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What is up? I'm Grace Beverly and welcome back to
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Working Hard, the podcast-shaped guidebook on how to improve your
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own life and achieve what you actually dreamed of doing.
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Because life's too short for boring podcasts and bad advice.
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What is up, and welcome back to Working Hard. Today's
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guest is someone very special to me. Kate Halfpenny is
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the founder and designer behind Halfpenny London. She's built a
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cult following among brides for her unique approach and standout silhouettes.
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And she's not only an incredible designer, but also a
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seriously impressive businesswoman, from starting out as a celebrity stylist
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to launching her own label, building a team, opening her
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flagship store in London, and becoming one of the most
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trusted names in bridal. She is also the woman behind
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my wedding dresses. And today I really wanted to talk
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about everything from kind of how she built her brand
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all the way from being a celebrity stylist, starting out
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making wedding dresses on the side. And I think a
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great lesson in just getting started, not necessarily waiting until
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you have this whole shiny business plan. But I also
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really wanted to create an episode for brides to be
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what you should be thinking about for your dresses, when
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you should be booking in your appointments, how to know
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when you found the right dress, all of these different
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questions that I was asking at the beginning of my
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bridal journey that I wish someone had answered. So we
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got into the nitty gritty of all of that with her.
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Before we get into the episode, please don't forget to
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follow the podcast wherever you are listening to it on.
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It makes a huge difference for the podcast and it
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means that every Monday when I release an episode to
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help you improve your life, it's gonna be exactly where
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you want it. Hey Halfpenny, are you currently more working
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hard or hardly working?
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I would love to say I am hardly working, but
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I'm actually working really hard.
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Selling season for the brides?
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Selling season. I've got a whole new team in the
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business and surrounded by amazing people. So yeah, we are
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all working hard and yeah, it's exciting.
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Ready for a new year of brides?
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Yes.
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Love to see it. Oh, I'm jealous of all the
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brides being able to come in to see you for
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the first time and be able to try on everything
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and such a nice process.
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Didn't we have fun?
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We had such a good time. I genuinely felt I
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was like, I'm going to be so sad. Like selfishly,
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like I enjoyed the process so much that I feel
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like coming to the end of that, I was like, oh,
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what am I going to do? Like, what am I
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going to think about that's not like this? Because they
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were so, both of them obviously from scratch. And so
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it was so nice to be able to like have
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the designs unfold and the process unfold and all of that.
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I miss it already.
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There is a funny grief situation that happens between me
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and my brides. And then I often get messages to say,
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you know, can we have a debrief? Like I messaged you,
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I was like, let's go and look at the wedding photos.
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I want to hear all about it. And it's, yeah,
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I think I need to kind of make a post-wedding
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club of some sort where we can, yeah.
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Where everyone comes to like show and tell.
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Yeah.
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Just waving their photos and being like, oh, this is
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what happened.
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There's such a love affair that happens with me and
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my brides as well. So it is kind of like,
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I have to kind of send you on your way
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for your next adventure. And yeah, I'm very lucky to
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have such a privileged job, really, to make people feel
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the very best versions of themselves.
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Well, you do. You do for me. And
Load full transcript
let's start
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at the beginning. I would love to hear kind of
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what got you into doing what you do now at
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the very beginning. Am I right in thinking that your
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mother was a knitwear designer?
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She was. That was her entrepreneurial kind of side of it.
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She set up a mohair knitwear company with a friend.
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in the I guess it was the 80s it was
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kind of very Dennis the Menace black and red stripes
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and really cool and I'd go there after school to
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her studio it was never a kind of a full-time
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role it was just a a beautiful adventure she went
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on and they sold really well and it was it
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was brilliant so I definitely was inspired by her I
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mean mum's creativity was amazing she'd she'd take kind of
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curtain poles down, wooden ones, and she'd slice them into
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discs and hand paint them and sell them at craft fairs.
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Like there was always that going on. I was never
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allowed to touch her acrylic paints, which of course I did.
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And then I'd get told off or her perfectly sharpened pencils.
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But I think my grandmother was the one that really
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taught me to sew on a Singer machine. She used
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to repair all the overalls for Rolls Royce. So they
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didn't throw them away. She'd repair them and then they'd
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get them back and her and her friends on their bikes.
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It was just, you know, they'd cycle to work and
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it was just charming. The whole kind of working class
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factories in Derbyshire is kind of my roots.
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Yeah, and such an amazing creative background as well to
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have all of that, you know, to see all of
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that growing up. Yeah. And I know that you worked
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in styling before you started your own thing. I know
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you styled people like Kate Moss and Rihanna. Yeah. What
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was it like actually styling some of those big names?
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It was incredible. They were all just amazing to work with.
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It was a privilege and a joy and I loved it.
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It
was an amazing career. I kind of fell into
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that because I studied fashion and specialised in bridal wear
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for my degree in the late 90s and then came
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to London, were making wedding dresses for my friends, making
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wedding dresses for friends of friends. But it was just
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on the side and then this whole styling career happened
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after that. I met this amazing girl. I was an
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intern at Vivienne Westwood. And I was just like, I
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don't think working for a fashion brand is for me. Like,
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I want to be more hands on. I want to
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be creating. And it's kind of like, hang on a minute,
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you know, you have to start somewhere. But I met
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this amazing girl that said you should go meet these
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amazing people called the New Renaissance that were Royal College graduates.
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And I just started working with them on like George
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Michael music videos and crazy stuff like that as their assistant.
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And then quite quickly, I picked up my own clients
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and just have just had the most phenomenal career ever.
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doing music videos and all the big M & S
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Christmas ads I did for about 10 years, L'Oreal and
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Rimmel and like mega brands and dressing these icons, men
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and women, actually. So it was, yeah.
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I love that. And I also think that we don't
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hear enough stories of people who've kind of had different
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segments of their career, because I think it's so easy
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to look at someone's career when they've really made it
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in a space and think, oh, well, that was what
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they were always going to do. And they always did that,
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whatever it might be. Whereas you obviously built a background
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in a different area of the industry before you went
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into what you do now. How important do you think
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it is for someone who might be early 20s and
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thinking about kind of going freelance or starting their own thing?
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How important would you say it is to build a
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base and kind of a foundation in the wider
industry
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before you go out and do something on your own?
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It is so important. The the love and the care
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and the skills that I was shown and given by
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the people that mentored me really throughout that, I guess,
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20 years really I styled for with the bride running
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on the side. And that informed my business decisions. It
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created those relationships. It's that kindness that you experience to
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pay it forward. It's the... I couldn't possibly have the
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business that I have now without the foundations that were
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laid throughout that career. Like, I think these days we
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try and create a business in a heartbeat. We try and...
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run before we can walk. We try and put a
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product out there without identifying that there's a gap in
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the market for that product. And, you know, I truly
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believed in my bridal brand. I changed the bridal landscape
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when I launched the brand in 2005 with separates. Like
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that wasn't happening. People were wearing wedding dresses. They're called
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wedding dresses for a reason. They were dresses. They were
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always dresses. And I didn't understand why you couldn't take
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layers off or add to go from day to night.
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I mean, it just made sense to me. So for
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my degree show, I did Little mini dresses with big
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over skirts that dropped on the runway and they went
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down to their party dress and it just made sense.
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Yeah, and I think that you're totally right that there's
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this glamorization now of speed and the need to create
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something of your own or go freelance or whatever it
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might be so quickly. And I completely understand why that is.
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I think there's definitely a link between that and rising
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cost of living and the fact that even if you
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have a stable salary, that doesn't mean that you necessarily
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get to be able to afford a house or whatever
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it might be. Or most of the time it definitely
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does not. I think that there's definitely
a link between
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those two things. So you might as well have more
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control over what you do. But at the same time,
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I do really think that some of this is leading
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to some short cutting that's going to kind of cut
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off your nose in spite of your face. Like you're
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trying to get to this next era when perhaps you
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haven't built the foundations of, as you say, contacts of
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skills of what to do when things go wrong without
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it literally blowing up your whole career like. Some of
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the best advice that I've talked about over and over
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on this podcast that I was given was that your
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20s should be about learning as much as possible on
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someone else's money. That someone else's money being the company
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you're working for. And like being able to learn and
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make mistakes without it all falling back on you when
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it goes wrong. And I think that it's really powerful
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to be able to see people like you who've built
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something that people could assume had been your whole career
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all along. Whereas actually... As you say, you couldn't have
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done that without truly building the rest of these foundations.
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I mean, the brand is 20 years old this year,
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which is incredible to reflect on and look back at
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those 20 years. But in truth, it's the last 10
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years where the business has been my sole focus. I
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had Sylvester when I was 40. He's just turned 10.
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I've just celebrated my very small birthday. I know, I
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don't look it. But it's everything that I learned. In
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my 20s and all of the mistakes that I made
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on other people's money, as you say, but also as
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hard as I worked then, I just feel that I grafted.
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I worked three jobs. I didn't stop. There was nothing
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I never had because I worked so goddamn hard every
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hour of the day, whether it be in a bar,
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a pizza restaurant, whether it be doing other jobs and
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different things and interning
and working for free and putting
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myself out there. Now, we pay all our interns. That
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is not something that I encourage free labor these days,
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but there is those opportunities to go meet people, to
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talk to people, to see if there are opportunities to
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shadow them and do things and lean into it. Because
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we've recruited for many a role in my company through
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interns because you see that spark and that dedication and
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that intuition that people have and that foresight and that wall.
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thinking that you don't necessarily can grab in an interview
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from a CV or.
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Yeah. And I worry that some of that has been
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taken away by the glamorization of like the end goal
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on social media. No one wants to be in the
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grafting job. No one wants to be in the like
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foundation building job. And I worry about that because I
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do think that there's been this jump to needing the
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end goal before you've established a foundation. And I think
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it's great to hear your journey in that way.
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I think both of us have celebrated social media and
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how it's enhanced our business a hundredfold. Like it's incredible.
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Without that, I would not have the global reach that
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I've had. However, the downside of social media is you
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can create something and make it look bigger than it
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is overnight. And also there's something that, you know, in
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one of the questions of this interview, it was kind of,
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what is a great piece of advice? And it is
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just don't compare yourself to other brands and other businesses.
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And I think social media does make you kind of,
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you know, it happens to me, it's just about to
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be bridal market in New York. It's, you know, I'm
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looking what everyone's doing. It's just literally, it just kind
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of makes you just think, oh, you know, it's, Don't
246
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compare yourself. Be authentic. Do you. There's a million of
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everybody else. You can find that unique thing in you
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and make that special. But work on it. Work on
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the foundations of that big empire because the stronger they are,
250
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the more information and knowledge you have. Like you say,
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it does help you on those days when the shit
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hits the fan.
253
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Yeah, which it does. And when did you get the
254
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itch to start your own thing then?
255
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To be honest, I've I've always had my own thing
256
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the the itch from from being 13 and making jewelry
257
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and selling it to people that my dad employed like
258
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I've kind of never had a proper job in truth
259
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I was a freelance stylist and laying my foundations assisting
260
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lots of different people so I think I always knew
261
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the end goal would be to have my own bridal
262
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brand but it was just when was the.
263
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Right time and what was it about bridal rather than
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kind of fashion in general.
265
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I was just a dreamer from Derby, a little girl
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in a room that literally it was just such a
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touch if I managed to get a Vogue magazine to
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pour through and tear sheet and create mood boards. And
269
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it wasn't something that I was lucky enough to have
270
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every month. And we certainly didn't have internet with me
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growing up. I'm sounding so ancient.
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No, you're not.
273
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But I was a daydreamer. You know, I was exposed
274
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to kind of the Princess Diana moment with all of
275
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the theatre around her. Incredible. Emmanuel wedding dress so I
276
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think that definitely has to be a catalyst of kind
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of gosh you just see people's faces on their wedding
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day they're just beaming and they're full of joy and
279
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to even have a tiny part of that what a privilege.
280
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And so what were the first steps to actually making
281
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that come true?
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It was doing a dress here a dress there you
283
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know I'd have a little seamstress I'd design something and
284
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I'd make my you know my friend Jay and Darby's
285
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wedding dress and made her evening dress as well. And then,
286
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you know, bridesmaids dress of my sister's wedding and different things.
287
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And it was just kind of designing these little things
288
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on the side. And it just grew like a tiny
289
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seed into a giant oak tree. And before you know it,
290
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like it truly just grew authentically and serendipitously. And yeah,
291
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I just was fortunate. I definitely think you have to
292
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put yourself out there, like I say, and work hard.
293
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But there is elements of luck and fortune that come
294
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along the way of meeting the right people and you know,
295
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I dressed Amelia Fox in 2005 for her red carpet things.
296
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And she was getting married to Jared Harris, who was
297
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the king of the crown. And they were having a wedding.
298
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I was dressing both of them. And I made Amelia
299
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two of her three wedding dresses. And her aunt that
300
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worked at Vogue was there. And she invited us one
301
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day after a fashion show at Claridge's to go and
302
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look around Vogue. And it was kind of just this
303
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devil wears Prada moment. And she said, oh, Charlotte Sinclair,
304
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one of the journalists is getting married. And She had
305
00:13:55.870 --> 00:13:57.929
this beautiful veil that was her mum's and she wanted
306
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to wear it, but she wanted to modernize it. So
307
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I did that for her. And then she put a
308
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little credit in the magazine of some accessory that I did.
309
00:14:04.509 --> 00:14:06.470
And I didn't have a website or anything. So a
310
00:14:06.490 --> 00:14:07.629
friend said, you know, you need to do that. And
311
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Amelia said, oh, I'll model for you. And I'd got
312
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a collection of dresses that I'd used as inspiration and
313
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things that I designed. So Amelia modeled all of those.
314
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And we made a website overnight. And I was in
315
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UberTuber in Brazil on a TV commercial. And the website launched,
316
00:14:21.919 --> 00:14:24.940
the vote came out. And just gradually, it just kind
317
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of picked up momentum. It was, yeah, we were one
318
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of the first 100 businesses to Instagram as well. So
319
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then that kind.
320
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Of, yeah. God, that's a good one. Well done for
321
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doing that.
322
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I know.
323
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Jealous. And I think that, you know, when you talk
324
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about how it snowballed and it kind of grew and
325
00:14:42.570 --> 00:14:46.009
these moments happened that were catalyst moments, I think one
326
00:14:46.029 --> 00:14:47.610
of the biggest things there is they couldn't have been
327
00:14:47.649 --> 00:14:51.049
catalyst moments had you overthought starting the business. I think
328
00:14:51.090 --> 00:14:53.200
if you'd thought of starting the business as, It has
329
00:14:53.220 --> 00:14:56.700
to be me leaving my other jobs, doing this, setting
330
00:14:56.840 --> 00:14:58.690
out and, you know, setting it all up in the
331
00:14:58.710 --> 00:15:02.129
perfect way. I think it's a really important note that
332
00:15:02.169 --> 00:15:04.830
actually what you just started doing was started doing it.
333
00:15:04.990 --> 00:15:07.200
Like you wanted to make wedding dresses. So you started
334
00:15:07.240 --> 00:15:09.500
making wedding dresses rather than you wanted to have a
335
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wedding dress business. So you started the business in the
336
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very official way. And I think that's something that holds
337
00:15:14.370 --> 00:15:16.649
a lot of people back is this whole idea of
338
00:15:16.950 --> 00:15:19.830
needing to kind of start a business in a very
339
00:15:20.230 --> 00:15:24.289
regimented and overthought and overplanned way. And don't get me wrong,
340
00:15:24.409 --> 00:15:27.289
I think that you can absolutely do that and execute
341
00:15:27.340 --> 00:15:29.340
that very well. But I think that sometimes, while most
342
00:15:29.360 --> 00:15:31.100
people aren't in the position to do that, you usually
343
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need to start as a side hustle and just start
344
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a few things and whatever it might be. So I
345
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don't think those opportunities would have been able to even
346
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come had you not just been like, right, well, I'm
347
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technically doing other things, but I'm also going to start
348
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making wedding dresses. Yeah.
349
00:15:43.269 --> 00:15:45.970
It is down to that work ethic again. It was
350
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the reason that the company grew is because my husband
351
00:15:49.529 --> 00:15:52.029
pushed me out of the door and said, we can't
352
00:15:52.070 --> 00:15:53.789
get out of the house on a weekend. I had
353
00:15:53.809 --> 00:15:56.669
a beautiful little house in Camden and the whole ground
354
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floor on a Saturday and Sunday were brides. So they'd
355
00:15:58.669 --> 00:16:01.049
come back to back, like there was no waiting room.
356
00:16:01.470 --> 00:16:03.080
You know, I'd schedule them every two hours, but of
357
00:16:03.120 --> 00:16:05.360
course that two hours I'd always work the whole two
358
00:16:05.379 --> 00:16:08.320
hours with my brides designing and fittings and the next
359
00:16:08.360 --> 00:16:10.500
bride would be outside. So my poor husband couldn't even
360
00:16:10.860 --> 00:16:13.080
cross the landing in the open plan house to get
361
00:16:13.100 --> 00:16:14.659
to the loo. He'd have to kind of go outside
362
00:16:14.700 --> 00:16:17.200
and kind of come round because he was trapped upstairs
363
00:16:17.240 --> 00:16:20.220
with back-to-back rides all weekend. And he was like, this
364
00:16:20.259 --> 00:16:22.440
is ridiculous. Can you not see what's happening here? And
365
00:16:22.480 --> 00:16:25.080
I was kind of like, you know, what? And he
366
00:16:25.120 --> 00:16:27.480
was just like, there's clearly an appetite for this. So
367
00:16:27.899 --> 00:16:30.080
maybe you should just kind of believe in yourself and
368
00:16:30.779 --> 00:16:33.320
go and find a space. So that's when I found
369
00:16:33.360 --> 00:16:34.639
the beautiful shop on Woburn Walk.
370
00:16:35.139 --> 00:16:36.480
Oh my God, that was your first space?
371
00:16:36.519 --> 00:16:37.259
That was my first space.
372
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God, it's the most beautiful, like I want to live there.
373
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Me too.
374
00:16:43.080 --> 00:16:45.740
It reminds me of like Oliver Twist London. Like it's
375
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very kind of perfect old London.
376
00:16:49.620 --> 00:16:51.879
It's in Bridgeton actually. They hide the whole street.
377
00:16:52.059 --> 00:16:55.500
I'm not surprised. It's so Bridgeton and it's so gorgeous.
378
00:16:55.519 --> 00:16:57.000
I can't believe that was your first space.
379
00:16:57.220 --> 00:16:59.460
It was. It was on Camden Council's website. So if
380
00:16:59.500 --> 00:17:02.460
you are looking for spaces, the council websites are phenomenal.
381
00:17:02.940 --> 00:17:05.970
Like they have amazing spaces and There was about 10
382
00:17:05.970 --> 00:17:07.279
people after the space and you had to put a
383
00:17:07.299 --> 00:17:10.240
business proposal together. And I just literally wrote a business
384
00:17:10.460 --> 00:17:12.539
proposal from my heart. I made up figures like I
385
00:17:12.559 --> 00:17:14.599
didn't know what the heck I was doing. I mean,
386
00:17:14.920 --> 00:17:16.740
thank God for AI now, that would really help. That
387
00:17:16.759 --> 00:17:17.180
would have.
388
00:17:17.099 --> 00:17:18.200
Really got me there, yes.
389
00:17:18.619 --> 00:17:19.440
But I wrote really.
390
00:17:19.460 --> 00:17:21.990
I had to use my brain. Yeah. Damn it. I
391
00:17:22.069 --> 00:17:22.349
used a.
392
00:17:22.349 --> 00:17:25.710
Really empathetic narrative within the business plan. It was like,
393
00:17:25.789 -->
00:17:27.509
I don't want to change the fabric of this building.
394
00:17:28.250 --> 00:17:33.299
It's perfect. And it was completely derelict downstairs in the basement.
395
00:17:33.319 --> 00:17:35.339
I don't know if you ever went downstairs... for a fitting,
396
00:17:35.380 --> 00:17:39.200
but it's really beautiful down there. And I had to
397
00:17:39.240 --> 00:17:42.640
kind of replaster it, damp proof it, like fix it up.
398
00:17:43.079 --> 00:17:45.579
And I just did it all for such a bargain.
399
00:17:45.599 --> 00:17:48.519
Like I'm such a business woman when it comes to like,
400
00:17:48.539 --> 00:17:50.400
I can't just get big shop fitters in to come
401
00:17:50.440 --> 00:17:52.140
and do these things. Like the new store opposite, I've
402
00:17:52.160 --> 00:17:53.599
been like, you know, we can just do this. Let's
403
00:17:53.619 --> 00:17:55.279
just do this, you know, have somebody make these and
404
00:17:55.680 --> 00:17:58.980
do it. It's exactly the ethos I've implemented my whole
405
00:17:59.049 --> 00:18:03.150
career in renovating houses. Like I just, I just love
406
00:18:03.190 --> 00:18:06.150
that part as well. So getting the shop was just
407
00:18:06.569 --> 00:18:09.349
an extension of my home and I bought things from
408
00:18:09.509 --> 00:18:12.529
home and I basically transferred the ground floor of my
409
00:18:12.569 --> 00:18:15.059
house into that shop and I wanted it to always
410
00:18:15.079 --> 00:18:17.299
feel welcoming. Like you've been there, you know it's not
411
00:18:17.319 --> 00:18:17.640
a stark.
412
00:18:17.660 --> 00:18:20.680
Stale environment. I had some terrible wedding dress experiences and
413
00:18:20.700 --> 00:18:23.119
yours were literally the furthest from that possible.
414
00:18:23.460 --> 00:18:24.799
It was like coming to sit in the living room
415
00:18:24.819 --> 00:18:25.259
and have a chat.
416
00:18:25.279 --> 00:18:28.309
Yeah, 100%. And even like, as in, obviously we ended
417
00:18:28.349 --> 00:18:30.230
up collaborating in the end, but at the beginning I'd,
418
00:18:30.569 --> 00:18:33.009
organically booked an appointment and you know just wanted to
419
00:18:33.049 --> 00:18:34.549
come along and try the dresses I'd seen them on
420
00:18:34.609 --> 00:18:38.490
Instagram and it was just so it was so friendly
421
00:18:38.829 --> 00:18:41.970
lovely like everything was just as you say it was
422
00:18:42.009 --> 00:18:43.890
like being in someone's living room and it just being
423
00:18:43.910 --> 00:18:45.490
like oh try this on you'd look great in this
424
00:18:45.640 --> 00:18:47.859
yeah it was really friendly versus a lot of them
425
00:18:47.900 --> 00:18:52.279
feeling like factories yeah where you're just a little you
426
00:18:52.299 --> 00:18:56.910
know You're there to pay a few grand and move on. Yeah,
427
00:18:56.930 --> 00:18:59.150
which absolutely did not feel like that for yours.
428
00:18:59.390 --> 00:19:02.329
The wedding industry
has massively changed, particularly over the last
429
00:19:02.369 --> 00:19:04.369
five years as well, where I feel there are more
430
00:19:04.589 --> 00:19:08.069
people like me within the bridal industry with these beautiful spaces,
431
00:19:08.190 --> 00:19:12.450
with these interior-led spaces. And I think that's incredible. And
432
00:19:12.490 --> 00:19:14.819
I think no longer is bridal a kind of a
433
00:19:14.859 --> 00:19:18.140
dirty word for the fashion industry, really. It was never
434
00:19:18.200 --> 00:19:20.200
seen to be, you know, you're, oh, you're a wedding
435
00:19:20.220 --> 00:19:22.400
dress designer. And I'd be like, I used to be
436
00:19:22.420 --> 00:19:25.720
a stylist. I'm a stylist, costume designer. I had this
437
00:19:25.779 --> 00:19:28.339
other life. And actually, I'm so proud of what I
438
00:19:28.380 --> 00:19:32.039
do because who gets to work with amazing women on
439
00:19:32.059 --> 00:19:36.779
a daily basis and create these dream gowns and looks
440
00:19:36.880 --> 00:19:38.769
and to be able to work with people. And my
441
00:19:38.809 --> 00:19:41.329
team is exactly the same. I don't see all the
442
00:19:41.369 --> 00:19:44.210
brides anymore, but I've got such amazing women in the
443
00:19:44.250 --> 00:19:47.329
boutique that just absolutely love their job. And they are
444
00:19:47.450 --> 00:19:50.480
also looking for that moment where they find the dressmaking dress.
445
00:19:50.640 --> 00:19:53.240
Yeah, well, I was actually going to, you've skipped ahead
446
00:19:53.259 --> 00:19:55.980
on my questions, but actually that's a great way to
447
00:19:56.000 --> 00:19:57.599
bring up the fact that I think one of the
448
00:19:57.640 --> 00:20:01.299
things that really stood out to me was that the
449
00:20:01.359 --> 00:20:05.529
culture in half penny doesn't feel like it's not like
450
00:20:05.750 --> 00:20:07.170
oh well if you get an appointment with you you
451
00:20:07.190 --> 00:20:08.890
get one thing and if you happen to book an
452
00:20:08.930 --> 00:20:11.089
appointment another time when you're not there it's a completely
453
00:20:11.109 --> 00:20:14.089
different thing like the culture is so friendly and nice
454
00:20:14.109 --> 00:20:16.680
like every time you walk in it's like there feels
455
00:20:16.700 --> 00:20:19.480
like there's this cohesive culture across the company where it's
456
00:20:19.920 --> 00:20:21.200
this is going to be one of the biggest days
457
00:20:21.240 --> 00:20:23.240
of your life we want to make that special for
458
00:20:23.279 --> 00:20:27.119
you And that was so easily felt every time I
459
00:20:27.160 --> 00:20:29.720
was kind of in the boutique. And I know other
460
00:20:29.740 --> 00:20:32.440
people who've had half penny dresses and they've said the
461
00:20:32.480 --> 00:20:34.019
exact same. And it's been one of the, you know,
462
00:20:34.400 --> 00:20:36.240
a huge reason why they felt kind of so welcome
463
00:20:36.259 -->
00:20:40.799
there and everything. How did you get that to carry
464
00:20:40.819 --> 00:20:42.799
through the company? Because I think especially when there is
465
00:20:42.839 --> 00:20:46.839
a wider bridal industry that's maybe more factory-like, it's probably
466
00:20:46.859 --> 00:20:49.039
quite hard to show that you're different.
467
00:20:49.380 --> 00:20:55.140
We are selling an emotional story. purchase it's not something
468
00:20:55.160 --> 00:20:56.960
that you could say if you order by friday you'll
469
00:20:57.000 --> 00:20:59.140
get a free veil like we don't do that like
470
00:20:59.279 --> 00:21:03.220
it's just there isn't initiatives to purchase with us because
471
00:21:03.240 --> 00:21:05.589
if this isn't the dress if this isn't the one
472
00:21:05.789 --> 00:21:08.250
it's the wrong one like we want you to feel
473
00:21:08.269 --> 00:21:10.509
the very best version of yourself on your day we
474
00:21:10.549 --> 00:21:12.630
say it over and over again and you aren't going
475
00:21:12.710 --> 00:21:15.730
to look for a trend-led piece or something that kind
476
00:21:15.750 --> 00:21:17.950
of makes you look completely different what we're looking for
477
00:21:17.990 --> 00:21:21.200
is that you find something that that makes you just
478
00:21:21.240 --> 00:21:24.039
be the best version of you like yeah And that
479
00:21:24.099 --> 00:21:26.000
is what the team and I do. There isn't, you know,
480
00:21:26.220 --> 00:21:28.859
of course there's targets to meet in the boutique or
481
00:21:28.900 --> 00:21:31.569
based on the previous years. It's a business.
482
00:21:31.589 --> 00:21:31.740
Yeah.
483
00:21:31.869 --> 00:21:34.569
I mean, I'm the last person that should be put
484
00:21:34.609 --> 00:21:37.150
in front of people because I've given so many things
485
00:21:37.210 --> 00:21:40.049
away and just like, oh my gosh, I just heard
486
00:21:40.089 --> 00:21:42.230
the story and how they met. Or I'm like, oh,
487
00:21:42.250 --> 00:21:43.369
you know, I really want to make this work. I
488
00:21:43.390 --> 00:21:46.309
know it's like double your budget. Girls make this happen.
489
00:21:46.329 --> 00:21:47.710
And they're just like, out.
490
00:21:47.890 --> 00:21:51.390
Because it's just, yeah, I am just, you know, if
491
00:21:51.470 --> 00:21:54.700
it wasn't for incredible business people that I've worked with
492
00:21:54.859 --> 00:21:57.940
over the two decades then I wouldn't have a business
493
00:21:57.960 --> 00:22:00.339
when I first started you know I priced the dresses
494
00:22:00.799 --> 00:22:02.900
based on you know I just kind of make it
495
00:22:02.960 --> 00:22:04.640
up I didn't look at kind of how much they
496
00:22:04.700 --> 00:22:07.549
cost how much you know and it still frustrates me
497
00:22:07.589 --> 00:22:09.490
sometimes when I design something and I'm like why is
498
00:22:09.529 --> 00:22:10.049
that so.
499
00:22:09.950 --> 00:22:12.109
Expensive yeah like Kate oh my
god do I know
500
00:22:12.130 --> 00:22:14.049
that it's 500,000 meter lace what's wrong with you and
501
00:22:14.069 --> 00:22:17.730
I'm like oh but it's so pretty it's so beautiful
502
00:22:17.910 --> 00:22:18.369
I want.
503
00:22:18.230 --> 00:22:19.730
People to be able to have it but that price
504
00:22:19.750 --> 00:22:22.539
they can't and it's just kind of you know just
505
00:22:22.559 --> 00:22:25.619
the name of the game, unfortunately, in business. But you
506
00:22:25.640 --> 00:22:27.579
carry it very well and it never feels like a
507
00:22:27.619 --> 00:22:30.000
kind of business transaction. That's what I loved so much
508
00:22:30.059 --> 00:22:33.500
about it. And obviously, you've made a name in a
509
00:22:33.539 --> 00:22:38.329
very saturated space. What do you think set your business
510
00:22:38.380 --> 00:22:42.490
aside from this wider industry? I think the experience that
511
00:22:42.529 --> 00:22:44.589
you have at Half Billion London is something that is
512
00:22:45.069 --> 00:22:47.650
what we hear all the time. You did my friend's dress,
513
00:22:47.690 --> 00:22:49.430
you did my sister's dress, you did my other sister's,
514
00:22:49.450 --> 00:22:52.390
you've done the whole family. And The experience that they've
515
00:22:52.430 --> 00:22:55.609
had that is the thing that brings brides back to us,
516
00:22:55.730 --> 00:22:58.430
that beautiful experience, the way that you can make your
517
00:22:58.470 --> 00:23:00.730
dress your own. I feel like what we do at
518
00:23:00.769 --> 00:23:03.519
Halfpenny is give you the tools to create the look
519
00:23:03.559 --> 00:23:05.960
of your dreams. And it's taking elements like when we
520
00:23:06.000 --> 00:23:08.359
were first exploring all of the styles that you had
521
00:23:09.099 --> 00:23:11.660
dreamed of for your dress, we kind of pulled sleeves
522
00:23:11.680 --> 00:23:13.980
from here or put, you know, dresses on back to
523
00:23:14.019 --> 00:23:16.759
front or looked at different things to create that bespoke
524
00:23:16.940 --> 00:23:19.359
look and to work out exactly what that neckline looked
525
00:23:19.380 --> 00:23:21.700
like and that drape and where it was. And we
526
00:23:21.740 --> 00:23:25.619
can do that in a ready-to-wear way where it isn't
527
00:23:25.779 --> 00:23:27.900
going down that bespoke journey because not everyone has the
528
00:23:27.940 --> 00:23:31.680
privilege of creating a bespoke gown. So by doing that,
529
00:23:31.700 --> 00:23:34.500
we've kind of created, you know, add the sleeves, add
530
00:23:34.539 --> 00:23:37.279
the overskirt. Really, you become the designer of your own dress.
531
00:23:37.680 --> 00:23:39.920
I give you the tools with these beautiful gowns, with
532
00:23:39.940 --> 00:23:42.730
the foundations, with the overskirts, with the layers and the
533
00:23:42.769 --> 00:23:44.809
lace and the details. And I think that is what's
534
00:23:45.069 --> 00:23:49.529
a successful part of
the brand as well, that interchangeability.
535
00:23:49.589 --> 00:23:49.930
So, yeah.
536
00:23:50.500 --> 00:23:52.359
Whether your sister or your friend came and got a
537
00:23:52.380 --> 00:23:54.779
dress from us, there is so many other ways and
538
00:23:55.000 --> 00:23:57.500
different styles and dresses that you can then create your
539
00:23:57.640 --> 00:23:58.130
unique look too.
540
00:23:58.140 --> 00:24:00.579
Yeah, right. Yeah, no, absolutely. And I think you can
541
00:24:01.099 --> 00:24:03.900
really see that kind of come through. You've obviously worked
542
00:24:03.960 --> 00:24:07.619
with a lot of brides now. I'd love to know
543
00:24:08.220 --> 00:24:12.759
what the biggest misconception most brides have when they first
544
00:24:12.819 --> 00:24:14.019
go into dress shopping is.
545
00:24:14.680 --> 00:24:17.369
I think they feel that they should know exactly what
546
00:24:17.680 --> 00:24:19.299
they want to wear. And they'll come in and say,
547
00:24:19.339 --> 00:24:20.859
I definitely don't want a big skirt or I can't
548
00:24:20.900 --> 00:24:22.839
wear a slinky dress. And I think you need to
549
00:24:22.880 --> 00:24:25.500
just be open to trying lots of styles on. And
550
00:24:25.539 --> 00:24:28.529
I think that's what's great about my store is there
551
00:24:28.609 --> 00:24:32.529
is the different silhouettes. So you can really work out, actually,
552
00:24:32.970 --> 00:24:34.730
I didn't know how great a strapless dress was going
553
00:24:34.750 --> 00:24:36.750
to make me feel because I can have these, you know,
554
00:24:36.789 --> 00:24:39.440
beautiful Mercado puff sleeves on my arms, but it still
555
00:24:39.500 --> 00:24:43.539
kind of creates this frame around my décolletage and my face.
556
00:24:43.599 --> 00:24:47.470
And like, you just see the shock and surprising people
557
00:24:47.509 --> 00:24:49.990
when we encourage them to just step out of their
558
00:24:50.029 --> 00:24:54.369
comfort zone and actually put something on that they're just like,
559
00:24:54.470 --> 00:24:56.490
oh my gosh, I never imagined in a million years.
560
00:24:57.049 --> 00:24:59.619
So even though we're encouraging you to find something that
561
00:24:59.690 --> 00:25:02.900
is inherent to your style, sometimes there's just those little
562
00:25:02.940 --> 00:25:05.200
things that then after your wedding, you then start wearing
563
00:25:05.259 --> 00:25:07.619
that style dress all the time because you've just never
564
00:25:07.660 --> 00:25:09.160
been brave enough to try it on your own in
565
00:25:09.180 --> 00:25:12.420
the shop. So that's why the Bridal is so unique
566
00:25:12.460 --> 00:25:16.019
as well and why it works in this way of
567
00:25:16.099 --> 00:25:18.019
having a stylist to work with you in a boutique
568
00:25:18.059 --> 00:25:20.960
because you need that cheerleader and that encouragement. We have
569
00:25:21.039 --> 00:25:22.779
so many brides that come on their own. I mean,
570
00:25:22.859 --> 00:25:25.400
you came on your own. You knew you wanted to
571
00:25:25.460 --> 00:25:28.769
do this experience to start with and find out who
572
00:25:28.809 --> 00:25:32.410
you were, right? It's not necessarily brides made the movie
573
00:25:32.430 --> 00:25:34.769
where you bring five friends and you're all sat there going.
574
00:25:34.809 --> 00:25:36.529
In fact, I found that quite overwhelming when I did
575
00:25:36.549 --> 00:25:38.680
that because I felt like I was trying to make
576
00:25:38.720 --> 00:25:40.559
sure other people were having a good day as well
577
00:25:40.680 --> 00:25:42.220
rather than it just being like no do you know
578
00:25:42.259 --> 00:25:44.619
what yeah it's the same as like going shopping I'd
579
00:25:44.680 --> 00:25:47.160
much rather have a nice little shop on my own
580
00:25:47.579 --> 00:25:49.450
like you know it doesn't need to be this kind
581
00:25:49.470 --> 00:25:50.109
of highly.
582
00:25:49.890 --> 00:25:54.430
Pressurized experience yeah I think what happens in those scenarios
583
00:25:54.470 --> 00:25:57.630
where somebody brings lots of guests or it's a beautiful
584
00:25:57.670 --> 00:26:00.859
experience but inevitably the bride then emails saying can I
585
00:26:00.900 --> 00:26:03.640
come back and try those on yeah Like the noise
586
00:26:03.740 --> 00:26:06.119
can just be so much sometimes. And often if I'm
587
00:26:06.259 --> 00:26:08.400
leading the appointment and I actually think I'm the only
588
00:26:08.420 --> 00:26:10.049
person in the business that can do this, but I'm
589
00:26:10.089 --> 00:26:13.170
kind of like, everyone, don't say a thing.
590
00:26:13.490 --> 00:26:13.690
Yeah.
591
00:26:13.809 --> 00:26:16.750
Until our gorgeous bride has actually worked out how she
592
00:26:16.789 --> 00:26:19.470
feels in it. And when she asks for your opinion, like.
593
00:26:19.569 --> 00:26:20.990
Then you give it. Yeah. Yeah.
594
00:26:21.170 --> 00:26:23.569
But cautious, like I had a bride that came that
595
00:26:23.609 --> 00:26:26.009
I arranged to meet in the boutique on Tuesday. She'd
596
00:26:26.029 --> 00:26:27.970
been and seen my team. She just couldn't make a decision.
597
00:26:28.440 --> 00:26:30.319
my mom liked this dress as my friends said this one.
598
00:26:30.339 --> 00:26:32.359
And then I was like, and I'm so torn. I said,
599
00:26:32.380 --> 00:26:34.480
just come. She bought one friend. And I said to
600
00:26:34.529 --> 00:26:36.400
the friend, because she said, well, she liked me. And
601
00:26:36.420 --> 00:26:39.210
I said, she said, I was kind of going along
602
00:26:39.250 --> 00:26:41.089
with what everyone was like. She was like, you looked
603
00:26:41.109 --> 00:26:43.190
amazing and everything. And I was like, well, let's see
604
00:26:43.230 --> 00:26:44.970
how you feel. So we put her three favorites on.
605
00:26:45.009 --> 00:26:47.730
And it was just, it was obvious the minute, like
606
00:26:48.470 --> 00:26:50.730
the minute she came out, I knew exactly which one
607
00:26:50.750 --> 00:26:53.990
that she tried on. But I've often talked about this
608
00:26:54.210 --> 00:26:56.630
in magazine articles where it can just be a slight
609
00:26:56.670 --> 00:26:58.720
rollback of the shoulder or a, a kind of just
610
00:26:58.759 --> 00:27:01.259
a different way that the bride breathes. It isn't necessarily
611
00:27:01.319 --> 00:27:05.200
all tears and emotions. It's just a silent kind of
612
00:27:06.000 --> 00:27:09.430
confidence that happens. And there's a misconception. You don't have
613
00:27:09.470 --> 00:27:12.029
to start hysterically crying when you find the one.
614
00:27:12.230 --> 00:27:16.950
Yeah, no, absolutely. Yeah. And how early should brides start
615
00:27:16.990 --> 00:27:17.970
thinking about their dress?
616
00:27:18.410 --> 00:27:21.329
It really isn't a problem to do it 18 months
617
00:27:22.130 --> 00:27:24.630
before your wedding. Lots of people think that's too soon,
618
00:27:25.339 --> 00:27:27.940
too far away. From the actual date and too soon
619
00:27:27.960 --> 00:27:29.960
to start looking once you've found your venue. But the
620
00:27:29.980 --> 00:27:32.900
good thing about finding your wedding dress in plenty of
621
00:27:32.940 --> 00:27:34.859
time is all of the things that come with the
622
00:27:34.900 --> 00:27:38.799
style of that dress that inform your decision on the flowers,
623
00:27:38.859 --> 00:27:42.319
the style of the wedding. Brides sometimes come and they're like,
624
00:27:42.359 --> 00:27:43.700
this is the venue. I want to find a dress
625
00:27:43.720 --> 00:27:47.059
for that. And then it changes. So it's just that
626
00:27:47.180 --> 00:27:50.480
there's lots of jigsaw pieces that go together. So once
627
00:27:50.519 --> 00:27:53.200
the dress is kind of found, you can find the
628
00:27:53.240 --> 00:27:55.279
shoes and the accessories and know the whole.
629
00:27:55.740 --> 00:27:55.880
Yeah.
630
00:27:56.240 --> 00:27:57.079
Story of the day.
631
00:27:57.099 --> 00:27:58.480
But you don't want to leave it too late.
632
00:27:58.500 --> 00:28:00.119
You definitely don't want to leave it too late. Like
633
00:28:01.039 --> 00:28:04.140
anything under six months, you will. I mean, even some stores,
634
00:28:04.180 --> 00:28:07.359
anything under eight to 12 months, you'll incur priority rush fees.
635
00:28:07.440 --> 00:28:09.859
And nobody ever quite understands why. But if you think
636
00:28:10.119 --> 00:28:13.789
there's fabrics to be ordered and if there's a lace involved,
637
00:28:13.869 --> 00:28:16.930
that to have that lace made can sometimes take us
638
00:28:16.930 --> 00:28:19.529
12 weeks to order that. And then the shipping of
639
00:28:19.569 --> 00:28:22.950
that lace to come from France or the Italian crepes
640
00:28:22.990 --> 00:28:26.799
that we use, they... they have to be made. So
641
00:28:27.660 --> 00:28:29.480
we don't always hold stock of some
of our fancy
642
00:28:29.500 --> 00:28:33.569
fabrics and we schedule how we make everything. So yeah,
643
00:28:33.660 --> 00:28:37.150
anything under six months and it can incur kind of
644
00:28:37.730 --> 00:28:41.109
us being charged lots of money to get those fabrics made.
645
00:28:42.069 --> 00:28:45.369
For someone who goes into the bridal process kind of
646
00:28:45.750 --> 00:28:48.950
not knowing at all what they want or what they
647
00:28:48.970 --> 00:28:51.849
think they'll suit or what their kind of bridal style is,
648
00:28:51.990 --> 00:28:55.480
how would you recommend that they start to find that.
649
00:28:56.500 --> 00:28:58.289
Well, you have to say, look into your own wardrobe
650
00:28:58.329 --> 00:29:01.910
and see what your favorite dress is. Like what made
651
00:29:01.950 --> 00:29:04.210
you feel amazing when you went to somebody else's wedding?
652
00:29:04.250 --> 00:29:06.789
It doesn't have to be, you know, it could be
653
00:29:06.809 --> 00:29:10.589
a skirt and top or a particular neckline. And so
654
00:29:10.890 --> 00:29:13.089
start at home and start thinking that way, but then
655
00:29:13.569 --> 00:29:17.130
go to stores and try on lots of styles and
656
00:29:17.430 --> 00:29:19.829
or brands that you admire, go and book an appointment
657
00:29:19.869 --> 00:29:22.240
with them. But what I will say is don't go
658
00:29:22.279 --> 00:29:24.319
to too many places. Like I know you.
659
00:29:24.680 --> 00:29:27.000
Yes, I went to a lot of places. The rumors
660
00:29:27.039 --> 00:29:27.420
are true.
661
00:29:27.740 --> 00:29:31.109
Yes. And actually it becomes overwhelming to some degree. I mean,
662
00:29:31.119 --> 00:29:33.990
it can work in two ways. It really refined the
663
00:29:34.029 --> 00:29:36.450
design that you wanted. So when we finally started, you
664
00:29:36.470 --> 00:29:38.349
had a very clear vision of the two dresses that
665
00:29:38.369 --> 00:29:40.799
you wanted. However, I get lots of brides and they
666
00:29:40.819 --> 00:29:44.920
are so overwhelmed. And the commitment issue to choosing the
667
00:29:44.960 --> 00:29:47.569
dress has been blown off the scale. They're just like,
668
00:29:48.150 --> 00:29:49.630
I love this and I love this. And they're flicking
669
00:29:49.650 --> 00:29:52.369
through hundreds of pictures on their phone. I try and
670
00:29:52.410 --> 00:29:56.630
encourage people when their guests are there, photographing from every angle.
671
00:29:56.650 --> 00:29:58.720
I'm like, these are not going to be good pictures
672
00:29:58.779 --> 00:30:00.579
because you're sat down in the chair and you're just
673
00:30:00.599 --> 00:30:03.319
snapping away and you're, you know, they'll be kind of
674
00:30:03.359 --> 00:30:06.339
like half eyes shut. And if you want to take
675
00:30:06.380 --> 00:30:08.109
a picture, just stop, let's get a front, back and
676
00:30:08.140 --> 00:30:11.190
side and make it beautiful pictures. So, but don't choose
677
00:30:11.230 --> 00:30:13.750
your wedding dress from a photo in your phone. Like
678
00:30:13.789 --> 00:30:15.710
I've had brides come to me and say, I thought
679
00:30:15.750 --> 00:30:17.410
I'd found the one, but then I looked at the
680
00:30:17.450 --> 00:30:19.410
pictures last night. I thought I just, it, it just,
681
00:30:19.589 --> 00:30:21.609
it didn't make me look great. And it's like, that
682
00:30:21.630 --> 00:30:24.450
was a sample. It's not your size. It's not the
683
00:30:24.490 --> 00:30:26.970
best angle, the picture that your mum took from kind of,
684
00:30:27.359 --> 00:30:29.740
the other side of the shop like go back and
685
00:30:29.759 --> 00:30:31.779
try that dress on like I will always encourage you
686
00:30:31.819 --> 00:30:33.680
to go back to that brand that you loved that
687
00:30:33.720 --> 00:30:36.809
dress at I don't want you trying to find something
688
00:30:36.829 --> 00:30:38.589
that made you feel as good as that made you
689
00:30:38.609 --> 00:30:42.150
feel in that moment if that was the one so yeah.
690
00:30:42.430 --> 00:30:45.869
Yeah and I think it's it's such a interesting process
691
00:30:45.890 --> 00:30:48.450
because it feels like such high pressure and you do
692
00:30:48.509 --> 00:30:50.690
often feel like you need to have that big moment
693
00:30:50.809 --> 00:30:54.579
where you kind of you know, burst into tears or
694
00:30:54.619 --> 00:30:56.799
whatever it might be. And I think that for lots
695
00:30:56.819 --> 00:30:59.160
of people, it's about being like, do you know what? No,
696
00:30:59.240 --> 00:31:01.700
I just, I feel really good in this dress. Like,
697
00:31:01.740 --> 00:31:04.170
it's not that it's giant and it's not that it's
698
00:31:04.190 --> 00:31:07.210
like this big, big moment. It's like, no, this... you know,
699
00:31:07.390 --> 00:31:09.029
I feel really good in this and this feels me.
700
00:31:09.150 --> 00:31:10.390
And I think that one of the things that I
701
00:31:10.430 --> 00:31:13.009
kept speaking to you about was that I had the
702
00:31:13.049 --> 00:31:16.690
struggle because I kind of kept yo-yoing between the fact
703
00:31:16.769 --> 00:31:20.750
that the dresses that I suited were not my personal style.
704
00:31:21.329 --> 00:31:23.700
So they looked best on my body type, but they
705
00:31:23.720 --> 00:31:25.680
weren't my personal style. So I felt like I was
706
00:31:25.700 --> 00:31:28.460
in like costume and that felt really hard because I'd
707
00:31:28.500 --> 00:31:30.960
constantly go into the shops and the ones that looked
708
00:31:31.000 --> 00:31:32.900
good on me, everyone would be like, this, this, this,
709
00:31:32.940 --> 00:31:35.680
like this really enhances your figure. This, you know, looks amazing.
710
00:31:35.700 --> 00:31:38.730
And I'd be like, I don't feel like myself in this.
711
00:31:38.789 --> 00:31:41.690
I feel like I'm in a school play. And it's
712
00:31:41.750 --> 00:31:44.650
hard to get like a balance between those things. Yeah.
713
00:31:44.869 --> 00:31:46.630
And I think that is exactly what we managed to
714
00:31:46.650 --> 00:31:50.079
do with your dresses because you had, you know, you
715
00:31:50.119 --> 00:31:52.680
wanted that sculpt criminalist, but it was always like, we're
716
00:31:52.700 --> 00:31:54.660
not going to turn this into kind of something that
717
00:31:54.779 --> 00:31:56.339
is in the V & A right now in the
718
00:31:56.359 --> 00:32:01.299
Marie Antoinette exhibition. It has to feel that it's sculpted
719
00:32:01.359 --> 00:32:04.390
to you and created for you and your body and
720
00:32:04.569 --> 00:32:06.710
it was a really fun adventure to go on with
721
00:32:06.730 --> 00:32:09.539
you to kind of work out actually how far we
722
00:32:09.579 --> 00:32:13.099
made those that that kind of extended silhouette and and
723
00:32:13.119 --> 00:32:15.380
the drape on the neck you had a defined idea
724
00:32:15.400 --> 00:32:17.759
the corset and the foundations that we put inside those
725
00:32:17.799 --> 00:32:21.269
dresses you know you knew you wanted that defined waist
726
00:32:21.349 --> 00:32:23.289
and and how you wanted it to look and you
727
00:32:23.329 --> 00:32:25.640
you I had the privilege of being able to create
728
00:32:25.759 --> 00:32:28.380
exactly the version of the dress that you wanted, but
729
00:32:28.559 --> 00:32:31.240
working for the exact figure and body that you had. Yeah,
730
00:32:31.440 --> 00:32:32.299
thanks to you.
731
00:32:32.680 --> 00:32:35.670
So asking then, honestly, what was the hardest part of
732
00:32:35.690 --> 00:32:36.509
my dress to get right?
733
00:32:36.970 --> 00:32:40.789
I think the hardest part was to get the cups
734
00:32:40.849 --> 00:32:43.869
of your dress to make you feel exactly as you
735
00:32:43.910 --> 00:32:46.190
wanted your bust to feel, because we're not just sticking
736
00:32:46.230 --> 00:32:49.089
a bra in here, we're creating... kind of a couture
737
00:32:49.130 --> 00:32:52.269
piece of lingerie that sits with inside that dress. So
738
00:32:52.289 --> 00:32:54.490
when I did the first dress, we did it quite
739
00:32:54.789 --> 00:32:57.740
sort of seamless without cups. And you were like, no,
740
00:32:57.779 --> 00:33:00.720
it's not kind of sitting in exactly. So just nailing
741
00:33:00.759 --> 00:33:04.740
those foundations to be utterly perfect. It's like our metaphor
742
00:33:04.759 --> 00:33:08.480
for our business. The foundation is so important within any dress,
743
00:33:08.940 --> 00:33:10.549
like it's the same.
744
00:33:10.490 --> 00:33:12.250
But that's what made it so special for me because
745
00:33:12.309 --> 00:33:14.819
for example the second dress was quite a slinky dress
746
00:33:14.880 --> 00:33:16.740
and I felt like I definitely couldn't wear a slinky
747
00:33:16.759 --> 00:33:18.420
dress because I've got a big bust and so if
748
00:33:18.660 --> 00:33:20.640
that's going to be flying
all over the place especially
749
00:33:20.660 --> 00:33:22.720
for the dancing part of the evening then I was
750
00:33:22.740 --> 00:33:24.140
like I'm not going to feel good in this or
751
00:33:24.180 --> 00:33:26.740
all the photos I'm going to be kind of flying
752
00:33:26.789 --> 00:33:29.549
all over the place whereas you were able to make
753
00:33:29.569 --> 00:33:33.230
it look slinky whilst actually I was cemented into that
754
00:33:33.250 --> 00:33:36.369
dress like we had actual chicken fillets in that dress
755
00:33:36.410 --> 00:33:38.660
to make it To make my bust sit how I
756
00:33:38.720 --> 00:33:41.200
wanted it to, whilst it also felt like the dress
757
00:33:41.240 --> 00:33:44.220
was floaty and slinky. It was, honestly, it was such
758
00:33:44.240 --> 00:33:45.480
an art. I'm never going to look that good in
759
00:33:45.500 --> 00:33:46.299
a cowl neck again.
760
00:33:46.319 --> 00:33:48.210
Oh my gosh, I do not believe you.
761
00:33:48.220 --> 00:33:49.789
No, it's true. I'm going to have to put the
762
00:33:50.049 --> 00:33:51.009
corseted underneath.
763
00:33:51.730 --> 00:33:55.130
Oh, I loved the waspy that we created as well.
764
00:33:55.250 --> 00:33:57.410
Often as well in a slinky dress, people think, oh,
765
00:33:57.509 --> 00:33:59.349
you know, I can't define my waist. And especially if
766
00:33:59.369 --> 00:34:01.009
there's not like a waist seam that you can really
767
00:34:01.390 --> 00:34:04.190
nip in. So that waspy, which was the little over
768
00:34:04.230 --> 00:34:06.500
corset on your evening dress was just... like a piece
769
00:34:06.539 --> 00:34:07.759
of art. I loved that.
770
00:34:07.920 --> 00:34:10.280
Yeah. People loved that one.
771
00:34:10.320 --> 00:34:12.239
Yeah. And the embroideries. Yeah.
772
00:34:12.320 --> 00:34:15.659
Do you know when a dress is finished or how
773
00:34:15.699 --> 00:34:17.480
do you know when to kind of stop tweaking?
774
00:34:17.780 --> 00:34:19.340
I mean, you could tweak and tweak and tweak. You
775
00:34:19.380 --> 00:34:22.039
really could. But you have to think you don't want
776
00:34:22.059 --> 00:34:24.739
to keep tweaking that beautiful fabric because you don't want
777
00:34:24.760 --> 00:34:26.630
it to scar and you don't want it to mark.
778
00:34:27.170 --> 00:34:31.070
And actually, eventually, there's just a silent, I know, we're done.
779
00:34:31.719 --> 00:34:34.239
But sometimes, you know, brides project so much on their
780
00:34:34.280 --> 00:34:36.760
wedding dress that sometimes they want you to keep altering it.
781
00:34:36.800 --> 00:34:38.869
And the closer they get to the wedding, body shapes
782
00:34:38.909 --> 00:34:40.670
change and brides stress and they lose weight. And then
783
00:34:40.690 --> 00:34:42.869
they want it altered again and again. And so if
784
00:34:42.909 --> 00:34:45.809
you are a body that will change shapes with stress
785
00:34:45.829 --> 00:34:47.989
near your wedding, then I would highly recommend you leave
786
00:34:48.010 --> 00:34:50.389
your alterations to as close to your wedding as possible.
787
00:34:50.429 --> 00:34:52.809
Yeah, we had mine like two weeks before at the end.
788
00:34:52.949 --> 00:34:55.449
Yeah, because you don't want to have made all of
789
00:34:55.469 --> 00:34:58.539
those alterations and then lost more weight and then feel
790
00:34:58.559 --> 00:35:00.480
that the dress isn't fitting you perfectly.
791
00:35:00.559 --> 00:35:03.519
So... Is it more fun or more pressure designing for
792
00:35:03.539 --> 00:35:04.079
someone you know?
793
00:35:04.099 --> 00:35:07.019
Is it more fun? Do you know, I think there's
794
00:35:07.039 --> 00:35:09.000
more pressure. Yeah. For people that I know.
795
00:35:09.019 --> 00:35:09.440
Yeah.
796
00:35:09.679 --> 00:35:12.739
Because there's an element of them that I already know.
797
00:35:12.760 --> 00:35:14.940
And there's an element of my perception of what will
798
00:35:14.960 --> 00:35:19.000
be wonderful and which will suit them. And the thing
799
00:35:19.039 --> 00:35:21.320
about our job is we have to listen a lot.
800
00:35:21.360 --> 00:35:24.239
And I think that's what makes the Halfpenny Stylist unique
801
00:35:24.280 --> 00:35:26.800
is we listen. We listen to what you're saying. We
802
00:35:26.860 --> 00:35:29.860
notice your reactions when we put you in certain things
803
00:35:29.909 --> 00:35:33.860
and we make suggestions and So yeah, I definitely think
804
00:35:33.900 --> 00:35:36.199
it's harder when you've got a perception of what you'd
805
00:35:36.239 --> 00:35:38.139
like to put somebody in and yet you have to
806
00:35:38.179 --> 00:35:38.929
step back and listen.
807
00:35:39.840 --> 00:35:42.530
And say if you were a bride-to-be now and you've
808
00:35:42.590 --> 00:35:44.670
just kind of got engaged or you're just starting thinking
809
00:35:44.690 --> 00:35:47.869
about your dress, you love certain things but you're worried
810
00:35:47.909 --> 00:35:51.289
that you might love them because they're currently trend-led. How
811
00:35:51.329 --> 00:35:54.530
would you advise someone between finding something that reflects a
812
00:35:54.550 --> 00:35:57.190
trend that they're loving at the moment versus wanting it
813
00:35:57.250 --> 00:35:58.929
to be something that's kind of timeless and they're going
814
00:35:58.949 --> 00:36:00.670
to look back on in 10 years and still think, oh,
815
00:36:00.809 --> 00:36:01.530
I looked amazing?
816
00:36:02.159 --> 00:36:05.030
That's an interesting question because looking back on your wedding
817
00:36:05.030 --> 00:36:06.690
10 years later, you have to think, I got married
818
00:36:06.730 --> 00:36:10.190
in 2025. This is what was happening then. Like, I
819
00:36:10.309 --> 00:36:12.110
love the fact that you can look back at the
820
00:36:12.150 --> 00:36:14.980
decades and you can see what was happening around that time.
821
00:36:15.000 --> 00:36:16.619
You know, look back
at the 80s with all those
822
00:36:16.659 --> 00:36:20.980
giant mutton sleeves and lots of dupions and taffeta fabrics. Like,
823
00:36:21.909 --> 00:36:24.510
I don't think there's anything wrong with that. I understand
824
00:36:24.530 --> 00:36:27.590
that there's a timeless elegance to all of my collection,
825
00:36:27.750 --> 00:36:29.849
whether you have a halter neck or, you know, there's
826
00:36:29.889 --> 00:36:32.650
a huge trend for off the shoulder or the whole
827
00:36:32.690 --> 00:36:35.530
backless thing, you know, those will always happen, but they
828
00:36:35.590 --> 00:36:39.010
happen throughout the decades. So I just think you just
829
00:36:39.050 --> 00:36:41.949
need to find something that truly feel incredible in and
830
00:36:41.989 --> 00:36:44.349
you won't even think about the trend because when you
831
00:36:44.409 --> 00:36:47.179
look at those pictures, you will remember how amazing you
832
00:36:47.199 --> 00:36:48.539
felt and what a brilliant day it was.
833
00:36:48.780 --> 00:36:50.280
Yeah, and I think that was really the difference for
834
00:36:50.320 --> 00:36:52.820
me when I felt like my dress was me. Like,
835
00:36:53.340 --> 00:36:57.300
I don't care what anyone else thinks about my dress. Like, thankfully,
836
00:36:57.320 --> 00:36:59.699
people loved it. But genuinely, I don't because it was
837
00:36:59.739 --> 00:37:03.579
kind of, for me, that was so me. Like, I just,
838
00:37:03.699 --> 00:37:05.480
it felt like it was me. It felt like it
839
00:37:05.519 --> 00:37:08.940
was kind of modern and traditional and those things that felt, yeah,
840
00:37:09.099 --> 00:37:11.780
I don't know. Like, I would be so surprised if
841
00:37:11.840 --> 00:37:14.760
I'd look back at any point and be like, oh no,
842
00:37:14.800 --> 00:37:16.349
you know, I don't like this because of this. Because
843
00:37:16.469 --> 00:37:18.289
even if something's a trend or even if something's like
844
00:37:18.309 --> 00:37:21.349
coming through more at the moment, if it feels like
845
00:37:21.429 --> 00:37:24.769
you and it feels like you're yourself, then I think
846
00:37:24.809 --> 00:37:26.289
that's what you should be aiming for.
847
00:37:26.710 --> 00:37:29.230
I've just celebrated my 13th wedding anniversary and there is
848
00:37:29.309 --> 00:37:31.230
no way I would wear anything else other than the
849
00:37:31.269 --> 00:37:33.469
dress that I wore on that day. I'd wear it
850
00:37:33.530 --> 00:37:34.170
exactly the same.
851
00:37:34.489 --> 00:37:38.090
Yeah, I really love that. I'd love to know what
852
00:37:38.610 --> 00:37:40.969
one thing you think lots of brides stress about that
853
00:37:40.989 --> 00:37:42.070
they shouldn't stress about.
854
00:37:42.650 --> 00:37:45.409
I mean, lots of people stress about making other people
855
00:37:45.449 --> 00:37:48.090
happy on their wedding day. And actually, my advice to
856
00:37:48.130 --> 00:37:51.909
brides is this day is for you and your husband,
857
00:37:51.949 --> 00:37:54.940
of course. You want to give your guests a really
858
00:37:54.980 --> 00:37:58.920
brilliant time. Just do what you want to do. Don't
859
00:37:59.099 --> 00:38:02.280
be influenced by trends, what's happening out there. Don't try
860
00:38:02.320 --> 00:38:05.360
and turn your wedding into a photo shoot either. There's
861
00:38:05.400 --> 00:38:08.889
so much pressure these days with really like high-end photography
862
00:38:09.070 --> 00:38:11.369
on weddings and that really stylized finish. And if that's
863
00:38:11.409 --> 00:38:15.019
not you... you know, be authentic to yourself. Don't stress
864
00:38:15.079 --> 00:38:19.639
about trying to make the day look like an editorial shoot.
865
00:38:19.780 --> 00:38:21.659
That was actually one of my favorite things that we
866
00:38:21.699 --> 00:38:24.650
did as well, is that we specifically didn't do photos.
867
00:38:24.710 --> 00:38:27.409
Like we didn't do photo time, basically. And of course,
868
00:38:27.429 --> 00:38:29.730
like we got lots of photos and we got lots
869
00:38:29.750 --> 00:38:32.349
of content. That part is not lost on me. But
870
00:38:33.030 --> 00:38:36.159
there was never kind of half an hour here, half
871
00:38:36.179 --> 00:38:38.440
an hour there, doing this, doing this, doing this, especially
872
00:38:38.460 --> 00:38:40.039
because it's so close to my job. I was like,
873
00:38:40.079 --> 00:38:44.030
that's going to feel like we are working. Whereas it was,
874
00:38:44.610 --> 00:38:47.920
you know, we made sure even that the photographer knew
875
00:38:47.980 --> 00:38:49.639
that we didn't want that to be the case. And
876
00:38:49.719 --> 00:38:51.840
so it was constantly like anytime he was grabbing us
877
00:38:51.889 --> 00:38:55.309
for a photo, it would be genuinely five shots, off
878
00:38:55.349 --> 00:38:58.949
you go. And I think that knowing what... Like thinking
879
00:38:58.989 --> 00:39:00.829
about your wedding day and thinking what would make this
880
00:39:00.869 --> 00:39:02.849
an amazing day versus what would not make this an
881
00:39:02.889 --> 00:39:05.590
amazing day, I think is really important. And one of
882
00:39:05.610 --> 00:39:07.869
the things that I identified was that, the photos thing.
883
00:39:07.929 --> 00:39:09.469
And also I don't want to be thinking about if
884
00:39:09.510 --> 00:39:11.570
everyone else is having a good time. And I don't
885
00:39:11.610 --> 00:39:14.030
want to be making sure that I've spent enough time
886
00:39:14.070 --> 00:39:17.070
with people because they've traveled out to France. Yeah. So I,
887
00:39:17.110 --> 00:39:19.289
for example, made sure that on the welcome dinner, I
888
00:39:19.329 --> 00:39:21.440
went around and spoke to everyone because I was like,
889
00:39:21.460 --> 00:39:23.559
I might not see you for the rest of the
890
00:39:23.599 --> 00:39:26.429
weekend because I'm going to be trying to enjoy getting
891
00:39:26.449 --> 00:39:28.230
married rather than trying to make sure I've done all
892
00:39:28.250 --> 00:39:30.489
my hellos. And I think that... for me was one
893
00:39:30.510 --> 00:39:33.519
of the best pieces of advice was just like really
894
00:39:33.559 --> 00:39:36.760
think like sit down and think write down two columns
895
00:39:36.780 --> 00:39:40.179
like what would make the wedding day perfect and what
896
00:39:40.199 --> 00:39:42.530
would not ruin the wedding day for me but what
897
00:39:42.550 --> 00:39:44.369
would really take away from it and I think that
898
00:39:44.389 --> 00:39:47.210
that got us a lot closer to feeling like we
899
00:39:47.250 --> 00:39:49.469
were genuinely having a great time rather than feeling like
900
00:39:49.489 --> 00:39:51.489
we were part of some big performance.
901
00:39:52.269 --> 00:39:54.840
There's amazing ways that you can have a wedding that
902
00:39:54.860 --> 00:39:56.659
doesn't have to cost you the earth and I think
903
00:39:56.960 --> 00:39:59.059
the whole perception around weddings and I think it's got
904
00:39:59.460 --> 00:40:03.739
slightly distorted in the performance around the wedding and For
905
00:40:03.800 --> 00:40:07.840
my wedding, we hired a holiday kind of let with
906
00:40:07.860 --> 00:40:11.019
a barn and lots of cottages. And we just took
907
00:40:11.079 --> 00:40:13.179
over the whole place. But everyone booked and paid for
908
00:40:13.199 --> 00:40:17.500
their own accommodation. And instead of having a paid bar,
909
00:40:17.639 --> 00:40:20.940
we said to everyone, we gave them, we told everyone
910
00:40:20.960 --> 00:40:22.489
what to bring. You bring a litre of gin, you
911
00:40:22.510 --> 00:40:24.610
bring a litre of vodka. I mean, literally, we carried
912
00:40:24.699 --> 00:40:27.489
on literally drinking all of the wedding booze. There was
913
00:40:27.530 --> 00:40:30.929
just too much. So then we got barman and soft drinks.
914
00:40:31.510 --> 00:40:33.730
And all of the wine and the champagne for the wedding.
915
00:40:34.170 --> 00:40:36.710
But it just meant that everyone had, and if somebody
916
00:40:36.730 --> 00:40:39.070
particularly liked something, they bought that. And it all just
917
00:40:39.090 --> 00:40:40.449
went in the bar. But there were people there to
918
00:40:40.469 --> 00:40:43.360
make the cocktails, people there to help. So there's so
919
00:40:43.389 --> 00:40:46.900
many gorgeous ways in which, you know, people these days,
920
00:40:47.280 --> 00:40:49.500
they would rather be part of your incredible day. And
921
00:40:49.739 --> 00:40:51.639
like when you go for a big birthday dinner, you know,
922
00:40:51.659 --> 00:40:54.139
you do these big set menus and everyone kind of
923
00:40:54.159 --> 00:40:56.199
pays for their meal and they're there to celebrate you.
924
00:40:56.300 --> 00:40:58.449
Like you can do that for weddings too. Like you
925
00:40:58.489 --> 00:41:02.260
can just have that. weekend away with friends and you
926
00:41:02.340 --> 00:41:05.639
just so happen to have an amazing celebration of your
927
00:41:05.659 --> 00:41:07.239
love together or, you know, it's.
928
00:41:07.500 --> 00:41:09.280
Yeah, and don't let it be your life savings just
929
00:41:09.320 --> 00:41:11.460
because it feels like people are doing that.
930
00:41:11.900 --> 00:41:14.800
Yeah, it's so worrying. People are putting their whole wedding on,
931
00:41:15.199 --> 00:41:17.579
you know, credit cards and things and it's... It's not, it's... Yeah.
932
00:41:17.840 --> 00:41:20.000
And it doesn't reward them in the same way if
933
00:41:20.159 --> 00:41:24.400
something authentic, like authenticity throughout everything is just key.
934
00:41:24.639 --> 00:41:26.800
Well, that was my biggest fear is that going into
935
00:41:26.820 --> 00:41:29.280
the wedding, I kind of thought... I was like, the
936
00:41:29.420 --> 00:41:31.980
last thing I want is for on the Monday, the
937
00:41:32.019 --> 00:41:35.219
day after it finishes, to be like, oh my God,
938
00:41:35.579 --> 00:41:38.360
that's done. But in a kind of, not just wedding
939
00:41:38.409 --> 00:41:40.710
bluesy way, like, oh no, that's over, being like, that's
940
00:41:40.730 --> 00:41:44.269
done and that money's gone. And I never wanted it
941
00:41:44.329 --> 00:41:47.809
to be to an extent where I would feel upset
942
00:41:47.869 --> 00:41:50.150
by it being done because it was, you know, everything
943
00:41:50.190 --> 00:41:52.719
was just gone in that weekend. Yeah. And I think, like,
944
00:41:52.760 --> 00:41:55.400
I completely appreciate that I'm in a very privileged position.
945
00:41:55.519 --> 00:41:57.239
And so, you know, that's going to be an easier
946
00:41:57.519 --> 00:41:59.960
decision to make for me. But I, like, when I
947
00:42:00.019 --> 00:42:04.239
originally went for meetings with wedding planners, the amount they
948
00:42:04.280 --> 00:42:08.360
were quoting for kind of what we wanted to do,
949
00:42:08.980 --> 00:42:10.739
bearing in mind we didn't, you know, we were like,
950
00:42:10.920 --> 00:42:13.019
we don't need fireworks, we don't need this, we don't
951
00:42:13.039 --> 00:42:14.659
need this, we don't need this. All we want is
952
00:42:14.739 --> 00:42:17.360
everyone in the same place for three days and kind of,
953
00:42:17.659 --> 00:42:21.269
you know, these various types of things. It was just
954
00:42:21.309 --> 00:42:24.769
so crazy because the industry has got so crazy and
955
00:42:24.829 --> 00:42:27.639
so performative. And I understand completely if people want to
956
00:42:27.679 --> 00:42:28.630
do X, Y and Z.
957
00:42:29.340 --> 00:42:31.260
If that makes you happy and that is truly what
958
00:42:31.280 --> 00:42:32.539
you want to do, go for it.
959
00:42:32.900 --> 00:42:33.780
Absolutely. I'm not.
960
00:42:34.440 --> 00:42:36.699
I love that. I celebrate that. I love hearing some
961
00:42:36.719 --> 00:42:38.860
of the
stories of the weddings that my brides are having.
962
00:42:38.900 --> 00:42:40.909
Then after their emails and their pictures and they're like,
963
00:42:41.309 --> 00:42:43.590
it was everything I ever dreamed of. That is all
964
00:42:43.869 --> 00:42:47.860
you need to do. Yeah. But don't kind of. Put
965
00:42:47.889 --> 00:42:49.690
yourself in eternal debt forever.
966
00:42:49.889 --> 00:42:52.530
No, not whether. You can take your half-pony dress and
967
00:42:52.869 --> 00:42:54.449
go on a lope. Exactly.
968
00:42:54.489 --> 00:42:55.809
We have lots of eloping brides.
969
00:42:55.829 --> 00:43:00.639
I love that. And are you seeing any 2025 wedding
970
00:43:00.699 --> 00:43:03.019
or kind of bridal trends that you're loving at the moment?
971
00:43:03.420 --> 00:43:06.539
I mean, there's lots more texture coming back into the fabrics,
972
00:43:06.559 --> 00:43:09.460
which is exciting. You know I love a bit of texture.
973
00:43:09.760 --> 00:43:14.159
It has gone very clean and sleek for a while.
974
00:43:14.530 --> 00:43:17.389
And I definitely think there's tons of lace coming back.
975
00:43:18.380 --> 00:43:20.460
I always imagined I'd get married and head to toe
976
00:43:20.480 --> 00:43:23.510
lace and I didn't mine was super simple and a
977
00:43:24.110 --> 00:43:27.710
graphic kind of silhouette and fabric but it's yeah it's
978
00:43:27.789 --> 00:43:31.119
exciting to see the textures my new collection launches Literally
979
00:43:31.260 --> 00:43:31.940
in a few days.
980
00:43:32.400 --> 00:43:33.420
So exciting.
981
00:43:33.639 --> 00:43:35.980
And inspired by the embroideries I created for you, we've
982
00:43:36.159 --> 00:43:39.969
created these really beautiful echinacea flowers, which have the symbol
983
00:43:39.989 --> 00:43:42.530
of kind of wellness and the messaging around that. But
984
00:43:42.550 --> 00:43:45.869
they're embroidered onto tops of guipure, like a beautiful kind
985
00:43:45.889 --> 00:43:49.969
of heavy lace. So there's beautiful suits and yummy, delicious
986
00:43:50.710 --> 00:43:52.590
fabrics and texture and yum.
987
00:43:53.090 --> 00:43:56.369
And if you could design a wedding dress for anyone,
988
00:43:56.880 --> 00:43:57.260
who would it be?
989
00:43:57.780 --> 00:44:01.079
I mean, I loved working with Rihanna. I just think
990
00:44:01.119 --> 00:44:04.550
she's amazing. So I'd love to create her a new
991
00:44:04.650 --> 00:44:06.269
epic gown. I did her a gown for the Brit
992
00:44:06.289 --> 00:44:10.170
Awards and also she wore some more of my items
993
00:44:10.210 --> 00:44:12.090
for The Only Girl in the World and different things.
994
00:44:12.170 --> 00:44:13.750
But I'd love to. Yeah, I'd love to work with
995
00:44:13.789 --> 00:44:19.849
her again. But Billie Eilish. Oh, yeah. I'd absolutely love to. Yeah.
996
00:44:20.590 --> 00:44:24.059
Gorgeous. Yeah. Well, I always end by asking the same
997
00:44:24.139 --> 00:44:25.880
question and I'd love to know from you. I know
998
00:44:25.900 --> 00:44:28.119
you alluded to it earlier, but what is the best
999
00:44:28.139 --> 00:44:29.900
piece of advice that you've ever been given?
1000
00:44:30.280 --> 00:44:34.340
Be authentic. Be true to yourself. And a comparison is
1001
00:44:34.380 --> 00:44:35.300
the thief of all joy.
1002
00:44:35.320 --> 00:44:38.400
I like those. You've got a little trio.
1003
00:44:38.659 --> 00:44:39.460
Yeah. Yeah.
1004
00:44:39.480 --> 00:44:41.599
I really like that. Powerful.
1005
00:44:41.880 --> 00:44:45.119
Always, always hire people you think you can't afford because
1006
00:44:45.139 --> 00:44:46.699
they will help you reach for those stars.
1007
00:44:46.949 --> 00:44:48.690
That's a good one too. I think that's a really
1008
00:44:48.730 --> 00:44:51.449
good one. I think that it's easy to be terrified
1009
00:44:51.489 --> 00:44:53.730
of certain types of growth because it always just feels
1010
00:44:53.769 --> 00:44:55.949
a little bit too close to teetering over the edge
1011
00:44:56.030 --> 00:44:59.010
yeah and you know you need to trust your gut
1012
00:44:59.070 --> 00:45:02.010
but also at the same time you've got to invest
1013
00:45:02.050 --> 00:45:04.710
in big things to be able to get to big things.
1014
00:45:04.610 --> 00:45:06.389
Yeah i mean it's hard being a founder you know
1015
00:45:06.630 --> 00:45:09.230
it's it can be lonely at times but you just
1016
00:45:09.750 --> 00:45:12.210
have to surround yourself with people that are better than
1017
00:45:12.250 --> 00:45:15.570
you are the things that that will help you grow.
1018
00:45:15.590 --> 00:45:17.650
Yeah no i totally agree with that oh well thank
1019
00:45:17.670 --> 00:45:19.949
you so much and the biggest thank you of all
1020
00:45:19.989 --> 00:45:23.420
to designing The best thing I've ever put on my body.
1021
00:45:23.559 --> 00:45:25.559
Well, the two best things I've ever put on.
1022
00:45:25.500 --> 00:45:28.480
My body, honestly. I mean, I talked, I had obviously
1023
00:45:28.500 --> 00:45:31.360
did a big, soppy Instagram post, which I meant every
1024
00:45:31.409 --> 00:45:34.030
single word of how incredible the whole process was, but
1025
00:45:34.070 --> 00:45:38.300
also just how... amazing you and your team kind of
1026
00:45:38.380 --> 00:45:40.929
made me feel not just throughout the whole process but
1027
00:45:40.949 --> 00:45:44.610
like the end dress was just so I'd had this
1028
00:45:44.670 --> 00:45:48.030
vision but it was even better and you just you
1029
00:45:48.210 --> 00:45:50.030
you made it everything that I would have wanted with
1030
00:45:50.070 --> 00:45:52.360
so many ideas that I never would have thought of
1031
00:45:52.639 --> 00:45:54.739
it was just perfect our pleasure thank you