standing here expectantly,
310
00:15:32.129 --> 00:15:35.000
hearing only the great regular sigh of their mass breathing.
311
00:15:39.120 --> 00:15:42.340
Now here they come, ladies and gentlemen. The Martians, marching
312
00:15:42.379 --> 00:15:46.740
in booted, helmeted ranks, row after row. This is an
313
00:15:46.799 --> 00:15:50.259
impressive sight, ladies and gentlemen. And a rather serious contrast
314
00:15:50.279 --> 00:15:53.039
to the rest of the joyous slapstick parade we've been.
315
00:15:52.919 --> 00:15:53.750
Witnessing up and now.
316
00:15:54.820 --> 00:15:58.399
There are perhaps, oh, 200 tall, broad-chested men dressed in
317
00:15:58.419 --> 00:16:02.149
metallic gray spacesuits with thick glass visors drawn across their faces.
318
00:16:03.049 --> 00:16:05.889
Each one's holding an ominous-looking ray gun at the ready position,
319
00:16:07.330 --> 00:16:11.549
marching in absolute silence, moving steps perfectly as though some mute,
320
00:16:11.710 --> 00:16:15.360
unspoken command were marking time for them. Even the children
321
00:16:15.440 --> 00:16:19.139
are awed by the unexpected warlike realism of the Martian legion.
322
00:16:21.250 --> 00:16:23.700
And now the first ranks of the Martians move past us,
323
00:16:24.159 --> 00:16:26.600
down Fifth Avenue, toward the reviewing stands at the square.
324
00:16:28.460 --> 00:16:29.059
No one moves.
325
00:16:32.740 --> 00:16:33.080
A woman.
326
00:16:33.460 --> 00:16:35.450
A woman, ladies and gentlemen, just dashed out into the street.
327
00:16:35.590 --> 00:16:38.070
For what reason, I don't know. She just slipped through
328
00:16:38.090 --> 00:16:41.570
the police cordon somehow. They're after her now. But she's
329
00:16:41.610 --> 00:16:43.490
already reached the ranks of the marchers, and she's trying
330
00:16:43.509 --> 00:16:45.389
to lift the visor of one of the Martian space teams.
331
00:16:47.629 --> 00:16:48.049
She's fallen.
332
00:16:48.570 --> 00:16:49.429
She screamed and then.
333
00:16:49.330 --> 00:16:50.690
Fell forward in a dead faint.
334
00:16:50.769 --> 00:16:54.419
The Martian column keeps right on coming. Unless they break ranks,
335
00:16:54.440 --> 00:16:55.220
they're going to trample her.
336
00:16:56.039 --> 00:16:58.460
No, no, no. The policemen have got her now. They're
337
00:16:58.500 --> 00:16:59.200
dragging her away.
338
00:16:59.659 --> 00:17:00.120
Out of the way.
339
00:17:01.230 --> 00:17:02.090
Trying to revive her now.
340
00:17:02.769 --> 00:17:03.350
What's that?
341
00:17:05.160 --> 00:17:07.319
All sorts of rumors have begun filtering back through the crowd.
342
00:17:07.460 --> 00:17:10.619
Some are even whispering that the woman's dead. We don't
343
00:17:10.660 --> 00:17:13.099
know yet, but whatever's happened, the incident seems to have
344
00:17:13.720 --> 00:17:15.839
cast a slight shadow over the mood of the crowd.
345
00:17:16.799 --> 00:17:20.079
Carefree holiday air seems to have vanished, the crowd stirring uneasily.
346
00:17:20.099 --> 00:17:23.079
A little disturbed of what we've just seen.
347
00:17:24.079 --> 00:17:25.180
Nothing to be alarmed at, however.
348
00:17:25.259 --> 00:17:27.839
It just seems a shame that anything like this should
349
00:17:27.900 --> 00:17:30.200
happen to spoil our enjoyment of the Martian parade.
350
00:17:44.119 --> 00:17:46.859
Dimension X will continue in just a moment.
351
00:17:48.579 --> 00:17:50.420
It's National Wheaties Week.
352
00:17:50.920 --> 00:17:51.960
I want to take that again, Frank.
353
00:17:52.200 --> 00:17:52.599
Oh, sure.
354
00:17:53.400 --> 00:17:57.769
It's National Wheaties Week, and we're celebrating. And that voice
355
00:17:57.809 --> 00:18:00.390
you heard belongs to my severest critic, who is here
356
00:18:00.430 --> 00:18:03.549
to help us celebrate tonight. He's the fellow who's backstage
357
00:18:03.569 --> 00:18:05.890
when I'm telling you about the Wheaties. He listens to
358
00:18:05.910 --> 00:18:08.750
see that I tell you right. Wheaties' best friend, next
359
00:18:08.789 --> 00:18:12.069
to me, Blaine Butcher. I think you took that introduction
360
00:18:12.089 --> 00:18:12.890
a little fast, Frank.
361
00:18:13.670 --> 00:18:17.170
You see what I mean, folks? Seriously, Blaine, you say
362
00:18:17.230 --> 00:18:20.490
the Wheaties words once. Okay, all I'll say is this.
363
00:18:21.069 --> 00:18:23.210
Those of us who tell the Wheaties story
believe what
364
00:18:23.230 --> 00:18:26.109
we say. And during National Wheaties Week, the good word
365
00:18:26.170 --> 00:18:28.430
is this. Get a package of Wheaties and try them
366
00:18:28.450 --> 00:18:30.890
just once. I'll be right behind you in line at
367
00:18:30.910 --> 00:18:33.190
your grocers between you and Frank Martin.
368
00:18:33.630 --> 00:18:34.029
Okay?
369
00:18:34.490 --> 00:18:35.059
Do that now.
370
00:18:35.559 --> 00:18:37.859
Try Wheaties. It's National Wheaties Week.
371
00:18:49.180 --> 00:18:49.380
Mr.
372
00:18:49.420 --> 00:18:50.299
Ryan, did you see that?
373
00:18:50.339 --> 00:18:52.309
A woman fainted. She ran out into the street to
374
00:18:52.329 --> 00:18:54.650
get a close look at the Martians. Then she screamed
375
00:18:54.710 --> 00:18:55.650
and fainted dead away.
376
00:18:55.890 --> 00:18:57.890
I'm well aware of that, Oliver, since I paid her
377
00:18:57.890 --> 00:19:01.710
50 bucks to do it. What? The dramatic moment, Oliver.
378
00:19:01.750 --> 00:19:05.339
The stock and trade of the good publicity man. Relax.
379
00:19:05.880 --> 00:19:08.460
Holy smokes, you sure think of everything. For my share
380
00:19:08.480 --> 00:19:11.559
of this deal, roughly $ 100, 000, I can afford to think
381
00:19:11.579 --> 00:19:14.519
of everything. Shut the window. Okay, but don't you want
382
00:19:14.539 --> 00:19:16.240
to see the finish? We'll go down to the reviewing
383
00:19:16.279 --> 00:19:17.819
stand for the finish. Right now, I want to make
384
00:19:17.839 --> 00:19:20.799
a phone call. By the way, where's Lucia? I haven't
385
00:19:20.839 --> 00:19:22.539
seen him. Well, close the window, Oliver.
386
00:19:22.759 --> 00:19:23.029
Well, I.
387
00:19:24.299 --> 00:19:25.039
Okay, Mr.
388
00:19:25.099 --> 00:19:26.839
Ryan. Oh, dear.
389
00:19:37.619 --> 00:19:39.079
Marcus Tower Agency.
390
00:19:39.140 --> 00:19:40.589
Benny, this is Sid Ryan.
391
00:19:41.029 --> 00:19:42.740
Oh, I say, listen, Sid, I was going to call you.
392
00:19:42.769 --> 00:19:44.509
I'm awful sorry about those Martians.
393
00:19:44.609 --> 00:19:46.769
What do you mean, sorry? They're terrific.
394
00:19:46.809 --> 00:19:48.069
No, don't joke, Sid. I mean it.
395
00:19:48.119 --> 00:19:50.880
Oh, I mean it, too. They're great, great.
396
00:19:51.579 --> 00:19:52.339
Are you in a bag?
397
00:19:52.779 --> 00:19:53.500
Never felt better.
398
00:19:54.500 --> 00:19:55.339
You mean it, don't you?
399
00:19:55.500 --> 00:19:57.539
Of course I mean it. What is this?
400
00:19:58.349 --> 00:19:59.950
There are Martians in the parade?
401
00:20:00.130 --> 00:20:03.089
About 150. Of course, I only ordered 50, but under
402
00:20:03.109 --> 00:20:03.960
the circumstances... Sid!
403
00:20:04.549 --> 00:20:04.900
What is it?
404
00:20:05.089 --> 00:20:06.750
Sid, don't you know I couldn't get you a single
405
00:20:06.789 --> 00:20:09.049
movie extra? There's a studio strike in New York.
406
00:20:09.069 --> 00:20:09.210
Uh-huh.
407
00:20:10.000 --> 00:20:12.640
Wait a minute. Where'd these guys come from if you
408
00:20:12.660 --> 00:20:13.140
didn't hire them?
409
00:20:13.160 --> 00:20:15.460
I don't know. Hold on. Oliver?
410
00:20:15.880 --> 00:20:16.400
Oh, yes, Mr.
411
00:20:16.440 --> 00:20:16.700
Ryan?
412
00:20:16.900 --> 00:20:19.480
Did you hire those Martians? Well, no, sir, I didn't. Benny,
413
00:20:20.480 --> 00:20:21.519
this is on the level, isn't it?
414
00:20:21.720 --> 00:20:22.559
Honest, Sid, I.
415
00:20:22.680 --> 00:20:26.460
Okay, Benny, I'll call you back. What's the matter, Mr.
416
00:20:26.529 --> 00:20:26.829
Ryan?
417
00:20:28.190 --> 00:20:28.609
I don't know.
418
00:20:29.990 --> 00:20:30.529
Just don't know.
419
00:20:32.470 --> 00:20:37.589
Wonder if Lucia hired them. What's Century Pictures' number? Tremaine 4-1000.
420
00:20:37.609 --> 00:20:40.779
Tremaine 4-1000.
421
00:20:45.279 --> 00:20:47.380
Century Pictures, the studio of the stars.
422
00:20:47.640 --> 00:20:49.380
Give me Marty Sanford, your publicity director.
423
00:20:49.579 --> 00:20:50.200
One moment, please.
424
00:20:51.720 --> 00:20:52.180
Sanford?
425
00:20:52.660 --> 00:20:53.599
Marty, this is Sid Ryan.
426
00:20:53.920 --> 00:20:55.569
Oh, hello, Sid. How's it going? Fine, fine.
427
00:20:55.769 --> 00:20:57.769
Listen, Marty, this is dead serious. On the level.
428
00:20:57.809 --> 00:20:58.019
Get it?
429
00:20:58.529 --> 00:20:59.009
What's wrong?
430
00:20:59.269 --> 00:21:03.720
I've got to locate Lucia. Lucia, come on now, Marty.
431
00:21:03.759 --> 00:21:05.799
This is life and death. The guy you sent over
432
00:21:05.819 --> 00:21:07.339
to hire me for the invasion picture.
433
00:21:07.740 --> 00:21:12.180
I've heard of a guy named Lucia. And what invasion picture?
434
00:21:12.329 --> 00:21:14.809
Invasion from Mars, the space opera.
435
00:21:14.829 --> 00:21:17.750
Are you batty? Marty. That picture was shelled last month.
436
00:21:18.089 --> 00:21:18.369
What?
437
00:21:18.529 --> 00:21:19.829
Sure, back in the can.
438
00:21:20.470 --> 00:21:22.970
The big shots decided you can't sell a Martian invasion
439
00:21:22.990 --> 00:21:23.990
to the American public.
440
00:21:24.210 --> 00:21:25.289
It's too incredible, Sid.
441
00:21:25.890 --> 00:21:27.390
Who'd ever believe it could really happen?
442
00:21:27.670 --> 00:21:28.450
Of all the crazy.
443
00:21:30.309 --> 00:21:31.410
Mother in heaven.
444
00:21:31.900 --> 00:21:32.480
What is it, Mr.
445
00:21:32.519 --> 00:21:32.759
Ryan?
446
00:21:32.779 --> 00:21:36.720
You look terrible. It's too fantastic. Fantastic?
447
00:21:37.779 --> 00:21:38.039
Mr.
448
00:21:38.079 --> 00:21:40.859
Ryan, is something wrong? Open that window. I want another
449
00:21:40.880 --> 00:21:52.380
look at those Martians. Look at them. Oliver, you were
450
00:21:52.400 --> 00:21:56.839
in the army. Could 150 movie extras learn to march
451
00:21:56.900 --> 00:21:58.019
like that in, say, 24
hours? No.
452
00:21:58.859 --> 00:21:58.920
No.
453
00:22:01.369 --> 00:22:02.769
Not in 24 days, Mr.
454
00:22:02.809 --> 00:22:03.210
Ryan.
455
00:22:04.009 --> 00:22:09.170
Not a second's hesitation. Not one other step. Look at
456
00:22:09.190 --> 00:22:11.049
the way they carry those ray guns at the ready.
457
00:22:12.549 --> 00:22:14.490
The only other time I've seen troops march like that
458
00:22:14.549 --> 00:22:17.369
was on film of the Nazi SS troops marching through
459
00:22:17.390 --> 00:22:18.390
the streets of Paris.
460
00:22:18.809 --> 00:22:19.130
Mr.
461
00:22:19.190 --> 00:22:19.549
Ryan.
462
00:22:19.950 --> 00:22:21.990
Oliver, get down there. Find that woman who painted. Her
463
00:22:22.009 --> 00:22:23.890
name's Gloria Montez. Get her up here. Make it fast.
464
00:22:35.849 --> 00:22:36.710
Here she is, Mr.
465
00:22:36.750 --> 00:22:37.049
Ryan.
466
00:22:37.089 --> 00:22:39.299
I can't get much sense out of her. Stay away
467
00:22:39.339 --> 00:22:41.799
from me. Okay, Gloria, you can cut out the act
468
00:22:41.839 --> 00:22:46.819
and relax. It's me, Sid Ryan. Gloria, settle down. Baby,
469
00:22:46.940 --> 00:22:47.819
it's me, Sid.
470
00:22:47.839 --> 00:22:48.980
It's awful.
471
00:22:49.460 --> 00:22:53.460
It's all big green eyes and some feelings like a catfish. Baby,
472
00:22:53.559 --> 00:22:56.640
snap out of it. Listen, what happened down there? You
473
00:22:56.680 --> 00:22:58.440
ran out and screamed like I told you, but the fainting,
474
00:22:58.480 --> 00:22:59.329
that wasn't in the act.
475
00:22:59.789 --> 00:23:00.640
Go away, please.
476
00:23:01.160 --> 00:23:06.579
Go away. Just one question, baby. inside that helmet. What
477
00:23:06.619 --> 00:23:11.619
did you see? I don't get anything out of her, Mr. Ryan.
478
00:23:11.660 --> 00:23:12.549
She needs a doctor.
479
00:23:12.609 --> 00:23:13.119
Okay, Oliver.
480
00:23:13.160 --> 00:23:15.829
I've heard enough anyway. You take care of Gloria. Get
481
00:23:15.849 --> 00:23:17.890
her a drink. Where are you going? To see the commissioner.
482
00:23:17.930 --> 00:23:20.170
We've got to stop this parade before things begin to happen.
483
00:23:29.299 --> 00:23:30.680
Okay, Ryan, what's the beef?
484
00:23:30.740 --> 00:23:32.519
Listen, Patrick, I don't know what it is, see, but
485
00:23:32.559 --> 00:23:34.319
something's wrong. You've got to stop that parade.
486
00:23:34.359 --> 00:23:36.759
I suppose you'd like the riot squad. That would get
487
00:23:36.779 --> 00:23:39.160
you a front page spread on every paper in town.
488
00:23:39.200 --> 00:23:39.900
Now look, Ryan.
489
00:23:40.579 --> 00:23:42.460
I've got no time for your cheap publicity gags. I'm
490
00:23:42.480 --> 00:23:43.039
a busy man.
491
00:23:43.059 --> 00:23:44.640
Listen, I'm trying to tell you I don't know where
492
00:23:44.680 --> 00:23:46.869
those Martians came from, who they are, anything about them.
493
00:23:47.049 --> 00:23:49.250
Oh, Ryan, I'm wise to your tricks. Now, if you
494
00:23:49.289 --> 00:23:50.890
let the sergeant show you out.
495
00:23:50.910 --> 00:23:53.130
You won't do it, huh? An honest citizen appears for
496
00:23:53.170 --> 00:23:54.049
protection and you refuse?
497
00:23:54.250 --> 00:23:55.589
I most emphatically do.
498
00:23:55.630 --> 00:23:56.170
Now, beat it.
499
00:23:56.190 --> 00:23:58.109
All right, Patrick. I'll go right to the mayor's office.
500
00:23:58.390 --> 00:24:00.930
I'll have you busted, flattered on the Friday. Go ahead.
501
00:24:01.539 --> 00:24:03.420
I'm sure his honor will be glad to toss you
502
00:24:03.539 --> 00:24:06.079
out on that phony nickel-plated skull of yours.
503
00:24:06.099 --> 00:24:17.319
Ah! You heard me, Ryan. You can't see the man. Adolph, please.
504
00:24:17.339 --> 00:24:19.200
This isn't a gag. I don't want publicity. All I
505
00:24:19.240 --> 00:24:21.220
want to do is maybe prevent something horrible from happening.
506
00:24:21.240 --> 00:24:23.250
In case you don't know it, wise guy, something horrible
507
00:24:23.269 --> 00:24:24.049
is already happening.
508
00:24:24.549 --> 00:24:26.309
A couple of hundred little kids are in the hospital
509
00:24:26.529 --> 00:24:30.009
with humane poisoning from that phony Martian candy you passed out.
510
00:24:30.069 --> 00:24:30.269
What?
511
00:24:30.390 --> 00:24:31.259
But didn't you know? I....
512
00:24:32.910 --> 00:24:35.940
I didn't. We've got to stop that parade. Sure.
513
00:24:36.000 --> 00:24:38.160
You'd like nothing better than to start a panic now.
514
00:24:38.680 --> 00:24:41.230
Maybe a few hundred people get trampled to death. Think
515
00:24:41.269 --> 00:24:44.490
of the newspaper space. That'd get you and your phony brother.
516
00:24:44.509 --> 00:24:45.970
I won't stand for this, Adolf. This may be a
517
00:24:45.990 --> 00:24:47.529
matter of life and death. Get out of here quick.
518
00:24:47.549 --> 00:24:49.430
It'll be your death. Go on, beat it. Get out.
519
00:24:49.890 --> 00:24:51.190
You and your publicity stunts.
520
00:24:51.750 --> 00:24:53.089
Make me sick to my stomach.
521
00:25:04.220 --> 00:25:04.500
Oliver.
522
00:25:05.220 --> 00:25:05.480
Oliver.
523
00:25:06.579 --> 00:25:07.299
Oliver, where are you?
524
00:25:07.579 --> 00:25:07.849
Oliver, I.
525
00:25:07.839 --> 00:25:07.960
Oliver.
526
00:25:09.220 --> 00:25:10.960
Oliver. Oliver!
527
00:25:11.579 --> 00:25:13.569
It is useless to scream at him, Mr.
528
00:25:13.589 --> 00:25:13.950
Ryan.
529
00:25:14.430 --> 00:25:16.769
Your friend is quite dead.
530
00:25:17.130 --> 00:25:17.609
Lucia!
531
00:25:17.809 --> 00:25:19.430
He wanted to run to the police with some story
532
00:25:19.450 --> 00:25:23.549
about a Martian invasion. I found it necessary. To restrain him.
533
00:25:23.670 --> 00:25:25.809
Restrain him, you stinking murderer!
534
00:25:25.829 --> 00:25:26.970
Now, now, Mr.
535
00:25:27.049 --> 00:25:30.309
Ryan, collect yourself. After all, our planning, it
wouldn't do
536
00:25:30.329 --> 00:25:32.210
to have everything spoiled.
537
00:25:31.730 --> 00:25:32.430
Now, would it?
538
00:25:32.450 --> 00:25:34.930
Lucia, start talking and talk fast, because when you get through,
539
00:25:34.990 --> 00:25:37.349
I'm going to take you apart piece by piece. What's
540
00:25:37.369 --> 00:25:39.329
this all about? Surely you know, Mr.
541
00:25:39.369 --> 00:25:41.710
Ryan. After all, you've been publicizing it for months.
542
00:25:42.710 --> 00:25:46.009
You see, before colonizing your planet, the Martian government sent
543
00:25:46.089 --> 00:25:49.289
some of us as scouts in advance, disguised as Earthmen,
544
00:25:49.329 --> 00:25:50.329
of course, to.
545
00:25:50.269 --> 00:25:52.079
Study your habits, your weaknesses.
546
00:25:53.150 --> 00:25:56.349
We found that the people on Earth are predominantly conditioned
547
00:25:56.470 --> 00:26:01.170
by advertising and publicity. And so we conceived the idea
548
00:26:01.210 --> 00:26:05.460
of treating our entire invasion as a vast publicity stunt.
549
00:26:07.579 --> 00:26:10.359
Clever, yes. After all, Mr.
550
00:26:10.400 --> 00:26:12.920
Ryan, who would suspect an invader who advertised his invasion
551
00:26:12.960 --> 00:26:15.920
in the newspaper, invited the public to his surprise attack,
552
00:26:16.420 --> 00:26:18.569
and spent millions publicizing his plans?
553
00:26:18.670 --> 00:26:19.890
Holy jumping.
554
00:26:19.930 --> 00:26:22.210
You've done very well, you see.
555
00:26:22.230 --> 00:26:22.309
Then.
556
00:26:23.420 --> 00:26:24.819
There was no product.
557
00:26:24.980 --> 00:26:29.859
Ah, but there is a product. The product is death.
558
00:26:30.599 --> 00:26:34.390
What are you trying, Lucha? We Martians are a humane people, Mr.
559
00:26:34.410 --> 00:26:36.990
Ryan. We do not like to destroy thousands where a
560
00:26:37.049 --> 00:26:38.250
few hundred will suffice.
561
00:26:39.299 --> 00:26:42.619
In exactly two minutes, our troops will treat the world
562
00:26:42.660 --> 00:26:44.809
to a spectacle of death, which will bring the rest
563
00:26:44.849 --> 00:26:46.849
of your planet to its knees in horror.
564
00:26:47.470 --> 00:26:49.250
Nations will clamor to surrender.
565
00:26:49.390 --> 00:26:54.890
Perhaps, Mr. Lucia, but not if I can help it.
566
00:27:02.710 --> 00:27:03.170
Yes, please?
567
00:27:03.430 --> 00:27:05.299
Operator, this is Mr. Ryan. Get me the field telephone
568
00:27:05.339 --> 00:27:06.920
on the reviewing stand of the Martian Day Parade.
569
00:27:06.940 --> 00:27:07.200
Hurry.
570
00:27:07.519 --> 00:27:08.359
Anyone in particular?
571
00:27:08.380 --> 00:27:13.690
Just hurry. Reviewing, Stan.
572
00:27:13.819 --> 00:27:14.210
Hello?
573
00:27:14.259 --> 00:27:15.079
Give me Commissioner Patrick.
574
00:27:15.099 --> 00:27:16.160
Hello? Hello!
575
00:27:16.420 --> 00:27:20.220
You have to talk louder. I want Commissioner Patrick! Patrick! Patrick!
576
00:27:20.420 --> 00:27:21.039
Wait a minute.
577
00:27:21.099 --> 00:27:22.460
Things are quieting down.
578
00:27:22.480 --> 00:27:24.019
Hey, wait a minute.
579
00:27:24.039 --> 00:27:25.599
What was that you wanted? This is Ryan. I have
580
00:27:25.619 --> 00:27:27.019
to talk to the Commissioner. It's a matter of life
581
00:27:27.059 --> 00:27:29.819
and death. You can't talk to him now. The Chief
582
00:27:29.839 --> 00:27:32.740
Martian is presenting the PBA check to him. The Martians
583
00:27:32.779 --> 00:27:34.599
are going to fire a salute. Listen, you've got to
584
00:27:34.619 --> 00:27:34.980
stop him.
585
00:27:35.000 --> 00:27:35.240
What?
586
00:27:35.420 --> 00:27:36.160
Stop him!
587
00:27:36.380 --> 00:27:36.819
I'm sorry, Mr.
588
00:27:36.839 --> 00:27:37.160
Ryan.
589
00:27:37.220 --> 00:27:37.829
I can't hear you.
590
00:27:37.839 --> 00:27:38.079
You idiot!
591
00:27:38.099 --> 00:27:39.180
The worst is going to.
592
00:27:50.269 --> 00:27:50.339
Mr.
593
00:27:50.380 --> 00:27:51.670
Ryan, you've been cut off.
594
00:27:51.769 --> 00:27:52.309
I heard it.
595
00:27:52.369 --> 00:27:53.470
Is something the matter?
596
00:27:54.369 --> 00:27:55.049
No, operator.
597
00:27:56.650 --> 00:27:57.309
Doesn't matter.
598
00:28:02.279 --> 00:28:03.380
Nothing matters now.
599
00:28:22.660 --> 00:28:27.069
Tonight, Dimension X has transcribed The Parade, an original radio
600
00:28:27.089 --> 00:28:30.349
drama written by George Lefferts. Featured in the cast were
601
00:28:30.390 --> 00:28:34.049
Joseph Curtin as Ryan, Barry Kroger as Lushar, and Alexander
602
00:28:34.089 --> 00:28:37.980
Scurvy as Ron Heilman. Your narrator was Norman Rose. Music
603
00:28:38.039 --> 00:28:42.579
by Albert Berman. Engineer, Bill Chambers. Dimension X is produced
604
00:28:42.640 --> 00:28:47.819
by Van Woodward and directed by Edward King. In a moment,
605
00:28:47.859 --> 00:28:50.619
we'll tell you about next week's show. And now, here
606
00:28:50.680 --> 00:28:52.799
is your Wheaties man, Frank Martin.
607
00:28:53.799 --> 00:28:57.329
It's National Wheaties Week. Have you had them today?
608
00:28:57.609 --> 00:28:58.309
Had your Wheaties?
609
00:28:58.829 --> 00:29:01.329
It's National Wheaties Week, the time of the year to
610
00:29:01.390 --> 00:29:04.309
buy Wheaties and try them at least once, for goodness sake.
611
00:29:04.970 --> 00:29:07.130
Because once you sit down to a bowl of Wheaties
612
00:29:07.190 --> 00:29:09.589
with milk and the fruit of your choice, I don't
613
00:29:09.630 --> 00:29:12.880
worry about you. Nope, I know there's a whole kernel
614
00:29:12.920 --> 00:29:16.619
of wheat in every Wheaties flake, and that's good. Besides,
615
00:29:16.700 --> 00:29:18.940
I know that starting a better breakfast with Wheaties can
616
00:29:19.059 --> 00:29:21.839
help you feel better, look better, and work better all morning.
617
00:29:22.579 --> 00:29:24.940
But honest now, you have to do your part before
618
00:29:24.980 --> 00:29:28.269
Wheaties can do theirs. Sure, buy Wheaties. That's what you
619
00:29:28.289 --> 00:29:30.750
have to do. That's what I have to do. Buy
620
00:29:30.769 --> 00:29:35.150
them and see how Wheaties at 7 can help at 11.
621
00:29:35.150 --> 00:29:44.220
And a happy National Wheaties Week to you. Listen next
622
00:29:44.279 --> 00:29:47.880
week when we present the Robert Heinlein story, The Roads
623
00:29:47.980 --> 00:29:48.660
Must Roll.
624
00:29:49.140 --> 00:29:51.349
Another adventure into the world of tomorrow.
625
00:29:51.630 --> 00:29:52.710
The world of.
626
00:29:54.309 --> 00:29:55.720
Dimension X. Dimension X.
627
00:30:01.230 --> 00:30:03.349
And this is the Wheaties man, Frank Martin, inviting you
628
00:30:03.369 --> 00:30:07.019
to listen Saturday, that's tomorrow night, to Joel McRae in
629
00:30:07.130 --> 00:30:10.640
Tales of the Texas Rangers on the Wheaties Big Parade.
630
00:30:11.180 --> 00:30:11.579
See you then.
631
00:30:11.599 --> 00:30:14.759
And remember, it's National Wheaties Week.
632
00:30:15.099 --> 00:30:18.460
Swing your partners right and left. It's National Wheaties Week.
633
00:30:18.539 --> 00:30:21.190
Come on, everybody, to the Wheaties party. Eat a lot
634
00:30:21.230 --> 00:30:24.470
of Wheaties like the champions do. Dance together cheek to cheek.
635
00:30:24.509 --> 00:30:26.250
This is National Wheaties Week.
636
00:30:26.349 --> 00:30:27.910
Eat a lot of Wheaties like the champions do.
637
00:30:27.930 --> 00:30:29.630
Wheaties are breakfast of champions.
638
00:30:48.930 --> 00:30:50.670
This program came to you from New York.
639
00:30:51.210 --> 00:30:53.150
Jack Leight's coming up October 6th.
640
00:30:53.210 --> 00:30:55.210
It's Bill Bendix on NBC.
641
00:31:04.019 --> 00:31:07.849
This has been Dimension X, Episode 21, The Parade. Follow
642
00:31:07.869 --> 00:31:10.809
Dimension X for more classic science fiction broadcasts.