Transkrip penuh untuk Ghosts of Mars

00:04:04.400 --> 00:04:05.120 I started it. 00:04:05.199 --> 00:04:14.479 No, uh there was scenes like where we had because it takes place in a school, and there was like the kid posters of like wear your mask and dispose of it properly and wash your hands. 00:04:14.639 --> 00:04:19.120 And it's funny to see those posters like come to life and like be a part of things. 00:04:19.439 --> 00:04:24.240 Um can you tell me that uh um uh the new movie you're promoting is a short film, right? 00:04:24.399 --> 00:04:24.879 Yes, yeah. 00:04:24.959 --> 00:04:34.800 Right now we have The Shadow, which actually stars Valerie Eileen from The Empty Space, which is a project that started off smaller, but I wanted to work with her again, so we kind of expanded on it. 00:04:34.959 --> 00:04:39.120 And we shot it at the county courthouse, the abandoned one that's here in downtown Las Cruces. 00:04:39.279 --> 00:04:40.000 It was a lot of fun. 00:04:40.079 --> 00:04:45.279 It's about a security guard who she's like they've turned this place into a haunted house. 00:04:45.439 --> 00:05:00.000 So she's watching it during the day, uh, between the hauntings, and then she starts to see a shadow, and she can't figure out where it's from, and she doesn't know what it is, and so it kind of starts to she becomes obsessed with it and starts to like trying to figure out what it is and whether it's sinister or not. 00:05:00.240 --> 00:05:02.480 Well, um I I I really hope to uh catch it. 00:05:02.560 --> 00:05:06.000 Am I gonna have any other opportunity besides uh which festival is it? 00:05:06.160 --> 00:05:18.079 It's the So the next one is this uh uh Savin Lens Festival in Albuquerque, and then it's in the Cali Scare Us uh film festival at the end of this month. 00:05:18.240 --> 00:05:21.920 But we're hoping to put it in on my YouTube page, which is just Hot of Films. 00:05:22.399 --> 00:05:32.399 Um we're just waiting on, I think it's two more festivals because a lot of them have rules about you can't put it out until it is uh until it's like or you can't it can't be online or we won't accept it. 00:05:32.720 --> 00:05:34.399 So I have two more exclusivity of it. 00:05:34.720 --> 00:05:35.120 Exactly. 00:05:35.360 --> 00:05:40.639 But also they are gonna show it at the rap on Monday here in Las Cruces at the Rio Grande Theater. 00:05:40.959 --> 00:05:41.120 Yeah. 00:05:41.920 --> 00:05:42.319 Very cool. 00:05:42.639 --> 00:05:43.439 Okay, I'll catch it then. 00:05:43.519 --> 00:05:43.839 Yeah. 00:05:44.639 --> 00:05:50.879 Um I hate to get us uh sidetracked, but it's also uh any excuse to watch a John Carpenter movie is a good thing. 00:05:51.040 --> 00:05:55.920 And like even a bad movie, or one of his, you say, on the on the spectrum of his less great films. 00:05:56.319 --> 00:06:05.680 You have this, and uh like if it weren't for memoirs of an invisible man or uh uh uh maybe the uh the ward, this would definitely be in contention for his possibly his worst movie. 00:06:06.399 --> 00:06:06.879 Yeah, yeah. 00:06:06.959 --> 00:06:08.800 And it was his last theatrical film. 00:06:09.279 --> 00:06:15.040 So that's another kind of fun thing about it, is that like the last time you saw John Carpenter was kind of ripping off himself. 00:06:15.839 --> 00:06:23.120 Well, yeah, um uh so the reason that Screen Gems were able to like uh uh uh to distribute this movie is because they paid for it. 00:06:23.279 --> 00:06:30.319 They had they gave him the budget, and like uh he I'm trying to think what studio he had been working for uh for it's paramount. 00:06:30.480 --> 00:06:35.279 But the last like three films that he had made, including Vampires, like um it was struggling to make its budget back. 00:06:35.439 --> 00:06:43.120 So they they cut him loose, he wants to make this movie, but uh like Screen Gems is like, oh Sony, give us the you know, give us the credit card and let's put this out. 00:06:43.439 --> 00:06:45.839 They make bad decisions when they produce movies. 00:06:46.480 --> 00:06:53.680 Um the the coolest thing about uh the show is that I've got to discover a bunch of movies that were never really marketed to a person my age at the time, you know. 00:06:54.000 --> 00:06:56.240 Like in the late 90s, I was eight years old. 00:06:56.399 --> 00:07:04.240 Yeah, you know, and so uh like there's no reason for how I say black romantic comedies or you know, just uh these niche horror movies really to come across the Nickelodeon feed. 00:07:04.399 --> 00:07:04.480 Yeah. 00:07:04.720 --> 00:07:20.079 But uh but but um uh like the ones that they acquired when they were at a festival and then distributed, they made money off of like that was the the their strategy really was to look for um undersold like audiences and then give them content actually made for them. 00:07:20.560 --> 00:07:31.279 So like when it came to the black cinema, we have really good black directors now, we have full black casts, and they can make them for black audiences, and that's gonna cross over to uh relate to white kids too and stuff. 00:07:31.680 --> 00:07:38.399 The um the problem was like before that it was black exploitation, which kind of does give uh give you this with uh um Pam Greer. 00:07:38.639 --> 00:07:43.600 And it's like uh so Pam Greer being used in these two John Carpenter movies, especially Escape from LA too. 00:07:43.680 --> 00:07:45.680 It's like I don't know why she's doing this. 00:07:46.399 --> 00:07:48.560 Because like she's beheaded in this one. 00:07:48.639 --> 00:07:50.720 Yeah, in the other one, they make her a trans man. 00:07:51.040 --> 00:07:55.120 Like uh and I find her still in this, she looks still great, you know. 00:07:55.199 --> 00:07:56.480 Like she's the tough one. 00:07:56.560 --> 00:08:02.480 I you if you could do like a swap of you know, um uh uh Natasha Hendrich with her with her, right? 00:08:02.720 --> 00:08:11.759 You might actually have something that i is interesting, you know, because like

she's the matriarchal society is maybe the coolest thing about the movie. 00:08:12.000 --> 00:08:17.439 Yeah, and I think that's interesting, and also I do think that Natasha Hendrich, her performance is kind of the worst thing about it. 00:08:17.680 --> 00:08:19.360 She's just so like robotic. 00:08:19.519 --> 00:08:29.600 Yeah, and I think she's going for like that stoic kind of almost snake pliskin, but she doesn't have like even a bit of personality, so it makes it hard to even attach herself to her. 00:08:30.240 --> 00:08:33.600 For the entire runtime, as high as balls, does not look like her. 00:08:33.840 --> 00:08:35.200 She never looks unfloofed. 00:08:35.360 --> 00:08:44.639 And I I think even John Carpenter and her butted heads on production, so it's like I wonder what he was trying to get her to do and what she was just like not doing, you know. 00:08:45.120 --> 00:08:54.399 It does make you think the decision to make this movie either more funny or or more of a like a um I hate to do this as a filmmaker. 00:08:54.480 --> 00:08:56.639 Um uh have you read Save the Cat by Blake Snyder? 00:08:56.799 --> 00:08:56.879 Yeah. 00:08:57.120 --> 00:08:58.639 Okay, so um, I hate him. 00:08:58.799 --> 00:09:02.159 I I I I think he's a total uh quack, but you know, quacks are right sometimes. 00:09:02.320 --> 00:09:02.480 Right. 00:09:02.720 --> 00:09:06.720 And uh the only thing I really like, I like Pope in the Pool, and I love double mumbo jumbo. 00:09:06.799 --> 00:09:06.960 Yeah. 00:09:07.200 --> 00:09:13.600 The idea that you shouldn't be mixing so many elements that people stop, you know, their ability to, you know, suspend disbelief. 00:09:13.840 --> 00:09:14.399 Right, right. 00:09:14.559 --> 00:09:16.960 And so with this, what genre is this movie? 00:09:17.039 --> 00:09:17.440 Yeah. 00:09:17.679 --> 00:09:28.240 Like is it a because it's like a a body swapping movie or like a and I feel like it kind of almost separates itself in half where there's that virus that's kind of going around and infecting everyone. 00:09:28.480 --> 00:09:31.360 But then after a while, that virus does not come into play anymore. 00:09:31.440 --> 00:09:34.720 And it's they're just mowing people down and not being taken over by them, right? 00:09:34.960 --> 00:09:40.879 And before it's such a big problem where it goes into anyone, like it floats around and we see the perspective. 00:09:41.039 --> 00:09:42.799 And then, like, to me, that was very scary. 00:09:42.879 --> 00:09:45.440 Like, oh, it could literally take over anyone, doesn't matter. 00:09:45.679 --> 00:09:48.559 But then there's just kind of like, ah, it's it's fine, it sits out there. 00:09:48.960 --> 00:09:54.000 He executes that perfectly in the team in the thing, like uh it'll turn you into a monster when you get found out. 00:09:54.080 --> 00:09:54.159 Yeah. 00:09:54.399 --> 00:09:57.360 But otherwise, you know, you're a perfectly usable part of the team. 00:09:57.519 --> 00:09:58.000 Right, right.

00:09:58.320 --> 00:10:05.679 Then I think about it, most of Carpenter's movies are kind of about your solo protagonist, and then when you actually have a team thing, it's always them falling apart. 00:10:05.759 --> 00:10:06.000 Right. 00:10:06.080 --> 00:10:11.200 So with this one, too, it's all uh from the moment Pam Greer's head is put on that spike, you're like, oh, they're all gonna die. 00:10:11.360 --> 00:10:11.519 Right. 00:10:12.080 --> 00:10:17.519 And it uh I don't know um to pop it up and on the let's actually kind of like play a game now, right? 00:10:17.759 --> 00:10:24.080 Like I'm thinking, uh I do feel uh like you know, I put directors on a pedestal, so I imagine you guys like cops in the 80s. 00:10:24.320 --> 00:10:34.480 You just walk into the station and then like you know, whoever your lieutenant is like, you know, it's like just hey, hada, my office! You know, just uh it's like you're an artist, we don't like artists. 00:10:34.559 --> 00:10:36.799 It's like I'm putting a gun for hire, damn it. 00:10:36.879 --> 00:10:39.120 It's like it's a script, it's called John Carter of Mars. 00:10:39.200 --> 00:10:41.120 No, it's called John Carpenter's Ghost to Mars. 00:10:41.279 --> 00:10:41.519 Yeah. 00:10:41.919 --> 00:10:43.919 And and uh like here's the thing. 00:10:44.000 --> 00:10:53.039 If this were just a script, this movie, and it had everything that we see on screen on the page, yeah, would you get like a red pen and start carving some shit out so that it becomes a simpler movie? 00:10:53.279 --> 00:10:54.080 I think I don't know. 00:10:54.159 --> 00:10:58.320 It's such a weird because like almost on paper, it sounds like it could be a good idea. 00:10:58.399 --> 00:11:05.200 It's like half of it's a thing, half of it's Escape from New York, and it's directed by John Carpenter who's put them together and it's like, how can he mess this up? 00:11:05.279 --> 00:11:07.600 But then you watch it and you're like, okay, I see now. 00:11:07.679 --> 00:11:18.639 I'm like, it kind of starts to fall apart with the fact that, like, yeah, I think it's what you're saying, where he wants to do too many things because there's also the Russian on aspect of the storytelling where it's different perspective. 00:11:18.960 --> 00:11:20.000 It's also a courtroom drama. 00:11:20.240 --> 00:11:21.279 How do you sneak that in? 00:11:21.360 --> 00:11:25.120 Where it's a military tribunal where you have all these, like, you know, I don't know, butch ladies. 00:11:25.600 --> 00:11:25.759 Yeah. 00:11:25.919 --> 00:11:28.799 A military tribunal where at the very beginning they say, oh, you're not in trouble. 00:11:28.879 --> 00:11:31.120 And so it's like, so where are the stakes in this? 00:11:31.200 --> 00:11:32.559 Why are you telling us any of this? 00:11:32.720 --> 00:11:37.440 You know, but it's also that's like what a cop tells you before you admit to everything, you know. 00:11:37.519 --> 00:11:43.120 So it's like, I'm guessing that like if she had answered wrong, they would have taken her right back and shot her because it's a John Carpenter movie. 00:11:44.320 --> 00:11:47.519 Actually, okay, when you think about this, it's supposed to be futuristic. 00:11:47.679 --> 00:11:49.519 Like you're supposed to be depicting the future. 00:11:49.840 --> 00:11:53.600 The silliest thing is it's like, why are they not on a dropship instead of a train? 00:11:53.759 --> 00:11:53.919 Yeah. 00:11:54.159 --> 00:11:59.759 And because also that's the that is the nice excuse of the dropship flies away, and then you gotta wait for it to return. 00:11:59.919 --> 00:12:01.840 As opposed to it, it's on rails, man. 00:12:01.919 --> 00:12:04.879 Just walk along the the you know the until you find it. 00:12:05.279 --> 00:12:10.000 Well, then there's like there's no real communications, they're using walkie-talkies that we have today. 00:12:10.080 --> 00:12:10.159 Yeah. 00:12:10.320 --> 00:12:17.360 And then uh like the the breathing devices that go in your eyes, and like I said, the only thing that's actually like futuristic is the drugs. 00:12:17.440 --> 00:12:20.559 Yeah, there's clear, and then there's that inhaler thing, you know, with the whippets. 00:12:20.960 --> 00:12:22.960 And they have the they have even their guns. 00:12:23.120 --> 00:12:32.159 They even have which is to me the most like cut this part out, is uh the scientist who comes in on the hot air balloon and it's kind of wizard of all. 00:12:32.480 --> 00:12:33.840 Yeah, and I was like, what? 00:12:34.000 --> 00:12:36.879 And I, you know, you look, you think about Escape from LA. 00:12:37.039 --> 00:12:44.080 There's also the scene where they're flying on the paragliders, like and I was like, did John Carburn just really love like things flying through the air? 00:12:44.799 --> 00:12:50.480 That the surfing scene, the um the little submersible he gets out of where you know it cleans it up. 00:12:50.879 --> 00:12:56.080 And then the helicopter, the bad, bad CGI in that, but also it it drifted over to this movie. 00:12:56.240 --> 00:13:03.360 And in the beginning, we're like uh uh when we're having the tribunal, they have all those map paintings of the city and they just age well. 00:13:03.519 --> 00:13:04.000 Yeah. 00:13:04.240 --> 00:13:07.679 But it's also that's the element of like you know, the Western being brought into it. 00:13:07.759 --> 00:13:13.200 So I kind of know is the campiness of it always kind of makes me like it because I like Carpenter to begin with. 00:13:13.519 --> 00:13:14.639 I yeah. 00:13:14.960 --> 00:13:18.720 And it it's funny like how many of his strengths aren't being utilized. 00:13:18.799 --> 00:13:33.840 I mean, the fact that they're all kind of stuck in that the police station for a while with Desolation Williams, but like you don't feel that kind of anxiety that he brings to like Escape from New York or to even to Assault and Precinct 13, like when it's like I know you know how to do this because I've seen you

do this so many times. 00:13:34.000 --> 00:13:48.720 Well, like are you He can build tension because he understands how to like you know, a fuse that's like slowly burning down, and it's like you know, it it doesn't help in Escape from LA that they do the exact same thing again, where it's like you know, it's like infect you and then you're not really yeah. 00:13:48.879 --> 00:13:52.720 I um I and I have no idea, I have no problem with him returning to his trucks. 00:13:52.879 --> 00:13:52.960 Right. 00:13:53.200 --> 00:13:59.039 Like uh it it's I don't know, it's like if it's an action movie, we're at the table, I ordered it for the table, and a bunch of people like it. 00:13:59.120 --> 00:13:59.440 Guess what? 00:13:59.519 --> 00:14:00.240 Everyone's gonna try it. 00:14:00.320 --> 00:14:03.120 Yeah, and it's just uh you can't do a bad combination of it. 00:14:03.200 --> 00:14:08.080 But I I uh I don't know, this is a weird, misguided one, and I uh I don't know. 00:14:08.159 --> 00:14:13.279 I let me think if uh if there's anything else I I want to drop on this before we can actually like uh slowly abandon. 00:14:13.679 --> 00:14:18.159 Um uh so one thing I do like about it, Jason Statham and I have the same hair. 00:14:19.120 --> 00:14:21.360 Like, ain't growing on the top, bro. 00:14:21.440 --> 00:14:22.720 You gotta do something about it, all right? 00:14:22.879 --> 00:14:45.519 Like, and he's so close to being the transporter, and you know, like assuming that persona, like uh he's acting in this movie, and he's not a trained actor, so him being a slimy little dude, uh he comes out like it's the cast of this film is like you have Ice Cube, you have Pam Greer, you have Jason Statham, you have Chloe DeVault, and it's like, why are you guys like why are you in here to die in two minutes? 00:14:45.600 --> 00:14:48.080 You know, they're way too capable, right? 00:14:48.960 --> 00:14:50.639 And they're way too likable is another thing, yeah. 00:14:50.879 --> 00:14:58.240 Louis DeVault especially works in the matriarchal society because she all her early casting was all based on the audience being like, she's a lesbian, right? 00:14:58.320 --> 00:14:58.639 Right. 00:14:59.200 --> 00:15:04.559 It's just uh we're trying to um the faculty and uh boda amate cheerleader, like yeah, she's closeted for all of that. 00:15:04.639 --> 00:15:06.879 But uh when she eventually does come out, we're like called it. 00:15:06.960 --> 00:15:09.919 Yeah, and uh I had a huge crush on her when I was younger. 00:15:10.240 --> 00:15:10.480 Yeah. 00:15:10.960 --> 00:15:16.000 So uh them also meeting their uh desks, like most of them kind of off-screen. 00:15:16.320 --> 00:15:16.960 Right, right. 00:15:17.120 --> 00:15:21.440 Well, and it's it's funny because like I mean, I think, yeah, this was even before Snatch for Jason State Thumb. 00:15:21.519 --> 00:15:27.039 And so you almost put more importance on his character because of who he is now, and then he's just gone. 00:15:27.200 --> 00:15:29.360 Like he just gets his head cut off or something, you know. 00:15:29.519 --> 00:15:37.279 And it's it's very funny how like the how willing the movie is to just kind of kill characters off, which is kind of in its favor, you know. 00:15:37.360 --> 00:15:38.639 That's one thing that you're not expecting. 00:15:39.200 --> 00:15:40.639 It's not uh um precious. 00:15:40.960 --> 00:15:41.840 Yeah, yeah. 00:15:42.080 --> 00:15:49.279 I mean, Pam Greer is one of the first ones who gets taken out, and so it's like maybe she just did it as a favor to Carpenter, like, I'll be there for two days, you know. 00:15:50.080 --> 00:15:51.600 Um how about as a character? 00:15:51.679 --> 00:16:00.879 We're uh talking about Ice Cube is desolation, but not a horrible name, but for some reason it I it doesn't do hit the right in my brain the same way as Snake Pliskin does. 00:16:01.120 --> 00:16:01.679 Yeah, yeah. 00:16:01.759 --> 00:16:08.240 I feel like just because Ice Cube doesn't, and I mean it doesn't help that he's wearing like camo orange pants. 00:16:08.720 --> 00:16:09.919 No one looks dumb in the character. 00:16:10.320 --> 00:16:10.559 Guess what? 00:16:10.639 --> 00:16:12.000 He got fashion right too in the future. 00:16:12.159 --> 00:16:16.240 We all were gonna look stupid, all right, and wear a lot of black and you know, yeah. 00:16:16.399 --> 00:16:24.480 But there's something about Ice Cube that he has like an authoritative, but he doesn't have like a rule breaker personas per se, you know. 00:16:24.639 --> 00:16:29.600 So you don't you're never really scared that he's actually gonna hurt anyone other than the bad guys. 00:16:29.759 --> 00:16:36.159 So it kind of takes away from the fact that like with Snake Pliskan, it's like we don't even know if he's gonna he cares enough to fulfill his mission. 00:16:36.399 --> 00:16:45.679 With Desolation Williams, it's like, well, he's also like also his bumbling, like his brother and his gang is they're such like blockheads that we know dose and threats. 00:16:47.039 --> 00:16:50.159 There's that Z where that uh where I think it threads cuts his finger off. 00:16:50.320 --> 00:16:51.600 He's trying to open the can. 00:16:52.559 --> 00:16:56.480 Okay, as a kid, as a kid, some parts of this movie were were brutal on me, man. 00:16:56.639 --> 00:17:03.840 Like the um the transformation and uh you know the filing teeth and cut cutting teams, that really did uh uh uh let it go. 00:17:03.919 --> 00:17:06.000 But yeah, like when I was younger, I was scared of it actually. 00:17:06.240 --> 00:17:08.720 Like it it has body horror in it, you know. 00:17:08.880 --> 00:17:10.319 So like that all is effective. 00:17:10.559 --> 00:17:12.480 The practical elements of this movie are effective, you know. 00:17:12.559 --> 00:17:19.200 I'm like, if you would you do just wonder if you could kill actually the entity in the body, like they can only possess once, you know. 00:17:19.279 --> 00:17:23.519

It's like a or they have to sit in home base or some bullshit like that, gamify it, you know. 00:17:23.839 --> 00:17:24.240 Yeah. 00:17:24.559 --> 00:17:31.599 Being that Garpinger loves video games and getting high, it's strange that a lot of his movies don't have those rules of uh of a linear story, right? 00:17:31.680 --> 00:17:36.480 Like and so like a lot of movies have a lot of games taken from his genre, really. 00:17:36.559 --> 00:17:40.960 Like I always think um like Metal Gear Solid is so indebted to him. 00:17:41.119 --> 00:17:41.279 Yeah. 00:17:41.440 --> 00:17:42.400 Like just the snake character. 00:17:43.839 --> 00:17:48.000 But uh like uh why when a movie like this could have an objective goal, you know. 00:17:48.079 --> 00:17:54.960 Uh people complain about it now, where it's like, well, this movie's like a video game where it's like no one cares about uh no one hates on dread. 00:17:55.119 --> 00:17:56.079 You know, the the raid. 00:17:56.160 --> 00:17:57.359 It's like I like a goal. 00:17:57.440 --> 00:17:59.440 I like to know when they're if there's a winner or a loser. 00:17:59.759 --> 00:18:04.960 Yeah, especially with this movie where it's like, yeah, I'd like to know what the stakes are in in terms of everything that's going on. 00:18:05.359 --> 00:18:06.960 My guess is you just gotta leave Mars. 00:18:07.119 --> 00:18:07.359 Yeah. 00:18:07.519 --> 00:18:15.279 Like I I don't think they're gonna be following you, but like uh like uh there's just no winning if when you kill kill one, it just takes over another one of your boys. 00:18:15.440 --> 00:18:15.599 Yeah. 00:18:16.079 --> 00:18:16.319 Yeah. 00:18:16.559 --> 00:18:21.680 And I think it's also like I I think that you have there's no like, oh, is this him? 00:18:21.759 --> 00:18:25.119 Because he's like, they start cutting off their phase and cutting that their hands. 00:18:25.200 --> 00:18:26.799 It's like it's very clear when they get taken over. 00:18:27.599 --> 00:18:30.319 They're um simple when they uh get taken over, right? 00:18:30.480 --> 00:18:32.799 It's like for a second, it's like, oh, you got a real bad head injury. 00:18:32.960 --> 00:18:33.119 Right. 00:18:33.440 --> 00:18:39.759 And then, oh no, uh, find something sharp, or like, you know, just uh I'll make this decoration out of like barbed wire. 00:18:39.920 --> 00:18:48.319 You know, that the aesthetic of this movie is really cool, but it's also uh I I would compare it a lot to like an entry-level Star Trek episode or something. 00:18:48.559 --> 00:18:56.480 Yeah, and I think the whole thing for TV thing is yeah, and that's a great way to put it because I think the whole movie looks like a TV show, like it's so evenly lit. 00:18:56.559 --> 00:19:04.480 And I mean clearly it was filmed on a set, but if I think if they had tweaked the lighting even 20%, it would have made that movie so much better. 00:19:04.640 --> 00:19:15.200 Because like the main bad guy who's like the long-haired kind of uh Marilyn Marilyn Manson type guy, if he was lit where you don't see him as much all the time, I think it would make him scarier. 00:19:15.279 --> 00:19:22.000 But you see him like under full lights, every detail is made out, it's like that just looks like you know a hot topic employee, you know. 00:19:22.240 --> 00:19:24.559 Well, that also speaks to you being kind of a horror director. 00:19:24.640 --> 00:19:28.480 It's like it's more scary what you can't see because your brain makes it uh better. 00:19:28.640 --> 00:19:32.720 Like it just uh it's better when sharp uh when uh Jaws hasn't actually come out of the water. 00:19:33.279 --> 00:19:34.400 It's like that's a big ass shark. 00:19:34.559 --> 00:19:34.799 Yeah. 00:19:35.279 --> 00:19:48.960 And I think one of the best scenes is a scene where they're walking through at the very beginning, and there's a doctor who's stuck, who's like locked himself in the van or in the room, and then he's like, don't open it, and she keeps trying to open it until eventually he he offs himself to keep her safe. 00:19:49.119 --> 00:19:56.319 And like that first part where it's like people are willing to do this just to like not interact with you, like they don't know what's going on. 00:19:56.400 --> 00:20:01.440 That's pretty freaky, and it does help that he's under, he's not under the studio lights, he's under the car. 00:20:04.160 --> 00:20:11.519 Um I wanted to just say if I could uh remake this movie, I would uh um are you familiar with the Edgar Wright um the third in the Cornetto trilogy? 00:20:11.599 --> 00:20:12.559 It's um World's End. 00:20:12.720 --> 00:20:13.440 Yeah, the World's End. 00:20:13.839 --> 00:20:20.480 So when the in the World's End, every like pub location that they go in the crawl, they get progressively more drunk and then they fight more, right? 00:20:20.559 --> 00:20:20.799 Yeah. 00:20:20.960 --> 00:20:28.880 And so like if this were that where it's like they realize when like Natasha Hendrix has just, you know, been taken over, they they give her the drugs, and then it kicks it out. 00:20:29.039 --> 00:20:31.519 It should have been like, oh, we all have to get really drunk. 00:20:31.759 --> 00:20:31.920 Yeah. 00:20:32.160 --> 00:20:38.160 And then imagine them like with their automatic gunfire, like not hitting anything, you know, just like tripping over each other and stuff. 00:20:38.240 --> 00:20:39.119 It would be so funny. 00:20:39.440 --> 00:20:39.599 Yeah. 00:20:40.079 --> 00:20:51.839 And uh I that also just uh like uh then it would be like um uh you could actually stick a message into this because there's no like uh there's no uh what do you call it, explorer and native message in this movie. 00:20:53.440 --> 00:20:57.200 There's supposed to be something that pre-existed before our colonization of Mars. 00:20:57.440 --> 00:21:14.400 And it's not like we wronged it, we shouldn't have gone into the whatever Pandora's little cavern thing, but right, but it's it's it's it's

not us actually um usually the story would be like you know, the the loggers go into the forest, they start cutting it down, and then they find something dangerous in it, like uh an illness or something, and that's nature like defending itself. 00:21:14.559 --> 00:21:14.720 Right. 00:21:14.880 --> 00:21:17.359 And so, like, why are these things doing it to us? 00:21:17.519 --> 00:21:26.240 I I um another thing I do like uh even though I would cut them out of the movie, I do like the ghosts have like that Sam Raimi flying first person into stuff. 00:21:26.400 --> 00:21:26.880 Yeah, yeah. 00:21:27.119 --> 00:21:31.039 Like like I you can tell the carpenter was just like, oh man, why can I use that for something? 00:21:32.000 --> 00:21:35.200 I bet he wanted to do it for bats and vampires, and it's just like we don't got the budget. 00:21:35.359 --> 00:21:36.240 Yeah, yeah. 00:21:36.480 --> 00:21:38.640 It's all gone to James Wood's leather jacket. 00:21:39.440 --> 00:21:39.599 Yeah. 00:21:40.160 --> 00:21:40.799 Talk about it though. 00:21:40.960 --> 00:21:44.000 In vampires, they're not scared to kill off all the vampire slayers in the beginning. 00:21:44.240 --> 00:21:44.559 That's also true. 00:21:44.799 --> 00:21:46.640 And then let James Woods be James Woods. 00:21:46.799 --> 00:21:46.880 Yeah. 00:21:47.119 --> 00:21:52.880 Like, and I guess that is a you know, even in Escape from the LA, you have Pam Gur, and they all just kind of get got at the end. 00:21:53.039 --> 00:21:55.920 So that is part of Carpenter's kind of style, if you think about it. 00:21:56.000 --> 00:21:57.759 He's willing to, like, yeah, we'll just kill him. 00:21:57.920 --> 00:21:59.759 Like, we'll put the dock in the in the 00:22:18.799 --> 00:22:24.000 However, I'm I I do kind of think because uh Carpenter can't get out of his own psychology with stuff. 00:22:24.240 --> 00:22:26.240 His view of the future is the view of the future. 00:22:26.480 --> 00:22:40.000 So I was kind of thinking that um in um especially in Escape from LA, the president is like a uh he's a religious figure that you know has begun deporting everyone he dis uh disapproves of to you know Los Angeles. 00:22:40.079 --> 00:22:40.240 Yeah. 00:22:40.480 --> 00:22:50.880 And um like uh it it's kind of funny, but uh um Robert Heinlein had this book uh called The Moon is a harsh mistress, and it's about people that have been deported to the moon because uh it's a penal colony now. 00:22:51.039 --> 00:22:51.200 Right. 00:22:51.519 --> 00:22:59.759 And the first thing that happened was that it was a matriarchy because um the power dynamic was switched because women were at such a discrepancy to men. 00:23:00.160 --> 00:23:06.640 Okay, so yeah, I I I always kind of think about it if you're having trouble dating in El Paso or Las Cruces, go to Hobbes. 00:23:06.720 --> 00:23:06.880 Right. 00:23:07.039 --> 00:23:11.039 Because if you are a single woman in Hobbes, men will like, you know, they will fist fight. 00:23:11.119 --> 00:23:12.799 Yes, to buy you a drink. 00:23:13.039 --> 00:23:16.319 Yeah, just to the sense of a woman really would drive them into a rage. 00:23:16.480 --> 00:23:21.599 And so, like, uh it's it's about the power structure, and just like if there's not enough of them, you would have a matriarchal society. 00:23:21.759 --> 00:23:23.680 You probably would also have a polyamorous society. 00:23:23.759 --> 00:23:23.839 Right. 00:23:24.079 --> 00:23:28.160 If it's a small group of people, you would want genetic diversity for the next generation. 00:23:28.240 --> 00:23:28.480 Yeah. 00:23:28.640 --> 00:23:33.759 And you know, it's a the only way you can actually think to do that would be most women having multiple husbands. 00:23:34.079 --> 00:23:34.720 Right, right. 00:23:34.960 --> 00:23:38.400 And so, like, uh I I don't know, I that that idea would come to me. 00:23:38.559 --> 00:23:42.799 What if uh, you know, Los Angeles gets all, you know, it's like it's an it's an eyesore. 00:23:43.039 --> 00:23:44.799 Like there are people live in California, damn it. 00:23:45.039 --> 00:23:54.240 And so they start deporting people to Mars because they're also talking about this, like it's a mining colony, it like um it doesn't seem like contractors would ever uh like you know choose to go there. 00:23:54.640 --> 00:24:03.440 People are are like, you know, it's like the second wave because the uh uh whatever terraforming has you know improved the oxygen quality, right? 00:24:03.920 --> 00:24:07.440 And uh so like uh eventually there will be farming, eventually there will be all that. 00:24:07.519 --> 00:24:11.519 But that is the same way of taking like um uh slave labor. 00:24:11.680 --> 00:24:18.720 They talk about a Martian year being two years, so you make like a uh uh a deal with a uh a company very uh very alien. 00:24:18.880 --> 00:24:23.119 You know, you make a deal to uh to be a contractor, and then you get there and it's like, wait, how long's a year? 00:24:23.359 --> 00:24:27.680 Yeah, and they can maybe just extend it too if you're bad at being a minor, or right, right. 00:24:27.920 --> 00:24:28.400 Yeah, yeah. 00:24:28.480 --> 00:24:39.599 Well, and I think the matriarchy aspect of it is like the least explored because they could have, and I think that's where you it majorly fumbles because like the idea of Desolation Williams, like what would a criminal in this world be? 00:24:39.759 --> 00:24:54.559 If anything, he should have been like super smooth and like very caring to kind of blend in so he can kind of get the to capitalize on they do talk about men being in less of a supply for for them, and it's like the good genetics to to breed and stuff. 00:24:54.799 --> 00:24:57.200 So like I I don't know. 00:24:57.519 --> 00:25:11.279 He does talk about um uh him being at the ends with law for like his entire life, and then he says, I've never, you know, it's like it's like you have all those guns, you know, it's like never killed

anybody, or it's like uh or I didn't kill nobody, and it's like how do I immediately believe him? 00:25:12.160 --> 00:25:18.640 It's just like man, it it maybe being uh you know, being maybe being black on Mars was just like being black in the 60s or something. 00:25:18.960 --> 00:25:19.359 Right, right. 00:25:19.839 --> 00:25:21.839 You were just ostracized, yeah, yeah. 00:25:22.079 --> 00:25:27.279 And I mean it does make sense because Uno Dos and Thres are also uh minorities, so yeah, yeah. 00:25:27.359 --> 00:25:28.799 So shit, I didn't even think about it. 00:25:28.880 --> 00:25:33.039 All the white guys that are in the little commando group, they're part of Aryan type looking dudes. 00:25:33.359 --> 00:25:33.519 Yeah. 00:25:34.079 --> 00:25:35.359 Whose hair's thing? 00:25:35.519 --> 00:25:40.480 But we're kind of at the at the end of anything I need to uh say on this movie. 00:25:40.720 --> 00:25:46.720 The um thing is for my show, uh I I don't make this to it's also the reason I asked you to be here. 00:25:46.880 --> 00:25:48.400 I don't make this to shit on these movies. 00:25:48.559 --> 00:25:48.640 Right. 00:25:48.880 --> 00:26:04.000 Like I'm trying to appreciate things that really um uh with Screen Gems, like a lot of these movies are forgotten because they had limited release, and then maybe they stretched it out for home rental and stuff like that, but it was just um probably not gonna find them on streaming services or anything like that, just because they were small movies. 00:26:04.480 --> 00:26:13.839 Because of that, like you know, uh, I do also realize people worked on these things, people worked hard on I it would suck to to work on this movie and then uh it comes out and it's like it's one of the worst car movies. 00:26:14.240 --> 00:26:14.480 What? 00:26:14.640 --> 00:26:25.200 And it's like I tried, and so uh I uh I I don't even uh grade them on their quality, I grade them on uh whether or not I'm ever gonna watch them again or show them to somebody. 00:26:25.359 --> 00:26:27.279 Yeah, and this movie that's an obvious yes. 00:26:27.440 --> 00:26:27.599 Yeah. 00:26:28.160 --> 00:26:30.240 I can just turn it on and leave it for the soundtrack. 00:26:30.400 --> 00:26:32.400 Like uh some parts of this movie are good. 00:26:32.480 --> 00:26:34.799 Like and I don't know. 00:26:34.880 --> 00:26:36.480 Um uh uh tell me about it. 00:26:36.559 --> 00:26:38.960 Like, do you have a uh physical media collection at home? 00:26:39.279 --> 00:26:39.680 Yeah, yeah. 00:26:39.759 --> 00:26:43.119 I've been collecting DVDs and Blu-rays since they came out, you know. 00:26:43.200 --> 00:26:46.799 It's just uh to me, movies look better that way a lot of the time. 00:26:47.200 --> 00:26:54.319 Well, um uh I'm saying I'm having kind of a renaissance now because I'm deciding to really like get out of the streaming biz. 00:26:54.720 --> 00:27:00.960 You know, it just uh it um it seems like a big opportunity to suddenly lose a bunch of art that I've already paid for once. 00:27:01.200 --> 00:27:01.599 Right, right. 00:27:01.839 --> 00:27:08.720 And uh like uh the uh at the time when a DVD was coming out and it was$20, like the the dollar was doing better back then too. 00:27:08.960 --> 00:27:22.960 So like um when you can go into a thrift store and buy, you know, especially screen jums, they identify themselves so well, they're always on the on the bridge of the so uh like you know I can go in there, like pick from my list and then like uh walk out not having spent five dollars, you know. 00:27:23.200 --> 00:27:23.440 Right. 00:27:23.680 --> 00:27:27.519 So uh I my appreciation is I'm gonna hold on to this thing probably forever, you know. 00:27:27.680 --> 00:27:30.240 Just uh it because now completionism is my thing. 00:27:30.480 --> 00:27:31.519 Yeah, yeah. 00:27:32.319 --> 00:27:40.640 I'm thinking it's a perfect time for you to do a couple plugs to like try to get whatever audience we have listening to, you know, like follow you you know further in your career. 00:27:41.119 --> 00:27:44.960 Yeah, I mean, if you want to follow me on social media, the best way to do it is Hada Films. 00:27:45.200 --> 00:27:50.960 Uh it's the name of my uh YouTube page where I have my short films and I have trailers to the feature films. 00:27:51.119 --> 00:27:56.720 And then it's also my name on Instagram and on Facebook, uh on Twitter too, but nobody uses Twitter anymore. 00:27:56.880 --> 00:27:58.079 But like you can find me there. 00:27:58.240 --> 00:28:02.480 There's like when we have like when we're able to release a shadow, we'll be able to put it on there. 00:28:02.720 --> 00:28:06.640 Of course, I have my films, The Empty Space, uh, which is like a cosmic horror. 00:28:06.799 --> 00:28:14.079 We have uh The Last Ones, which is uh Borderlands is uh like an exploitation male, kind of like a midnight movie. 00:28:14.160 --> 00:28:17.279 Um, and then we have uh The Last Ones, which is the zombie film. 00:28:17.440 --> 00:28:25.599 Those are all on 2B, you can find them on 2B, Borderlands The Last Ones and Um The Empty Space, you can find them on Screamify or on Screen Box. 00:28:25.839 --> 00:28:27.759 But they're a lot of fun, they're they're cool movies to watch. 00:28:27.839 --> 00:28:36.960 You know, we made them last ones uh was shot in El Paso, Empty Space was shot in Las Cruces and El Paso, Portland's is also shot in El Paso, so you have that kind of hometown feel. 00:28:37.119 --> 00:28:38.000 And so they're a lot of fun. 00:28:38.240 --> 00:28:40.880 So like if you guys want to follow my work, you can find it there. 00:28:41.200 --> 00:28:51.519 Um actually um uh being that uh what do you call it, you're working with film Las Cruces, is there any um uh local productions of stuff that uh like um uh people could use to see what Las Cruces is? 00:28:51.920 --> 00:28:55.279 I was thinking um there's the um the Rio Kitamora movie. 00:28:55.359 --> 00:28:58.720 Um the Price We Pay. 00:28:59.119

--> 00:28:59.839 Oh yeah, yeah. 00:29:00.000 --> 00:29:04.960 There's if you go to our website, you'll find we have a list of all the movies that were shot here in Las Cruces. 00:29:05.279 --> 00:29:06.720 Uh Price We Pay was a big one. 00:29:06.799 --> 00:29:10.720 There was um In the Summers, which just came out last year, one Sundance. 00:29:11.119 --> 00:29:20.240 Um there is uh the I'll Be Gone in June, which just opened a Cannes, and actually stars uh Bianca Dumas, who's gonna be in My Next Project Followed, which we're finishing now. 00:29:20.400 --> 00:29:25.359 Um so yeah, there's a lot of movies that have been shot here that you can kind of see what Las Cruces can do. 00:29:25.440 --> 00:29:37.359 There's films from locals like The Empty Space, or there was um uh Hidden Flora by Ryan Rox, but there's also um like In the Summers or Tyler Perry's college road trip. 00:29:37.519 --> 00:29:39.519 The big finale is actually filmed in Las Cruces. 00:29:39.759 --> 00:29:40.000 Oh, yeah. 00:29:40.160 --> 00:29:41.519 Um so there's uh there's a lot of good movies. 00:29:41.599 --> 00:29:48.400 If you go to our website, which is just filmlascruces.com, there's a filmography page, and you can kind of see all the movies, and we try to put where they are too. 00:29:49.200 --> 00:29:56.079 I I brought up the the Ryu Kitamura movie because um I think special Cinephiles would just be like um they'll remember verses. 00:29:56.240 --> 00:30:01.200 And uh just like it's like a a filmmaker grabbing two different action figures and making them into a movie. 00:30:01.359 --> 00:30:09.759 And it's just uh um Yakuza versus you know zombie samurai's is kind of like ooh, you're playing with like you know, just it's the double mumbo jumbo of easy care. 00:30:10.000 --> 00:30:10.559 Yeah, you know. 00:30:11.119 --> 00:30:14.799 Well, and also murder me train, like people love that movie. 00:30:14.880 --> 00:30:19.279 They talk about that movie so much that I think it might have almost ruined Bradley Cooper's career, right? 00:30:19.599 --> 00:30:23.839 Like uh you were talking about Snatch, it's like uh I love Vinny Jones, you know. 00:30:24.000 --> 00:30:30.079 Like I um in my show I've kind of established that uh there are a couple superpowers that people in you know in the film industry have. 00:30:30.160 --> 00:30:33.599 And so like I always think there's the power of charisma over talent. 00:30:33.920 --> 00:30:34.160 Right. 00:30:34.319 --> 00:30:41.119 And so uh like my example for that is usually like Danny Trejo, Michelle Rodriguez, and I was using Jason Statham, however he was an actor in this one. 00:30:41.359 --> 00:30:48.480 But it's like once they found out who they were, they are that person in this movie so that they can do some like it's you know shorthand. 00:30:48.640 --> 00:30:54.960 Yeah, you know, it's it's just it saves you a little bit of work because it's like, no, I know Michelle Rodriguez is tough in any goddamn movie she's in. 00:30:55.119 --> 00:30:59.359 And uh like so Danny Trejo doesn't even need a name, he just needs to show up, and you know. 00:31:00.079 --> 00:31:03.680 I joke that the like the lines in his face are better than a million dollar script, man. 00:31:03.759 --> 00:31:05.359 He just uh he I don't know. 00:31:05.599 --> 00:31:08.319 Um is it in heat his name is Trejo? 00:31:08.559 --> 00:31:08.720 Yeah. 00:31:08.960 --> 00:31:16.400 I think there's a bunch of movies where his name's Trejo or uh machete or um when he dies in heat, that is the saddest thing ever. 00:31:16.480 --> 00:31:16.559 Yeah. 00:31:16.880 --> 00:31:21.200 He does the It's like uh Darth Vader going, no. 00:31:21.359 --> 00:31:21.599 Yeah. 00:31:22.960 --> 00:31:31.279 The power of uh like ambivalence, I think, was the the other one I went, where it's just uh like Guy Richie will make the same movie, but he doesn't care because he made this Sean Rev movie. 00:31:31.440 --> 00:31:44.480 Yeah, or um uh that that would be the um the Carpenter thing, which did not work in this case, where he did not care about what people thought about you know modern filmmaking, and then he just used all of his old tricks, and this time it just didn't work. 00:31:44.799 --> 00:31:45.119 Yeah. 00:31:45.359 --> 00:31:48.880 And I wonder if it was because like he had just come off, like you were saying, of Paramount. 00:31:48.960 --> 00:31:53.359 So it was like remember on the Invisible Man, and those were more like guarded by the studios. 00:31:53.680 --> 00:31:55.359 I remember after he was like, I never want to work for the studio. 00:31:55.680 --> 00:31:57.680 Can you imagine watching the dailies for this movie? 00:31:58.240 --> 00:31:59.519 Like, what the fuck's he doing? 00:32:00.000 --> 00:32:01.519 I know not in a lot of people. 00:32:01.759 --> 00:32:04.079 Like I I was like, well, this looks cool. 00:32:04.240 --> 00:32:08.319 Like uh and it's like I this thing ghosts is such a turnoff for me, man. 00:32:08.400 --> 00:32:08.640 Yeah. 00:32:11.519 --> 00:32:14.400 Because there are ghosts in this movie, it does not need to be explained, you know? 00:32:14.720 --> 00:32:15.359 Right, right. 00:32:16.880 --> 00:32:19.039 I don't know, they they don't have typical rules. 00:32:19.279 --> 00:32:23.119 The last movie I did was about vampires, and it was it was also kind of just like no, fuck it. 00:32:23.200 --> 00:32:24.880 We don't really need to follow any of the tropes. 00:32:24.960 --> 00:32:27.200 It's like they're gonna start drinking blood and you're gonna get it. 00:32:27.359 --> 00:32:27.519 Yeah. 00:32:27.680 --> 00:32:30.480 You know, I so I I really do thank you for coming. 00:32:30.720 --> 00:32:31.359 Oh, well, thank you. 00:32:31.440 --> 00:32:39.200 Yeah, you you you really did uh you lent a lot of uh legitimacy to uh to a podcast about really just uh talking about movies to have somebody who's in it. 00:32:39.440 --> 00:32:39.759 Well, cool. 00:32:39.839 --> 00:32:40.240 Well, thank

you. 00:32:40.319 --> 00:32:41.200 Yeah, thanks for having me on. 00:32:41.279 --> 00:32:49.680 I had a lot of fun and I love, I mean, Carpenter is such a big influence on on my films and on my you know, writing and especially like my music choices that I use. 00:32:49.839 --> 00:32:52.799 So I love talking about Carpenter, so it's always fun to do it. 00:32:52.880 --> 00:32:53.519 So thank you for having me. 00:32:53.680 --> 00:32:58.000 Well, and uh I just I I said it before, the worst carpenter is still better than a lot of movies. 00:32:58.160 --> 00:32:58.640 Exactly. 00:32:59.279 --> 00:33:02.000 There's always something you can learn from Carpenter either way, yeah. 00:33:02.640 --> 00:33:04.880 Thank you for listening to my conversation with Andrew Hada. 00:33:05.119 --> 00:33:09.200 He's a truly sweet man who makes some scary movies, which you can watch anywhere on TV. 00:33:09.440 --> 00:33:15.359 Before we sat down and started recording, I was sort of explaining my show's premise, and it dawned on me like the sun when you're hungover. 00:33:15.519 --> 00:33:17.440 I'm gonna be doing this for the next two years. 00:33:17.599 --> 00:33:18.960 So I'm gonna have fun with it. 00:33:19.039 --> 00:33:20.880 And I gotta let it go when I mess up. 00:33:21.039 --> 00:33:30.480 That being said, we recorded in beautiful Las Cruces, New Mexico, and the external shots of this movie, Mars, if you will, was shot a bit north of Rio Rancho in Zill Pueblo. 00:33:30.640 --> 00:33:32.240 It's like a three and a half hour drive. 00:33:32.400 --> 00:33:33.519 I had my notes on me. 00:33:33.599 --> 00:33:34.960 Why didn't I say that? 00:33:35.119 --> 00:33:41.279 Also, we talked at length about the Matriarchal Society, but why didn't I notice the movie passes the Victal test? 00:33:41.759 --> 00:33:43.599 Bear with me, we got a lot of movies to go. 00:33:43.759 --> 00:33:50.799 My name is Evan Hughes, and you've been listening to Before You've Been Possessed by my podcast, which is about the films released by Sony under the labeled Screen Jems. 00:33:50.960 --> 00:33:55.519 Next week, we're continuing to explore the Morris Chestnut Soccer, and it's so much better than the brothers. 00:33:55.680 --> 00:33:57.279 Play the trailer for two play that cast. 00:33:57.680 --> 00:33:58.720 I don't believe him. 00:33:59.119 --> 00:34:00.160 Oh, he's the dog. 00:34:06.880 --> 00:34:09.519 You tell me to say that you know the 411 on the feather. 00:34:09.840 --> 00:34:12.159 I don't want to toot my own more, but baby. 00:34:14.239 --> 00:34:15.199 Never met her mad. 00:34:24.800 --> 00:34:25.519 Double net. 00:34:27.519 --> 00:34:27.840 Better. 00:34:30.159 --> 00:34:30.320 Okay. 00:34:38.400 --> 00:34:39.679 The lines have been drawn. 00:34:40.079 --> 00:34:40.880 Eleven war. 00:34:41.360 --> 00:34:42.719 Maintain military silence. 00:34:43.039 --> 00:34:43.920 Okay, baby's keys. 00:34:44.079 --> 00:34:44.719 Can we call, okay? 00:34:44.960 --> 00:34:46.400 You have eleven messages. 00:34:46.480 --> 00:34:47.920 That's what I'm talking about. 00:34:48.159 --> 00:34:50.880 The tides have been chosen in the amateur. 00:34:51.440 --> 00:34:51.840 Yeah, well. 00:34:53.519 --> 00:34:57.840 And the battle of the Texas is going to be an all-out war. 00:34:58.559 --> 00:34:59.440 I don't understand. 00:34:59.679 --> 00:35:05.760 No, because a man can have a mouthful of gold teeth and be broke as a real design. 00:35:06.800 --> 00:35:07.519 Rebecca A. 00:35:07.679 --> 00:35:09.119 Fox, Anthony Anderson. 00:35:09.440 --> 00:35:10.960 Does the back of my neck really look like this? 00:35:11.199 --> 00:35:18.400 Wendy Raquel Robinson, Bobby Brown, Pamela Jones, Monique. 00:35:18.639 --> 00:35:19.679 But what is this? 00:35:21.840 --> 00:35:22.480 We need some meat. 00:35:23.679 --> 00:35:29.599 With Gabrielle Union and Marit Chestnut and Keith, I need to get back to being the player that I used to be. 00:35:29.760 --> 00:35:30.239 Play off. 00:35:31.199 --> 00:35:37.119 In a comedy that proves when men start playing around, it's my good job. 00:35:39.679 --> 00:35:41.199 Women will eat in the store. 00:35:43.280 --> 00:35:44.079 You know he's not a man. 00:35:44.559 --> 00:35:46.559 He's romantic, certainly not acting like it. 00:35:46.800 --> 00:35:50.639 Well, perhaps he wouldn't be if he didn't have a little hooch like you and behind him all the time. 00:35:50.800 --> 00:35:52.079 You want me to handle this for you? 00:35:52.239 --> 00:35:53.679 I got the situation under control. 00:35:53.760 --> 00:35:54.960 I'll get scared. 00:35:57.119 --> 00:35:59.119 Because two can play that game. 00:35:59.280 --> 00:36:01.440 Women, it's some emotional creatures pretty soon. 00:36:01.519 --> 00:36:04.559 Women are just gonna be pulling these hand trips on us, and you know what's gonna happen? 00:36:04.639 --> 00:36:06.239 We're gonna be the ones changing the diaper. 00:36:06.559 --> 00:36:10.239 They gonna be sitting on our couches watching football on our Sunday, dog. 00:36:10.480 --> 00:36:11.360 That's what's gonna happen. 00:36:11.840 --> 00:36:13.039 This is much bigger than you, man. 00:36:13.199 --> 00:36:13.679 Bigger than me? 00:36:13.920 --> 00:36:15.039 That's way bigger than you. 00:36:15.119 --> 00:36:15.440 Woo! 00:36:17.679 --> 00:36:19.119 Alright, we'll be back next week. 00:36:19.280 --> 00:36:20.320 Back next week.