# Canto Xii
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Top podcast episodes featuring canto xii.
Walking On Pride, Part One: PURGATORIO, Canto XII, Lines 25 - 36
Virgil has directed Dante the pilgrim to look down at the road bed. Dante sees figures carved into the terrace . . . and he begins to walk on pride, the way one might walk over tombs in the floor of a church.
Join me, Mark Scarbrough, as we explore the first four figures carved into road bed. Who a…
Walking On Pride, Part Two: PURGATORIO, Canto XII, Lines 37 - 48
We're still walking on top of the reliefs of the prideful in the road bed of the first terrace of Mount Purgatory after the gate: the terrace of pride. Here, Dante the pilgrim sees four more figures: two from the classical age and two from the Biblical age. And the classical figures seem distinctly…
Walking On Pride, Part Three: PURGATORIO, Canto XII, Lines 49 - 60
We've come to the last four reliefs in the paving stones of the terrace of pride. We're almost on our way to the next terrace of Purgatory . . . but not quite. Dante the pilgrim has to pay attention to these final moments, the final exemplars, some of whom are stated outright in the carvings and so…
More Questions Than Answers About The Reliefs In The Road Bed Of Pride: PURGATORIO, Canto XII, Lines 22 - 63
We've spent three episodes going over the reliefs in the road bed of the terrace of pride on Mount Purgatory. Now let's step back and look at the whole passage. Yes, its sweet. But also its curiously crafted problems. And the way it leaves us with more questions than answers, even though we're supp…
Storytelling, Moral Allegory, And The Human Paradox: PURGATORIO, Canto XII, Lines 64 - 72
Dante the poet adds a coda to his (fake) ekphrastic poetry on the reliefs in the road bed of the terrace of pride on Mount Purgatory. He steps back and explains the very nature of the art to us: realer than real, as it were. Then he moves the passage out from its narrative base and into a moral les…
The Climb Out Of Pride: PURGATORIO, Canto XII, Lines 73 - 99
Dante and Virgil begin their exit from the terrace of pride on Mount Purgtory. To do so, they must encounter and angel who implicitly calls back Lucifer (or Satan) into the text yet who welcomes them on their way up the less-steep ascent.
Join me, Mark Scarbrough, as we watch Virgil reassert this r…
Narrow Stairs, Contorted Similes, And The On-Going Poetry Of Hell: PURGATORIO, Canto XII, Lines 100 - 117
Dante and Virgil begin their climb from the first to the second terrace of Purgatory but as they do, they climb up in an incredibly contorted and difficult simile that swaps around emotional landscapes before landing them in the song of Jesus's beatitudes as well as the screams of hell.
Join me, Ma…
Erasing God's Writing Even If Virgil Smiles: PURGATORIO, Canto XII, Lines 118 - 139
Dante the pilgrim and Virgil have a little ways to go before they finally exit the terrace of pride. In fact, Dante has to come to a surprising revelation: It's getting easier. And Virgil has to explain why: Desire is being purified. How? By erasing what God has written.
Join me, Mark Scarbrough, a…
THE BOWER OF POWER
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See the mind of beastly man,
That hath so soone forgot the excellence
Of his creation, when he life began,
That now he chooseth with vile difference,
To be a beast, and lacke intelligence.
– Edmund Spenser (1590), The Fai…
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