Forbidden Knowledge News Conference Series: Pierre Sabak | Holographic Culture/Angelic Sailors の全文書き起こし

00:04:12.240 I'm arguing essentially that the euthological tradition is based upon 67 00:04:12.280 --> 00:04:15.400 this occult tradition which is hidden and which is classified, 68 00:04:15.400 --> 00:04:17.879 which is related to the classical tradition. CLASSI is a 69 00:04:17.959 --> 00:04:21.040 naval fleet. So the first section we're going to look 70 00:04:21.079 --> 00:04:24.879 at the deconstruction of the angelic sailor, and in conjunction 71 00:04:25.040 --> 00:04:27.160 to the angelic sailor, we're going to look at the 72 00:04:27.199 --> 00:04:31.519 opening wheels. The word opening is an Aramaic word literally 73 00:04:31.639 --> 00:04:34.480 means wheels, and it was used to designate a flying saucer. 74 00:04:34.839 --> 00:04:38.319 So in the biblical traditions, the opening wheels are these 75 00:04:38.480 --> 00:04:42.720 flying spinning wheels. Sometimes they're combined with the throne or 76 00:04:42.759 --> 00:04:46.199 the throne chariots, and again the chart is this denomination 77 00:04:46.519 --> 00:04:50.959 of these flying saucers. Now, I also want to show 78 00:04:51.000 --> 00:04:53.720 that the same type of symbology is found cross culturally, 79 00:04:53.759 --> 00:04:56.000 and this is why I'm going to be using the 80 00:04:56.199 --> 00:04:59.040 example of Japanese symbolism in order to tie this in 81 00:04:59.759 --> 00:05:02.759 se seeing that the same types of symbolic motives are 82 00:05:02.759 --> 00:05:05.240 found not only within the Semitic and the Biblical and 83 00:05:05.279 --> 00:05:09.319 the apocryph of traditions, but is also found within Japanese symbolism. 84 00:05:09.680 --> 00:05:11.680 And then I'm going to tie it all together and 85 00:05:11.720 --> 00:05:16.199 look at modern examples of scaffology. So symbolism are pertaining 86 00:05:16.279 --> 00:05:20.000 to coggs wheels, which again is going back into the 87 00:05:20.000 --> 00:05:23.560 tradition of these flying saucers. Before I start, I just 88 00:05:23.600 --> 00:05:26.160 want to mention that the cog or the wheel is 89 00:05:26.319 --> 00:05:30.360 intrinsic to the flying saucer, because symbolically, the flying sauce 90 00:05:30.399 --> 00:05:33.279 is actually constructed from a series of wheels or cogs, 91 00:05:33.680 --> 00:05:38.000 and so within the symbolism, the opening wheels is denoting 92 00:05:38.000 --> 00:05:41.439 this idea that this is how the actual object is constructed. 93 00:05:42.160 --> 00:05:45.759 So that we're very very clear when I'm talking about 94 00:05:45.759 --> 00:05:48.560 the angelic sailor, I'm making reference to the fact that 95 00:05:48.600 --> 00:05:54.120 these entities are alien. So, for example, in the Semitic tradition, 96 00:05:54.199 --> 00:05:56.839 the words are, which is an angel is also polymorphic 97 00:05:56.879 --> 00:06:00.839 of an alien, and this is this inter nets with serra, 98 00:06:00.920 --> 00:06:05.600 which is a boat, which is this angelogical tradition. So 99 00:06:05.680 --> 00:06:10.000 scaffology is found all over and it's found within symbolism 100 00:06:10.079 --> 00:06:13.480 throughout the world. This is an example of scathological motives 101 00:06:13.480 --> 00:06:16.639 on a building in Paris. Again we're seeing that the 102 00:06:16.680 --> 00:06:19.920 ship is combined with the building, and the idea is 103 00:06:20.160 --> 00:06:22.519 that this building is equated with the ship of state, 104 00:06:22.560 --> 00:06:27.519 our government gubernatio to steer a vessel kubernew in the Greek, 105 00:06:27.800 --> 00:06:32.000 and this is referential to the courts, to the governments, 106 00:06:32.199 --> 00:06:36.920 and to this angelic tradition which is obstensibly hidden. So 107 00:06:37.720 --> 00:06:41.959 the etymology of scaffology is scaff which is a light vessel. 108 00:06:42.040 --> 00:06:45.639 Literally anything dug are scooped out, so literally it means 109 00:06:45.639 --> 00:06:49.279 a hollow vessel. It's from the etymology of scapto to dig, 110 00:06:49.360 --> 00:06:52.319 so this is a hollow vessel, and this appertains to 111 00:06:52.759 --> 00:06:57.040 the euthological tradition. This is new uthology. Now new u 112 00:06:57.040 --> 00:07:02.959 ethology deconstructs the occult symbology or the occult symbolism found 113 00:07:03.079 --> 00:07:06.079 within modern day urethology, but it goes back into the 114 00:07:06.120 --> 00:07:10.680 ancient world. So today's lecture is primarily concerned with the 115 00:07:10.680 --> 00:07:13.240 angelic sailor, but as I said before, it's going to 116 00:07:13.240 --> 00:07:16.120 be looking at the angelic sailor in context across cultural 117 00:07:16.199 --> 00:07:20.800 and also media comparisons. So within the Biblical and the 118 00:07:20.920 --> 00:07:24.600 Apocrypha traditions, the angels are represented as crew members of 119 00:07:24.600 --> 00:07:28.120 an aerial ship. So I'm just going to show the 120 00:07:28.160 --> 00:07:31.319 etymology here so that we're very clear about this. In 121 00:07:31.480 --> 00:07:35.720 the Bible, Yahwe Saboaf the lord of the Host. Now 122 00:07:35.959 --> 00:07:39.360 Yahwe Saboth is mentioned over three hundred times in the Bible, 123 00:07:39.600 --> 00:07:43.879 but the etymology of Saboa the host is equated with 124 00:07:44.120 --> 00:07:47.560 Saba an army severe which is a crew of a vessel, 125 00:07:47.839 --> 00:07:51.000 and Tavar, which is an arc. And so we're seeing 126 00:07:51.040 --> 00:07:54.519 that the angel Malak and angel is a polymorphic symbol 127 00:07:54.560 --> 00:07:57.680 of malakas sailor. So they're represented as crew members of 128 00:07:57.759 --> 00:08:02.319 naval vessels. Now, I've got an image here of Gaberti. 129 00:08:02.519 --> 00:08:08.040 It's from Florence and we're seeing Moses and he's been 130 00:08:08.079 --> 00:08:12.120 given the Ten commandments. Now, the symbolism here is related 131 00:08:12.160 --> 00:08:15.439 to cabod, which is

translated in the Bible as glory, 132 00:08:15.639 --> 00:08:19.519 but it's closely equated etymologically with cavit, which is a barrel, 133 00:08:19.759 --> 00:08:22.639 and again is equated with kabar and a missery, which 134 00:08:22.680 --> 00:08:25.639 is a type of angel. And in the hieroglyphic this 135 00:08:25.800 --> 00:08:28.680 is a wordplay on Caba, which is a son of 136 00:08:28.759 --> 00:08:32.759 a star. So the barrel is used to denote an 137 00:08:32.759 --> 00:08:35.200 opening wheel. This would be a large or a heavy 138 00:08:35.240 --> 00:08:38.399 opening wheel. And again within the symbolism, the opening wheels 139 00:08:38.440 --> 00:08:43.399 are categorized differently according to their size, so the angels 140 00:08:43.440 --> 00:08:47.440 are equated with these aerial vessels. Again, we're seeing that 141 00:08:47.480 --> 00:08:51.519 the circular host is also depicted within resonainting as well. 142 00:08:51.840 --> 00:08:56.440 This is Francesco Botticini, and we're seeing here that the 143 00:08:56.480 --> 00:09:01.000 opening wheels the angels are shown in row, and these 144 00:09:01.080 --> 00:09:04.840 are elliptical rows which are circular. And again the circle 145 00:09:04.919 --> 00:09:07.320 within the circle is used to denote the opening wheels. 146 00:09:07.320 --> 00:09:10.120 As I said before, these wheels are interconnected and are 147 00:09:10.159 --> 00:09:14.639 constructed together as a series of cogs. Now, when we 148 00:09:14.679 --> 00:09:17.639 look at the etymology of Yahweh Saboa, the Lord of 149 00:09:17.679 --> 00:09:20.159 the Host. We also see examples of the Lord of 150 00:09:20.200 --> 00:09:22.799 the Host in terms of biblical symbolism, in terms of 151 00:09:22.840 --> 00:09:25.840 Noah's arc. Now, the old Semitic word for an arch 152 00:09:26.000 --> 00:09:29.639 is teba. In the modern Hebrew Teva, Teba an arc 153 00:09:29.759 --> 00:09:33.279 is equated to tabat a ring and tabac a platter. 154 00:09:33.759 --> 00:09:37.320 This is because the votive dish is typically represented as 155 00:09:37.320 --> 00:09:40.200 a wheel or as a flying saucer, which is equated 156 00:09:40.240 --> 00:09:44.360 to worship. So in the ancient world they worshiped these 157 00:09:45.159 --> 00:09:49.480 angelic sailors, and so we're seeing this within the symbolism. Now, 158 00:09:49.559 --> 00:09:53.480 the illustration in this slide is derived from Petrus Commesta's 159 00:09:53.679 --> 00:09:59.320 Historia Scholastica in eleven seventy three. Now this was republished 160 00:09:59.320 --> 00:10:02.480 in the Bible Is in thirteen seventy two, and this 161 00:10:02.559 --> 00:10:04.799 is a depiction of Noah's ark. This is gain is 162 00:10:04.799 --> 00:10:11.799 equated with Sabah, which is the heavenly host. It's Yahwehtaboauth 163 00:10:11.840 --> 00:10:14.639 the Lord of the Host. But this is Teba an arc. 164 00:10:14.759 --> 00:10:17.279 And we can see that the ark is represented circular, 165

00:10:17.519 --> 00:10:19.879 and this is playing into the angelic host and the 166 00:10:19.919 --> 00:10:23.279 idea that the host is represented either as a circular 167 00:10:23.279 --> 00:10:26.919 elliptical vessel a wheel, or also within the symbology as 168 00:10:26.919 --> 00:10:30.840 a shield as well. So I want to just emphasize this. 169 00:10:30.919 --> 00:10:33.519 The angel is represented as a sailor, and we're finding 170 00:10:33.519 --> 00:10:37.159 this within the polymorphic symbolism. So malak and angel is 171 00:10:37.200 --> 00:10:41.279 equated with malaca sailor mechal, which is a container. Now 172 00:10:41.320 --> 00:10:44.000 the word container is used to note a vessel in 173 00:10:44.039 --> 00:10:46.039 the same way that we would talk about a vessel 174 00:10:46.200 --> 00:10:49.360 as an empty container. It's also synonymous with the boat. 175 00:10:49.440 --> 00:10:52.360 And so the same kind of wordplays are found within 176 00:10:52.399 --> 00:10:55.480 the Semitic. Again, when we look at the Aramaic word 177 00:10:55.519 --> 00:10:58.000 for an angel, zar is an angel, but this is 178 00:10:58.000 --> 00:11:02.039 a polymorphic word because are also denotes an alien, and 179 00:11:02.080 --> 00:11:05.159 we find this in entomologist such as mouzar, something which 180 00:11:05.200 --> 00:11:07.960 is strange. Now, Zara and angel or an alien is 181 00:11:08.000 --> 00:11:10.360 equated with sara a captain of a boat or a 182 00:11:10.399 --> 00:11:14.000 prince and sarah a boat. Okay, we would say in 183 00:11:14.039 --> 00:11:17.399 English lordship lordship is someone who is the son of 184 00:11:17.440 --> 00:11:19.720 a boat. The ben sira is the son of a boat, 185 00:11:20.440 --> 00:11:23.519 and they are derived from an Angelic lineage. Now, in 186 00:11:23.559 --> 00:11:26.240 this depiction, of this angel, which is based this is 187 00:11:26.279 --> 00:11:29.840 my drawing. It's a Byzantine image. We see that the 188 00:11:29.879 --> 00:11:34.000 angel is literally he's holding what is a stirring wheel 189 00:11:34.000 --> 00:11:37.320 because he's a navigator. But this is a circular vessel, 190 00:11:37.360 --> 00:11:41.000 and it's playing into the idea of the votive dish 191 00:11:41.000 --> 00:11:44.399 because the votive dish is represented typically as a circle 192 00:11:44.440 --> 00:11:47.720 within a circle, which denotes the opening wheel. This is 193 00:11:47.759 --> 00:11:51.279 a wheel and an axle, but it's very closely interconnected 194 00:11:51.320 --> 00:11:55.039 with the votive dish. And again hieroglyphically, this is used 195 00:11:55.039 --> 00:11:58.279 to denote Sirius, which is equated with the Seraphin, which 196 00:11:58.279 --> 00:12:01.080 are the non human angels. And so this ties us 197 00:12:01.120 --> 00:12:04.879 into two categories of angels. There are two types of 198 00:12:04.919 --> 00:12:10.159 angels and they are linked into the occult tradition. The 199 00:12:10.159 --> 00:12:15.120 occult tradition is the compartmentalization of knowledge between non human 200 00:12:15.120 --> 00:12:18.039 angels which are the Seraphin, and then the humanist tradition, 201 00:12:18.120 --> 00:12:20.440 which are the caribin. And so we see that there 202 00:12:20.440 --> 00:12:22.679 is a split within the priestood between the Sonny and 203 00:12:22.679 --> 00:12:26.039 the Shiai, the Pharisees and the Sadducees, the Prostants and 204 00:12:26.080 --> 00:12:30.360 the Catholics. This is all connected or interconnected into the 205 00:12:30.399 --> 00:12:34.519 symbology of knowledge which is imparted by non human angels 206 00:12:34.879 --> 00:12:39.399 and human angels. And again within the Pythagorean tradition, puthos Agora. 207 00:12:40.000 --> 00:12:44.600 Puthosigorus is the serpent speaker. This is the Pythagorean tradition. 208 00:12:45.000 --> 00:12:48.480 And this is contrasted with the Euclidean tradition to copyr 209 00:12:48.559 --> 00:12:51.039 to ape curd which is an ape, which is the 210 00:12:51.120 --> 00:12:56.480 humanist tradition. So that is found within the philosophical schools. Now, 211 00:12:56.840 --> 00:13:00.559 I just want to draw etymological comparisons between Serah for 212 00:13:00.679 --> 00:13:04.320 non human angel, Sapan a seaman, and Sophenia a ship. 213 00:13:04.759 --> 00:13:09.919 In Indo European languages, the P and the F morphology 214 00:13:10.000 --> 00:13:13.159 is very similar, so Pater and father. In this respect, 215 00:13:13.279 --> 00:13:16.360 Sapan and Sophena a ship is equated to a seraph. 216 00:13:16.559 --> 00:13:21.759 As we said before, Malacan angel is malaca sailor mechl 217 00:13:21.840 --> 00:13:25.360 which is a container which is used to denote an 218 00:13:25.440 --> 00:13:29.399 archardship or a vessel. Same wordplayers are also found with 219 00:13:29.519 --> 00:13:32.039 the keribin which are the human angels. So we have 220 00:13:32.360 --> 00:13:35.240 kerab which is an armed marine from kerev which is 221 00:13:35.279 --> 00:13:40.200 a sword. Hence the keabim is depicted armed with a sword. Now, 222 00:13:40.399 --> 00:13:44.200 the kerabim are also equated with carib which is the 223 00:13:44.279 --> 00:13:47.559 Arabic word for a landing vessel. So when we combine 224 00:13:47.600 --> 00:13:50.679 the etymologies together, this is an angel which is an 225 00:13:50.799 --> 00:13:53.960 armed angel, which is equated with a landing vessel. This 226 00:13:54.000 --> 00:13:56.720 is a small type of vessel. So again we're seeing 227 00:13:56.759 --> 00:14:00.200 that the symbology is denoting that the word keribin can 228 00:14:00.519 --> 00:14:03.559 be translated as a marine. A marine is an armed 229 00:14:03.639 --> 00:14:10.000 type of sailor literally a mariner. So this interconnects into lordship. 230 00:14:10.200 --> 00:14:12.240 Lordship is one who is born of a boat. The 231 00:14:12.279 --> 00:14:16.320 ben sira is a son of a boat malach and 232

00:14:16.399 --> 00:14:20.960 angel malaka sailor meleka king. Okay, the ben sirah the 233 00:14:21.000 --> 00:14:25.759 Hebrew word syrah a boat is audiptic paranomasia on the 234 00:14:25.799 --> 00:14:29.279 Arabic word sira, which is serious. Now, if we look 235 00:14:29.399 --> 00:14:31.440 at the Virgin Mary, this is a depiction of the 236 00:14:31.480 --> 00:14:34.480 Virgin Mary. She's holding the boat, which is denoting this 237 00:14:34.879 --> 00:14:39.600 angelic or divine offspring, which is the divine incarnation. We 238 00:14:39.679 --> 00:14:43.720 see that she has above her head halo halos. A 239 00:14:43.799 --> 00:14:47.879 halo is equated with alos meaning another or other, which 240 00:14:47.919 --> 00:14:51.120 is denoting the others. Now, the others are found within 241 00:14:51.240 --> 00:14:55.559 allegory alas Sagaria is other speaking. The other speaking is 242 00:14:55.559 --> 00:14:59.080 referring to the others, which is this angelic tradition. And 243 00:14:59.159 --> 00:15:02.480 again on the symbol of the sale, we see that 244 00:15:02.519 --> 00:15:05.919 there's a key clace. The key in the Greek is 245 00:15:06.039 --> 00:15:09.600 related to klasis meaning calling one who is called, and 246 00:15:09.679 --> 00:15:14.399 again is etymological to classis, which is a naval fleet 247 00:15:14.879 --> 00:15:17.600 class in other words, one who is born off a boat. 248 00:15:17.759 --> 00:15:20.679 And this is a classified tradition. This is a hidden 249 00:15:20.799 --> 00:15:24.639 or a secret tradition. This secret tradition appertains to malachin 250 00:15:24.679 --> 00:15:29.399 angel or malacas sailor. This is the naval tradition. So 251 00:15:29.440 --> 00:15:32.639 the angelic sailors can really be referred to as angelians. 252 00:15:32.639 --> 00:15:35.519 And the reason for this is that in the ancient 253 00:15:36.279 --> 00:15:40.000 Semitic and the Aramaic zara and angel is polymorphic of 254 00:15:40.000 --> 00:15:44.000 an alien, stranger, visitor, or a foreigner. So the terminology 255 00:15:44.039 --> 00:15:47.879 angelian really is a good description to denote the angels 256 00:15:47.919 --> 00:15:51.600 within the Aramaic. Now, the word zaren angel or an 257 00:15:51.639 --> 00:15:55.519 alien is found within the modern Hebrew etymology Kesa, which 258 00:15:55.559 --> 00:15:58.360 is a space alien. Now k is coming from the 259 00:15:59.279 --> 00:16:02.840 old Semitic route K, which is a living creature. So 260 00:16:03.080 --> 00:16:05.840 zarin angel or an alien is deemed as a living creature. 261 00:16:06.080 --> 00:16:08.360 And again we find this within the etymologies of an 262 00:16:08.559 --> 00:16:11.120 l a k which is a living god, which is 263 00:16:11.200 --> 00:16:15.799 polymorphic of a high creature. So again they're termed as strange, 264 00:16:15.840 --> 00:16:19.399 they're termed as alien, but they're also denoted as actually 265 00:16:19.480 --> 00:16:27.200 being living creatures. So the scathological symbolism appertains to new uuthology, 266 00:16:27.240 --> 00:16:30.519 which is the deconstruction of the angelic sailor, and the 267 00:16:30.559 --> 00:16:33.480 angelic sailor is equated both with an oast or an army. 268 00:16:33.480 --> 00:16:36.200 As we said before, there's a connection between Saboa of 269 00:16:36.240 --> 00:16:38.960 the host sether to a crew of a vessel, te 270 00:16:39.080 --> 00:16:41.919 Var and Ark. Again within the angelic tradition. In the 271 00:16:41.960 --> 00:16:44.559 Greek ARCon is a type of angel is equated to 272 00:16:44.639 --> 00:16:47.759 an arc in the Greek etymology, or cast which is 273 00:16:47.799 --> 00:16:53.559 a large naval vessel. Now within the biblical symbolism, the 274 00:16:53.639 --> 00:16:57.039 Lord of Thos is mentioned three hundred times within the Bible. 275 00:16:57.279 --> 00:16:59.200 So just to give you an example, in the Book 276 00:16:59.240 --> 00:17:03.480 of Amos, chapter for verse thirteen, the Lord, the god 277 00:17:03.480 --> 00:17:07.079 of Os is his name. Now within this medieval woodcut 278 00:17:07.799 --> 00:17:11.359 which I copied. We see that the host is depicted 279 00:17:11.440 --> 00:17:14.960 as an army, and this is correct because the translation 280 00:17:15.079 --> 00:17:18.640 of host in the Latin actually denotes an army. Now 281 00:17:18.720 --> 00:17:22.200 in the symbology we see that the horse the Hebrew 282 00:17:22.200 --> 00:17:25.240 word sus a horse, is working on the colloquial Arabic 283 00:17:25.319 --> 00:17:28.680 wordplay sus, which is a worm. Now a worm is 284 00:17:28.759 --> 00:17:32.640 used to denote the gin. So there's this etymological connection 285 00:17:32.720 --> 00:17:34.960 between the gin, which is a spirit, and the old 286 00:17:35.000 --> 00:17:38.599 Semitic word gen, which is a serpent or a worm. Okay, 287 00:17:38.680 --> 00:17:41.400 so the serpent or the worm. The Gin are born 288 00:17:41.480 --> 00:17:43.680 of fire, and they're equated with the seraphim, which are 289 00:17:43.720 --> 00:17:48.000 non human angels, a derivative from serrephel, which is fire. 290 00:17:48.079 --> 00:17:50.759 So the Gin are represented as the shining ones they 291 00:17:50.759 --> 00:17:52.960 are bought. They are said to be born of fire, 292 00:17:53.160 --> 00:17:56.319 which is an esoteric signifier of the Seraphim, who are 293 00:17:56.319 --> 00:18:00.680 equated with Cyrus. Syrah in the Arabic is the shining one. 294 00:18:01.119 --> 00:18:05.640 So within schathological symbolism, the lord of the host, as 295 00:18:05.640 --> 00:18:07.920 we said before, Yahwt the both is lord of the 296 00:18:07.920 --> 00:18:11.119 host is equated with severeta cru of a vessel. Teva 297 00:18:11.240 --> 00:18:14.519 in ark, which is synonymous with malach and angel Malaka sailor. 298 00:18:14.920 --> 00:18:18.720 The same type of symbology is also found within visioparana masi, 299 00:18:18.799 -->

00:18:22.119 which have visual puns, which are found within Arabic calligraphy. 300 00:18:22.400 --> 00:18:25.480 This is an example of Arabic calligraphy, and in this 301 00:18:25.559 --> 00:18:30.160 we can see that the boat is drawn in we 302 00:18:30.200 --> 00:18:33.720 can see that the Kuranic verse is drawn in the 303 00:18:33.720 --> 00:18:37.359 shape of a boat. So the vessel in the picture 304 00:18:37.440 --> 00:18:42.559 spells Bismilla Raman Ramin literally in the name of God 305 00:18:42.599 --> 00:18:45.039 the merciful and Compassionate from the first words of the 306 00:18:45.119 --> 00:18:48.480 Quran okay. So this is making reference to the esoteric 307 00:18:48.480 --> 00:18:51.119 tradition of the Lord of the Host in the Biblical 308 00:18:51.119 --> 00:18:56.599 tradition and also within the apocryphal tradition. Again within Kufik 309 00:18:56.720 --> 00:18:59.680 calligraphy as well. This is a much more abstract and 310 00:18:59.720 --> 00:19:03.240 style allies type of calligraphy, but again this is all 311 00:19:03.279 --> 00:19:06.559 part of the scaffological tradition. So in the center we 312 00:19:06.599 --> 00:19:09.960 see the spelling of the name Allah, which is denoted 313 00:19:10.000 --> 00:19:13.119 as a boat. Again it's working on visio parana macia, 314 00:19:13.160 --> 00:19:16.720 which is a visual pun. So the boat is sailing 315 00:19:16.720 --> 00:19:20.240 on the waves, but the waves are depicted as wings, 316 00:19:20.279 --> 00:19:23.279 and this is because this is an elevated boat, and 317 00:19:23.319 --> 00:19:26.759 we can see again that within the wings we see 318 00:19:26.759 --> 00:19:31.559 a circle with a circle. This denotes both the votive dish. 319 00:19:32.359 --> 00:19:36.960 It also denotes a hieroglyphic serious but is also used 320 00:19:36.960 --> 00:19:39.799 to denote an axle and wheel, which is used to 321 00:19:39.839 --> 00:19:43.279 denote the opening wheels. Again within the symbolism, it's also 322 00:19:43.319 --> 00:19:45.920 closely tied into a shield and a boss, which is 323 00:19:45.960 --> 00:19:50.240 a spike which is equated. For example, in the Book 324 00:19:50.279 --> 00:19:54.440 of Jeremiah, the Lord of the Host is described as Zinia, 325 00:19:55.400 --> 00:19:59.000 the lord of the shield. In this respect, this is 326 00:19:59.039 --> 00:20:02.079 specifically the bike of the shield, which is used to 327 00:20:02.079 --> 00:20:07.559 denote the axelent wheel. So modern calligraphy also spelling the 328 00:20:07.640 --> 00:20:10.680 name of Allah using the boat. Again, this is part 329 00:20:10.680 --> 00:20:17.079 of the scathological tradition. This is a metallic model cast 330 00:20:17.319 --> 00:20:20.240 of the nine hundred and sixty names of Alah. Again 331 00:20:20.319 --> 00:20:23.400 this is cast as a boat, and again this is 332 00:20:23.400 --> 00:20:27.400 connected into the angelic tradition of Malach and angel Malaca sailor. 333 00:20:27.599 --> 00:20:31.440 As we said before, Kerab is depicted as an armed 334 00:20:31.519 --> 00:20:36.519 marine carib which is a landing craft or seraph sapan 335 00:20:36.680 --> 00:20:39.359 and Sophenia a ship. So these are all tied into 336 00:20:39.359 --> 00:20:42.920 the angelic tradition, which is the naval classical or classified 337 00:20:42.960 --> 00:20:47.519 tradition class is the naval fleet. Now, this all goes 338 00:20:47.559 --> 00:20:50.880 back much earlier to the opening wheel, and these are 339 00:20:50.880 --> 00:20:54.400 depicted as angelic carriers, which in the modern parlance is 340 00:20:54.440 --> 00:20:57.200 equivalent to a flying saucer. On the left we see 341 00:20:57.200 --> 00:21:00.279 a Babylonian depiction of the opening wheels. On the we 342 00:21:00.319 --> 00:21:04.799 see Judaic fresco, which is taken from a synagogue, and 343 00:21:04.880 --> 00:21:08.319 this is a very early fresco. Now, typically around the wheel, 344 00:21:08.599 --> 00:21:11.000 the wheels would be fl flaming and they would have 345 00:21:11.119 --> 00:21:13.880 eyes around the parameter. So this is making reference to 346 00:21:13.960 --> 00:21:17.640 sofef which is a watcher, which is equated with cerepha fire, 347 00:21:18.680 --> 00:21:22.480 seraph which is a serpent, and sephira which is a sphere. 348 00:21:22.680 --> 00:21:25.599 But again the wheels or the opening wheels in this 349 00:21:25.720 --> 00:21:28.960 respect are interconnected, and this is because they are constructed 350 00:21:29.000 --> 00:21:31.480 as a series of cogs, and will delve into the 351 00:21:31.519 --> 00:21:35.319 symbology of the cogs in a moment. Now, I would 352 00:21:35.319 --> 00:21:37.759 just want to point out that the votive dish is 353 00:21:37.920 --> 00:21:42.000 used hieroglyphically to denote sirius, and so for example, on 354 00:21:42.039 --> 00:21:44.920 the left we have Sybil a the courts of Sybil. 355 00:21:45.000 --> 00:21:47.759 She's holding a votive dish. The votive dish is used 356 00:21:47.759 --> 00:21:51.119 to denote an axlent wheel, which is to denote Sirius. 357 00:21:51.519 --> 00:21:53.960 On the right that she has a symbol. This is 358 00:21:54.000 --> 00:21:58.720 a cytological motif. A cytological motif literally from the Greek 359 00:21:58.720 --> 00:22:01.799 etymology of kutos vessel, but again this is used to 360 00:22:01.839 --> 00:22:04.920 denote the scathological tradition a vessel is equated with a 361 00:22:04.960 --> 00:22:07.640 ship or a boat. On the right, we have a 362 00:22:07.720 --> 00:22:10.759 Roman priestess. This is a bronze and this is again 363 00:22:10.839 --> 00:22:14.279 showing the libation dish, which is drawn as an axle 364 00:22:14.400 --> 00:22:18.880 and wheel or sculptured as an excellent wheel. So just 365 00:22:18.920 --> 00:22:22.559 looking at the etymology of Sirah Sirius with the hieroglyph, 366 00:22:22.720 --> 00:22:25.039 we see that Ra is the sun god. Ra is 367 00:22:25.079 -->

00:22:28.400 coming from the verb to sea. This is denotational of 368 00:22:28.440 --> 00:22:32.680 a watcher, but is also used to denote the dog star. 369 00:22:32.839 --> 00:22:36.480 So is the growling of a dog, and he is 370 00:22:36.519 --> 00:22:41.839 equated with the verbera. To see now sir is equated 371 00:22:41.880 --> 00:22:45.160 to Sirah, which is serious. Sarah is an axis in 372 00:22:45.160 --> 00:22:47.880 this respect, this would be an axis of power and 373 00:22:48.000 --> 00:22:52.440 is equated to sea, which is a heavenly naval fleet, zar, 374 00:22:52.559 --> 00:22:54.519 which is an angel or an alien. As I said, 375 00:22:54.519 --> 00:22:57.920 the two terms are polymorphic. Sarah captain of a vessel, 376 00:22:58.359 --> 00:23:02.000 Sarah a boat, which is the Hebrew word which is 377 00:23:02.039 --> 00:23:06.599 a diptych paranomasia, or a wordplay on the Arabic word syrah, 378 00:23:06.680 --> 00:23:10.599 which is serious. Now Sirius is obstensibly the sun god 379 00:23:10.720 --> 00:23:14.839 Ra sur meaning secret or a mystery, and Ra. So Sira, 380 00:23:14.960 --> 00:23:18.400 which is serious, is the mysteries of Ra. And again 381 00:23:18.519 --> 00:23:21.039 the word sir, which is a mystery or a secret, 382 00:23:21.079 --> 00:23:24.079 can also denote a sacrament. So the mysteries of Ra 383 00:23:24.400 --> 00:23:28.119 are equated with sacrifice, and this is found for example 384 00:23:28.160 --> 00:23:34.240 between the host zabak, which is a sacrifice our carab 385 00:23:34.279 --> 00:23:40.920 a sacrificed carib, which is a boat. So these are 386 00:23:40.960 --> 00:23:45.119 all etymologies which interplay between boats and sacrifice. Hence the 387 00:23:45.200 --> 00:23:48.759 relationship between the votive dish and the circular motive of 388 00:23:48.799 --> 00:23:52.759 the axelent wheel, which is equated with the angel. So 389 00:23:53.319 --> 00:23:55.440 just looking at the serious glyph, we can see that 390 00:23:55.519 --> 00:24:00.000 the sacrificial vessel denotes Sirius. We can also see that 391 00:24:00.119 --> 00:24:02.720 it is closely interconnected with the wheel or cog, which 392 00:24:02.720 --> 00:24:06.119 in today's palance is a flying saucer. And again the 393 00:24:06.440 --> 00:24:09.000 wheel is equated with the boss and shield. So there 394 00:24:09.039 --> 00:24:13.480 is this correspondence in Greek, for example, between opollite, a soldier, 395 00:24:13.720 --> 00:24:16.519 opoll on a shield pleon which is a boat. The 396 00:24:16.559 --> 00:24:20.440 boat is interconnected with the flying shield and again a pua, 397 00:24:20.640 --> 00:24:25.319 which is an abductor. So and the opening wheels would 398 00:24:25.319 --> 00:24:28.880 be connected to the throne chariot within the Apocrypha traditions, 399 00:24:29.880 --> 00:24:32.160 So the wheel and axle is a votive dish, which 400 00:24:32.200 --> 00:24:35.160 is a serious hieroglyph. We can see, for example, that 401 00:24:35.240 --> 00:24:38.119 the Jewish star also encodes the opening wheels, and this 402 00:24:38.160 --> 00:24:41.000 goes back to the traditions of Cyanai. And we can 403 00:24:41.000 --> 00:24:45.720 see that the Pythagorean symbol of the circle and triangle 404 00:24:45.960 --> 00:24:49.640 is denoting essentially it's denoting the cog which is and 405 00:24:49.680 --> 00:24:52.279 the triangle denotes the tooth of the cog. So this 406 00:24:52.359 --> 00:24:55.880 is a symbol again of the opening wheels. Now I 407 00:24:55.920 --> 00:24:59.559 want to look at examples wheels. Now they interconnect in 408 00:24:59.640 --> 00:25:02.160 terms of of the euthological tradition, and now there is 409 00:25:02.200 --> 00:25:05.000 this crossover. So I'm going to read from the Book 410 00:25:05.039 --> 00:25:07.119 of Enoch, and we can see that there are close 411 00:25:07.119 --> 00:25:10.440 similarities with flying saucers. So in the Book of Enoch, 412 00:25:11.200 --> 00:25:14.599 Enoch describes his encounter with the opening wheels. He said, 413 00:25:14.640 --> 00:25:17.319 and I looked and saw there in a lofty throne. 414 00:25:17.440 --> 00:25:20.160 Its appearance was as crystal, and the wheels thereof as 415 00:25:20.200 --> 00:25:22.920 the shining sun. And there was the vision of the 416 00:25:23.119 --> 00:25:26.920 keb Cherubim in the Latin. And from underneath the throne 417 00:25:26.920 --> 00:25:29.880 came streams of flaming fire, so that I could not 418 00:25:30.039 --> 00:25:32.839 look thereon. And one of the holy ones came to me, 419 00:25:33.119 --> 00:25:35.359 and he made me rise up and approach the door. 420 00:25:36.160 --> 00:25:38.839 This would be the opening wheels, a sanctuary or a throne. 421 00:25:39.000 --> 00:25:42.680 And I bound about my face downwards. So we can 422 00:25:42.720 --> 00:25:45.799 see that the throne chariot is equated with the opening wheels. 423 00:25:45.920 --> 00:25:47.759 So if we look, for example, on the right, this 424 00:25:47.799 --> 00:25:50.759 is the depiction from the Elusian mysteries. But we see 425 00:25:51.079 --> 00:25:54.359 that the throne is combined with the wheel, and the 426 00:25:54.480 --> 00:25:57.119 wheel is combined with the serpent. In the Semitic this 427 00:25:57.200 --> 00:26:00.480 would be Sophia, a sphere seraph, which is a opened 428 00:26:00.680 --> 00:26:04.599 where again there are these connotations with the opening wheels, 429 00:26:04.759 --> 00:26:08.160 which are equated with the soraphic host. As we said before, 430 00:26:08.200 --> 00:26:11.640 there's an etymological connection between sabah, which is the Semitic 431 00:26:11.680 --> 00:26:14.200 word for host, ceph f which is a viper, which 432 00:26:14.200 --> 00:26:17.559 in this respect would denote the suraphic host, which are 433 00:26:17.599 --> 00:26:21.799 denoted as the opening wheels, which typically are represented with 434 00:26:21.960 --> 00:26:25.759 eyes to denote the watches or

the shining ones. So 435 00:26:25.799 --> 00:26:28.200 the etymology of the opening wheels can be broken down 436 00:26:28.279 --> 00:26:31.400 as such. Ofan is a wheel, the opening is plural, 437 00:26:31.440 --> 00:26:33.400 it literally means wheels, and as I said, this is 438 00:26:33.400 --> 00:26:36.920 because they're joined together or interconnected as a series of cogs. 439 00:26:37.200 --> 00:26:39.400 The wording off and a wheel is coming from the 440 00:26:39.480 --> 00:26:42.359 root word panata turn and o fear, which is to 441 00:26:42.480 --> 00:26:47.599 radiate golden light. Now, the opening wheels are typically combined 442 00:26:47.640 --> 00:26:51.279 with the throne or the throne chariot, and again this 443 00:26:51.599 --> 00:26:54.759 is used to denote in today's pounds, a flying saucer. 444 00:26:55.160 --> 00:26:59.880 The flying saucer is a votive dish within the original languages, 445 00:27:00.160 --> 00:27:02.680 but again is often depicted as a shield, which would 446 00:27:02.720 --> 00:27:07.079 denote a flying missile. In the ancient Semitic and the 447 00:27:07.119 --> 00:27:10.559 Greek traditions, they would fill up shields with hot sand 448 00:27:10.599 --> 00:27:12.559 and they would fling them at the enemy and they 449 00:27:12.559 --> 00:27:15.599 would spin like giant frisbees. So the missile is understood 450 00:27:15.640 --> 00:27:18.160 to be a type of flying shield, which is equated 451 00:27:18.200 --> 00:27:23.480 with opollon, which is a shield, pleon which is a boat. Again, 452 00:27:23.519 --> 00:27:25.960 when we look at the goddess Athena, she is the 453 00:27:26.000 --> 00:27:28.319 goddess of war, and again this is because the shields 454 00:27:28.359 --> 00:27:32.440 were denoting flying missiles. In this respect, she's holding the ages. 455 00:27:32.440 --> 00:27:35.599 But the ages is again used to denote these flying vessels, 456 00:27:35.640 --> 00:27:39.680 which are equated with ships and boats. Now this is 457 00:27:39.680 --> 00:27:42.680 working on the Semitic wordplay. So for example, we see 458 00:27:43.000 --> 00:27:47.119 that the serpent is denoting the gin, which is a spirit. 459 00:27:47.200 --> 00:27:49.039 In this respect, in the Semitic this would be the 460 00:27:49.079 --> 00:27:52.440 Ruakelo and the high ones, but the wordplay works on gin, 461 00:27:52.480 --> 00:27:56.160 which is a spirit gen a serpent or worm. Jana 462 00:27:56.319 --> 00:27:59.160 is to hide or to conceal, because the serpent is hidden. 463 00:28:00.079 --> 00:28:04.160 HiT's hidden behind jena, which is a shield, and jena 464 00:28:04.440 --> 00:28:09.839 is equated in the Semitic and Indo European languages with junk, 465 00:28:09.880 --> 00:28:13.720 which is a type of boat, but again which is 466 00:28:14.000 --> 00:28:16.039 a type of shield. And this is because the serpent 467 00:28:16.119 --> 00:28:19.880 is hidden or protected or guarded behind the shield. As 468 00:28:19.880 --> 00:28:21.920 we said before, the shield is used to denote a 469 00:28:21.960 --> 00:28:26.680 flying saucer. Literally this would be a flying missile. So 470 00:28:27.599 --> 00:28:31.359 in the Greek traditions we see that the deity is 471 00:28:31.440 --> 00:28:36.480 also equated with vessels. So, for example, within the mystery religions, 472 00:28:37.160 --> 00:28:39.680 the climax of a mystery play is often described as 473 00:28:39.720 --> 00:28:43.559 apple maccansthos, God from the machine. In this respect, this 474 00:28:43.599 --> 00:28:46.920 would be the revelation of a deity, the revelation of 475 00:28:47.000 --> 00:28:50.480 the mysteries. In this respect, God from the machine. We're 476 00:28:50.480 --> 00:28:53.720 seen also that in the Greek mysteries is an interconnection 477 00:28:53.839 --> 00:28:56.920 between the idea that the opening wheels are equated with 478 00:28:57.000 --> 00:29:00.200 the mind. This is because that they're telecognitive machine. In 479 00:29:00.240 --> 00:29:04.160 other words, they're closely equated with teleprothy. So, for example, 480 00:29:04.920 --> 00:29:08.839 within the Arabic depictions of the gin, the carrin, which 481 00:29:08.920 --> 00:29:11.759 is a type of gin, is equated with the etymology carry, 482 00:29:11.759 --> 00:29:15.440 which is to be telepathic. In the Greek traditions, we 483 00:29:15.480 --> 00:29:18.599 see that there's a correspondence between Norse, which is a ship, 484 00:29:19.079 --> 00:29:22.279 Noose which is the mind, Numa the spirit. So these 485 00:29:22.359 --> 00:29:26.960 deities communicate using the mind, which in the ancient Semitic 486 00:29:27.000 --> 00:29:29.599 and in the Greek traditions, was equated with the communication 487 00:29:29.759 --> 00:29:34.480 with the spirit. Now, the opening wheels are depicted as cogs, 488 00:29:34.519 --> 00:29:38.880 and I'm just going to read you a description from 489 00:29:38.920 --> 00:29:42.160 the Book of Ezekiel. Ezekiel described the wheels as having 490 00:29:42.200 --> 00:29:44.960 the appearance of the wheels and their construction. Now this 491 00:29:45.039 --> 00:29:48.960 is important because the Semitic word mat asse is literally 492 00:29:49.000 --> 00:29:52.599 a construction. So this is not something which is spiritual, 493 00:29:52.680 --> 00:29:56.400 this is something which is constructed. We find within the 494 00:29:56.440 --> 00:30:00.079 Semitic traditions of the Rua Keloim the high spirits. They 495 00:30:00.079 --> 00:30:02.799 can de materialize, so they're described as high spirits, but 496 00:30:02.799 --> 00:30:06.160 they're also paradoxical. They're described as an lak, a high creature, 497 00:30:06.720 --> 00:30:09.039 or a living god. So the appearance of the wheels 498 00:30:09.079 --> 00:30:11.720 and the construction was like a ship. Now, the word 499 00:30:11.880 --> 00:30:15.759 tai shiesh, which is polymorphic, it's translated in the Bible 500 00:30:15.799 --> 00:30:18.480

as beryl, but the word in his polymorphic can also 501 00:30:18.559 --> 00:30:21.160 mean a ship. And their appearance and workings was if 502 00:30:21.200 --> 00:30:24.559 it were a wheel within the center of a wheel. Again, 503 00:30:24.920 --> 00:30:29.039 the traditional depiction of the opening wheels, they're equated with 504 00:30:29.119 --> 00:30:31.200 the watchers erin, which is a watch or a shining 505 00:30:31.240 --> 00:30:34.880 one equated with the Elohim. Again, the wordplay works with 506 00:30:35.000 --> 00:30:37.880 for example, Yahweh and Yarra to sea, or in the 507 00:30:37.880 --> 00:30:41.599 Greek theos god and theosa watcher, or even in terms 508 00:30:41.599 --> 00:30:44.599 of the angel self, for watcher is equated with seraph, 509 00:30:44.640 --> 00:30:47.960 which is a serpent. In the Greek traditions, this would 510 00:30:47.960 --> 00:30:50.799 be a dracon on drachne, which would be to watch 511 00:30:50.880 --> 00:30:53.480 or to shine. So these shining wheels are equated with 512 00:30:53.559 --> 00:30:56.240 the watches, which is a type of angel. Now, I 513 00:30:56.279 --> 00:30:59.039 also want to draw you attention to modern descriptions of 514 00:30:59.079 --> 00:31:02.400 the wheels as well. So, for example, within Frank Scully's 515 00:31:02.400 --> 00:31:05.400 book Behind the Flying Saucers, this was the first book 516 00:31:05.519 --> 00:31:08.000 ever written. It was the first hardback book on the 517 00:31:08.000 --> 00:31:12.440 flying saucer. Now, his saurce dot G describes the construction 518 00:31:12.599 --> 00:31:15.839 of a flying saucer, and he said the following. After 519 00:31:15.880 --> 00:31:17.880 a long study of the craft, it was agreed that 520 00:31:17.960 --> 00:31:21.000 it was assembled in segments. These segments were fitted in 521 00:31:21.039 --> 00:31:23.880 grooves and were pinned together around the base. When the 522 00:31:23.880 --> 00:31:26.240 cabin was lifted out of the bottom of the saucer, 523 00:31:26.480 --> 00:31:29.400 they found a gear completely encircling the bottom of the ship, 524 00:31:29.599 --> 00:31:32.519 and this gear fitted inside a gear of another ratio 525 00:31:32.680 --> 00:31:34.880 that was on the cabin. The old thing was very 526 00:31:35.039 --> 00:31:37.759 ingeniously put together, and a lot of care was taken 527 00:31:37.799 --> 00:31:40.319 in breaking it down. After it had been broken down, 528 00:31:40.359 --> 00:31:43.119 it was moved to a government testing laboratory, and there 529 00:31:43.160 --> 00:31:45.480 it remained while parts of it were tested for a 530 00:31:45.519 --> 00:31:48.440 considerable long time. Or if we want to use the 531 00:31:48.440 --> 00:31:51.400 words of a Zekiel, the appearance of the wheels and 532 00:31:51.440 --> 00:31:53.720 their construction was like a ship, and their appearance and 533 00:31:53.759 --> 00:31:56.759 workings was if it was a wheel within the center 534 00:31:56.920 --> 00:32:01.400 of a

wheel. Same description, same thing we're dealing here 535 00:32:01.400 --> 00:32:06.440 with flying saucers. So within the classical depictions, also, we're 536 00:32:06.440 --> 00:32:09.480 not only just finding biblical and Apokpha traditions of the 537 00:32:09.480 --> 00:32:12.960 opening wheels. We're also finding this within Greek symbology as well. 538 00:32:13.400 --> 00:32:16.160 King Ixion was said to be imprisoned on the wheel. 539 00:32:16.279 --> 00:32:18.960 This is a classical depiction. Now this is important because 540 00:32:19.000 --> 00:32:21.039 first of all, we're seeing that we have a circle 541 00:32:21.079 --> 00:32:23.720 within a circle, which again is denoting the idea that 542 00:32:23.759 --> 00:32:26.640 these wheels are constructed as a series of cogs. But 543 00:32:26.799 --> 00:32:30.440 also we're seeing that the angels are equated with the 544 00:32:30.480 --> 00:32:34.319 opening wheels, with these vessels. As we said before, Apotheos 545 00:32:34.599 --> 00:32:37.480 Mechanae which is a god from a machine. So this 546 00:32:37.599 --> 00:32:41.079 is the depiction of a deity equated with a type 547 00:32:41.079 --> 00:32:44.720 of ship, vessel or a chariot or a wheel, depending 548 00:32:44.839 --> 00:32:50.079 on the symbology. Again, looking at cog symbolism, Sura twenty, 549 00:32:50.920 --> 00:32:53.759 verse thirty is written in the style of the opening wheels. 550 00:32:53.960 --> 00:32:56.680 Again this is making reference to the opening wheels. And 551 00:32:56.720 --> 00:33:02.079 so you find Arabic calligraphy, particularly with Krann quotations found 552 00:33:02.079 --> 00:33:04.720 within cogs and wheels. And again this is making reference 553 00:33:04.759 --> 00:33:06.759 to the Lord of the Host and his angels Malach 554 00:33:06.799 --> 00:33:10.400 and angel Malacha sailor mechel, which is a type of container, 555 00:33:10.599 --> 00:33:13.799 but in this respect is representational of a vessel or 556 00:33:13.839 --> 00:33:17.680 a boat. Again, that would be Yahweaboth, the lord of 557 00:33:17.799 --> 00:33:21.640 the Lord of the Host Sevet, a crew of a 558 00:33:21.759 --> 00:33:27.000 vessel Teva an arc, so god from a machine. Now 559 00:33:27.160 --> 00:33:30.160 this goes back to the Judaic traditions. It goes back 560 00:33:30.720 --> 00:33:37.000 to Moses and Sinai and the revelation of Yahweh Saboth 561 00:33:37.079 --> 00:33:40.359 the Lord of the Host. Now the etymology, Sinai is 562 00:33:40.359 --> 00:33:44.440 equated with the wordplay Sinea, which was the lord of 563 00:33:44.519 --> 00:33:47.079 the boss of the shield Zin, which is a boss 564 00:33:47.119 --> 00:33:50.920 of a shield is equated etymologically in the Hebrew with 565 00:33:51.039 --> 00:33:54.240 sheen a cogg. Again this is polymorphic. Chen also denotes 566 00:33:54.279 --> 00:33:56.440 a twoth of a cog, hence the connection with Zin, 567 00:33:56.480 --> 00:33:58.599 which is a boss of a shield, and sand, which

568 00:33:58.640 --> 00:34:03.279 is a saucer. So Cinai Senna, which is thorny shrub 569 00:34:03.319 --> 00:34:07.000 ground is used to denote the boss of a shield, 570 00:34:07.079 --> 00:34:10.719 which are equated with these fallen shields, which are identified 571 00:34:10.719 --> 00:34:14.559 with the angelic host. So Mount Sinai and the Ten 572 00:34:14.639 --> 00:34:19.440 Commandments is equated with this scaffological tradition. The burning bush 573 00:34:19.760 --> 00:34:25.280 is this esoteric signify used to know these opening wheels now, 574 00:34:25.320 --> 00:34:27.400 I also want to look at the opening wheels now. 575 00:34:27.400 --> 00:34:30.559 They're often represented as the head of God. As the 576 00:34:30.559 --> 00:34:33.719 head of God, so for example, the word head is 577 00:34:33.800 --> 00:34:36.559 used as a code word for the opening. So in 578 00:34:36.599 --> 00:34:39.880 the Book of Exodus thirty three, chapter eleven, when God 579 00:34:39.960 --> 00:34:43.239 reveals himself, it states the Lord would speak to Moses 580 00:34:43.320 --> 00:34:46.039 face to face. The Hebrew word is panim, as a 581 00:34:46.079 --> 00:34:49.239 man speaks with his friend. Now. The root word panin 582 00:34:49.360 --> 00:34:52.639 face is from the root word pana, which is to turn. Now, 583 00:34:52.719 --> 00:34:56.519 Pana to turn is also where the root word used 584 00:34:56.519 --> 00:34:59.519 to denote ofhan, which is a wheel. So in this respect, 585 00:35:00.119 --> 00:35:01.960 the face of the lord is used to denote the 586 00:35:01.960 --> 00:35:05.599 opening wheel. It's an esoteric code word. And so, for example, 587 00:35:05.599 --> 00:35:09.400 within Renaissance depictions, we will see typically that the angels 588 00:35:09.679 --> 00:35:13.199 are often just come represented as faces, which is panina 589 00:35:13.280 --> 00:35:16.480 face pana, which is to turn open, which is a wheel. 590 00:35:17.039 --> 00:35:21.639 Now this is after Giovanni Bellini Madonna of the red Cherubim. 591 00:35:21.760 --> 00:35:24.079 In the actual original image. This is a drawing which 592 00:35:24.119 --> 00:35:26.519 I drew, but in the original image the angels are 593 00:35:26.599 --> 00:35:30.800 depicted as red. Again, this would denote Adam, which is red, 594 00:35:31.119 --> 00:35:34.639 which are the Adamic angels, which in the Semitic traditions 595 00:35:34.679 --> 00:35:38.199 are equated with the issum, which are these human angels. Again, 596 00:35:38.599 --> 00:35:43.320 the kerabin are typically represented with amber karuba which is amber, 597 00:35:43.360 --> 00:35:47.079 and so they are often shown as wearing orange. And 598 00:35:47.119 --> 00:35:49.880 so we're seeing that the Adamic lineage and the Kerabin, 599 00:35:49.880 --> 00:35:53.320 which are these proto human angels, are equated with red 600 00:35:53.360 --> 00:35:56.480 and orange, and again they're typically represented with just the 601 00:35:56.519 -->

00:36:00.239 face denoting the opening wheels. As we said before, there's 602 00:36:00.239 --> 00:36:03.880 an etymological connection between carab which is a human angel, 603 00:36:03.920 --> 00:36:08.639 and Carribe which is a landing vessel. Within Templar symbolism, 604 00:36:08.760 --> 00:36:12.039 their heads heads are said to be venerated, and again 605 00:36:12.079 --> 00:36:16.239 within Templar iconography, the head is very important. Now it 606 00:36:16.280 --> 00:36:19.159 was said that the Templars that they found a great 607 00:36:19.199 --> 00:36:21.960 treasure which was buried at the mount, and that this 608 00:36:22.039 --> 00:36:24.119 treasure made them very rich, it made them very wealthy, 609 00:36:24.159 --> 00:36:27.000 it gave them immense amounts of knowledge. Now, again, as 610 00:36:27.000 --> 00:36:29.880 we said before the opening, wheels that they're telepathic and 611 00:36:29.920 --> 00:36:32.360 they can communicate through the mind. So there is this 612 00:36:32.400 --> 00:36:37.400 etymological connection between Nusa mind nurse ship, and this idea 613 00:36:37.599 --> 00:36:39.519 is that they can communicate through the mind, and in 614 00:36:39.559 --> 00:36:42.440 this respect they literally can be depicted as the head 615 00:36:42.480 --> 00:36:45.760 of God. And so therefore there is this relationship between 616 00:36:46.000 --> 00:36:48.679 pan in the face, pan at a turn off and 617 00:36:48.760 --> 00:36:53.760 a wheel. Again, I just want to look at toss 618 00:36:54.000 --> 00:36:57.960 the representations of angels. So the Greek wordplay off on 619 00:36:58.119 --> 00:37:00.079 which is a sheet or a sale is a on 620 00:37:00.480 --> 00:37:02.559 of and a wheel and so on the left, this 621 00:37:02.639 --> 00:37:05.599 is a drawing which I did of a Renaissance artist. 622 00:37:05.920 --> 00:37:10.559 We see that the sailcloth othor a sheet is punned 623 00:37:10.559 --> 00:37:14.239 with the Aramaic word ofan, which is a wheel. And 624 00:37:14.280 --> 00:37:16.639 again this is a depiction of the R, so the 625 00:37:16.920 --> 00:37:19.199 kelm is blowing into the sale. This is equated with 626 00:37:19.280 --> 00:37:22.719 an opening wheel. As we said before, the R is 627 00:37:22.760 --> 00:37:25.760 interchangeable with the gin or gena serpent or worm. And 628 00:37:25.800 --> 00:37:29.800 again the wording gin is often translated as a serophor 629 00:37:30.039 --> 00:37:32.760 or the seraphim, so this is a non human angel. 630 00:37:33.239 --> 00:37:35.519 I also want to just draw attention to the ghost 631 00:37:35.719 --> 00:37:39.039 because typically the ghost is represented with the sailcloth. Again 632 00:37:39.079 --> 00:37:41.760 this is used as an esoteric code word to denote 633 00:37:41.760 --> 00:37:47.239 the opening wheels. Again, angels are sometimes shown with sailcloths 634 00:37:47.519 --> 00:37:50.039 as well, so again this is working on a number 635 00:37:50.039 --> 00:37:53.360 of different wordplays. We see that janner is to hide 636 00:37:53.400 --> 00:37:56.119 our conceal, to conceal, which is making reference to the 637 00:37:56.199 --> 00:37:59.000 gin gener serpent or worm. But again, as we said, 638 00:37:59.119 --> 00:38:01.639 oth on, which is a sail cloth, is a wordplay 639 00:38:01.679 --> 00:38:04.280 an o fan which is a wheel. Now on the 640 00:38:04.360 --> 00:38:08.159 right we see that the face of Jesus is combined 641 00:38:08.400 --> 00:38:11.119 with the sailcloth, and again this is making reference to 642 00:38:11.159 --> 00:38:15.320 the fact that panima face is equated with pana to 643 00:38:15.400 --> 00:38:18.159 turn an ofan which is a wheel. And again the 644 00:38:18.199 --> 00:38:21.079 sailcloth is oth on which is a sailcloth are a 645 00:38:21.079 --> 00:38:23.960 sheet and othan which is a wheel. So again the 646 00:38:24.000 --> 00:38:26.920 angels are equated with wheels and they are depicted using 647 00:38:26.960 --> 00:38:31.880 symbolic language. Again, this is after an early Renaissance master. 648 00:38:32.679 --> 00:38:34.920 This is a depiction of fate. Fate is standing on 649 00:38:34.960 --> 00:38:38.719 a wheel. This is because the Gena are outside of time. 650 00:38:38.800 --> 00:38:41.760 I describe them as a holographic culture. They have deconstructed 651 00:38:41.760 --> 00:38:45.199 the mechanics of waveform reality. In this depiction, she is 652 00:38:45.239 --> 00:38:49.800 where carrying a red sailcloth. And again this is making 653 00:38:49.800 --> 00:38:53.360 a word reference to the wordplay Adam, which is read 654 00:38:53.400 --> 00:38:56.280 and adam. This is making reference to the planting of 655 00:38:56.320 --> 00:38:59.960 the Adamic blood line on the earth. And within wheel symbology, 656 00:39:00.039 --> 00:39:03.000 the wheel is often interconnected with the flower, which is 657 00:39:03.079 --> 00:39:07.760 used to denote the planting of humans upon the earth. Again, 658 00:39:08.239 --> 00:39:12.199 this is another Renaucedus depiction. This is the mystic marriage 659 00:39:12.199 --> 00:39:15.039 of Saint Catharine. This is a drawing after Anne's membling. 660 00:39:15.440 --> 00:39:18.360 We see here that there's a reference to kerevasard, which 661 00:39:18.400 --> 00:39:20.679 is a wordplan kerab, which are the keribin. This is 662 00:39:20.719 --> 00:39:25.760 the humanist tradition. And again we have a wheel which 663 00:39:25.800 --> 00:39:30.320 is denotational of the opening wheels. So when we're looking 664 00:39:30.360 --> 00:39:33.920 at the opening wheels. We see that within the angelogical tradition, 665 00:39:34.320 --> 00:39:38.559 the English etymology of worship is to venerate an angelic 666 00:39:38.599 --> 00:39:41.360 boat or a vessel, and we certainly find this within 667 00:39:41.400 --> 00:39:44.239 the English etymology of religion, which is from the Latin 668 00:39:44.360 --> 00:39:47.719 route relegare to more a

vessel. Again, the nave of 669 00:39:47.760 --> 00:39:52.360 a church is polymorphic. It also means the hub of 670 00:39:52.400 --> 00:39:56.760 a wheel. And again the nave is connected etymologically to navice, 671 00:39:56.800 --> 00:39:59.039 which is a ship. The ship is used to denote 672 00:39:59.039 --> 00:40:03.000 the angelic sialem Alac and angel malek sailor. Again, I 673 00:40:03.079 --> 00:40:05.920 just want to look at the polyglottal symbolism of worship 674 00:40:06.000 --> 00:40:09.800 in English worship. In Arabic sabah to praise, to glorify 675 00:40:10.039 --> 00:40:13.199 is equated to sabah, which is the hosts above the 676 00:40:13.239 --> 00:40:18.400 angelic hoast. Again, looking at this depiction of this modern cathedral, 677 00:40:18.440 --> 00:40:21.480 this is designed by Gordy. If we look into the rafters, 678 00:40:21.480 --> 00:40:23.960 we can see that there are these cogs, and these 679 00:40:24.000 --> 00:40:27.480 cogs are depicted as serrated edges. Again, this is making 680 00:40:27.519 --> 00:40:30.519 reference to the idea that the opening wheels are constructed 681 00:40:30.719 --> 00:40:33.760 as a series of cogs, and we can see the 682 00:40:33.800 --> 00:40:36.559 towers as well. Again, the towers are very boat like 683 00:40:36.599 --> 00:40:39.000 in their motifs, and so we're seeing that there is 684 00:40:39.039 --> 00:40:44.559 this interplay with ship symbolism. This is Charter's cathedral. This 685 00:40:44.599 --> 00:40:46.559 would be the nave, the part of the church. As 686 00:40:46.559 --> 00:40:49.039 we said, nave is polymorphic of a hub of a 687 00:40:49.079 --> 00:40:51.719 wheel is equated with navis, which is a boat. Again, 688 00:40:51.760 --> 00:40:54.840 these are angelic boat ships or vessels. We can see 689 00:40:54.960 --> 00:40:58.320 here that the wheel on the right sometimes the cogs 690 00:40:58.320 --> 00:41:01.239 of the wheel are lit up. We have a shining wheel, 691 00:41:01.280 --> 00:41:04.880 so there's a connection between off and a wheel panatotern 692 00:41:06.039 --> 00:41:09.719 and o fear, which is to radiate golden light. So 693 00:41:09.760 --> 00:41:14.159 these are spinning, shining, radiant wheels, which are equated with angels. 694 00:41:14.480 --> 00:41:16.800 Look also within the center of the wheel, so we 695 00:41:16.840 --> 00:41:19.239 have a flower. The flower is used to denote the 696 00:41:19.239 --> 00:41:23.199 neophyte neophootus, the newly planted foot on a plant fot 697 00:41:23.239 --> 00:41:25.880 which is light in the Greek. But again it's making 698 00:41:25.920 --> 00:41:28.400 a key symbol. Now this is very important because the 699 00:41:28.480 --> 00:41:31.000 key is used to denote a lock and key, and 700 00:41:31.039 --> 00:41:35.239 within the old symbolism, the lock is typically constructed from 701 00:41:35.280 --> 00:41:38.559 a series of interlocking wheels, and these wheels are used 702 00:41:38.559 --> 00:41:41.519 to denote the opening wheels. So typically the keys used 703 00:41:41.559 --> 00:41:44.719 to denote a secret, which is equated with the opening wheels. 704 00:41:45.400 --> 00:41:48.760 So we find the key with nightmpler symbolism. This is 705 00:41:48.800 --> 00:41:52.840 William Saint Clair, he was a night templar. This is 706 00:41:52.840 --> 00:41:56.079 found on his tomb. We see that we've got an 707 00:41:56.119 --> 00:41:58.639 inscription of the sword, so this is the humanist tradition 708 00:41:58.719 --> 00:42:02.000 of human angels of Us Careva. Sword is equated with 709 00:42:02.159 --> 00:42:07.039 Keraban Angel Carrib, which is a landing vessel. Again, notice 710 00:42:07.079 --> 00:42:09.840 the key is combined with an opening wheel. This is 711 00:42:09.880 --> 00:42:12.599 a nave or cog of a wheel. Again, this is 712 00:42:12.639 --> 00:42:16.320 making reference to the opening wheels. On the left, we 713 00:42:16.440 --> 00:42:20.119 see the Vatican is represented as a key. Again, it's 714 00:42:20.159 --> 00:42:23.639 interconnects with night templar symbolism. We've also got the KEYO 715 00:42:24.079 --> 00:42:26.639 and also we've got the wheel as well combined with 716 00:42:26.719 --> 00:42:31.000 the KEYO. Now this obviously adds zodiacal connotations, which is 717 00:42:31.039 --> 00:42:35.000 astro theological. But beneath the astro theological symbolism there are 718 00:42:35.000 --> 00:42:38.960 these scatological muttives which are appertaining to this classified tradition 719 00:42:39.320 --> 00:42:42.519 relating to the angelic sailors malach and angel is equated 720 00:42:42.559 --> 00:42:46.039 with malach as sailor so the opening wheels are also 721 00:42:46.119 --> 00:42:51.599 found within church iconography. This is a German mural. Sorry 722 00:42:51.639 --> 00:42:54.760 it's written in German, but this is from Transylvania. This 723 00:42:54.920 --> 00:43:00.679 is from UFOs over Romania by Dandy Farcas is PhD 724 00:43:01.360 --> 00:43:04.599 excellent book. I recommend it. It was published by Philip Mantle. 725 00:43:05.280 --> 00:43:07.519 This is my own drawing after the original image, but 726 00:43:07.599 --> 00:43:11.000 we see that this was complete. This is a fresco 727 00:43:11.039 --> 00:43:15.719 which was completed around fourteen eighty three to fifteen forty six. Again, 728 00:43:15.800 --> 00:43:19.599 this is an opening wheel. Again, the pulpit is symbolized 729 00:43:19.639 --> 00:43:21.760 as an oathen in wheel, and we can see that 730 00:43:22.039 --> 00:43:24.880 on carved on the exterior of the pulpit. We see 731 00:43:24.880 --> 00:43:27.280 that there is a rhombus. Greek rhombus is from the 732 00:43:27.239 --> 00:43:29.840 etymologies to spin, which is making reference to oath and 733 00:43:29.880 --> 00:43:32.440 a wheel and pan outa turn. Look also that the 734 00:43:32.480 --> 00:43:35.639 wheel is elevated. And this is equated, as I said before, 735 00:43:35.920 --> 00:43:40.320 with a missile

of God, which traditionally was equated with 736 00:43:40.400 --> 00:43:43.079 the army and the oast. But the missile is this 737 00:43:43.159 --> 00:43:46.840 flying shield which is like a frisbee. But the missiles 738 00:43:47.519 --> 00:43:51.400 are equated with a missionary of God, equated with an 739 00:43:51.440 --> 00:43:54.239 emissary which is an angel, so this again is going 740 00:43:54.320 --> 00:43:58.119 back into scaffological symbolism. This is a modern pulpit and 741 00:43:58.119 --> 00:44:00.280 we can't get much more explicit than this. This is 742 00:44:00.320 --> 00:44:03.239 an opening wheel. Again the pulpit is elevated and on 743 00:44:03.360 --> 00:44:06.039 top there is an angel. So this is you can 744 00:44:06.039 --> 00:44:07.760 find this in New York and this is from the 745 00:44:07.840 --> 00:44:12.599 nineteen hundreds. This is a depiction on a coin of 746 00:44:12.639 --> 00:44:15.840 an oathening wheel. This is a French commemorative coin. It's 747 00:44:15.880 --> 00:44:19.760 a medallion minted in sixteen eighty and again this records 748 00:44:19.760 --> 00:44:22.280 the seting of a wheel like object, which again is 749 00:44:22.320 --> 00:44:26.119 going back into the religious tradition. So in summary, we 750 00:44:26.159 --> 00:44:28.199 can stay that the god from the machine equals a 751 00:44:28.199 --> 00:44:31.920 wheelbow to chariot and it discloses an angelic sailor. The 752 00:44:31.960 --> 00:44:35.559 same is also found within Japanese symbolism. So I want 753 00:44:35.599 --> 00:44:38.960 to now draw comparison with the Japanese tradition because essentially 754 00:44:38.960 --> 00:44:41.840 we'll find in the same types of symbology which is 755 00:44:41.880 --> 00:44:46.920 working on polyglottal and polymorphic symbolism, so wordplays which repeat 756 00:44:46.920 --> 00:44:51.199 in multiple languages and symbols which work on multiple meanings. 757 00:44:51.320 --> 00:44:57.440 So cross cultural comparison of Japanese scaffology now within Japanese 758 00:44:57.480 --> 00:45:01.719 symbolism and found in Shinto. In the Shinto religion, the 759 00:45:01.840 --> 00:45:05.599 uts are now funny is the word for a flying saucer. Now, 760 00:45:05.719 --> 00:45:09.239 utsa not funny are very ancient. This is an edoprint 761 00:45:09.719 --> 00:45:12.039 on the left of a nuts are not funny. Now. 762 00:45:12.119 --> 00:45:14.559 This is working on a polymorphic symbol because the word 763 00:45:14.639 --> 00:45:17.400 uts not funny literally means a hollow tree. As we 764 00:45:17.400 --> 00:45:20.920 said before, the scaffhological tradition comes from scapto, which is 765 00:45:20.960 --> 00:45:23.639 to dig out or to hollow. Again. Within the Greek 766 00:45:23.719 --> 00:45:27.519 mystery religions, sometimes trees were said to be able to 767 00:45:28.079 --> 00:45:31.199 talk or to impart knowledge. This idea of a hollow 768 00:45:31.199 --> 00:45:33.480 tree is equated with scaff which is a boat, which 769 00:45:33.519 --> 00:45:37.079 is the scaffological tradition. Same type of idea is found 770 00:45:37.119 --> 00:45:41.599 within Japanese Shinto depictions. The hollow tree is a synonym 771 00:45:41.920 --> 00:45:44.679 used to denote a hollow vessel, which are equated with 772 00:45:44.719 --> 00:45:48.800 these flying saucers. I'm going to give you an historical 773 00:45:48.840 --> 00:45:51.199 account now of a nuts are not funny. I'm going 774 00:45:51.239 --> 00:45:53.559 to read this because it's a little bit easier. So 775 00:45:53.639 --> 00:45:56.199 this is from a novelette. It's based on an actual 776 00:45:56.199 --> 00:45:59.199 event which occurred in eighteen oh three, A strange ship 777 00:45:59.280 --> 00:46:03.639 drifted ashore on a beach called Aratona Hammer in Itachi, Japan. 778 00:46:04.039 --> 00:46:06.239 The boat was hollow and its shape was similar to 779 00:46:06.280 --> 00:46:09.360 a rice cooking pot we would say in today's parlance, 780 00:46:09.360 --> 00:46:12.400 a flying saucer. The craft was painted black and had 781 00:46:12.440 --> 00:46:15.679 small windows on four sides. In this account, a strange 782 00:46:15.679 --> 00:46:19.360 woman spoke a foreign language and prohibited anyone from approaching 783 00:46:19.400 --> 00:46:23.719 the box in possession Uslon. Now funny, this is a 784 00:46:23.840 --> 00:46:28.519 hollow boat. Again, we've got strange characters which was found 785 00:46:29.079 --> 00:46:31.719 within the Utson. Now funny, they are depicted within the 786 00:46:31.800 --> 00:46:36.159 drawing here. Now, notice we've got the circle and the triangle. 787 00:46:36.199 --> 00:46:39.039 As we said before. In the Pythagorean symbolism, this was 788 00:46:39.119 --> 00:46:40.800 used to denote the cog and the two for of 789 00:46:40.800 --> 00:46:44.079 a cog. So this circle and triangle is found as 790 00:46:44.079 --> 00:46:48.480 a motive cross culturally throughout different cultures, whether it's Semitic, 791 00:46:48.519 --> 00:46:52.800 whether it's Biblical, whether it's Japanese. Now I've got a 792 00:46:52.840 --> 00:46:56.639 translation here. This was done by Ikarui II and myself, 793 00:46:56.880 --> 00:47:00.519 so I got assistance. It's written in the Old Japanese 794 00:47:00.760 --> 00:47:04.519 and basically the text says the length was five point 795 00:47:04.559 --> 00:47:08.679 four meters. Outer shell is iron highest grade. I've emphasized 796 00:47:08.719 --> 00:47:12.039 this because this is important, painted with Chiana red resin 797 00:47:12.119 --> 00:47:15.199 or putty. The craft, which is also a ship, is 798 00:47:15.239 --> 00:47:18.239 made from iron and glass gridded windows with a lattice 799 00:47:18.280 --> 00:47:21.360 design similar to the appearance of a shoji's screen, a 800 00:47:21.440 --> 00:47:24.519 sliding door enclosed on the top right and corner are 801 00:47:24.559 --> 00:47:28.039 the strange hieroglyphics witness inside of the

floating craft grounded 802 00:47:28.079 --> 00:47:31.719 on the Harotona beach. Now this is important because this 803 00:47:31.760 --> 00:47:34.320 is in eighteen o three and the ship is made 804 00:47:34.360 --> 00:47:39.199 from glass and highest grade metal. And again, large sheets 805 00:47:39.239 --> 00:47:41.679 of glass in the eighteen hundreds were very difficult to make. 806 00:47:41.880 --> 00:47:47.719 This was very specialized knowledge. So these are more Edo 807 00:47:47.800 --> 00:47:51.719 depictions of the Utzer nor Funny. And again when we 808 00:47:51.760 --> 00:47:54.800 look at the ancient depictions of the utzen nor Funny, 809 00:47:54.840 --> 00:47:57.599 which are taken from the Edo Princes and the Edo drawings, 810 00:47:57.760 --> 00:48:00.840 when we compare them to modern drawings of UFOs, they 811 00:48:00.880 --> 00:48:03.679 are identical. So we're dealing here with the same phenomenon. 812 00:48:04.920 --> 00:48:10.760 I just want to go back to the because itachi. Now, 813 00:48:10.760 --> 00:48:13.000 the word aitachi is a modern word and it means 814 00:48:13.119 --> 00:48:15.559 rising sun. Now I just want to talk about the 815 00:48:15.599 --> 00:48:20.159 Japanese Revolution, because the Japanese electronic revolution occurred within the Attachi, 816 00:48:20.199 --> 00:48:24.320 which is the same place where this usonophany was grounded 817 00:48:24.360 --> 00:48:26.480 on this speech, and I just want to argue that 818 00:48:26.519 --> 00:48:29.159 it's perhaps that it's no coincidence that we're within one 819 00:48:29.239 --> 00:48:32.239 hundred years of the incident of the grounded hollow ships 820 00:48:32.280 --> 00:48:35.840 situated in Attachi, that the place name would become synonymous 821 00:48:35.840 --> 00:48:38.559 with the corporation Attachi, one of the world's first and 822 00:48:38.639 --> 00:48:42.800 largest electronic companies. The speed of Japanese technological achievement and 823 00:48:42.840 --> 00:48:46.159 innovation may have been attributed in part to this vessel, 824 00:48:46.360 --> 00:48:49.719 which is described throughout Eastern folklore. Now, again, when we 825 00:48:49.760 --> 00:48:55.519 look at the logo of Itachi, it says inspired the 826 00:48:55.599 --> 00:48:58.320 next and again we're seeing the concentric circle, which are 827 00:48:58.360 --> 00:49:02.280 the concentric cogs, because these vessels are constructed as a 828 00:49:02.280 --> 00:49:06.320 series of interconnecting cogs. So I now want to just 829 00:49:06.400 --> 00:49:11.440 make a reference to the oursen are funny and biblical traditions. 830 00:49:11.440 --> 00:49:13.360 But before I do that, I just want to make 831 00:49:13.400 --> 00:49:17.599 a point that the company hit actually specializes in making 832 00:49:17.639 --> 00:49:19.920 some of the highest grade metals in the world, and 833 00:49:19.960 --> 00:49:23.119 I think that this is no coincidence that this Utzer 834 00:49:23.199 --> 00:49:26.360 no funny was grounded which was based upon very very 835 00:49:26.480 --> 00:49:29.920 high grade metal. And they have this technology where they 836 00:49:29.920 --> 00:49:33.119 can make very high grade metal. Again, it was found 837 00:49:33.119 --> 00:49:35.639 within the Japanese swords, which are some of the well, 838 00:49:35.920 --> 00:49:39.119 they are the sharpest metals in the world. Again, it 839 00:49:39.280 --> 00:49:42.480 Archie specializes in electronics and weapons. And again I would 840 00:49:42.480 --> 00:49:45.039 say that this is no coincidence. Now, I just want 841 00:49:45.119 --> 00:49:47.480 to draw attention between the outzen are funny and the 842 00:49:47.480 --> 00:49:51.440 opening wheels. So within the Japanese description we have lattice 843 00:49:51.480 --> 00:49:55.519 glass design is similar to eenos description of the opening wheels. 844 00:49:56.119 --> 00:50:01.039 So to read the Japanese description, the earthen are funny. 845 00:50:01.360 --> 00:50:04.199 The ship is made from iron and glass, gridded window 846 00:50:04.280 --> 00:50:07.079 with lattice designed similar to the appearance of a shojish 847 00:50:07.079 --> 00:50:10.559 screen a sliding door. Let's read e knocks account. And 848 00:50:10.639 --> 00:50:12.760 I looked and I saw there in a lofty throne. 849 00:50:12.840 --> 00:50:16.079 Its appearance was crystal. Okay, so crystal is like glass, 850 00:50:16.079 --> 00:50:18.239 so a type of glass. And the wheels which were 851 00:50:18.280 --> 00:50:21.079 the opening thereof as the shining sun, where the word 852 00:50:21.079 --> 00:50:24.039 detaches a modern word, it means rising sun. Again, I 853 00:50:24.039 --> 00:50:26.719 would say that this is a reference to the funny, 854 00:50:27.039 --> 00:50:29.119 and there was the vision of the carabin which is 855 00:50:29.119 --> 00:50:32.199 a human angel, and from underneath the throne. Again the 856 00:50:32.199 --> 00:50:34.639 throne is combined with the wheel. This is a throne chariot. 857 00:50:34.639 --> 00:50:39.880 This is an elevated throne. Came streams of flaming fire 858 00:50:39.920 --> 00:50:41.960 so that I could not look there upon the opening. 859 00:50:42.119 --> 00:50:44.559 So the opening are very bright like the sun. It 860 00:50:44.639 --> 00:50:46.679 was built of crystals, and the walls of the house 861 00:50:46.679 --> 00:50:50.360 were tessellated, were like a tessellated floor made of crystals 862 00:50:50.639 --> 00:50:55.280 in the Japanese description gridded windows with lattice design similar 863 00:50:55.280 --> 00:50:58.320 to the appearance of a showdish screen. So we have 864 00:50:58.440 --> 00:51:01.679 this tessellated floor made of crystals, and its groundwork was 865 00:51:01.679 --> 00:51:04.440 of crystal. The flaming fire surrounded the walls and its 866 00:51:04.519 --> 00:51:11.960 portals blazed with fire. So essentially Enoch and the Japanese 867 00:51:12.639 --> 00:51:15.159

samurai or the ninja, because it was the ninja who 868 00:51:15.159 --> 00:51:19.719 actually took they held possession of the funny. And again 869 00:51:19.840 --> 00:51:23.440 the word ninja is an esoteric code word because in 870 00:51:23.480 --> 00:51:26.159 the Japanese in the characters, again when you're looking at 871 00:51:26.159 --> 00:51:30.679 polymorphic symbolism, Ninja Camena brother of the serpent, which is 872 00:51:30.800 --> 00:51:34.360 essentially equivalent in the Greek traditions to the philosopher, because 873 00:51:34.760 --> 00:51:40.760 philo office, which is a lover of knowledge, sofur knowledge Again, 874 00:51:40.920 --> 00:51:43.960 sofur is a wordplayer or anagram on office, which is 875 00:51:43.960 --> 00:51:46.440 a serpent. So a lover of knowledge is one who 876 00:51:46.440 --> 00:51:49.079 loves the serpent, which is the seraphic tradition. On the 877 00:51:49.119 --> 00:51:53.199 Pythagorean tradition, Puthosogorus the speaker of the serpent. Within the 878 00:51:53.280 --> 00:51:56.440 Japanese tradition, this would be the ninja. The ninja are 879 00:51:56.440 --> 00:51:59.880 equated with the seraphic tradition, which are equated with the tengu. 880 00:52:00.119 --> 00:52:03.880 The Tengu literally means Heaven's dog, which are these entities 881 00:52:03.880 --> 00:52:06.599 which are derived from Sirius. As we said before, the 882 00:52:06.639 --> 00:52:10.920 seraphim i equated with serrepha fire, which is denotational of Serah, 883 00:52:10.920 --> 00:52:14.360 which is the shining one, which is serious. And now 884 00:52:14.400 --> 00:52:16.840 I just want to talk about the testillated design because 885 00:52:17.159 --> 00:52:20.199 the shoji screen the ouz not funny. I had a 886 00:52:20.239 --> 00:52:23.159 gridded window which had a lattice design. In the Book 887 00:52:23.199 --> 00:52:26.719 of Enoch there was a tessellated flaw. Again, the ideas 888 00:52:26.760 --> 00:52:31.360 of this testillated design. Now, this tesselated design is used 889 00:52:31.559 --> 00:52:35.239 also symbolically to denote a number of different ideas. This 890 00:52:35.360 --> 00:52:37.599 is very complex a symbolism, and I really can't go 891 00:52:37.840 --> 00:52:41.480 into this in this lecture, but references to this are 892 00:52:41.519 --> 00:52:45.079 found within my book Holographic Culture. But essentially, the tesselated 893 00:52:46.000 --> 00:52:49.280 design is interlocked. It's interlocked like a series of cogs. 894 00:52:49.400 --> 00:52:52.760 And again the testillator design is used within Masonic symbolism, 895 00:52:53.280 --> 00:52:56.159 and again it's also used to denote a woven basket. 896 00:52:56.519 --> 00:52:59.000 A woven basket is equated with a seed carrier, which 897 00:52:59.039 --> 00:53:02.280 again is equated with a boat. To burth is to mara, 898 00:53:02.320 --> 00:53:08.199 a vessel. So we're dealing here with the wefting of 899 00:53:08.239 --> 00:53:11.440 a basket, which denotes the stitching together of the grafting 900 00:53:11.480 --> 00:53:17.880 of bloodlines within the ancient languages. So the weft pattern, 901 00:53:17.920 --> 00:53:20.519 which is used to denote a basket which is carried 902 00:53:20.599 --> 00:53:23.880 up into heaven literally is also connected very closely inter 903 00:53:24.000 --> 00:53:28.679 connected with the symbolism of the oapening wheels. Now, this 904 00:53:29.119 --> 00:53:32.280 is a bronze doorway. It formerly belonged to the synagogue 905 00:53:32.360 --> 00:53:35.079 in Nazareth. Traditionally, this is thought to be the same 906 00:53:35.280 --> 00:53:37.800 entrance as the one mentioned in the Gospels. Now, the 907 00:53:37.840 --> 00:53:40.079 reason why it's made out of bronze is because the 908 00:53:40.239 --> 00:53:43.960 Arabic etymology nahas bronze is a wordplayer on the Hebrew 909 00:53:43.960 --> 00:53:47.239 word nakash, which is a serpent. And again this is 910 00:53:47.280 --> 00:53:50.360 making reference to the angelic hoast which are equated with 911 00:53:50.719 --> 00:53:55.280 the seraphim sophia, which is a sphere, equated with the 912 00:53:55.320 --> 00:53:57.519 sever which is a crew of a vessel, sabah which 913 00:53:57.559 --> 00:54:02.840 is the host. Now within Japanese symbolism, also we're seeing 914 00:54:02.880 --> 00:54:06.199 that there is Bowtai kinography. This is a shrine found 915 00:54:06.239 --> 00:54:10.079 at Wakayama. Note here that we have the character which 916 00:54:10.119 --> 00:54:13.320 looks like well it looks like a doorway or a lintel, 917 00:54:13.599 --> 00:54:16.079 and so this is a doorway into heaven. But again 918 00:54:16.239 --> 00:54:19.119 this is the yen character, and the Yen character denotes 919 00:54:19.960 --> 00:54:22.280 it means circle. It literally means circle, so this is 920 00:54:22.320 --> 00:54:24.840 a circular boat. So again we know that this is 921 00:54:24.880 --> 00:54:27.360 dealing with the utsler, not funny, which is a hollow boat. 922 00:54:27.719 --> 00:54:34.400 So this is a symbolic representation of a utson or funny. Again, 923 00:54:36.000 --> 00:54:39.119 this photograph can be found within show ICHI's cam on 924 00:54:39.199 --> 00:54:43.199 utser or bune. This is another word for utsler or funny, 925 00:54:43.480 --> 00:54:48.559 which denotes a Japanese ufo. His book is the UFO's 926 00:54:48.639 --> 00:54:52.159 Encounter Encounter in Japan. Again, this is published by Philip 927 00:54:52.159 --> 00:54:55.440 Mantle in the UK. Definitely recommend this book, but if 928 00:54:55.440 --> 00:54:59.880 you want, if you want better images, then also recommended 929 00:55:00.079 --> 00:55:01.920 Japanese version of the book and you can get that 930 00:55:01.960 --> 00:55:06.480 from the Japanese Japanese Amazon. Now I'm just going to 931 00:55:06.559 --> 00:55:08.559 read this. This gives you a little bit of background 932 00:55:09.000 --> 00:55:11.280 to these us and Are Funny

and the symbology within 933 00:55:11.760 --> 00:55:16.360 the mystery religions in Japan. This is Fudaraku Tokai ship 934 00:55:16.480 --> 00:55:22.519 displayed at Fudaraku Mountain Temple in Nische Katsuro Wakiyama Prefetchu. 935 00:55:22.679 --> 00:55:24.960 This is a Japanese ship in which a priest would 936 00:55:24.960 --> 00:55:28.360 sacrifice himself to the gods. The vessel symbolically denotes the 937 00:55:28.719 --> 00:55:31.039 Are Funny, a hollow ship and is shown in the 938 00:55:31.039 --> 00:55:34.639 photograph with the yen character a circle. Again, yen also 939 00:55:34.719 --> 00:55:37.880 denotes money and is equated in this respect with redemption. 940 00:55:38.440 --> 00:55:41.039 If we notice on many coins, many coins are of 941 00:55:41.079 --> 00:55:44.119 a serrated edge, and this is making reference to the wheels, 942 00:55:44.159 --> 00:55:47.559 and this is because blood sacrifice is often equated with redemption, 943 00:55:47.679 --> 00:55:51.239 which is equated with the worship of the oathening wheels. Again, 944 00:55:51.320 --> 00:55:54.800 worship is the veneration of these deities, which are equated 945 00:55:54.840 --> 00:55:58.320 with blood sacrifice. Hence the votive dish is represented as 946 00:55:58.360 --> 00:56:02.760 an opening wheel. So this is a Yen character which 947 00:56:02.800 --> 00:56:04.920 is a circle. It's placed in the middle of the 948 00:56:04.920 --> 00:56:07.679 boat which looks like a gateway, symbolically a doorway to 949 00:56:07.760 --> 00:56:10.119 other worlds. The en circle is a sign which is 950 00:56:10.159 --> 00:56:14.719 denotational of an elliptical craft equated with the Utzer nor funney, 951 00:56:14.840 --> 00:56:18.519 equivalent in Biblical discourse to the opening wheels in English 952 00:56:18.519 --> 00:56:22.239 a flying saucer. Again, these are more depictions of Utza 953 00:56:22.320 --> 00:56:28.360 or funny, which are hollow boats. This again is Edo Prince. Again, 954 00:56:29.000 --> 00:56:33.519 this is based upon the silk painting I believe. Again 955 00:56:33.559 --> 00:56:38.239 we're seeing the strange characters which combine the triangle and 956 00:56:38.360 --> 00:56:42.000 the circle which is predominantly found within symbology of the 957 00:56:42.039 --> 00:56:45.719 opening wheels, the cog which is a circle and a 958 00:56:45.800 --> 00:56:49.760 tooth of a wheel. Now I also want to look 959 00:56:49.840 --> 00:56:53.320 at and boodh sybolism as well. This is canon G 960 00:56:53.480 --> 00:56:57.840 Temple Kesunuma City. In the photograph. The debris, which is 961 00:56:57.880 --> 00:57:01.480 said to be derived from a utsu norfune, is taken 962 00:57:02.159 --> 00:57:05.559 from canon G temple Okay. Carved onto the temple of 963 00:57:05.920 --> 00:57:08.400 the timber of the wreckage of the Utsen nor Funne 964 00:57:08.519 --> 00:57:11.480 that is drawn a large kanji, which literally means a 965 00:57:11.559 --> 00:57:15.199 Chinese character of the lotus flower. Now, in Sanskrit, the 966 00:57:15.239 --> 00:57:19.079 word lotus is polymorphic. It also denotes a wheel, and 967 00:57:19.400 --> 00:57:21.880 so the Buddha is often shown sitting on a lotus flower, 968 00:57:21.880 --> 00:57:25.719 which can be interchangeable with a wheel. Again, the wheel 969 00:57:25.760 --> 00:57:28.159 is interchangeable with the utsen or funny, which are these 970 00:57:28.199 --> 00:57:32.039 elevated wheels equated with deities. So this flower is said 971 00:57:32.199 --> 00:57:35.400 to blossom in the pond of Buddhist heaven. Traditionally Utsen 972 00:57:35.480 --> 00:57:37.639 or funny I'm made from the tree of the mulberry, 973 00:57:37.760 --> 00:57:40.840 from which its sleeves are used to cultivate silkworms, a 974 00:57:40.920 --> 00:57:45.440 symbol of the dragon in symbolism the suraphic host. So 975 00:57:45.480 --> 00:57:47.800 I now want to look at Buddhist imagery of wheels. 976 00:57:48.079 --> 00:57:51.159 This is Damayaka. Let me try and say this correctly. 977 00:57:52.519 --> 00:57:56.280 Dan Makhaya Temple in Thailand. Now, when we look at 978 00:57:56.320 --> 00:58:01.079 the two traditions of Buddhism, we have Mayaya, the high Yana, 979 00:58:01.119 --> 00:58:04.400 which is the great vehicle. Again, this is polymorphic word. 980 00:58:04.400 --> 00:58:08.079 It can also mean a wheel and hinayana lesser vehicle 981 00:58:08.159 --> 00:58:10.559 or wheel. And again we see that the Buddhist is 982 00:58:10.639 --> 00:58:13.880 sat on a lotus leaf stylized as a wheel. Again, 983 00:58:14.119 --> 00:58:17.199 notice how the wheels are interconnected. Again, this is denotational 984 00:58:17.199 --> 00:58:19.599 of the opening wheels, which are constructed together as a 985 00:58:19.599 --> 00:58:22.559 series of wheels. It's the same logo as we found 986 00:58:22.639 --> 00:58:26.280 with Itachi in terms of their logo with the circle 987 00:58:26.320 --> 00:58:30.400 within the circle. More Buddhist imagery from the same temple, 988 00:58:30.679 --> 00:58:36.880 budders sitting on these elevated wheels. Now these budders in total, 989 00:58:36.920 --> 00:58:40.519 there are three hundred thousand of these budders, and these 990 00:58:40.559 --> 00:58:43.960 budders make up what is obstensibly a flying wheel or 991 00:58:43.960 --> 00:58:46.920 a flying saucer. Okay, so remember the Buddhist is sitting 992 00:58:46.960 --> 00:58:48.599 on a wheel. But when we look at what the 993 00:58:48.639 --> 00:58:51.519 wheel looks like, it's a shining wheel, which is equated 994 00:58:51.559 --> 00:58:54.800 with the deity in its vessel. Notice also that they're 995 00:58:54.840 --> 00:58:58.599 worshiping this wheel. Okay, religion relegate to more a vessel. 996 00:58:58.880 --> 00:59:01.119 And we can see also on the flags we see 997 00:59:01.119 --> 00:59:04.440 a circle within a circle, which is used hieroglyphically to 998 00:59:04.519 --> 00:59:07.679 denote serious and we

see also the combination of the 999 00:59:07.679 --> 00:59:10.760 wing as well, so this is an elevated wheel. And 1000 00:59:10.840 --> 00:59:14.760 we see again the circle within the circle, which is 1001 00:59:14.840 --> 00:59:18.760 the same motive as a serious glyph. Again, the Roman 1002 00:59:18.840 --> 00:59:22.039 libation vessels were modeled on angelic ships, which are an 1003 00:59:22.079 --> 00:59:25.679 axlent wheel. Again, this symbol is interchangeable with a boss 1004 00:59:25.719 --> 00:59:28.199 and a shield. The shield would be adorned on the 1005 00:59:28.199 --> 00:59:30.920 side of a ship or a vessel, so the shield 1006 00:59:31.159 --> 00:59:34.440 is equated with a ship, and the axlent wheel is 1007 00:59:34.480 --> 00:59:37.800 equated with a throne or a throne charrier, but basically 1008 00:59:37.840 --> 00:59:41.400 the same symbolism within the Buddhist symbolism and within the 1009 00:59:41.480 --> 00:59:45.519 Roman mysteries as well. So Buddha is equated with a 1010 00:59:45.559 --> 00:59:48.800 wheel as we know. Obviously this is equated with karma, 1011 00:59:49.039 --> 00:59:53.000 but there are scatological connotations behind this. Notice how the 1012 00:59:53.000 --> 00:59:56.679 buddher he is sitting on the lotus. Notice how the 1013 00:59:56.679 --> 00:59:59.320 flowers are overturned to look like cobra's and this is 1014 00:59:59.320 --> 01:00:03.119 denoting the sorphic tradition. The Buddhist is also hand signaling 1015 01:00:03.159 --> 01:00:07.199 as well, so is making reference to a codified discourse. 1016 01:00:07.840 --> 01:00:11.400 On the right, we have a depiction of Ganesha. Obstensibly 1017 01:00:11.480 --> 01:00:13.480 we see that this is a solar device. But when 1018 01:00:13.480 --> 01:00:15.840 we break it down, really we're looking at our cog 1019 01:00:15.920 --> 01:00:20.119 and a wheel which is Ganesha and is flying flying 1020 01:00:20.159 --> 01:00:25.519 circular vessel. Notice now the word Ganesha is translated as 1021 01:00:25.559 --> 01:00:28.239 the lord of the host. In the Semitic tradition, the 1022 01:00:28.239 --> 01:00:31.119 lord of the host yahwestaboev is literally the lord of 1023 01:00:31.159 --> 01:00:34.119 the host. So in the Sanskrit, Ganesha means the lord 1024 01:00:34.159 --> 01:00:37.920 of the host. Ganesha is represented as a white elephant, 1025 01:00:38.280 --> 01:00:41.880 and this is denotational of the Seraphim, which I depicted 1026 01:00:41.880 --> 01:00:45.400 as a white serpent. And again Ganesha's white trunk will 1027 01:00:45.440 --> 01:00:48.280 denote the Seraphim, which is the white serpent. So this 1028 01:00:48.320 --> 01:00:50.960 again is the seraphic host. As we said before, there's 1029 01:00:50.960 --> 01:00:54.320 a connection in Hebrew between sabah host sethe for which 1030 01:00:54.400 --> 01:00:58.480 is a viper. This is the soraphic host. I want 1031 01:00:58.519 --> 01:01:03.159 to combine also with the symbology of this not funny. 1032 01:01:03.400 --> 01:01:05.840 As I mentioned before, thes are not funny is a 1033 01:01:05.840 --> 01:01:09.559 polymorphic word. It denotes a hollow ship or a vessel, 1034 01:01:09.679 --> 01:01:12.639 but it also denotes a hollow tree. As I mentioned before, 1035 01:01:12.760 --> 01:01:17.719 these trees they're dotted around the parameter of Shinto Shinto temples, 1036 01:01:17.920 --> 01:01:20.440 and so the temple is equated with a boat or 1037 01:01:20.480 --> 01:01:23.440 a ship. We said that the same symbology is found 1038 01:01:23.440 --> 01:01:25.480 within the nave of the church and Navice, which is 1039 01:01:25.519 --> 01:01:28.639 a boat. Again nav also denotes a hub of a wheel, 1040 01:01:29.239 --> 01:01:32.039 but again within the Greek mysteries, also nause ship is 1041 01:01:32.079 --> 01:01:36.239 equated with naus, which is a sanctuary. So same symbology 1042 01:01:36.360 --> 01:01:39.760 now here as Shigo, this Hero Shiga, this is an 1043 01:01:39.960 --> 01:01:44.400 Edo print, and again hero Shiga is using a very 1044 01:01:44.639 --> 01:01:49.639 cryptic depiction. This he's using allegory or symbolism in order 1045 01:01:49.719 --> 01:01:53.840 to decode a private discourse. So we see here that 1046 01:01:53.920 --> 01:01:57.440 the word kitsunebi, which is a willow the wisp in Japanese. 1047 01:01:57.480 --> 01:02:00.480 On New Year's Eve in the image illustrated the gathering 1048 01:02:00.519 --> 01:02:05.239 of white foxes, kitsune is a wordplay on kitsuna b, 1049 01:02:05.480 --> 01:02:08.320 which is willow of the wisp, has shown congregating around 1050 01:02:08.320 --> 01:02:11.840 a tree cavity during New Year's Eve and are depicted 1051 01:02:11.880 --> 01:02:15.000 with a flame a representation of kitsunab which is a 1052 01:02:15.000 --> 01:02:18.599 willow of the wisp. So in this respect symbolic the 1053 01:02:18.639 --> 01:02:22.119 shining fox is denotational of Sirius the dog star within 1054 01:02:22.239 --> 01:02:26.840 Japanese mythology, Kitsune is grouped conceptually with the Tengu, translated 1055 01:02:26.880 --> 01:02:31.079 as Heaven's dog, a daimonic creature equated with Sirius being 1056 01:02:31.199 --> 01:02:34.960 equivalent to the seraph from the Seraphic hoast. So the 1057 01:02:34.960 --> 01:02:38.880 fox is used to denote the Tengu. The Tengu are 1058 01:02:38.880 --> 01:02:41.559 equated with Sirius. But in this respect, the hollow tree 1059 01:02:41.599 --> 01:02:46.159 and the fox is a deity and it's utson or funny, 1060 01:02:46.199 --> 01:02:48.400 which is a ship or a boat, which is depicted 1061 01:02:48.440 --> 01:02:52.440 as a flying saucer. And so when we look at 1062 01:02:52.480 --> 01:02:57.679 the depictions of Tengu Heaven's dog, the tengu as a 1063 01:02:57.719 --> 01:03:00.239 long knows. This is because it's a depiction of the 1064 01:03:00.280 --> 01:03:04.199 serpent after a viper in Arabic is equated with afha nose. 1065 01:03:04.480 --> 01:03:07.480

This is because the serpent has an excellent sense of smell, 1066 01:03:07.679 --> 01:03:10.559 and so the Tengu are shown with a long nose. Again, 1067 01:03:10.599 --> 01:03:12.760 the Tengu are typically combined with the dog. So he's 1068 01:03:12.800 --> 01:03:16.599 standing on the dog and we're seeing Sirius. He's holding 1069 01:03:18.159 --> 01:03:21.519 a totem of Sirius. This is the blazing star Sirus. 1070 01:03:21.880 --> 01:03:24.440 Notice also that it's in the shape of a flower. 1071 01:03:24.679 --> 01:03:26.960 This is very important because this is relating to the 1072 01:03:26.960 --> 01:03:31.559 tradition of panspermia, which is the planting of humanity on 1073 01:03:31.599 --> 01:03:35.400 the earth, and is equated with the in the Greek mysteries, 1074 01:03:35.400 --> 01:03:38.800 with the neophyte, the newly planted neofootust, the newly planted 1075 01:03:39.119 --> 01:03:42.400 foot on a plant foot which is light. This would 1076 01:03:42.440 --> 01:03:46.119 be the Illuminati. The axori in the Arabic is a 1077 01:03:46.119 --> 01:03:49.559 wordplay on axari, a brother of an angel or an alien. 1078 01:03:50.159 --> 01:03:52.920 So we see that the tengu is represented with a 1079 01:03:53.000 --> 01:03:58.760 long nose, which is denotes the serpent. The nose is 1080 01:03:58.800 --> 01:04:01.880 phallic as well, and again this has connotations of planting life, 1081 01:04:02.039 --> 01:04:06.840 which is plant panspermia, which is the second creation. Now 1082 01:04:06.880 --> 01:04:09.480 I want to look at now Hannah kotoba, which is 1083 01:04:09.480 --> 01:04:12.800 the language of the flowers. This is a secret meaning 1084 01:04:12.880 --> 01:04:16.480 in which plants are given codes and passwords. In this example, 1085 01:04:16.559 --> 01:04:19.599 the flower serves as a visio paranormasia. So this is 1086 01:04:19.639 --> 01:04:22.159 a visual pun of a cog, a symbol of a 1087 01:04:22.199 --> 01:04:26.480 flying saucer. So we have three depictions of monkeys. They're 1088 01:04:26.519 --> 01:04:29.920 covering their ears, covering their mouth, and they're covering their eyes. 1089 01:04:29.960 --> 01:04:33.679 So this is the humanist tradition and they're seeing nothing. Okay. 1090 01:04:34.159 --> 01:04:37.159 In the background, we have a depiction of cogs. This 1091 01:04:37.239 --> 01:04:40.440 is on purpose because this is denoting the opening wheels 1092 01:04:41.199 --> 01:04:46.480 or the funny. So this is from Toshogu Shrine in Nico, Japan. 1093 01:04:46.719 --> 01:04:49.719 It's a wood carving. It's seventeenth century. Now in the 1094 01:04:49.880 --> 01:04:54.159 Japanese this is making reference to three monkeys, and the 1095 01:04:54.159 --> 01:05:02.159 three monkeys are mizaru kikazaru. Iwas see nothing, hear nothing, 1096 01:05:02.440 --> 01:05:05.599 and speak nothing. Okay, So this is an occult tradition. 1097 01:05:05.920 --> 01:05:10.320 It's occulted, it's hidden away, it's secret. Now the wordplay 1098 01:05:10.360 --> 01:05:13.519 on the monkey again is denoting this tradition of the 1099 01:05:13.599 --> 01:05:16.559 Hudson are funney. I'm going to read this because symbolism 1100 01:05:16.639 --> 01:05:19.239 is quite complex and it's much easier just to get 1101 01:05:19.280 --> 01:05:22.679 through this information by reading this. Now again it's working 1102 01:05:22.719 --> 01:05:26.320 on a number of different wordplays. So in this center structure, 1103 01:05:26.559 --> 01:05:32.360 the Japanese negation zaru not so as in me zaru 1104 01:05:32.519 --> 01:05:37.320 kika zaru ewa zaru so. The Japanese negation zaru not 1105 01:05:37.519 --> 01:05:41.519 is a para parama masia of saru a monkey, an 1106 01:05:41.559 --> 01:05:45.960 animal equated with the caribin tradition, a cytological motive. Again, 1107 01:05:46.159 --> 01:05:49.480 cytological is coming from the Greek word kutot a vessel, 1108 01:05:49.559 --> 01:05:53.840 So we're denoting here the scathological tradition, so a cytological motive. 1109 01:05:53.880 --> 01:05:57.840 The emon zaru is polymorphic and also translates as zaru 1110 01:05:58.119 --> 01:06:01.679 a bamboo basket more for logical off sarah a dish 1111 01:06:01.920 --> 01:06:06.400 plate or saucer. Now, the bamboo basket is very important 1112 01:06:06.400 --> 01:06:09.679 within Japanese symbology because it's interchangeable with the utza nor 1113 01:06:09.760 --> 01:06:14.079 funny a hollow tree. Okay, So a hollow bamboo basket 1114 01:06:14.159 --> 01:06:17.760 or a hollow shoot or a bamboo shoot is equivalent 1115 01:06:17.800 --> 01:06:20.440 to a hollow tree, which is one of these angelic 1116 01:06:20.519 --> 01:06:25.519 vessels esoteric. This bamboo receptacle is equated in Japanese folklore 1117 01:06:25.840 --> 01:06:29.480 with kagu Yahima, a princess said to have appeared in 1118 01:06:29.480 --> 01:06:32.559 a shining bamboo shoot, and in case in symbolic of 1119 01:06:32.599 --> 01:06:36.760 a hollow vessel code logical. The bamboo in Japanese symbolism 1120 01:06:37.000 --> 01:06:39.360 is paired with the basket a vessel, and is doubled 1121 01:06:39.360 --> 01:06:45.599 conceptually with the udsura nor funny. Figuratively, a hollow tree 1122 01:06:45.719 --> 01:06:48.880 translated literally as an empty ship. A vessel shown in 1123 01:06:48.960 --> 01:06:52.559 Japanese folklore to be a flying saucer. Found throughout Japan. 1124 01:06:52.800 --> 01:06:56.119 Utsua and a funny. Tree cavities are located at temples 1125 01:06:56.119 --> 01:07:00.239 and shrines and identify archaeologically sacred sites with in the 1126 01:07:00.360 --> 01:07:04.280 historical traditions of us and or funny a hollow ship. Okay, so, 1127 01:07:04.320 --> 01:07:07.000 as we said before, the tree cavity is a synonym 1128 01:07:07.119 --> 01:07:11.320 used to note a hollow ship. Notice here that Princess 1129 01:07:12.639 --> 01:07:17.079 kagu Yahima born from a hollow she's born Traditionally she's

1130 01:07:17.079 --> 01:07:20.039 shown as born from a hollow shoot. Sometimes a shoot 1131 01:07:20.119 --> 01:07:22.519 is said to be a light in the symbolism. Here 1132 01:07:22.559 --> 01:07:26.559 she's shown inside of a bamboo basket. As we said before, 1133 01:07:26.599 --> 01:07:31.440 there is this wordplay between zaru a bamboo basket, also 1134 01:07:31.679 --> 01:07:35.519 denoting zaru which is not This is a secret or 1135 01:07:35.519 --> 01:07:38.440 a hidden tradition equated with sarah, which is a dish 1136 01:07:38.559 --> 01:07:40.880 or a plate. In modern parlance, this would be a 1137 01:07:40.880 --> 01:07:46.320 flying saucer. Now, in the story Princess, the princess goes 1138 01:07:46.400 --> 01:07:50.079 back to heaven, and so a chariot comes and takes 1139 01:07:50.079 --> 01:07:52.440 her back again. The charity in this respect is used 1140 01:07:52.440 --> 01:07:55.639 to denote a spinning wheel, which is equated with the deity, 1141 01:07:55.840 --> 01:07:59.480 which are equated with or funny. Now, I just want 1142 01:07:59.519 --> 01:08:02.639 to show also the contemporary animation of the story of 1143 01:08:02.920 --> 01:08:07.960 Princess kagu Yahime. I definitely recommend this animation. It's really 1144 01:08:07.960 --> 01:08:12.239 really good. Notice here of the chariot is combined with 1145 01:08:12.840 --> 01:08:16.760 what looks like pieces of long pieces of paper. Now 1146 01:08:16.960 --> 01:08:20.760 these would be prayers, okay, And again we've got the 1147 01:08:20.760 --> 01:08:23.199 Buddha on the right hand side, So these are prayers. 1148 01:08:23.359 --> 01:08:26.600 But the etymology in Japanese of kami is a polymorphic symbol. 1149 01:08:26.880 --> 01:08:29.439 Kami paper also means a god, so this is a 1150 01:08:29.520 --> 01:08:34.079 chariot equated with a god or a deity. And therefore, 1151 01:08:34.079 --> 01:08:37.720 in Japanese symbolism, kami paper, which is a god, is 1152 01:08:37.760 --> 01:08:40.039 also equated with a utzon or funny, which is a 1153 01:08:40.039 --> 01:08:43.119 hollow tree, but is used to denote these angelic boats 1154 01:08:43.239 --> 01:08:47.640 or vessels. It's polymorphic, so this is a polymorphic symbolism. 1155 01:08:47.800 --> 01:08:51.279 A polymorphic symbol denoting a deity and its vessel can 1156 01:08:51.319 --> 01:08:56.359 be represented as paper combined with a hollow tree. So 1157 01:08:56.560 --> 01:08:59.520 hana kotobar. The language of the flowers is really the 1158 01:08:59.560 --> 01:09:02.760 secret language which is denoting the opening wheels, and in 1159 01:09:02.800 --> 01:09:06.720 this respect this is referring to a cog So as 1160 01:09:06.760 --> 01:09:10.600 I said, before in the illustration it's a visio paranormesia. 1161 01:09:11.079 --> 01:09:13.760 These plants are really making reference to the opening wheels, 1162 01:09:13.760 --> 01:09:17.319 which is this more funny? So let's have a look 1163 01:09:17.319 --> 01:09:22.680 at the real meaning behind hannah kottoba okay. Now, in Japanese, 1164 01:09:22.800 --> 01:09:25.960 the word hannah a flower is polymorphic. It also means 1165 01:09:25.960 --> 01:09:28.560 a nose, and this is making reference to the tengu, 1166 01:09:28.600 --> 01:09:30.840 which has a long nose. So the language of the 1167 01:09:30.840 --> 01:09:33.680 flowers is synonymous with the language of the tengu. This 1168 01:09:33.840 --> 01:09:36.239 is a secret or a codified language equated with the 1169 01:09:36.279 --> 01:09:39.439 seraphic host the tengu. Now, the language of the flowers 1170 01:09:39.479 --> 01:09:42.079 equals language of the nose, and it symbolized as tengu, 1171 01:09:42.119 --> 01:09:44.720 which is a heaven's dog, equated with the dog star. 1172 01:09:45.319 --> 01:09:49.039 In Japanese, the wordplay tengu heaven's dog, which are these 1173 01:09:49.319 --> 01:09:53.720 reptilian dities, is equated with tango meaning word. Same wordplay 1174 01:09:53.760 --> 01:09:56.439 is also found within the Hebrew Sarah for serpent is 1175 01:09:56.439 --> 01:10:00.960 equated with Sappha. Language in the Hebrew for eggs example, Ifrit, 1176 01:10:01.119 --> 01:10:03.800 which is the Hebrew language, is equated with Ifrit, which 1177 01:10:03.840 --> 01:10:07.439 is a gin. Again, the Latin language is equated with Latins, 1178 01:10:07.479 --> 01:10:12.279 which is Latin or latins, which is to hide art conceal, 1179 01:10:13.399 --> 01:10:16.720 and we've got lato, which is a polo, and we've 1180 01:10:17.079 --> 01:10:19.479 got a polo is depicted as the barker as well. 1181 01:10:20.399 --> 01:10:24.439 So the symbology is synonymous with the dog star So language, 1182 01:10:24.520 --> 01:10:28.159 Sapha language sarah for a serpent, in the Japanese tango 1183 01:10:28.279 --> 01:10:33.520 word tengu a serpent deity. This is all interconnects, and 1184 01:10:33.560 --> 01:10:36.119 this is because the dragon likes word plays. And I 1185 01:10:36.199 --> 01:10:40.520 mentioned this in my book that the word play, the 1186 01:10:40.640 --> 01:10:44.039 universal word plays, which are found throughout all languages found 1187 01:10:44.239 --> 01:10:48.319 is found within polyglottal symbolism, So wordplays repeat in multiple languages, 1188 01:10:48.560 --> 01:10:51.359 and this makes reference to what I've described as the artifact. 1189 01:10:51.600 --> 01:10:54.199 The artifact is this alien code which is found within 1190 01:10:54.279 --> 01:10:58.000 human language. Just looking at the language of the flowers, 1191 01:10:58.199 --> 01:11:00.279 we can break it down further. So we can say 1192 01:11:00.359 --> 01:11:03.039 that the Japanese word hannah su to speak or to 1193 01:11:03.119 --> 01:11:06.960 talk again, is a close wordplayer, and hannah suji, which 1194 01:11:07.000 --> 01:11:10.520 is a person with a shapely, clear cut nose again, 1195 01:11:10.560 --> 01:11:17.119 this would be the denomination of the

tengu. And Hannah suji, 1196 01:11:17.119 --> 01:11:19.000 which is to speak in a word or a character, 1197 01:11:19.079 --> 01:11:23.760 can also be combined with Hannah suji. Flower flower numbers. Again, 1198 01:11:23.880 --> 01:11:28.960 flower numbers are alpha numerical symbols which are equivalent in 1199 01:11:29.000 --> 01:11:33.279 the Western tradition to Gameitria or within the Semitic traditions 1200 01:11:33.319 --> 01:11:38.399 to Gemetria. So flower letters are again equated with hannah kotoba, 1201 01:11:38.800 --> 01:11:42.239 the language of the flowers. In Western the cool symbolism 1202 01:11:42.920 --> 01:11:45.800 hana koteba, which are the language of the flowers, is 1203 01:11:45.800 --> 01:11:49.119 equated with the green language. Again, the Latin etymology for 1204 01:11:49.199 --> 01:11:52.279 green is related to the word to change. Okay, this 1205 01:11:52.399 --> 01:11:58.319 idea that words change on again parana masas this idea 1206 01:11:58.399 --> 01:12:03.760 of changing name or changing and changing a word. So 1207 01:12:03.880 --> 01:12:07.159 the Tengu document this is written allegedly by a Tengu. 1208 01:12:07.479 --> 01:12:09.880 This is never being decoded. But if we work on 1209 01:12:09.920 --> 01:12:13.600 the assumption that this is making reference to Hannah koteo 1210 01:12:13.680 --> 01:12:16.279 bar the language of the flowers, in other words, hannah 1211 01:12:16.319 --> 01:12:18.119 which is a flower or a nose, which is the 1212 01:12:18.199 --> 01:12:20.680 language of the Tengu, we can work out that this 1213 01:12:21.039 --> 01:12:24.159 alphabet must work on a numerical key. As we said before, 1214 01:12:24.199 --> 01:12:28.199 there's a correspondence between alpha numerical symbolism, and again it's 1215 01:12:28.199 --> 01:12:30.920 most likely based upon different genuses of flowers which are 1216 01:12:30.920 --> 01:12:34.600 equated with Hannah Koteo bar So. I now want to 1217 01:12:34.720 --> 01:12:38.279 just look at modern examples of scaffology within the media 1218 01:12:38.359 --> 01:12:42.520 and advertising. I want to look at puzzles which are 1219 01:12:42.520 --> 01:12:47.199 made by the Japanese firm Hannah Yama. Again, these puzzles 1220 01:12:47.239 --> 01:12:49.720 are a culture esoteric. They are making allusions to the 1221 01:12:49.800 --> 01:12:52.199 uts and a funne, which are constructed from a series 1222 01:12:52.279 --> 01:12:56.159 of cogs or wheels. As we said before, Hannah a 1223 01:12:56.159 --> 01:12:58.680 flower is equated with Hannah a nose, which is really 1224 01:12:58.680 --> 01:13:03.319 the tengu. Now the etymology of Anna Yama, Yama is 1225 01:13:03.359 --> 01:13:05.760 a mountain. This is a place where the gin recide. 1226 01:13:05.880 --> 01:13:09.760 But also Yama is a wordplay or a compound pun 1227 01:13:09.880 --> 01:13:13.439 on the Japanese word yah, which is an arrow. Again, 1228 01:13:13.479 --> 01:13:16.880 the spinning arrow is equated

with the utzen no funny, 1229 01:13:16.880 --> 01:13:20.279 a flying ship or a vessel mar which is a demon. Again, 1230 01:13:20.359 --> 01:13:24.199 this idea that a ship and a demon is combined together. Now, 1231 01:13:24.239 --> 01:13:26.359 what's very interesting is that when we look at the 1232 01:13:26.399 --> 01:13:29.960 symbology of the arrow, it's equated in this respect not 1233 01:13:30.000 --> 01:13:31.720 so much with the utzer nor funny, which is a 1234 01:13:31.720 --> 01:13:36.000 hollow tree, but with the utsubo funny. This is a 1235 01:13:36.039 --> 01:13:40.359 polymorphic symbol. Utsubo funny or hollow boat is polymorphic of 1236 01:13:40.399 --> 01:13:43.000 a hollow bag which is employed by the samurai to 1237 01:13:43.079 --> 01:13:46.840 hold arrows. So again the arrow is equivalent to the 1238 01:13:47.119 --> 01:13:50.880 uts funny, which is this flying ship, which is equated 1239 01:13:50.920 --> 01:13:54.760 with these daemonic entities. I just want to show you 1240 01:13:54.800 --> 01:13:58.359 some of these. Actually I'll just go through these first 1241 01:13:58.359 --> 01:14:02.960 of all. So these are Japanese puzzles and they are 1242 01:14:03.000 --> 01:14:05.840 referred to as huzzle. Okay, so we've got a wordplay 1243 01:14:05.880 --> 01:14:09.199 here on puzzle. It denotes the angelic sailor, because we 1244 01:14:09.279 --> 01:14:12.880 see that there's an etymological connection between us a sailor's cry. 1245 01:14:13.159 --> 01:14:15.760 In this respect, an angelic sailor malak and angel as 1246 01:14:15.840 --> 01:14:18.880 Malak as sailor and is equated with ussa, which is 1247 01:14:18.920 --> 01:14:21.439 a soldier in the light cavalry. As we said, the 1248 01:14:21.479 --> 01:14:25.199 crew members of the vessels of the arcs an ARCon 1249 01:14:25.279 --> 01:14:28.880 and an Arc are typically represented as a type of soldier. 1250 01:14:29.840 --> 01:14:35.199 And again many of the puzzles of these Japanese puzzles, 1251 01:14:35.640 --> 01:14:40.159 they're constructed together using cogs, cogs which are representational of 1252 01:14:40.199 --> 01:14:47.399 these opening wheels. Again, more puzzles. Look how we've got here, 1253 01:14:47.439 --> 01:14:51.399 So for example, I've got one here, This is a cog. 1254 01:14:51.880 --> 01:14:55.560 It spins around and it can be disassembled. Okay, do 1255 01:14:55.680 --> 01:14:58.479 remember what we said about Frank Scully's book. He said 1256 01:14:58.479 --> 01:15:00.920 that these cogs were ingeniously put together and that they 1257 01:15:00.920 --> 01:15:03.079 were very difficult to dissemble. They took a long time 1258 01:15:03.079 --> 01:15:06.520 to work out how to disassemble. So this is based 1259 01:15:06.560 --> 01:15:11.680 upon a cult tradition. Again, we have a ring, and 1260 01:15:11.720 --> 01:15:16.000 this is within a cult symbolism. Solomon is said to 1261 01:15:16.039 --> 01:15:18.880 be able to he conceals the gin inside of his

1262 01:15:19.000 --> 01:15:22.159 magical ring. Now, the magical ring here is making reference 1263 01:15:22.159 --> 01:15:24.720 to Sophia, which is a sphere, which is equated with 1264 01:15:24.800 --> 01:15:29.279 a seraph, which are the gin equated with the angelic 1265 01:15:29.319 --> 01:15:34.800 host sabah host equated with cephef, which is a viper. Now, 1266 01:15:34.800 --> 01:15:37.359 notice how this ring we've got a circle and a 1267 01:15:37.399 --> 01:15:41.039 triangle again the Pythagorean symbol, which is the circle and 1268 01:15:41.119 --> 01:15:44.359 the tooth of a cog. Notice how when you disassemble 1269 01:15:44.439 --> 01:15:47.479 the ring, the disassembled ring makes an opening wheel, and 1270 01:15:47.520 --> 01:15:50.920 so within the soul, within the traditions of Solomon, the 1271 01:15:51.000 --> 01:15:54.560 ring of Solomon is this esoteric or codified discourse to 1272 01:15:54.600 --> 01:16:01.359 denote the oathening wheels. So I just want to show 1273 01:16:01.359 --> 01:16:05.399 you these now, so if I just this is again 1274 01:16:05.640 --> 01:16:09.039 this moves around and it's very difficult here, but this 1275 01:16:09.079 --> 01:16:11.680 actually moves around and you have to try and take 1276 01:16:11.720 --> 01:16:14.960 it off. As we can see here there's a circle 1277 01:16:15.079 --> 01:16:16.920 and a triangle which is a two for and a cog. 1278 01:16:18.760 --> 01:16:23.560 We've got another cog wheel which is assembled together. And 1279 01:16:23.720 --> 01:16:29.000 also we have this is a UFO one. So again 1280 01:16:29.199 --> 01:16:31.520 this is telling you what this is. This is made 1281 01:16:31.520 --> 01:16:36.760 from a series of wheels which are constructed together. So 1282 01:16:37.119 --> 01:16:39.920 as we said before, King Xon was imprisoned on a wheel. 1283 01:16:40.000 --> 01:16:42.600 These are wheels within wheels which are combined together as 1284 01:16:42.600 --> 01:16:46.880 a series of cogs. And again the series of cogs 1285 01:16:47.000 --> 01:16:51.399 typically represented in conjunction with angels, which are these angelic messengers. 1286 01:16:52.199 --> 01:16:55.399 The word angel means a messenger, but is polymorphic of malak, 1287 01:16:55.439 --> 01:16:58.880 which is a sailor, because these are angelic sailors. Again, 1288 01:16:59.000 --> 01:17:03.199 circle and the triangle is found throughout these huzzle puzzles, 1289 01:17:04.439 --> 01:17:08.119 and again cogs are very important and are featured heavily 1290 01:17:08.159 --> 01:17:12.640 within these puzzles. This is again this is a UFO 1291 01:17:12.920 --> 01:17:16.600 version of the huzzle puzzle. Again, this is how it's disassembled, 1292 01:17:16.840 --> 01:17:19.800 and this is really pointing to forbidden knowledge, which is 1293 01:17:19.880 --> 01:17:24.520 hidden or concealed. I just want to draw attention to computers. Also, 1294 01:17:24.840 --> 01:17:28.239 computers are using the depiction

of the opening wheels, which 1295 01:17:28.279 --> 01:17:31.760 is making reference to this occult or esoteric tradition. Again, 1296 01:17:31.840 --> 01:17:36.079 the word asa in Latin, it's polymorphic. It can mean 1297 01:17:36.159 --> 01:17:38.920 a sharp point. And so when we combine the circle 1298 01:17:38.920 --> 01:17:42.199 and the sharp point together, we get the tooth. Of that, 1299 01:17:42.319 --> 01:17:44.960 we get the tooth, and we get the wheel, which 1300 01:17:45.000 --> 01:17:47.159 is a cog. The tooth and the circle is a cog. 1301 01:17:47.640 --> 01:17:49.960 So we've got aca, which is a and if we 1302 01:17:50.119 --> 01:17:53.239 look at the asa, we've got a sharp line going 1303 01:17:53.279 --> 01:17:55.760 down the middle, and we've got a worldwide partner. So 1304 01:17:55.760 --> 01:17:58.439 we have to ask ourselves who is this worldwide partner? Well, 1305 01:17:58.479 --> 01:18:01.119 the worldwide partner is equated with the opening wheels, which 1306 01:18:01.159 --> 01:18:05.600 is this angelic tradition. It's the cult occulted knowledge. And 1307 01:18:05.760 --> 01:18:09.479 again we're just being told this alienware computers. So computers, 1308 01:18:09.800 --> 01:18:13.319 the knowledge about computers is coming from something which is esoteric. 1309 01:18:13.640 --> 01:18:17.000 Notice also the combination of the triangle. The triangle here 1310 01:18:17.079 --> 01:18:18.760 is used to in oute the cog and the tooth, 1311 01:18:19.000 --> 01:18:21.840 which is going back to the Pythagorean symbol and again 1312 01:18:22.039 --> 01:18:24.640 is closely interconnected with the shield, and the boss of 1313 01:18:24.680 --> 01:18:27.279 the shield are interconnected with the axel and the wheel 1314 01:18:27.319 --> 01:18:31.199 or the votive dish, which are all denotational of surius. 1315 01:18:32.399 --> 01:18:40.039 I just want to make a reference Catillo Andre Chica Tillo. Again, 1316 01:18:40.199 --> 01:18:44.159 he was often photographed with wearing a shirt shirt with 1317 01:18:44.279 --> 01:18:47.279 what I presume is the Russian Olympics. But again the 1318 01:18:47.319 --> 01:18:51.159 Olympics logo is the opening wheels. And what's interesting about 1319 01:18:51.159 --> 01:18:54.239 this case is that many of the people who were 1320 01:18:54.239 --> 01:18:56.840 found dead had their tongues removed and their eyes removed, 1321 01:18:57.000 --> 01:19:00.119 which are typical of animal mutilations, which is associated with 1322 01:19:00.159 --> 01:19:04.039 the euthological tradition. Again, the euthological tradition, the worship of 1323 01:19:04.039 --> 01:19:07.439 these entities are typically equated with blood sacrifice, as found 1324 01:19:07.439 --> 01:19:12.800 with the votive dish. So I'm saying here with Chica 1325 01:19:12.840 --> 01:19:15.239 Tilo that there's a possibility, and I think that this 1326 01:19:15.279 --> 01:19:18.199 would need further research, but there is certainly a possibility 1327 01:19:18.199 --> 01:19:20.720 that there is an occult dimension to this case which 1328 01:19:20.840 --> 01:19:25.319 is been codified through this private discourse. Now, I just 1329 01:19:25.359 --> 01:19:29.039 want to finish by looking at films and advertising. This 1330 01:19:29.199 --> 01:19:35.079 is Gautier LaBelle the Beautiful. Again, we're seeing the symbol 1331 01:19:35.199 --> 01:19:38.039 of the cog. When we combine the cog, what we're 1332 01:19:38.079 --> 01:19:40.800 really dealing with is the angelic sailor Malach and angel 1333 01:19:40.880 --> 01:19:46.840 is malaca sailor. And again we're seeing that mankind and 1334 01:19:47.359 --> 01:19:50.399 womankind has been planted on the earth, so we're being 1335 01:19:50.439 --> 01:19:54.359 told this information. Again we have women who are walking 1336 01:19:54.399 --> 01:19:58.920 on the wheels. Again, this is very interesting because there's 1337 01:19:59.000 --> 01:20:04.279 wordplays here. The Latin entomology. Rosa which is something which 1338 01:20:04.319 --> 01:20:07.479 is hidden, is equator to rosa which is pink, and rota, 1339 01:20:07.520 --> 01:20:11.399 which is a wheel. Now that which is hidden, ross, 1340 01:20:11.840 --> 01:20:14.840 which is pink, is equated with the etymology of a rose. 1341 01:20:15.159 --> 01:20:18.359 This is again because it's thorny, so it represents a tooth. 1342 01:20:18.600 --> 01:20:21.079 A tooth is a cog. But again the rose is 1343 01:20:21.079 --> 01:20:24.520 a plant which is easily grafted it's and is used 1344 01:20:24.520 --> 01:20:27.520 to denote this grafted bloodline, which is equated with kingship 1345 01:20:27.840 --> 01:20:30.720 or lordship. We would say the connection is between malach 1346 01:20:30.760 --> 01:20:34.399 and angel and Melecha king. In English we would say lordship. 1347 01:20:34.640 --> 01:20:39.199 Again in the Arabic saraif a lord seraph which is 1348 01:20:39.239 --> 01:20:42.000 the non human angel. But again we'd find this wordplay 1349 01:20:42.000 --> 01:20:45.199 also in the Greek with Drachon and arkon or arkon 1350 01:20:45.279 --> 01:20:49.720 coming from the Babylonian root akana seraph in the Persian 1351 01:20:50.079 --> 01:20:55.079 malalida mahra serpent, besilius and besilicos a serpent and the king. 1352 01:20:55.319 --> 01:20:58.439 So these are our wordplay. So the wordplay here on 1353 01:20:58.520 --> 01:21:01.479 pink is equated with the wheel. It's equated with that 1354 01:21:01.520 --> 01:21:03.720 which is hidden, and it's equated with that which is 1355 01:21:03.760 --> 01:21:07.840 grafted or stitched together. Again, the opening wheels are equated 1356 01:21:07.880 --> 01:21:12.840 with the angelic sailor more symbols of wheels, and as 1357 01:21:13.199 --> 01:21:17.199 Jean Paul Gottier again, the wheel is often as I 1358 01:21:17.239 --> 01:21:19.840 said before, and it's found within the Japanese symbolism. The 1359 01:21:19.880 --> 01:21:22.920 idea is

the planting of the bloodline, which is panspermia. 1360 01:21:23.000 --> 01:21:26.479 So this idea of pollen, which is transferred to different worlds, 1361 01:21:26.600 --> 01:21:29.520 is represented with the flower. The flower is often combined 1362 01:21:29.520 --> 01:21:32.000 with the solar motif of the star, but again is 1363 01:21:32.039 --> 01:21:35.520 often used to denote both the opening wheels. But it 1364 01:21:35.560 --> 01:21:38.119 has this strong connotation of a tooth and a cog 1365 01:21:38.319 --> 01:21:41.399 which also feeds into the idea of a rose, because 1366 01:21:41.439 --> 01:21:44.479 the thorn is a tooth of the rose and the 1367 01:21:44.600 --> 01:21:47.119 rose is something which can be grafted or stitched together. 1368 01:21:47.439 --> 01:21:48.960 And this is something which I look at in my 1369 01:21:49.000 --> 01:21:54.359 book Holographic Culture. So again the male is equated with 1370 01:21:54.399 --> 01:21:57.039 the flower and the planting of a bloodline which has 1371 01:21:57.159 --> 01:22:03.600 cog connotations. Again male and the female. Now this is 1372 01:22:03.640 --> 01:22:07.520 another advert Again this is Goautier, and this is on 1373 01:22:07.640 --> 01:22:11.439 the docks. The sailor is combined with the sheet. As 1374 01:22:11.439 --> 01:22:14.119 we said before, January is to hide out conceal, equated 1375 01:22:14.159 --> 01:22:16.880 with the gin. But in this respect this is really 1376 01:22:16.920 --> 01:22:20.000 working on the diptych parinor mason of the Greek word 1377 01:22:20.279 --> 01:22:22.600 ofth on a sheet and o fan which is a wheel. 1378 01:22:23.560 --> 01:22:26.279 And as we said before, this is a Renaissance drawing 1379 01:22:26.479 --> 01:22:29.960 the sail on. The Greek word for a sheet or 1380 01:22:29.960 --> 01:22:33.520 a sailcloth is equated with oath and a wheel. Don't 1381 01:22:35.359 --> 01:22:38.600 or the sailor equated with the sheet use crypto clittering 1382 01:22:38.680 --> 01:22:41.479 out the opening wheels. So this is a heavenly sailor. 1383 01:22:42.560 --> 01:22:44.760 And again we can see that the mooring of the ship. 1384 01:22:44.920 --> 01:22:47.560 Again this is an elevated ship because this is high up. 1385 01:22:48.000 --> 01:22:50.079 Look also towards the left we can see on the 1386 01:22:50.119 --> 01:22:53.039 screen that the ship is combined with the wheel motif. 1387 01:22:53.279 --> 01:22:55.199 And again we've got the woman wearing the pink, which 1388 01:22:55.239 --> 01:22:58.439 is this grafting together or stitching together of bloodlines, equated 1389 01:22:58.479 --> 01:23:02.000 with that which is secret. Again sane rose a secret roto, 1390 01:23:02.039 --> 01:23:05.640 which is a wheel. And again look also the motive, 1391 01:23:05.680 --> 01:23:09.520 the architectural feature of the circle within the circle. This 1392 01:23:09.720 --> 01:23:12.880 is well, there are many different connotations of this. It's 1393 01:23:12.960 --> 01:23:15.640 used to denote the serious glyph, It's used to denote 1394 01:23:15.640 --> 01:23:18.199 the votive dish. It's also used to denote the axe, 1395 01:23:18.600 --> 01:23:21.680 the hat of Hermes. He wears this circular hat, which 1396 01:23:21.720 --> 01:23:25.640 is interconnected with the symbology of the shield. Again, Hermes 1397 01:23:25.680 --> 01:23:29.640 communicates through his teleological device, which is a type of boat. 1398 01:23:30.199 --> 01:23:32.479 Not a boat is equated with noose the mind. So 1399 01:23:32.520 --> 01:23:35.520 there's all kinds of symbols which are interwoven and threaded 1400 01:23:35.520 --> 01:23:41.159 within this image. And again the angelic sailor that we 1401 01:23:41.199 --> 01:23:43.520 have the receptive female and we have the angelic sailor. 1402 01:23:43.840 --> 01:23:48.000 So I refer to this in holographic culture as extra cooitis, 1403 01:23:48.279 --> 01:23:51.199 which is basically the sacred gamos. This is the meeting 1404 01:23:51.279 --> 01:23:53.800 of heaven and Earth, or this sacred bloodline, which is 1405 01:23:53.800 --> 01:23:57.199 equated with this classical tradition or that which is classified 1406 01:23:57.439 --> 01:24:01.840 classic naval fleet which is this angelic tradition. I just 1407 01:24:01.880 --> 01:24:04.239 want to look at Styx. This is Come sail Away 1408 01:24:04.279 --> 01:24:07.960 the album. Now, hi there, how long do I have 1409 01:24:08.119 --> 01:24:14.439 I've got I'm not too right. Okay, Styx, this is 1410 01:24:14.520 --> 01:24:17.840 their album. I'm just going to read the lyrics because 1411 01:24:17.880 --> 01:24:20.479 this appertains to the angelic sailor. So a gathering of 1412 01:24:20.520 --> 01:24:23.239 angels appeared above my head. They sang to me this 1413 01:24:23.319 --> 01:24:26.319 song of hope and they and this is what they said. 1414 01:24:26.359 --> 01:24:28.720 They said, come sail away, come sail away, Come sail 1415 01:24:28.720 --> 01:24:31.319 away with me, lad come sail away, Come sail away, 1416 01:24:31.319 --> 01:24:34.399 Come sail away with me. I thought that they were angels, 1417 01:24:34.399 --> 01:24:37.279 but to my surprise, we climbed aboard their starship. We 1418 01:24:37.319 --> 01:24:39.800 added for the skies, come sail away, Come sail away, 1419 01:24:39.840 --> 01:24:42.159 Come sail away with me. As I said before, in 1420 01:24:42.199 --> 01:24:45.439 the Aramaic, the word zara and angel is polymorphic of 1421 01:24:45.640 --> 01:24:49.079 Zara and alien. If we look at the Sticks album cover, 1422 01:24:49.359 --> 01:24:52.239 we have the tree again. It's making reference to the 1423 01:24:52.439 --> 01:24:55.079 hollow tree within the Greek mystery religions, which were trees 1424 01:24:55.119 --> 01:24:58.960 which could communicate or talk within the oracle centers. But 1425 01:24:59.039 --> 01:25:01.840 again the Greek at orgy of Scapto to dig out 1426 01:25:01.960 -->

01:25:04.439 or to hollow out is equated with scaff which is 1427 01:25:04.439 --> 01:25:08.279 a boat, which is the scaffological tradition. As we said before, 1428 01:25:08.880 --> 01:25:12.199 Funny in the Japanese tradition is a hollow tree equated 1429 01:25:12.239 --> 01:25:16.319 with the funny, which is this hollow boat. Look also 1430 01:25:16.479 --> 01:25:19.439 at their album cover as well. This is another album 1431 01:25:19.479 --> 01:25:23.680 cover of Sticks Come sail Away. Notice here that we've 1432 01:25:23.680 --> 01:25:26.359 got the boat, but the boat is combined with the sailcloth. 1433 01:25:26.359 --> 01:25:29.039 As we said before, othorn. A sheet is a diptic 1434 01:25:29.119 --> 01:25:32.039 paranormaca of of and a wheel, which is the old 1435 01:25:32.119 --> 01:25:35.239 word for a flying saucer. So they're making reference here 1436 01:25:35.600 --> 01:25:38.720 to the ship, which is equated as a sheet, which 1437 01:25:38.720 --> 01:25:41.720 is equated with the oapening wheels. This is all using 1438 01:25:41.800 --> 01:25:45.319 diptic paranomasia to encode angelic symbolism. 1439 01:25:46.079 --> 01:25:46.199 Uh. 1440 01:25:46.520 --> 01:25:50.920 The Travis video here again we Travis is shown singing 1441 01:25:50.920 --> 01:25:53.319 inside of a lighted wheel. This is an opening wheel. 1442 01:25:53.359 --> 01:25:57.199 The connection is between ophan panta turn o fear, which 1443 01:25:57.279 --> 01:26:01.479 is to radiate golden light. Remember so the charter's cathedral. 1444 01:26:01.720 --> 01:26:04.640 Sometimes a cog of the wheel is lit up with light. Again, 1445 01:26:05.000 --> 01:26:07.520 this is making a direct allusion to a flying saucer. 1446 01:26:08.760 --> 01:26:11.640 Travis and the band are singing. Notice how the flying 1447 01:26:11.720 --> 01:26:15.000 saucer as interconnected wheels which are opening wheels. This is 1448 01:26:15.119 --> 01:26:18.319 the ancient depiction of these wheels which are joined together 1449 01:26:18.600 --> 01:26:22.479 as a series of cogs. Travis again is singing and 1450 01:26:22.720 --> 01:26:28.039 there is joined wheels. Again. We can see that the 1451 01:26:28.119 --> 01:26:31.239 three joined wheels make a circle with a triangle in 1452 01:26:31.279 --> 01:26:35.880 the middle, which is the tooth of a wheel. And 1453 01:26:36.000 --> 01:26:40.680 as we said before the huzzle puzzle, we've got the 1454 01:26:40.760 --> 01:26:42.560 circle in the triangle which is the two from the 1455 01:26:42.640 --> 01:26:45.079 cog which makes the opening wheels. So these are all 1456 01:26:45.359 --> 01:26:49.840 symbols which interplay within the Japanese symbols and also within 1457 01:26:49.880 --> 01:26:53.319 the Semitic look. Also on the Travis video we see 1458 01:26:53.479 --> 01:26:56.159 that the ape again the ape is wearing a Superman 1459 01:26:56.319 --> 01:26:59.960 T shirt. This is representational of the heroes. Heroes is 1460 01:27:00.079 --> 01:27:03.800 equated with the Greek word air, which is the eloim 1461 01:27:03.880 --> 01:27:06.720 the high ones. But this is actually making reference to 1462 01:27:06.800 --> 01:27:09.640 the humanist tradition of the human angels. So within the 1463 01:27:09.760 --> 01:27:12.560 Japanese symbology we have the cogs and the wheels equated 1464 01:27:12.640 --> 01:27:16.079 with the monkeys. Same idea here we've got the opening 1465 01:27:16.119 --> 01:27:18.800 wheels in the Travis video, which is equated with the monkey, 1466 01:27:18.840 --> 01:27:22.159 which is the humanist tradition. And again they get taken 1467 01:27:22.239 --> 01:27:26.720 aboard a spaceship, which as these insignia of the opening wheels. 1468 01:27:28.000 --> 01:27:31.079 Now on the Travis video, at the beginning of the video, 1469 01:27:31.199 --> 01:27:33.600 you've got this UFO buff and he's going through all 1470 01:27:33.640 --> 01:27:36.680 these different folk. He's looking at photographs and UFO videos 1471 01:27:37.439 --> 01:27:40.960 now stuck onto his wall. We have teach your dog 1472 01:27:41.079 --> 01:27:43.359 to be a star. Okay, this is making reference to 1473 01:27:43.439 --> 01:27:46.000 the dog Star. As we said before, the traditions of 1474 01:27:46.039 --> 01:27:49.239 the tengu Heaven's dog are equated with the dog star, 1475 01:27:49.279 --> 01:27:52.560 which is the seraphic host. The seraphic host is equated 1476 01:27:52.600 --> 01:27:55.600 with Sirius, which is the shining one. The shining one 1477 01:27:55.720 --> 01:27:58.479 refers to the erin the airin ow the watchers or 1478 01:27:58.479 --> 01:28:02.159 the shining ones. So is Sarah for a serpent. Again, 1479 01:28:02.279 --> 01:28:05.239 the Gina said to be born of fire. And just 1480 01:28:05.319 --> 01:28:08.720 to finish, when we look at the date, we have 1481 01:28:08.880 --> 01:28:11.920 the fourteenth of March. Now, the date here is really 1482 01:28:12.000 --> 01:28:16.000 making reference to a biblical quotation. It's actually making reference 1483 01:28:16.039 --> 01:28:18.159 to what is occurring here. So I'm just going to 1484 01:28:18.199 --> 01:28:20.600 finish with this quote, and then I'll just quickly talk 1485 01:28:20.640 --> 01:28:23.439 about my books, and then I've finished the lecture. So 1486 01:28:24.399 --> 01:28:29.359 John three and fourteen, Jesus speaks, and he's speaking to Nicodemus, 1487 01:28:29.399 --> 01:28:31.600 and he says the following, I've spoken to you of 1488 01:28:31.720 --> 01:28:34.760 earthly things, and you do not believe. How then will 1489 01:28:34.800 --> 01:28:37.720 you believe if I speak of heavenly things. No one 1490 01:28:37.760 --> 01:28:40.000 has ever gone into heaven except the one who came 1491 01:28:40.079 --> 01:28:42.920 from heaven, the son of Man. Okay, this is the 1492 01:28:43.000 --> 01:28:45.520 ben Haddam, the son of Man. Again, this is making 1493 01:28:45.600 --> 01:28:49.000 reference to the idea that there

are human angels the 1494 01:28:49.119 --> 01:28:54.239 issue which are equated which I contrasted with non human angels. 1495 01:28:54.479 --> 01:28:58.680 This is the seraphim caribin dialectic or this occult tradition 1496 01:28:58.800 --> 01:29:02.079 between human and non she and angels. So just as 1497 01:29:02.239 --> 01:29:04.319 Moses lifted up the snake, which is a reference to 1498 01:29:04.399 --> 01:29:07.760 the seraphim and this idea of their vessels in the desert, 1499 01:29:07.840 --> 01:29:11.840 because Moses puts up the snake on a flagpole, but 1500 01:29:11.920 --> 01:29:16.920 this flagpole is actually it's a mast of a ship. Okay, 1501 01:29:17.000 --> 01:29:19.800 So this is making this is a scathological signifier of 1502 01:29:20.079 --> 01:29:23.039 a serpent and its vessel. So just as Moses lifted 1503 01:29:23.119 --> 01:29:24.800 up the snake in the desert, so the sun of 1504 01:29:24.960 --> 01:29:32.039 man must be lifted up. Okay, and that's basically my presentation. 1505 01:29:32.520 --> 01:29:34.079 I just want to make a reference to the fact 1506 01:29:34.159 --> 01:29:37.920 that with the lifting up of man is also found 1507 01:29:37.960 --> 01:29:41.319 within the biblical traditions, because we have what is is 1508 01:29:41.800 --> 01:29:45.760 obstensably the rapture, the etymology of rapture, which Christians believe 1509 01:29:45.800 --> 01:29:47.840 that they will be taking up into heaven. But the 1510 01:29:47.920 --> 01:29:51.119 word rapture to seize or to grab, is coming from 1511 01:29:51.159 --> 01:29:53.079 the root rep here, which is a reptile. So the 1512 01:29:53.199 --> 01:29:56.840 idea is that the seraphim will grab up the people, 1513 01:29:56.840 --> 01:29:59.399 and this is equated with abduction in the same way 1514 01:29:59.680 --> 01:30:04.560 in in the Arabic as well. Aladdin is the day 1515 01:30:04.640 --> 01:30:08.079 of judgment, but is a wordplay on are Done, which 1516 01:30:08.159 --> 01:30:10.880 is a lizard. So this idea is that the Seraphim 1517 01:30:10.920 --> 01:30:13.960 will take the believers, and again this is the seraphic host. 1518 01:30:15.239 --> 01:30:18.199 And if you're interested in my work and you're interested 1519 01:30:18.239 --> 01:30:22.319 in the symbolism, then I recommend my two books. Holographic 1520 01:30:22.439 --> 01:30:24.800 Culture is my latest book that took eight years to 1521 01:30:24.880 --> 01:30:27.199 write and to put together, that is based on the 1522 01:30:27.239 --> 01:30:31.279 Scafological tradition predominantly what we've been talking about today. If 1523 01:30:31.319 --> 01:30:34.279 you're interested in the serpent race, the Serpenter Gena or 1524 01:30:34.319 --> 01:30:36.840 the Anglo genas they're known as. But essentially this is 1525 01:30:37.159 --> 01:30:40.600 making reference to the Theban tradition or the Seraphic tradition, 1526 01:30:40.640 --> 01:30:43.279 which are equated with the Seraphim and the Gin. Then 1527

01:30:43.319 --> 01:30:45.800 please refer to my book The Murder of Reality, which 1528 01:30:45.840 --> 01:30:49.640 looks like mystery religions. If you're unshorn, you don't know 1529 01:30:49.680 --> 01:30:52.560 which book to buy, then I recommend Holographic Culture because 1530 01:30:52.560 --> 01:30:55.520 it's a good summary of my work. Again, Holographic Culture 1531 01:30:55.600 --> 01:30:58.399 is nearly six hundred pages, so it's a very detailed 1532 01:30:58.439 --> 01:31:01.640 and in depth study of the shological tradition which is 1533 01:31:01.800 --> 01:31:04.840 new youuuthology, which looks like the ancient source occults, which 1534 01:31:04.880 --> 01:31:08.359 are these flying vessels, these flying saucers. Thank you very 1535 01:31:08.439 --> 01:31:11.680 much for your time. I forgot to time it, so 1536 01:31:11.920 --> 01:31:15.640 I'm kind of I think I'm floating around. I think 1537 01:31:15.680 --> 01:31:17.239 I'm on time, but I don't really know. 1538 01:31:17.479 --> 01:31:19.720 Yeah, you're good, You're right on time. 1539 01:31:20.279 --> 01:31:20.520 Pierre. 1540 01:31:20.560 --> 01:31:23.319 I want to thank you so much. That was fascinating information. 1541 01:31:24.039 --> 01:31:27.000 And if people want to take a look at your books, 1542 01:31:27.000 --> 01:31:28.960 your website is Pierre Sabbak Book. 1543 01:31:30.319 --> 01:31:34.960 Yes that's correct, and please if and I've got more 1544 01:31:35.159 --> 01:31:39.279 if you're interested in the etymological deconstruction. I mean, this 1545 01:31:39.439 --> 01:31:41.199 is more visual, but I also have lectures on my 1546 01:31:41.279 --> 01:31:43.920 website where I show slides and the etymologies and again 1547 01:31:44.239 --> 01:31:48.399 visual representations as well different examples. So there's lots of lectures, 1548 01:31:48.439 --> 01:31:52.239 lots of materials. I've got discussions talking with other uthologists 1549 01:31:52.239 --> 01:31:55.640 and other scholars and experts on this subject. So yeah, 1550 01:31:55.680 --> 01:31:57.840 please subscribe to my website and it'd be great to 1551 01:31:58.000 --> 01:32:01.800 have more people subscribing, and please check out my work 1552 01:32:01.800 --> 01:32:03.439 as well. That would be great. And thank you very 1553 01:32:03.520 --> 01:32:06.000 much for being patient and thank you for listening. It's 1554 01:32:06.039 --> 01:32:08.640 been absolutely wonderful. And I'd just like to thank Forbidden 1555 01:32:08.680 --> 01:32:11.199 Knowledge for having me as a guest. I see this 1556 01:32:11.319 --> 01:32:14.279 as a real privilege, you know. I don't get asked 1557 01:32:14.319 --> 01:32:16.359 to do things like this, and when people ask me 1558 01:32:16.439 --> 01:32:18.680 to do this, it's a real privilege. Thank you very 1559 01:32:18.760 --> 01:32:20.279 much for your time as well. Thank you. 1560 01:32:20.479 --> 01:32:22.439 Yes, I appreciate it so much, and it was a 1561 01:32:22.520 --> 01:32:26.199 fantastic presentation and I'd definitely love to have you back 1562 01:32:26.279 --> 01:32:27.880 on the show in the near future. 1563 01:32:28.359 --> 01:32:29.840 Well, I appreciate that. Thank you very much. 1564 01:32:30.079 --> 01:32:31.039 Thanks you have a good one. 1565 01:32:31.119 --> 01:32:31.840 Thank you right,