# Graham Harman

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Object-Oriented Ontology & the Nature of Reality with Graham Harman

This conversation explores the depths of Object-Oriented Ontology (OOO) and its radical departure from both analytic and continental philosophy traditions. Graham Harman explains the limitations of "literalism" in science and how great philosophy relies on intuition and rhetoric rather than just ra…

Ep. 384: Graham Harman's Object-Oriented Ontology (Part One)

On Harman's Object-Oriented Ontology: A New Theory of Everything (2018). What counts as an entity in the world? Harman includes not just physical objects, but fictional objects, "sensual objects," and even events, which you might have thought were the alternative to objects. With this promiscuous …

Jon Cogburn (GUEST): Bridging the Continental-Analytic Divide; Paradoxico-Metaphysics; and, Panpsychism, or, are all things Mind?

In this episode of Invasive Thoughts, we’re joined by Jon Cogburn, Chair of Philosophy at Louisiana State University. Jon sketches a history of the Continental–Analytic divide in American philosophy and suggests what it might take to bridge it today. Jon explains how more than one metaphysics could…

Ep. 384: Graham Harman's Object-Oriented Ontology (Part Two)

Continuing on Object-Oriented Ontology: A New Theory of Everything (2018), finishing up ch. 1 (discussing what's so bad about reductionism) and moving to ch. 4, "Indirect Relations," which is about causality. Get more at partiallyexaminedlife.com. Visit partiallyexaminedlife.com/support to get ad-…

Ep. 384: Graham Harman's Object-Oriented Ontology (Part Three)

We consider chapter 2, "Aesthetics Is the Root of All Philosophy," where Harman describes how art can help us see behind the veil to things-in-themselves. Art is "theatrical" in that it's really the spectator who is standing in like an actor for the object encountered in art. Get more at partially…

The Secret Lives of Objects

What if everything around you has a secret life you’ll never access? Graham Harman’s object-oriented ontology makes a radical claim: objects aren’t just props in the human drama. The hammer in your toolbox, the coffee cup on your desk, the chair holding your weight. They all have withdrawn realitie…

Ep. 384: Graham Harman's Object-Oriented Ontology (Part Three)

We consider chapter 2, "Aesthetics Is the Root of All Philosophy," where Harman describes how art can help us see behind the veil to things-in-themselves. Art is "theatrical" in that it's really the spectator who is standing in like an actor for the object encountered in art. Get more at partiallye…

Ep. 384: Graham Harman's Object-Oriented Ontology (Part Two)

Continuing on Object-Oriented Ontology: A New Theory of Everything (2018), finishing up ch. 1 (discussing what's so bad about reductionism) and moving to ch. 4, "Indirect Relations," which is about causality. Get more at partiallyexaminedlife.com. Visit partiallyexaminedlife.com/support to get ad-f…

Ep. 384: Graham Harman's Object-Oriented Ontology (Part One)

On Harman's Object-Oriented Ontology: A New Theory of Everything (2018). What counts as an entity in the world? Harman includes not just physical objects, but fictional objects, "sensual objects," and even events, which you might have thought were the alternative to objects. With this promiscuous o…

A Meal of Thorns 57- THE WATER STATUES with Langdon Hickman

A deeply strange and arresting short novel, The Water Statues defies easy categorization but has a powerful and cerebral atmosphere, putting us in mind of a lot of other works—including Clarke’s Piranesi. Langdon Hickman, last unshriven host of Death // Sentence, joins to discuss. Podcasts, revie…