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With Are You Ready? Ladies and gentlemen, I have you
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a treat in store for you. What a grand surprise
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the moment you discover Jell-O's new locked-in flavor. Never until
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now has any gelatin dessert been able to bring you
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so much delightful goodness. Because up until now, gelatin desserts
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constantly faded in flavor while waiting to be used and
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brought you only a shadow of their original richness. But
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that's all been changed. Today, Jell-O's tempting, tantalizing flavor is
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locked right into the tiny Jell-O particles, where time can't
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get at it to steal it away. No matter how
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long Jell-O remains in the package, it retains its luscious
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flavor to the very last. Now, you be the judge.
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Open a package of Jell-O. Notice the absence of any heavy,
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fruity aroma, the usual sign of escaping flavor. Then dissolve Jell-O,
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and presto, there's your flavor, all of it, the full-strength
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flavor of Jell-O. as rich and vivid as the day
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it was locked into Jell-O's delicate crystal-like particles. So try Jell-O,
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now made better than ever by Jell-O's new locked-in process.
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The flavor never goes away. We put it in, and
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it's there to stay.
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The End.
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That was Are You Ready, played by the orchestra. And now,
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ladies and gentlemen, as you all know, next Friday, October 31st,
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is Halloween. And we'll be celebrated by gay parties throughout
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the land.
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Yes, sir. We'll play games and everything.
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So tonight, we bring you a man who always loses
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his bridge bobbing for apples, Jack Benny.
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Thank you. Thank you.
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Hello again.
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This is Jack Benny talking. And Don, that was a
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very funny introduction. Losing my bridge, bobbing for apples. Did
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you think of that all by yourself?
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Yes, I did, Jack.
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It was my own little brainchild. Well, it certainly is clever.
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I mean, the way you expose all my faults and
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my defects. People enjoy it, too.
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Yes, yes, they do.
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You know, Don, they have a program out here where
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a man sits by himself in a small room and
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plays phonograph records all night long. He's called Hank the
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Night Watchman.
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Uh-huh.
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Well, one more introduction like that and you're going to
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be known as Don the Deca Dayman. In other words,
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I don't want to set the world on fire. I
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just want to start a flame with your contract. By
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the way, Don, getting back to Halloween... Oh, hello, Mary.
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Hello, Jack.
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How are you?
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Getting back to Halloween... Oh.
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Oh, fine, thanks.
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Getting back to Halloween.
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You didn't have to answer me, you know.
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What's that for?
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Coming in so mad. What's the matter with you today?
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Well, you know that new usher they got at the
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reception desk? That tall, good-looking fellow?
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Yeah.
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When I came in just now, he winked at me.
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Oh, a fresh guy, huh?
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He's not going to take me out tonight.
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Well, I don't blame you.
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I asked him, but he's busy.
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All right, so much for romance.
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Now, Don, what were we, uh... Oh, you mentioned something
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about Halloween.
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Oh, yes.
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Are you going out with us next Friday night and
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have some fun? You know, ring doorbells and everything?
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Oh, I don't know.
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You don't have the excitement nowadays that you used to
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have on Halloween.
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I guess you're right.
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Well, I remember back in Denver when I was a kid,
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we used to have a time of our lives. Denver?
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You should have seen the way we celebrated Halloween in
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a little country town like Waukegan. The old-fashioned pranks we
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used to play. But kids don't have fun like that anymore.
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What do you
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want, plumbing or fun?
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Oh, gosh.
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Guys, Don, the things I.
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Used to do in those days.
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I'll never forget one Halloween. You know, I was a
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little boy then, and I took the chop suey sign
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off a Chinese restaurant and nailed it over the front
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door of our house. Oh, boy. The chop suey sign, huh?
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Was your father mad when he saw it?
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No, he just hung a tail on his derby and
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went into business. That's how my sister Florence came to
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be known as Lotus Blossom. At some restaurant, chopped liver
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and suey. And then the following year... The.
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Following year.
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Oh, hello, Phil. Are you coming out with us Halloween? Yeah, Jackson,
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but I can't meet you until after 9 o'clock. I
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got to go to night school.
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Oh.
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Well, I'll tell you what, Phil. We'll meet you in
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front of the school about 9.15.
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How's that?
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Okay, I'll bring my long pants with me and.
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Slip them on.
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What? Now, wait a minute, Phil. Don't tell me you
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wear short pants to night school. Look, Jackson, I'm in
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third grade, and I'm going to dress like it.
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Oh, by all means. Third grade, eh?
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The rate you're going, you'll get your Social Security and
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diploma on the same night. No kidding, Phil. Why don't
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you give up night school?
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Nothing doing.
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I don't want to be a maroon.
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That's more like it. Look, they'll just wear your short
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pants all the time. Say, I wonder, um... I wonder
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if Dennis wants to come along Friday. Where is the kid, anyway?
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I called him yesterday, and his mother told me that
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he's been asleep ever since we got back from New York.
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Well, I'll be darned. See, I didn't know the kid
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was so lazy.
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What do you mean, lazy? You made Dennis share your
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berth on the train, then you snored so loud he
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couldn't rest for four nights.
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Oh, for heaven's sake, Mary.
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It's impossible for me to snore because I recently had
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my adenoids removed.
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I had an operation.
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Some operation.
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Rochester hasn't even got a license.
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Oh, stop.
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You thought he couldn't build me a barbecue pit, either.
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You should see it.
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Say, Don, speaking of our trip, I meant to ask you,
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is your wife still mad at me for putting you.
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Both in one berth?
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Well, I thought she was, Jack, but strangely enough, as
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I was leaving the house this morning, she handed me
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a cake.
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A cake?
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Yes, she baked it especially for you. Especially for me, eh?
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I'll give it to you right after the broadcast.
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Hmm. Well, especially for me, eh?
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Well, thanks very much, Don, but you see, I'm on
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a diet right now, and I have to cut out
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fattening poison.
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I mean, cake.
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Uh, thanks.
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Thanks a lot, though.
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Oh, Jack, don't be silly.
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Mrs.
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Wilson wouldn't poison you. She's one of the nicest girls
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I ever met.
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Listen, Mary, I saw a show in New York called
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Arsenic and Olay, and two of the sweetest old ladies
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you ever laid your eyes on bumped off a dozen men.
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Twelve of them.
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Yes, but they gave me elderberry wine.
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What you can do with wine, you can do with cake.
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I ain't eating it, sister.
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Oh, Jackson, don't act like a baby.
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All right, Phil, let's.
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Drop the cake and have a band number. Tell Peggy
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a thanks, Don.
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Well, how about a number, Phil? What are you going
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to play?
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Now, wait a minute, Jackson.
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You won't laugh if I tell you, will you?
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No, no.
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What's it going to be? Poet and peasant overture. Are
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you kidding? Well, let's have it.
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I may be sorry I didn't eat that cake before
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this was over.
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The End Thank you.
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THE END.
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That was a special arrangement of poet and peasant overture
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played by Phil Harris and his peasant. There can't be
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a poet in that bunch.
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That number was okay, Phil.
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You like that, Jackson? Yes, but I have one suggestion
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to make. If you're going to play a number like
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that every week, I think I'll have to augment your orchestra. Augment? Yes.
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Tell him what it means before he puts on his
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short pants again.
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Phil, augment means to increase or enlarge. For instance, you
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ought to add a bassoon to your orchestra and a
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French horn and a harp. Sorry, Jackson, the harp's out.
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What do you mean?
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I had one once and all the boys hung their
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socks on it. Oh, well, if you add a bassoon,
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you can hit them over the head for doing it.
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And now, ladies and gentlemen, for our first play of
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the new season, we are going to.
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Well, look who's here.
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Hiya, Mr.
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Benny. Hello, everybody.
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Well, you certainly look rested now, Dennis.
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Boy, oh boy, do I feel good.
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You want to wrestle, Miss Livingston?
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Dennis, behave yourself.
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Let him alone.
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I'll give him a toehold so fast he won't know
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what hit him.
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Mary, put your coat back on. Be a lady, will you?
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On this clam bake?
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How can you call this program a clam bake when
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Phil just played poet and peasant?
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Now, let's settle down.
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And now, ladies and gentlemen, as I started to announce... Tomorrow,
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October 27th, is Navy Day. So tonight, in honor of
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this occasion, we will present our version of that stirring
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drama of the Naval Air Force, that epic of heroism,
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that sensational Warner Brothers production, Die Bomber.
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Uh, thank you, Dive.
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You're a bummer.
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Hmm.
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Now, uh, in this sketch, uh, I will play the
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part of the young flight surgeon as portrayed on the
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screen by dashing, daring Errol Flynn, which happens to be
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the most important role.
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In the picture. Now, let's see.
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But, Jack, I saw the picture, and I thought that
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Fred McMurray as the test pilot had.
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The most important part.
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Who?
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McMurray?
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Yes, he did some very heroic things. In fact, the
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audience applauded him the night I saw it. They did?
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Oh.
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Well, Phil, then you'll be Errol Flynn, and I'm, I'm
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going to be Fred McMurray.
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I never dropped Flynn that fast.
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Never mind. Now, it's all set. Phil is Errol Flynn,
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I'm Fred McMurray, and Dennis, you're going to be Ralph Bellamy.
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Oh, boy, he had the best part of the whole
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darn picture.
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Who? Who?
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Bellamy? Yeah, he was a great doctor, and the whole
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story was built around him. What?
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Well, now, let's see.
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Phil, you're going to be Errol Flynn. That's settled. Dennis,
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you'll be Fred McMurray, and I'll be Ralph Bellamy.
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Yes, that'll work out fine. Now, let's see.
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Say, Jack.
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Yeah?
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If you ask me, Wayne Morris stole the whole picture.
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What, what? Who?
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Wayne Morris?
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Yeah, he was terrific.
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No kidding?
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Well, fellas, it's all settled. I'm going to be Wayne Morris.
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Yeah.
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Good.
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He wasn't even in the picture.
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Wait a minute.
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What's going on here?
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I'm going to play Ralph Bellamy, and that's the end
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of it. Mary, you're going to be a nurse. And Don,
256
00:13:21.100 --> 00:13:23.720
you're going to be the B-19, so stick your arms out.
257
00:13:29.269 --> 00:13:31.110
And now, ladies and gentlemen, this play will go on
258
00:13:31.149 --> 00:13:33.529
immediately after a song by Dennis Day.
259
00:13:33.960 --> 00:13:40.399
Go ahead, Dennis. Hold it a minute. Come in. Oh, hello.
260
00:13:40.539 --> 00:13:41.080
Hello, Mr.
261
00:13:41.120 --> 00:13:41.379
Benny.
262
00:13:41.539 --> 00:13:42.759
Can I see you about that now?
263
00:13:43.659 --> 00:13:44.600
Yes, wait out in the hall.
264
00:13:44.620 --> 00:13:46.340
I'll be right with you. Excuse me, fellas.
265
00:13:51.230 --> 00:13:52.950
Say, that little boy looks familiar.
266
00:13:53.230 --> 00:13:55.190
Don't you recognize him, Don? That's the kid who was
267
00:13:55.230 --> 00:13:56.529
on the train with us last week.
268
00:13:56.710 --> 00:13:57.789
The one that said he was going to be a
269
00:13:57.809 --> 00:13:59.409
gag man for Bob Hope?
270
00:13:59.429 --> 00:14:01.289
Yeah, now Jack is trying to sign him up first.
271
00:14:01.750 --> 00:14:02.970
I'm going to open up the door and listen.
272
00:14:05.990 --> 00:14:08.769
Sure, sure, kid. I know Bob Hope's a nice guy.
273
00:14:09.169 --> 00:14:09.830
But why do you want to.
274
00:14:09.789 --> 00:14:10.389
Work for him?
275
00:14:11.389 --> 00:14:13.649
In the first place, he's very tough to write for.
276
00:14:13.830 --> 00:14:16.389
What are you talking about? I can write a thousand
277
00:14:16.429 --> 00:14:17.970
gags about his nose alone.
278
00:14:21.070 --> 00:14:24.450
You think that's something? Listen, kid, I've got rheumatism and
279
00:14:24.509 --> 00:14:25.250
flat feet.
280
00:14:26.250 --> 00:14:27.149
And you see this bridge?
281
00:14:27.529 --> 00:14:27.950
Yeah?
282
00:14:28.250 --> 00:14:29.129
Look, it comes out.
283
00:14:29.190 --> 00:14:30.549
Well, I'm a.
284
00:14:30.570 --> 00:14:32.769
Cinch to write for. Now, what do you say?
285
00:14:33.169 --> 00:14:34.370
Well, what's your offer?
286
00:14:35.009 --> 00:14:37.769
Now, listen, kid. You're young and you've got your health.
287
00:14:38.450 --> 00:14:38.710
Now, look.
288
00:14:38.769 --> 00:14:54.389
Look, money, we won't talk about it. The heck we won't.
289
00:14:55.429 --> 00:14:58.909
This kid's going to be tough, but he's clever. Now, look, son.
290
00:14:59.289 --> 00:15:01.009
By the way, what's your name? Barton.
291
00:15:01.409 --> 00:15:07.590
Belly laugh Barton.
292
00:15:11.230 --> 00:15:13.090
Oh, well, now, look, Belly.
293
00:15:15.789 --> 00:15:18.809
Forget hope. Forget Hope, and I'll tell you what I'll do.
294
00:15:19.870 --> 00:15:20.450
I'll give you $ 37.
295
00:15:20.350 --> 00:15:25.789
50 a week and a case of Jell-O every Saturday night.
296
00:15:26.309 --> 00:15:27.129
How does that strike you?
297
00:15:27.549 --> 00:15:29.909
Well, I don't know. I'll have to talk it over
298
00:15:29.950 --> 00:15:30.889
with my manager.
299
00:15:31.889 --> 00:15:33.700
What do you have to talk it over for? Look, kid,
300
00:15:34.279 --> 00:15:36.320
Jell-O is good for you. It's delicious.
301
00:15:36.940 --> 00:15:40.360
And not only that, this year it's got that new
302
00:15:40.440 --> 00:15:42.019
locked-in flavor.
303
00:15:43.799 --> 00:15:44.799
Locked in, huh?
304
00:15:44.960 --> 00:15:45.460
Yeah. Yeah.
305
00:15:45.950 --> 00:15:50.009
The flavor never goes away. We put it in, and
306
00:15:50.090 --> 00:15:52.090
it's there to stay.
307
00:15:53.129 --> 00:15:53.929
Now sign here.
308
00:15:54.149 --> 00:15:58.500
Right here on the dotted line. Come on, kid.
309
00:15:58.779 --> 00:16:00.200
Okay, let me out of the corner.
310
00:16:00.220 --> 00:16:04.620
Oh. Oh, I'm sorry.
311
00:16:05.100 --> 00:16:06.519
Well, it's a deal, kid. See you at my house
312
00:16:06.539 --> 00:16:09.220
tomorrow morning. Come for breakfast and bring some coffee, Kate.
313
00:16:10.399 --> 00:16:10.820
So long.
314
00:16:10.940 --> 00:16:11.379
Goodbye.
315
00:16:12.340 --> 00:16:13.039
Here he comes, boys.
316
00:16:13.110 --> 00:16:13.830
Act nonchalant.
317
00:16:14.730 --> 00:16:15.610
Well, sorry to have kept you.
318
00:16:15.570 --> 00:16:16.070
Waiting, fellas.
319
00:16:16.269 --> 00:16:17.610
Okay, Dennis, let's have your song.
320
00:16:18.110 --> 00:16:20.179
Belly Laugh Barton. Gee, I hope he lives up to
321
00:16:20.220 --> 00:16:20.539
his name.
322
00:16:33.690 --> 00:16:42.210
I don't want to set the world on fire. I
323
00:16:42.269 --> 00:16:50.360
just want to start a flame in your heart. In
324
00:16:50.480 --> 00:16:59.480
my heart I have but one desire, and that one
325
00:16:59.539 --> 00:17:08.049
is you, no other will do. I've lost all ambition
326
00:17:08.329 --> 00:17:12.329
for worldly acclaim. I just want to be the one
327
00:17:12.670 --> 00:17:19.519
you love. And with your admission that you feel the same,
328
00:17:20.299 --> 00:17:29.490
I'll have reached the goal I'm dreaming of. I don't
329
00:17:29.609 --> 00:17:38.509
want to set the world on fire. I just want
330
00:17:38.529 --> 00:17:46.259
to start a flame in your heart.
331
00:18:02.150 --> 00:18:04.269
That was I Don't Want to Set the World on Fire,
332
00:18:04.309 --> 00:18:06.750
sung by Dennis Day. And now, ladies and gentlemen, for
333
00:18:06.809 --> 00:18:09.690
our feature attraction of the evening, our version of that
334
00:18:09.779 --> 00:18:14.140
sensational motion picture drama, Dive Bomber. And I'd like to
335
00:18:14.160 --> 00:18:17.480
announce that this production will be done entirely in Technicolor.
336
00:18:18.400 --> 00:18:20.180
How can you do Technicolor on the radio?
337
00:18:20.299 --> 00:18:22.569
We're on the red and blue networks with a green cat.
338
00:18:29.809 -->
00:18:33.069
And belly laugh better do better than that one. Now,
339
00:18:33.109 --> 00:18:37.140
the opening scene is the laboratory of the famous flight surgeon, Dr. Bellamy,
340
00:18:37.460 --> 00:18:39.619
who at the moment is testing the reflexes of that
341
00:18:39.819 --> 00:18:42.079
ace aviator, Dennis McMurray.
342
00:18:42.960 --> 00:18:43.339
Curtain.
343
00:18:44.339 --> 00:18:44.799
Music.
344
00:18:45.400 --> 00:18:46.180
Music.
345
00:19:03.690 --> 00:19:07.730
Hmm. The Schneider test shows pilot fatigue not far from
346
00:19:07.750 --> 00:19:08.450
the chronic line.
347
00:19:09.190 --> 00:19:10.329
Oscillograph, negative.
348
00:19:11.190 --> 00:19:12.329
What does the Ralph from St.
349
00:19:12.349 --> 00:19:16.869
Anne's test show? What does it show, nurse?
350
00:19:17.089 --> 00:19:18.650
Pretty bad, doctor. Look at this chart.
351
00:19:19.029 --> 00:19:19.390
Hmm.
352
00:19:19.769 --> 00:19:22.230
I don't like it. This man's flying days are over.
353
00:19:22.799 --> 00:19:23.359
He's through.
354
00:19:24.119 --> 00:19:25.920
Washed up. You mean I'm not going to be an
355
00:19:25.980 --> 00:19:26.500
ace anymore?
356
00:19:35.740 --> 00:19:40.230
To us, you'll always be an ace. Now, um.
357
00:19:51.230 --> 00:19:54.750
Now, let's see, uh... What else is there to check
358
00:19:54.789 --> 00:19:55.329
on this man?
359
00:19:55.609 --> 00:19:57.029
Why don't you test his knee, jerk?
360
00:19:59.529 --> 00:20:02.460
That's why don't you test his knee, jerk. I did
361
00:20:02.480 --> 00:20:02.960
that already.
362
00:20:03.779 --> 00:20:06.720
Well, Lieutenant McMurray, I'm sorry. But there's nothing I can do.
363
00:20:07.420 --> 00:20:08.359
You're grounded.
364
00:20:08.559 --> 00:20:09.059
No, no.
365
00:20:09.380 --> 00:20:11.769
You can't do this to me. I belong in the air.
366
00:20:12.130 --> 00:20:14.339
I've given the best years of my life to aviation.
367
00:20:14.779 --> 00:20:15.910
When I black out, I want to be.
368
00:20:15.859 --> 00:20:16.539
Up there flying.
369
00:20:17.019 --> 00:20:17.640
Understand?
370
00:20:17.700 --> 00:20:18.220
Flying.
371
00:20:19.420 --> 00:20:20.619
I knew I should have taken that part.
372
00:20:33.500 --> 00:20:35.920
But I'm not peeping. This had to come sooner or later.
373
00:20:35.940 --> 00:20:38.059
It's just tough to step out of the ring when
374
00:20:38.079 --> 00:20:39.519
the main event may be ready to start.
375
00:20:40.359 --> 00:20:41.339
Stop, I tell you.
376
00:20:41.619 --> 00:20:43.839
Stop!
377
00:20:45.160 --> 00:20:46.319
No, I had to be Ralph Bellamy.
378
00:20:46.339 --> 00:20:57.490
Stand around like a dope. Oh, well.
379
00:20:57.750 --> 00:20:59.390
I motivate the story. Anyway.
380
00:20:59.549 --> 00:21:01.269
You gotta give me another chance, Doc.
381
00:21:01.589 --> 00:21:02.470
You hear?
382
00:21:03.029 --> 00:21:05.069
Because if you don't... All right, all right. I'll give
383
00:21:05.089 --> 00:21:06.349
you another chance.
384
00:21:08.849 --> 00:21:09.529
Stop acting.
385
00:21:09.569 --> 00:21:11.720
Get out of here.
386
00:21:13.859 --> 00:21:17.180
Next time I'll see a picture before I cast it.
387
00:21:18.019 --> 00:21:20.119
Snap out of it, doctor. Let's get on with these experiments.
388
00:21:20.440 --> 00:21:22.549
Oh, that's right. What am I working on today?
389
00:21:22.809 --> 00:21:25.190
You're trying to perfect a transparent parachute so you can
390
00:21:25.230 --> 00:21:26.509
get suntan on the way down.
391
00:21:26.589 --> 00:21:33.589
No, that'll never be a success. Come in. Oh, hello,
392
00:21:33.609 --> 00:21:34.210
Commander Wilson.
393
00:21:34.309 --> 00:21:35.029
Good morning, Dr.
394
00:21:35.049 --> 00:21:35.410
Bellamy.
395
00:21:35.650 --> 00:21:38.230
I want to congratulate you on your experiments in counteracting
396
00:21:38.329 --> 00:21:39.190
arrow embolism.
397
00:21:39.470 --> 00:21:43.009
Thanks. What? Oh, oh, yes.
398
00:21:43.089 --> 00:21:43.970
I expect to have.
399
00:21:43.869 --> 00:21:47.950
The arrows all emboled out before long. By the way, Commander,
400
00:21:48.069 --> 00:21:50.829
have you located an assistant for me? Oh, yes, Dr. Bellamy.
401
00:21:51.089 --> 00:21:53.730
I've discovered a brilliant young graduate of Harvard Medical School.
402
00:21:53.789 --> 00:21:55.670
He's waiting in the room right now, in the waiting room.
403
00:21:55.990 --> 00:21:56.799
Good, good.
404
00:21:57.660 --> 00:21:58.200
Come in, Dr.
405
00:21:58.220 --> 00:21:58.359
Flynn.
406
00:21:58.380 --> 00:21:58.619
Come in.
407
00:21:59.839 --> 00:22:00.279
How do you do?
408
00:22:00.579 --> 00:22:00.859
Dr.
409
00:22:00.880 --> 00:22:01.519
Flynn, Dr.
410
00:22:01.559 --> 00:22:01.900
Bellamy.
411
00:22:01.940 --> 00:22:02.180
Dr.
412
00:22:02.220 --> 00:22:02.849
Bellamy, Dr.
413
00:22:02.869 --> 00:22:03.170
Flynn.
414
00:22:03.289 --> 00:22:03.569
Dr.
415
00:22:03.609 --> 00:22:04.190
Jekyll, Mr.
416
00:22:04.230 --> 00:22:04.630
Hyde. Mr.
417
00:22:04.670 --> 00:22:06.589
Hyde, by Ty.
418
00:22:07.210 --> 00:22:08.230
Please, Miss Kroxmere.
419
00:22:14.650 --> 00:22:15.019
Please.
420
00:22:15.500 --> 00:22:17.339
Hey, uh, she's not bad.
421
00:22:17.640 --> 00:22:18.440
I'm pleased to meet you, Dr.
422
00:22:18.460 --> 00:22:18.700
Flynn.
423
00:22:19.180 --> 00:22:20.500
So you're a Harvard man, eh?
424
00:22:20.599 --> 00:22:22.039
Yes, uh, who's the tomato?
425
00:22:22.740 --> 00:22:23.059
Dr. Flynn.
426
00:22:26.829 --> 00:22:29.619
Commander Wilson tells me... Yes, I believe I have solved
427
00:22:29.630 --> 00:22:33.079
the problem of counteracting aeroembolism. For instance, why don't we
428
00:22:33.119 --> 00:22:33.539
make a bell?
429
00:22:33.700 --> 00:22:34.819
Well, don't you... Pneumatic.
430
00:22:35.079 --> 00:22:37.279
Inflated before the dive. But that would compress the upper
431
00:22:37.299 --> 00:22:38.680
part of the body and stop the blood from leaving
432
00:22:38.700 --> 00:22:40.529
the brain. It
can't miss, I tell you.
433
00:22:40.589 --> 00:22:41.369
It can't miss.
434
00:22:46.140 --> 00:22:53.500
I had to be Bellamy. It's the most important part.
435
00:22:53.539 --> 00:22:53.859
Play it.
436
00:22:54.420 --> 00:22:54.740
Oh, well.
437
00:22:55.059 --> 00:22:56.339
That's a brilliant thought, Dr.
438
00:22:56.359 --> 00:22:56.589
Flynn.
439
00:22:56.609 --> 00:22:58.470
You'll get a medal for this. Oh, I don't want
440
00:22:58.509 --> 00:23:00.990
a medal. I'm not doing this for any paltry reward
441
00:23:01.009 --> 00:23:04.190
from human beings. Consider it my contribution to the progress
442
00:23:04.269 --> 00:23:10.049
of aviation.
443
00:23:11.390 --> 00:23:16.869
Contribution. I knew he'd louse it up. Now, look, Commander Wilson.
444
00:23:17.289 --> 00:23:19.390
Flynn's idea seems to be practical, but I've got a
445
00:23:19.390 --> 00:23:20.470
better one. What is it, Dr.
446
00:23:20.549 --> 00:23:20.829
Bellamy?
447
00:23:20.970 --> 00:23:22.990
I'll demonstrate. Hand me a pencil, Miss Crossmere.
448
00:23:23.170 --> 00:23:23.650
Here you are.
449
00:23:23.849 --> 00:23:24.150
Thanks.
450
00:23:24.599 --> 00:23:27.059
Don't thank me. I'm not doing this for any paltry
451
00:23:27.099 --> 00:23:29.700
reward from human beings. I gave you that pencil because
452
00:23:29.740 --> 00:23:31.380
it'll stop the blood from leaving the brain.
453
00:23:31.680 --> 00:23:32.160
A pencil?
454
00:23:33.460 --> 00:23:35.759
What do I care about a pencil? I've got dozens
455
00:23:35.819 --> 00:23:38.079
of them. Dozens of them, do you hear? And consider
456
00:23:38.099 --> 00:23:39.700
it my contribution.
457
00:23:39.059 --> 00:23:42.359
To the progress of aviation.
458
00:23:46.119 --> 00:23:52.490
Even Kroxmere has a better part.
459
00:23:53.089 --> 00:23:53.930
Well, come on, Dr.
460
00:23:53.970 --> 00:23:56.410
Flynn. That bell of yours is a good idea. Let's
461
00:23:56.430 --> 00:23:57.069
get busy on it.
462
00:23:57.150 --> 00:23:57.630
Okay, Dr.
463
00:23:57.650 --> 00:23:57.990
Bellamy.
464
00:23:58.569 --> 00:24:01.819
Going out to Kildare. Dr. Kildare reports a surgery. That's
465
00:24:01.859 --> 00:24:05.160
the other feature. This is dive bomber. Oh, pardon me.
466
00:24:06.309 --> 00:24:09.900
Come on, Flynn. We'll make that belt, or my name.
467
00:24:09.740 --> 00:24:30.329
Ain't... How high are we, McMurray?
468
00:24:30.329 --> 00:24:31.650
26,000 feet and going up.
469
00:24:32.190 --> 00:24:32.470
Good.
470
00:24:33.309 --> 00:24:34.109
How does the belt feel?
471
00:24:34.210 --> 00:24:35.450
It's a little tight around the ankles.
472
00:24:37.269 --> 00:24:37.769
I'll pull it up.
473
00:24:39.109 --> 00:24:40.670
I tell you, Mac, this experiment is going to make
474
00:24:40.690 --> 00:24:42.460
me famous. Well, Dr. Flynn invented it.
475
00:24:42.490 --> 00:24:44.039
Why don't you bring him along? Ouch!
476
00:24:44.710 --> 00:24:46.279
I'll twist your other wrist if you keep that up.
477
00:24:48.099 -->
00:24:48.740
How high are we now?
478
00:24:48.740 --> 00:24:51.480
30,000 feet. You better put your oxygen mask on.
479
00:24:52.019 --> 00:24:52.559
I took it home.
480
00:24:52.619 --> 00:24:53.599
I'm going to wear it Halloween.
481
00:24:55.799 --> 00:24:56.920
But I feel pretty.
482
00:24:56.940 --> 00:24:57.839
Uh-oh.
483
00:24:58.160 --> 00:24:58.859
What's the matter, Doc?
484
00:24:59.339 --> 00:24:59.730
I don't know. I.
485
00:24:59.779 --> 00:25:03.559
I feel a little dizzy there for a second. But.
486
00:25:04.059 --> 00:25:06.960
But I'm all right. How high are we now?
487
00:25:06.960 --> 00:25:09.880
31,000. 31,000, eh?
488
00:25:11.099 --> 00:25:11.500
I gotta.
489
00:25:12.119 --> 00:25:13.079
I gotta snap out of it.
490
00:25:13.079 --> 00:25:14.319
I'm feeling.
491
00:25:14.339 --> 00:25:17.519
I feel kind of drowsy all of a sudden. Doc!
492
00:25:17.880 --> 00:25:18.720
Doc, what's the matter?
493
00:25:19.420 --> 00:25:19.680
I don't know.
494
00:25:19.700 --> 00:25:20.779
I guess it's the allotude.
495
00:25:22.299 --> 00:25:22.539
Uh... I.
496
00:25:24.519 --> 00:25:26.339
Guess this allotude kind of got me.
497
00:25:27.599 --> 00:25:28.960
So, pneumatic.
498
00:25:30.099 --> 00:25:32.980
It'll stop the blood from leaving the constribution.
499
00:25:35.130 --> 00:25:35.529
Yeah.
500
00:25:35.869 --> 00:25:36.529
Doc, wake up!
501
00:25:37.390 --> 00:25:37.730
Dr.
502
00:25:37.769 --> 00:25:38.990
Flynn, Dr. Bellamy.
503
00:25:39.990 --> 00:25:41.150
Dr. Bellamy, Dr.
504
00:25:41.230 --> 00:25:47.690
Flynn.
505
00:25:48.690 --> 00:26:03.400
Well, here we go again. Now come the whistles.
506
00:26:11.400 --> 00:26:13.400
Gee, he looks so peaceful, I think I'll count sheep
507
00:26:13.440 --> 00:26:13.920
and join him.
508
00:26:14.920 --> 00:26:18.269
One, two, three, four.
509
00:26:18.609 --> 00:26:19.329
No, that's an eagle.
510
00:26:21.049 --> 00:26:30.930
Four, five, six... Well, next week brings Halloween, and Halloween
511
00:26:30.950 --> 00:26:33.069
brings fun and festivities, gay parties.
512
00:26:32.809 --> 00:26:35.009
That call for good things to eat, like the grand
513
00:26:35.029 --> 00:26:37.170
dessert I'm going to tell you about right now. It's
514
00:26:37.210 --> 00:26:39.650
a real party treat and yet an easy dessert to make.
515
00:26:40.609 --> 00:26:42.519
All it takes is a can of peach halves and
516
00:26:42.559 --> 00:26:44.920
a package of orange jello. And when you have those
517
00:26:44.940 --> 00:26:47.940
two items, you're all ready to go. Just dissolve the
518
00:26:48.039 --> 00:26:50.880
orange jello in hot water as you usually do. Then
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fill six wide sherbet glasses about one-third full and chill.
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00:26:54.920 --> 00:26:57.660
When the jello is firm, place a marshmallow in the
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center of each glass and cover with a peach half,
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00:27:00.390 --> 00:27:03.390
rounded side up. Pour the remaining jello over the peaches
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00:27:03.450 --> 00:27:06.119
and chill until firm. And there you have an ideal
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00:27:06.160 --> 00:27:08.920
treat for Halloween, a swell dessert that will make your
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00:27:08.960 --> 00:27:12.289
Halloween guests say, you surely know how to give a party.
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00:27:12.809 --> 00:27:14.410
Get a can of peach halves and a package of
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00:27:14.490 --> 00:27:18.089
orange jello tomorrow and make up this delicious combination. Juicy
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00:27:18.130 --> 00:27:21.470
golden peaches covered with shimmering orange jello. But remember, when
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00:27:21.490 --> 00:27:24.009
you buy jello, be sure to look for the big
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00:27:24.089 --> 00:27:27.789
red letters on the box. Because only jello's new locked-in
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00:27:27.849 --> 00:27:30.710
process gives you all the flavor always.
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00:27:34.069 --> 00:27:36.119
Tomorrow, when you make out your grocery list, put down
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00:27:36.160 --> 00:27:37.119
Jell-O and right under it.
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00:27:37.160 --> 00:27:38.119
Write Jell-O puddings.
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00:27:38.599 --> 00:27:42.400
Jell-O vanilla, Jell-O chocolate, Jell-O butterscotch puddings. Try them and
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00:27:42.420 --> 00:27:45.470
you'll say, yes, Jell-O puddings are just like grandma's, only
537
00:27:45.509 --> 00:27:47.829
more so. This is the Red Network of the National
538
00:27:47.849 --> 00:27:48.769
Broadcasting Company.
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00:27:49.589 --> 00:27:50.849
KFI Los Angeles.