Transkrip penuh untuk The One Starring Singer Songwriter Actress Olivia Sanabia Unlike Any Other

00:01:44.519 --> 00:01:47.099 listen to the lyrics in order to get the entire concept. 40 00:01:47.099 --> 00:01:50.540 100%. I totally agree. 41 00:01:50.579 --> 00:01:54.459 And we have some, some songs in this film and 42 00:01:54.500 --> 00:01:58.329 they just are, are really, you know, integral to what 43 00:01:58.349 --> 00:02:00.540 our message is. And I think it's like, honestly, if 44 00:02:00.579 --> 00:02:03.340 you listen to what the song is in our film, 45 00:02:03.359 --> 00:02:05.560 it's kind of Gives you a clue to what the 46 00:02:05.579 --> 00:02:06.379 whole message is. 47 00:02:06.480 --> 00:02:08.659 So, yes, it's very important. 48 00:02:09.120 --> 00:02:10.909 Well, I feel like a cheater and I'm going to 49 00:02:10.939 --> 00:02:13.330 come clean here because I got to see it on 50 00:02:13.349 --> 00:02:16.909 my own big flat screen TV. I rewound it several 51 00:02:16.969 --> 00:02:19.990 times to watch Martin Sheen sing. And it man, that 52 00:02:20.050 --> 00:02:22.840 is a moment. It is going to be. 53 00:02:22.979 --> 00:02:24.419 A special moment. 54 00:02:24.520 --> 00:02:25.419 Oh, my God. 55 00:02:26.000 --> 00:02:26.599 Oh, yes. 56 00:02:27.259 --> 00:02:30.050 Oh, I had to keep going back and watching it. 57 00:02:31.909 --> 00:02:34.310 Yes. And you know what? That was actually just him. 58 00:02:34.330 --> 00:02:36.460 That was just him having a good idea and coming 59 00:02:36.509 --> 00:02:39.800 up with, with just fun moments to fill, to fill 60 00:02:39.840 --> 00:02:41.139 the screen with. 61 00:02:41.319 --> 00:02:43.620 And yeah, that was just, that was just some Martin 62 00:02:43.639 --> 00:02:44.419 magic right there. 63 00:02:44.479 --> 00:02:46.340 He was just coming up with that himself and it's, 64 00:02:46.539 --> 00:02:49.439 it's so special to watch him sing and he just 65 00:02:49.490 --> 00:02:52.319 has this, essence and this presence about him that we 66 00:02:52.360 --> 00:02:55.099 all know and love but getting to see him embody 67 00:02:55.139 --> 00:02:57.919 christmas magic was just a whole nother level. 68 00:02:57.780 --> 00:03:00.469 Well they carry his storyline all the way through this 69 00:03:00.530 --> 00:03:02.500 and i don't want to spoil the movie but oh 70 00:03:02.719 --> 00:03:04.750 man stuff going on in this movie that you have 71 00:03:04.930 --> 00:03:06.689 really got to pay attention. 72 00:03:06.250 --> 00:03:11.110 To absolutely absolutely like you said i want to i 73 00:03:11.129 --> 00:03:13.669 don't want to spoil anything for anyone but yes there's 74 00:03:13.750 --> 00:03:17.129 a through line of of um just kind of this 75 00:03:17.210 --> 00:03:19.340 trail of magic that Martin leaves and you gotta, you 76 00:03:19.360 --> 00:03:22.800 gotta be paying attention and not miss anything. But, um, yeah, 77 00:03:23.860 --> 00:03:26.939 he is such an important through line in this film. 78 00:03:26.759 --> 00:03:30.060 And, and, um, Yeah, you just got to keep an 79 00:03:30.139 --> 00:03:30.500 eye on him. 80 00:03:30.780 --> 00:03:33.199 There are two things that happened toward the end of 81 00:03:33.240 --> 00:03:36.080 the movie that just turned me into a gigantic, big 82 00:03:36.180 --> 00:03:39.330 old crybaby. And I don't know what it is about 83 00:03:39.409 --> 00:03:41.990 being in that pool. And I think you know what 84 00:03:42.009 --> 00:03:45.050 I'm talking about. I swear to you, I lose it 85 00:03:45.389 --> 00:03:47.949 every time. And I don't know if that's because I 86 00:03:47.990 --> 00:03:49.949 have visions of my mother being with me in a 87 00:03:49.969 --> 00:03:52.340 moment like that or what it was. But, oh, you 88 00:03:52.379 --> 00:03:55.979 have you set that scene up so well and people 89 00:03:56.159 --> 00:03:58.400 are going to change in that moment. 90 00:04:00.400 --> 00:04:02.500 Wow, that is very kind of you to say that. 91 00:04:02.860 --> 00:04:03.840 Thank you so much. 92 00:04:03.900 --> 00:04:06.340 You know, it was it was very heavy and very 93 00:04:06.360 --> 00:04:11.270 emotional to shoot. And so I really hope that that's 94 00:04:11.610 --> 00:04:13.469 the effect. 95 00:04:13.550 --> 00:04:15.550 I hope that people walk away feeling better. 96 00:04:16.100 --> 00:04:20.139 As though they understand what my character Alexis is going 97 00:04:20.170 --> 00:04:23.230 through in that moment and the depth of her friendship 98 00:04:23.529 --> 00:04:25.430 with Hawk and how much he wants to save her 99 00:04:25.490 --> 00:04:27.310 no matter his own fear. 100 00:04:27.370 --> 00:04:29.269 And I think there's a lot of selflessness and there's 101 00:04:29.310 --> 00:04:29.689 a lot of. 102 00:04:32.069 --> 00:04:34.449 Honestly, there's just a lot of deep friendship right there. 103 00:04:34.490 --> 00:04:37.829 So I'm glad that you felt that moment. And I 104 00:04:37.879 --> 00:04:39.879 think we felt it shooting it. And I really do 105 00:04:39.899 --> 00:04:40.740 think it translates. 106 00:04:41.019 --> 00:04:43.420 Oh my God, it's so real. Once again, because I'm 107 00:04:43.439 --> 00:04:46.560 with Elevation and we see things like this all the time. 108 00:04:46.819 --> 00:04:49.839 I lost it like I do on Sunday mornings. And 109 00:04:49.899 --> 00:04:53.310 I just knew in that moment that, oh, I just, 110 00:04:53.399 --> 00:04:56.350 I can't explain it. Or as we say at Elevation, 111 00:04:56.470 --> 00:04:57.310 raised to life. 112 00:04:58.449 --> 00:04:58.889 Mm-hmm. 113 00:05:00.410 --> 00:05:02.819 Oh, I'm so glad to hear you say that. That's 114 00:05:03.620 --> 00:05:05.639 so great that you were able to feel that from 115 00:05:05.680 --> 00:05:07.779 this film. That makes me really happy. That means I 116 00:05:07.800 --> 00:05:09.839 think we did our job with this film. 117 00:05:10.079 --> 00:05:12.220 Well, you guys did do your job because the one 118 00:05:12.259 --> 00:05:14.790 thing that I felt in this entire movie, and I 119

00:05:14.850 --> 00:05:17.509 could be very, very wrong, but it feels like one 120 00:05:17.589 --> 00:05:21.550 life is repairing while another life is breaking down. And 121 00:05:21.709 --> 00:05:26.389 then they meet. And you talk about the opposites attracting. 122 00:05:26.810 --> 00:05:31.420 Oh my God. Just everything from the writing to the acting, 123 00:05:31.459 --> 00:05:35.459 to the directing, the lighting, everything plays out in these scenes. 124 00:05:37.740 --> 00:05:38.540 Absolutely. 125 00:05:38.579 --> 00:05:42.240 That's so interesting. You said the opposites attract thing. I 126 00:05:42.279 --> 00:05:45.480 think it's, it's, it's very true. I mean, I think 127 00:05:45.839 --> 00:05:48.759 Hawk and my character, Alexis, they just, they just couldn't 128 00:05:48.819 --> 00:05:51.100 be more opposite in their journeys when they're meeting and 129 00:05:51.589 --> 00:05:53.860 You know, Alexis has grown up with this really loving 130 00:05:53.920 --> 00:05:55.600 family and Hawk has grown up in and out of 131 00:05:55.620 --> 00:05:59.500 the foster system. And I think they both honestly are 132 00:05:59.540 --> 00:06:02.139 struggling with a very similar thing of just wanting. 133 00:06:01.879 --> 00:06:04.100 To feel like they belong. 134 00:06:05.300 --> 00:06:10.009 And I think that even though their circumstances are very different, 135 00:06:10.029 --> 00:06:12.850 they relate to each other so much. And so I 136 00:06:13.509 --> 00:06:17.290 think that there's something for everyone, no matter where you 137 00:06:17.350 --> 00:06:20.620 are in life, to relate to. just in the same 138 00:06:20.680 --> 00:06:22.920 way that they do as friends. And it's kind of 139 00:06:23.399 --> 00:06:27.300 indicative of how we are in relationships just as normal people. 140 00:06:27.319 --> 00:06:28.819 It's like we can be going through a lot of 141 00:06:28.850 --> 00:06:32.129 different things, but we can always find something in common, 142 00:06:32.230 --> 00:06:33.550 especially at Christmas time. 143 00:06:33.610 --> 00:06:33.810 Yeah. 144 00:06:34.439 --> 00:06:36.480 Well, here's the thing, Olivia. It doesn't feel like a 145 00:06:36.519 --> 00:06:39.240 Christmas movie. It feels like something that is every day. 146 00:06:39.300 --> 00:06:41.569 It feels like something I can watch in January. I 147 00:06:41.589 --> 00:06:44.170 can watch it in September. I mean, that's what I 148 00:06:44.209 --> 00:06:47.430 love about this movie is that you really do embrace 149 00:06:47.629 --> 00:06:50.329 a moment that takes... Well, I believe you say it 150 00:06:50.350 --> 00:06:53.100 all the way through the movie. Do you not worry? 151 00:06:53.220 --> 00:06:55.060 It's 365 days. It's every day. 152 00:06:55.939 --> 00:07:00.019 Yes, yes. Oh, I'm so glad to hear you say that. Yes, absolutely. 153 00:07:00.040 --> 00:07:04.000 I mean... Our setting is during Christmas time, but 100%, 154 00:07:04.000 --> 00:07:08.389 this is just a

very human story of. 155 00:07:10.029 --> 00:07:14.240 Looking for belonging. And, you know, as we say, it's about. 156 00:07:15.420 --> 00:07:18.259 Alexis looking to find the one and looking to find 157 00:07:18.279 --> 00:07:20.680 where she belongs and Spock looking to find the one 158 00:07:20.699 --> 00:07:23.160 and looking to find where he belongs. And yeah, I mean, 159 00:07:23.199 --> 00:07:25.850 I feel like that message is relevant no matter what 160 00:07:25.879 --> 00:07:26.550 time of year it is. 161 00:07:27.060 --> 00:07:28.610 Oh, and I'm going to call you that right now 162 00:07:28.670 --> 00:07:31.730 because we're going into a moment right now where every 163 00:07:31.990 --> 00:07:36.629 young YA reader and person who loves young movies, what 164 00:07:36.670 --> 00:07:38.449 they're going to do is they're going to see something 165 00:07:38.649 --> 00:07:41.740 I've never seen on the screen before. And it's you, Alexa, 166 00:07:41.750 --> 00:07:46.449 doing this. Ignoring the phone call. The bottle, the peer pressure. 167 00:07:46.689 --> 00:07:49.209 You know what I'm talking about. And my God, could 168 00:07:49.250 --> 00:07:51.670 that have been more genuine than what it was? I mean, 169 00:07:51.949 --> 00:07:54.589 you really made me sink into a thinking about my 170 00:07:54.709 --> 00:07:57.629 own childhood and what we did with peer pressure. And 171 00:07:57.769 --> 00:08:00.250 then to be in this moment of today where teens 172 00:08:00.310 --> 00:08:03.670 are making those decisions now. Hmm. 173 00:08:04.569 --> 00:08:05.069 Oh, wow. 174 00:08:05.189 --> 00:08:05.430 Wow. 175 00:08:05.509 --> 00:08:08.350 That's interesting. I'm glad to hear you say that. 176 00:08:08.389 --> 00:08:08.689 Yeah. 177 00:08:09.230 --> 00:08:12.009 Alexis faces a lot of peer pressure. 178 00:08:12.089 --> 00:08:12.529 Yeah. 179 00:08:12.949 --> 00:08:15.230 And she's faced with a lot of difficult decisions. 180 00:08:15.550 --> 00:08:19.310 And and she's also at her most vulnerable and looking 181 00:08:19.350 --> 00:08:25.490 for comfort and feeling a lot of rebellion because, you know, 182 00:08:25.529 --> 00:08:28.399 she's pushing against her mom, who's deeply hurt. kind of 183 00:08:28.480 --> 00:08:32.539 hurting her in this film and and and she's grieving 184 00:08:32.600 --> 00:08:34.620 in a very different way than her mother is and 185 00:08:35.100 --> 00:08:37.039 and then the rest of her family is and i 186 00:08:37.080 --> 00:08:40.850 think yeah we need her so i think it's something 187 00:08:40.889 --> 00:08:44.990 that everyone has either been there or or is currently 188 00:08:45.009 --> 00:08:48.529 there and so yeah there's something there's something for everyone. 189 00:08:48.590 --> 00:08:51.559 The movie we're talking about is the one starring olivia 190 00:08:51.700 --> 00:08:56.309 sinabia we'll be right back Hey, thanks for coming back 191 00:08:56.350 --> 00:08:59.529 to our conversation with Olivia Sanabria. The movie we're talking 192 00:08:59.549 --> 00:09:03.730 about is The One. Did you record the song Evergreen 193 00:09:03.789 --> 00:09:06.740 before the shooting of the film or afterwards, after you 194 00:09:06.820 --> 00:09:10.059 embraced all the emotion that this movie brings forward? 195 00:09:11.879 --> 00:09:13.019 You know what? 196 00:09:13.039 --> 00:09:16.100 I actually wrote and recorded that song before this movie 197 00:09:16.200 --> 00:09:18.899 even came into my life. Wow. Wow. 198 00:09:19.200 --> 00:09:22.250 Because this song has got emotion, too. This is the 199 00:09:22.269 --> 00:09:24.639 kind of stuff... When I'm sitting in the car, it's 200 00:09:24.700 --> 00:09:27.019 a red light, and I think the world is caving in. 201 00:09:27.480 --> 00:09:30.179 Evergreen takes me away from that. It allows me to 202 00:09:30.220 --> 00:09:33.429 put my imagination and my heart totally in a different place. 203 00:09:33.830 --> 00:09:35.870 And you've done the right thing with this song. What 204 00:09:35.889 --> 00:09:37.370 was it like for you to be in the studio 205 00:09:37.470 --> 00:09:41.169 doing that? Because you obviously saw who we are as listeners. Otherwise, 206 00:09:41.210 --> 00:09:41.980 I wouldn't feel it. 207 00:09:41.990 --> 00:09:45.730 Oh, gosh. Thank you so much for saying that. 208 00:09:46.220 --> 00:09:49.419 That's really such a relief to hear because I feel 209 00:09:49.440 --> 00:09:52.960 like As an artist, whether I'm working on music or 210 00:09:53.000 --> 00:09:56.629 whether I'm doing TV and film, that's the goal. I 211 00:09:56.669 --> 00:09:59.899 want people to be able to kind of have a 212 00:09:59.960 --> 00:10:02.759 moment to escape from their daily life of whether it's 213 00:10:02.779 --> 00:10:04.799 sitting down to watch a movie at the theater and 214 00:10:04.820 --> 00:10:07.610 just being able to just go to a different world 215 00:10:07.750 --> 00:10:10.289 for an hour and a half. Or like you said, 216 00:10:10.309 --> 00:10:12.190 whether it's sitting in the car and being able to 217 00:10:12.230 --> 00:10:14.470 just look out the window and have a moment where 218 00:10:14.490 --> 00:10:17.929 you're just, you know, either a moment of relief or 219 00:10:17.970 --> 00:10:21.179 a moment of kind of escapism. So I'm so glad 220 00:10:21.210 --> 00:10:25.450 that you said that. I think that there's kind of 221 00:10:25.490 --> 00:10:28.570 something for everyone in my song Evergreen, just like there 222 00:10:28.629 --> 00:10:31.990 is for The One. So I really hope that people 223 00:10:32.029 --> 00:10:33.649 continue to love this Christmas song. 224 00:10:33.809 --> 00:10:36.250 Well, one of the things that listeners never get to experience, 225 00:10:36.289 --> 00:10:38.070 and I hope that you did, is that when you 226 00:10:38.110 --> 00:10:40.470 drop your vocals down for a song like Evergreen, and 227 00:10:40.490 --> 00:10:42.429 then you get to go sit in the

engineer room 228 00:10:42.529 --> 00:10:45.509 and listen to it on their speakers. Oh my God. 229 00:10:46.009 --> 00:10:48.570 Is there a better feeling and a better sound than 230 00:10:48.610 --> 00:10:50.490 to be right there with the I mean, it is 231 00:10:50.629 --> 00:10:53.929 perfectly mixed and, and, and the bass is there and 232 00:10:53.960 --> 00:10:55.980 the vocals, they have their high end and you've got 233 00:10:56.000 --> 00:10:57.960 some re and oh my God, it's such a moment. 234 00:10:58.279 --> 00:11:00.620 What did you feel when you heard it inside the 235 00:11:00.679 --> 00:11:02.299 engineer studio? If you got there? 236 00:11:03.740 --> 00:11:04.159 You know what? 237 00:11:04.179 --> 00:11:07.120 It is a really surreal, special moment to be able 238 00:11:07.139 --> 00:11:11.990 to go in, pour your heart into recording and, and 239 00:11:12.009 --> 00:11:13.690 then be able to listen back. It was, it was 240 00:11:13.730 --> 00:11:17.269 a really, really special moment. And I put so many 241 00:11:17.309 --> 00:11:20.090 hours into it. kind of caring for the song and 242 00:11:20.169 --> 00:11:22.909 creating it. So to be able to hear it back 243 00:11:22.950 --> 00:11:24.970 in the way that I intended to. 244 00:11:26.409 --> 00:11:29.509 Make it sound was really, really special. 245 00:11:30.350 --> 00:11:30.590 Wow. 246 00:11:31.210 --> 00:11:33.960 There's another scene in this movie that really captures the 247 00:11:34.000 --> 00:11:36.500 human heart because you guys were not afraid to touch 248 00:11:36.559 --> 00:11:39.919 realism here. And I called it the blame game. You know, 249 00:11:39.960 --> 00:11:42.120 it's like, it was, you weren't in the scene yet, 250 00:11:42.139 --> 00:11:44.110 but mom and dad were blaming each other. No, it's 251 00:11:44.120 --> 00:11:46.269 not your fault. Yes, it is my fault. And all 252 00:11:46.289 --> 00:11:48.230 of a sudden I went, I've been there. And all 253 00:11:48.250 --> 00:11:50.490 of a sudden I found myself even deeper into the 254 00:11:50.509 --> 00:11:54.009 storyline because you guys keep talking about our everyday life 255 00:11:54.070 --> 00:11:54.730 in this movie. 256 00:11:55.490 --> 00:11:56.269 Yes, 100%. 257 00:11:56.269 --> 00:11:59.389 Oh, I'm so glad that you said that. Yes, there's 258 00:12:00.610 --> 00:12:04.500 so much realism. There's so much honesty about relationships. And 259 00:12:04.539 --> 00:12:07.740 I feel like, what we didn't do is, is, is 260 00:12:07.799 --> 00:12:10.460 glamorize any of the themes that we are exploring or 261 00:12:11.279 --> 00:12:19.120 exploring grief and, and, um, and grief during the holidays and, um, 262 00:12:19.899 --> 00:12:23.690 searching for purpose and, and, and searching for friendship and 263 00:12:23.990 --> 00:12:27.730 so many deep themes. And I feel like there's so 264 00:12:27.769 --> 00:12:30.250 much for everyone to relate to because we're just very 265 00:12:30.450 --> 00:12:33.370 honest in this movie in so many ways. 266 00:12:33.470 --> 00:12:39.629 It's, it's, um, uh, definite heavier version of a Christmas. 267 00:12:39.330 --> 00:12:42.059 Movie just because of the honesty in which we're trying 268 00:12:42.100 --> 00:12:42.580 to tell it. 269 00:12:43.559 --> 00:12:45.580 Well, I'll tell you what I loved about the movie 270 00:12:45.740 --> 00:12:47.440 is that, you know, we, when I, when I'm with 271 00:12:47.480 --> 00:12:49.419 my family, cause I have eight brothers and sisters and 272 00:12:49.460 --> 00:12:52.240 then mom and dad, and then to have a movie 273 00:12:52.320 --> 00:12:54.500 like this, it's like, you, you put me back in 274 00:12:54.539 --> 00:12:57.419 that position of, okay, we lived happily ever after on 275 00:12:57.470 --> 00:13:00.149 Christmas day, but what about life after Christmas day? And you, 276 00:13:00.269 --> 00:13:02.210 and you deal with that in this movie. 277 00:13:02.330 --> 00:13:02.649 Yes. 278 00:13:02.669 --> 00:13:02.769 Yes. 279 00:13:02.809 --> 00:13:02.889 Yes. 280 00:13:28.429 --> 00:13:31.009 Oh, I love that. You're inspiring me. I think I 281 00:13:31.070 --> 00:13:33.110 need to do the same. It really is peace and 282 00:13:33.710 --> 00:13:34.610 it's so joyful. 283 00:13:34.629 --> 00:13:36.649 I'm counting the days right now until I get to 284 00:13:36.690 --> 00:13:37.690 put my Christmas tree up. 285 00:13:37.750 --> 00:13:39.929 So I might have to take a page out of 286 00:13:39.950 --> 00:13:41.049 your book and do that. 287 00:13:41.370 --> 00:13:43.529 Just do me a favor. Do not go eat pizza 288 00:13:43.570 --> 00:13:45.750 with Hawk ever again. I'm telling you that was not 289 00:13:45.789 --> 00:13:48.129 a good move. I was really afraid of the two 290 00:13:48.200 --> 00:13:48.929 of you on that. 291 00:13:50.169 --> 00:13:53.759 You know what? Yes. If you've seen the movie, then 292 00:13:53.799 --> 00:13:54.580 you know that there was a. 293 00:13:54.539 --> 00:13:57.200 Bit of dumpster diving for some pizza. I don't think 294 00:13:57.220 --> 00:13:58.980 I'll do that. I don't think I'll do that again 295 00:13:59.019 --> 00:14:00.080 anytime soon. 296 00:14:00.700 --> 00:14:03.470 Although I did. I did. When he opens up that box, 297 00:14:03.509 --> 00:14:06.070 I did go, yum. And I thought, no, you dummy. 298 00:14:06.129 --> 00:14:06.549 I know. 299 00:14:06.570 --> 00:14:08.090 Right. 300 00:14:08.169 --> 00:14:10.789 It actually looks delicious. So, I mean, who can blame them? 301 00:14:12.429 --> 00:14:17.230 Did you find inspiration in maybe writing or producing stories 302 00:14:17.309 --> 00:14:19.629 just like this? Because of the way that it was 303 00:14:19.730 --> 00:14:22.289 so real. In fact, one of the most real scenes 304 00:14:22.409 --> 00:14:26.070 was the gratefulness at the dinner table where everybody had 305 00:14:26.110 --> 00:14:28.750 to share something about being grateful. I'm grateful for this. 306 00:14:29.129 -->

00:14:31.450 I've never seen that before in my life. I want 307 00:14:31.470 --> 00:14:32.840 to start that as a tradition. 308 00:14:34.379 --> 00:14:37.360 I know. Wasn't it a really, really fabulous thing to 309 00:14:37.379 --> 00:14:40.639 be able to to witness on camera was just, you know, 310 00:14:40.679 --> 00:14:43.240 a family going around and all saying what they're grateful for. 311 00:14:43.779 --> 00:14:47.639 Even though my character, Alexis was having a difficult time 312 00:14:47.720 --> 00:14:50.759 expressing her gratitude and kind of was having her moment 313 00:14:50.799 --> 00:14:51.730 of teenage angst. 314 00:14:51.759 --> 00:14:54.730 I think it was, you know, guiding her in the 315 00:14:54.759 --> 00:14:55.370 right direction. 316 00:14:55.730 --> 00:14:57.549 And it was really sweet to be able to see 317 00:14:57.570 --> 00:15:00.990 even through their grief, what, what their family was, was 318 00:15:01.049 --> 00:15:03.009 able to, to stand up and say that they are 319 00:15:03.049 --> 00:15:07.009 grateful for. So, yeah, I know with Thanksgiving coming around 320 00:15:07.070 --> 00:15:09.710 and Christmas, it's, I think something cool to implement. 321 00:15:10.409 --> 00:15:13.700 You hit so many subjects inside this storyline. And one 322 00:15:13.720 --> 00:15:15.779 of them, and I've done so much research on this, 323 00:15:15.820 --> 00:15:19.940 and I'm so glad that this movie, it really brings 324 00:15:19.980 --> 00:15:21.379 it in. And by the way, for listeners, the movie 325 00:15:21.399 --> 00:15:25.090 is called The One. But Alexis and Hawk, when they 326 00:15:25.230 --> 00:15:28.629 are together, now people would naturally say, oh, they're homeless. Well, 327 00:15:28.789 --> 00:15:32.419 everything I've researched, they're not homeless at all. that is 328 00:15:32.480 --> 00:15:35.919 a community. They found each other. That's a community and 329 00:15:35.980 --> 00:15:40.179 it builds together. And you guys built the community when, 330 00:15:40.259 --> 00:15:42.919 because I mean, there was so much respect for each other. 331 00:15:43.139 --> 00:15:46.919 You had compassion, you had empathy. It really showcased a 332 00:15:47.059 --> 00:15:49.820 true community when everybody else was on the outside judging, Oh, 333 00:15:49.840 --> 00:15:52.240 they're homeless. No, no, they're not. They were not. 334 00:15:53.980 --> 00:15:56.870 That's really interesting. That's a really cool way to see this. Yes. 335 00:15:57.460 --> 00:15:59.399 I mean, they found family in each other. 336 00:15:59.419 --> 00:16:00.059 Yes, yes. 337 00:16:00.419 --> 00:16:04.519 And they did find community and honestly belonging and a 338 00:16:04.759 --> 00:16:06.399 lot of the things that they were searching for in 339 00:16:07.539 --> 00:16:11.470 each other and in the support and the, you know, 340 00:16:11.490 --> 00:16:13.970 unique love that they each had and were able to. 341 00:16:13.909 --> 00:16:15.529 Kind of bring into each other's lives. 342 00:16:15.929 --> 00:16:19.350 And, you know, everyone always says that the name of 343 00:16:19.429 --> 00:16:22.669 our movie has kind of just a bunch of different 344 00:16:22.690 --> 00:16:24.129 possible meanings. The one. 345 00:16:24.889 --> 00:16:26.500 And I think, you know, at so many. 346 00:16:26.379 --> 00:16:30.559 Points in this movie, Alexis and Hawk kind of are 347 00:16:31.039 --> 00:16:33.019 the one to each other in a way that they 348 00:16:33.080 --> 00:16:35.240 just guide each other in the way that they're supposed 349 00:16:35.259 --> 00:16:38.639 to go. I mean, Hawk teaches Alexis so much that 350 00:16:38.679 --> 00:16:40.120 she couldn't have possibly. 351 00:16:39.750 --> 00:16:42.950 Learned from herself and from. 352 00:16:42.889 --> 00:16:46.490 Anyone else without the unique experiences that Hawk has had 353 00:16:46.529 --> 00:16:48.570 in his life growing up in the foster system. 354 00:16:48.610 --> 00:16:50.690 And you know what, vice versa. 355 00:16:51.350 --> 00:16:54.480 Alexis is able to kind of invite Hawk and into 356 00:16:54.539 --> 00:16:56.779 her life. And then towards the end of the movie, 357 00:16:56.799 --> 00:16:59.620 you know, enter, you know, her family's life. And, um, 358 00:17:00.679 --> 00:17:03.549 I think that they just really are able to teach 359 00:17:03.610 --> 00:17:06.470 each other so much at such a specific time when 360 00:17:06.490 --> 00:17:09.789 they really just needed what the other had to teach. 361 00:17:10.460 --> 00:17:12.720 Not just teach each other, but teach the entire family 362 00:17:12.759 --> 00:17:15.880 because I mean, everybody had to learn something, including mom. 363 00:17:16.000 --> 00:17:18.759 We all know what mom is going through in this, but, 364 00:17:19.309 --> 00:17:21.509 and mom, you know, standing in front of that Christmas tree, 365 00:17:21.549 --> 00:17:23.549 that was a life changer for me in that moment. 366 00:17:23.569 --> 00:17:25.410 Cause I didn't know what she was going to do 367 00:17:25.470 --> 00:17:26.390 on that microphone. 368 00:17:28.809 --> 00:17:29.170 Yes. 369 00:17:29.509 --> 00:17:30.150 You know what? 370 00:17:30.250 --> 00:17:34.259 That was a really, it's a really specific, amazing moment 371 00:17:34.279 --> 00:17:40.140 to watch. And our amazing Jenna Kramer, she is so awesome. 372 00:17:40.819 --> 00:17:44.079 so honest in her telling of this, this moment had 373 00:17:44.160 --> 00:17:49.069 her most, her most broken down and her most fragile. 374 00:17:49.130 --> 00:17:53.630 She was, you know, she's, she's fearing losing another child 375 00:17:53.859 --> 00:17:56.579 and she also needs to show up for her community 376 00:17:56.599 --> 00:17:58.220 and for her family at the same time. 377 00:17:58.259 --> 00:18:02.210 And And watching her navigate uncertainty. 378 00:18:01.490 --> 00:18:05.710 And so much fear and also faith at the same 379 00:18:05.789 --> 00:18:09.390 time was a really just a beautiful thing to see. Wow. 380 00:18:09.490 --> 00:18:12.410 Where can people go to find out more about everything 381 00:18:12.450 --> 00:18:14.839 that you're doing, especially when it comes to your music? 382 00:18:14.859 --> 00:18:17.460 Because I want them to experience this song, but I 383 00:18:17.579 --> 00:18:20.160 also want them to support you in the way of 384 00:18:20.319 --> 00:18:22.859 adding the music to either their Spotify list or just 385 00:18:23.019 --> 00:18:25.460 go buy the music and get into the movie theater 386 00:18:25.500 --> 00:18:26.519 to watch what you're doing. 387 00:18:27.809 --> 00:18:29.769 That is so kind. Thank you for saying that. 388 00:18:29.869 --> 00:18:33.650 I mean, yes, I am on all the social medias 389 00:18:33.690 --> 00:18:36.329 and I post a bunch of songs kind of everywhere, 390 00:18:36.349 --> 00:18:37.869 but I also have a bunch of my own music 391 00:18:37.910 --> 00:18:40.730 that's out wherever you listen to your music, all under 392 00:18:40.759 --> 00:18:43.380 my name, Olivia Sanabria. So yeah, you can follow me 393 00:18:43.420 --> 00:18:45.579 on social media. You can look up my music wherever 394 00:18:45.599 --> 00:18:49.420 you get, wherever you stream your music. And yeah, I 395 00:18:49.799 --> 00:18:50.740 really appreciate that. 396 00:18:51.079 --> 00:18:52.660 What do you got planned for next? Or can you 397 00:18:52.680 --> 00:18:53.960 talk about that yet? Is it too early? 398 00:18:55.210 --> 00:18:57.109 It is a little bit too early, but I'm working 399 00:18:57.170 --> 00:18:59.470 on some, some really great, I'm working on a TV 400 00:18:59.519 --> 00:19:01.500 show right now and I can't wait to share that 401 00:19:01.539 --> 00:19:03.220 with everyone, but I would get in so much trouble 402 00:19:03.259 --> 00:19:06.259 if I told you now. Um, and I'm also working 403 00:19:06.319 --> 00:19:09.160 on a lot of, a lot of music and, um, 404 00:19:10.259 --> 00:19:13.099 and I have a movie that is, um, it's going 405 00:19:13.119 --> 00:19:14.940 to be coming out very soon. And I also can't 406 00:19:14.960 --> 00:19:16.819 tell you much about that. So just stay tuned. 407 00:19:17.769 --> 00:19:21.029 And, um, yeah, I, I'm so grateful to have, have 408 00:19:21.049 --> 00:19:21.950 you guys along the journey. 409 00:19:22.250 --> 00:19:23.930 Well, you got to come back to this show anytime 410 00:19:23.950 --> 00:19:25.920 in the future. The door is always going to be 411 00:19:26.019 --> 00:19:26.640 open for you. 412 00:19:26.660 --> 00:19:30.529 Thank you very much. I really, really appreciate it. 413 00:19:30.670 --> 00:19:32.700 Well, you be brilliant today, okay? 414 00:19:33.680 --> 00:19:35.349 You too. Have a wonderful day.