Knives Out의 전체 녹취록

too. You know what? I think you're right. And 00:07:37.500 --> 00:07:44.759 so, yeah, it's just, it's just such good, such 00:07:44.759 --> 00:07:47.699 well -crafted, it's such a well -crafted movie. 00:07:49.660 --> 00:07:53.279 And the paintings also, I noticed in one of the 00:07:53.279 --> 00:07:57.160 scenes, one of the paintings looked like one 00:07:57.160 --> 00:08:02.699 of the suns. Did you notice that? And he had 00:08:02.699 --> 00:08:06.819 his head, he was decapitated and he had his head 00:08:06.819 --> 00:08:12.300 in his hand. Which one, Walt or Richard? I think 00:08:12.300 --> 00:08:21.199 it was Walt. Man, that dude. Yeah. Like, Michael 00:08:21.199 --> 00:08:27.920 Shannon, dude, like, crazy to think that he was 00:08:27.920 --> 00:08:33.149 in that. Yeah, what other movies did he play 00:08:33.149 --> 00:08:43.889 in? He was Zod in Man of Steel. Okay. And I... 00:08:43.889 --> 00:08:51.909 I've seen him in something else, but we can't... 00:08:51.909 --> 00:08:58.370 place it. I was surprised that Frank Oz played... 00:08:59.009 --> 00:09:03.870 Blade in, Knives out. Wasn't that one of his 00:09:03.870 --> 00:09:06.830 last films? Oh no, he's still alive. He's still 00:09:06.830 --> 00:09:10.350 around. Oh, for some reason I thought he wasn't. 00:09:10.830 --> 00:09:24.289 No. At least I'm pretty sure. Anyway. The way 00:09:24.289 --> 00:09:27.269 that they were able to make it look like it was 00:09:27.269 --> 00:09:31.960 shot on film. The film emulation is impeccable. 00:09:34.600 --> 00:09:41.360 Just like the way they colored it, the way they 00:09:41.360 --> 00:09:54.080 lit it. It's masterful work. Oh, can I back up 00:09:54.080 --> 00:10:06.509 to the... The way that they filmed the interviews, 00:10:06.909 --> 00:10:11.330 I really enjoyed it. And how that scene with 00:10:11.330 --> 00:10:14.330 the birthday cake changes with whoever is telling 00:10:14.330 --> 00:10:21.309 their side of the story. You know, with Linda, 00:10:21.549 --> 00:10:25.549 when she's telling, with Linda and, what was 00:10:25.549 --> 00:10:30.480 his name, William? Or with Linda and Richard. 00:10:31.419 --> 00:10:36.620 Yeah. Linda and Richard. When they're telling 00:10:36.620 --> 00:10:39.000 their side of the story, they're next to, they're 00:10:39.000 --> 00:10:44.440 side by side with, and their son is in the back. 00:10:44.519 --> 00:10:46.840 You know, they're the ones that are closest to 00:10:46.840 --> 00:10:50.779 him. They're the best, their favorite. And then 00:10:50.779 --> 00:10:56.080 with the... the other characters the scene changes 00:10:56.080 --> 00:10:58.820 to show that oh they're the favorites they're 00:10:58.820 --> 00:11:02.279 the ones that are going to get most of the inheritance 00:11:02.279 --> 00:11:06.019 they're the most important yeah and they're the 00:11:06.019 --> 00:11:09.679 ones that were closest to him yeah and it really 00:11:09.679 --> 00:11:15.620 just sets up um yeah it really sets the expectation 00:11:15.620 --> 00:11:27.720 of maybe there's going to be a um unreliable 00:11:27.720 --> 00:11:35.360 narrator. Yeah. And just like, maybe what you're 00:11:35.360 --> 00:11:45.299 saying isn't exactly what happened. Yeah. I really 00:11:45.299 --> 00:11:51.379 love just the way it was lit. The high contrast. 00:11:52.279 --> 00:11:57.000 I almost want to see I almost want to take it 00:11:57.000 --> 00:12:01.879 and desaturate it and see what it would be like 00:12:01.879 --> 00:12:08.539 in black and white. Because I feel like it could 00:12:08.539 --> 00:12:13.120 still have that same impact just because of framing 00:12:13.120 --> 00:12:18.480 and lighting and that kind of stuff. I really 00:12:18.480 --> 00:12:20.600 love that it turns the whodunit on its head. 00:12:22.100 --> 00:12:37.879 Yeah. The first act is whodunit. Yeah. And you're 00:12:37.879 --> 00:12:41.159 piecing things together. I really love the way 00:12:41.159 --> 00:12:50.899 that Blanc is introduced. Getting the interview 00:12:50.899 --> 00:12:59.059 on track and all that stuff. And then, like, 00:12:59.139 --> 00:13:05.460 the audience, just as soon as Richard and the 00:13:05.460 --> 00:13:12.139 other guys, like, who is that? I also think the 00:13:12.139 --> 00:13:18.200 posturing is very funny. Like, the appearance 00:13:18.200 --> 00:13:26.179 of, well, like, Ransom and Linda read the New 00:13:26.179 --> 00:13:33.850 Yorker article. Yeah. No, wait. Joni. Joni and 00:13:33.850 --> 00:13:42.750 Ransom read the... Wait, hold up. I can't remember. 00:13:45.789 --> 00:13:49.350 Harlan's Kid and Ransom read the New Yorker article 00:13:49.350 --> 00:13:55.029 and the goop lady said she read a tweet about 00:13:55.029 --> 00:13:58.149 her New Yorker article about Blanc. It's just 00:13:58.149 --> 00:14:05.429 like, huh. Those little details tell you a lot 00:14:05.429 --> 00:14:09.429 about their character. Tells you that she's broke. 00:14:10.850 --> 00:14:16.450 She can't afford the New Yorker. So she's just 00:14:16.450 --> 00:14:21.409 going off of tweets. I didn't make that connection. 00:14:23.289 --> 00:14:26.950 That was just something I noticed this last watch 00:14:26.950 --> 00:14:35.090 through. Performances. Let's talk about performances. 00:14:37.090 --> 00:14:41.789 Very good performances. I really liked Marta's 00:14:41.789 --> 00:14:46.029 performance. I really liked Marta's performance 00:14:46.029 --> 00:14:52.700 and her performance of performance. How she kept 00:14:52.700 --> 00:14:56.720 herself together when it was most important. 00:14:58.019 --> 00:15:02.779 And then as soon as, you know, as soon as the 00:15:02.779 --> 00:15:09.120 weight is lifted up off her, she regurgitates. 00:15:10.659 --> 00:15:16.779 That is the one thing I struggle with this movie. 00:15:19.049 --> 00:15:30.570 Like, I've said it in my episode about... Packs 00:15:30.570 --> 00:15:35.350 are rich. I'm fine with blood and guts, but the 00:15:35.350 -->

00:15:39.789 second there's broken bones and vomit... Can't 00:15:39.789 --> 00:15:46.710 do it. So that's my only struggle with this movie. 00:15:50.600 --> 00:15:57.720 Yeah. Jamie Lee Curtis is wonderful. It's delightful. 00:16:05.059 --> 00:16:11.820 Freaking Christopher Plummer. Phenomenal that 00:16:11.820 --> 00:16:14.179 it was one of his last performances and it's 00:16:14.179 --> 00:16:17.769 just like. So which one is Christopher Plummer? 00:16:18.509 --> 00:16:25.950 Harlan. Okay, yeah. It's just the subtleties 00:16:25.950 --> 00:16:33.850 that he pulled off were so good. Yeah. When he 00:16:33.850 --> 00:16:44.490 realizes that he's out of time and Marta's freaking 00:16:44.490 --> 00:16:53.490 out, trying to find the antidote. And you can 00:16:53.490 --> 00:16:57.470 just see him, just the compassion in his eyes. 00:16:58.970 --> 00:17:04.309 Yeah. The compassion, the acceptance, and it's 00:17:04.309 --> 00:17:16.140 just heartbreaking. At the end, when LeBlanc 00:17:16.140 --> 00:17:25.839 is talking to Marta about why she made it, because 00:17:25.839 --> 00:17:29.940 she wasn't playing by Harlan's rules. She wasn't 00:17:29.940 --> 00:17:34.799 playing Harlan's game. And that goes back to 00:17:34.799 --> 00:17:40.660 the Go board, the game of Go. And the fact that... 00:17:42.380 --> 00:17:51.420 She would beat him more than Ransom. And I realized 00:17:51.420 --> 00:17:58.880 that Marta would beat Harlan at go more than 00:17:58.880 --> 00:18:08.900 Ransom would. And that's what Harlan said to 00:18:08.900 --> 00:18:14.480 Ransom when he was Telling him, twisting the 00:18:14.480 --> 00:18:19.079 knife, about getting left out of the will and 00:18:19.079 --> 00:18:24.299 cutting everyone out of the will. The one thing 00:18:24.299 --> 00:18:26.660 he told her, told him about Marta, was that she 00:18:26.660 --> 00:18:32.720 beat him at go. More than Ransom did. And then 00:18:32.720 --> 00:18:37.539 you look at everything that Ransom does, he follows 00:18:37.539 --> 00:18:54.900 Harlan's plan exactly. Pulls off a carved elephant. 00:18:59.700 --> 00:19:05.180 Yeah. He goes through the side avoiding the mud. 00:19:05.839 --> 00:19:11.160 Goes up the trellis making no noise. Uh -huh. 00:19:11.279 --> 00:19:25.299 And is only seen by Nana. Yeah. Yeah. I just 00:19:25.299 --> 00:19:28.819 find that so fascinating. It's just like, you 00:19:28.819 --> 00:19:33.799 know, it really is like our own demons and that 00:19:33.799 --> 00:19:41.079 kind of stuff. But yeah, like that's, that was 00:19:41.079 --> 00:19:47.180 always compelling to me. If you think the politics 00:19:47.180 --> 00:19:59.019 and the politicking. Yeah, it reminded me of 00:19:59.019 --> 00:20:05.059 a typical dysfunctional family. Well, in general, 00:20:05.299 --> 00:20:10.759 you know, all the name -calling and swearing 00:20:10.759 --> 00:20:15.880 at each other and arguing. I was like, my goodness. 00:20:16.019 --> 00:20:21.390 And their attitudes at the

wheel reading. My 00:20:21.390 --> 00:20:26.089 goodness, that's the definition of a dysfunctional 00:20:26.089 --> 00:20:32.089 family. Not that having different political views 00:20:32.089 --> 00:20:37.190 makes a dysfunctional family, but that seemed 00:20:37.190 --> 00:20:45.289 really typical of a grown family with families 00:20:45.289 --> 00:20:49.089 of their own, how they have different viewpoints. 00:20:49.740 --> 00:20:58.559 And I did appreciate how they discussed politics 00:20:58.559 --> 00:21:05.859 and they discussed different viewpoints of politics. 00:21:07.460 --> 00:21:13.599 I don't know. I thought it was pretty interesting, 00:21:14.859 --> 00:21:21.940 pretty good. It must have been, you know, a jab 00:21:21.940 --> 00:21:26.160 to Marta, you know, the discussion about immigration. 00:21:26.440 --> 00:21:29.559 And if you break the law, you have to accept 00:21:29.559 --> 00:21:34.359 the consequences. I don't even think, like, I 00:21:34.359 --> 00:21:37.140 think at that point she was invisible to them. 00:21:39.160 --> 00:21:43.900 The thing that I appreciate about this movie 00:21:43.900 --> 00:21:47.240 is, like, obviously, Rian Johnson has his... 00:21:48.900 --> 00:21:53.339 political views. And I just find it hilarious 00:21:53.339 --> 00:21:59.140 that he bashes virtue signaling on both sides. 00:22:00.900 --> 00:22:05.519 And it's hilarious. I wasn't aware of the actor's 00:22:05.519 --> 00:22:13.299 political views. The director. So it's just like... 00:22:15.279 --> 00:22:21.960 I don't know. I just appreciate, like... He doesn't... 00:22:21.960 --> 00:22:29.099 It's political without being preachy. Yeah. Like... 00:22:29.099 --> 00:22:36.960 I think that's what stories ought to do. And 00:22:36.960 --> 00:22:40.660 a lot of stories, like message movies, don't 00:22:40.660 --> 00:22:46.089 really do that well. Like... The message is said 00:22:46.089 --> 00:22:52.670 explicitly, like, in a speech. Uh -huh. And it's 00:22:52.670 --> 00:22:56.650 just like, compare that to something like Falcon 00:22:56.650 --> 00:23:01.130 and the Winter Soldier, where the entire philosophy, 00:23:01.509 --> 00:23:05.549 Sam's entire philosophy is just laid bare in 00:23:05.549 --> 00:23:12.839 a speech, and that's it. It's not shown. And 00:23:12.839 --> 00:23:15.339 I can't speak for Glass Onion. I haven't seen 00:23:15.339 --> 00:23:18.920 it yet. But from the two Knives Out movies that 00:23:18.920 --> 00:23:24.240 I have seen, it's... Two Knives Out movies? Yes. 00:23:24.819 --> 00:23:28.259 Oh, there's a second Knives Out movie. Yeah, 00:23:28.259 --> 00:23:32.259 there's three. Three? Yeah, the other two are 00:23:32.259 --> 00:23:37.240 on Netflix. What rock have I been living under? 00:23:40.719 --> 00:23:43.279 Obviously, the non -netflix half of the rock. 00:23:45.799 --> 00:23:49.180 But of the two non -exile movies that I've seen, 00:23:49.339 --> 00:23:58.519 it's fascinating that the good protagonist beats 00:23:58.519 --> 00:24:03.859 the system simply by virtue of being a good person. 00:24:04.779 --> 00:24:12.990 Yeah. Marta. wins because she is a good nurse 00:24:12.990 --> 00:24:20.890 and she has a kind heart. The third Knives Out 00:24:20.890 --> 00:24:27.710 movie, there is a priest who gets framed for 00:24:27.710 --> 00:24:39.150 a parishioner's murder and he beats it by being 00:24:39.150 --> 00:24:45.759 a good priest. And it's just. It's a fascinating 00:24:45.759 --> 00:24:54.339 morality play of just. People being good people. 00:24:56.519 --> 00:25:05.759 What? What speaks to you about this movie, especially 00:25:05.759 --> 00:25:10.569 like. Have your views changed since the last 00:25:10.569 --> 00:25:19.990 time you watched it? Well, I thought it was kind 00:25:19.990 --> 00:25:33.750 of heartwarming how Harlan, he had regrets of 00:25:33.750 --> 00:25:36.890 messing up his family. because of his fortune. 00:25:37.250 --> 00:25:43.549 And he sees Mark, I think he sees Marta and her 00:25:43.549 --> 00:25:49.930 family as a chance to redeem some of those mistakes, 00:25:50.130 --> 00:25:55.170 you know, to start with a clean slate. You know, 00:25:55.170 --> 00:26:02.029 he and when she When they think that Marta made 00:26:02.029 --> 00:26:05.490 a mistake in the medication and he thinks that 00:26:05.490 --> 00:26:10.849 it's all over for him, he gives his life to protect 00:26:10.849 --> 00:26:17.710 Marta and her future and her family. Yeah. I 00:26:17.710 --> 00:26:22.210 thought that, I don't know, that's kind of bittersweet 00:26:22.210 --> 00:26:28.250 for me. Because he literally gave his life for 00:26:28.250 --> 00:26:32.990 her. And her future. Yeah, that that really is 00:26:32.990 --> 00:26:35.329 the ultimate tragedy of Harlan Thrombey is like. 00:26:37.609 --> 00:26:45.069 And if he had just listened to her. The whole 00:26:45.069 --> 00:26:48.250 tragedy would have been avoided. And that's the 00:26:48.250 --> 00:26:52.069 and those are the what he and he was saying in 00:26:52.069 --> 00:26:54.869 his conversation with her, like you said, like 00:26:54.869 --> 00:26:59.670 you suggested, like you advised, you know. To 00:26:59.670 --> 00:27:05.769 be a father rather than a provider for Joni and 00:27:05.769 --> 00:27:20.930 Meg and things like that. And know that good 00:27:20.930 --> 00:27:25.529 people make mistakes, but making mistakes doesn't 00:27:25.529 --> 00:27:30.420 make you a bad person. It does kind of make me 00:27:30.420 --> 00:27:36.400 wonder how Joanie's husband died. Yeah, I was 00:27:36.400 --> 00:27:43.980 wondering that, too. It's just like, huh. Like, 00:27:43.980 --> 00:27:49.460 he's the one thrombie we never meet. Yeah. And 00:27:49.460 --> 00:27:53.539 she's broke, so you just kind of wonder. Yeah. 00:27:54.359 --> 00:28:00.009 And she's kind of the free -spirited one. She's 00:28:00.009 --> 00:28:06.309 kind of a wild card. Same thing with Meg. Meg 00:28:06.309 --> 00:28:09.809 is kind

of a wild card too. Yeah, it's just like 00:28:09.809 --> 00:28:18.930 you just kind of wonder. And it shows how and 00:28:18.930 --> 00:28:26.009 I thought it was interesting how quickly they 00:28:26.009 --> 00:28:31.420 turn and kind of how hypocritical they were when 00:28:31.420 --> 00:28:36.119 they're like, oh, she's Marta's family. Marta's 00:28:36.119 --> 00:28:39.819 not the help. She's part of the family. And then 00:28:39.819 --> 00:28:43.339 they turn on her when they find out that she 00:28:43.339 --> 00:28:46.599 gets the inheritance. It's that virtue signaling 00:28:46.599 --> 00:28:52.859 again. It's just like... It's all about appearance 00:28:52.859 --> 00:28:58.890 to them. Yeah. With that thrown with all the 00:28:58.890 --> 00:29:01.549 knives, it's appearance. It's just appearance. 00:29:01.829 --> 00:29:08.789 They're props. And their ancestral home was bought 00:29:08.789 --> 00:29:16.750 from a Pakistani realtor in 1985. Oh, shut up. 00:29:17.769 --> 00:29:24.589 Stop it with the foghorn leghorn drawl. Kentucky 00:29:24.589 --> 00:29:31.170 Fried Fog or Lay Your Draw. Chris Evans is so 00:29:31.170 --> 00:29:36.170 freaking good in this movie. Yeah. And he just 00:29:36.170 --> 00:29:47.089 came off of... This came out... Six months after 00:29:47.089 --> 00:29:54.059 Avengers Endgame. Oh, really? Yeah, so he's just 00:29:54.059 --> 00:29:58.640 coming off of eight years of playing this Boy 00:29:58.640 --> 00:30:06.200 Scout. And then you could tell he just had such 00:30:06.200 --> 00:30:10.839 a blast with this movie. He was just having so 00:30:10.839 --> 00:30:17.960 much fun. And his absolute cackling in the back 00:30:17.960 --> 00:30:28.339 at the wheel reading. It's so funny. Yeah. Good 00:30:28.339 --> 00:30:39.900 stuff, man. Yeah. It shows what a good actor 00:30:39.900 --> 00:30:43.960 he is, that he could play the hero and he could 00:30:43.960 --> 00:30:49.839 play the villain. He's absolutely small. And 00:30:49.839 --> 00:30:55.319 again, it's interesting the appearances. He wears 00:30:55.319 --> 00:30:57.559 these nice sweaters, these nice clothes. He has 00:30:57.559 --> 00:31:03.339 the beamer. But if you look at his sweater, it's 00:31:03.339 --> 00:31:08.940 got nicks in it. He doesn't take care of his 00:31:08.940 --> 00:31:15.059 things. And he just throws money at problems. 00:31:23.490 --> 00:31:26.950 That's a good observation. I didn't notice that. 00:31:27.369 --> 00:31:33.990 Yeah. But now that you mention it, yeah. It's 00:31:33.990 --> 00:31:44.210 just fascinating, man. Why is it compelling to 00:31:44.210 --> 00:31:50.849 you? Why is it compelling to me? It makes no 00:31:50.849 --> 00:32:03.720 damn sense. compels me though what compels me 00:32:03.720 --> 00:32:11.259 is perhaps how creatively it was written and 00:32:11.259 --> 00:32:26.420 filmed and the Um, it's a good question. Like 00:32:26.420 --> 00:32:35.299 the, um, like the morals behind it, the things 00:32:35.299 --> 00:32:43.480 that we can take from it, like, um, to not judge 00:32:43.480 --> 00:32:48.019 by appearances or status because it can be very 00:32:48.019 --> 00:32:52.069 deceptive. And it can change all the time if 00:32:52.069 --> 00:33:06.130 you're not careful. Yeah. And I'd say what what 00:33:06.130 --> 00:33:16.029 familial loyalty really looks like because that 00:33:16.029 --> 00:33:20.079 family, the Thrombeys, They were not loyal to 00:33:20.079 --> 00:33:22.480 each other. Oh, no, they were loyal to the money. 00:33:23.819 --> 00:33:27.700 Yeah, yeah, they were loyal to the money. But 00:33:27.700 --> 00:33:32.700 they were easy to throw each other under the 00:33:32.700 --> 00:33:36.440 bus, even though they claimed, oh, I don't want 00:33:36.440 --> 00:33:44.220 to spill tea on my siblings, about my family. 00:33:44.619 --> 00:33:47.039 Oh, that's so funny. But this is what happened. 00:33:48.440 --> 00:33:50.759 But this is what happened. They're the black 00:33:50.759 --> 00:33:56.779 sheep. I'm the favorite. Richard is so funny 00:33:56.779 --> 00:34:01.039 in those interview scenes. It's just like the 00:34:01.039 --> 00:34:04.440 dichotomy. It's like, if you think you can blackmail 00:34:04.440 --> 00:34:07.660 me into crap talking my baby brother, then you're 00:34:07.660 --> 00:34:17.739 Walt didn't run crap. It's just so... The animus 00:34:17.739 --> 00:34:26.679 between those two is so funny. Final thoughts 00:34:26.679 --> 00:34:35.780 before we wrap up. Final thoughts is it's a true 00:34:35.780 --> 00:34:39.440 delight. It was really delightful to watch. And 00:34:39.440 --> 00:34:50.389 I with all the subtle the subtle foreshadowing 00:34:50.389 --> 00:34:57.690 and the subtle details that you just pick up 00:34:57.690 --> 00:35:01.690 throughout the movie. And you have to watch the 00:35:01.690 --> 00:35:06.030 movie multiple times because then you notice 00:35:06.030 --> 00:35:10.469 more and more of those little details that look, 00:35:10.530 --> 00:35:14.619 that appear insignificant at first. And some 00:35:14.619 --> 00:35:17.980 shots that don't make much sense, that might 00:35:17.980 --> 00:35:21.300 not make much sense at first, as you rewatch 00:35:21.300 --> 00:35:24.019 it and you watch it all the way through and then 00:35:24.019 --> 00:35:29.099 you go back and watch again, you go, oh, that 00:35:29.099 --> 00:35:32.059 foreshadowing. Oh, that's why they did that. 00:35:32.239 --> 00:35:35.099 And that's why they did that. And that's why 00:35:35.099 --> 00:35:40.070 this person was acting this way. It's just such 00:35:40.070 --> 00:35:46.030 a well -crafted story. But go ahead. Yeah. And 00:35:46.030 --> 00:35:50.730 I listened to your podcast, The King's Speech, 00:35:50.909 --> 00:35:55.010 about The King's Speech. And I noticed that shaky 00:35:55.010 --> 00:35:59.929 camera when Marta was going out to her car, you 00:35:59.929 --> 00:36:05.309 know, and it reflected the chaos that was going

00:36:05.309 --> 00:36:09.320 inside of her head. Everything was swimming around 00:36:09.320 --> 00:36:14.920 her. All that's going on. It's the only time 00:36:14.920 --> 00:36:25.719 the camera is not locked off. It's not smooth 00:36:25.719 --> 00:36:30.500 and deliberate. It's the only time in the movie 00:36:30.500 --> 00:36:36.960 where it's handheld. It's such a good movie. 00:36:37.610 --> 00:36:41.449 What do you give it out of 10? Oh, what do I 00:36:41.449 --> 00:36:45.809 give it out of 10? I give it a 9 out of 10. Okay, 00:36:45.809 --> 00:36:56.510 what keeps it from 10? Swearing. Although the 00:36:56.510 --> 00:37:04.590 swearing does match the dysfunctionality of the 00:37:04.590 --> 00:37:10.420 family, it's still... Harsh. Yeah, I guess that's 00:37:10.420 --> 00:37:19.219 fair. It's a 10 for me. It's just so freaking 00:37:19.219 --> 00:37:29.599 good. If I could get a Blu -ray and clean up 00:37:29.599 --> 00:37:31.679 some of the swearing, then I would give it a 00:37:31.679 --> 00:37:40.849 10 out of 10. Yeah. Watch Knives Out. Watch the 00:37:40.849 --> 00:37:42.769 whole trilogy. I still need Disney Glass Onion, 00:37:42.869 --> 00:37:45.070 but watch the whole trilogy. It's phenomenal. 00:37:47.510 --> 00:37:50.579 Yeah. But with that being said that as a show 00:37:50.579 --> 00:37:52.940 brought to you by popcorn fumes in a prayer Our 00:37:52.940 --> 00:37:55.079 executive producer is penny pincher our director 00:37:55.079 --> 00:37:57.579 photography is cam speed our first ad usually 00:37:57.579 --> 00:38:01.219 clapper audios by check on to legals by Sumi 00:38:01.219 --> 00:38:04.559 I daria Makeup was by make you pretty our marketing 00:38:04.559 --> 00:38:07.300 wizard was trailer stones were by falling hard 00:38:07.300 --> 00:38:09.860 a script notes were from page Turner our editor 00:38:09.860 --> 00:38:12.239 was Seymour takes Transport was the a miles away 00:38:12.239 --> 00:38:15.219 and unity matters are handled as always by salary 00:38:16.110 --> 00:38:17.809 Thank you so much for watching and or listening. 00:38:17.949 --> 00:38:19.590 And remember, if it looks good, it's probably 00:38:19.590 --> 00:38:35.710 done in post. Oh, baby boy. Yes. He is forced 00:38:35.710 --> 00:38:40.309 to discover why he's angry, what part of the 00:38:40.309 --> 00:38:42.369 root of that is, and that's what happened to 00:38:42.369 --> 00:38:49.269 his mother. He sees his mother in her hospital 00:38:49.269 --> 00:38:55.389 bed and he comes to her and he, you know, is 00:38:55.389 --> 00:38:58.070 really happy to see him. But then she has a message 00:38:58.070 --> 00:39:04.110 for him. She tells him, well, you know, I know 00:39:04.110 --> 00:39:06.230 you're doing this for me, you know, carrying 00:39:06.230 --> 00:39:09.329 this anger, holding on to this anger. Because 00:39:09.329 --> 00:39:16.880 she was very badly mistreated. And she says, 00:39:17.059 --> 00:39:19.940 I don't need it. We all have our weaknesses and 00:39:19.940 --> 00:39:22.679 everything, but we need to find somebody. See, 00:39:22.820 --> 00:39:26.900 Bernie had all kinds of formal training, you 00:39:26.900 --> 00:39:30.300 know, by the experts, you know, to try to get 00:39:30.300 --> 00:39:32.820 over his speech impediment. They didn't give 00:39:32.820 --> 00:39:36.099 a rip. They were just there doing their job. 00:39:36.239 --> 00:39:39.760 You need to find somebody who understands what 00:39:39.760 --> 00:39:41.739 you're going through and you need to find somebody 00:39:41.739 --> 00:39:46.820 that cares about it. And that's when you get 00:39:46.820 --> 00:39:50.219 over your weaknesses and you need to. And like 00:39:50.219 --> 00:39:56.179 I said before, the past trauma, healing with 00:39:56.179 --> 00:40:02.099 that and and moving on. The goodness or the the 00:40:02.099 --> 00:40:06.880 impact that just one good man can have, you wouldn't 00:40:06.880 --> 00:40:09.019 think that it would make a bit of difference. 00:40:09.679 --> 00:40:15.550 But just just one good man. or women, can make 00:40:15.550 --> 00:40:18.570 a difference and influence people, especially 00:40:18.570 --> 00:40:22.389 when you really believe in what you're standing 00:40:22.389 --> 00:40:27.289 for. You aren't afraid of the opposition, which 00:40:27.289 --> 00:40:40.239 inevitably will come. What's the use? You know, 00:40:40.300 --> 00:40:43.019 I can't make a difference. But yes, you can. 00:40:44.039 --> 00:40:47.699 That's probably the message that I get from the 00:40:47.699 --> 00:40:49.179 biggest message I get from the movie.