Fullstendig transkripsjon av Liquid Sky

about you if I may 00:02:34.990 --> 00:02:39.770 what? About how I was trying to be very clever 00:02:39.770 --> 00:02:43.699 with this movie and do a blind date. And you 00:02:43.699 --> 00:02:47.180 did the most wonderful of things in that you 00:02:47.180 --> 00:02:50.620 pulled the rug out from off my crotch. Yeah, 00:02:50.620 --> 00:02:53.900 yeah. And you're being I know it's upsetting, 00:02:54.080 --> 00:02:56.740 but you and then you're you're giving it to like, 00:02:56.740 --> 00:02:59.280 well, bless you, you know, instead of the fuck 00:02:59.280 --> 00:03:01.500 you, you know, I'm getting the bless you part. 00:03:02.180 --> 00:03:04.840 But you did something that was so great because 00:03:04.840 --> 00:03:09.400 I read a movie and when that's bad shit, who 00:03:09.400 --> 00:03:13.360 would ever watch that? And your brain went, we're 00:03:13.360 --> 00:03:16.719 going to. And hopefully others who listen to 00:03:16.719 --> 00:03:19.240 the show have watched the movie Punch because 00:03:19.240 --> 00:03:25.599 we just talked about it in the kitchen. I want 00:03:25.599 --> 00:03:29.219 to watch that movie again. And it was just fucking 00:03:29.219 --> 00:03:32.479 cool. Everything about it, it was really, really 00:03:32.479 --> 00:03:35.560 cool. And I'm glad that our blind dates have 00:03:35.560 --> 00:03:39.460 been going well. Yeah, we. Well, we've each gone 00:03:39.460 --> 00:03:42.379 on to now. This is this is number two for you 00:03:42.379 --> 00:03:46.539 So that being said I took cuts I get it that 00:03:46.539 --> 00:03:50.500 well again Bravo for for doing a really douchey 00:03:50.500 --> 00:03:55.680 and wonderfully artistic thing So you lose points 00:03:55.680 --> 00:03:58.819 as a friend but well it's as a podcast You know, 00:03:58.960 --> 00:04:01.060 it's Sarah Lynn's fault that why I did that. 00:04:01.060 --> 00:04:03.419 I think I explained that right not a cream Did 00:04:03.419 --> 00:04:08.360 I know? Yes, you did No, I'm not a fan boy. Her 00:04:08.360 --> 00:04:13.400 seasons have continued to arrive. So please avert 00:04:13.400 --> 00:04:19.699 your gaze. Anyway, so I know that I have I talked 00:04:19.699 --> 00:04:23.420 about this movie for a bit now. Yeah. To be able 00:04:23.420 --> 00:04:28.279 to watch it was a more traditional path. Well, 00:04:28.579 --> 00:04:31.500 how often do people physically buy their blind 00:04:31.500 --> 00:04:37.050 dates? And hold them in their hair. And keep 00:04:37.050 --> 00:04:41.649 them change. You love that one, right? Bravo. 00:04:42.170 --> 00:04:45.949 Bravo, my friend. That was that was glorious. 00:04:47.889 --> 00:04:52.310 So this is a really good point. Wasn't that taken? 00:04:53.430 --> 00:04:56.790 You do have a particularly unique set of skills. 00:04:57.189 --> 00:05:02.720 You have a huge set of balls. You know. And who 00:05:02.720 --> 00:05:07.060 says it best? Sometimes the British say it best. 00:05:07.639 --> 00:05:11.379 Yeah. The

British say it better? What's going 00:05:11.379 --> 00:05:14.439 on? The British are tired. One more time. The 00:05:14.439 --> 00:05:18.220 British are tired of themselves here. Bulls. 00:05:18.459 --> 00:05:21.879 All right, I'll try it. I'll try it. Bulls. We 00:05:21.879 --> 00:05:25.319 were reminiscing. Give me the real one. Bulls. 00:05:26.480 --> 00:05:31.279 Nice. Nice, nice, nice. So I'm really excited, 00:05:31.420 --> 00:05:34.660 right? Are you done shooting me? My glories. 00:05:34.699 --> 00:05:38.680 Can I send you yours? Well, I want to walk out 00:05:38.680 --> 00:05:40.540 of here and watch Punch Immediately and thank 00:05:40.540 --> 00:05:44.879 you for that. But that being said, how well or 00:05:44.879 --> 00:05:48.800 horribly have I served you in giving you this 00:05:48.800 --> 00:05:51.879 particular blind date in the film Liquid Sky? 00:05:52.220 --> 00:05:58.670 Oh, just complete craziness. But OK, so if Would 00:05:58.670 --> 00:06:01.829 you have picked this movie to do if you had if 00:06:01.829 --> 00:06:03.889 it wasn't a blind date and you had watched it? 00:06:04.189 --> 00:06:08.050 A million billion percent. OK. I feel like this 00:06:08.050 --> 00:06:10.550 is the movie. That's a lot of people. This is 00:06:10.550 --> 00:06:13.930 why we do what we do this. This is this should 00:06:13.930 --> 00:06:18.250 be our penultimate film. And again, well, it 00:06:18.250 --> 00:06:22.569 does meet the three criteria in to the end. In 00:06:22.569 --> 00:06:26.319 so many ways and full disclosure. You know, for 00:06:26.319 --> 00:06:28.300 everybody again, and thank you for listening. 00:06:29.060 --> 00:06:33.980 We have not talked about this movie since and 00:06:33.980 --> 00:06:37.660 it's been really difficult because to break down 00:06:37.660 --> 00:06:41.180 some typical gender stereotypes, we do talk about 00:06:41.180 --> 00:06:44.579 things other than movies. And so we found it 00:06:44.579 --> 00:06:46.540 particularly hard at times to not talk about 00:06:46.540 --> 00:06:49.480 this one. And I think that that's fun because 00:06:49.480 --> 00:06:53.519 I've been dying, dying to know what this movie 00:06:53.519 --> 00:06:57.560 may have done to you. To your butt. Yeah. How 00:06:57.560 --> 00:06:59.560 did it make your butt feel? Well, the first time 00:06:59.560 --> 00:07:03.959 through, I renamed the movie. You did. And I 00:07:03.959 --> 00:07:06.040 wrote down what I named it because you noted 00:07:06.040 --> 00:07:09.300 when I just watched it the first time I wrote 00:07:09.300 --> 00:07:12.060 it. I get my notes. I have a thing with notes. 00:07:12.180 --> 00:07:16.120 Hello. Say hello to my little friend. You have 00:07:16.120 --> 00:07:18.740 to remind anybody of that. Can you hear the pages 00:07:18.740 --> 00:07:22.379 shuffling? All right. So this movie is neon acid 00:07:22.379 --> 00:07:25.329 trip. What do you mean? There's a lot of fucking 00:07:25.329 --> 00:07:30.250 neon in this movie. Beyond everywhere. And then 00:07:30.250 --> 00:07:33.189 I first went through it and I'm like, this is 00:07:33.189 --> 00:07:35.550 just an acid trip. This whole movie is just somebody 00:07:35.550 --> 00:07:40.149 on an acid trip. And then I read the description 00:07:40.149 --> 00:07:42.769 of the movie, you know, on IMDb would choose 00:07:42.769 --> 00:07:44.829 to do, but I read it and then it like explained 00:07:44.829 --> 00:07:46.829 it. And I'm like, oh, that's what they were doing. 00:07:47.329 --> 00:07:49.370 Because the first time I was completely lost, 00:07:49.389 --> 00:07:52.959 I didn't get it. It just looked like some neon 00:07:52.959 --> 00:07:57.819 acid trip to me. Well, so there it is. I feel 00:07:57.819 --> 00:08:00.720 like you're giving softness in that response. 00:08:00.920 --> 00:08:04.500 You're giving some humor in that because some 00:08:04.500 --> 00:08:06.759 could probably be offended by this movie. And 00:08:06.759 --> 00:08:10.819 I I toss this one to you not knowing how kind 00:08:10.819 --> 00:08:12.959 of rough it is. It's a rough watch. I mean, there's 00:08:12.959 --> 00:08:15.519 some really blind date. So terrible behavior 00:08:15.519 --> 00:08:19.779 by Ben. You know, the early 80s were a difficult 00:08:19.779 --> 00:08:22.860 time. But I find that I'm really drawn to this 00:08:22.860 --> 00:08:26.199 movie. I fucking love it. And Ann Carlisle's 00:08:26.199 --> 00:08:28.879 performance may be the best performance in the 00:08:28.879 --> 00:08:32.980 history of cinema in this movie. All right. So 00:08:32.980 --> 00:08:37.960 as we said, the film is called Liquid Sky, official 00:08:37.960 --> 00:08:43.500 release year 1982. And I will not ask you, Todd, 00:08:44.019 --> 00:08:45.679 if you've heard if you had heard of the movie 00:08:45.679 --> 00:08:48.039 before, because we disclosed it's a blind date. 00:08:48.279 --> 00:08:52.460 So here is the description via IMDB, and I want 00:08:52.460 --> 00:08:56.740 to know if you, Todd, if you had just kind of 00:08:56.740 --> 00:09:00.200 sallied forth and found this in the wild, would 00:09:00.200 --> 00:09:02.600 you watch this film? You mean lawyerly? Here 00:09:02.600 --> 00:09:06.240 we go. If you, Todd. If you, Todd, do take this. 00:09:06.240 --> 00:09:08.899 Do take this blind date. So if you saw it out 00:09:08.899 --> 00:09:12.730 in the wild. A small heroin seeking UFO lands 00:09:12.730 --> 00:09:16.750 on a Manhattan roof observes a bizarre drug addicted 00:09:16.750 --> 00:09:20.429 fashion model and sucks endorphins from her sexual 00:09:20.429 --> 00:09:24.230 encounters brains. That helped me understand 00:09:24.230 --> 00:09:27.730 the movie. What I just did what I that's what 00:09:27.730 --> 00:09:31.009 I read. And I'm like, Oh, that's what it was 00:09:31.009 --> 00:09:35.029 doing. So yeah, it was my first time through 00:09:35.029 --> 00:09:39.210 I was very confused. If the listeners who know 00:09:39.210 -->

00:09:43.129 anything about Todd I want to ask you since you're 00:09:43.129 --> 00:09:46.850 here You know what what are the what are the 00:09:46.850 --> 00:09:50.610 buzzwords in that? Description that really light 00:09:50.610 --> 00:09:58.570 you up UFO, okay Heroin seeking, okay Because 00:09:58.570 --> 00:10:02.220 I didn't realize took me two and a half times 00:10:02.220 --> 00:10:03.620 through it to realize there's fucking heroin 00:10:03.620 --> 00:10:05.840 behind that mask. And that's how the movie starts. 00:10:07.240 --> 00:10:09.100 With it zooming in on the mask and the energy 00:10:09.100 --> 00:10:12.919 ball, blah, blah, blah. Yeah, brilliantly open. 00:10:13.059 --> 00:10:16.220 Yeah. Well, it all made sense. They think I had 00:10:16.220 --> 00:10:18.740 to read the description because I was lost the 00:10:18.740 --> 00:10:20.679 first time. This was a little bit like the movie 00:10:20.679 --> 00:10:23.399 I come in peace. I thought it was like the Beatles 00:10:23.399 --> 00:10:27.389 went made a left turn and, you know, the acid 00:10:27.389 --> 00:10:30.750 highway. So you would see something like 1982. 00:10:31.690 --> 00:10:33.929 And I don't want to say this is you back around 00:10:33.929 --> 00:10:37.210 that time. Let's say you recently were to see 00:10:37.210 --> 00:10:44.830 this 1982 UFO bizarre sucks endorphins. You would 00:10:44.830 --> 00:10:50.240 be at least mildly interested from that. Yes, 00:10:50.259 --> 00:10:52.740 I while if I wanted to see if I wanted to see 00:10:52.740 --> 00:10:55.720 some something weird Yeah, because in 82 I'm 00:10:55.720 --> 00:10:57.720 watching fast times at Ridgemont High which is 00:10:57.720 --> 00:10:59.779 slightly different than this and what's really 00:10:59.779 --> 00:11:06.759 unique about this movie is and the Blu -ray via 00:11:06.759 --> 00:11:09.179 vinegar syndrome, which is a company I've since 00:11:09.179 --> 00:11:12.659 looked into and I love the extras are great and 00:11:12.659 --> 00:11:16.220 the documentaries and all the extras are fucking 00:11:16.220 --> 00:11:20.000 fantastic and The fact that this movie predated 00:11:20.000 --> 00:11:24.600 the official rollout, as it were, awful rollout 00:11:24.600 --> 00:11:28.539 of the AIDS scare. This was early. It wasn't 00:11:28.539 --> 00:11:32.279 even articulated yet. And you hear that in the 00:11:32.279 --> 00:11:36.120 movie. You hear that in what they're talking 00:11:36.120 --> 00:11:38.899 about. Well, they're sharing needles in one scene. 00:11:39.100 --> 00:11:41.480 And you're like, oh, but this was before AIDS 00:11:41.480 --> 00:11:44.830 had even happened yet. You're just wanting to 00:11:44.830 --> 00:11:48.269 just scream through the screen like, please stop 00:11:48.269 --> 00:11:53.110 everything, please. And they even allude to friends 00:11:53.110 --> 00:11:59.149 getting sick. And it's like, so it's a hard watch. 00:11:59.149 --> 00:12:02.409 I will say that. And it's I'd love every second 00:12:02.409 --> 00:12:05.409 of this movie. I think it's so cool. It is billed 00:12:05.409 --> 00:12:09.750 as a sci fi thriller. There's some comedy in 00:12:09.750 --> 00:12:14.350 this. I laughed a few times. You know, there's 00:12:14.350 --> 00:12:17.549 some serious kind of I honestly when when mommy 00:12:17.549 --> 00:12:20.190 when mommy goes, Are you are you German? Yes, 00:12:20.250 --> 00:12:22.789 I'm German. I'm from Berlin. She goes, and she 00:12:22.789 --> 00:12:24.690 was the straightest face. She goes, I'm Jewish. 00:12:25.070 --> 00:12:27.940 And then just leaves that hanging there. And 00:12:27.940 --> 00:12:30.419 it just and you're just like, oh my god, and 00:12:30.419 --> 00:12:32.799 then and then she just goes on to keep seducing 00:12:32.799 --> 00:12:35.639 them It's like what talk about that's funny shit. 00:12:35.679 --> 00:12:38.700 Um, you know what? Brilliantly articulated because 00:12:38.700 --> 00:12:41.679 their whole art the drunker and hornier she gets. 00:12:41.820 --> 00:12:44.000 Yeah, I am like what is happening? Yeah, she 00:12:44.000 --> 00:12:48.600 orders more shrimp than the friggin forest There's 00:12:48.600 --> 00:12:51.220 a story about shrimp for sure so you would add 00:12:51.220 --> 00:12:55.259 comedy and I would too and I think I mean I guess. 00:12:55.379 --> 00:12:57.539 Yes, I would add comedy. Yes, that would maybe 00:12:57.539 --> 00:13:01.419 preclude the very serious sci fi enthusiast who's 00:13:01.419 --> 00:13:03.820 like, no, I do not like any humor. But I think 00:13:03.820 --> 00:13:05.940 that would broaden the audience for sure. Well, 00:13:06.379 --> 00:13:08.700 what about Firefly? It's full of comedy. Right. 00:13:08.940 --> 00:13:11.379 Well, even then, like. And that's a serious sci 00:13:11.379 --> 00:13:13.179 fi. Wouldn't you say? I mean, there's a lot of 00:13:13.179 --> 00:13:15.740 sci fi. Yeah. But, you know, Star Trek has comedy 00:13:15.740 --> 00:13:18.320 in it. I don't know that it was originally built 00:13:18.320 --> 00:13:22.049 that way. Okay. Look at the humor and the first 00:13:22.049 --> 00:13:27.350 interracial kiss. We need to progress more. Anyway, 00:13:28.289 --> 00:13:32.509 you ought to hit that. I am going to. I'm going 00:13:32.509 --> 00:13:38.850 to begin as we do with the actors as they are 00:13:38.850 --> 00:13:42.750 listed. And I do have this cool Blu -ray in front 00:13:42.750 --> 00:13:47.929 of us. And I intentionally limited my researching. 00:13:48.480 --> 00:13:50.379 Because I knew you had the blu -ray with the 00:13:50.379 --> 00:13:53.000 extra feet. Yeah, I wanted to learn from you 00:13:53.000 --> 00:13:55.639 and we're gonna get you know I'm gonna try to 00:13:55.639 --> 00:13:58.000 be is to the point. There's a lot of really cool 00:13:58.000 --> 00:14:02.899 stuff. I recommend people if you have The inclination 00:14:02.899 --> 00:14:05.360 and the ability to do so get the blu -ray. It 00:14:05.360 -->

00:14:07.620 wasn't super expensive, but I hear it's kind 00:14:07.620 --> 00:14:10.220 of hard to find but vinegar syndrome is it's 00:14:10.220 --> 00:14:13.600 all other podcast I'm sure but it's got a physical 00:14:13.600 --> 00:14:16.559 location and they are just kind of up our alley. 00:14:16.860 --> 00:14:19.379 All, you know, the movies they do and support 00:14:19.379 --> 00:14:23.659 and restore are, you know, all indeed strange 00:14:23.659 --> 00:14:26.759 and weird. So what is that vinegar syndrome? 00:14:26.960 --> 00:14:29.320 Is a podcast or is it? Don't want to get into 00:14:29.320 --> 00:14:32.899 that. Anyway, we offline, we can offline about 00:14:32.899 --> 00:14:35.000 that. See, we're learning already. You don't 00:14:35.000 --> 00:14:38.159 want to promote it hastily. I just did. For sure. 00:14:39.240 --> 00:14:42.110 Twice. Google will tell you everything you need 00:14:42.110 --> 00:14:45.610 to know. And don't accidentally Google vinegar 00:14:45.610 --> 00:14:48.549 strokes unless you are a fan of the league, which 00:14:48.549 --> 00:14:51.690 you should be. Anyway, this movie stars Anne 00:14:51.690 --> 00:14:57.230 Carlisle as Margaret slash Jimmy. Had you seen 00:14:57.230 --> 00:15:01.070 the lead actor in anything before? And I love 00:15:01.070 --> 00:15:03.389 the fact that we have a very zeitgeisty thing 00:15:03.389 --> 00:15:07.610 to say. Well. Beside what we've discussed in 00:15:07.610 --> 00:15:09.850 earnest, had you ever seen her or recognized 00:15:09.850 --> 00:15:14.169 her in anything before? I mean, you're taking 00:15:14.169 --> 00:15:16.950 too long to say no. The Really Big Knife movie, 00:15:17.490 --> 00:15:20.429 yes. I mean, I can totally tell that that's her. 00:15:20.429 --> 00:15:24.309 You're like, oh, Anne Carlisle of Crocodile Dundee 00:15:24.309 --> 00:15:28.649 fame? No, not like that. Okay, so say no. You 00:15:28.649 --> 00:15:32.250 should say no. Yes. Well, that's me. That's Nancy 00:15:32.250 --> 00:15:35.429 Reagan. Just say no. We're we're we're we're 00:15:35.429 --> 00:15:40.649 in sync with the 1982. Say no to thinking about 00:15:40.649 --> 00:15:44.269 the Genesis. Anyway, that's a terrible rabbit 00:15:44.269 --> 00:15:48.049 hole. So Ann Carlisle stars as Margaret, Jimmy. 00:15:48.129 --> 00:15:49.909 And I believe what I just said is a spoiler. 00:15:50.450 --> 00:15:53.250 If you are watching the film. Yep. The first 00:15:53.250 --> 00:15:57.419 time through, I was like. Is that the same person? 00:15:57.539 --> 00:15:59.360 It's revealed officially in the credits, right? 00:15:59.360 --> 00:16:03.419 Yeah, it is. Cool. And an IMDB cast. We'll note... 00:16:03.419 --> 00:16:06.399 Oh, good point. We'll note that we feature a 00:16:06.399 --> 00:16:09.639 spoiler in this episode, but it is officially... 00:16:09.639 --> 00:16:12.639 Our whole podcast is a spoiler. We break the 00:16:12.639 --> 00:16:14.639 movie down from beginning to end, I think. I'm 00:16:14.639 --> 00:16:17.059 just feeling as the lunchroom comes together, 00:16:17.100 --> 00:16:19.200 I'm feeling more professional, you know? Like, 00:16:19.200 --> 00:16:22.039 my lawyer's in the closet, by the way. I know. 00:16:23.559 --> 00:16:26.500 I don't know. Anyway, first feature film. This 00:16:26.500 --> 00:16:29.360 was her first feature film after she shot her 00:16:29.360 --> 00:16:34.000 own super eight film called Fish. And it's very 00:16:34.000 --> 00:16:37.240 small. She's got the writing credit. Yeah, she 00:16:37.240 --> 00:16:43.500 does. She was also in a movie that I was very 00:16:43.500 --> 00:16:46.480 maybe embarrassingly obsessed with at the time. 00:16:46.580 --> 00:16:49.440 She was in a movie called Desperately Seeking 00:16:49.440 --> 00:16:52.240 Susan. Do you remember that? Didn't we have that 00:16:52.240 --> 00:16:55.639 in another one? That that movie came up. Yeah, 00:16:55.639 --> 00:17:01.460 I think but we're possibly I am a fan of A lot 00:17:01.460 --> 00:17:04.180 of Madonna's acting work to be honest, especially 00:17:04.180 --> 00:17:11.819 in James Bond Yeah It's your faith she Is in 00:17:11.819 --> 00:17:14.299 a movie called perfect strangers in 1984, which 00:17:14.299 --> 00:17:18.140 looks actually kind of fun Side note it predates 00:17:18.140 --> 00:17:20.759 the TV show perfect strangers by a couple of 00:17:20.759 --> 00:17:27.190 years But the big, I think her big credit is 00:17:27.190 --> 00:17:32.970 that Ann Carlisle is in Crocodile Dundee. And 00:17:32.970 --> 00:17:35.690 not only is she in Crocodile Dundee, she's in 00:17:35.690 --> 00:17:40.690 a very, you know, well -noted scene. Yes. And 00:17:40.690 --> 00:17:43.170 her face is recognized. I mean, when you see 00:17:43.170 --> 00:17:44.970 her in this, you're like, oh, yeah, that is the 00:17:44.970 --> 00:17:48.490 same. It's really, it's really shocking to me. 00:17:49.549 --> 00:17:52.470 I watched the movie recently. Do we tell in the 00:17:52.470 --> 00:17:54.650 scene? Well, yeah, yeah, I mean she played her 00:17:54.650 --> 00:17:57.950 official name is Gwendolyn and anybody who's 00:17:57.950 --> 00:18:01.049 seen Crocodile Dundee remembers when he goes 00:18:01.049 --> 00:18:03.869 into the bar and starts flirting with a guy who's 00:18:03.869 --> 00:18:06.849 dressed up as a girl and the in the taxi cab 00:18:06.849 --> 00:18:15.609 drivers And he's thick as a brick and he you 00:18:15.609 --> 00:18:18.539 know goes ahead and grabs the crotch area And 00:18:18.539 --> 00:18:21.180 there's a reaction shot and the whole deal. But 00:18:21.180 --> 00:18:24.980 I think it's so ironic that that iconic scene 00:18:24.980 --> 00:18:30.420 where you suppose it maybe was a man was actually 00:18:30.420 --> 00:18:35.460 played by a woman. Yeah. And again, I think she's 00:18:35.460 --> 00:18:38.940 fucking brilliant in this. I am so drawn to the 00:18:38.940 --> 00:18:43.660 performance. Jess commented a ton on the look

00:18:43.660 --> 00:18:45.740 of this movie. You talked about it. I think the 00:18:45.740 --> 00:18:49.849 makeup work. the way the scenes, some of them 00:18:49.849 --> 00:18:52.309 are crafted, the clothing is fucking awesome. 00:18:52.750 --> 00:18:55.910 Like in an 80s and time capsule way, but you 00:18:55.910 --> 00:18:58.369 can fucking smell this movie. Like you can smell 00:18:58.369 --> 00:19:00.970 that apartment. It's filmed in 82. You're there. 00:19:01.029 --> 00:19:04.869 It's in 82 and it's on film. So it's in a little 00:19:04.869 --> 00:19:07.710 bit of kind of gangster style in a way. We'll 00:19:07.710 --> 00:19:11.089 get to that. But I think I think it's it's really, 00:19:11.170 --> 00:19:15.259 really super cool that she. She hasn't done a 00:19:15.259 --> 00:19:19.160 bunch, but she really is just kind of transcendent 00:19:19.160 --> 00:19:21.680 in this movie, in my opinion. I don't know. I'm 00:19:21.680 --> 00:19:25.279 so drawn to her second build. And on that note 00:19:25.279 --> 00:19:28.759 is one of the most amazing performances I've 00:19:28.759 --> 00:19:34.140 ever seen. Paula Shepherd is Adrian. Have you 00:19:34.140 --> 00:19:37.319 ever seen her in anything before? She's the one 00:19:37.319 --> 00:19:40.940 actor I looked up. Yeah. Of all this. Yeah. Only 00:19:40.940 --> 00:19:44.369 two credits. Yeah, yeah, this and Alice Alice 00:19:44.369 --> 00:19:49.009 in 1976. Yeah, she played a teenager at age of 00:19:49.009 --> 00:19:53.289 19. Yeah, that sounds like she stabs her step 00:19:53.289 --> 00:19:55.789 sister. It's like a weird horror movie. Yeah. 00:19:56.289 --> 00:19:59.809 Our steps. It's her sister again. Watch this 00:19:59.809 --> 00:20:04.210 movie and watch what this actor does. I've never 00:20:04.210 --> 00:20:07.130 seen anything like it. It's she is so good in 00:20:07.130 --> 00:20:10.779 this and so disturbing and demented. She's. Yes. 00:20:10.980 --> 00:20:13.339 The shots are so close. And it's really hard 00:20:13.339 --> 00:20:17.519 to get her to blink. Yeah. And in some of the, 00:20:17.519 --> 00:20:20.859 you know, there's hardly any blinking. Well, 00:20:21.000 --> 00:20:24.059 man, she's got you beat, Gyllenhaal and Nightcrawler. 00:20:24.640 --> 00:20:26.980 It's, you know, and I didn't even really know 00:20:26.980 --> 00:20:30.559 that too much, but I did know, you know, because 00:20:30.559 --> 00:20:33.359 of the style of filmmaking, it's just a lot of 00:20:33.359 --> 00:20:36.799 closeups and how stressful that is and how like 00:20:36.799 --> 00:20:39.970 your acting is showing. has to if it's either 00:20:39.970 --> 00:20:43.690 really good or bad. And again, this is a really 00:20:43.690 --> 00:20:46.910 fucking weird movie. And I just I don't know. 00:20:46.950 --> 00:20:48.430 And hopefully, at the end of this, we'll figure 00:20:48.430 --> 00:20:51.730 it out. How weird is it? And what is the you 00:20:51.730 --> 00:20:54.650 know, where does it where does it

fit? If at 00:20:54.650 --> 00:20:57.589 all the music is bizarre. You know, I told you 00:20:57.589 --> 00:21:00.789 neon acid trip. That's that's all right. Adrian 00:21:00.789 --> 00:21:03.009 and Paula Shepherd. I'd love to hear from you. 00:21:03.109 --> 00:21:05.569 We'd love to hear from you. Your performance 00:21:05.569 --> 00:21:08.880 is transcendent. She did two credits. And then 00:21:08.880 --> 00:21:11.039 she moved to Seattle, got married, had children, 00:21:11.220 --> 00:21:13.460 and did the whole family thing. Yeah, that's 00:21:13.460 --> 00:21:16.079 totally possible as well. Third build, Susan 00:21:16.079 --> 00:21:19.759 Dukas, I believe, and I may pronounce some names 00:21:19.759 --> 00:21:25.680 incorrectly. Dukas! Dukas. As Sylvia, aka... 00:21:25.680 --> 00:21:29.740 Mommy? The horniest woman in the world. That 00:21:29.740 --> 00:21:31.839 must be what she puts on her hair to puff it 00:21:31.839 --> 00:21:33.480 up like that. But wasn't it hilarious that they 00:21:33.480 --> 00:21:37.009 made her Michael's mom? You know at the dinner 00:21:37.009 --> 00:21:40.730 Jimmy at the lunch Jimmy's mom. Yeah, who's Michael? 00:21:42.349 --> 00:21:44.529 Fuck is Michael really not sure we're gonna figure 00:21:44.529 --> 00:21:47.029 this out again. I'm gonna be sketchy on names 00:21:47.029 --> 00:21:49.230 This is gonna be a sketchy episode if you like 00:21:49.230 --> 00:21:53.309 the ones everybody where we're Jimmy and Margaret 00:21:53.309 --> 00:21:57.329 Margaret and Jimmy Margaret Jimmy Yeah, I know 00:21:57.329 --> 00:22:03.150 I know but again her acting in this is absolutely 00:22:03.889 --> 00:22:07.329 Profound. I love I love this actor. She's she's 00:22:07.329 --> 00:22:09.750 my in my humble opinion. She's the she's the 00:22:09.750 --> 00:22:12.730 best actor in the movie. And they're again, they're 00:22:12.730 --> 00:22:15.269 deaf. She seems like like she they pulled her 00:22:15.269 --> 00:22:18.410 out of New York. You know, yeah, the New York's 00:22:18.410 --> 00:22:20.809 theater scene. Right. To do the movie like she's 00:22:20.809 --> 00:22:23.789 got the chops. Not a lot. I mean, not a ton of 00:22:23.789 --> 00:22:26.849 credits. Her first movie was called Believe in 00:22:26.849 --> 00:22:29.710 Me in 1971 with Jacqueline Bissett, which is 00:22:29.710 --> 00:22:33.910 actually pretty cool. I know, right. And she 00:22:33.910 --> 00:22:38.569 is in a movie I noted very interestingly. And 00:22:38.569 --> 00:22:42.029 this actor never surprises me at what he's in 00:22:42.029 --> 00:22:44.289 and who he's in it with. And I'll say that. But 00:22:44.289 --> 00:22:47.869 she's in a movie called Crush Proof with Bo Diddley 00:22:47.869 --> 00:22:52.730 and Dennis Hopper. Bo Diddley, the guitar player? 00:22:53.130 --> 00:22:55.849 Yes. Dennis Hopper is like, yeah, I'll do it. 00:22:55.849 --> 00:22:58.289 Yeah. At a certain point in time. Will there 00:22:58.289 --> 00:23:02.230 be drugs? Well, again, that may or may not. No, 00:23:02.490 --> 00:23:04.049 but that's the line in this movie too. Yeah. 00:23:04.130 --> 00:23:05.609 Holy shit. Yeah. Everybody loves the drugs. Go 00:23:05.609 --> 00:23:07.490 to the photo shoot. Will there be drugs? Yes. 00:23:07.670 --> 00:23:10.089 OK, I'll be there. No ludes. No ludes. Fuck you, 00:23:10.190 --> 00:23:13.990 loser. And her last film. I'm like, Coke, that 00:23:13.990 --> 00:23:16.009 ludes. What are you going to do? Shove it down 00:23:16.009 --> 00:23:19.289 my throat? So much, so many attacks in this. 00:23:19.490 --> 00:23:21.289 I don't like that. It's very rapey movie. Very. 00:23:21.589 --> 00:23:25.109 Yes. And Susan's last film was called Moe in 00:23:25.109 --> 00:23:30.430 2007. Next build. I think really the MVP of this 00:23:30.430 --> 00:23:34.869 movie is... Is it von Kleist Wiegel Lufthausen? 00:23:36.069 --> 00:23:42.400 What? Was I close? That fella. The big German 00:23:42.400 --> 00:23:45.259 dude, I'm gonna just listen back to that and 00:23:45.259 --> 00:23:48.720 have a lot of fun what you just did there But 00:23:48.720 --> 00:23:52.440 I may not do any better Otto von Wernherr as 00:23:52.440 --> 00:23:56.819 Yohan I like my name better. It was very much 00:23:56.819 --> 00:24:01.720 more fun to say I'm sure yeah Yeah, yeah, so 00:24:01.720 --> 00:24:06.759 you seen he's been trying very hard to be a astrophysicist 00:24:07.420 --> 00:24:10.259 and speak proper English with his bag because 00:24:10.259 --> 00:24:13.079 you can hear him fighting. You know, German is 00:24:13.079 --> 00:24:15.480 his first language and he's fighting very hard. 00:24:15.480 --> 00:24:20.279 He's from Kansas to. Is he really? No, I just 00:24:20.279 --> 00:24:23.839 shut that down. You can hear it. And he's like, 00:24:23.859 --> 00:24:26.319 he's really concentrated to make sure his English 00:24:26.319 --> 00:24:28.539 is right. He's just going to pause whenever he 00:24:28.539 --> 00:24:31.039 wants to pause. He's going to stop in the middle 00:24:31.039 --> 00:24:35.380 and keep rolling. OK. And I will fucking get 00:24:35.380 --> 00:24:41.140 this anyway. Johan first film was this one. And 00:24:41.140 --> 00:24:44.240 he actually worked again. Sorry, that's mean. 00:24:44.380 --> 00:24:49.559 But he notably was also in The previously noted 00:24:49.559 --> 00:24:52.680 Perfect Strangers with Ann Carlisle. So this 00:24:52.680 --> 00:24:54.960 person. There's the contact. Well, I don't know 00:24:54.960 --> 00:24:56.579 if they have anything to do with each other, 00:24:56.579 --> 00:24:58.039 but I thought that was really, really fascinating. 00:24:58.200 --> 00:25:02.500 There are no coincidences in life. And Otto's 00:25:02.500 --> 00:25:05.279 last film, and he's credited appropriately. I'll 00:25:05.279 --> 00:25:09.720 just say this. Otto. His first name is Otto. 00:25:09.940 --> 00:25:14.319 Yeah, Otto von Warnherr is Johan. The person 00:25:14.319 --> 00:25:16.859 who you

just. Yeah, I slept right. Choked over. 00:25:17.420 --> 00:25:20.900 I was doing an accent race anyway. I don't get 00:25:20.900 --> 00:25:23.259 this. What world are you in? It's not that kind 00:25:23.259 --> 00:25:27.099 of show, buddy. Let's go. His last film, speaking 00:25:27.099 --> 00:25:31.339 of racism, look at his name. I think his thesis 00:25:31.339 --> 00:25:34.000 like, you know, Third Reich member three or something. 00:25:34.400 --> 00:25:36.960 He's in the package with Gene Hackman and Tommy 00:25:36.960 --> 00:25:40.539 Lee Jones in a small role. Oh, yeah. But those 00:25:40.539 --> 00:25:43.960 are big guns right there. I mean, it's a small 00:25:43.960 --> 00:25:46.619 role, but, like, again... Hackman and Jones? 00:25:46.839 --> 00:25:49.680 Otto gets to say that I've been in some cool 00:25:49.680 --> 00:25:53.279 stuff, and that's really cool. Next build is, 00:25:53.279 --> 00:25:55.859 I guess the most ironic thing, I'm going to say, 00:25:55.940 --> 00:25:59.759 is Bob Brady as Owen. He was the professor. Had 00:25:59.759 --> 00:26:04.099 you ever seen him in anything? I saw his butt. 00:26:05.119 --> 00:26:08.819 You did see his dead naked butt. Plain dead. 00:26:09.059 --> 00:26:10.680 His butt was plain dead. You look like a hooker. 00:26:10.990 --> 00:26:14.490 And then your favorite girl sat on his face. 00:26:14.690 --> 00:26:19.029 Would you believe? True, I'm not making this 00:26:19.029 --> 00:26:22.950 up. Transcendent performance. Unbelievable. Would 00:26:22.950 --> 00:26:25.289 you believe that this individual, Bob Brady, 00:26:25.329 --> 00:26:29.690 is an acting coach? He was in the movie. Correct. 00:26:30.490 --> 00:26:32.890 You mean in real life? That is correct. I don't 00:26:32.890 --> 00:26:36.329 believe you. I think you're fucking with me. 00:26:37.410 --> 00:26:39.849 I'm looking in your eyes. Give me those baby 00:26:39.849 --> 00:26:42.049 Browns. Here's my baby blues coming at you. We 00:26:42.049 --> 00:26:45.970 have no camera. He's an acting coach. And he's 00:26:45.970 --> 00:26:49.150 in New York. Yeah. At the time. And he's one 00:26:49.150 --> 00:26:51.730 of the reasons why a lot of these people got 00:26:51.730 --> 00:26:54.549 together. He knew Anne and she a lot of these 00:26:54.549 --> 00:26:57.769 background. So he brought my in this in this, 00:26:57.769 --> 00:27:01.490 you know, he brought me in. And it's wild that 00:27:01.490 --> 00:27:05.460 he's so bad in this movie. It's staggering. His 00:27:05.460 --> 00:27:09.559 acting is so shitty, objectively. I'm glad this 00:27:09.559 --> 00:27:13.279 was filmed in 82. Was he cut on purpose to look 00:27:13.279 --> 00:27:16.619 so bad? Like, well, you can't ruin his career 00:27:16.619 --> 00:27:20.579 now because this is 43 years ago. So like our 00:27:20.579 --> 00:27:22.420 podcast would ruin somebody's career, right? 00:27:22.980 --> 00:27:27.849 His get down off your perch. But he's acted in 00:27:27.849 --> 00:27:30.049 other things. His first film was called OK Bill 00:27:30.049 --> 00:27:33.609 in 1971 about a stockbroker turned a motorcycle 00:27:33.609 --> 00:27:36.789 hippie type of thing. So a little easy rider 00:27:36.789 --> 00:27:38.930 ahead of it, you know, which is kind of fun. 00:27:39.809 --> 00:27:42.309 And his last film, Bob Brady's last film, was 00:27:42.309 --> 00:27:46.190 called When Pigs Fly, sorry, When Pigs Fry. That's 00:27:46.190 --> 00:27:49.369 called Bacon. When Pigs Fly with Alfred Molina. 00:27:49.769 --> 00:27:51.650 So that's pretty cool that he got to be in something 00:27:51.650 --> 00:27:52.809 with Alfred Molina. Was there a song with Doves 00:27:52.809 --> 00:27:56.369 Fry? When Doves Fry. Yes. I thought something 00:27:56.369 --> 00:27:58.890 like that. You heard it in San Francisco a lot. 00:28:00.289 --> 00:28:03.289 And interestingly enough, Bob Brady also worked 00:28:03.289 --> 00:28:05.970 in the biz and I thought it was kind of cool. 00:28:06.069 --> 00:28:08.549 He was an editor as a film editor and he was 00:28:08.549 --> 00:28:14.630 editor on Superfly. Superfly TNT and to like 00:28:14.630 --> 00:28:18.970 culturally like what is that Superfly? Is it 00:28:18.970 --> 00:28:22.240 a TV show? Anyway, we're going to talk after 00:28:22.240 --> 00:28:26.720 and he's in two. He edited two really, really 00:28:26.720 --> 00:28:30.079 important cultural movies for me. He edited Beat 00:28:30.079 --> 00:28:32.940 Street, which is a breakdancing movie and Nightmare 00:28:32.940 --> 00:28:35.720 on Elm Street to Freddy's Revenge, which was 00:28:35.720 --> 00:28:37.440 the first time in Elm Street I saw in the theater 00:28:37.440 --> 00:28:42.680 and was very scary and has what is arguably a 00:28:42.680 --> 00:28:47.519 scream King. Yeah. Which one was Hope Marie in? 00:28:47.759 --> 00:28:51.750 Four. I should have yelled too. Yeah. So anyway, 00:28:51.789 --> 00:28:53.750 I noted that that was pretty cool. So Bob Brady 00:28:53.750 --> 00:28:57.009 in the business and this film. So he's an acting 00:28:57.009 --> 00:29:01.069 coach. Yeah. An editor with credits in movies 00:29:01.069 --> 00:29:03.829 with editing. Right. Right. And he plays an acting 00:29:03.829 --> 00:29:05.890 coach in this movie and this movie. And you're 00:29:05.890 --> 00:29:09.269 telling me he's the most awful ever. I didn't 00:29:09.269 --> 00:29:12.269 think it was. I just I didn't make that statement 00:29:12.269 --> 00:29:14.410 and you just let my ass hang out the window. 00:29:14.710 --> 00:29:18.259 But well, his ass is hanging out the bed. I wonder 00:29:18.259 --> 00:29:20.779 if it was a butt double. Did they do it? No. 00:29:20.940 --> 00:29:23.460 Nobody had money for that. I bet anybody would 00:29:23.460 --> 00:29:26.220 be like, I'll put my ass on there and pay me 00:29:26.220 --> 00:29:29.240 a line of coke. He's probably proud of his ass. 00:29:29.319 --> 00:29:32.400 It was, you know. Yeah. Again, he like really

00:29:32.400 --> 00:29:35.480 cool person and had this. And, you know, you 00:29:35.480 --> 00:29:37.500 feel it's of the time, you know, this group of 00:29:37.500 --> 00:29:39.619 people in New York and they are acting and they're 00:29:39.619 --> 00:29:42.599 doing cool shit. And, you know, here comes this 00:29:42.599 --> 00:29:45.279 this guy who, you know, got a million dollar 00:29:45.279 --> 00:29:50.609 deal. It fell down. He got, had 500 ,000 of it 00:29:50.609 --> 00:29:53.309 and, you know, decides to gorilla style, shoot 00:29:53.309 --> 00:29:56.349 a movie in New York. Pretty neat, you know? So 00:29:56.349 --> 00:29:59.710 that's Slava's backstory. So yeah. Written by 00:29:59.710 --> 00:30:03.029 Slava Stukerman. Hopefully I am pronouncing that 00:30:03.029 --> 00:30:08.869 right. Anne Carlisle and Susan Dukas. So Susan 00:30:08.869 --> 00:30:11.589 is credited as a writer as well. Who's that? 00:30:12.029 --> 00:30:17.019 That's mom, Sylvia. So she's credited as a writer 00:30:17.019 --> 00:30:19.099 and I want because you said that she was kind 00:30:19.099 --> 00:30:21.779 of the maybe the most schooled or the most you 00:30:21.779 --> 00:30:25.039 know Yeah, and I think maybe this guy brought 00:30:25.039 --> 00:30:28.480 everybody together And she was maybe improvising 00:30:28.480 --> 00:30:31.819 and helping Otto along and that's like alright, 00:30:31.859 --> 00:30:34.039 you're getting writing Yeah, but the way she 00:30:34.039 --> 00:30:37.180 delivered her straight comedy was just it was 00:30:37.180 --> 00:30:40.039 very you know, it was serious cool. It was very 00:30:40.039 --> 00:30:42.400 Experienced. Yeah, like I'm like she's Well, 00:30:42.500 --> 00:30:47.400 in the quick story is that it's he and his wife 00:30:47.400 --> 00:30:52.559 wanted to write this movie. His wife was writing 00:30:52.559 --> 00:30:55.880 a movie and she actually plays the the director 00:30:55.880 --> 00:30:58.079 of the photo shoot at the end, the Russian woman. 00:30:58.880 --> 00:31:01.059 And so his the redhead. Yeah. That she calls 00:31:01.059 --> 00:31:03.460 legs. Yeah. No, no, no. That's the journalist. 00:31:03.599 --> 00:31:05.400 But the one like directing with that heavy Russian 00:31:05.400 --> 00:31:08.359 accent, that's his wife and also. So it was kind 00:31:08.359 --> 00:31:11.400 of her story that originated this. And she was 00:31:11.400 --> 00:31:14.619 writing a sci fi story about a woman who couldn't 00:31:14.619 --> 00:31:19.720 reach orgasm. And and it was this really kind 00:31:19.720 --> 00:31:22.859 of deep and philosophical, you know, kind of 00:31:22.859 --> 00:31:25.099 sci fi film. Well, technically, technically, 00:31:25.180 --> 00:31:27.500 Sylvia couldn't either. And well, and that's 00:31:27.500 --> 00:31:31.640 because he keeps walking away. Slava's movie 00:31:31.640 --> 00:31:35.180 fell apart and he joined his idea with hers. 00:31:36.039 --> 00:31:39.049 But but. I love the way they, you know, toyed 00:31:39.049 --> 00:31:41.289 with that whole thing. You're the first man ever 00:31:41.289 --> 00:31:45.150 to want to leave me before dinner. Yeah. Yeah. 00:31:46.289 --> 00:31:48.990 And so dinner over dinner being meaning sex. 00:31:49.250 --> 00:31:53.029 The writing with Ann Carlisle and probably also 00:31:53.029 --> 00:31:55.710 with Susan and it's shown in the documentary 00:31:55.710 --> 00:32:01.109 was necessary because his wife was having translation 00:32:01.109 --> 00:32:03.309 troubles and didn't know really the verbiage 00:32:03.309 --> 00:32:06.549 of the culture. So, you know, a lot of Anne's 00:32:06.549 --> 00:32:10.329 lines were hers, like it's her words, her voice. 00:32:10.450 --> 00:32:13.650 Yeah. And, you know, whenever the documentary 00:32:13.650 --> 00:32:15.589 was done, and I think it's recent, she looks 00:32:15.589 --> 00:32:20.269 fucking cool, like badass. And just was like 00:32:20.269 --> 00:32:24.230 the epitome of going for it at every turn with 00:32:24.230 --> 00:32:27.369 this. And that was her lifestyle, her look. Well, 00:32:27.369 --> 00:32:29.470 think about five hundred thousand dollars and 00:32:29.470 --> 00:32:33.650 eighty two. Yeah. You know, several but unpermitted. 00:32:34.670 --> 00:32:36.950 Literally. Oh, yeah. Yeah. Yeah. Yeah. Really 00:32:36.950 --> 00:32:40.170 interesting. Like that roof like, oh, hey, don't 00:32:40.170 --> 00:32:43.170 let anybody come up the stairs. So Slava has 00:32:43.170 --> 00:32:45.089 done some other things. This was his first film 00:32:45.089 --> 00:32:48.069 directed. He also directed this. He also wrote 00:32:48.069 --> 00:32:50.309 and directed a movie called Stalin's Wife in 00:32:50.309 --> 00:32:53.690 2004, a documentary of Stalin's second wife, 00:32:53.829 --> 00:32:58.170 second wife and a movie called Perestroika. That's 00:32:58.170 --> 00:33:03.750 that's very specific. Stalin's Second Wife, a 00:33:03.750 --> 00:33:07.190 full documentary. Yeah. And then a film called 00:33:07.190 --> 00:33:10.329 Perestroika in 2009 with F. Murray Abraham and 00:33:10.329 --> 00:33:13.990 Ali Shidi. That's kind of fun. That's one of 00:33:13.990 --> 00:33:15.890 those movies where you're like, oh, interesting. 00:33:16.170 --> 00:33:18.549 Perestroika 2009, F. Murray Abraham. Ali's the 00:33:18.549 --> 00:33:21.809 one in War Games, right? Yeah. OK. Yeah. So like 00:33:21.809 --> 00:33:24.789 that's kind of fun. All right. One hour and 52 00:33:24.789 --> 00:33:29.740 minutes. And it's 143 on YouTube for those that 00:33:29.740 --> 00:33:32.000 have to watch the edited version like I did. 00:33:32.180 --> 00:33:34.660 All right. So I got to see it once on the Blu 00:33:34.660 --> 00:33:36.940 -ray. How did you feel? And then he took it back. 00:33:36.960 --> 00:33:41.859 He like, you know, did a flying round kick tackle. 00:33:41.859 --> 00:33:45.839 Yeah. Thing. Now, what was it with the sidekick 00:33:45.839 --> 00:33:49.200 chokehold chokeout? I'm

trying to remember from 00:33:49.200 --> 00:33:51.759 going back to Alice Creed. Yeah, we talk about 00:33:51.759 --> 00:33:54.819 that a lot. You sidekick. I know you talk about 00:33:54.819 --> 00:33:58.680 that a lot. It was very unique. It's like a place 00:33:58.680 --> 00:34:00.759 that you can get lost and like you never come 00:34:00.759 --> 00:34:06.579 back from. You know, it was very unique. It's 00:34:06.579 --> 00:34:12.739 not working. It was very unique. Yeah. All right. 00:34:12.860 --> 00:34:16.480 So what are you doing? Do you do you feel like 00:34:16.480 --> 00:34:23.360 the runtime was arduous? Was it too long? There's 00:34:23.360 --> 00:34:25.179 a lot of stuff in this. I don't know. I don't 00:34:25.179 --> 00:34:27.280 feel like anybody's going to watch this movie 00:34:27.280 --> 00:34:30.900 sober or not high. So I don't think the time 00:34:30.900 --> 00:34:32.460 thing matters. All right. We're going to get 00:34:32.460 --> 00:34:35.900 this out of the way. Like with except me, a bunch 00:34:35.900 --> 00:34:38.920 of our movies, actually the reviews, a lot of 00:34:38.920 --> 00:34:41.679 them have to do the only way you can enjoy those 00:34:41.679 --> 00:34:44.860 movies with drugs and how many. So I saw like 00:34:44.860 --> 00:34:47.179 one of those droning, droning idiots. Sorry if 00:34:47.179 --> 00:34:49.699 it comes across that way. But like we I think 00:34:49.699 --> 00:34:51.760 that's happened to a few of our movies were like 00:34:51.949 --> 00:34:53.630 Or maybe it's just because those are the reviews 00:34:53.630 --> 00:34:57.530 I choose. That could be on me. But there's a 00:34:57.530 --> 00:34:59.809 consistency. There's a consistency among the 00:34:59.809 --> 00:35:02.050 reviews. Like you can only enjoy this with drugs. 00:35:02.269 --> 00:35:04.710 It probably says more about us than that. All 00:35:04.710 --> 00:35:10.449 right. If this isn't a tagline for our show. 00:35:10.889 --> 00:35:15.250 Oh, or somebody please make this T -shirt. And 00:35:15.250 --> 00:35:17.570 I'm I'm kind of priming you a little bit, but 00:35:17.570 --> 00:35:19.849 that's so. The tagline. When you picked this 00:35:19.849 --> 00:35:21.650 movie, you didn't know any of this. It's a blind 00:35:21.650 --> 00:35:24.050 date. You didn't know the tagline. And it turns 00:35:24.050 --> 00:35:27.210 out the tagline is like perfect for our show. 00:35:27.250 --> 00:35:29.670 All right. I'm ready. I'm excited. Well, now 00:35:29.670 --> 00:35:32.429 it's built too much. So take your expectations 00:35:32.429 --> 00:35:36.510 down. No, you don't take it down. I don't want 00:35:36.510 --> 00:35:39.469 to go in half chubbed. Here's the tagline. And 00:35:39.469 --> 00:35:43.570 as we do with the show, rank it as you would. 00:35:43.829 --> 00:35:49.579 OK. Strange aliens having bizarre orgasms. No. 00:35:50.699 --> 00:35:52.599 Completely fucking wrong. Did they even watch 00:35:52.599 --> 00:35:55.460 the movie? Well, you

know, we've we've talked 00:35:55.460 --> 00:35:59.860 about that a few times that you don't for one, 00:36:00.039 --> 00:36:03.179 you never see an alien to their they're taking 00:36:03.179 --> 00:36:08.800 the endorphins from the orgasm as a drug. None 00:36:08.800 --> 00:36:12.239 of that makes sense. And again, there could be 00:36:12.239 --> 00:36:15.409 some translation. challenges, some generational 00:36:15.409 --> 00:36:18.130 translation challenges, you know, the punk languages 00:36:18.130 --> 00:36:21.010 or cultures. Or just the interpretation of what 00:36:21.010 --> 00:36:23.969 was going on. I guess this one, though, like 00:36:23.969 --> 00:36:27.409 I know we can chalk up marketing or whatever, 00:36:27.449 --> 00:36:30.110 you know, taglines. But for this one, I'd be 00:36:30.110 --> 00:36:33.090 genuinely interested to know where it came from. 00:36:33.570 --> 00:36:35.389 So this is the tagline for our show. Read it 00:36:35.389 --> 00:36:39.000 again. Or get something about it. No, I said 00:36:39.000 --> 00:36:41.139 they should have a T -shirt. It's a good T -shirt, 00:36:41.139 --> 00:36:43.219 you know, for a strange aliens having bizarre 00:36:43.219 --> 00:36:47.679 organisms. Yeah, instead of independent, weird, 00:36:47.940 --> 00:36:50.139 just plain weird, we should we should change 00:36:50.139 --> 00:36:52.699 it to that. And that was a little much. I'm sorry. 00:36:53.460 --> 00:36:57.960 I apologize. I kind of got your you got. I got 00:36:57.960 --> 00:36:59.500 swallowed into a hole. You backed off when I 00:36:59.500 --> 00:37:02.599 built it up so much. New York ate them. I kind 00:37:02.599 --> 00:37:04.500 of got swallowed. Ladies and gentlemen, mark 00:37:04.500 --> 00:37:06.980 this time on your calendars. That was the moment 00:37:06.980 --> 00:37:12.840 I have waited 72 movies for. 72. Well, if you 00:37:12.840 --> 00:37:16.280 drop the three. Episode three, New York ate them. 00:37:16.480 --> 00:37:21.039 I have been begging to hear that. And my brown 00:37:21.039 --> 00:37:25.119 eyed brother finally put it in the machine. And 00:37:25.119 --> 00:37:27.219 you just played it. I have an honest question. 00:37:27.400 --> 00:37:29.239 And this may be I got to clean up the mess under 00:37:29.239 --> 00:37:33.420 the table. This may be this may be the most honest 00:37:33.420 --> 00:37:37.980 question that I've ever asked you. OK, the most 00:37:37.980 --> 00:37:40.420 honest. Yes. And it's it's going to I'm scared. 00:37:40.539 --> 00:37:43.860 It's a topic you like. What is your absolute 00:37:43.860 --> 00:37:48.800 first note on this movie? So you love your notes. 00:37:48.820 --> 00:37:50.739 Yeah, we know you love your notes. So go to your 00:37:50.739 --> 00:37:54.150 notes. What is your absolute first note? on this 00:37:54.150 --> 00:37:58.170 movie. Mask music. Mask music. Yeah. Oh, that's 00:37:58.170 --> 00:38:00.909 pretty good. Well, excluding credits because 00:38:00.909 --> 00:38:04.550

it's not really mine is the music is jarring, 00:38:04.809 --> 00:38:08.429 upsetting. We'll see. We both. Yeah, we both 00:38:08.429 --> 00:38:11.789 refer to the music and it is jarring. That's 00:38:11.789 --> 00:38:15.389 perfect description. Well, and I mean, it's it's 00:38:15.389 --> 00:38:20.159 one of those things where the. The sound design 00:38:20.159 --> 00:38:22.960 in this movie. Yeah, what would you how would 00:38:22.960 --> 00:38:25.760 you like an Atari video game? Like sent you're 00:38:25.760 --> 00:38:28.739 playing centipede or something or one of those? 00:38:29.639 --> 00:38:32.039 That's interesting that Senate. Yeah, any of 00:38:32.039 --> 00:38:35.639 those early 80s. Yeah, we would You know ride 00:38:35.639 --> 00:38:39.960 your bike to the to the arcade. So it has a tone 00:38:39.960 --> 00:38:42.760 of its own Yeah, the movie because it's been 00:38:42.760 --> 00:38:45.300 strongly suggested and I've done it that this 00:38:45.300 --> 00:38:48.250 could be if you want to be a cool hipster A perfect 00:38:48.250 --> 00:38:50.630 movie to have on a background in your house when 00:38:50.630 --> 00:38:52.769 you're having a party and you're drinking your 00:38:52.769 --> 00:38:56.710 PBRs. You hipster. Yeah, you know, because it's 00:38:56.710 --> 00:38:59.690 a PBR. Again, I will say it earnestly again. 00:38:59.849 --> 00:39:02.070 This movie is fucking beautiful. And it's because 00:39:02.070 --> 00:39:04.690 it was shot under duress and, you know, like 00:39:04.690 --> 00:39:07.510 Anne Carlisle lived in that apartment that they 00:39:07.510 --> 00:39:10.250 filmed most of it in like the whole time. OK, 00:39:10.429 --> 00:39:11.929 you know, that's why it felt lived in because 00:39:11.929 --> 00:39:14.210 it was fucking lived in. Yeah, and everything. 00:39:14.369 --> 00:39:16.349 Like I said, you can smell this movie, you can 00:39:16.349 --> 00:39:20.710 taste and touch this movie. It's so the rentals 00:39:20.710 --> 00:39:22.969 wrap that she rolled out across the floor there. 00:39:23.190 --> 00:39:25.690 She must have just had that in the closet. Oh, 00:39:26.190 --> 00:39:29.289 yeah. I mean, you can only imagine how much they 00:39:29.289 --> 00:39:32.110 know that they used or just improvised with own 00:39:32.110 --> 00:39:37.400 clothes. What about that dance club? Talk to 00:39:37.400 --> 00:39:39.519 me about your feelings. Did that bring back any 00:39:39.519 --> 00:39:43.460 feelings of your own? Yes, I would not have gone 00:39:43.460 --> 00:39:45.719 to you wouldn't have gone there. I was at the 00:39:45.719 --> 00:39:49.019 Flack of Seagulls bunch. I was more like the 00:39:49.019 --> 00:39:52.760 hair. Yeah. Yeah. Well, the hair bands, rock 00:39:52.760 --> 00:39:56.840 stuff than I was the. Well, so we have to say 00:39:56.840 --> 00:39:59.340 punk, but to me, it's more like, like I said, 00:39:59.440 --> 00:40:02.380 Flack of Seagulls hairdos. Yeah. And they set 00:40:02.380 --> 00:40:05.909 a very New York scene. I mean, it's very Andy 00:40:05.909 --> 00:40:08.869 Warholish and some of the some of the stuff to 00:40:08.869 --> 00:40:13.610 me. Yeah, I get it. Well, just, you know, it's 00:40:13.610 --> 00:40:16.650 in. And Carlisle says that that's just how she 00:40:16.650 --> 00:40:19.809 dressed that way. You know, she was a model and 00:40:19.809 --> 00:40:23.530 but she just in the look of androgyny makeup. 00:40:23.909 --> 00:40:27.610 Yeah, we are, you know. And so the the androgyny 00:40:27.610 --> 00:40:30.480 that look was coming up. And it's referenced 00:40:30.480 --> 00:40:32.079 in some of the music. Well, David Bowie had already 00:40:32.079 --> 00:40:35.539 done it in the 70s. And it's who she references. 00:40:35.900 --> 00:40:38.099 Yeah. And that's another really great line in 00:40:38.099 --> 00:40:41.860 the movie. And that maybe just was her voice 00:40:41.860 --> 00:40:44.760 coming out. And that's what's fun about this 00:40:44.760 --> 00:40:47.500 thing. So much so she played both the guy and 00:40:47.500 --> 00:40:50.659 the girl. Yeah. How long into the movie did it 00:40:50.659 --> 00:40:52.719 take for you to realize that she was playing 00:40:52.719 --> 00:40:56.079 both Margaret and Jimmy? I was not sure. I'm 00:40:56.079 --> 00:40:58.360 not sure either. at the end of the movie, when 00:40:58.360 --> 00:41:00.360 the movie was over, I checked the credits. I 00:41:00.360 --> 00:41:02.639 have it in my notes. Like, are they the same? 00:41:02.820 --> 00:41:05.440 Yeah, is is Margaret Jimmy? I had it several 00:41:05.440 --> 00:41:07.719 times. And then I'm finally like, it's got to 00:41:07.719 --> 00:41:10.559 be fun. Yeah, the first time through I was the 00:41:10.559 --> 00:41:12.719 same way. But I'm like, they look too much alike. 00:41:12.719 --> 00:41:16.139 It has to be. And then same thing. So again, 00:41:16.139 --> 00:41:18.599 you think about you can't tell how hard that 00:41:18.599 --> 00:41:22.460 is. Yeah. And that's why I keep, you know, lauding 00:41:22.460 --> 00:41:25.960 this performance because she's And as Jimmy, 00:41:26.280 --> 00:41:30.500 it's this disinterested, just needs drug fiend, 00:41:30.559 --> 00:41:32.699 drug fiend, fiend, and that's a theme, you know? 00:41:32.760 --> 00:41:35.260 I mean, is this a movie that, you know, makes 00:41:35.260 --> 00:41:37.780 you fawn for drugs, or do you look at this movie 00:41:37.780 --> 00:41:41.920 and go, this is a strong message against? Just 00:41:41.920 --> 00:41:46.260 say no. You know, because, you know, it's mentioned 00:41:46.260 --> 00:41:49.739 that heroin is a conduit for the type of endorphins 00:41:49.739 --> 00:41:53.599 that this creature wants, a la... I come in peace. 00:41:53.840 --> 00:41:58.400 And I didn't realize Liquid Sky was a name for 00:41:58.400 --> 00:42:02.460 heroin. Predates the movie, actually predates 00:42:02.460 --> 00:42:07.480 the common calling of heroin Liquid Sky. So this

00:42:07.480 --> 00:42:09.260 movie is the reason why heroin is called Liquid 00:42:09.260 --> 00:42:10.719 Sky. I think it goes all the way back to Rooster 00:42:10.719 --> 00:42:14.900 Cogburn, the Jeff Bridges version. When you went 00:42:14.900 --> 00:42:20.380 to the opioids. Oh, yeah. Yeah. Oh, that one 00:42:20.380 --> 00:42:23.480 drowned. Flailing about like Jason sank to the 00:42:23.480 --> 00:42:25.300 bottom. You know, I didn't know how to how to 00:42:25.300 --> 00:42:28.599 get in there with you. I really didn't No, you 00:42:28.599 --> 00:42:31.340 like watching me flail you just I don't I was 00:42:31.340 --> 00:42:33.360 trying he stands there on the boat with the o 00:42:33.360 --> 00:42:36.420 -ring in his hands and Just stares with this 00:42:36.420 --> 00:42:40.039 this sheep eating grin that sounds sexual and 00:42:40.039 --> 00:42:43.780 then And then and then okay. Here you go. What 00:42:43.780 --> 00:42:48.039 you said sounded sexual Well, is that a thing? 00:42:48.699 --> 00:42:51.460 You don't have. Yeah, it's like it's like a non 00:42:51.460 --> 00:42:54.579 pregnancy thing. It's like a diaphragm. Yeah. 00:42:55.360 --> 00:42:59.260 So the the look and the feel of this movie, did 00:42:59.260 --> 00:43:02.719 it did it make you feel anything? In general, 00:43:02.900 --> 00:43:05.559 like I knew to take acid, were you upset? Oh, 00:43:06.380 --> 00:43:11.420 well, would you call the narrative linear? Hmm. 00:43:13.099 --> 00:43:15.980 Yeah, but the editing had multiple scenes. things 00:43:15.980 --> 00:43:18.420 going on simultaneously, but it was still linear. 00:43:18.599 --> 00:43:21.619 I agree. And you can you can follow what's happening. 00:43:21.840 --> 00:43:23.860 Like you got these these heavy scenes going on. 00:43:23.920 --> 00:43:25.340 All of a sudden they just throw this airplane 00:43:25.340 --> 00:43:27.679 in and then go back to the heavy scene and they 00:43:27.679 --> 00:43:29.260 throw the airplane and going a little farther. 00:43:29.280 --> 00:43:30.840 And you're like, what the fuck is this all about? 00:43:31.400 --> 00:43:36.099 Then Klaus van Hooperpijzen. Hooperpijzen. I've 00:43:36.099 --> 00:43:38.699 never had Hooperpijzen. Is that like you are 00:43:38.699 --> 00:43:40.659 from the Scandinavians, the whitest of the whites. 00:43:41.000 --> 00:43:43.139 What is Hooperpijzen tastes like? And is it made 00:43:43.139 --> 00:43:46.119 of What kind of meat? Is it savory? There's got 00:43:46.119 --> 00:43:49.599 to be savory. Uber price? When made properly 00:43:49.599 --> 00:43:53.800 in the old medieval way, it is a bit of Campbellistic. 00:43:54.500 --> 00:43:56.219 So, you know, grandma armpit hair. Try to get 00:43:56.219 --> 00:43:58.800 the you have to put a little bit of grandma's 00:43:58.800 --> 00:44:01.619 armpit hair and try to get some backstrap in 00:44:01.619 --> 00:44:04.000 there. Well, the first bit of dialogue does not 00:44:04.000 --> 00:44:06.699 come in until about four minutes. Did you say 00:44:06.699 --> 00:44:08.719 the weight of the weight of the weight? What 00:44:08.719 --> 00:44:10.920 did you say? I don't know. We're going to have 00:44:10.920 --> 00:44:12.739 to rewind Scandinavian the weight of the weight 00:44:12.739 --> 00:44:15.960 of the weight. You've said it, it's well stated 00:44:15.960 --> 00:44:19.360 on the show. I believe you're proud of it, but 00:44:19.360 --> 00:44:25.019 you're not a proud boy. What is going on? I don't 00:44:25.019 --> 00:44:29.559 know. You OK? No, I'm not. How do we get you 00:44:29.559 --> 00:44:32.360 back to center? We pregame too much for me. You 00:44:32.360 --> 00:44:37.219 can probably hear it. So the initial arc of the 00:44:37.219 --> 00:44:42.260 story is that you have competing models. in a 00:44:42.260 --> 00:44:44.840 way, in the form of Margaret and Jimmy. And Jimmy 00:44:44.840 --> 00:44:48.659 is the maybe more favored model, but that is 00:44:48.659 --> 00:44:51.199 what they do, agreed? Because he's a beautiful 00:44:51.199 --> 00:44:54.079 boy. He's a beautiful, beautiful boy. And she's 00:44:54.079 --> 00:44:57.699 an ugly chicken. With the C word used a lot. 00:44:59.099 --> 00:45:02.679 That is it. They do say it a lot. Early. They're 00:45:02.679 --> 00:45:07.659 not afraid to say it. I heard it a bunch in the 00:45:07.659 --> 00:45:11.719 roofing truck as a boy. So I was well ready by 00:45:11.719 --> 00:45:16.309 82. But you know complaining about the way for 00:45:16.309 --> 00:45:19.550 the girlfriend that I before know that stupid 00:45:19.550 --> 00:45:24.090 not for everybody But I have really come to enjoy 00:45:24.090 --> 00:45:27.789 the weirdness of the music and the way a dialogue 00:45:27.789 --> 00:45:30.030 It'll grow on you if you just keep watching there 00:45:30.030 --> 00:45:32.469 is fucking intense dialogue in this movie there. 00:45:32.469 --> 00:45:36.309 Oh, it's and it's raunchy as fuck But and I don't 00:45:36.309 --> 00:45:38.969 mean that necessarily but some of that like Paul 00:45:38.969 --> 00:45:43.019 is you could call them diatribes or Just kind 00:45:43.019 --> 00:45:46.079 of free associations, like in the diner before 00:45:46.079 --> 00:45:48.500 she asks Margaret, like, let's just leave. Let's 00:45:48.500 --> 00:45:51.699 just go. You know, I mean, she she really has 00:45:51.699 --> 00:45:54.159 a lot of like these are pages of the tiny one. 00:45:54.260 --> 00:45:57.619 Adrian. Yeah. OK. Sorry. Her real name is. Yeah. 00:45:57.880 --> 00:46:00.199 Sorry. That's her real name. Sorry, Adrian. Character 00:46:00.199 --> 00:46:02.820 names, character names. Adrian in her again. 00:46:03.039 --> 00:46:06.980 I get confused as a character. She's bonkers. 00:46:07.440 --> 00:46:09.820 I mean, she what is she wearing on her head? 00:46:10.110 --> 00:46:13.070 That is my question. I don't know. But the scene 00:46:13.070 --> 00:46:18.230 in the cafe was very upsetting to me. Why? When 00:46:18.230 -->

00:46:23.449 she was ad libbing her mother's psychosis scene 00:46:23.449 --> 00:46:26.849 and she does the whole Trinity thing and the 00:46:26.849 --> 00:46:29.329 whole lifted up her skirt thing. And I was just 00:46:29.329 --> 00:46:32.309 we could have done without that. She stands up 00:46:32.309 --> 00:46:35.309 on the seat. And it was awful. And you were probably 00:46:35.309 --> 00:46:41.500 going, ah, yeah. That was an interesting sound 00:46:41.500 --> 00:46:44.019 I'm gonna have to analyze because you sent me 00:46:44.019 --> 00:46:49.139 a text that you said you could listen to Heretic 00:46:49.139 --> 00:46:54.480 you could listen to Hugh Grant Oh Just go on 00:46:54.480 --> 00:46:57.599 religion explain. Yeah all day long I I'm just 00:46:57.599 --> 00:47:00.340 fascinated that there may be people in real life 00:47:00.340 --> 00:47:02.800 who are having those conversations and that was 00:47:02.800 --> 00:47:05.019 happening You know, they do every day. You're 00:47:05.019 --> 00:47:09.719 one of them and we have But there's just a chaos 00:47:09.719 --> 00:47:14.039 of their lives. Adrienne is performing that night. 00:47:14.400 --> 00:47:16.599 So Jimmy's like, I need drugs. And she's like, 00:47:17.300 --> 00:47:19.460 I can't think about tomorrow right now. I have 00:47:19.460 --> 00:47:23.960 to perform. And she goes on to perform. He doesn't 00:47:23.960 --> 00:47:26.920 have any money. That's why he couldn't get the 00:47:26.920 --> 00:47:32.360 drugs. And is he doing modeling gigs for just 00:47:32.360 --> 00:47:35.480 in exchange for drugs? because he's being financially 00:47:35.480 --> 00:47:37.800 supported by his mother. He's just going day 00:47:37.800 --> 00:47:41.099 to day in the New York scene. Yeah. And drugging 00:47:41.099 --> 00:47:44.679 out. Yeah. Because he's a beautiful boy. Right. 00:47:44.780 --> 00:47:48.800 He gets gigs in the first time that Margaret 00:47:48.800 --> 00:47:52.000 and Jimmy are getting together. He's looking 00:47:52.000 --> 00:47:54.820 for coke. And she says let's go back to my place, 00:47:54.820 --> 00:47:57.800 which is, you know, it becomes a little home 00:47:57.800 --> 00:47:59.559 base for you in the movie. If you need to root 00:47:59.559 --> 00:48:02.300 in this movie, maybe root in her apartment. Yeah, 00:48:02.340 --> 00:48:06.340 the mask. Yeah. The mask with neon wrapped around 00:48:06.340 --> 00:48:10.039 it. Narratively, it comes back genius. But yeah, 00:48:10.219 --> 00:48:12.599 if you need to root visually in this movie. Well, 00:48:12.860 --> 00:48:14.539 and it comes out, you know, in the beginning 00:48:14.539 --> 00:48:17.619 where the alien does the whole ball of whatever 00:48:17.619 --> 00:48:20.480 I called it, ball of neon. Let's talk about. 00:48:20.519 --> 00:48:24.440 Let's talk about the. Just do it. The energy 00:48:24.440 --> 00:48:26.079 ball in the mask. Talk about the spaceship. Do 00:48:26.079 --> 00:48:29.480 it. Go ahead. The spaceship the size of a dinner 00:48:29.480 --> 00:48:32.989 plate. There it is. and we never see the aliens. 00:48:32.989 --> 00:48:38.070 Oh, my God. And found Clayson hyper. Maybe that. 00:48:38.710 --> 00:48:43.150 Ah, she is. Is this not the perfect movie for 00:48:43.150 --> 00:48:45.349 that line? But the idea is we're in New York. 00:48:45.789 --> 00:48:52.170 It's so. How do you get over the flying saucer? 00:48:52.250 --> 00:48:55.809 It's clearly next to a milk crate and being dwarfed 00:48:55.809 --> 00:48:59.869 by it. It's clearly by a soda bottle and like 00:48:59.869 --> 00:49:03.650 a. Jack Daniels or something. It's so absurd. 00:49:04.889 --> 00:49:08.690 And then this German man later says, here's your 00:49:08.690 --> 00:49:11.369 spaceship. No, we cannot just be doing his lines 00:49:11.369 --> 00:49:13.570 in German. That's a dead body. But like, do you 00:49:13.570 --> 00:49:15.750 know what I mean? Like, there's the flying saucer. 00:49:15.769 --> 00:49:17.230 Yeah. Like, there it is. And they're all like, 00:49:17.469 --> 00:49:20.550 yep. Well, and it's mentioned that it's tiny. 00:49:20.550 --> 00:49:22.329 There were a bunch of constraints, right? So 00:49:22.329 --> 00:49:25.489 why not make it as absurd as this movie is? He 00:49:25.489 --> 00:49:29.139 still has the prop. And it is... It's who does 00:49:29.139 --> 00:49:31.860 Slava? Yeah. And it's the same. And again, it's 00:49:31.860 --> 00:49:36.900 absurd. I mean, so your level of suspension of 00:49:36.900 --> 00:49:39.820 disbelief when you personally saw that. Yeah. 00:49:40.159 --> 00:49:42.619 Where were you at? Were you furious? I didn't 00:49:42.619 --> 00:49:45.179 realize it was that tiny until they did the telescope 00:49:45.179 --> 00:49:47.840 thing. And she's and she goes, couldn't that 00:49:47.840 --> 00:49:50.699 be just be a child's toy? That made me laugh. 00:49:50.739 --> 00:49:53.590 Yeah. Had so many zingers like she was. She was 00:49:53.590 --> 00:49:55.949 the dry comedy through the hole. Absolutely brilliant. 00:49:56.170 --> 00:49:59.210 You're right. You're right. Could like all this 00:49:59.210 --> 00:50:01.530 buildup. He flies over for Germany. He's been 00:50:01.530 --> 00:50:04.090 studying these things as an astrophysicist. He's 00:50:04.090 --> 00:50:07.730 like, could that just be a child's toy? All I 00:50:07.730 --> 00:50:11.309 can think of was maybe for her on the set. I 00:50:11.309 --> 00:50:13.409 mean, I don't know anything about the man, Otto. 00:50:13.530 --> 00:50:17.510 And I mean, no disrespect. But, you know, he 00:50:17.510 --> 00:50:20.760 was as dry. He is like it's so. wonderfully. 00:50:20.980 --> 00:50:24.699 He's like a Obregon or how do I say Rodrigo? 00:50:24.800 --> 00:50:27.780 Yeah, he's like Rodrigo from a different country 00:50:27.780 --> 00:50:31.460 thrust into, you know, these these the movie, 00:50:31.719 --> 00:50:34.059 and he's just giving it his all. But you have 00:50:34.059 --> 00:50:36.179 to throw

a little Schwarzenegger in there. Do 00:50:36.179 --> 00:50:39.460 you not? his cadence and just did you have any 00:50:39.460 --> 00:50:41.500 like? Well, Germany and Austria, I don't know 00:50:41.500 --> 00:50:43.820 if I didn't mean I don't want to get into the 00:50:43.820 --> 00:50:46.420 particulars. Mr. Minutia. Well, you're calling 00:50:46.420 --> 00:50:48.699 me Scandinavian just because I have blue eyes. 00:50:48.800 --> 00:50:50.480 I don't have blonde hair. Defend your territory. 00:50:50.619 --> 00:50:53.880 Yes. But the the idea of some of his delivery 00:50:53.880 --> 00:50:56.599 again is maybe reminiscent of early Arnie is 00:50:56.599 --> 00:50:59.940 what I'm getting at. And it's he's hard to understand. 00:51:00.119 --> 00:51:03.420 Sometimes it's when he pauses, I'm like. For 00:51:03.420 --> 00:51:07.659 the love of God, will you say it? Say it! Say 00:51:07.659 --> 00:51:12.239 it! Very slow. Oh my God. And I, again... Well, 00:51:12.340 --> 00:51:14.639 people say that about me because our deliveries 00:51:14.639 --> 00:51:17.599 are very... You're Speedy Gonzales and I'm, you 00:51:17.599 --> 00:51:21.780 know, who's the guy that walks really slow? Frankenstein? 00:51:22.179 --> 00:51:23.820 No, I don't know. They're in the car, too. My 00:51:23.820 --> 00:51:27.179 delivery is not your delivery, speed -wise, unless 00:51:27.179 --> 00:51:30.610 I've had too many beers. Get talking about a 00:51:30.610 --> 00:51:32.809 reminder for me, but it's funny. You know, Jess 00:51:32.809 --> 00:51:35.429 would walk through, you know, as I'm watching 00:51:35.429 --> 00:51:37.809 it and she's like this thing again and then she'll 00:51:37.809 --> 00:51:40.530 stop and then she'll stare at it. I don't you 00:51:40.530 --> 00:51:42.170 know, I don't know what that means, but there's 00:51:42.170 --> 00:51:44.610 something captivating about this. Yeah. Yeah, 00:51:44.610 --> 00:51:48.369 that's awesome. This again. And it's you know, 00:51:48.369 --> 00:51:50.489 I've not watched it a ton, but I had to refresh 00:51:50.489 --> 00:51:54.349 on it today. And yeah, it's intense, though. 00:51:54.429 --> 00:51:58.980 It does kind of maybe take some some. some relief 00:51:58.980 --> 00:52:01.420 afterwards. You were saying like when this hand 00:52:01.420 --> 00:52:04.460 relief. I don't know. You know what I mean? Did 00:52:04.460 --> 00:52:06.679 you say something like this is the greatest movie 00:52:06.679 --> 00:52:09.000 ever made? I believe it is. I do believe it is. 00:52:09.079 --> 00:52:11.820 I believe this. You know, if you haven't seen 00:52:11.820 --> 00:52:14.739 it, this is a gift to you. Just the 72 little 00:52:14.739 --> 00:52:16.880 movies that we've done. This is the greatest 00:52:16.880 --> 00:52:21.840 movie. Yeah, yeah, yeah. This movie is just so 00:52:21.840 --> 00:52:26.820 tremendous. You must watch. Yeah. people. So 00:52:26.820 --> 00:52:29.340 let's watch. Do you do you feel like a lot of 00:52:29.340 -->

00:52:34.599 what's happening was improvised? No, because 00:52:34.599 --> 00:52:36.940 there's a lot of many a scene where you could 00:52:36.940 --> 00:52:39.340 I feel like they're reading lines. Yeah, because 00:52:39.340 --> 00:52:42.579 some of them are skilled actors. Yeah. And they're 00:52:42.579 --> 00:52:44.059 feeding each other. But you can tell they're 00:52:44.059 --> 00:52:47.380 like, just regurgitating the line they've ever. 00:52:47.719 --> 00:52:50.139 Right, right. It's hard to beat it. Meryl Streep, 00:52:50.239 --> 00:52:51.840 you know, it's hard to be so natural that you 00:52:51.840 --> 00:52:54.579 don't even. Right. Yeah. And they're leaning 00:52:54.579 --> 00:53:00.019 towards a fashion show. Yeah. But getting back 00:53:00.019 --> 00:53:03.719 to Margaret and Jimmy there, Margaret is the 00:53:03.719 --> 00:53:06.179 the victim of violence so often through this 00:53:06.179 --> 00:53:08.579 movie. And this is why it's a hard watch, because 00:53:08.579 --> 00:53:12.739 she is just. Yeah. Yes. Nonstop. Nonstop. She 00:53:12.739 --> 00:53:16.150 gets essayed what? Three times, four times? Hit 00:53:16.150 --> 00:53:21.909 a lot. One guy smacks her so many times. And 00:53:21.909 --> 00:53:24.389 she, you know, Jimmy is just mean. And shoves 00:53:24.389 --> 00:53:28.230 Queloads down, like, forcibly holding her mouth 00:53:28.230 --> 00:53:31.630 closed after shoving pills down her throat, screaming, 00:53:31.630 --> 00:53:33.989 swallow it. You know, it's like one of those 00:53:33.989 --> 00:53:38.070 things where I hate, you know, that that is based 00:53:38.070 --> 00:53:41.230 on real life. And just her acting is just very, 00:53:41.250 --> 00:53:43.289 very good, knowing it's both characters. Yeah. 00:53:43.480 --> 00:53:46.099 And they're both very unique and defined. And 00:53:46.099 --> 00:53:49.900 he's very maudlin and he's very down and he's. 00:53:50.199 --> 00:53:53.500 And the one thing I will say about how she changes 00:53:53.500 --> 00:53:55.960 her voice for each character, the guy's voice 00:53:55.960 --> 00:53:58.980 is still, you know, a feminine, but you can hear 00:53:58.980 --> 00:54:02.659 it's like a female trying to sound, trying to 00:54:02.659 --> 00:54:06.019 put bass in her voice. Right. And and make it 00:54:06.019 --> 00:54:09.730 raspy. Yeah. And I mean. Like neither one of 00:54:09.730 --> 00:54:12.030 us were sure that it was the same person the 00:54:12.030 --> 00:54:14.250 first time we watched it. So that's I think that's 00:54:14.250 --> 00:54:17.630 a good testimony. So why? Why the yuppie people? 00:54:18.190 --> 00:54:23.050 So I know Paul, the scumbag, the artsy in the 00:54:23.050 --> 00:54:26.849 in the Paul was a hero. And then the wife is 00:54:26.849 --> 00:54:29.130 so mad at him because he won't go to the party 00:54:29.130 --> 00:54:33.769 because he's all hung over. But, you know, is 00:54:33.769 --> 00:54:38.030 what I realize that she becomes a murderer. Which 00:54:38.030 --> 00:54:42.550 I think is fun Paul's wife. No, no Margaret But 00:54:42.550 --> 00:54:45.429 he's along the way of figuring out her powers 00:54:45.429 --> 00:54:49.570 Essentially, but is he doesn't murder require 00:54:49.570 --> 00:54:54.170 intent? Yeah, but with the guy at the end I think 00:54:54.170 --> 00:54:59.349 she intends to for him to be murdered I think 00:54:59.349 --> 00:55:04.210 because that's what happens to them. Anyway the 00:55:04.210 --> 00:55:08.159 guy at the end All right. Well, we'll get there. 00:55:08.219 --> 00:55:10.920 It's at the end. I jumped over when we get to 00:55:10.920 --> 00:55:13.280 the end. You know, you you will tell me. But 00:55:13.280 --> 00:55:16.980 anyway, yeah, he he like the pursuit of drugs 00:55:16.980 --> 00:55:20.579 is a big deal. And she and Margaret is just. 00:55:21.079 --> 00:55:23.699 Yeah. Well, Jimmy, that's all he wants to her. 00:55:23.699 --> 00:55:25.920 And will there be drugs? Just a product, just 00:55:25.920 --> 00:55:28.480 a product. Yeah. And that's really. So what did 00:55:28.480 --> 00:55:32.800 you think of Adrian's performance? I don't know 00:55:32.800 --> 00:55:34.420 what to say about it. I knew you were going to 00:55:34.420 --> 00:55:38.179 ask me this and. The whole beatboxing is what 00:55:38.179 --> 00:55:41.820 she called it, right. And the fake heartbeat 00:55:41.820 --> 00:55:44.219 with the microphone I thought was was hilarious. 00:55:44.500 --> 00:55:46.440 I mean, I think wasn't she. Well, that heartbeat 00:55:46.440 --> 00:55:49.780 was so slow that it was like boom, boom. They 00:55:49.780 --> 00:55:53.900 used like she would be. in the emergency room 00:55:53.900 --> 00:55:56.360 to make some of the soundtrack. They used one 00:55:56.360 --> 00:55:59.179 of like the first early digital synthesizers 00:55:59.179 --> 00:56:01.619 and sampling machines. Yeah. So I wonder if she 00:56:01.619 --> 00:56:04.159 wasn't as a performance. Well, think think Tom 00:56:04.159 --> 00:56:06.539 Sawyer movie pictures. Well, just ride, ride 00:56:06.539 --> 00:56:10.000 with me on this that she's not capturing her 00:56:10.000 --> 00:56:12.559 heartbeat live to record it, sample it, play 00:56:12.559 --> 00:56:15.519 it back. And then it's part of the track. Yeah. 00:56:15.860 --> 00:56:18.780 You know what I mean? OK, so she only sampled 00:56:18.780 --> 00:56:21.559 one heartbeat and then maybe slower back. It's 00:56:21.559 --> 00:56:26.300 me and my rhythm box. But, you know, you know, 00:56:26.320 --> 00:56:28.820 I mean, so I think and I think that the word 00:56:28.820 --> 00:56:32.099 box has multiple meaning in this because she 00:56:32.099 --> 00:56:35.900 it doesn't use it. So it's a it's a performance 00:56:35.900 --> 00:56:39.559 tune. How would you how would you cover it? Folk 00:56:39.559 --> 00:56:43.159 music style. Break it down. There's a bass guitar 00:56:43.159 --> 00:56:45.139 right here. How would you make one of those?

00:56:45.320 --> 00:56:47.800 What do they call those poetry things that poetry 00:56:47.800 --> 00:56:50.460 slam or poetry? It comes off the rails when she 00:56:50.460 --> 00:56:52.739 starts hollering and, you know, and everybody 00:56:52.739 --> 00:56:56.679 is very Yoko Ono -ish. Like, like she starts 00:56:56.679 --> 00:56:59.719 howling. And I love to see, like, I didn't like 00:56:59.719 --> 00:57:04.159 look in the back. It's a rough tune. The some 00:57:04.159 --> 00:57:06.920 of the people you could see maybe who's tweaking 00:57:06.920 --> 00:57:09.139 because in the background, some people are dancing 00:57:09.139 --> 00:57:13.920 like too hard. But she she is really, really 00:57:13.920 --> 00:57:15.860 intense. That's where the budget went. They passed 00:57:15.860 --> 00:57:18.260 out drugs to the audience so they would participate 00:57:18.260 --> 00:57:22.760 in. Yeah. And again, you're saying that Adrian 00:57:22.760 --> 00:57:27.280 is even mean when this guy Paul shows up and 00:57:27.280 --> 00:57:29.480 he's like got his hands on Margaret and she's 00:57:29.480 --> 00:57:32.260 like she's an uptight wasp cunt from Connecticut 00:57:32.260 --> 00:57:37.079 like. Holy shit. And she's straight out like, 00:57:37.079 --> 00:57:41.230 yeah, I got manners. But some of her, like, for 00:57:41.230 --> 00:57:43.289 those of you who want to start a kick -ass band, 00:57:44.309 --> 00:57:48.210 don't beat me to it. Like, there's samples forever 00:57:48.210 --> 00:57:49.849 in this movie. Right, it's trying to write songs 00:57:49.849 --> 00:57:51.289 for the band. Well, you know what I mean? Like, 00:57:51.369 --> 00:57:54.710 it's just the dialogue is so unique of this movie. 00:57:54.769 --> 00:57:57.650 Like, it's one of a kind, right? I think you've 00:57:57.650 --> 00:58:00.309 probably already designed the album cover, the 00:58:00.309 --> 00:58:04.230 debut album, Uptight Wasp. Again, did we figure 00:58:04.230 --> 00:58:07.190 out what Adrienne is wearing on her head? It's 00:58:07.190 --> 00:58:11.230 an upside -down... Is it our office? Is it backwards 00:58:11.230 --> 00:58:14.050 sleep mask? What? It might be. It might be like 00:58:14.050 --> 00:58:18.090 a 1982 ear muff headband. Jesus, it's backwards. 00:58:18.590 --> 00:58:21.150 I think it's backwards. The other the other ear 00:58:21.150 --> 00:58:23.110 above part might be behind her head. I don't 00:58:23.110 --> 00:58:27.050 know. Yeah. And she's got it like turned to the 00:58:27.050 --> 00:58:32.010 side. Yeah. Well, again, Margaret is being clearly 00:58:32.010 --> 00:58:36.710 shown as this conduit for no will of her own. 00:58:38.059 --> 00:58:41.000 And there's going to be a shoot later. So this 00:58:41.000 --> 00:58:44.820 is a horizon that to her credit space. Yeah, 00:58:44.820 --> 00:58:47.440 she always does try to say no, don't do that. 00:58:47.460 --> 00:58:50.539 But that's that's as much force as they get. 00:58:50.920 --> 00:58:54.219 It's fucking brutal. Yeah, that's hard. But it's 00:58:54.219 --> 00:58:58.280 over and over and over again. Yeah. And the first 00:58:58.280 --> 00:59:02.300 time that she realizes she's she has no idea 00:59:02.300 --> 00:59:05.179 there's an alien presence, but that she realizes 00:59:05.179 --> 00:59:10.340 she a connectivity to sexual activity with her 00:59:10.340 --> 00:59:14.099 is dangerous. Yeah. Is with the acting coach. 00:59:14.519 --> 00:59:18.079 So sorry, Bob. Yeah. All right. Please help me, 00:59:18.079 --> 00:59:20.840 because I have no idea. I want to know from you 00:59:20.840 --> 00:59:23.980 what the crystal sticking out the back, the Superman 00:59:23.980 --> 00:59:27.800 crystal from the from the ice thingy. Weird to 00:59:27.800 --> 00:59:30.280 be weird, man. Where that comes because when 00:59:30.280 --> 00:59:31.960 she pulls it out of his head, it's just like 00:59:31.960 --> 00:59:34.880 when Superman pulls it out when he's in the fortress 00:59:34.880 --> 00:59:38.739 of solitude. In the 1976, it pulls that one out. 00:59:38.880 --> 00:59:41.760 It looks just like that. I'm like, that's great. 00:59:41.960 --> 00:59:45.239 What is going on? That's really, really cool. 00:59:45.559 --> 00:59:47.920 But what does that have to do with anything? 00:59:48.039 --> 00:59:50.920 I didn't see anything. And I may have missed 00:59:50.920 --> 00:59:54.900 it. I didn't catch it either. No, no, no. Like 00:59:54.900 --> 00:59:57.199 looking at some of the behind the scenes to answer 00:59:57.199 --> 01:00:00.059 the question. I think it was just a way to create 01:00:00.059 --> 01:00:04.300 a visual effect that represented that. particular 01:00:04.300 --> 01:00:06.519 action. The fact that he is that he was killed. 01:00:06.900 --> 01:00:10.659 But did did we meet the professor when he meets 01:00:10.659 --> 01:00:14.460 with the German guy ahead of it? Mm hmm. When 01:00:14.460 --> 01:00:16.820 the German guy we didn't talk about that, but 01:00:16.820 --> 01:00:19.559 that's when he first laid out, Johan lands and 01:00:19.559 --> 01:00:24.280 he creates his base operations. I keep close 01:00:24.280 --> 01:00:26.880 once in his what's in his satchel again. He's 01:00:26.880 --> 01:00:29.780 got his his old tool, tiny gym bag. He's got 01:00:29.780 --> 01:00:33.079 two bags. One of them is a telescope. Like he 01:00:33.079 --> 01:00:34.679 knew he was going to have to use a telescope 01:00:34.679 --> 01:00:37.099 because the aliens the size of a dinner plate 01:00:37.099 --> 01:00:39.480 and he's and he has to be far and it's got this. 01:00:39.659 --> 01:00:42.679 He's on the Empire State. It's got a crosshairs 01:00:42.679 --> 01:00:46.059 on it and it goes beep beep. It's like got a 01:00:46.059 --> 01:00:50.500 homing device tuned into. A dinner plate size 01:00:50.500 --> 01:00:53.719 alien spaceship. Which he's studying. He is quite 01:00:53.719 --> 01:00:56.139 the German astrophysicist that fucker. The phenomena

01:00:56.139 --> 01:00:59.539 around the country he's studying. So much so 01:00:59.539 --> 01:01:03.059 that he won't have sex with a cougar in heat. 01:01:05.239 --> 01:01:09.579 This guy, him rejecting her advances. Over and 01:01:09.579 --> 01:01:12.340 over again. She is slopping her genitals on his 01:01:12.340 --> 01:01:14.860 face by the end of this movie and he's like, 01:01:15.219 --> 01:01:19.570 excuse me. What about multiple orgasms? And the 01:01:19.570 --> 01:01:23.150 tee -ups are there. And this guy, oh, you're 01:01:23.150 --> 01:01:25.570 right. It should be comedy, comedy, comedy, and 01:01:25.570 --> 01:01:29.469 then a little sci -fi thriller. Well, her, she 01:01:29.469 --> 01:01:32.369 delivers her lines so well. She's amazing. Yeah. 01:01:32.429 --> 01:01:35.730 And she becomes more drunk and like unrobed, 01:01:35.969 --> 01:01:39.789 disrobed. Yeah. Well, she meets the guy in the 01:01:39.789 --> 01:01:42.650 hallway. Yeah. And invites him in for dinner. 01:01:44.909 --> 01:01:47.170 She's had, you know, this probably disappointing 01:01:47.170 --> 01:01:49.210 lunch with her son, who is Jimmy, which we talked 01:01:49.210 --> 01:01:50.829 about. Yeah, and she had to write him a check. 01:01:51.449 --> 01:01:53.429 And so, you know, vulnerable position to be in, 01:01:53.469 --> 01:01:57.170 but clearly not getting any action. And he is 01:01:57.170 --> 01:02:01.090 as dry as can be and very charming, clearly. 01:02:01.510 --> 01:02:03.769 Well, she gives her character away at lunch as 01:02:03.769 --> 01:02:06.500 well when she... Changes the subject because 01:02:06.500 --> 01:02:08.579 he's just asking for money, you know, whatever 01:02:08.579 --> 01:02:11.340 and then she's like remember that time We were 01:02:11.340 --> 01:02:13.820 over at this party and stuff and the in the the 01:02:13.820 --> 01:02:17.619 girls there said I was your sister Yeah, you 01:02:17.619 --> 01:02:20.480 know, so she's clearly going through this midlife. 01:02:20.480 --> 01:02:22.840 That's a good pickup identity issue and then 01:02:22.840 --> 01:02:25.719 that leads right into her like Trying to jump 01:02:25.719 --> 01:02:28.320 into bed with Klaus van. It's all a gold fan. 01:02:28.320 --> 01:02:31.099 Who's your bizer? Yeah in the progression of 01:02:31.099 --> 01:02:34.860 their I want to see a side movie on there Oh, 01:02:35.219 --> 01:02:36.900 that character, I could have had her own movie. 01:02:36.980 --> 01:02:41.000 And side note. Yeah, it has to be sci fi. How 01:02:41.000 --> 01:02:42.760 about the two ladies at the end? Yeah, never 01:02:42.760 --> 01:02:49.019 mind. We'll get there. OK. Here's one before 01:02:49.019 --> 01:02:51.380 I forget it. Yeah. You know, we've got a cat 01:02:51.380 --> 01:02:53.760 fight in this movie, but guess what? We also 01:02:53.760 --> 01:02:58.889 have a cat fight. And a scissor fight. Oh, yeah, 01:02:58.949 --> 01:03:01.809 that's true. Well, the scissors that is a scissor 01:03:01.809 --> 01:03:03.769 fight. Well, it's an aggressive because I wrote 01:03:03.769 --> 01:03:05.710 two days in the valley. We have an aggressive 01:03:05.710 --> 01:03:09.909 scissor. Yeah, yeah. So nonconsensual. How many 01:03:09.909 --> 01:03:12.630 movies do we have? And they're two separate scenes. 01:03:12.789 --> 01:03:15.409 We're going to reanalyze the show and come back 01:03:15.409 --> 01:03:18.409 to you. Refresh. Call it nonconsensual. Back. 01:03:18.789 --> 01:03:24.469 Just plain weird. And I like that. The idea that. 01:03:25.280 --> 01:03:30.800 she is being consistently abused is kind of reaffirmed 01:03:30.800 --> 01:03:33.440 by the professor after the professor is regaled 01:03:33.440 --> 01:03:38.699 by this German's account of aliens taking orgasms. 01:03:38.940 --> 01:03:42.000 They're killing people. They're killing them 01:03:42.000 --> 01:03:46.519 with their orgasms. You're nailing it. Please. 01:03:47.519 --> 01:03:52.480 Zeta dolphins. Anyway, so we get his slideshow, 01:03:52.480 --> 01:03:56.079 which is great. And I like when he pulled up 01:03:56.079 --> 01:03:59.219 the screen because it was so vintage. He pulls 01:03:59.219 --> 01:04:03.820 it from the bottom up. Yeah. I'm like, yeah, 01:04:03.940 --> 01:04:06.519 you're in. It's a nice time capsule movie, you 01:04:06.519 --> 01:04:08.699 know, because obviously it is. Please, please, 01:04:08.699 --> 01:04:11.860 please, listeners, do watch the scene and please 01:04:11.860 --> 01:04:15.119 email us at a little independent podcast at Gmail 01:04:15.119 --> 01:04:17.800 dot com and let us know who is the worst actor 01:04:17.800 --> 01:04:22.360 in that scene. So Margaret goes to the apartment 01:04:22.360 --> 01:04:27.590 of the professor and is there... No, he's at 01:04:27.590 --> 01:04:31.989 her place. Yeah. Literally. Because of the budget, 01:04:32.349 --> 01:04:34.150 right? It was her room. Is the end goal for them 01:04:34.150 --> 01:04:37.150 to be having intercourse? I mean, like, because... 01:04:37.150 --> 01:04:42.010 Yeah. For him. Because she says we... She says, 01:04:42.309 --> 01:04:44.429 acting coach, we mostly just have sex. Yeah. 01:04:44.929 --> 01:04:46.730 So, that's right. It's a regular thing. And he's 01:04:46.730 --> 01:04:49.389 like 40 -something and she's 20 -something. It's 01:04:49.389 --> 01:04:51.530 really gross. It's really gross. It's really 01:04:51.530 --> 01:04:54.150 gross. But she's got the wild flack of seagull 01:04:54.150 --> 01:04:56.289 hair. And he's like, Mr. Straightforward and 01:04:56.289 --> 01:04:58.789 says, I like you in jeans and a turtleneck. And 01:04:58.789 --> 01:05:01.650 she's wearing this crazy. You look like a hooker. 01:05:02.130 --> 01:05:04.210 And she has a great line about, you know, hooker 01:05:04.210 --> 01:05:08.190 having her own independence. But I don't think 01:05:08.190 --> 01:05:10.030 that's true. I don't think that's true either. 01:05:10.969 --> 01:05:13.030 Unless

you're. We're a little independent. So 01:05:13.030 --> 01:05:15.329 are we a little hookerish? On your own on the 01:05:15.329 --> 01:05:16.889 streets. I would say we're hookerish, wouldn't 01:05:16.889 --> 01:05:21.889 you? I don't know how to respond to that. Well, 01:05:22.110 --> 01:05:25.429 I love you. I love you. We're hookers. That was 01:05:25.429 --> 01:05:28.409 a pretty good connect. Hookers are at least they're 01:05:28.409 --> 01:05:30.989 independent. We're a little independent. Yeah, 01:05:31.110 --> 01:05:34.250 it all kind of flows. I'd say we're more like. 01:05:35.750 --> 01:05:39.289 Yeah, we're a couple of. I think so. And we like 01:05:39.289 --> 01:05:42.949 to gab. Yeah, we just we just go on and on, don't 01:05:42.949 --> 01:05:49.320 we? That's true. And it proves that these aren't 01:05:49.320 --> 01:05:51.400 the right things to do. These aren't the right 01:05:51.400 --> 01:05:57.440 things to do. Just say no. Just say no. Nancy 01:05:57.440 --> 01:06:01.360 said so. Well, Nancy. Maybe we pose this scene 01:06:01.360 --> 01:06:04.739 in a question. Again, she has intercourse, as 01:06:04.739 --> 01:06:08.280 she does with this. Everyone. I say it loosely, 01:06:08.679 --> 01:06:12.739 gentlemen. and has many times, and clearly she 01:06:12.739 --> 01:06:15.460 has not, or at least in the vicinity of this 01:06:15.460 --> 01:06:17.679 particular craft. That's how he takes payment 01:06:17.679 --> 01:06:21.239 for the lessons that he doesn't give. You don't 01:06:21.239 --> 01:06:23.300 give the lesson, but you take the payment. Whatever 01:06:23.300 --> 01:06:27.820 you do, don't act like he does. When you're 45 01:06:27.820 --> 01:06:33.019 or 30. He comes to climax as you did in the 80s 01:06:33.019 --> 01:06:41.150 as men. And then he he has a like crystal skull, 01:06:41.309 --> 01:06:44.730 like you said, when men were men and had orgasms. 01:06:44.809 --> 01:06:49.309 Take me back to where they pleased in. And he 01:06:49.309 --> 01:06:51.889 ends up with a crystal skull in his head, like 01:06:51.889 --> 01:06:54.309 you said. Yeah. Or a crystal spike in his head. 01:06:54.469 --> 01:06:56.750 When she pulls it out, I saw the Superman scene. 01:06:56.750 --> 01:07:00.570 Yeah. You know, in the it just was weird. And. 01:07:02.240 --> 01:07:05.039 Adrian, uh, arrives on this scene and is very 01:07:05.039 --> 01:07:10.380 overly fascinated and her, her song that she 01:07:10.380 --> 01:07:13.480 brings up when she just starts to like slap her 01:07:13.480 --> 01:07:17.340 leg, her eulogy. Wow. Right. That was, that was, 01:07:17.420 --> 01:07:20.480 that was a eulogy to the dead. That was magic. 01:07:20.579 --> 01:07:23.820 That was a diss track. If I've ever heard one, 01:07:24.000 --> 01:07:26.679 it was not. Not you think that was improv. It 01:07:26.679 --> 01:07:29.400 was not flat. No, a diss track. That was maybe 01:07:29.400 --> 01:07:34.400 meant to be funny to somebody else. But the the 01:07:34.400

--> 01:07:36.840 the idea that she's she's really slamming it. 01:07:36.840 --> 01:07:39.059 She's really slamming the guy. I don't get it. 01:07:39.260 --> 01:07:41.480 She's really slamming him. She's slamming him 01:07:41.480 --> 01:07:44.820 hard. You know what I mean? Is that is this to 01:07:44.820 --> 01:07:47.139 see where she sits on the guys? She's always 01:07:47.139 --> 01:07:50.039 wanted to have sex with a dead guy. And then 01:07:50.039 --> 01:07:52.280 instead of she doesn't have sex, she's well. 01:07:53.280 --> 01:07:55.880 It's gross what she's doing all everything she's 01:07:55.880 --> 01:07:58.619 doing and and it gets to be too much for margaret 01:07:58.619 --> 01:08:01.079 stares right at margaret while she's doing it 01:08:01.079 --> 01:08:05.079 this is a really i mean she is intense yeah right 01:08:05.079 --> 01:08:08.519 yeah you can agree adrienne's intense she needs 01:08:08.519 --> 01:08:10.820 what does she need in her life oh if you have 01:08:10.820 --> 01:08:12.820 quick diagnosis what do you well what like i 01:08:12.820 --> 01:08:19.880 can tell you who who is her niece maybe in the 01:08:19.880 --> 01:08:22.989 world of our daughter granddaughter no Greta 01:08:22.989 --> 01:08:27.869 von Greta Thurnberg born. Think about her and 01:08:27.869 --> 01:08:30.369 look at and think about her. They're they're 01:08:30.369 --> 01:08:35.949 they're related somehow. Greta, the teenage environmentalist. 01:08:35.989 --> 01:08:37.949 You know, I'm talking about the Swedish girl 01:08:37.949 --> 01:08:40.630 that's angry all the time. I feel like this is 01:08:40.630 --> 01:08:43.750 not flattering. I don't know if I can see with 01:08:43.750 --> 01:08:47.689 you, but she. They remind me of each other. OK, 01:08:47.970 --> 01:08:51.470 her character in this and her anger and her intensity. 01:08:52.109 --> 01:08:55.369 Reminds me of that. That's that Swedish credit 01:08:55.369 --> 01:08:57.170 check. That's very interesting. I thought you 01:08:57.170 --> 01:08:59.449 were going to go with me on this and you're just 01:08:59.449 --> 01:09:03.609 signing out. Come on, boy. Do it again. I don't 01:09:03.609 --> 01:09:08.689 know if I can say hello. Come on. Anyway. All 01:09:08.689 --> 01:09:10.670 right. Well, we'll see how if we have another 01:09:10.670 --> 01:09:15.430 show after. Todd's been replaced. Nobody knows. 01:09:16.569 --> 01:09:20.880 Well, I just. They saw her, and I'm like, that 01:09:20.880 --> 01:09:22.699 reminds me of that credit check. Alluding to 01:09:22.699 --> 01:09:25.300 your fight, I wrote down Two Days in the Valley 01:09:25.300 --> 01:09:26.819 when they have that knife fight. The cat fight, 01:09:26.819 --> 01:09:29.279 yeah. Because it's really, really interesting 01:09:29.279 --> 01:09:31.960 that, you know, she's, you know, this is a dead 01:09:31.960 --> 01:09:36.380 body. There's not a lot of care for, you know, 01:09:36.460 --> 01:09:39.300 things. They put them in a box and they put them 01:09:39.300 --> 01:09:40.659 on the roof. To keep them out of sight, yeah. 01:09:40.880 --> 01:09:43.260 Drag them out on the roof. And they're seen by 01:09:43.260 --> 01:09:46.180 our couple next door. And I love the fact that 01:09:46.180 --> 01:09:51.109 Johan... That's a dead body. And he doesn't go, 01:09:51.430 --> 01:09:54.109 why? He doesn't say anything. The German guy. 01:09:54.130 --> 01:09:58.609 No response. He takes a telescope and adjusts 01:09:58.609 --> 01:10:01.050 it. And then his lying back is, that's a UFO. 01:10:01.210 --> 01:10:03.630 Looks like two women killed, man. That's a UFO. 01:10:04.529 --> 01:10:07.270 I mean, like, and then if you're her. It's comedy. 01:10:07.609 --> 01:10:10.630 It's fucking comedy. I don't know what else to 01:10:10.630 --> 01:10:12.510 say. It's hilarious. I don't know why I have 01:10:12.510 --> 01:10:14.369 the line written, do you have a laser gun in 01:10:14.369 --> 01:10:17.350 your pants? Yeah. She says that to she says that 01:10:17.350 --> 01:10:20.329 to him. Yeah, she is so horny. Oh, my God is 01:10:20.329 --> 01:10:25.529 so horny. Yeah. Cougar and he it's it's hilarious. 01:10:25.609 --> 01:10:29.130 And the more he not ignores it, but the more 01:10:29.130 --> 01:10:32.829 he doesn't, you know, pull out the laser gun, 01:10:33.029 --> 01:10:35.949 the more the the worse she gets. Yeah. The harder 01:10:35.949 --> 01:10:39.489 she tries. Well, like the idea that she's getting 01:10:39.489 --> 01:10:43.489 so wasted and but still decides to order a heavy 01:10:44.510 --> 01:10:47.229 Shrimp meal. Everything is shrimp. Jumbo shrimp. 01:10:47.369 --> 01:10:50.310 Tiny shrimp. And then it becomes a euphemism 01:10:50.310 --> 01:10:53.170 for the sex. The shrimp. Yeah. I know. That was 01:10:53.170 --> 01:10:56.529 very, very funny. I mean, you know, like he plays 01:10:56.529 --> 01:10:58.829 it all super straight. You know, that's what 01:10:58.829 --> 01:11:01.010 made it so good. Well, duty is more important 01:11:01.010 --> 01:11:07.689 than shrimps. When you when you fly from Germany. 01:11:10.090 --> 01:11:13.369 Lufthausen. Yeah, yeah, yeah. Well, so they're 01:11:13.369 --> 01:11:17.229 there. Did you see the Acme truck? Yeah. In the 01:11:17.229 --> 01:11:19.770 beginning. Yeah. Drive by the big old Acme. What 01:11:19.770 --> 01:11:21.550 do you think that was about? I don't know. It's 01:11:21.550 --> 01:11:24.229 just where. Yeah. It's I thought that was cool. 01:11:24.329 --> 01:11:29.289 Yeah. The the the couple who are all in his lady 01:11:29.289 --> 01:11:34.109 at home. Oh, yeah. The heroine, Paul, loser artist. 01:11:34.350 --> 01:11:37.210 Are they? Oh, right. So and she's putting on 01:11:37.210 --> 01:11:40.960 the fashion show. Right that at their house and 01:11:40.960 --> 01:11:43.420 she's trying to get him out play the husband 01:11:43.420 --> 01:11:45.880 and mingle with people and he's all fucking strung 01:11:45.880 --> 01:11:49.960 out you

just Yeah, but then he goes then he ends 01:11:49.960 --> 01:11:52.199 up going after our girl and yeah attacking her 01:11:52.199 --> 01:11:57.439 and again again she discovers She's again ridding 01:11:57.439 --> 01:11:59.699 people like the worst we keep me track. So this 01:11:59.699 --> 01:12:03.399 is what two three rapes now Yeah, and the coke 01:12:03.399 --> 01:12:05.680 guy from the beginning like yeah, you know, like 01:12:05.680 --> 01:12:08.510 there's a guy out and dance for who looking at 01:12:08.510 --> 01:12:11.130 what the coke guy was the first guy and he's 01:12:11.130 --> 01:12:13.409 the guy he was the quail who murders at the end. 01:12:13.569 --> 01:12:18.369 He's he's the one who gets away. You know what 01:12:18.369 --> 01:12:20.590 I mean? Because the alien hadn't landed yet. 01:12:20.810 --> 01:12:23.369 So yeah, I thought that him and Paul were the 01:12:23.369 --> 01:12:25.989 same guy. Yeah, but they're not. Yeah, clearly. 01:12:26.289 --> 01:12:33.130 And the well, like the idea of Adrian coming 01:12:33.130 --> 01:12:36.270 in and out of your home on a daily basis, would 01:12:36.270 --> 01:12:38.260 you be comfortable with that friend? They live 01:12:38.260 --> 01:12:40.439 together there. That's how I took it, because 01:12:40.439 --> 01:12:43.279 all her heroin is hid there. And that's her place, 01:12:43.340 --> 01:12:44.899 too. I think she's just coming in and out. I 01:12:44.899 --> 01:12:50.079 think I think what's her name? Michael, Michelle, 01:12:50.260 --> 01:12:54.659 what's her Margaret? Margaret, Margaret, Margaret, 01:12:54.659 --> 01:12:58.220 Jimmy. I think Margaret is on the lease and responsible 01:12:58.220 --> 01:13:01.619 for the rent. But she lives there and that's 01:13:01.619 --> 01:13:04.239 where she keeps her heroin. Yeah. Yeah. It's 01:13:04.239 --> 01:13:08.380 the way I took it. Yeah. And so. She got rid 01:13:08.380 --> 01:13:13.319 of the junkie Paul. This is great. But people 01:13:13.319 --> 01:13:16.520 are not reacting to this as they should. The 01:13:16.520 --> 01:13:20.899 photo shoot. Yeah. Well any of it. She isn't. 01:13:21.560 --> 01:13:24.520 Yeah. And once you really finally finally can 01:13:24.520 --> 01:13:27.460 it finds a connection with the Indian which I 01:13:27.460 --> 01:13:31.000 when did she start calling the calling it the 01:13:31.000 --> 01:13:34.590 Indian because there is a parable. to Cinderella. 01:13:34.829 --> 01:13:38.729 Like he says, the director says that it is a 01:13:38.729 --> 01:13:41.770 Cinderella parallel in her prints because she 01:13:41.770 --> 01:13:44.710 has a beautiful speech about her prints and it'll 01:13:44.710 --> 01:13:48.670 be a banker and it'll be boring. But that the 01:13:48.670 --> 01:13:55.149 alien is her prince. Wow. I miss that. That was 01:13:55.149 --> 01:13:58.010 it. It's obscure. It's obscure. I wouldn't look 01:13:58.010 --> 01:14:03.369 at this movie like Cinderella. Kids, kids. Get 01:14:03.369 --> 01:14:08.029 in here. What are you two, eight, twelve guys? 01:14:08.470 --> 01:14:11.069 Liquid's got kids. No, I wouldn't do that. But 01:14:11.069 --> 01:14:14.550 like, it's a family movie. Not a family movie. 01:14:14.710 --> 01:14:20.270 Hashtag not a family movie. It'll create hard 01:14:20.270 --> 01:14:22.890 discussion. It will. It will. They will be asking 01:14:22.890 --> 01:14:25.470 you questions you will not answer. You will be 01:14:25.470 --> 01:14:27.909 very uncomfortable with. You know, this is where, 01:14:27.909 --> 01:14:32.569 you know, they invade her space for the the the 01:14:32.569 --> 01:14:36.029 photo shoot. Yeah. Adrian has come home with 01:14:36.029 --> 01:14:40.689 a raw chicken just prior and they're, they're, 01:14:40.770 --> 01:14:43.970 they're doing stuff with it. I don't know what 01:14:43.970 --> 01:14:46.489 was going on because they didn't have those rotisserie 01:14:46.489 --> 01:14:49.050 chickens in 1982. It was a raw chicken. There 01:14:49.050 --> 01:14:52.350 was no, my note is raw chicken hand onto bottle. 01:14:52.630 --> 01:14:55.510 Yeah. And then how long did the opiate speech 01:14:55.510 --> 01:14:58.350 take? But they get all these people who invade 01:14:58.350 --> 01:15:02.800 and there's a journalist Who I find really interesting 01:15:02.800 --> 01:15:06.199 legs. Yeah, and this character who's prodding 01:15:06.199 --> 01:15:08.439 it and Margaret again another like beat down 01:15:08.439 --> 01:15:13.260 of her Well, she she says to and she's Adrian's 01:15:13.260 --> 01:15:15.880 Margaret's girlfriend, right? So she said and 01:15:15.880 --> 01:15:17.760 she says her she's got longer legs than you. 01:15:17.779 --> 01:15:22.220 Yeah, she's this girl is Physically and mentally 01:15:22.220 --> 01:15:26.920 abused from the get -go from jump. Yeah from 01:15:26.920 --> 01:15:33.380 Jump Street from 23 Is there a 23 now? Yeah, 01:15:33.479 --> 01:15:37.159 but maybe I was in the works. I liked those movies. 01:15:37.500 --> 01:15:41.180 Okay, I mean, the photo shoot looks insane. cocaine 01:15:41.180 --> 01:15:45.699 everywhere. And yeah, and the they start talking 01:15:45.699 --> 01:15:48.699 about this narrative about like, they're both 01:15:48.699 --> 01:15:53.460 Miss America, but Jimmy's more and Jim the acting 01:15:53.460 --> 01:15:56.479 and Carlisle's acting as Jimmy and in this Jimmy 01:15:56.479 --> 01:15:59.130 in the scene. And a lot of these scenes are long, 01:15:59.229 --> 01:16:01.050 like we're skipping a lot of a lot of detail 01:16:01.050 --> 01:16:03.729 and probably for your best interest. But there's 01:16:03.729 --> 01:16:06.930 a lot of weird shots and a lot of disturbing 01:16:06.930 --> 01:16:10.109 music. And it's just fucking weird. And there's 01:16:10.109 --> 01:16:12.329 a bunch of other models as well. Yeah. Yeah. 01:16:12.329 --> 01:16:14.369 And they're all doing this, which he does those 01:16:14.369 --> 01:16:17.149 fucking dances like with the

duck wings. Yeah. 01:16:17.710 --> 01:16:21.810 Yeah. In the opening with the first like what 01:16:21.810 --> 01:16:23.649 in the first few minutes of the movie, she's 01:16:23.649 --> 01:16:26.590 on a date with Jimmy or whatever in her apartment. 01:16:26.590 --> 01:16:29.859 She's just That's what you did. I had a date 01:16:29.859 --> 01:16:32.340 in her apartment. But that's all you had. You 01:16:32.340 --> 01:16:37.399 had no TV. 35 years pre -Netflix. This was how 01:16:37.399 --> 01:16:39.279 they Netflix and chill back in 82. Check out 01:16:39.279 --> 01:16:42.279 my swatch collection and look at my heroine and 01:16:42.279 --> 01:16:44.079 look, let's get our hair higher. You know what 01:16:44.079 --> 01:16:46.659 I mean? Fucking crazy. You know what we never 01:16:46.659 --> 01:16:50.800 saw in this whole movie or did we? Hairspray. 01:16:50.939 --> 01:16:54.079 What do you mean? Did we see them using hairspray? 01:16:54.420 --> 01:16:57.779 Because all their hair was all... Really? And 01:16:57.779 --> 01:17:01.000 a lot was going on. Do we ever see them use any 01:17:01.000 --> 01:17:04.659 Aquanet? Probably. I don't remember seeing it. 01:17:04.800 --> 01:17:07.939 I think from a technical standpoint, they used 01:17:07.939 --> 01:17:10.359 that apartment really well. And there was really 01:17:10.359 --> 01:17:13.439 clever scenes where the camera was outside of 01:17:13.439 --> 01:17:15.239 the place the whole time. And they zoom in or 01:17:15.239 --> 01:17:19.340 either zoom out. In this party, this party atmosphere 01:17:19.340 --> 01:17:21.560 of the photo shoot is wild. And there's just. 01:17:22.239 --> 01:17:25.060 Lookers and hangers -on and people making comments 01:17:25.060 --> 01:17:27.260 and quite frankly. It's fucking brutal It sounds 01:17:27.260 --> 01:17:29.720 awful, and I'm sure it's reflective of what it's 01:17:29.720 --> 01:17:32.579 really like yeah, and then it ends up with this 01:17:32.579 --> 01:17:35.720 escalation of them like yeah, we're gonna one 01:17:35.720 --> 01:17:37.819 -up it and then you're gonna end up fucking each 01:17:37.819 --> 01:17:43.779 other and then again and then Adrian is like 01:17:43.779 --> 01:17:48.319 you don't have the guts to do it in it it Pardon 01:17:48.319 --> 01:17:52.489 it, but it climaxes in this half moon circle 01:17:52.489 --> 01:17:55.250 of people around them and making her go down 01:17:55.250 --> 01:17:57.930 on him. So and he keeps saying, Jimmy's like, 01:17:58.109 --> 01:18:03.289 Nope, no, no, don't wanna. And it's really a 01:18:03.289 --> 01:18:05.529 really surrealistic moment. You know, they put 01:18:05.529 --> 01:18:07.670 a mirror up in front of him and it's, you know, 01:18:07.670 --> 01:18:10.710 it's probably I can't articulate. You know, she 01:18:10.710 --> 01:18:14.250 even gets raped in her male form. There you go. 01:18:14.310 --> 01:18:17.100 You did it. You made us classier than what In 01:18:17.100 --> 01:18:19.439 what movie? That's such a hard thing to watch. 01:18:19.500 --> 01:18:22.100 In what movie in this planet does the actor play 01:18:22.100 --> 01:18:26.039 both the guy and the girl being forced to go 01:18:26.039 --> 01:18:28.619 down and somebody else? No, she's not forced. 01:18:28.720 --> 01:18:32.020 He's forced to receive it. Receive it. Thank 01:18:32.020 --> 01:18:33.939 you. You're a beautiful boy or a beautiful boy. 01:18:34.100 --> 01:18:36.979 Yeah. The whole crowd, it's like a whole. And 01:18:36.979 --> 01:18:40.239 Margaret doesn't have power in this because she's, 01:18:40.319 --> 01:18:43.539 you know, I mean, it's unbelievable. Yeah, she's 01:18:43.539 --> 01:18:45.399 a dishrag pretty much through this whole thing. 01:18:45.560 --> 01:18:51.840 It's so insane. And then. You know, maybe at 01:18:51.840 --> 01:18:54.279 that point, there's been so many drugs and then 01:18:54.279 --> 01:18:56.479 he died. Jimmy disappears. Yeah. And they're 01:18:56.479 --> 01:18:59.819 all like, that's weird. Well, they. I mean, they 01:18:59.819 --> 01:19:03.920 react. It graduates from the crystal in the back 01:19:03.920 --> 01:19:06.180 of the head to them just disappearing. Yeah, 01:19:06.180 --> 01:19:10.399 because they do that when she asked them to get 01:19:10.399 --> 01:19:12.920 rid of the body. Yeah, she doesn't even know. 01:19:12.939 --> 01:19:15.729 She didn't even see the. UFO, she's staring at 01:19:15.729 --> 01:19:18.810 the Empire State Building. And she's like, you 01:19:18.810 --> 01:19:22.109 did it for me. When it first makes that body 01:19:22.109 --> 01:19:25.850 disappear. Yeah, yeah. Yeah. So they don't they 01:19:25.850 --> 01:19:28.270 do the crystal on the first two bodies. I was 01:19:28.270 --> 01:19:30.270 kind of enthralled with the crystal. Yeah, the 01:19:30.270 --> 01:19:32.390 crystal thing. I was like trying to figure it 01:19:32.390 --> 01:19:35.970 out. Anyway. And then now the bodies just disappear 01:19:35.970 --> 01:19:38.069 as soon as they have orgasm. It's like, yeah. 01:19:39.109 --> 01:19:43.829 And when in the finest 1982 effects you can get. 01:19:44.189 --> 01:19:47.970 Well, you know, a lot goes to makeup and a lot 01:19:47.970 --> 01:19:51.590 goes to set design. And I'm enthralled with the 01:19:51.590 --> 01:19:53.350 makeup and the look of this movie. You know, 01:19:53.430 --> 01:19:56.189 I would do like a themed Halloween party this 01:19:56.189 --> 01:19:59.210 year and like, if you're not dressed as liquid 01:19:59.210 --> 01:20:01.609 sky, you're the fuck out of my house. Goodbye. 01:20:02.109 --> 01:20:04.810 Goodbye. And you know, you need to run a space. 01:20:05.090 --> 01:20:07.390 You can be a paper plate as the flying saucer. 01:20:07.449 --> 01:20:09.899 I don't give a fuck. With a little bottle. Who 01:20:09.899 --> 01:20:12.880 would you be? Who would you be at the Halloween 01:20:12.880 --> 01:20:16.640 party? Oh, who would I? Who's your favorite character? 01:20:19.119 -->

01:20:21.760 Yeah, this is tough. I may have to answer later. 01:20:22.279 --> 01:20:24.819 You can't be any of the guys because they're 01:20:24.819 --> 01:20:28.579 all moving. They're all awful. Little takeaway 01:20:28.579 --> 01:20:32.319 for everybody there. The the idea that Adrian 01:20:32.319 --> 01:20:35.600 is so defiant in this and she, you know, a lot 01:20:35.600 --> 01:20:37.600 of it she plays second fiddle, I guess, you know, 01:20:37.640 --> 01:20:40.640 like Her music career, sorry, I didn't mean to 01:20:40.640 --> 01:20:43.479 laugh. It isn't taken off. You know, her heartbeat, 01:20:43.479 --> 01:20:46.159 you know, in the box thing is super clever, but 01:20:46.159 --> 01:20:48.520 it's not catchy. And that is a stretch calling 01:20:48.520 --> 01:20:55.680 it music. That's me. I, you know, what would 01:20:55.680 --> 01:20:59.199 Mozart say? What would what would Beethoven say? 01:20:59.199 --> 01:21:01.439 I'm ashamed. You're a musician. Your mind is 01:21:01.439 --> 01:21:05.539 open. You can put a sick bass riff to any fucking 01:21:05.539 --> 01:21:13.779 thing. In my opinion. Anything. Well, you're 01:21:13.779 --> 01:21:16.859 a go. You're a go. I can do a bass riff to the 01:21:16.859 --> 01:21:20.180 to the rhythm in the background. Yes. But not 01:21:20.180 --> 01:21:23.640 what the shit she's doing over time. So finally, 01:21:23.880 --> 01:21:27.180 this thing comes to a fever pitch when Adrian. 01:21:28.699 --> 01:21:34.939 You know, she she's defiant in the face of. Improbable 01:21:34.939 --> 01:21:38.640 death. improbable nothingness of being. Yeah. 01:21:39.579 --> 01:21:42.340 And whether they whip up about three hundred 01:21:42.340 --> 01:21:45.699 dollars, she says, to have sex with Margaret 01:21:45.699 --> 01:21:48.439 in front of everybody forcibly again. Yeah, this 01:21:48.439 --> 01:21:51.220 is the so there was the photo shoot earlier. 01:21:51.300 --> 01:21:53.779 Now, this is the party on the roof. We're getting 01:21:53.779 --> 01:21:56.130 towards the. Yeah. Right. Where they where they 01:21:56.130 --> 01:21:57.729 all get together and are having this party on 01:21:57.729 --> 01:21:59.810 the roof. And they feel like all of that is just 01:21:59.810 --> 01:22:01.909 extended. I don't know if they ever. Yeah, there 01:22:01.909 --> 01:22:04.770 was. Yeah, there was. Oh, was it? They did name 01:22:04.770 --> 01:22:07.350 them two different things. Yeah. So one was a 01:22:07.350 --> 01:22:10.109 photo shoot and then the other one was like later. 01:22:10.270 --> 01:22:12.569 Let's let's go over to Margaret's room. And in 01:22:12.569 --> 01:22:15.670 between you have this great stuff with Johan 01:22:15.670 --> 01:22:19.789 and his lady just icing out a nice lady. Johan 01:22:19.789 --> 01:22:23.199 Sebastian Bach. That's as German as in a as it 01:22:23.199 --> 01:22:25.260 gets. I'm trying to remember his name. I keep 01:22:25.260 --> 01:22:28.279 wanting to call him Klaus. Is that from? Is that 01:22:28.279 --> 01:22:31.359 from? That's from the 80s. I don't even know 01:22:31.359 --> 01:22:34.699 what Klaus the singer of the Scorpions. No. OK, 01:22:34.760 --> 01:22:38.340 but what about what about Bruce Willis's nemesis 01:22:38.340 --> 01:22:44.640 in the first Die Hard? What was his name? Wasn't 01:22:44.640 --> 01:22:50.739 it Klaus? Right Hans Gruber odds fuck what is 01:22:50.739 --> 01:22:55.600 happening? Now we have to end the show You've 01:22:55.600 --> 01:22:58.800 done did it now boy. I feel like an idiot God, 01:22:59.619 --> 01:23:02.720 I don't know Hans. I can hear him saying it ha 01:23:02.720 --> 01:23:09.890 and this is upsetting. I'm sorry Oh, finally. 01:23:10.449 --> 01:23:13.430 All right. I'm so sorry that anybody had to go 01:23:13.430 --> 01:23:16.909 through a debacle. All right. So Klaus with the 01:23:16.909 --> 01:23:21.010 scorpions. I'm Klaus with the scorpions. It's 01:23:21.010 --> 01:23:23.909 more fun because it's you on. And everybody's 01:23:23.909 --> 01:23:25.989 like, I wouldn't pay. I don't think it's worth 01:23:25.989 --> 01:23:28.569 seeing you guys have sex for three hundred dollars. 01:23:28.649 --> 01:23:31.850 And she gets so mad. And then the most. When 01:23:31.850 --> 01:23:35.560 is she happy? To name me one time Adrian's happy 01:23:35.560 --> 01:23:38.140 that the scene in the diner where she fancies 01:23:38.140 --> 01:23:40.960 leaving, you know, like she's she's going to 01:23:40.960 --> 01:23:44.020 Berlin, baby Just in a moment. How ironic so 01:23:44.020 --> 01:23:46.699 close. How's that in the righty? We're we're 01:23:46.699 --> 01:23:53.319 Klaus flies in from Berlin or John Johan And 01:23:53.319 --> 01:23:56.300 then she's do I have to turn this podcast around 01:23:56.300 --> 01:23:58.279 she's wanting to so I have to pull this podcast 01:23:58.279 --> 01:24:04.739 over Turn around. It's his fault because his 01:24:04.739 --> 01:24:09.619 being you, brown eyed girl. Victim shaming. That's 01:24:09.619 --> 01:24:11.600 terrible. No, we pregame too long before this 01:24:11.600 --> 01:24:14.880 podcast. Cheers. I'm too tipsy to make any sense. 01:24:14.960 --> 01:24:17.899 I love it. I'm sorry. You know what? That's why 01:24:17.899 --> 01:24:22.819 we love you. That's why we listen. Hans and Franz 01:24:22.819 --> 01:24:27.020 get to pump you up. And Adrienne does some pumping 01:24:27.020 --> 01:24:31.609 of her own and she literally... you know, comes 01:24:31.609 --> 01:24:35.069 to climax and disappears in front of these people. 01:24:35.329 --> 01:24:37.390 Right. Even though she tells her she's going 01:24:37.390 --> 01:24:40.130 to die. I am not going to die. Yeah, we're going 01:24:40.130 --> 01:24:43.289 to die. She says. Yeah. And again, it's there's 01:24:43.289 --> 01:24:46.409 a lot of you can't kill me. Yeah, I don't know. 01:24:46.510 --> 01:24:49.449 Like she's mesmerizing. That actress is so good 01:24:49.449 --> 01:24:51.970 in this. And it's

just singularly unique. Who 01:24:51.970 --> 01:24:54.329 else could have done this? She's so it's her. 01:24:54.449 --> 01:24:57.670 It's her intense. And the behind the scenes stuff 01:24:57.670 --> 01:25:00.680 and the practices. Oh, really? Just as bonkers. 01:25:00.960 --> 01:25:02.600 Like, she's in it. You got to see the rehearsals? 01:25:02.600 --> 01:25:04.899 There's rehearsals and outtake and, like, the 01:25:04.899 --> 01:25:06.819 dancing. There's... Oh, I would love to see it. 01:25:06.979 --> 01:25:08.520 All right, buy the Blu -ray, everyone. It's, 01:25:08.520 --> 01:25:10.180 like, full commitment. That's what I... Liquid 01:25:10.180 --> 01:25:13.840 Sky Blu -ray. On the show, you know, I love that, 01:25:13.840 --> 01:25:16.020 like, full commitment. If you're gonna do it, 01:25:16.239 --> 01:25:18.399 you know, and... Right. to know that they just 01:25:18.399 --> 01:25:20.619 got shots when they could. And you know, that 01:25:20.619 --> 01:25:23.020 was her last movie, too. Yeah. After that, she 01:25:23.020 --> 01:25:26.460 was like, OK, I can't go there anymore. I'm going 01:25:26.460 --> 01:25:28.979 to go be a mom. What do you do? Yeah. What do 01:25:28.979 --> 01:25:31.619 you do after this? Yeah. You were that aggressive 01:25:31.619 --> 01:25:34.939 scissoring lady in that one movie. I didn't care 01:25:34.939 --> 01:25:38.180 for that. So terrible. Yeah. How do you how do 01:25:38.180 --> 01:25:40.979 you go to the PTA meetings with somebody walks 01:25:40.979 --> 01:25:44.119 in with liquid sky points at her? That scissoring 01:25:44.119 --> 01:25:46.640 made me upset. That was aggressive, and I didn't 01:25:46.640 --> 01:25:50.859 like it. Abrasive. It looked abrasive. It felt 01:25:50.859 --> 01:25:55.079 bad. When you sat on that dead man's face and 01:25:55.079 --> 01:25:57.600 started rolling, pumping back and forth. And 01:25:57.600 --> 01:26:00.100 now, if you took from like this moment forward 01:26:00.100 --> 01:26:03.079 to the end of the movie, if you wanted to like 01:26:03.079 --> 01:26:06.859 really let your drugs kick in, no. OK, sorry. 01:26:07.319 --> 01:26:12.869 Because when Anne Carlyle begins this... journey 01:26:12.869 --> 01:26:15.529 towards the end of the movie in ultimate bliss. 01:26:15.529 --> 01:26:22.029 That would be Margaret. She starts to do the 01:26:22.029 --> 01:26:24.729 face painting, the dark face painting gag, I 01:26:24.729 --> 01:26:27.170 would call it. Oh, with the dark light on. She 01:26:27.170 --> 01:26:29.710 begins this very long monologue. That was fucking 01:26:29.710 --> 01:26:32.770 crazy, though, because it's live. It's like no 01:26:32.770 --> 01:26:35.010 effects. They're really doing the dark light 01:26:35.010 --> 01:26:38.310 and putting on that makeup. Super fucking cool. 01:26:38.590 --> 01:26:40.810 Yeah, it was not. And she has the story about 01:26:40.810 --> 01:26:43.369 and she's going to meet her. Everybody's right. 01:26:43.510 --> 01:26:45.770 Yeah. Meeting her prince. And now she knows that 01:26:45.770 --> 01:26:49.130 she has this ability and about meeting her. So 01:26:49.130 --> 01:26:53.789 the alien is her prince and he'll get me jobs. 01:26:54.250 --> 01:26:58.270 And then and you need to be nice. That's a big 01:26:58.270 --> 01:26:59.869 takeaway. I wrote it down a bunch. She's like, 01:26:59.989 --> 01:27:03.689 be nice, be nice. Right. And it's it's really. 01:27:04.490 --> 01:27:07.069 Amazing. And she does this black light makeup 01:27:07.069 --> 01:27:09.729 thing. Yeah. And then you get to see it in full 01:27:09.729 --> 01:27:13.810 light as they go out to hit the clubs. Is that 01:27:13.810 --> 01:27:16.229 what you do after everybody dies? You hit the 01:27:16.229 --> 01:27:22.229 clubs. Does she? Well, where's the the dancing 01:27:22.229 --> 01:27:25.829 with the strobe light dancing on the roof? That's 01:27:25.829 --> 01:27:27.949 the final. That's the idea. That's it. But before 01:27:27.949 --> 01:27:29.829 that, before that, she goes, she goes back to 01:27:29.829 --> 01:27:32.909 the club because there's nobody left. Yeah. Well, 01:27:32.909 --> 01:27:34.930 she puts on the makeup she's by herself, but 01:27:34.930 --> 01:27:37.050 like cuz everybody's dead well like at least 01:27:37.050 --> 01:27:39.369 her friends I mean like the people who are her 01:27:39.369 --> 01:27:41.890 down are her rapists are dead She went down to 01:27:41.890 --> 01:27:44.029 the downstairs club, and then they went like 01:27:44.029 --> 01:27:47.250 further clubbing yeah, but everybody that raped 01:27:47.250 --> 01:27:50.930 her died Everybody but she I just I just realized 01:27:50.930 --> 01:27:54.939 that but now she goes intentionally And as they 01:27:54.939 --> 01:27:57.220 go clubbing, she finds the coke guy from the 01:27:57.220 --> 01:28:00.039 beginning. Because she says, this sea can kill. 01:28:00.039 --> 01:28:01.819 And she says, we're going for it, and I'm going 01:28:01.819 --> 01:28:04.600 to give you the ride of your life. And he disappears 01:28:04.600 --> 01:28:08.810 into Deadsville. She so that's where slow down. 01:28:08.810 --> 01:28:11.010 You're too good, baby. That's the official murder. 01:28:11.109 --> 01:28:13.390 Yeah. Yeah. Like you said, it's beginning to 01:28:13.390 --> 01:28:16.590 be the fuck of your life. And he's like, all 01:28:16.590 --> 01:28:19.310 right. OK, so that officially shows intent. We 01:28:19.310 --> 01:28:22.689 do have all the elements of murder now. Oh, that's 01:28:22.689 --> 01:28:26.149 dope. Yeah, they're all in place. Yeah. And and 01:28:26.149 --> 01:28:29.949 you know, that sad realization when, you know, 01:28:29.989 --> 01:28:32.289 she's still, I think, having rational thought 01:28:32.289 --> 01:28:36.130 and I forget who she's talking to. But when she 01:28:36.130 --> 01:28:38.250 realizes who asked her like, Did you ever have 01:28:38.250 --> 01:28:42.310 an orgasm? And she's like, Oh, no. That's why

01:28:42.310 --> 01:28:44.729 because she's like, I'm not. I didn't disappear. 01:28:45.010 --> 01:28:47.609 Yeah. Now, would she have disappeared? Because 01:28:47.609 --> 01:28:51.350 what ultimately I believe unites her with the 01:28:51.350 --> 01:28:54.289 ship may be the heroin she takes. And that is 01:28:54.289 --> 01:28:57.409 what precipitates that that the interpretation 01:28:57.409 --> 01:29:00.670 of the ending. I mean, we don't have another 01:29:00.670 --> 01:29:04.550 show. Yeah. Or I just have Does the director 01:29:04.550 --> 01:29:08.649 say it in the extras? Well, I mean, it cheap, 01:29:08.789 --> 01:29:11.470 you know, like she goes with the alien with her 01:29:11.470 --> 01:29:13.630 prints, like she rides off into the sunset. That's 01:29:13.630 --> 01:29:15.689 them riding off into the sunset together. So 01:29:15.689 --> 01:29:19.069 the fucking strobe dance and then her disappearing. 01:29:19.310 --> 01:29:22.210 And bam, like you could interpret it as she dies 01:29:22.210 --> 01:29:26.250 of heroin. Or I interpreted it. This is going 01:29:26.250 --> 01:29:30.539 to sound crazy, but she did have. She was so 01:29:30.539 --> 01:29:34.420 infatuated with her fantasy of her prince and 01:29:34.420 --> 01:29:37.100 then she's all high on the heroin and then she's 01:29:37.100 --> 01:29:39.439 doing this wild crazy dance with a strobe light 01:29:39.439 --> 01:29:42.680 on and she has an orgasm and then disappears 01:29:42.680 --> 01:29:46.079 like everybody else Well, yeah, I mean she that's 01:29:46.079 --> 01:29:49.380 she's what I thought which you know, Johan is 01:29:49.380 --> 01:29:52.600 saying that you know certain people like the 01:29:52.600 --> 01:29:54.680 endorphins that are released into your brain 01:29:54.680 --> 01:29:56.319 with heroin and that's the plot of I come in 01:29:56.319 --> 01:30:00.079 peace again, that's So he says it's stronger 01:30:00.079 --> 01:30:02.720 in this alien likes the endorphins that are released 01:30:02.720 --> 01:30:05.600 in your brain during orgasm stronger than heroin 01:30:05.600 --> 01:30:09.779 itself. Yeah, so it's you know, this This thing 01:30:09.779 --> 01:30:13.300 is is what it is feeding off of yeah negatively 01:30:13.300 --> 01:30:16.619 I guess yeah has never come to a climax with 01:30:16.619 --> 01:30:20.159 these encounters Who so she has not gone anywhere 01:30:20.159 --> 01:30:24.189 thus far who stabbed, Yohan? She does. She stabs 01:30:24.189 --> 01:30:27.210 him right in his back. Yeah, Johan. And what's 01:30:27.210 --> 01:30:29.489 the Cougar witnesses it through the telescope? 01:30:29.489 --> 01:30:32.750 He's had enough of these shenanigans and of her 01:30:32.750 --> 01:30:36.369 advances. She is literally naked and gyrating 01:30:36.369 --> 01:30:39.489 on his genitals. And he is like, excuse me, I 01:30:39.489 --> 01:30:43.350 have to go. And he goes across the way and he 01:30:43.350 --> 01:30:45.869 he close talks a lot and he puts his

hand on 01:30:45.869 --> 01:30:47.550 her and he's like, you need to listen to me. 01:30:47.670 --> 01:30:50.609 That's Adrian. And he's saying that to Adrian. 01:30:50.760 --> 01:30:53.380 No, he's saying it to to Margaret at the end. 01:30:53.380 --> 01:30:56.720 She calls him. OK, I'm at this. Adrian is already. 01:30:57.220 --> 01:30:59.460 Yeah, because he thinks he's a cop in the scene 01:30:59.460 --> 01:31:02.039 where he tries to warn her. Yeah. Yeah. And he's 01:31:02.039 --> 01:31:04.899 out there. He's out there in the universe, like 01:31:04.899 --> 01:31:07.359 trying to right the wrong. Yeah. And get out 01:31:07.359 --> 01:31:09.739 there in his way. He's trying to save them. But 01:31:09.739 --> 01:31:12.199 in a world that's so he's turning down probably 01:31:12.199 --> 01:31:15.899 the best sex of his life and the best shrimp 01:31:15.899 --> 01:31:18.199 of his life, because I don't know how well they 01:31:18.199 --> 01:31:24.050 do shrimp in in. in Hamburg. Heidelberg. They 01:31:24.050 --> 01:31:27.449 do in some of his best. He's from Berlin. East 01:31:27.449 --> 01:31:29.590 or West Berlin, I forget. He says it in there. 01:31:29.590 --> 01:31:31.949 Yeah, some of his best dialogue. Because the 01:31:31.949 --> 01:31:34.689 wall's still up, right? Yeah, the wall came down 01:31:34.689 --> 01:31:39.770 in 89. This is 82. So he's very specific to say 01:31:39.770 --> 01:31:41.729 he's on the good side. That's fucking interesting, 01:31:42.029 --> 01:31:44.250 man. That's fucking interesting. Yeah, yeah. 01:31:44.270 --> 01:31:48.529 Think about that. Germany is still divided by 01:31:48.529 --> 01:31:53.100 Russia. in German. Wow. It's a wild story. And 01:31:53.100 --> 01:31:55.420 you really fall in love with this director. Like 01:31:55.420 --> 01:31:58.720 he has a smile on his face and he has a movie 01:31:58.720 --> 01:32:01.159 in his heart. He's living the dream. Yeah, he's 01:32:01.159 --> 01:32:05.279 fulfilling. It was the result of a bigger deal 01:32:05.279 --> 01:32:09.039 falling apart. It's his Cinderella story. And 01:32:09.039 --> 01:32:11.720 what a way to honor his wife by saying like, 01:32:11.840 --> 01:32:14.359 hey, you know that story that you have about 01:32:14.359 --> 01:32:17.760 this woman in this hypothetical future who can't 01:32:17.760 --> 01:32:21.270 reach orgasm? What if, you know, this is the 01:32:21.270 --> 01:32:23.869 thing in our movie? I would be concerned as a 01:32:23.869 --> 01:32:26.229 husband that's writing his wife is writing a 01:32:26.229 --> 01:32:29.430 movie that she can't achieve orgasm. Just saying. 01:32:29.550 --> 01:32:32.529 There's more about that. That may be less incriminating 01:32:32.529 --> 01:32:34.130 than you think. And I think it had to do with 01:32:34.130 --> 01:32:36.270 a novel. It sounds pretty incriminating. Like 01:32:36.270 --> 01:32:39.090 a novel. But like he he seems pretty secure. 01:32:40.170 --> 01:32:44.850 Excuses. Yeah, but the German

he Johann runs 01:32:44.850 --> 01:32:47.630 over and he's trying to explain that to like. 01:32:47.960 --> 01:32:51.140 You're in danger. Like this is the this is what's 01:32:51.140 --> 01:32:53.840 going on with you. And you need done. And she's 01:32:53.840 --> 01:32:57.439 unhinged at this point. She's unhinged. And she 01:32:57.439 --> 01:33:02.199 wants to be one with this thing. Yeah. And she's 01:33:02.199 --> 01:33:04.279 this show. This is fucking nuts. And this may 01:33:04.279 --> 01:33:08.699 be a challenge in the movie. But like when she 01:33:08.699 --> 01:33:11.399 stabs him, it's almost like haphazardly like 01:33:11.399 --> 01:33:14.550 it was like. A weird slow motion. You know what 01:33:14.550 --> 01:33:18.750 it reminded me of? What? The stabbing in El Machia. 01:33:19.010 --> 01:33:21.270 No, how do you say it? Ex Machina. Oh, you know 01:33:21.270 --> 01:33:23.369 what? That's interesting. How it just real slowly 01:33:23.369 --> 01:33:26.109 slid right in like it was like it was hot butter. 01:33:26.289 --> 01:33:28.909 That's interesting. It was the same way. And 01:33:28.909 --> 01:33:31.770 it was very, yeah, it was very non -aggressive. 01:33:31.890 --> 01:33:34.770 Like you got to just be out of my way because 01:33:34.770 --> 01:33:38.090 I've just done a load full, a butt full of heroin. 01:33:39.360 --> 01:33:41.760 because that is the only other. That's your new 01:33:41.760 --> 01:33:45.380 punk band. Explain full of hair. I guess I'll 01:33:45.380 --> 01:33:47.340 check out the episode of the mule, everybody. 01:33:47.439 --> 01:33:49.619 That's a great one. If you like your butt full 01:33:49.619 --> 01:33:53.859 of anything. I'm on board. You know, I'm on record. 01:33:54.000 --> 01:33:55.439 That's why your eyes are brown. You need to you 01:33:55.439 --> 01:33:57.439 need to you know, you need to have fun with your 01:33:57.439 --> 01:34:01.039 life. Wow. I think. And that includes butt. Yes. 01:34:01.720 --> 01:34:10.640 And. Stinky hairy butt. You get it. And then 01:34:10.640 --> 01:34:16.460 if you don't. Yeah. Well, so we we do have a 01:34:16.460 --> 01:34:21.359 wonderful, I guess, I don't know, a a coming 01:34:21.359 --> 01:34:23.899 together of two ladies who, if you take the story 01:34:23.899 --> 01:34:26.979 a little further, do forge quite a relationship 01:34:26.979 --> 01:34:32.920 because you have Sylvia from across the way in 01:34:32.920 --> 01:34:35.680 her night clothes and loaded. and like loaded 01:34:35.680 --> 01:34:38.340 on liquor right now and a naked underneath. And 01:34:38.340 --> 01:34:46.060 then Paul's soon to be bereaving ex -wife, there's 01:34:46.060 --> 01:34:48.800 nobody widow is going to be like, he's gone. 01:34:48.939 --> 01:34:51.439 Good luck. Well, he she would collect insurance 01:34:51.439 --> 01:34:54.640 on him, newly freed, whatever her name is. Yeah. 01:34:54.640 --> 01:34:56.479 And thank you for putting on that fashion show. 01:34:56.760 --> 01:35:00.220 They hilariously arrive at this building together 01:35:00.220 --> 01:35:05.269 and they're like, I love the awkwardness of She 01:35:05.269 --> 01:35:07.909 Sylvia gets there slightly ahead. Yeah, I'm sorry. 01:35:07.970 --> 01:35:10.109 I'm going into detail, but forgive me No, I love 01:35:10.109 --> 01:35:12.390 that she gets there right ahead and she's like 01:35:12.390 --> 01:35:15.069 up up and there's urgency because she's literally 01:35:15.069 --> 01:35:18.350 just seen a man stabbed Probably did her her 01:35:18.350 --> 01:35:21.189 prince her hurt. Yeah, and she is really horny 01:35:21.189 --> 01:35:25.050 and drunk. Yeah, and this other bitch shows up 01:35:25.050 --> 01:35:27.869 and She's gonna tell her what's what because 01:35:27.869 --> 01:35:30.350 she says this what she does say I'm sorry. Excuse 01:35:30.350 --> 01:35:33.329 me. I'm in a big rush I need to get it. I don't 01:35:33.329 --> 01:35:35.670 give a shit what floor you're going to. Don't 01:35:35.670 --> 01:35:39.170 you? We're not stopping. And then she's like, 01:35:39.189 --> 01:35:41.449 that's where I'm going to. And kindly like after 01:35:41.449 --> 01:35:44.750 you. Yeah. Because she's looking for Adrian, 01:35:45.250 --> 01:35:49.149 because Adrian apparently is the bane of the 01:35:49.149 --> 01:35:51.270 existence is she's looking for her husband. Yeah. 01:35:52.130 --> 01:35:54.970 And so she's like, I'm looking for Adrian in 01:35:54.970 --> 01:35:57.270 the penthouse. So he's like, who the hell is 01:35:57.270 --> 01:36:01.970 that? And explains zero things. Yeah, I'm just 01:36:01.970 --> 01:36:04.729 going. Isn't that fascinating? Well, she doesn't 01:36:04.729 --> 01:36:09.670 know anybody's names and. She didn't see aid. 01:36:09.689 --> 01:36:12.229 Well, I mean, she wouldn't know that, you know, 01:36:12.310 --> 01:36:14.689 maybe Margaret could be Adrian for all she knows 01:36:14.689 --> 01:36:18.409 that stabbed her or stabbed her guy that she's 01:36:18.409 --> 01:36:21.069 trying to go save right now or get a point or 01:36:21.069 --> 01:36:23.829 she's trying to do a clerks with with her guy 01:36:23.829 --> 01:36:26.149 before it's too late. But as this is happening, 01:36:26.310 --> 01:36:29.409 Margaret is that do I need to back up? The clerks 01:36:29.409 --> 01:36:31.350 thing. She's trying to do a clerks where. Yeah. 01:36:32.289 --> 01:36:34.310 And she says the best sex she ever had. I remember 01:36:34.310 --> 01:36:36.550 that whole scene. Yeah. The dead guy. Yeah. Yeah. 01:36:36.550 --> 01:36:40.489 OK. You. I guess I didn't feel any acknowledgement 01:36:40.489 --> 01:36:44.609 from you, so I just felt I what would have been. 01:36:44.609 --> 01:36:50.270 Do you appreciate me? I'm going to offline show 01:36:50.270 --> 01:36:55.149 you how to use AI and use this podcast as an 01:36:55.149 --> 01:36:58.010 indicator of how much I appreciate you. Oh, nice. 01:36:59.500 --> 01:37:02.060 It's well documented. Give me

the drum. New York 01:37:02.060 --> 01:37:05.380 ate them. That's why. Anyway. You do love me. 01:37:06.520 --> 01:37:12.319 So. She is taking a whole buttload, as we just 01:37:12.319 --> 01:37:16.180 talked about, of heroin, which admittedly probably 01:37:16.180 --> 01:37:18.859 feels great, but has put her in this kind of 01:37:18.859 --> 01:37:21.680 meditative trance to sort of dance. What happens 01:37:21.680 --> 01:37:24.460 when she's calling to this ship like, come out 01:37:24.460 --> 01:37:28.760 now. He's gone. I don't care anymore. And she 01:37:28.760 --> 01:37:34.619 is just completely and disappears. Now, these 01:37:34.619 --> 01:37:37.840 two ladies witness all of this. Your thoughts? 01:37:38.819 --> 01:37:40.779 I'm kind of stuck on the butt full of heroin. 01:37:41.659 --> 01:37:44.180 Because then you talked about sex. What if they 01:37:44.180 --> 01:37:46.859 do it? They do it both. It's a lot. But like, 01:37:46.859 --> 01:37:49.180 go back to the mule. What if what if the guy 01:37:49.180 --> 01:37:51.960 he's got a buttload of heroin and then he gets 01:37:51.960 --> 01:37:55.979 instead of Margaret, it's Jimmy that gets. gets 01:37:55.979 --> 01:37:58.880 the advances from the guy in the race. So what 01:37:58.880 --> 01:38:03.380 happens when you have a buttload of heroin and 01:38:03.380 --> 01:38:06.420 the sex at the same time? I mean, where does 01:38:06.420 --> 01:38:11.819 that go? You know, if I'm being honest. Because 01:38:11.819 --> 01:38:16.380 it breaks open inside you. It's bad, dude. You 01:38:16.380 --> 01:38:22.500 die. If we need if we need to Sally into the 01:38:22.500 --> 01:38:25.260 minutiae she shoots up a whole lot of heroin 01:38:25.260 --> 01:38:28.840 into her arm Yes, and she's ostensibly trying 01:38:28.840 --> 01:38:31.180 to release whatever chemical in the brain is 01:38:31.180 --> 01:38:34.500 attracting. Okay, because she can't see when 01:38:34.500 --> 01:38:36.039 you word it that way I don't get stuck in the 01:38:36.039 --> 01:38:38.239 butt so good we can move forward. That's you 01:38:38.239 --> 01:38:41.579 know what she she okay I will bear with you. 01:38:41.579 --> 01:38:44.659 She should have put it up her ass and we should 01:38:44.659 --> 01:38:47.619 have seen the graphic detail needle, but we didn't 01:38:47.340 --> 01:38:49.819 At least a needle in the butt. We should have 01:38:49.819 --> 01:38:52.279 seen more but you see her butt in this movie 01:38:52.279 --> 01:38:56.439 And she becomes one of the ship these two ladies 01:38:56.439 --> 01:38:59.680 witness it and they're just like, huh, and we 01:38:59.680 --> 01:39:02.460 don't really comes she just disappears Yeah, 01:39:02.460 --> 01:39:04.819 but your interpretation then the ship starts 01:39:04.819 --> 01:39:10.279 to rise and then it flies away So Star Trek beat 01:39:10.279 --> 01:39:14.979 me up it's it's erection, you know, that's rising 01:39:15.909 --> 01:39:19.369 It's I sirection sci -fi erection. So

I have 01:39:19.369 --> 01:39:23.710 a saucer size spaceship flying away. It's generally 01:39:23.710 --> 01:39:29.329 generally phallic, maybe Empire State Building 01:39:29.329 --> 01:39:33.170 is I'm sorry, which is I apologize for it Empire 01:39:33.170 --> 01:39:35.329 State Building overlooks this whole scene and 01:39:35.329 --> 01:39:39.090 she cries out to it like it's a idol. It's really 01:39:39.090 --> 01:39:43.409 a Right early on. Yeah, and it was in it's lit 01:39:43.409 --> 01:39:46.739 up at night. Yeah And there are some sad scenes, 01:39:47.060 --> 01:39:49.880 but there's some very clear shots of the towers 01:39:49.880 --> 01:39:54.060 also, which would have only been like six years 01:39:54.060 --> 01:39:56.420 old, didn't they? I think 76 is when the towers 01:39:56.420 --> 01:40:01.380 went up roughly. Right. You know what you just 01:40:01.380 --> 01:40:07.020 did? You just did alien. Right. Right. How come 01:40:07.020 --> 01:40:09.039 every time you say something, you say right? 01:40:09.220 --> 01:40:14.449 Right. I'd love to be Harry Dean Stan in this 01:40:14.449 --> 01:40:18.569 life or another one. God bless him. Shout out 01:40:18.569 --> 01:40:22.229 to the Repo Man episode. Absolutely. In a million 01:40:22.229 --> 01:40:26.689 movies that he's been in. One of his last movies 01:40:26.689 --> 01:40:29.310 was just him by himself playing this lonely old 01:40:29.310 --> 01:40:35.909 guy. You did it again! He may hold the credit 01:40:35.909 --> 01:40:39.979 for most credits in any movie. No, I thought 01:40:39.979 --> 01:40:42.319 I thought what's her name's brother did under 01:40:42.319 --> 01:40:45.640 legs. Again, the legs pretty woman. What's her 01:40:45.640 --> 01:40:49.939 face? You just leave me hanging. I know you're 01:40:49.939 --> 01:40:52.720 Julia Roberts. Thank you for helping me help 01:40:52.720 --> 01:40:58.159 you. Well, so we the movie ends rather as abruptly, 01:40:58.699 --> 01:41:01.819 I think, as it starts in a way. Yeah, it's disturbing. 01:41:02.319 --> 01:41:04.000 Yeah. And then you're going to edit right down 01:41:04.000 --> 01:41:06.760 the last line. I just realized that. Oh, I didn't 01:41:06.760 --> 01:41:09.100 either. Actually. Okay, good. Interesting. I 01:41:09.100 --> 01:41:11.359 don't feel bad. Let's maybe see if we could figure 01:41:11.359 --> 01:41:14.420 it. Okay. Well, it's the crazy music and she's 01:41:14.420 --> 01:41:16.920 doing the strobe dance. So what happens right 01:41:16.920 --> 01:41:20.020 before that? I wonder if it's like after you, 01:41:20.279 --> 01:41:24.279 you know, the two in the elevator. Because there 01:41:24.279 --> 01:41:27.439 may be no discernible lines. Did she ever see 01:41:27.439 --> 01:41:29.939 Johan? Did she ever? I don't think she ever. 01:41:30.100 --> 01:41:33.039 I assume they're like, well, fuck this guy. They're 01:41:33.039 --> 01:41:35.520 still in the elevator. All the two ladies have 01:41:35.520 --> 01:41:37.600 sex. You know, they're shrimp. And she's like, 01:41:37.600 --> 01:41:40.260 it's been a hell of a day. Perfect. They have 01:41:40.260 --> 01:41:42.399 shrimp. So, you know, I don't know. They have 01:41:42.399 --> 01:41:46.060 a shrimp orgy. Anyway, they just lay the food 01:41:46.060 --> 01:41:49.720 all over the floor and roll around. And yeah, 01:41:50.079 --> 01:41:53.520 that's what happens. One hundred percent. Well, 01:41:53.659 --> 01:41:57.079 there you go. Yeah, that's that's one take They 01:41:57.079 --> 01:42:01.060 edited they filmed it. They took it out It didn't 01:42:01.060 --> 01:42:04.000 play well with the test audiences Need to stop 01:42:04.000 --> 01:42:06.760 with just woman disappears in tiny tiny. Yeah, 01:42:06.800 --> 01:42:10.920 the angry scissoring rape was enough. I I loved 01:42:10.920 --> 01:42:13.079 this movie. I really really did I thought it 01:42:13.079 --> 01:42:17.520 was super fun and Have a couple of tidbits for 01:42:17.520 --> 01:42:20.079 you according to an interview with Ann Carlisle 01:42:20.670 --> 01:42:23.090 The movie was the most successful independent 01:42:23.090 --> 01:42:27.369 film of 1983, grossing one point seven million 01:42:27.369 --> 01:42:31.229 at the box office. No way. So they put in five 01:42:31.229 --> 01:42:34.789 hundred thousand. And so in its sense, become 01:42:34.789 --> 01:42:37.329 a bit of a cult classic, but I believe it's still 01:42:37.329 --> 01:42:41.069 a little underground. I mean, it's I had to search 01:42:41.069 --> 01:42:44.250 hard to maybe find. Well, think about that. How 01:42:44.250 --> 01:42:47.130 many movies? have we done that we love and we're 01:42:47.130 --> 01:42:49.430 like, it grossed eight thousand dollars, it grossed 01:42:49.430 --> 01:42:52.770 fourteen thousand dollars, like insane amounts, 01:42:53.869 --> 01:42:55.689 low, insanely low amounts that wouldn't even 01:42:55.689 --> 01:42:59.810 have paid for film. And then this movie, I mean, 01:42:59.829 --> 01:43:02.970 it had to be go through the film festival circuit. 01:43:04.470 --> 01:43:09.109 I believe it won a couple of small awards and 01:43:09.109 --> 01:43:11.189 then get picked up by somebody and then shown 01:43:11.189 --> 01:43:13.829 in theaters. But I thought interesting cinematography, 01:43:14.069 --> 01:43:17.359 Yuri Newman. cinematographer and special effects 01:43:17.359 --> 01:43:22.039 director. And they worked really closely with 01:43:22.039 --> 01:43:25.340 the production designer to create this cool -looking, 01:43:25.380 --> 01:43:27.899 vivid feel of the movie, although they had to 01:43:27.899 --> 01:43:30.060 use a lot of real places. But they're inspired 01:43:30.060 --> 01:43:34.520 by German Expressionism and Berthold Brecht's 01:43:34.520 --> 01:43:36.720 visually. And at the time, punk wasn't super 01:43:36.720 --> 01:43:40.369 well known. You referenced punk before. And they 01:43:40.369 --> 01:43:42.529 wanted to create and feel a look for punk. So

01:43:42.529 --> 01:43:44.430 they're credited with a lot of like, if you're 01:43:44.430 --> 01:43:47.329 an industrial music that sampler, which was used 01:43:47.329 --> 01:43:50.609 in the soundtrack or the deal, it was still kind 01:43:50.609 --> 01:43:53.149 of early. Are there different? I mean, there's 01:43:53.149 --> 01:43:56.029 different punks, right? Punk music, because if 01:43:56.029 --> 01:43:58.930 this is punk, I think Iggy Pop, you know, back 01:43:58.930 --> 01:44:01.710 in that time frame when I think of punk or maybe 01:44:01.710 --> 01:44:04.170 the early class or something like that. Like 01:44:04.170 --> 01:44:06.449 it says the film was shot to make you feel the 01:44:06.449 --> 01:44:09.140 emotions of the characters. Express through power 01:44:09.140 --> 01:44:12.039 for light colors contrast composition and movement. 01:44:12.460 --> 01:44:16.859 Okay So it is a very moving, you know, the the 01:44:16.859 --> 01:44:19.340 styles are drastic and the angles are angular 01:44:19.340 --> 01:44:23.560 and it's really You know really kind of cool 01:44:23.560 --> 01:44:26.020 like the look is a big deal of it You know, I 01:44:26.020 --> 01:44:28.079 could see kind of getting obsessed a little area 01:44:28.079 --> 01:44:30.720 of it me like I want to I want a photo of that 01:44:30.720 --> 01:44:34.140 You know a lot of neon and then to create the 01:44:34.140 --> 01:44:39.119 unusual sounds They used a digital sampling synthesizer 01:44:39.119 --> 01:44:45.359 known as the Fairlight CMI. And Brenda Hutchinson 01:44:45.359 --> 01:44:48.520 and Clive Smith were the music composers for 01:44:48.520 --> 01:44:53.180 the soundtrack. And they brought over three or 01:44:53.180 --> 01:44:55.119 four classical pieces that would be programmed 01:44:55.119 --> 01:44:58.319 into it, like a computer. And every sound was 01:44:58.319 --> 01:45:02.539 programmed in with a code. So when composing, 01:45:03.560 --> 01:45:05.720 the director would tap a rhythm or hum a melody. 01:45:06.029 --> 01:45:08.109 And they would play around with ideas on this 01:45:08.109 --> 01:45:11.489 thing. So a lot of what you hear, these sounds 01:45:11.489 --> 01:45:16.510 are just the director going. I guess because 01:45:16.510 --> 01:45:20.510 again, it's like jarring. Yeah. You know what 01:45:20.510 --> 01:45:25.289 I mean? Oh, it is. He rejected certain like asked 01:45:25.289 --> 01:45:28.069 for like retakes and some of the soundtrack because 01:45:28.069 --> 01:45:30.909 he's like, I like how it sounds flawed and strange. 01:45:32.140 --> 01:45:34.479 I said a lot of it sounds like an old arcade 01:45:34.479 --> 01:45:38.340 game. Yeah. To me. If you're wondering. So the 01:45:38.340 --> 01:45:40.840 representation of the alien is we didn't really 01:45:40.840 --> 01:45:44.260 talk much about it, but this weird, I don't know, 01:45:44.539 --> 01:45:50.560 kind of wild. What do you call it? It's a kaleidoscope 01:45:50.560 --> 01:45:53.800 kind of look with multiple colors and a lava 01:45:53.800 --> 01:45:55.640 lamp effects and things like that. I called it 01:45:55.640 --> 01:45:58.039 an energy ball. Yeah, it's like I did the same. 01:45:58.880 --> 01:46:01.760 Yeah. So materials such as wind chimes, metal, 01:46:01.800 --> 01:46:03.840 glass and wood were used to create the sounds 01:46:03.840 --> 01:46:06.840 of the alien creatures. And while composing, 01:46:07.060 --> 01:46:10.319 the composers never saw a visual of the film 01:46:10.319 --> 01:46:14.560 at all. What? No references. How do you do that? 01:46:14.859 --> 01:46:19.310 You just take what you get. Yeah. No inspiration 01:46:19.310 --> 01:46:22.689 visually, huh? And they at least saw the script, 01:46:22.710 --> 01:46:27.350 read the script, right? Yeah, I would think maybe 01:46:27.350 --> 01:46:31.670 not. Just go make up some music, dude. And in 01:46:31.670 --> 01:46:39.350 a 2014 interview with the owl, a WL Slava, Superman 01:46:39.350 --> 01:46:41.710 confirmed that he intended to make a sequel liquid 01:46:41.710 --> 01:46:45.029 sky to with Ann Carlisle returning in the role 01:46:45.029 --> 01:46:50.899 of Margaret. as a 2020 nothing. I haven't looked, 01:46:51.340 --> 01:46:55.340 but I think that's in the form gone. Well, if 01:46:55.340 --> 01:46:59.579 you haven't done it by 2020, it is 82 down. I'm 01:46:59.579 --> 01:47:04.079 down. I'm in. And one interesting note. So do 01:47:04.079 --> 01:47:09.600 you ever look at the parents guide on IMDb? I 01:47:09.600 --> 01:47:11.779 need to check to see if there's boobies. Yeah. 01:47:12.000 --> 01:47:15.760 Yeah. OK. So I'm not afraid to admit it. Under 01:47:15.760 --> 01:47:18.659 under beer and no, no, I get you. It's important, 01:47:18.659 --> 01:47:20.859 especially when you have kids. So the parents 01:47:20.859 --> 01:47:23.319 guide for this. Yeah, I was very curious what 01:47:23.319 --> 01:47:25.279 it looked like. So I read through it. Oh, I'm 01:47:25.279 --> 01:47:27.699 sure it says do not watch if you're under 18. 01:47:27.819 --> 01:47:32.840 There's a lot of alarms. I'm going to read to 01:47:32.840 --> 01:47:35.619 you the wildest thing and the parents guide on 01:47:35.619 --> 01:47:39.500 the Paris guide. Please do. Two women jokingly 01:47:39.500 --> 01:47:41.779 threatened to have sex with a rotisserie chicken. 01:47:43.580 --> 01:47:47.939 And what did I say? It was before 82 is before 01:47:47.939 --> 01:47:50.779 rotisserie, because you said it was raw. And 01:47:50.779 --> 01:47:52.579 I'm like, you don't know. I'm like, yeah, because 01:47:52.579 --> 01:47:54.640 I don't think they had rotisserie chickens. And 01:47:54.640 --> 01:47:58.520 so it had to be a raw. Yeah, I don't know what 01:47:58.520 --> 01:48:01.260 year that started coming out in the stores, but 01:48:01.260 --> 01:48:03.159 you don't normally see that little nugget on 01:48:03.159 --> 01:48:07.899 the parents. That stands out. Yeah, little. They 01:48:07.899 -->

01:48:10.479 weren't able to do the time frame of the movie, 01:48:10.579 --> 01:48:15.020 though. It's funny they called it that. So good 01:48:15.020 --> 01:48:17.939 stuff you have noticed that I haven't provided 01:48:17.939 --> 01:48:21.399 a clip maybe I Don't know I did cuz I watched 01:48:21.399 --> 01:48:23.380 you move the slide bar up and then I see you 01:48:23.380 --> 01:48:26.579 prepping your phone So well I get excited because 01:48:26.579 --> 01:48:30.439 and I didn't pick a clip so I won I nailed it 01:48:30.439 --> 01:48:31.979 cuz you didn't do a clip and then we're done 01:48:31.979 --> 01:48:36.359 with the movie. I'm going to Throw a little curveball 01:48:36.359 --> 01:48:38.920 your way. You're gonna play music. I am I'm gonna 01:48:38.920 --> 01:48:43.359 play a little bit of the soundtrack. We're just 01:48:43.359 --> 01:48:45.520 going to live with the soundtrack and I'm going 01:48:45.520 --> 01:48:48.500 to. That is brilliant because we've been trying 01:48:48.500 --> 01:48:51.619 to describe it for two hours now. Right. And 01:48:51.619 --> 01:48:54.960 it's like it's hard to even describe some of 01:48:54.960 --> 01:48:58.819 the but they're OK. I've done the hard work. 01:48:59.100 --> 01:49:00.920 I've lived the soundtrack for a little while 01:49:00.920 --> 01:49:04.079 now. There are some themes that do emerge like 01:49:04.079 --> 01:49:07.140 Margaret's apartment, a bit of a theme and like 01:49:07.140 --> 01:49:12.199 the noises. Yeah. And I reference just for my 01:49:12.199 --> 01:49:15.800 choice. I did Tom Sawyer, the mini moog. Yeah. 01:49:15.939 --> 01:49:19.960 With the 80s arcade games like Centipede and 01:49:19.960 --> 01:49:23.239 Galaga. So those two kind of things mixed together 01:49:23.239 --> 01:49:27.140 was sort of what I'm hearing, I guess. Yeah. 01:49:28.279 --> 01:49:30.659 All right. Everybody listen. It's it's it's bizarre. 01:49:30.800 --> 01:49:33.979 So what I will say about the about the soundtrack 01:49:33.979 --> 01:49:39.880 is that, excuse me, there are A couple of songs 01:49:39.880 --> 01:49:43.439 with words. Me and my rhythm box being one of 01:49:43.439 --> 01:49:46.760 them. And then wordplay. Wordplay is a really 01:49:46.760 --> 01:49:49.020 weird. Well, that was her as well. That was Adrian. 01:49:49.300 --> 01:49:52.460 Yeah, it's. But just out of context, there's 01:49:52.460 --> 01:49:56.279 some really and some really interesting stuff. 01:49:56.819 --> 01:49:59.199 So what you can do as a listener, what you can 01:49:59.199 --> 01:50:05.159 do as a treat to yourself at any time is the 01:50:05.159 --> 01:50:07.840 next gathering of people or a party you have. 01:50:08.170 --> 01:50:11.170 Play this soundtrack as loud as you possibly 01:50:11.170 --> 01:50:13.670 can, as everybody's arriving. And eat Belgian 01:50:13.670 --> 01:50:16.229 chocolate and drink red wine. And refuse to turn 01:50:16.229 --> 01:50:19.970 this soundtrack off. So I'm going to play a little

01:50:19.970 --> 01:50:25.850 smidgen of a song called Nightclub 2. OK. And 01:50:25.850 --> 01:50:54.319 second time they're in the nightclub. Go. Feel 01:50:54.319 --> 01:51:02.300 it, feel it. Feel the vibration. This is going 01:51:02.300 --> 01:51:04.619 to end up in a hip hop song. This is a good jam. 01:51:05.260 --> 01:51:10.100 Again, anybody clever? This soundtrack is gold. 01:51:11.359 --> 01:51:21.090 I mean, it's beautiful, isn't it? Yes, this is 01:51:21.090 --> 01:51:23.090 the director off -camera just like this is what 01:51:23.090 --> 01:51:28.810 I see Well, they're composing this without ever 01:51:28.810 --> 01:51:44.270 seeing the movie yeah, but he was like Me in 01:51:44.270 --> 01:51:52.590 my rhythm box, that's a that's a banger All right. 01:51:53.590 --> 01:51:57.029 We we talked about the reviews a little bit earlier. 01:51:57.649 --> 01:52:00.609 And yeah. And you are you shocked to find that 01:52:00.609 --> 01:52:03.770 there's a lot of bad ones? No, no, I can see 01:52:03.770 --> 01:52:06.470 it's it's easy for people to hate on a movie 01:52:06.470 --> 01:52:10.909 like this. So is this one that you and I'm not 01:52:10.909 --> 01:52:12.270 saying you personally, you don't have to make 01:52:12.270 --> 01:52:15.560 a judgment, but. you could see liking ironically 01:52:15.560 --> 01:52:18.939 as a good bad movie or one to kind of aside from 01:52:18.939 --> 01:52:23.739 how violent it is in a way it to be one of those 01:52:23.739 --> 01:52:28.720 so bad it's good or is it just you don't it's 01:52:28.720 --> 01:52:33.840 it's not hard to celebrate the success of a movie 01:52:33.840 --> 01:52:37.899 getting made because there's so many elements 01:52:37.899 --> 01:52:40.199 and people and things that have to go into it, 01:52:40.239 --> 01:52:42.619 let alone the budgeting and financing and all 01:52:42.619 --> 01:52:45.359 that stuff. Right. Just to get the damn thing 01:52:45.359 --> 01:52:49.279 done and edit it and complete is very difficult. 01:52:49.300 --> 01:52:53.520 And then hopefully it's your vision or better 01:52:53.520 --> 01:52:56.619 because it always morphs. So well, since we're 01:52:56.619 --> 01:53:00.680 talking about, you know, the the celebrated the 01:53:00.680 --> 01:53:06.500 chief, I think benefit of this movie or advantage 01:53:06.500 --> 01:53:09.779 and the chief criticism could be that it's weird. 01:53:10.579 --> 01:53:13.079 You could argue that a lot of it. We talk about 01:53:13.079 --> 01:53:17.539 this just plain weird. Yeah, we can take us. 01:53:17.640 --> 01:53:20.539 That's a great point. And we talk about this 01:53:20.539 --> 01:53:23.880 a lot here. And personally, you know, a lot of 01:53:23.880 --> 01:53:26.979 modern Nicolas Cage fare is just damn weird. 01:53:27.239 --> 01:53:28.819 You know, a lot of his later movies are just 01:53:28.819 --> 01:53:31.939 really fucking bizarre and cool. And is this 01:53:31.939 --> 01:53:34.180 one of those movies that's like that? Or is it 01:53:34.180 --> 01:53:38.859 just that it's a league of its own? This this 01:53:38.859 --> 01:53:41.560 thing's a league of its own. That is pretty unique. 01:53:42.699 --> 01:53:47.720 All right. In my. Just, you know, from my point 01:53:47.720 --> 01:53:50.539 of view. Yeah. Well, that's what we're here for. 01:53:50.760 --> 01:53:53.199 That's who I'm the only one in the room. All 01:53:53.199 --> 01:53:59.020 right. All right. I picked. I again, we it's 01:53:59.020 --> 01:54:01.260 been a minute and I prepared for this a bit ago. 01:54:01.439 --> 01:54:03.920 So. I'm going to be newly surprised by maybe 01:54:03.920 --> 01:54:07.579 some of the reviews here. But here's a bad one. 01:54:07.720 --> 01:54:12.920 It's a fresh and it's one out of 10. And that's 01:54:12.920 --> 01:54:17.779 only because they could zero. And the title is, 01:54:17.800 --> 01:54:23.739 wow, how whacked out for you. I mean, I try to 01:54:23.739 --> 01:54:27.460 read these correctly. Wow, how whacked out for 01:54:27.460 --> 01:54:31.529 you need to be to watch this. Yeah, so that's 01:54:31.529 --> 01:54:35.609 how whacked out for you need to be it like my 01:54:35.609 --> 01:54:39.869 New oh, sorry neon acid trip was what I read 01:54:39.869 --> 01:54:46.949 in the movie. I feel yeah, so he's Maybe not 01:54:46.949 --> 01:54:49.670 a good acid trip. I couldn't sleep this morning, 01:54:49.670 --> 01:54:53.909 so I dropped this movie in the VCR dropped As 01:54:53.909 --> 01:54:58.880 an acid dropped this movie in the VCR As you 01:54:58.880 --> 01:55:02.060 want to do in the 80s. Yes, I even own it for 01:55:02.060 --> 01:55:05.279 some odd and unbelievable reason. If you manage 01:55:05.279 --> 01:55:07.520 to read the other reviews, you know the deal. 01:55:07.800 --> 01:55:11.380 It's a freaky movie. I think to truly enjoy this 01:55:11.380 --> 01:55:14.800 one would need 800 milligrams of heroin, two 01:55:14.800 --> 01:55:18.739 kilos of cocaine, 10 ounces of weed, 15 hits 01:55:18.739 --> 01:55:22.680 of acid, three peyote buttons, 18 ecstasy pills. 01:55:23.100 --> 01:55:27.060 20 bottles of gin, 8 grams of hash, 16 bottles 01:55:27.060 --> 01:55:29.640 of tequila, and to be whacked with a baseball 01:55:29.640 --> 01:55:32.220 bat to the side of the head all while being awake 01:55:32.220 --> 01:55:36.079 for 21 days. Since I was sober, that caused a 01:55:36.079 --> 01:55:38.199 big problem. I was looking forward to something 01:55:38.199 --> 01:55:41.310 with a plot, even a bad one. This plot goes way 01:55:41.310 --> 01:55:43.869 beyond bad and the acting, special effects, camera 01:55:43.869 --> 01:55:46.750 work, and everything else is equally as repulsive. 01:55:47.670 --> 01:55:50.170 Advice and advance warning. Remember to ask your 01:55:50.170 --> 01:55:52.789 local drug dealer to medicate you to the ultimate 01:55:52.789 --> 01:55:55.689 degree before you decide to freely watch this. 01:55:56.350 --> 01:55:58.529 The only way to

understand this is to be sedated 01:55:58.529 --> 01:56:01.369 to where your mind and thoughts can believe that 01:56:01.369 --> 01:56:04.149 the little elf on the Lucky Charms cereal box 01:56:04.149 --> 01:56:06.689 is a brilliant god and has the answers to the 01:56:06.689 --> 01:56:10.699 universe in that box of cereal. Be prepared for 01:56:10.699 --> 01:56:13.220 atrocious dialogue and nasty hairstyles, costumes, 01:56:13.380 --> 01:56:16.520 and horrendous irritating music played repetitively 01:56:16.520 --> 01:56:19.760 not to release. If you survive all that, your 01:56:19.760 --> 01:56:21.840 eyes will have to overcome the overbearing use 01:56:21.840 --> 01:56:25.500 of neon and pastels. If I was in my 20s, in the 01:56:25.500 --> 01:56:29.220 80s, wow, what parties I would have gone to. 01:56:30.199 --> 01:56:32.979 There's no way. On another note, if you want 01:56:32.979 --> 01:56:35.060 to help somebody who has a bad drug addiction, 01:56:35.600 --> 01:56:37.600 make them watch this movie and tell them to make 01:56:37.600 --> 01:56:40.520 sense of it. It should convince them to convince 01:56:40.520 --> 01:56:43.760 drugs in all form. Just say no. Not that I am 01:56:43.760 --> 01:56:46.640 against drugs, but if this were a real art film, 01:56:46.659 --> 01:56:49.680 I would not make that comment. If you can handle 01:56:49.680 --> 01:56:52.699 your drugs, then by all means, go for it. But 01:56:52.699 --> 01:56:56.039 this is a good reason to quit if your best talent 01:56:56.039 --> 01:57:01.600 is making films of this caliber. Poor Slava. 01:57:01.819 --> 01:57:05.060 And then it somehow made one point seven million 01:57:05.060 --> 01:57:08.550 dollars in the 80s. That's like Who knows what 01:57:08.550 --> 01:57:13.829 that is now? Yeah, a lot. I agree. I'm shocked 01:57:13.829 --> 01:57:20.430 at that. It's all red. No, because of so many 01:57:20.430 --> 01:57:23.130 other movies that we've done and had made so 01:57:23.130 --> 01:57:28.529 little. Well, all right. So equally ardent fans 01:57:28.529 --> 01:57:32.189 of the film. Yeah. You found one. I found a 10 01:57:32.189 --> 01:57:38.840 out of 10. Love it. Thank you and good night. 01:57:39.119 --> 01:57:44.460 Love it! Spoiler. I love this movie so much because 01:57:44.460 --> 01:57:49.119 I love the era it was in. 1981 to 82 -ish. It 01:57:49.119 --> 01:57:51.380 was probably shot and filmed in 81 because it 01:57:51.380 --> 01:57:54.619 came out in 82. Yes, it's low budget, but it's 01:57:54.619 --> 01:57:56.899 a fun flick to watch. The outrageous storyline, 01:57:57.220 --> 01:57:59.439 the crappy mediocre acting, and the costumes 01:57:59.439 --> 01:58:01.500 and the colorful different crazy outfits were 01:58:01.500 --> 01:58:04.390 fun to look at. The club scenes were filmed in 01:58:04.390 --> 01:58:07.130 the underground club on 17th Street and Broadway 01:58:07.130 --> 01:58:10.329 in Manhattan. But the building is a Petco now, 01:58:10.590 --> 01:58:13.310 LOL. I was in that club, and it was a really 01:58:13.310 --> 01:58:15.869 big club with upstairs and downstairs, I drank 01:58:15.869 --> 01:58:18.029 three or four bars and a great sound system, 01:58:18.210 --> 01:58:20.729 at the time. There was a scene in the movie where 01:58:20.729 --> 01:58:23.369 they mentioned Quaaludes, which are totally banned 01:58:23.369 --> 01:58:25.750 these days in the U .S., and there are none around 01:58:25.750 --> 01:58:28.909 anymore, at least not the real ones with the 01:58:28.909 --> 01:58:33.579 meth -a -qualone in them. I had the privilege 01:58:33.579 --> 01:58:36.819 of having them in 81, 82, and 83, and they are 01:58:36.819 --> 01:58:39.199 seriously one of a kind and nothing like it in 01:58:39.199 --> 01:58:41.880 the world. Picture feeling drunk without the 01:58:41.880 --> 01:58:44.380 hangover and without drinking. And the next day 01:58:44.380 --> 01:58:46.359 you wake up and all you have to do is take a 01:58:46.359 --> 01:58:48.300 couple of hits of weed and you're all looted 01:58:48.300 --> 01:58:51.760 out again, LOL. The only thing I wasn't down 01:58:51.760 --> 01:58:55.640 with those days was heroin. I loved my weed action 01:58:55.640 --> 01:58:58.420 loads and I loved my beer in those days, but 01:58:58.420 --> 01:59:01.890 no way heroin. But it's a fun movie to watch 01:59:01.890 --> 01:59:03.649 they talk funny and weird the movie and it's 01:59:03.649 --> 01:59:07.270 just a trip to watch ten out of ten That was 01:59:07.270 --> 01:59:16.710 a nice side side track about himself Shit right 01:59:16.710 --> 01:59:21.250 lose lose were bad they were fun Just really 01:59:21.250 --> 01:59:24.810 illegal. Had a journey there. Like and we don't 01:59:24.810 --> 01:59:27.149 endorse whatever I just said and all that. Fast 01:59:27.149 --> 01:59:29.989 times it does. People on luge should not drive. 01:59:31.189 --> 01:59:36.609 Same here. Well, listen, I am truly transformed 01:59:36.609 --> 01:59:40.630 by this this film. I'm transcended. I'm so glad 01:59:40.630 --> 01:59:43.350 we've done it. I'm glad you've been here to discuss 01:59:43.350 --> 01:59:46.489 it with me. I love dissecting your blind date 01:59:46.489 --> 01:59:52.119 in such. Harrowing detail. Well, here are we 01:59:52.119 --> 01:59:56.319 hairless. Love your wordplay, you cunning linguist. 01:59:56.899 --> 02:00:03.680 Oh, Lingus. Bingo. All right. So, Todd, I am 02:00:03.680 --> 02:00:07.220 glad we're back. And, you know, it feels good 02:00:07.220 --> 02:00:10.180 to be back in the saddle. But, you know, until 02:00:10.180 --> 02:00:14.979 the next time, you know what? Hey, Todd. Yes, 02:00:15.100 --> 02:01:04.939 Brian will always have. Monty Doro. like you're 02:01:04.939 --> 02:01:05.260 about to.