# Karen Pearlman
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karen pearlman is a film scholar, known for her pioneering work in articulating underlying principles concerning what rhythm in film is and the purpose it serves in modulating cycles of tension and release for viewers. Currently Lecturer in Film Production at Macquarie University, she is the author of Cutting Rhythms, Shaping the Film Edit (Focal Press, 2009) and its second edition Cutting Rhythms, Intuitive Film Editing (Focal Press, 2016).
The focus of Pearlman's research, first developed when Head of Screen Studies at the Australian Film, Television and Radio School, is on the connection of film theory and practice by making conceptual thinking accessible and useful to practitioners.
Rewind: The Physical TV Company
In this season’s edition of Rewind, we connect with Karen Pearlman and Richard James Allen, also known as The Physical TV Company: Australia’s premier company for the production and distribution of “stories told by the body.”
We discuss their multi-decade collaboration and how, among other things, …
Richard James Allen on Text Messages from the Universe
Richard James Allen joins me to read from and talk about his latest book Text Messages from the Universe. We talk about many things including the book's deeply spiritual themes, its links with The Tibetan book of the Dead, the unique format of the book and how it relates to its matching film, what'…
Episode 11 - Interview with Karen Pearlman
This week Gordon interviews Karen Pearlman, Australian film editor and author of Cutting Rhythms: Shaping the Film Edit. As part of the interview Focal Press has given us permission to place two chapters from the book online for editors and students to enjoy.
Make S&!7: Creative Prompts for Dance Film
Unless you have hit the screendance jackpot, it’s highly unlikely that you are a full-time screendance maker. Carving time out to create your own work can be a bit difficult and sometimes it’s intimidating to start. As Frameform goes into the summer break, we are offering creative prompts designed …
Karen Pearlman on Breaking Plates
Dr Karen Pearlman, director of the new film Breaking Plates, talks about the making of her latest film, the inventive ways she engages with Cinemas First Nasty women archive, her use of dance, song, visual collage, slapstick, splicing, intertextually , feminist theory, humour, her excellent actors,…
118: Nasty Women Return! • Rhea Combs on Oscar Micheaux • Katie Gee Salisbury on Anna May Wong
Nasty Women Return! Karen Pearlman on Breaking Plates and Smashing the Patriarchy • Rhea Combs on Oscar Micheaux: The Complete Collection • Katie Gee Salisbury, author of Not Your China Doll: The Wild and Shimmering Life of Anna May Wong (92:56)
TOP 10 Best Books for Video Editing 2024
These 10 must-read books will elevate your video editing skills—whether you’re a beginner or a seasoned pro!
Story Greenlight - https://www.youtube.com/@StoryGreenlight
#videoeditingbook #videoeditingbooks #filmeditingschool
Find all these books on Amazon!
"Over the Shoulder: A Freelancer's Gu…
Feminist film historiographies: in conversation with Kate Saccone
Our podcast guest this month is none other than the wonderful Kate Saccone!
Kate is a film curator, scholar, and editor based in Amsterdam. She received her PhD from the University of Amsterdam in May 2026. She is the project manager and an editor of The Women Film Pioneers Project and currently s…
Mark Warner ASE: Academy Award-Nominated Editor
In this special episode of Final Final Locked, Dr Karen Pearlman ASE sits down with Oscar-nominated editor Mark Warner ASE, whose remarkable career includes Driving Miss Daisy, Rocky III, The Running Man, Big Trouble in Little China, Mao’s Last Dancer and many more.
Originally recorded for the ASE’…
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