# Julia Kristeva
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julia kristeva (French: [kʁisteva]; Bulgarian: Юлия Кръстева; born 24 June 1941) is a Bulgarian-French philosopher, literary critic, semiotician, psychoanalyst, feminist, and, most recently, novelist, who has lived in France since the mid-1960s. She is now a professor emeritus at the University Paris Diderot. The author of more than 30 books, including Powers of Horror, Tales of Love, Black Sun: Depression and Melancholia, Proust and the Sense of Time, and the trilogy Female Genius, she has been awarded Commander of the Legion of Honor, Commander of the Order of Merit, the Holberg International Memorial Prize, the Hannah Arendt Prize, and the Vision 97 Foundation Prize, awarded by the Havel Foundation.
The Good Immigrant Script: When Belonging Becomes Performance
What happens when belonging is not given… but earned?
In this episode of The Modern Migrant, Katrina explores what she calls the Good Immigrant Script; an unspoken system where acceptance is shaped by behaviour, tone, and how closely you align with what is expected.
Not something you are told.Somet…
9: A Beautiful Young Nymph Going to Bed
This week, Alice – our self-confessed “gross girl”– takes the mic to discuss hangover cures, 18th century anti-blazon poetry, and the politics of being a party girl in 2026.
Key texts referenced:- A Beautiful Young Nymph Going to Bed, Jonathan Swift- Powers of Horror, Julia Kristeva
Further Readi…
Episode 203: Kristeva vs. Lovecraft on Horror and Abjection (Part Two)
Concluding on Julia Kristeva's Powers of Horror (1980) and focusing on H.P. Lovecraft's "The Call of Cthulhu" (1928). Does Lovecraft's presentation of nameless terror capture (or improve upon) what Kristeva means by "abjection"? End song: "The Other" by Mark Lint feat. Lucy Lawless from Mark's Lint…
Episode 203: Kristeva vs. Lovecraft on Horror and Abjection (Part One)
More on Julia Kristeva's Powers of Horror (1980) plus H.P. Lovecraft's "The Call of Cthulhu" (1928). What is the object of fear? Mark, Seth, and Dylan get clearer on Kristeva's view of the establishment and loss of the integrity of the self, what the "object" of abjection is, and what this all migh…
Episode 202: Julia Kristeva on Disgust, Fear and the Self (Part Two)
Continuing on Powers of Horror: An Essay on Abjection, ch. 1 and 2. We try to get clearer on Kristeva's talk of "object," the relationship between language and abjection, how Kristeva is advancing on Freud, how to be a mom that allows a kid to separate in a healthy way, and how abjection plays into…
Episode 202: Julia Kristeva on Disgust, Fear and the Self (Part One)
On Powers of Horror: An Essay on Abjection (1980), ch. 1 and 2. Kristeva writes about "abjection," where we violently reject things like corpses, bodily wastes and other fluids, and the Lovecraftian unnameable that lurks at the edge of our awareness. Her book is also all about the self, suggesting …
Episode 212 – Alien Franchise – Part One
Abjection? The Monstrous-Feminine? Motherhood? What else could we be talking about other than the Alien franchise? Join us as we examine the first four films in the Alien series—Alien, Aliens, Alien 3, and Alien: Resurrection—to trace how this franchise has evolved, shifted, and taken on grote…
290: Working In The Greyzone With Greyzone Drinkers
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Simon and Lee are joined by Kate Bee, founder of The Sober School, for a conversation that opens with the rock-bottom mythology of AA before sliding into personal history: Lee traces his unusual relationship with drink back to growing up in a pub in the mid-80s, and on through the…
Episode 217 – Books, Spirits, and Hysteria, with Asti Hustvedt
Researcher Asti Hustvedt joins Phil and JF to discuss a talk she gave at the Lily Dale Symposium this year entitled "Bibliophantoms." The question: What does it mean to "get lost" in a book? Asti's answer, drawing on her research in nineteenth-century neuroscience and spirit mediumship, amounts to …
Why the SUD Stalls at a Two: Plato's Cave, Target Selection, and Relational Trauma | The Relational Thread
You prepped the target properly. You ran it clean. The SUD came down — and then stopped at a two, and stayed there. Most of us were taught to call that ecological and move on.
This essay offers another possibility, by way of a cave. Using Plato's allegory — and then breaking with it in two specific…
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