Trascrizione completa di The Stack: Venom, Legion Of Super-Heroes, And More

04:11.509 --> 04:14.830 [SPEAKER_02]: I'm sure that wasn't cool with Wolverine right there. 04:15.390 --> 04:18.132 [SPEAKER_02]: You know, I'm sure you guys didn't just hog it out. 04:18.292 --> 04:18.873 [SPEAKER_02]: You know what I mean? 04:18.893 --> 04:20.714 [SPEAKER_02]: They're had to have been a giant fight. 04:20.774 --> 04:24.898 [SPEAKER_02]: You can't just be like, hey, Avengers, fuck you and then cut to next day. 04:25.298 --> 04:34.425 [SPEAKER_02]: Like, I'm glad that the venom's getting laid, but like, you bro, you can't be like, and then I told the Avengers to kiss my ass. 04:35.026 --> 04:37.347 [SPEAKER_02]: Anyways, the next day, I got an Ag Big Buffet. 04:37.368 --> 04:39.890 [SPEAKER_02]: It was like, yo, you can't just do that to us. 04:39.930 --> 04:43.833 [SPEAKER_02]: So, I'm hoping we're gonna get it either in the next issue or something, but, 04:44.413 --> 04:46.154 [SPEAKER_02]: You know, I'm happy this far. 04:46.634 --> 04:47.214 [SPEAKER_00]: I mean, I don't know. 04:47.234 --> 04:48.734 [SPEAKER_00]: I felt like a classic walkout. 04:49.154 --> 04:49.615 [SPEAKER_00]: I don't know. 04:49.835 --> 04:53.256 [SPEAKER_00]: I think they're not quite so spoiling for a fight with... 04:53.636 --> 04:55.176 [SPEAKER_00]: I feel like if I'm the Avengers, I'm like... 04:55.516 --> 04:58.157 [SPEAKER_00]: I've had enough of that goofy shit for a lifetime. 04:58.317 --> 05:01.318 [SPEAKER_00]: Like, let him walk out of here and go do his own business. 05:02.628 --> 05:04.669 [SPEAKER_00]: But you bring up a good point though, Pete. 05:05.709 --> 05:18.573 [SPEAKER_00]: Venom is the, this issue ends with a Venom having relationship, he gets back, and he's, what do you think, is this going to change things? 05:18.594 --> 05:22.675 [SPEAKER_00]: I feel like this isn't something we've seen a lot in the, the Eddie Brockverse. 05:23.635 --> 05:30.019 [SPEAKER_02]: Yeah, yeah, it does, like you said, we're kind of like, we've had huge scub stuff where like venom was a whole planet. 05:30.319 --> 05:31.560 [SPEAKER_02]: You know, there was all this shit. 05:31.620 --> 05:41.086 [SPEAKER_02]: Now it's just like, hey, we're just going to have venom and out there on the streets, trying to get laid, trying to, you know, see what we can do with these free time ship. 05:41.266 --> 05:41.786 [SPEAKER_02]: So yeah. 05:42.927 --> 05:46.489 [SPEAKER_00]: Well, like now, what do you think is venom involved in this? 05:46.509 --> 05:50.892 [SPEAKER_00]: Would you consider this a threesome situation or is venom like, 05:52.032 --> 05:57.256 [SPEAKER_00]: hanging out down by the feet, or like, where does he go in sex? 05:57.356 --> 06:05.402 [SPEAKER_00]: Yeah, that's why no symbiots are vulnerable to not only flames, but vibrational energy, I think. 06:05.922 --> 06:07.924 [SPEAKER_02]: I think sex is a knock-in. 06:07.964 --> 06:09.325 [SPEAKER_02]: Yeah, don't come away with knock-in. 06:09.345 --> 06:11.126 [SPEAKER_02]: Yeah, I mean, how does that work? 06:11.246 --> 06:14.389 [SPEAKER_02]: I mean, where you're like, hey, Venom, I need the body for a couple hours. 06:14.469 --> 06:17.191 [SPEAKER_02]: Can you just, you know, you can go off-blend it? 06:17.251 --> 06:18.592 [SPEAKER_02]: I mean, how does that even go? 06:18.912 --> 06:21.674 [SPEAKER_00]: I don't think, yeah, I don't think, I think Venom's around. 06:22.101 --> 06:26.303 [SPEAKER_00]: Yeah, I mean, I don't know. 06:26.323 --> 06:29.684 [SPEAKER_02]: That's a tough conversation the next morning. 06:29.724 --> 06:33.966 [SPEAKER_02]: Like, uh, was it just me or was there three people in that bed, you know what I mean? 06:33.986 --> 06:34.486 [SPEAKER_02]: Like, I don't know. 06:34.506 --> 06:34.806 [SPEAKER_02]: I don't know. 06:34.826 --> 06:35.286 [SPEAKER_02]: I don't know. 06:35.846 --> 06:43.949 [SPEAKER_00]: I mean, I, I feel like the questions would come from the other, uh, the other side where it'd be like, Eddie's had to, does Eddie have to explain what's, what's sex is to come? 06:43.969 --> 06:45.310 [SPEAKER_00]: See, I'm the sex talk with his suit. 06:47.703 --> 06:50.505 [SPEAKER_02]: I mean, events are around for a while. 06:50.545 --> 06:53.707 [SPEAKER_02]: I don't think this is the first time they've had the sex talk. 06:53.747 --> 07:01.131 [SPEAKER_00]: And I don't remember exactly what the crossover is, but surely there had to be a little bit of like Mary Jane Venom and Paul, you think they were. 07:01.827 --> 07:02.928 [SPEAKER_02]: Oh, dude, don't bring up shit. 07:02.948 --> 07:04.989 [SPEAKER_02]: Just a fucking rage made me do that stuff. 07:05.009 --> 07:09.251 [SPEAKER_00]: Like, you know when Mary Jane and Paul were like having sex, you know what I'm talking about? 07:09.591 --> 07:25.100 [SPEAKER_00]: No, he would do the unfurl the man bun to let that because, you know, he vana sure vana has a symbiote, vana has a symbiote, but Paul had sort of a hair symbiote that would come out and encapsulate his body when he let that bun. 07:27.084 --> 07:28.625 [SPEAKER_00]: Is that here when all the way to the floor? 07:31.167 --> 07:42.196 [SPEAKER_02]: Got tangled up in there and it goop in He's hair goop in This is awful Yeah, don't ruin comics for me please. 07:42.716 --> 07:43.877 [SPEAKER_00]: I'm not I would never do that. 07:44.077 --> 07:53.705 [SPEAKER_00]: I have to be more serious about this first issue I really like taking it back down to a much more like down to earth level this feels like old school account of book storytelling 07:54.365 --> 07:57.927 [SPEAKER_00]: I think the symbiote stuff gets a little out of hand for my taste. 07:58.067 --> 08:04.531 [SPEAKER_00]: I'm going to say that, like the fact that it's like God to your power, I much prefer a venom, just trying to get by. 08:04.791 --> 08:08.153 [SPEAKER_00]: This feels a little bit more like the movie version of venom. 08:08.394 --> 08:11.976 [SPEAKER_00]: If you've been waiting for that, I think this is a great first

issue to get in on. 08:12.796 --> 08:18.760 [SPEAKER_00]: I like Charles on this, I think it's great to see in the Bianchi Art is tongue lashingly good. 08:19.140 --> 08:20.161 [SPEAKER_00]: Yeah, definitely great. 08:20.541 --> 08:21.421 [SPEAKER_00]: Check that as well. 08:22.477 --> 08:27.243 [SPEAKER_00]: Next up, we got the season's number 12 in which I'm happy to see my our guy Rick Romander, our by Paul as a seda. 08:27.604 --> 08:29.406 [SPEAKER_02]: Did somebody ask about creepy clowns? 08:29.486 --> 08:33.752 [SPEAKER_02]: It's a way talk about creepy clowns because we got some for you. 08:34.273 --> 08:39.440 [SPEAKER_00]: We've been talking about clowns on every podcast we've done in the last two days. 08:40.528 --> 08:43.010 [SPEAKER_00]: That's we're two for two on clown show. 08:43.490 --> 08:49.054 [SPEAKER_00]: Yeah, I you know, I didn't I just pick this up and started reading it and I was like Oh, this is the last issue. 08:49.074 --> 08:50.395 [SPEAKER_00]: I'm excited to see what the story ends. 08:50.535 --> 08:50.876 [SPEAKER_00]: Nope. 08:51.336 --> 08:52.437 [SPEAKER_00]: We go one more 08:53.574 --> 08:56.957 [SPEAKER_02]: Thank God, too, because there's a horrible place to leave it. 08:57.177 --> 08:57.958 [SPEAKER_02]: Are you kidding me? 08:58.759 --> 09:01.942 [SPEAKER_02]: Yeah, no, I'm so upset by this issue. 09:02.622 --> 09:08.408 [SPEAKER_02]: It drives me nuts that they don't listen to that little girl who is the whole reason they're conscious in the first place. 09:08.688 --> 09:17.176 [SPEAKER_02]: She's just going to fucking save their asses, pull the mirrors away from, and then they have the balls to be like, hey, fuck you and your plan, and then just walk into a trap. 09:17.296 --> 09:18.397 [SPEAKER_02]: I was furious. 09:18.797 --> 09:20.698 [SPEAKER_02]: I was absolutely furious. 09:21.118 --> 09:22.479 [SPEAKER_02]: The art is magical. 09:22.579 --> 09:24.880 [SPEAKER_02]: It takes you to this unbelievable land. 09:24.900 --> 09:26.861 [SPEAKER_02]: I love the art. 09:26.921 --> 09:28.221 [SPEAKER_02]: I want to spend time in it. 09:28.241 --> 09:30.282 [SPEAKER_02]: It is just glorious, glorious art. 09:30.802 --> 09:32.303 [SPEAKER_02]: This is a fantastic story. 09:32.603 --> 09:38.706 [SPEAKER_02]: But right now, sisters are being sisters and it's, you know, it's breaking my heart a little bit, you know what I mean? 09:39.847 --> 09:45.250 [SPEAKER_00]: I, on the other hand, I like the drama that happened in this, of course, if you haven't been reading this, you love drama. 09:45.731 --> 09:47.232 [SPEAKER_00]: It's a, I do love drama. 09:47.392 --> 09:48.132 [SPEAKER_00]: It's a wild book. 09:48.352 --> 09:56.978 [SPEAKER_00]: It's, if there are four sisters, their parents go missing and then a clown, a clown, a clown show comes to town and things start getting weird. 09:57.038 --> 09:58.379 [SPEAKER_02]: Fucking clown show. 09:58.820 --> 10:08.146 [SPEAKER_00]: It unfurls over those first 11 issues and into this one and we've got a lot of happening the families a bit more back together, but not quite on the same page. 10:08.665 --> 10:12.087 [SPEAKER_00]: I really like the choice of keeping the discord within the family. 10:12.227 --> 10:22.652 [SPEAKER_00]: I thought it was going to be, oh, they're going to wrap up this mystery and get this villain, but no, we get to actually see that just because the fans back together doesn't mean the problems are solved in between them. 10:22.712 --> 10:24.092 [SPEAKER_00]: So that is very cool. 10:25.353 --> 10:26.213 [SPEAKER_02]: Yeah, it's cool. 10:26.273 --> 10:26.653 [SPEAKER_02]: All right. 10:26.693 --> 10:26.894 [SPEAKER_02]: Yeah. 10:26.914 --> 10:29.315 [SPEAKER_00]: I think it's cool when you don't listen to family members. 10:30.675 --> 10:31.116 [SPEAKER_00]: Uh, yes. 10:31.256 --> 10:31.856 [SPEAKER_00]: Very cool. 10:32.316 --> 10:34.117 [SPEAKER_00]: Death or a podcast, co-host. 10:34.503 --> 10:56.354 [SPEAKER_02]: uh... death check this out this is one of my faves in the stands right now let's talk do it's a troll yeah i can't wait to see the next issue because i'm upset now but hopefully by the end of the next issue it will resolve itself in it and yes it will it's to be concluded next issue so i yeah i believe she is happening it's an amazing team so i trust the process 10:56.923 --> 10:58.064 [SPEAKER_00]: 100% you got to trust the process. 10:58.104 --> 11:00.646 [SPEAKER_00]: Do patrol number two boom boom you're in the Doom room. 11:00.666 --> 11:05.790 [SPEAKER_00]: DC by Darcy Van Polgeyst and Art by Nico Hensheron. 11:07.011 --> 11:09.373 [SPEAKER_00]: So second issue with it, we really like the first issue. 11:09.433 --> 11:11.394 [SPEAKER_00]: It's got the art is really nice. 11:11.434 --> 11:13.356 [SPEAKER_00]: It feels very doom patrol. 11:14.237 --> 11:14.477 [SPEAKER_00]: Ask. 11:15.323 --> 11:15.903 [SPEAKER_02]: I agree. 11:16.123 --> 11:19.424 [SPEAKER_02]: First off, let's back up the truck and talk about this cover right there. 11:19.445 --> 11:20.945 [SPEAKER_02]: I mean, come on. 11:21.685 --> 11:23.426 [SPEAKER_00]: Look at this cover. 11:23.566 --> 11:24.986 [SPEAKER_02]: This is a cool cover. 11:25.347 --> 11:28.208 [SPEAKER_02]: This just sets an unbelievable tone. 11:29.488 --> 11:36.110 [SPEAKER_02]: Just, yeah, I mean, what was great about the TV show was just how kind of quirky, weird, manic. 11:37.171 --> 11:39.912 [SPEAKER_02]: This capsulates all of that in this art here. 11:39.952 --> 11:40.472 [SPEAKER_02]: This kind of 11:42.660 --> 11:44.381 [SPEAKER_02]: on particular wild nature. 11:44.521 --> 11:47.043 [SPEAKER_02]: All the things that are always going on to the doom patrol. 11:47.083 --> 11:48.364 [SPEAKER_02]: They think there are one mission. 11:48.424 --> 11:50.045 [SPEAKER_02]: Another one is happening all around them. 11:51.886 --> 11:53.887 [SPEAKER_02]: This is just awesome comics. 11:54.308 --> 11:55.248 [SPEAKER_02]: I love the

story. 11:55.368 --> 11:56.089 [SPEAKER_02]: I love the art. 11:56.189 --> 11:57.250 [SPEAKER_02]: I love the characters. 11:57.310 --> 11:59.611 [SPEAKER_02]: I love the writing on this holy crap. 11:59.671 --> 12:01.052 [SPEAKER_02]: What a twist ending. 12:02.353 --> 12:03.654 [SPEAKER_02]: This is just so much fun. 12:03.674 --> 12:06.276 [SPEAKER_02]: And I agree with Cliff. 12:06.536 --> 12:07.556 [SPEAKER_02]: Fuck that song. 12:12.783 --> 12:21.005 [SPEAKER_00]: I mean, if you're gonna throw on some yield diamond, that is definitely low on the list of the songs I would pick from the greatest hits album. 12:21.045 --> 12:23.446 [SPEAKER_00]: How about I am, my cry. 12:23.726 --> 12:25.886 [SPEAKER_00]: Oh, dude, oh God, come on, dude. 12:25.926 --> 12:26.847 [SPEAKER_02]: Don't give me the field. 12:26.927 --> 12:28.007 [SPEAKER_00]: Crackling Rose. 12:28.367 --> 12:29.027 [SPEAKER_02]: Jesus. 12:30.087 --> 12:36.969 [SPEAKER_00]: You make me sing like a son's skittar strumming, says Neil Diamond. 12:37.069 --> 12:37.509 [SPEAKER_00]: I agree. 12:37.549 --> 12:38.269 [SPEAKER_00]: I agree with Cliff. 12:38.670 --> 12:38.930 [SPEAKER_00]: That's... 12:41.110 --> 12:52.259 [SPEAKER_00]: That's not the song to play, but what I think this book does super well is it really brings the sensibility of the TV show with into the comic book origin of the Doom Patrol. 12:52.459 --> 12:59.485 [SPEAKER_00]: It feels like those characters ripped off the screen, but fully within the comic book world. 12:59.645 --> 13:00.786 [SPEAKER_00]: So that's awesome. 13:00.946 --> 13:04.709 [SPEAKER_00]: If you're a fan of the show, I would definitely recommend picking up this first and now second issue. 13:05.082 --> 13:22.292 [SPEAKER_00]: I like the pathos that we're getting with each individual member of the Doom Patrol often separately the same lessons that we screamed into our mics when we were doing the Doom Room podcast about the Doom Patrol TV shows like why don't you guys just talk to each other same problems they're having here but in comic book form so that's 13:22.784 --> 13:23.204 [SPEAKER_00]: Fantastic. 13:23.464 --> 13:29.008 [SPEAKER_02]: I just love the the the art and writing in this to me is just such a comfort comic. 13:29.028 --> 13:42.517 [SPEAKER_02]: Like it's just such a Makes you feel good like you know, it's just so weird, but so quirky and unique and the writing You're just in such great hands, and I feel like this is a comfort comic Comfort comic. 13:42.797 --> 13:44.538 [SPEAKER_00]: Yeah, something called the doom patrol. 13:44.598 --> 13:45.219 [SPEAKER_00]: That's right. 13:45.379 --> 13:50.462 [SPEAKER_02]: Yeah, if you're gonna curl up with one curl up with a doom patrol You know, I mean they're not gonna let you down 13:51.508 --> 13:54.949 [SPEAKER_00]: As Pete said earlier, the villain he identifies the most with is Dr. Doom. 13:55.209 --> 13:57.349 [SPEAKER_00]: So this guy's got Doom on the brain. 13:58.129 --> 13:58.329 [SPEAKER_00]: Me? 13:58.409 --> 14:04.731 [SPEAKER_00]: I've got amazing Spider-Man on one thousand, one from Marvel, written by Joe Kelly, Archbite Pepe LaRoss. 14:05.631 --> 14:10.532 [SPEAKER_00]: We have a devastating reveal and it's like, oh my gosh, I'm still not over it. 14:11.372 --> 14:13.673 [SPEAKER_00]: Well, Sneeter is this issue. 14:13.753 --> 14:20.174 [SPEAKER_00]: This comic is definitely pushing Peter's face right into an ooze-filled mud puddle. 14:20.725 --> 14:21.885 [SPEAKER_00]: a peat stream. 14:21.925 --> 14:37.029 [SPEAKER_00]: We've got Aunt May and Uncle Ben's biological son who revealed himself to be a very powered up devastating villain named Rabbage who is able to change the make-up of someone's brain essentially. 14:37.069 --> 14:41.350 [SPEAKER_00]: So he's removed Aunt May's memories of peat successfully. 14:41.730 --> 14:46.091 [SPEAKER_00]: Like in this issue we get to see Aunt May be in like basically like who the fuck are you? 14:50.304 --> 15:19.451 [SPEAKER_02]: it's upsetting it sounds wild if you're not reading this when i'm saying sounds insane but it it's just working out an emotional level so well you really hate this villain you really feel or mate this fucking guy yeah and also it's so well captured in this fucking awesome cool cover here great cover yeah it just really uh pictures as a thousand words and this is a great example of a Peter on the outside of his own family so this is just insane 15:20.271 --> 15:39.840 [SPEAKER_02]: But other than the heartbreaking that is the story, the Spider-Man MJ moment, the fucking lighthouse in the store, the way he melts into her arms, oh, just took my breath away. 15:39.940 --> 15:40.941 [SPEAKER_02]: I mean, come on. 15:42.050 --> 15:47.291 [SPEAKER_02]: He was losing his mind, he was on the edge and she saved some of the hug. 15:47.351 --> 15:51.012 [SPEAKER_02]: It was a beautiful moment, small, but beautiful. 15:51.952 --> 15:56.013 [SPEAKER_02]: I have high hopes, but this comic is just Joe Kelly's killing the game. 15:57.333 --> 16:03.414 [SPEAKER_02]: He's playing with all sorts of emotions in this issue, but yeah, art's unbelievable, tons of action. 16:03.434 --> 16:06.595 [SPEAKER_02]: The story sounds crazy, but it's, yeah, 16:07.035 --> 16:12.579 [SPEAKER_02]: It's really, really well done and I cannot wait for the next issue. 16:13.080 --> 16:14.180 [SPEAKER_00]: Pete often sounds crazy. 16:14.641 --> 16:14.941 [SPEAKER_00]: Yep. 16:15.321 --> 16:19.364 [SPEAKER_00]: But what he's talking about this moment between Mary Jane and Peter Parker, you feel it. 16:19.845 --> 16:20.865 [SPEAKER_00]: It's so well done. 16:21.226 --> 16:27.770 [SPEAKER_00]: You really feel the moment that art is, we get a couple, we see her from a distance. 16:28.271 --> 16:33.755 [SPEAKER_00]: Then we see them hug and a wordless white background moment panel and then we get 16:35.895 --> 16:36.816 [SPEAKER_00]: beautifully past. 16:37.056 --> 16:39.558 [SPEAKER_00]: It was

like just so romantic and nice. 16:39.798 --> 16:40.679 [SPEAKER_00]: I thought it was great. 16:41.400 --> 16:43.521 [SPEAKER_00]: And then him visiting Dr. 16:43.561 --> 16:44.042 [SPEAKER_00]: Strange. 16:44.262 --> 16:45.503 [SPEAKER_00]: He thinks what he thinks is Dr. 16:45.523 --> 16:46.584 [SPEAKER_00]: Strange, but it's Scarlett Witch. 16:46.644 --> 16:50.227 [SPEAKER_00]: And he's like, oh, this is what I need. 16:50.247 --> 16:51.088 [SPEAKER_00]: Yeah. 16:51.748 --> 16:55.251 [SPEAKER_00]: And then just setting up ravage and a big battle in the next issue. 16:55.511 --> 16:58.053 [SPEAKER_00]: I just, it's just hitting on. 16:58.113 --> 16:59.595 [SPEAKER_00]: But that was so hard right now. 16:59.615 --> 17:02.977 [SPEAKER_02]: It was also really like on a weird moment, right? 17:03.018 --> 17:03.498 [SPEAKER_02]: Where it's like, 17:04.819 --> 17:20.709 [SPEAKER_02]: Peter had the jump on ravage moves like hey, not in front of the crown molding like let's take this outside and then experiments like okay I was like what the fuck you you had the jump on them now you go out to a level playing fields You can fight like what what is this? 17:20.729 --> 17:28.593 [SPEAKER_00]: Hey What not only does he have to beat him he has to get it may his memories back. 17:29.134 --> 17:29.614 [SPEAKER_00]: They get yeah 17:31.069 --> 18:00.335 [SPEAKER_02]: It's what the reason why such a good trash the assholes house you don't even like fuck this fucking guy You treat them like he's fucking good person fuck this whole thing on molding with the crown molding ever do to you I'm just saying the fucking maybe taking the it's even to taking him and down is taking him down a peg You mean with great power comes great into your design something this better man has always respected the uncle bent hot in when he died I I'm gonna check the the comic but I was last words were take care of the Wayne's coding 18:00.940 --> 18:02.903 [SPEAKER_00]: in any sort of living room that you're in. 18:03.423 --> 18:03.744 [SPEAKER_00]: Well, I've got. 18:03.764 --> 18:05.426 [SPEAKER_00]: And that's what he's doing. 18:05.466 --> 18:06.527 [SPEAKER_00]: He cares about some aesthetic speed. 18:06.547 --> 18:07.909 [SPEAKER_00]: And if you care about aesthetics, you're going to love. 18:07.929 --> 18:08.870 [SPEAKER_00]: You'll never leave this place alive. 18:08.910 --> 18:16.400 [SPEAKER_00]: No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, 18:16.730 --> 18:19.551 [SPEAKER_00]: Scary title, Colin Kelly and Jackson Lansing are by Heather Vaughn. 18:20.012 --> 18:20.212 [SPEAKER_00]: Alex? 18:20.232 --> 18:21.132 [SPEAKER_00]: Same as Stuart. 18:21.452 --> 18:21.792 [SPEAKER_00]: Duel. 18:21.832 --> 18:22.713 [SPEAKER_00]: Famous duo. 18:23.433 --> 18:27.675 [SPEAKER_00]: They're the Justin and Pete of the comic book industry. 18:28.395 --> 18:33.398 [SPEAKER_00]: Alex and I talked to Jackson and Colin like a month ago about this book. 18:34.398 --> 18:35.859 [SPEAKER_00]: And Pete, what do you think? 18:36.687 --> 18:41.470 [SPEAKER_02]: Well, first off as soon as I saw that title, I was like, oh, god, I'm very nervous. 18:41.730 --> 18:45.973 [SPEAKER_02]: And then I saw the comic, and I was like, oh, no, this is even worse than I thought. 18:46.393 --> 18:47.914 [SPEAKER_00]: I just never leave this comic. 18:48.014 --> 18:51.176 [SPEAKER_02]: Yeah, yeah, I was like, what if I'm different? 18:51.609 --> 18:55.350 [SPEAKER_02]: after reading this comic and the person that I know and love will cease to exist. 18:55.410 --> 19:00.852 [SPEAKER_02]: So it was pretty scared to crack this open, but I did, you know, for the people. 19:02.612 --> 19:17.516 [SPEAKER_02]: Yeah, but man, what a fucking insane start to this comic, like all these small fucked up images on this kind of splash page of insanity, just wow, really graphically drawn and such a kind of like, 19:17.916 --> 19:18.777 [SPEAKER_02]: creepy tone. 19:19.738 --> 19:23.921 [SPEAKER_02]: I don't understand what they're doing to the kids, but I don't like it. 19:25.502 --> 19:27.324 [SPEAKER_02]: No, nor do I like this comic. 19:27.384 --> 19:28.284 [SPEAKER_02]: It's too scary. 19:28.645 --> 19:29.686 [SPEAKER_02]: No, thank you for me. 19:30.206 --> 19:34.289 [SPEAKER_02]: But amazing creepy art that sets it incredibly creepy tone. 19:34.369 --> 19:38.332 [SPEAKER_02]: So yeah, fuck that as well, but impressive work by the artist. 19:39.493 --> 19:42.576 [SPEAKER_00]: I want to confusing review from people page. 19:42.876 --> 19:43.777 [SPEAKER_00]: Thank you. 19:43.817 --> 19:44.157 [SPEAKER_02]: Fuck this. 19:44.197 --> 19:44.617 [SPEAKER_00]: I love it. 19:44.697 --> 19:45.098 [SPEAKER_00]: He says. 19:45.478 --> 20:12.343 [SPEAKER_00]: Yeah, the it is the art is excellent and it sets just a nice like sketchy tone on settling yeah, yes, but I really this reminded me I told us to the to the guys when we interviewed them that it reminds me of this movie green room this great horror movie from like With I don't want to say with Patrick Stewart is sort of the the more famous person in it from like 10 years. 20:13.646 --> 20:35.724 [SPEAKER_00]: uh... yes professor ax john look at himself uh... because you really worry for the characters from the jump uh... we've got some great and like uh... colty vibes to it some dark science some like kids just trying to get by some strange rituals i don't want to spoil anything but i did really really like this as a first issue so they check it out 20:36.605 --> 20:59.571 [SPEAKER_00]: from first to last though as we go to the nice house by the scene number 12 amazing comics are my James Titan the fourth art by Alvaro Martinez of Blano this is bringing it to

a close I believe the second series in the the blank place by the blank waterway series from James from JT4 21:06.388 --> 21:21.563 [SPEAKER_02]: Um, yeah, this has such like a creepy iconic villain like the way he does the glasses and the like multi face, but it's one face like that is so iconically scary in this comic. 21:21.904 --> 21:23.645 [SPEAKER_02]: They did such a great job of kind of like 21:24.526 --> 21:32.810 [SPEAKER_02]: finding this thing that we haven't seen before and kind of showing you to us at different times to increase the creep factor and manic hits me every time. 21:34.030 --> 21:38.312 [SPEAKER_02]: Just the shading on the glasses just, oh my god, just so great. 21:38.332 --> 21:41.033 [SPEAKER_00]: That's such a hyper specific thing for you to call out. 21:46.871 --> 22:04.987 [SPEAKER_02]: yeah i i just i gotta give so much credit to the artist because i feel like in somebody else's hands this would be so different so just like the huge squeeze that they're taking that i think is doing so well in so impressive uh they put such a stamp on it that i just can't imagine somebody else's hands 22:05.484 --> 22:11.947 [SPEAKER_02]: It's been such a creepy, interesting world that they've created over these issues, so really kind of kudos to that. 22:12.408 --> 22:16.330 [SPEAKER_02]: But man, the splash page was such a great artistic choice. 22:18.151 --> 22:20.632 [SPEAKER_02]: The use of color just really impressive. 22:22.033 --> 22:25.814 [SPEAKER_02]: Love these kind of people's pages in the back matter 22:27.520 --> 22:53.424 [SPEAKER_00]: uh... course of the practice the cazzy and was really uh... creepy and uh... and that's the cat with a different face you've heard that you love cazzy and look at it can be like that's a human no no you never thought that no because cazs have this uh... that they don't seem human to me no any humans you might cazzy oh yeah oh definitely do i am about what what what's my animal spirit animal if you had 22:55.272 --> 22:55.692 [SPEAKER_02]: That's tough. 22:55.712 --> 22:56.813 [SPEAKER_02]: You're going to come back to me. 22:56.893 --> 22:58.655 [SPEAKER_02]: We can circle back at the end of the pie, guys. 22:58.675 --> 23:05.581 [SPEAKER_02]: So I need some time to think about because they're initially, you know, I would think like squirrel or chipmunk, you know what I mean? 23:06.162 --> 23:08.524 [SPEAKER_02]: But you also kind of have a dog vibe. 23:08.664 --> 23:09.324 [SPEAKER_02]: You know what I mean? 23:09.344 --> 23:11.126 [SPEAKER_02]: Yeah, yeah, they're not otter. 23:13.128 --> 23:14.309 [SPEAKER_02]: I haven't seen you in the water. 23:15.169 --> 23:15.970 [SPEAKER_00]: I'm very aquatic. 23:16.430 --> 23:16.731 [SPEAKER_02]: Yeah. 23:17.191 --> 23:18.072 [SPEAKER_00]: I'm quite aquatic. 23:19.329 --> 23:21.411 [SPEAKER_00]: I can see, I can see other, you know what I mean? 23:22.351 --> 23:25.273 [SPEAKER_02]: I can see you and your wife floating around the water Holdenands, you know what I mean? 23:25.293 --> 23:26.454 [SPEAKER_02]: The others do very cute. 23:26.634 --> 23:27.035 [SPEAKER_00]: We do that. 23:27.175 --> 23:29.516 [SPEAKER_00]: And then we crack open a little clam shell and eat it. 23:30.417 --> 23:30.937 [SPEAKER_00]: I'll tuck it out. 23:31.698 --> 23:32.939 [SPEAKER_00]: It's stuck it out of the shell, you know? 23:34.600 --> 23:35.181 [SPEAKER_00]: Just normal. 23:35.221 --> 23:36.361 [SPEAKER_00]: It's coupled stuff, yeah? 23:36.522 --> 23:37.162 [SPEAKER_02]: It's coupled stuff. 23:37.642 --> 23:37.782 [SPEAKER_00]: Yeah. 23:37.802 --> 23:38.083 [SPEAKER_00]: It's enough. 23:38.443 --> 23:41.105 [SPEAKER_00]: It's an aphrodisiac, raw, raw, shellfish. 23:42.005 --> 23:44.607 [SPEAKER_00]: This book is great. 23:45.528 --> 23:46.569 [SPEAKER_00]: It's an epic story. 23:47.095 --> 23:47.295 [SPEAKER_00]: Yeah. 23:47.415 --> 23:49.977 [SPEAKER_00]: We're getting more reveals here, which I won't spoil. 23:50.178 --> 24:01.647 [SPEAKER_00]: We are spoiling a lot of books or just blanket spoilers, but not going to spoil what happens here because it's so specific to the book, but just a great character study, and there are a lot of characters in this book. 24:01.847 --> 24:08.713 [SPEAKER_00]: I feel like James Tine is never afraid to have a big cast through so much of that we get like some face pages at the end. 24:09.533 --> 24:13.276 [SPEAKER_00]: I believe we will have another series coming. 24:13.296 --> 24:14.197 [SPEAKER_00]: There is some definite. 24:14.682 --> 24:40.621 [SPEAKER_00]: chatter about that near comicon so how could you get forward what do you think we went from a lake to a sea what's the next water that we're headed for well I don't know man you know maybe you go for like a glacier or something oh I like frozen mm-hmm or maybe some odd different planet you think you're going further like yeah I was thinking like you don't think like it's another 24:41.682 --> 24:42.204 [SPEAKER_00]: Nice house. 24:43.006 --> 24:45.052 [SPEAKER_00]: I'm the isleess. 24:45.333 --> 24:47.439 [SPEAKER_00]: Hello. 24:47.921 --> 24:48.623 [SPEAKER_02]: Hard by Apollo. 24:49.492 --> 24:56.874 [SPEAKER_00]: Yeah, huck by a puddle, the third in the James tying in landmark series. 24:57.394 --> 25:10.318 [SPEAKER_00]: Let's talk DNX number three from Marlton by Jen McKay, ARP, Federico, T-Vis, Visantini, Pete, you've been really getting back on board with some of your, like, the comics you dislike for a while. 25:10.838 --> 25:11.798 [SPEAKER_00]: It's been your back again. 25:11.818 --> 25:12.439 [SPEAKER_00]: Come on back around. 25:12.519 --> 25:14.759 [SPEAKER_00]: Ryan, you're back in on of what's happening. 25:15.540 --> 25:16.620 [SPEAKER_02]: You love Cyclops. 25:17.368 --> 25:19.489 [SPEAKER_02]: Oh, do you shut your fucking face? 25:20.009 --> 25:21.589 [SPEAKER_02]: You shut your goddamn face? 25:21.649 --> 25:22.589 [SPEAKER_02]: No, I started. 25:22.689 --> 25:23.870 [SPEAKER_00]:

I was just trying something out. 25:24.130 --> 25:24.450 [SPEAKER_00]: Yeah. 25:24.470 --> 25:25.250 [SPEAKER_00]: I don't know where we're at. 25:25.310 --> 25:28.311 [SPEAKER_02]: All right, but let's let's start with the front here. 25:28.351 --> 25:29.191 [SPEAKER_02]: I mean, cool cover. 25:29.271 --> 25:30.731 [SPEAKER_02]: I mean, this is just awesome. 25:31.251 --> 25:32.992 [SPEAKER_02]: This is such a cool tone. 25:33.392 --> 25:36.192 [SPEAKER_00]: Well, I do have a note on that because I find it interesting. 25:36.212 --> 25:39.113 [SPEAKER_00]: This crossover is really embracing this cartoonist style. 25:39.648 --> 25:44.110 [SPEAKER_00]: Yeah, which I feel like is, is the opposite of what Marvel has been going to lately. 25:44.130 --> 25:47.491 [SPEAKER_00]: This feels so different and I agree with you, it isn't working. 25:48.031 --> 25:48.351 [SPEAKER_02]: It is. 25:48.451 --> 25:55.714 [SPEAKER_02]: It brings a coolness to the characters back, you know, kind of gives a little bit of a, it is cartoony, but it's also kind of an edge. 25:55.754 --> 25:56.514 [SPEAKER_02]: You know what I mean? 25:56.534 --> 26:01.676 [SPEAKER_02]: It walks a line in such a cool way that makes it feel a little bit fresh to me. 26:03.337 --> 26:05.718 [SPEAKER_02]: But yeah, I mean, um, 26:07.913 --> 26:16.139 [SPEAKER_02]: Alright, I got really worried about the ship that they was kind of like crashing and then they were just kind of having a meeting about it and they were like, yeah, the ship's crashing. 26:16.159 --> 26:25.687 [SPEAKER_02]: I was like, you guys are being super casual about a ship that is currently crashing into people and you guys are like, cut to meeting about this. 26:25.707 --> 26:28.429 [SPEAKER_02]: I was just like, you know what the fuck. 26:28.889 --> 26:46.859 [SPEAKER_00]: But I agree with you just real quick, uh, this the whole like 3k they're on of like a giant floating vessel essentially over Philadelphia, we're used to live and three k's like we just turn off the engines this things crashing and then as Pete saying the X went have like. 26:48.521 --> 26:52.064 [SPEAKER_00]: 15 12 to 15 page meeting about like what are we going to do about the ship. 26:52.104 --> 26:55.747 [SPEAKER_02]: I'm like You stay here. 26:55.767 --> 26:57.028 [SPEAKER_02]: We'll handle the ship. 26:57.048 --> 27:08.218 [SPEAKER_02]: Don't know you do this whatever and then classic dick move by cyclops Hey, listen kid This might kill you or you could discover your powers and then save the day 27:09.259 --> 27:16.506 [SPEAKER_02]: It's a real gamble, but for some reason I'm in charge of kids, so I'm a completely fuck you over. 27:16.566 --> 27:17.668 [SPEAKER_02]: Don't, don't die. 27:17.868 --> 27:18.388 [SPEAKER_02]: Peace out. 27:18.448 --> 27:21.091 [SPEAKER_02]: I was like, why is this guy a leader? 27:21.431 --> 27:23.253 [SPEAKER_02]: He is so fucking worse. 27:23.293 --> 27:24.594 [SPEAKER_00]: Who's powers are very strange. 27:24.614 -->

27:27.057 [SPEAKER_00]: He can, like, manifest aliens that can. 27:27.277 --> 27:42.368 [SPEAKER_02]: But as a parent, what if you were like, hey, I'm going to take my kid to this camp and then that camp counselor, then took your kid and chain them to a fucking thing that was flying through the sky, heading towards a large amount of people. 27:42.428 --> 27:42.908 [SPEAKER_02]: You'd be cool. 27:42.948 --> 27:43.589 [SPEAKER_02]: That is a parent. 27:43.609 --> 27:46.330 [SPEAKER_02]: Like, oh, yeah, yeah, this guy seems like he knows what he's doing. 27:46.451 --> 27:51.294 [SPEAKER_00]: Once he realizes that Ben isn't going to do it, he goes and unchains him. 27:51.802 --> 27:54.405 [SPEAKER_00]: So I think less and learn that's not what happened. 27:54.605 --> 27:55.806 [SPEAKER_02]: That's not what happened man. 27:55.866 --> 27:57.228 [SPEAKER_00]: He says on chain ban. 27:57.248 --> 27:57.969 [SPEAKER_00]: Let's get out of here. 27:58.089 --> 28:10.723 [SPEAKER_00]: This ship is going to crash until magneto, the great, the weird thing about this crossover is the way it's weaving in and out because the fantasy for it definitely been a little bit on their own in their in the crossover, but they're doing their own thing. 28:10.763 --> 28:12.084 [SPEAKER_00]: They're trying to fix magneto. 28:12.650 --> 28:15.971 [SPEAKER_00]: And that actually spoiler happens in this issue. 28:16.091 --> 28:19.893 [SPEAKER_02]: The magnetal entrance is just so ambiguous felt. 28:20.013 --> 28:20.633 [SPEAKER_02]: It's very cool. 28:20.693 --> 28:21.594 [SPEAKER_02]: It was awesome. 28:22.154 --> 28:25.295 [SPEAKER_00]: But we haven't gotten that issue of fantastic forehand. 28:25.455 --> 28:29.717 [SPEAKER_00]: So it's a little strange that it's been developed in this issue. 28:29.817 --> 28:31.458 [SPEAKER_00]: And we haven't seen how they do it. 28:31.598 --> 28:33.799 [SPEAKER_00]: And that's coming out the next week, I think. 28:34.599 --> 28:35.899 [SPEAKER_00]: So like it's a little bit strange. 28:35.939 --> 28:40.520 [SPEAKER_00]: It's a little bit back and forth, but I agree with you that magnitude of answers is great. 28:40.540 --> 28:46.302 [SPEAKER_02]: It's like how the venom like hot to, you know what I mean, they like cut forward and you're like, hey, what happened? 28:46.842 --> 28:47.422 [SPEAKER_02]: You know what I mean? 28:47.442 --> 28:50.223 [SPEAKER_00]: Like how did you know where was venom during the second? 28:50.243 --> 28:51.383 [SPEAKER_00]: I know what you're saying. 28:51.603 --> 28:52.203 [SPEAKER_00]: I know what you're saying. 28:52.223 --> 28:53.924 [SPEAKER_02]: Where does venom go during sex? 28:54.364 --> 28:56.644 [SPEAKER_00]: Get your mind out of the symbiongutter. 28:57.304 --> 28:58.645 [SPEAKER_00]: You know, nasty boy. 28:58.665 --> 29:01.565 [SPEAKER_02]: Does he pretend to be like a wall or something, you know? 29:05.468 --> 29:11.392 [SPEAKER_00]: And I have so many ideas that I'll share whisper into my pillow tonight rather than say that to the humanity. 29:12.292 --> 29:14.053 [SPEAKER_00]: I was about to say some pretty wild ideas. 29:14.874 --> 29:19.096 [SPEAKER_00]: But let's talk about the- Well, I'll just have a question real quick. 29:19.116 --> 29:20.017 [SPEAKER_02]: Why were I on the X-Men? 29:20.077 --> 29:22.738 [SPEAKER_02]: Okay, so we got gray evil beast here, right? 29:22.758 --> 29:23.179 [SPEAKER_02]: Three, okay. 29:23.199 --> 29:25.820 [SPEAKER_00]: His name is the chairman, which is a cool memorable name. 29:26.201 --> 29:26.621 [SPEAKER_02]: Is it? 29:27.201 --> 29:28.402 [SPEAKER_02]: Okay. 29:28.742 --> 29:32.244 [SPEAKER_02]: Also, you have regular blue beast, okay? 29:32.684 --> 29:33.305 [SPEAKER_02]: And I just- 29:34.798 --> 29:40.843 [SPEAKER_02]: I, if I was a member of the X-Men, I would be like, hey, can we stop trusting beast? 29:41.003 --> 29:44.325 [SPEAKER_02]: I mean, it just every time you're sitting in a moratorium on all beasts. 29:44.526 --> 29:45.847 [SPEAKER_02]: I'm just saying down beasts. 29:46.067 --> 29:47.108 [SPEAKER_02]: I'm just saying down beasts. 29:47.148 --> 29:51.030 [SPEAKER_02]: At least put them on probation or something because it's like, I'm sick of this shit. 29:51.071 --> 29:55.514 [SPEAKER_02]: Wolverine and a fight beast for a minute, you know, and they weren't cool. 29:55.874 --> 30:01.899 [SPEAKER_02]: Like, we can't just a, this is a, this is a different beast from a different time. 30:01.979 --> 30:03.420 [SPEAKER_02]: So, he's cool, right? 30:04.835 --> 30:08.677 [SPEAKER_00]: But he is, and he's his first different, his first. 30:08.717 --> 30:12.379 [SPEAKER_02]: So far, I don't trust the beast. 30:13.299 --> 30:15.420 [SPEAKER_00]: I wish he was going by yeti or something. 30:17.161 --> 30:18.382 [SPEAKER_02]: Now, we already have when to go. 30:18.422 --> 30:18.902 [SPEAKER_02]: It's their cool. 30:19.002 --> 30:19.862 [SPEAKER_02]: All right, we can move on. 30:19.902 --> 30:20.262 [SPEAKER_02]: I'm sorry. 30:20.423 --> 30:25.565 [SPEAKER_00]: No, I know, but like, just something because the chairman is just not a great name across the board. 30:25.926 --> 30:30.931 [SPEAKER_00]: But let's talk about another DNx book, X-Men number 39 from Marvel and by Jed McCay, R.Pynetho D.S. 30:31.171 --> 30:43.783 [SPEAKER_00]: Yeah, I mean, over the course of this crossover over the last three issues, we've gotten other stories in the X-Men books that are like sort of taking a moment and really chasing it down for us. 30:43.803 --> 30:44.284 [SPEAKER_00]: We got the, 30:44.927 --> 30:50.870 [SPEAKER_00]: the fight for the Cassandra Nova that Clint Quired did last issue, which was online fighting that was awesome. 30:50.890 --> 30:51.530 [SPEAKER_00]: It's very cool. 30:51.590 --> 30:52.390 [SPEAKER_00]: Another one before that. 30:52.711 --> 31:13.700 [SPEAKER_00]: This one we get a really, I thought successful, you know, action movie, what to hear with the Zorn and Black Crow, who is

Kwanan's boyfriend, and he's dealing with the fact that he doesn't really want to be an X man. 31:15.727 --> 31:37.288 [SPEAKER_02]: after he kills a bunch of people he makes he changes his mind uh... did i got a lot of people will some because the zorn didn't do shit so it was like all we're being attacked and disappeared came back afterwards and then was like oh i didn't do any of that all right but first it was a pacifist so he says in 31:37.789 --> 31:38.830 [SPEAKER_02]: Okay, well cool. 31:39.050 --> 31:39.290 [SPEAKER_02]: All right. 31:40.091 --> 31:47.017 [SPEAKER_02]: Um, so I just want to talk about this cover a little bit looks like a John Wick right. 31:47.117 --> 31:50.720 [SPEAKER_02]: I mean, come on, a little bit you don't see it or stop. 31:50.760 --> 31:50.920 [SPEAKER_02]: Okay. 31:51.001 --> 31:52.742 [SPEAKER_02]: All right, but what's my first thought. 31:53.142 --> 31:55.164 [SPEAKER_02]: I was like, oh my god, Keanu Reeves is on the Xman. 31:55.524 --> 31:56.525 [SPEAKER_02]: That's fucking awesome. 31:57.166 --> 32:00.409 [SPEAKER_00]: Um, but yeah, I was John Gray Crow now black crow. 32:00.949 --> 32:03.291 [SPEAKER_00]: Uh, slightly John Gray Crow. 32:03.331 --> 32:03.531 [SPEAKER_00]: Yeah. 32:03.872 --> 32:04.072 [SPEAKER_00]: Yeah. 32:05.382 --> 32:06.885 [SPEAKER_00]: But we do I like it in the back. 32:07.165 --> 32:07.726 [SPEAKER_00]: I like it too. 32:07.966 --> 32:09.088 [SPEAKER_00]: I like his whole thing. 32:09.389 --> 32:18.003 [SPEAKER_02]: Yeah, I know you like to get inside the head of you know you like to again side their mind so we get inside John Crow here and 32:19.242 --> 32:29.006 [SPEAKER_02]: Great Crow and just yeah, he's kind of like, oh man, you know, I got to stay at home, you know, got to guard the home, uh, put it. 32:29.026 --> 32:36.108 [SPEAKER_02]: Yeah, it turns out to be harder than he thought and uh, she gets crazy, but yeah, I liked to wear it and did. 32:36.388 --> 32:45.832 [SPEAKER_02]: I just also thought it was, you know, luckily, you know, blob was, you know, he came to it the right time, otherwise it could have been in real trouble. 32:45.852 --> 32:46.352 [SPEAKER_02]: You know what I mean? 32:47.238 --> 32:58.461 [SPEAKER_02]: Um, yes, um, that's the thing they don't talk a lot about it when somebody's in a coma Sometimes people wake up from a coma beat up whoever's around them and then go back into the coma like nothing People hate coms. 32:58.761 --> 32:59.081 [SPEAKER_00]: Yeah. 32:59.181 --> 33:00.942 [SPEAKER_02]: I mean it very it's confusing. 33:01.202 --> 33:05.603 [SPEAKER_00]: It's confusing when you're a coma You know, and it's hard to be like yeah that coma person just beat me up. 33:05.623 --> 33:07.944 [SPEAKER_02]: You know, like they're sleeping They're like the deli. 33:07.964 --> 33:08.584 [SPEAKER_02]: Yeah, they're dumb. 33:08.704 --> 33:09.905 [SPEAKER_02]: They haven't moved in years. 33:09.925 --> 33:14.406 [SPEAKER_02]: So like now he was just fucking up everybody was like, no He's in a coma 33:15.050 --> 33:16.551 [SPEAKER_00]: bones barely work. 33:16.951 --> 33:31.357 [SPEAKER_00]: Yes, Glaub Herman, who has been out, we get sort of, I mean, this whole story is like a locked house horror movie and we get the horror scene when Glaub Herman wakes up, kills a bunch of dudes and then lays back down. 33:31.857 --> 33:41.861 [SPEAKER_00]: Sort of a crazy thing, I mean, Glaub is being set up as we saw an age of revelation as he becomes like a major badass and that's they're aiming 33:42.405 --> 33:52.630 [SPEAKER_00]: And I think that's cool and it's a little stressful if you did read the age of revelation that a lot of the things that happened in that, which was like the ultimate bad news for the X-Men are coming to pass. 33:53.310 --> 33:57.352 [SPEAKER_00]: And Big Week for Glove Herman as we'll see in another book we're going to talk about in a little bit. 33:57.392 --> 33:58.593 [SPEAKER_00]: But before that, let's talk. 33:59.073 --> 34:06.817 [SPEAKER_00]: Star Trek Zero Point Number 1 for my DW and by Charlie Jane Anders are by Isaac Sanchez Gonzalez, this continuing. 34:07.598 --> 34:15.523 [SPEAKER_00]: every folding Star Trek line where we're getting just a lot of big creative ideas about the Star Trek universe. 34:15.783 --> 34:16.084 [SPEAKER_02]: Yeah. 34:16.164 --> 34:17.044 [SPEAKER_02]: I think this is cool. 34:17.184 --> 34:28.351 [SPEAKER_02]: I love the, you know, seeing it go under, you know, the famous ship go underwater and it kind of like, they get it ready to kind of go on the ocean. 34:28.431 --> 34:30.753 [SPEAKER_02]: So I thought that was just such a cool thing. 34:30.813 --> 34:32.634 [SPEAKER_00]: They literally batten down the hatches. 34:32.814 --> 34:35.516 [SPEAKER_00]: I mean, this isn't the enterprises, the endeavor. 34:35.596 --> 34:36.156 [SPEAKER_00]: So like, 34:37.177 --> 34:41.238 [SPEAKER_00]: It's not quite the iconic ship, but definitely a similar shape. 34:41.399 --> 34:42.879 [SPEAKER_00]: Yeah, similar shape, similar design. 34:43.199 --> 34:47.541 [SPEAKER_00]: And it goes into water like a show with equally loved by everyone. 34:47.641 --> 34:49.922 [SPEAKER_00]: Star Trek or sequeste DSP. 34:51.322 --> 34:55.143 [SPEAKER_00]: Anybody, anybody out there, listen to the Washington sequeste DSP? 34:56.564 --> 34:58.144 [SPEAKER_00]: P, sequest? 34:58.205 --> 34:58.425 [SPEAKER_00]: Nope. 34:58.805 --> 34:59.145 [SPEAKER_00]: Rosh. 34:59.165 --> 35:00.645 [SPEAKER_00]: Skyder, Star Trek underwater? 35:01.786 --> 35:02.106 [SPEAKER_02]: Yeah. 35:02.626 --> 35:04.687 [SPEAKER_00]: From the late 90s? 35:06.560 --> 35:14.031 [SPEAKER_00]: Jonathan Brandis, when I saw this ship go into the Ocean Thing, I was like, sequence DSP. 35:15.064 --> 35:15.545 [SPEAKER_02]: Oh, okay. 35:15.945 --> 35:20.630 [SPEAKER_02]: Well, I didn't, I missed me, so I didn't have any of that going on. 35:20.930 --> 35:27.236 [SPEAKER_02]: But I love the guy who's head

pops off and like you can take apart his body parts and kind of work different parts of the ship. 35:27.296 --> 35:29.038 [SPEAKER_02]: I thought that was cool and fun. 35:30.019 --> 35:30.560 [SPEAKER_02]: I liked this. 35:30.620 --> 35:34.684 [SPEAKER_02]: I thought it brought a nice kind of funness to Star Trek in a cool way. 35:35.745 --> 35:38.608 [SPEAKER_02]: The kind of art and tone brought a lightness so it's 35:40.329 --> 35:43.430 [SPEAKER_02]: I enjoyed this, I thought this was fun, zero point. 35:43.530 --> 35:45.071 [SPEAKER_02]: I was like, oh, I hate zero issues. 35:45.091 --> 35:46.732 [SPEAKER_02]: I don't want to do that, but this is different. 35:46.792 --> 35:48.013 [SPEAKER_02]: So I enjoyed it. 35:48.953 --> 35:57.078 [SPEAKER_00]: Yeah, the art is a little different than some of the other series, especially the recent one that took place after the burn, which was basically a horror story. 35:57.498 --> 36:00.960 [SPEAKER_00]: This is, as Pete saying, a little lighter, we're getting a lot of different alien. 36:01.891 --> 36:07.474 [SPEAKER_00]: creatures in this, which you don't see as much in the Star Trek universe, love the use of a hurrah here. 36:08.014 --> 36:12.217 [SPEAKER_00]: Oh yeah, hurrah appearance and I like the idea that she is integral. 36:12.577 --> 36:17.820 [SPEAKER_00]: They keep going back to the well in this Star Trek universe and finding interesting things. 36:18.583 --> 36:21.006 [SPEAKER_00]: Well, let's get into some bad seeds. 36:21.126 --> 36:24.230 [SPEAKER_02]: Bad seeds come out. 36:24.270 --> 36:31.619 [SPEAKER_00]: Maybe this is Gotham Central number two from D.C. And by Christopher Cantwell, Arby Jacob Phillips, I loved this issue. 36:31.639 --> 36:33.341 [SPEAKER_00]: The Jacob Phillips R is excellent. 36:33.741 --> 36:34.222 [SPEAKER_00]: This way. 36:35.045 --> 36:36.466 [SPEAKER_00]: run away subway trains. 36:36.526 --> 36:38.228 [SPEAKER_02]: This is your morning commute, bro. 36:38.268 --> 36:40.149 [SPEAKER_02]: This is what you do with every day. 36:40.169 --> 36:41.230 [SPEAKER_00]: 100%. 36:41.470 --> 36:45.113 [SPEAKER_00]: This is the kill train in the Batman universe. 36:45.213 --> 36:53.300 [SPEAKER_00]: Pete, this is like, I know you commute on one of those railroad carts where you like raise the handle and lower the handle with a friend. 36:53.800 --> 36:54.621 [SPEAKER_00]: Yep, you go. 36:56.642 --> 36:57.703 [SPEAKER_00]: That's how you get places. 36:57.743 --> 37:01.146 [SPEAKER_00]: So this is a train is like that, but powered by, 37:04.725 --> 37:09.329 [SPEAKER_02]: What's technology like what you remember meeting me in the city, right? 37:09.349 --> 37:27.563 [SPEAKER_02]: You remember how we used to hang out in the city and do shows Yes, you had your idea You think by mind out white when that when I love the city I'm no longer aware of what a subway is like well you had your little bull or hat and a haste in your mouth Then you said go Lee this is a lot of 37:28.404 --> 37:29.325 [SPEAKER_00]: tell buildings. 37:29.385 --> 37:29.746 [SPEAKER_00]: Look at them. 37:30.106 --> 37:31.328 [SPEAKER_00]: I said these barbers. 37:31.368 --> 37:32.710 [SPEAKER_02]: Like that's from Syracuse. 37:32.790 --> 37:33.791 [SPEAKER_02]: I'm from Rochester. 37:33.811 --> 37:35.293 [SPEAKER_02]: Neither one of us talk like that. 37:35.373 --> 37:36.054 [SPEAKER_02]: I don't know why. 37:36.074 --> 37:39.498 [SPEAKER_00]: I don't, I don't, I don't talk like that. 37:39.538 --> 37:41.781 [SPEAKER_00]: But I'm just saying that's what I heard when you spoke to me. 37:42.080 --> 37:42.540 [SPEAKER_00]: you in this. 37:42.560 --> 37:43.101 [SPEAKER_02]: Oh, okay. 37:43.201 --> 37:43.942 [SPEAKER_02]: All right. 37:44.422 --> 37:47.004 [SPEAKER_02]: Well, you would be so scared at night. 37:47.505 --> 37:51.508 [SPEAKER_02]: I would like to get back to talking about this comic because I do think it's amazing. 37:51.828 --> 37:53.129 [SPEAKER_02]: It's action-packed. 37:53.570 --> 37:55.151 [SPEAKER_02]: You know, it is non-stop. 37:55.211 --> 38:03.798 [SPEAKER_02]: And just when you think like the terrain ride or the manage is over, you know, they throw another twist at you and they're like, oh, yeah, what about this killer evil flower? 38:03.898 --> 38:05.560 [SPEAKER_02]: Like, just insane, 38:10.764 --> 38:13.507 [SPEAKER_02]: Yeah, I'm having a blast with the bad seed stories. 38:13.567 --> 38:15.388 [SPEAKER_02]: I think this is such a cool idea. 38:15.408 --> 38:19.952 [SPEAKER_02]: I do so well executed every bad seed issue. 38:20.032 --> 38:24.696 [SPEAKER_02]: I get pumped because I've been nothing but pleasantly surprised. 38:25.337 --> 38:27.419 [SPEAKER_00]: One of the best crossovers in recent memory. 38:27.999 --> 38:34.665 [SPEAKER_00]: The fact we get sort of a runaway train story here with the Gotham Central Characters, Jim Gordon, who's now a beat cop. 38:36.027 --> 38:54.586 [SPEAKER_00]: uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh... uh 38:55.565 --> 39:01.067 [SPEAKER_00]: Really bummer and to the issue but in a great way the Jacob Phillips art is excellent. 39:01.588 --> 39:14.373 [SPEAKER_00]: I just want this to keep going DC is crushing it right now pick up the if you're not even reading the bad seeds event these two standalone issues are excellent but let's talk the other 39:15.652 -->

39:16.893 [SPEAKER_00]: bad seed story here. 39:16.933 --> 39:18.574 [SPEAKER_00]: We got Batman bad seed. 39:18.594 --> 39:19.515 [SPEAKER_00]: Streets of Gotham, number one. 39:19.595 --> 39:30.802 [SPEAKER_00]: D.C. commissioner by Matt Fraction, Mariko Tamaki, Arbae Horay, Fornaz, Steve Lieber, Bruno Abdias, Rossi Gifford, Greta Lusky, and Brian Chang, this was such a pleasant surprise. 39:30.882 --> 39:39.848 [SPEAKER_00]: This was a, we have Matt and Mariko taking turns writing different stories, standalone stories that take place inside the bad seed event. 39:40.008 --> 39:41.709 [SPEAKER_00]: I love this idea. 39:42.189 --> 39:44.291 [SPEAKER_00]: I think all crossovers should have this little, 39:46.640 --> 39:51.449 [SPEAKER_02]: This was so impressive and I kept being like I finished a store in the vehicle. 39:51.469 --> 39:52.090 [SPEAKER_02]: Well, this can't 39:52.682 --> 40:17.940 [SPEAKER_02]: be mad fraction this felt so different and then I'd be like, mother fucker it is mad fraction this guy's just showing up it's one unique story after another unique story just this idea of if this happened to Gotham how it would affect people and just kind of the everyday and what would go down I think it's just such a cool idea to like really explore this event from all these different angles. 40:18.840 --> 40:19.540 [SPEAKER_02]: I love this. 40:19.880 --> 40:20.420 [SPEAKER_02]: You know what I mean? 40:20.440 --> 40:23.241 [SPEAKER_02]: Let's not just rush through something to get to a huge fight. 40:23.301 --> 40:24.641 [SPEAKER_02]: Like, let's sit in it. 40:24.681 --> 40:25.582 [SPEAKER_02]: Let's explore it. 40:25.622 --> 40:26.622 [SPEAKER_02]: Let's have some fun. 40:27.062 --> 40:28.122 [SPEAKER_02]: But man alive. 40:28.802 --> 40:35.284 [SPEAKER_02]: Matt Fraction and Rico, to my care, just absolutely killing this so many unique stories. 40:35.364 --> 40:36.024 [SPEAKER_02]: So cool. 40:36.484 --> 40:37.464 [SPEAKER_02]: One after the other. 40:37.504 --> 40:40.665 [SPEAKER_02]: Just I love all the different perspectives. 40:40.685 --> 40:45.166 [SPEAKER_02]: And I'm having just such a fun time with these bad seeds, man. 40:45.981 --> 40:48.123 [SPEAKER_00]: Yes, these bad seeds are good. 40:48.724 --> 40:48.964 [SPEAKER_00]: Yeah. 40:48.984 --> 40:50.305 [SPEAKER_00]: He is a great seed. 40:51.106 --> 40:54.469 [SPEAKER_00]: I love the use of the signal from the bat family. 40:54.649 --> 40:55.470 [SPEAKER_00]: Oh, yeah. 40:55.530 --> 40:58.033 [SPEAKER_00]: So much, really nice the math for action stories. 40:58.053 --> 41:01.696 [SPEAKER_00]: Really use him great just the first story out of it. 41:01.716 --> 41:10.445 [SPEAKER_00]: It's called the party about two people who are all looting and Gotham and sort of the way Gotham comes to help one of them and hurt another. 41:11.482 --> 41:39.204 [SPEAKER_00]: great like boots on the ground story from a map fraction following one of the tuco squads which are the like shock troops

that vandal savages putting out there to not only stop this big poison ivy plant situation but also like just kill members of the bat family that was probably my favorite story really well done great art it's a great package definitely 41:42.269 --> 41:45.572 [SPEAKER_00]: Let's move over to your one of your favorite fellows. 41:46.092 --> 42:02.745 [SPEAKER_00]: We've got all the most paradise Wolverine paradise number one marble by Dan Pinoji and Donna on writing art and all the way down to the logo design is all Dan Pinoji and Pete Is this your Wolverine? 42:03.646 --> 42:11.012 [SPEAKER_02]: Yeah, this is fun Yeah, there's an interesting moment of this comic that kind of threw me a little bit where like 42:13.016 --> 42:27.208 [SPEAKER_02]: This old dude comes up to Wolverine's like, hey, we've got unfinished business and Wolverine's like, I don't know who you are And he's like, oh, you do you just haven't been around me at all because like Wolverine clocks mutants by their scent You know what he mean? 42:27.528 --> 42:30.851 [SPEAKER_02]: And he's kind of famously like he can pick Sabre to the out of a crowd. 42:31.252 --> 42:33.434 [SPEAKER_02]: He once he's got your scent You know what he means? 42:33.454 --> 42:36.116 [SPEAKER_02]: So he was just like it was a little surprising to me. 42:36.136 --> 42:39.199 [SPEAKER_02]: He was like, yeah, I don't know who you are guy and this guy like 42:40.008 --> 42:42.670 [SPEAKER_00]: Maybe he doesn't save some surprise things differently. 42:43.231 --> 42:44.492 [SPEAKER_02]: Yeah, maybe things differently now. 42:44.812 --> 42:45.973 [SPEAKER_02]: He's a different kind of stink. 42:46.273 --> 42:47.654 [SPEAKER_00]: That's the way I like that. 42:48.074 --> 42:50.196 [SPEAKER_00]: I'll go under cover by just stinking differently. 42:50.536 --> 42:51.517 [SPEAKER_02]: Yeah, that's smart. 42:51.637 --> 42:52.138 [SPEAKER_02]: That's smart. 42:52.658 --> 42:56.101 [SPEAKER_00]: Really, just for everyone off the scent of my stinking and a different. 42:56.481 --> 42:57.422 [SPEAKER_02]: Wow, that's impressive. 42:57.782 --> 43:02.106 [SPEAKER_02]: You know, they say actors can really become different people and you're just proving that true. 43:03.627 --> 43:06.449 [SPEAKER_02]: Yeah, I mean, Zobs would love this because the dazzlers in it. 43:07.730 --> 43:15.698 [SPEAKER_02]: Yeah, I think this is interesting, man, getting riddled with bullets really was the kind of fountain of youth for that guy. 43:15.758 --> 43:18.120 [SPEAKER_02]: So yeah, I'm very interested in the sea. 43:19.181 --> 43:23.706 [SPEAKER_02]: You know, do you have to keep spraying this guy with bullets to keep me younger, you know, how this is going to work. 43:23.766 --> 43:26.849 [SPEAKER_00]: But just a little bullet back to keep it popping. 43:27.329 --> 43:27.610 [SPEAKER_02]: Yeah. 43:28.250 --> 43:29.631 [SPEAKER_00]: I, yeah, I thought the art in this was cool. 43:29.651 --> 43:32.994 [SPEAKER_00]: The empenocian real really taken this book. 43:33.014 --> 43:34.335 [SPEAKER_00]: He does, he does the colors in this. 43:35.175 --> 43:36.216 [SPEAKER_00]: He, he does it all here. 43:36.917 --> 43:38.177 [SPEAKER_00]: I thought it was very interesting. 43:38.498 --> 43:40.399 [SPEAKER_00]: You could see him on the cover here. 43:40.439 --> 43:41.840 [SPEAKER_00]: The Wolverine's classes. 43:42.240 --> 43:45.223 [SPEAKER_00]: Did he steal Cyclops, Ruby Quartz classes? 43:45.823 --> 43:47.024 [SPEAKER_00]: Because these classes are... 43:47.044 --> 43:48.165 [SPEAKER_02]: He also kind of stole his book. 43:48.205 --> 43:49.166 [SPEAKER_02]: It's probably his fully read. 43:49.806 --> 43:50.006 [SPEAKER_00]: Yeah. 43:50.086 --> 43:52.228 [SPEAKER_00]: Well, no, I think Wolverine's a motorcycle guy. 43:52.788 --> 43:56.791 [SPEAKER_02]: Yeah, but he famously stole Cyclops a motorcycle one time. 43:58.321 --> 43:59.782 [SPEAKER_00]: you remember all the cyclops lights. 44:00.302 --> 44:05.126 [SPEAKER_00]: I think it's funny in this book a guy pulls a nice on Wolverine and he's like yeah three knives on each hand. 44:05.446 --> 44:06.546 [SPEAKER_02]: Yeah. 44:07.047 --> 44:09.729 [SPEAKER_02]: We know we can clearly see him. 44:09.969 --> 44:11.410 [SPEAKER_02]: We're just kind of protruding them. 44:11.430 --> 44:11.950 [SPEAKER_02]: You don't have to. 44:12.791 --> 44:14.812 [SPEAKER_00]: It's a weird thing for him to say to himself. 44:15.152 --> 44:15.412 [SPEAKER_02]: Yeah. 44:15.773 --> 44:16.053 [SPEAKER_00]: Yeah. 44:16.093 --> 44:16.453 [SPEAKER_00]: I love. 44:17.374 --> 44:39.341 [SPEAKER_00]: but um... interesting story we're gonna see where the mystery is the art is really nice here let's talk twelve foot skeleton holy skeleton sees it oh man do you think you inflate a giant skeleton on your lawn uh... no uh... one i live in the city i have a backyard but uh... on the front we do have like too many pumpkins that's a new fun 44:40.310 --> 44:48.235 [SPEAKER_00]: But 12th of the number one from ignition presser in by Aaron Campbell and Tim Missile Temple Smith the Bentettables Smith are is excellent here. 44:48.715 --> 44:55.420 [SPEAKER_00]: We're getting a story about really diving into some families in the neighborhood and all of a sudden 44:55.880 --> 44:59.503 [SPEAKER_00]: I'm really fucked with the 12-foot skeleton and there's a price to be paid. 44:59.803 --> 45:07.729 [SPEAKER_02]: Yeah, yeah, here's the thing, Ben Temple Smith is an amazing artist and this is spooky and all sorts of ways. 45:08.730 --> 45:18.478 [SPEAKER_02]: I almost walked away from this comic, but because it is Tim Sealy, I kept reading because when that guy touched that kid, I wanted to do just 45:19.138 --> 45:27.546 [SPEAKER_02]: Stop reading and not have to continue, but I did and the good news is that guy got You know got it got what he deserved. 45:27.966 --> 45:33.451 [SPEAKER_02]: I would have stretched it out made it last a little bit longer and tortured him longer But

that's just me, but man. 45:33.491 --> 45:37.134 [SPEAKER_02]: This is a Yeah, a little storming on this. 45:37.154 --> 45:39.556 [SPEAKER_02]: This is graphic in the ways that you don't want. 45:39.656 --> 45:42.419 [SPEAKER_02]: So just a heads up on this comic man 45:43.243 --> 45:51.632 [SPEAKER_00]: It's interesting to have a skeleton very popular thing to put up in your lawn and now this book, really, maybe you're going to hurt the industry. 45:52.313 --> 45:57.238 [SPEAKER_02]: Yeah, this might take down those 12-foot skeletons. 45:57.338 --> 45:59.380 [SPEAKER_00]: Big and 12-foot skeleton is in trouble. 45:59.821 --> 46:00.642 [SPEAKER_02]: Take them down a foot. 46:01.671 --> 46:04.092 [SPEAKER_00]: Yeah, 11 foot maxed out 11 feet. 46:04.612 --> 46:10.074 [SPEAKER_00]: Doom all on one number one from Arvon by Aliyuing R. by Alessandro Capuchio. 46:10.815 --> 46:14.356 [SPEAKER_00]: Doc Joom, you're a guy, Pete. 46:14.376 --> 46:17.397 [SPEAKER_02]: Yeah, I mean, this is classic Doom. 46:17.477 --> 46:19.138 [SPEAKER_02]: I love this, you know what I mean? 46:20.815 --> 46:47.948 [SPEAKER_02]: uh... you know just like you were saying before jt says like to miss his own worst enemy you know me like he could have saved her base he could have saved the day but he was like all i could take the fantastic war i got fifty seconds i can't no dude you can't you know me like you should have saved you know your mom when you could but then you got cocky and then you thought you could take down the four and fifty seconds and bro that's not that's not how uh... you know 46:50.120 --> 46:51.221 [SPEAKER_02]: I was I was disappointed. 46:51.261 --> 46:54.023 [SPEAKER_02]: I was rooting for Doom to save his mom. 46:54.243 --> 46:55.044 [SPEAKER_02]: I was rooting for Doom. 46:55.184 --> 47:04.992 [SPEAKER_02]: I usually root for Doom so I was Really hoping he would save his mom, but you know, he can't get out of his own goddamn way and 47:06.221 --> 47:11.406 [SPEAKER_02]: bit off more than you can chew, but you know, also I'm in a positive he's like, I'll get him next year. 47:11.426 --> 47:12.687 [SPEAKER_02]: I was like, look at this guy. 47:12.827 --> 47:14.028 [SPEAKER_02]: That's really good. 47:14.048 --> 47:16.530 [SPEAKER_02]: Dr. Tomb ruled glasses half full of type of guy. 47:16.550 --> 47:18.692 [SPEAKER_02]: You don't think that about to him, but yeah, yes. 47:18.772 --> 47:20.153 [SPEAKER_00]: Well, yeah, he's such an optimist. 47:20.333 --> 47:20.693 [SPEAKER_00]: Yeah. 47:20.713 --> 47:24.317 [SPEAKER_00]: What I think about doom is he's like toxic masculinity spider man. 47:24.957 --> 47:28.460 [SPEAKER_00]: He just, he's just talking and talking and talking all the time. 47:28.560 --> 47:29.061 [SPEAKER_00]: It's like, shit. 47:29.081 --> 47:29.921 [SPEAKER_00]: You're about to do your work. 47:30.161 --> 47:31.663 [SPEAKER_00]: My guy need to be much more successful. 47:32.203 --> 47:33.544 [SPEAKER_00]: Set this book up a little bit.

47:34.666 --> 47:43.228 [SPEAKER_00]: We've seen a lot of recent doom stories that he traded his true love soul to Mephisto. 47:44.289 --> 47:47.109 [SPEAKER_02]: So that he's the worst man. 47:47.149 --> 47:56.112 [SPEAKER_00]: We, in this issue, we are reminded that Doom's mother was also, her soul was also traded to Mephisto. 47:56.132 --> 47:59.673 [SPEAKER_00]: So Mephisto is just gathering doom, doom souls. 48:00.706 --> 48:03.028 [SPEAKER_02]: This was playing Doom like a fiddle, man. 48:03.068 --> 48:13.576 [SPEAKER_00]: Yeah, every year when the veil between world does that, it's thinnest Doom goes to Mephisto and fights just the entire Marvel universe in hopes of rescuing his mother's soul. 48:14.836 --> 48:16.157 [SPEAKER_00]: Which is a fun premise. 48:16.217 --> 48:17.719 [SPEAKER_00]: We get some fun battles here. 48:17.759 --> 48:21.722 [SPEAKER_00]: Doom is basically unstoppable in this except for his ego. 48:22.382 --> 48:23.743 [SPEAKER_00]: Take some down one more time. 48:25.170 --> 48:26.510 [SPEAKER_00]: So this is a good read. 48:26.570 --> 48:31.431 [SPEAKER_00]: If you want to see just a good fight, this is a big issue long fight, I think. 48:31.451 --> 48:32.651 [SPEAKER_02]: Yeah, it's fun. 48:32.911 --> 48:34.772 [SPEAKER_02]: It's yeah, that's action packed. 48:35.292 --> 48:36.552 [SPEAKER_02]: It's a fun story. 48:36.852 --> 48:41.913 [SPEAKER_02]: It's yeah, I was just super impressed with not only the art, but the kind of pace of it. 48:42.573 --> 48:43.573 [SPEAKER_00]: Yeah. 48:43.593 --> 48:50.074 [SPEAKER_00]: Let's not Cassie number one from Boom Studio's in my Sam Humphrey's art by Elia Nora Carlini. 48:50.534 --> 48:53.815 [SPEAKER_00]: So this story is a baseball team. 48:54.333 --> 49:16.653 [SPEAKER_00]: Yeah, women's baseball team that is also a cult that worships this guy who they call coach but is a sort of demon dragon from beyond the world right right and then that a new world joins the team that they're trying to sacrifice her but she ends up becoming part of the team because she's very powerful. 49:17.192 --> 49:19.313 [SPEAKER_00]: This is a wild ride of the story. 49:19.514 --> 49:23.816 [SPEAKER_02]: Yeah, I mean, it's been a wild since I played baseball on the team, but that's kind of hard. 49:23.856 --> 49:31.321 [SPEAKER_02]: Remember, you know, like you got an evil coach who's just like a warlord, who's always like, yeah, you know, I want more reps. 49:31.441 --> 49:39.586 [SPEAKER_00]: I want more this, you know, I know for a fact, the Yankees sacrifice, um, a virgin, male or female before every game. 49:39.967 --> 49:40.947 [SPEAKER_00]: Wow, near Yankees. 49:41.448 --> 49:41.768 [SPEAKER_00]: Wow. 49:41.948 --> 49:45.710 [SPEAKER_00]: You would think that would help him, you know, I mean, yeah, not it up. 49:47.024 --> 50:00.039 [SPEAKER_00]: they're going to add a second and a half a bay uh... yeah all right and he's been over here i don't know guardians being lost i think it's a good yeah yeah i was i was like man c it's possible yeah 50:00.598 --> 50:00.918 [SPEAKER_00]: really nice. 50:00.938 --> 50:02.240 [SPEAKER_00]: What do you think about this book though? 50:02.861 --> 50:04.643 [SPEAKER_02]: I love the art of this book. 50:04.903 --> 50:07.306 [SPEAKER_02]: I love the kind of unique characters. 50:07.386 --> 50:08.768 [SPEAKER_02]: It's got a fun feel to it. 50:08.788 --> 50:11.631 [SPEAKER_02]: A lot of unique, funny, different characters. 50:12.051 --> 50:15.696 [SPEAKER_02]: There's a lot of serious crazy shit happening. 50:15.716 --> 50:19.040 [SPEAKER_02]: The art has a funness to us, a lightness to it, that kind of brings 50:19.560 --> 50:20.601 [SPEAKER_02]: a cool take on it. 50:20.881 --> 50:22.241 [SPEAKER_02]: Yeah, super impressed with this. 50:22.741 --> 50:31.245 [SPEAKER_02]: I don't know all that's happening and I would love to see more, but Yeah, it seems less about baseball, but man, this is this is pretty cool. 50:31.605 --> 50:32.446 [SPEAKER_02]: I like this issue. 50:32.906 --> 50:35.367 [SPEAKER_00]: Yeah, it's pretty irreverent and pacing wise. 50:35.427 --> 50:39.229 [SPEAKER_00]: It sort of jumps around in a way that really keeps you like not quite 50:50.185 --> 50:57.291 [SPEAKER_00]: really effective way of bringing sports into a comic book story that is also about like big demon culture. 50:58.832 --> 51:07.840 [SPEAKER_00]: So fun read let's talk action comics number one one oh three from easy comics of my Mark Wade are by Patricia O. Del Pesh. 51:07.920 --> 51:13.865 [SPEAKER_00]: Lex Luther year one part one we're getting back to some Lex. 51:15.888 --> 51:17.949 [SPEAKER_00]: It's time for some intellectual favors. 51:18.409 --> 51:18.789 [SPEAKER_00]: Oh, oh. 51:18.849 --> 51:19.450 [SPEAKER_00]: Oh, boy. 51:20.350 --> 51:22.011 [SPEAKER_00]: Some hot lex here. 51:22.511 --> 51:24.412 [SPEAKER_00]: We're going young, young lex. 51:24.992 --> 51:25.852 [SPEAKER_00]: We're getting lex. 51:25.952 --> 51:27.333 [SPEAKER_00]: How he sort of became who he is. 51:27.353 --> 51:30.495 [SPEAKER_00]: We get some time with Alexis parents and this, that I thought was really good. 51:31.315 --> 51:32.595 [SPEAKER_00]: And interesting. 51:32.615 --> 51:34.456 [SPEAKER_00]: I think Mark Wade is very smartly doing this. 51:34.556 --> 51:40.519 [SPEAKER_00]: He pairs it with even though we've seen a lot of Superman's life growing up. 51:40.984 --> 51:45.929 [SPEAKER_00]: We get to see that some more of that here, which really interesting stuff really well done. 51:46.770 --> 51:53.416 [SPEAKER_00]: And I think this is building toward Lex and Clark being in the same space basically. 51:54.798 --> 52:00.239 [SPEAKER_02]: Yeah, time will tell, um, so yeah, Lex year one on the cover here. 52:00.299 --> 52:02.040 [SPEAKER_02]: So I wasn't that excited about that. 52:02.060 --> 52:07.501 [SPEAKER_02]: I'm not a big Luther head, but the young soup stuff was really great. 52:07.701 --> 52:09.561

[SPEAKER_02]: I love the art, the tone. 52:10.121 --> 52:20.083 [SPEAKER_02]: The art really sets up this kind of really kind of unique world here that we've seen the origin story a bunch, but this is kind of a different take and I was feeling it. 52:24.224 --> 52:25.344 [SPEAKER_02]: this really opened me up. 52:26.625 --> 52:29.185 [SPEAKER_02]: The Ken stuff was adorable and touching. 52:29.205 --> 52:35.707 [SPEAKER_02]: Yeah, this has a really good kind of take on something I've seen before, so I was impressed. 52:36.327 --> 52:37.708 [SPEAKER_02]: Yeah, I can't wait for the next issue. 52:38.348 --> 52:45.650 [SPEAKER_00]: And I really like that we get to see the problems that Lex's parents sort of gave to him, essentially. 52:46.927 --> 52:53.953 [SPEAKER_00]: like in the beginning his father sort of like struggling with some addiction stuff and not able to like be good. 52:54.653 --> 53:07.043 [SPEAKER_00]: But then his mom is exhibiting some sociopathically if you're by the end of it that I thought was a nice just one to punch just just another great well planned out well plotted story from Mark Wade. 53:08.428 --> 53:29.557 [SPEAKER_00]: But let's jump across to over to Marvel once again for Nova return of the rings number one written by Josh Truelio and Juan Ponce art by Raphael Lourero and Bruno Abdias and Andy Pereira This getting into our young Nova We haven't seen for a little bit. 53:29.637 --> 53:31.978 [SPEAKER_00]: We have and we get to see him here as well. 53:31.998 --> 53:36.940 [SPEAKER_00]: A richer rider sort of being the Nova We had a Nova series a couple months back that they 53:37.661 --> 53:42.963 [SPEAKER_00]: and we were reading that was sort of re-invention is sort of Hawkeyeification of that Nova. 53:42.983 --> 53:57.687 [SPEAKER_00]: But this is the Nova, the much younger Nova, there was part of the reboot of the younger characters that happened a few years back when we had Cyclops, who was had Time Traveled forward, but it was the Champions, it was that title. 53:58.487 --> 54:05.190 [SPEAKER_00]: Cyclops would Time Traveled forward in time who was young and he joined this team of other heroes. 54:07.122 --> 54:07.802 [SPEAKER_00]: Pete, what do you think of this? 54:08.802 --> 54:09.943 [SPEAKER_02]: I like both stories. 54:10.143 --> 54:15.264 [SPEAKER_02]: I thought the kind of first one here where we're dealing with some memory loss here. 54:15.284 --> 54:18.005 [SPEAKER_02]: A lot of Marvel books taking people's memories. 54:18.025 --> 54:18.885 [SPEAKER_02]: I don't know what's going on. 54:18.925 --> 54:20.306 [SPEAKER_02]: Spider-Man, they're taking memories. 54:20.766 --> 54:22.426 [SPEAKER_02]: This, they're into taking memories. 54:23.406 --> 54:24.567 [SPEAKER_00]: I've been stealing your memories. 54:25.587 --> 54:27.648 [SPEAKER_02]: Yeah, that's why I think pictures were right stuff down. 54:27.868 --> 54:31.849 [SPEAKER_02]: I mean, you can take it, but you can't take all of the copies. 54:32.960

--> 54:35.182 [SPEAKER_02]: I got some hard back in the back of them. 54:35.202 --> 54:36.242 [SPEAKER_00]: I really do in the back of them. 54:36.362 --> 54:37.223 [SPEAKER_02]: Yeah, I'm doing the work. 54:38.544 --> 54:46.790 [SPEAKER_02]: But yeah, fun art, you know, in the first ones, a little bit more, a kind of cartoony, a little bit more lightness, which is cool. 54:49.045 --> 55:04.008 [SPEAKER_02]: Yeah, second one also has got kind of a cool art cool young kind of look to it, but yeah, you know, it's about a sister and, you know, her performance that he misses, but yes, still sweet saves the day. 55:04.508 --> 55:05.728 [SPEAKER_02]: Yeah, I thought this was fun. 55:06.268 --> 55:08.148 [SPEAKER_02]: Good kind of number one issue. 55:08.208 --> 55:09.308 [SPEAKER_02]: Great art action. 55:10.809 --> 55:13.129 [SPEAKER_02]: Yeah, so I thought they had a great vibe to it. 55:18.590 --> 55:20.971 [SPEAKER_00]: story really catches up with him in a strange place. 55:21.371 --> 55:25.793 [SPEAKER_00]: He's a trap is late for him and then he gets out of it in an interesting way. 55:26.273 --> 55:34.336 [SPEAKER_00]: I was struck by we get a two-be continued in the pages of Iron Man in 2027. Who really said step up for the future? 55:34.356 --> 55:38.518 [SPEAKER_02]: Yeah, and also I was hoping for some lore of the ring references because we got return of the ring. 55:38.538 --> 55:41.399 [SPEAKER_02]: I thought it was a plan to return to the king, but no, I guess not. 55:41.439 --> 55:41.980 [SPEAKER_02]: You know what I mean? 55:43.200 --> 55:45.821 [SPEAKER_00]: No, it was just a return of some rings that were part of the 55:48.927 --> 55:54.647 [SPEAKER_00]: powerful and in space, but different rings than other rings that we've encountered in the Marvel universe. 55:55.364 --> 55:55.884 [SPEAKER_00]: Rings rings. 55:55.904 --> 55:56.785 [SPEAKER_00]: There's a lot of rings. 55:56.885 --> 56:00.567 [SPEAKER_00]: Let's talk Archie versus the Terminator. 56:00.647 --> 56:01.128 [SPEAKER_00]: Oh, man. 56:01.668 --> 56:05.551 [SPEAKER_00]: Written by Rory McConville, art by Stephen Butler and Lily Butler. 56:06.451 --> 56:12.255 [SPEAKER_00]: This is, um, I love how this really starts in Terminator. 56:12.735 --> 56:14.336 [SPEAKER_00]: We get, let me just explain this story. 56:14.636 --> 56:18.839 [SPEAKER_00]: So we start with a little Terminator, um, right out of Terminator 2. 56:19.239 --> 56:21.501 [SPEAKER_00]: Then we go to Riverdale with some classic, just, 56:22.091 --> 56:29.435 [SPEAKER_00]: the Archie Jughead, just be in fun, Reggie Mantle, found a little babe, a bird nest that everyone's watching. 56:30.175 --> 56:33.997 [SPEAKER_00]: And then Inwax had cared, and it's drawn in the classic Archie style. 56:34.477 --> 56:38.259 [SPEAKER_00]: And then Inwax, someone who, you're like, whoa, who's that? 56:38.639 --> 56:39.960 [SPEAKER_00]: It's introduces Max. 56:40.020 --> 56:42.461 [SPEAKER_00]: We find out later, spoiler that it's John Connor. 56:43.081 --> 56:48.544 [SPEAKER_00]: And he's drawn like, and Archie, Archified, John Connor from Terminator 2. 56:49.370 --> 56:51.251 [SPEAKER_00]: And I just thought it was very charming. 56:51.772 --> 56:55.614 [SPEAKER_00]: We do get the T1,000 showing up later. 56:55.834 --> 57:00.077 [SPEAKER_00]: I undercover as the new gym teacher at Riverdale High. 57:01.117 --> 57:02.878 [SPEAKER_00]: And it all really works. 57:03.179 --> 57:04.139 [SPEAKER_00]: I thought it was so effective. 57:04.219 --> 57:10.163 [SPEAKER_00]: I love they made the choice to keep it in the Archie Comics style arch rather than doing something different. 57:11.667 --> 57:12.227 [SPEAKER_02]: Yeah, I agree. 57:12.247 --> 57:12.928 [SPEAKER_02]: This is fun. 57:13.528 --> 57:15.930 [SPEAKER_02]: They kind of slow play this a little bit. 57:16.010 --> 57:21.775 [SPEAKER_02]: Like it opens within a team of 1,000 stepping on Jughead's skull and I was like, no. 57:22.235 --> 57:27.939 [SPEAKER_02]: But then we kind of really kind of work our way into this story where we're starting in Riverdale. 57:28.279 --> 57:30.361 [SPEAKER_02]: See what the gang is up to and everything. 57:30.441 --> 57:34.504 [SPEAKER_02]: So yeah, I thought they did a good job with this. 57:34.584 --> 57:36.526 [SPEAKER_02]: I want to see what's going to happen. 57:36.546 --> 57:38.007 [SPEAKER_02]: I want to kind of get to a little bit. 57:38.607 --> 57:48.175 [SPEAKER_02]: I'm mad at this issue, I think, you know, just establishing the world and setting up a tone and all that kind of stuff before we break it and light it on fire is fine. 57:49.116 --> 57:52.038 [SPEAKER_02]: But yeah, just a fun idea. 57:52.178 --> 57:58.383 [SPEAKER_02]: I'm excited to see how this is going to be executed, you know, it's fun when they kind of do stuff like this to Archie. 57:58.403 --> 58:02.927 [SPEAKER_00]: So you think much like the announced Star Wars Marvel crossover. 58:02.947 --> 58:04.428 [SPEAKER_00]: This is also in canon. 58:05.957 --> 58:07.798 [SPEAKER_00]: that we're going to get to see R.C. 58:07.859 --> 58:13.083 [SPEAKER_00]: maybe is one of the skull, the skeletons at the beginning of a Terminator movie. 58:13.163 --> 58:15.645 [SPEAKER_00]: Shaka Red hair as he's just absolutely savage. 58:16.745 --> 58:17.266 [SPEAKER_00]: We'll see. 58:17.486 --> 58:17.986 [SPEAKER_00]: We'll see. 58:18.147 --> 58:18.827 [SPEAKER_00]: Time will tell. 58:20.408 --> 58:21.889 [SPEAKER_00]: Time will tell. 58:21.909 --> 58:23.371 [SPEAKER_00]: Barbara Gordon. 58:23.511 --> 58:24.892 [SPEAKER_00]: Breakouts. 58:24.952 --> 58:25.372 [SPEAKER_00]: He's coming. 58:25.412 --> 58:26.153 [SPEAKER_00]: He's coming. 58:26.213 --> 58:27.073 [SPEAKER_00]: He's coming. 58:27.134 --> 58:28.234 [SPEAKER_00]: He's coming. 58:28.314 --> 58:30.596 [SPEAKER_00]: He's coming. 58:30.636 --> 58:32.538 [SPEAKER_00]: Barbara Gordon has been in jail. 58:32.878 --> 58:33.478 [SPEAKER_00]: There's been. 58:34.825 -->

58:41.845 [SPEAKER_00]: It's been a struggle, she's not doing well there, but we're starting to get into some of the more conspiracy things that are 58:42.332 --> 58:43.333 [SPEAKER_00]: forcing you to be there. 58:43.393 --> 58:44.614 [SPEAKER_00]: Pete, what did you think about this? 58:44.954 --> 58:49.658 [SPEAKER_02]: Well, what's what I loved about this issue is this brought me back to speaking of Archie. 58:49.678 --> 58:55.382 [SPEAKER_02]: This brought me back to the Riverdale TV show days because this is a breakneck speed. 58:55.743 --> 58:57.604 [SPEAKER_02]: This pace is insane. 58:57.764 --> 59:03.509 [SPEAKER_02]: So much goes down to the Islamic tons of action, tons of stuff goes down. 59:03.929 --> 59:06.351 [SPEAKER_02]: This moves so well, man. 59:06.471 --> 59:07.192 [SPEAKER_02]: I was just like, 59:07.532 --> 59:09.454 [SPEAKER_02]: Holy crap, look at this pace. 59:10.394 --> 59:12.616 [SPEAKER_02]: I was really loving this issue. 59:12.636 --> 59:17.640 [SPEAKER_02]: I was really impressed with everything that all happened within this issue. 59:18.841 --> 59:20.522 [SPEAKER_02]: Man, I can't wait to read more. 59:20.602 --> 59:22.003 [SPEAKER_02]: I am so hooked on this. 59:22.103 --> 59:23.124 [SPEAKER_02]: I love this team. 59:23.625 --> 59:24.425 [SPEAKER_02]: I love this art. 59:24.505 --> 59:26.207 [SPEAKER_02]: I love how quickly this moves. 59:26.447 --> 59:28.688 [SPEAKER_02]: This is just a blast. 59:28.768 --> 59:29.229 [SPEAKER_02]: I was like, 59:33.925 --> 59:35.666 [SPEAKER_00]: out the glowing review for Pete. 59:35.706 --> 59:36.027 [SPEAKER_00]: I agree. 59:36.067 --> 59:36.767 [SPEAKER_00]: I enjoyed this. 59:37.328 --> 59:39.509 [SPEAKER_00]: I really love the reveal in the last page. 59:39.549 --> 59:45.554 [SPEAKER_00]: I thought that was a nice callback to some recent stuff that's happened. 59:45.814 --> 59:55.922 [SPEAKER_00]: I guess a few years ago now, but just throughout the DC continuity, arts really nice, really clean, style to it. 59:57.063 --> 59:58.104 [SPEAKER_00]: Looking forward to the next one. 59:59.175 --> 01:00:02.518 [SPEAKER_00]: Let's talk Captain Britain real shabby house thing here for this. 01:00:02.618 --> 01:00:25.697 [SPEAKER_00]: He is the number one Guy for this but Captain Britain 50th anniversary special number one Mar from Marvel written by Chris Claremont Allen Davis and Dan Abnan or by Paul Davidson Allen Davis and Kelsey Ramsey You're celebrating the Captain Britain and his time in the Marvel universe We get um I three stories here. 01:00:25.717 --> 01:00:26.698 [SPEAKER_00]: I pee what do you think? 01:00:27.288 --> 01:00:29.009 [SPEAKER_02]: I thought this was a fun celebration. 01:00:29.069 --> 01:00:30.009 [SPEAKER_02]: I really liked this. 01:00:30.109 --> 01:00:32.070 [SPEAKER_02]: I thought that he had a good job with it. 01:00:32.110 --> 01:00:35.532 [SPEAKER_02]: Also, I liked how they kind of liked her moments, you know what I mean? 01:00:35.572 --> 01:00:44.496 [SPEAKER_02]: Like, Captain Britain defeats this bad guy and then, like, rips this scepter out of the dead body and, like, ends it back into the dudes like here. 01:00:44.816 --> 01:00:47.898 [SPEAKER_02]: You know, it was just such a kind of funny, weird moment. 01:00:49.059 --> 01:01:03.947 [SPEAKER_02]: Yeah, I like when Captain Britain's quirky and kind of fun and making fun of itself a little bit, so I feel like this is a great kind of celebration of that and that tone, I thought it was a fun collection of stories, so yeah, I enjoy Captain Britain. 01:01:05.248 --> 01:01:12.652 [SPEAKER_00]: Yeah, I mean, this is the Excalibur stories are have always been sort of odd and strange, you have other world and all this other like, 01:01:13.526 --> 01:01:39.402 [SPEAKER_00]: magical and very like UK mythology built stuff are theory and legend so very much following this of course you got Alan Davis in here he I would like his story the best the second one X caliber is a wild title that this is sort of being the torch bearer of Alex loved it it's a shame he will have it he will have a take on this 01:01:41.734 --> 01:02:11.527 [SPEAKER_00]: uh... would be more of like this is me i'm this uh... will wrap me in that union jack take me home uh... britain i'm your favorite son and i think he and i just like to uh... let's talk sicko number three from ignition press to resolve an impression uh... in a way uh... written by tini Howard art by amel car pinia uh... we have a a person who's immune system is uh... just kicking out 01:02:12.298 --> 01:02:14.920 [SPEAKER_00]: disease, a true psychopy, what do you think? 01:02:15.720 --> 01:02:18.322 [SPEAKER_02]: Well, I, this is some tripped out cool shit. 01:02:18.442 --> 01:02:28.509 [SPEAKER_02]: I really thought they did like a great job with the art of like putting everything in this fish eye lens or everything's kind of like, rounded out and kind of a little off-makes out. 01:02:28.889 --> 01:02:32.552 [SPEAKER_02]: Yeah, this is a really unique and cool look to it. 01:02:32.712 --> 01:02:33.453 [SPEAKER_02]: And I feel like 01:02:34.961 --> 01:02:41.025 [SPEAKER_02]: that one panel was just like an open chest and inside is the sky and there's hot air balloons. 01:02:41.065 --> 01:02:45.348 [SPEAKER_02]: It was just so epic and such an iconic hot air balloons. 01:02:45.388 --> 01:02:46.549 [SPEAKER_00]: You know my handle here. 01:02:47.110 --> 01:02:47.450 [SPEAKER_02]: Yeah. 01:02:47.810 --> 01:02:48.691 [SPEAKER_00]: Yeah. 01:02:48.811 --> 01:02:49.912 [SPEAKER_02]: Also we share that. 01:02:50.232 --> 01:02:54.115 [SPEAKER_02]: There's nothing scare than being up in the sky and wicker. 01:02:54.475 --> 01:02:57.257 [SPEAKER_00]: It's not we talked about this on a recent show and man. 01:02:58.190 --> 01:02:58.790 [SPEAKER_00]: No fun. 01:02:59.231 --> 01:02:59.551 [SPEAKER_00]: Yeah. 01:02:59.571 --> 01:03:00.971 [SPEAKER_00]: Up up away in my beautiful balloon. 01:03:00.991 -->

01:03:01.712 [SPEAKER_00]: No thank you. 01:03:01.772 --> 01:03:02.612 [SPEAKER_00]: No thank you. 01:03:02.952 --> 01:03:03.232 [SPEAKER_02]: Yeah. 01:03:03.472 --> 01:03:03.733 [SPEAKER_02]: Yeah. 01:03:03.893 --> 01:03:05.173 [SPEAKER_02]: I will be on the ground. 01:03:05.894 --> 01:03:07.955 [SPEAKER_02]: Not hoping Wicker is going to hold. 01:03:08.415 --> 01:03:08.895 [SPEAKER_02]: Anyways. 01:03:10.036 --> 01:03:10.276 [SPEAKER_02]: Yeah. 01:03:10.356 --> 01:03:14.518 [SPEAKER_02]: I was just really kind of blown away by the tripped out cool story. 01:03:16.138 --> 01:03:17.699 [SPEAKER_02]: I mean, worth it for the art alone. 01:03:17.739 --> 01:03:19.860 [SPEAKER_02]: This is Super Tide Nanners workout here. 01:03:20.540 --> 01:03:21.061 [SPEAKER_00]: Yeah. 01:03:21.121 --> 01:03:23.162 [SPEAKER_00]: Trippy sort of lynchian art. 01:03:23.322 --> 01:03:24.042 [SPEAKER_00]: A lot of like. 01:03:24.782 --> 01:03:25.363 [SPEAKER_00]: Very cool. 01:03:26.281 --> 01:03:36.732 [SPEAKER_00]: sort of camera positions for a lot of these panels where we're like up close against people's faces looking away or like odd angles looking down on the characters looking up from below. 01:03:37.334 --> 01:03:42.918 [SPEAKER_00]: really cool makes for a, like you're saying, an unsettling story, which I think is the point. 01:03:43.498 --> 01:03:51.184 [SPEAKER_00]: This feels like if you've been longing for more vertical books, this is a new school vertical book, over ad ignition press. 01:03:51.384 --> 01:04:01.191 [SPEAKER_00]: So if they have checked that out, Clayface celebrity dirt number four from DC Comics, written by Jude Ellis and S. Doyle, art by Fran Galan, Pete. 01:04:02.112 --> 01:04:04.313 [SPEAKER_00]: Clayface, you're scared of this guy. 01:04:07.186 --> 01:04:13.835 [SPEAKER_02]: Well, you know, I mean, you know, the animated series did wasn't all, but it's not always horror with clay face, okay. 01:04:13.855 --> 01:04:17.480 [SPEAKER_02]: So, um, but crazy cover. 01:04:17.540 --> 01:04:19.023 [SPEAKER_02]: I love this cover kind of like 01:04:19.750 --> 01:04:21.351 [SPEAKER_02]: mind blown by that a little bit. 01:04:21.812 --> 01:04:29.537 [SPEAKER_02]: But man, just such a cool last panel reveal. 01:04:31.299 --> 01:04:35.942 [SPEAKER_02]: Here's the thing though, in this comic, there's a bunch of clay faces. 01:04:36.002 --> 01:04:44.689 [SPEAKER_02]: So that was a little tough to keep kind of track of a little bit, because there was a bunch of them, but yeah, just a really unique 01:04:49.508 --> 01:04:51.169 [SPEAKER_00]: Yeah, I like this as well. 01:04:51.249 --> 01:05:10.598 [SPEAKER_00]: I feel like I'm really pumping up the horror and that dark side of Clayface and the mystery of like what's happening, who's doing what to who, and yes, we do get a last page that is really scary and gross. 01:05:11.519 --> 01:05:16.861 [SPEAKER_00]: But I think, yeah, this has been a fun series very well timed with the release of the Clayface. 01:05:19.293 --> 01:05:21.254 [SPEAKER_00]: love when it synergizes like that. 01:05:21.755 --> 01:05:26.018 [SPEAKER_00]: A stuck Ironman number 10 from Marvel, and Josh Williams in ARP by Carmen Carnero. 01:05:26.899 --> 01:05:28.660 [SPEAKER_00]: Pete, you got to be loving this. 01:05:28.800 --> 01:05:32.263 [SPEAKER_00]: Happy's back, but Ironman's not happy about happy. 01:05:32.603 --> 01:05:37.046 [SPEAKER_02]: Yeah, this is crazy, but this is some funny lines of here. 01:05:37.086 --> 01:05:48.655 [SPEAKER_02]: I was surprised by the humor when Tony says that sounds fantastic, regarding the fast, fantastic for asking him to dinner, that's just fun. 01:05:49.555 --> 01:05:52.777 [SPEAKER_02]: The or armor is a bit much, but that's so Tony. 01:05:53.578 --> 01:05:54.759 [SPEAKER_02]: So I felt like you're really fit. 01:05:56.000 --> 01:05:56.780 [SPEAKER_02]: Cool action. 01:05:56.880 --> 01:05:57.441 [SPEAKER_02]: Cool art. 01:05:57.461 --> 01:05:59.922 [SPEAKER_02]: This is solid. 01:05:59.982 --> 01:06:00.963 [SPEAKER_00]: Yeah, I like this too. 01:06:01.343 --> 01:06:02.284 [SPEAKER_00]: I'm trying to figure out. 01:06:02.584 --> 01:06:10.550 [SPEAKER_00]: I don't quite know what Joshua Williams is doing with this, but I'll get a big clue here where pepper and happier like, hey, you're off. 01:06:10.930 --> 01:06:11.911 [SPEAKER_00]: You're off your game. 01:06:12.391 --> 01:06:15.193 [SPEAKER_00]: And that's why because Tony fires pepper, which 01:06:16.196 --> 01:06:18.978 [SPEAKER_00]: That's that's going to be what we're doing here. 01:06:19.018 --> 01:06:25.544 [SPEAKER_00]: What do you do ever be a pepper drink Dr. Pepper The so like I like that. 01:06:26.264 --> 01:06:31.789 [SPEAKER_00]: We're seeing cracks in Tony Stark's persona from real up close 01:06:32.712 --> 01:06:35.014 [SPEAKER_00]: and in a way where he doesn't have a plan. 01:06:35.274 --> 01:06:39.337 [SPEAKER_00]: He doesn't even realize there's a problem that's these outside people telling him and that's cool. 01:06:39.757 --> 01:06:45.661 [SPEAKER_00]: And we don't even know exactly what the AIM plan fully is and what Matt amask is up to. 01:06:45.721 --> 01:06:53.487 [SPEAKER_00]: So there's a lot of forces marshaled against Tony in this arc and Joshua Wilson's Ron and that's cool. 01:06:53.947 --> 01:06:55.748 [SPEAKER_00]: It feels like real threat to him. 01:06:56.289 --> 01:06:56.489 [SPEAKER_00]: Yeah. 01:06:57.229 --> 01:06:59.771 [SPEAKER_00]: And I thought he would be happier but I happy but what do I know? 01:07:00.469 --> 01:07:12.288 [SPEAKER_00]: Starship Godzilla invasion number one from IDW written by Chris Gooch are by Oliver Ohno Pete this is your guy your drink in the Godzilla beer tell us about this great star 01:07:13.159 --> 01:07:25.245 [SPEAKER_02]: Well, we gotta gotta make a Godzilla here, a Gundam Godzilla, if you want, if you will, fun stuff, great art, a fun kind of character stuff, but not enough Godzilla. 01:07:25.285 -->

01:07:37.991 [SPEAKER_02]: You know, a Godzilla is just kind of a background character in this, so I'm hoping we'll get more Godzilla, but I love the art style that kind of take on this, very cool look to it, very kind of, 01:07:39.658 --> 01:07:46.827 [SPEAKER_02]: unique so yeah I was sucked in this world and was interested but I felt a little robbed of my Godzilla. 01:07:48.008 --> 01:07:56.018 [SPEAKER_00]: Yeah we do get a lot of time with a bunch of characters sort of who are associated with this Starship Godzilla. 01:07:56.545 --> 01:08:01.909 [SPEAKER_00]: Well, not getting Godzilla fighting a lot, but I have a pretty strong feeling you're going to get your fighting next issue. 01:08:02.369 --> 01:08:07.253 [SPEAKER_00]: If you think we're tailing off a little bit on the comic book industry's obsession with Godzilla. 01:08:07.273 --> 01:08:08.374 [SPEAKER_02]: Well, let's not say that. 01:08:08.554 --> 01:08:09.375 [SPEAKER_02]: Let's not say that. 01:08:09.515 --> 01:08:12.437 [SPEAKER_00]: Yeah, I mean, just saying what you see, there's fewer and fewer titles. 01:08:13.518 --> 01:08:17.481 [SPEAKER_02]: So, let's just climb it down until like ramp it back up. 01:08:18.522 --> 01:08:19.342 [SPEAKER_00]: I guess we'll see. 01:08:19.402 --> 01:08:20.123 [SPEAKER_00]: My first stop. 01:08:20.163 --> 01:08:20.924 [SPEAKER_00]: That's okay. 01:08:22.245 --> 01:08:22.905 [SPEAKER_00]: That's okay. 01:08:22.965 --> 01:08:25.267 [SPEAKER_00]: I think this is fine, but we are it. 01:08:25.640 --> 01:08:31.944 [SPEAKER_00]: It looks like this is building up to a crossover of some kind in the Godzilla universe. 01:08:32.905 --> 01:08:35.747 [SPEAKER_00]: The rampage to Godzilla versus everything. 01:08:36.608 --> 01:08:39.590 [SPEAKER_00]: Did that light a little fire under your book? 01:08:39.710 --> 01:08:41.591 [SPEAKER_02]: Yeah, come on, more Godzilla, maybe. 01:08:43.252 --> 01:08:46.215 [SPEAKER_00]: I think we have just the right amount of Godzilla. 01:08:46.815 --> 01:08:52.479 [SPEAKER_00]: The theory of Firestorm in our 70s, DC Comics, from by Jeff Lamir, art by Raphael Delitori. 01:08:53.895 --> 01:08:56.317 [SPEAKER_00]: I think this series has been so interesting. 01:08:56.557 --> 01:09:07.164 [SPEAKER_00]: We had, like, as big premise idea that the matrix that gives firestorm his power has sort of overtaken Ronnie and it was puppeting him around. 01:09:07.184 --> 01:09:17.511 [SPEAKER_00]: It was just wantin'ly killing people and everyone, his, I guess, former girlfriend, firehawk had to step up because no one else would. 01:09:18.211 --> 01:09:18.952 [SPEAKER_00]: We resolved that. 01:09:19.747 --> 01:09:23.229 [SPEAKER_00]: It's mostly with the death of firestorm last issue. 01:09:23.969 --> 01:09:30.273 [SPEAKER_00]: And it felt like that was the end of the story, but no, we have a whole other chapter, a literal like rebirth happens here. 01:09:30.673 --> 01:09:32.774 [SPEAKER_00]: And it's really unique, really interesting. 01:09:32.794 --> 01:09:40.519 [SPEAKER_00]: I like the way we're getting into some, maybe metaphorical areas with firestorm while at the same time, the Justice League are sort of being shitty. 01:09:41.519 --> 01:09:44.681 [SPEAKER_00]: And it's on firehawk, perhaps to save firestorm. 01:09:45.712 --> 01:10:09.931 [SPEAKER_02]: Yeah, now we get a cool new looking for your storm in this issue kind of reminded me of like a thunder cat made a fire did you get any of that a little bit you know what those kind of like I don't have those well, I guess my when I see something in the world my first thought isn't to compare it to a thunder cat Hmm Weird but I meet someone I'm like, oh, you're like a shaved thunder cat. 01:10:10.031 --> 01:10:12.273 [SPEAKER_02]: I don't think that you're not like hey 01:10:13.073 --> 01:10:17.054 [SPEAKER_02]: Do you have any nunchucks or you kind of like pan throw that's not the first thing you ask people? 01:10:17.835 --> 01:10:18.955 [SPEAKER_00]: Do you have nunchucks? 01:10:19.415 --> 01:10:19.615 [SPEAKER_00]: Yeah. 01:10:19.695 --> 01:10:21.936 [SPEAKER_00]: I guess I don't ask that super weird. 01:10:23.036 --> 01:10:26.878 [SPEAKER_00]: And I also feel like if someone has nunchucks, they're usually outspinning them, you know? 01:10:28.558 --> 01:10:30.039 [SPEAKER_00]: Not a lot of concealed. 01:10:30.379 --> 01:10:31.599 [SPEAKER_02]: Hey, there's pocket chucks. 01:10:32.159 --> 01:10:33.720 [SPEAKER_02]: Yeah, there's pocket chucks. 01:10:33.820 --> 01:10:34.300 [SPEAKER_02]: Come on, man. 01:10:34.640 --> 01:10:35.660 [SPEAKER_00]: Five-to-chucks, what do they do? 01:10:35.720 --> 01:10:36.381 [SPEAKER_02]: There's two tiny. 01:10:37.301 --> 01:10:38.521 [SPEAKER_02]: Yeah, practice, you know what I mean? 01:10:38.861 --> 01:10:39.202 [SPEAKER_02]: Get that. 01:10:39.322 --> 01:10:40.522 [SPEAKER_00]: Are you practicing your nunchucks? 01:10:41.727 --> 01:10:46.729 [SPEAKER_00]: Yeah, and not as much as you do to have none chucks end to be good at them. 01:10:47.409 --> 01:10:49.069 [SPEAKER_02]: Well, I didn't say I was good at them. 01:10:49.809 --> 01:10:51.990 [SPEAKER_00]: But you have them, and you're occasionally given them a spin. 01:10:52.570 --> 01:10:52.970 [SPEAKER_00]: Oh, yeah. 01:10:53.851 --> 01:10:57.692 [SPEAKER_00]: Like you're telling me, you get like crazy noise outside your house. 01:10:59.172 --> 01:10:59.672 [SPEAKER_00]: You're scared. 01:11:00.253 --> 01:11:02.413 [SPEAKER_00]: It could be like a bunch of clowns, your worst fear. 01:11:02.953 --> 01:11:03.093 [SPEAKER_02]: Right. 01:11:03.694 --> 01:11:07.495 [SPEAKER_00]: The first thing you grab when troubles a brew in the chucks. 01:11:09.319 --> 01:11:24.522 [SPEAKER_00]: And I know this is information you might not want to give out in case there's any potential Criminal listening Yeah, let it be known that if you're coming for me you're getting the chuck to the side of the face Right, where do you think your tanks are they under

your pillow bedside table oh? 01:11:24.582 --> 01:11:25.622 [SPEAKER_02]: I got pillow chunks. 01:11:26.322 --> 01:11:27.542 [SPEAKER_02]: I got table chunks. 01:11:27.842 --> 01:11:37.144 [SPEAKER_02]: You don't you worry about it, man I got chunks in different stashes in different places You can't even look at them you can't still stick out your dining room table or chunks. 01:11:37.404 --> 01:11:37.804 [SPEAKER_00]: Yeah 01:11:38.324 --> 01:11:40.425 [SPEAKER_02]: Yeah, people try to lie to him like no, no, no, no, no. 01:11:42.026 --> 01:11:42.226 [SPEAKER_02]: Yeah. 01:11:42.346 --> 01:11:42.606 [SPEAKER_00]: Wow. 01:11:43.126 --> 01:11:44.387 [SPEAKER_00]: Pete is chucking. 01:11:44.687 --> 01:11:51.831 [SPEAKER_00]: So watch out, I won't sneak up on him, let's talk black hat number 15 from Marvel and by G. Willow Wilson. 01:11:51.971 --> 01:11:57.673 [SPEAKER_02]: I did want to, sorry, I didn't get really excited to talk about firestorm because we went off about Thundercast all the time. 01:11:58.154 --> 01:12:01.915 [SPEAKER_02]: But I was really, I loved the Mr. 01:12:01.955 --> 01:12:06.418 [SPEAKER_02]: Terrific in that and I feel like it's, to me, such a great 01:12:07.725 --> 01:12:15.594 [SPEAKER_02]: Sometimes a mr. traffic is kind of like turned up or turned down in different ways, but I think this is a really fantastic Mr. traffic. 01:12:15.634 --> 01:12:18.858 [SPEAKER_00]: I'm sorry a terrific mr. fantastic. 01:12:18.878 --> 01:12:23.264 [SPEAKER_00]: Just like Pete said black hat number 15 There we go. 01:12:23.804 --> 01:12:25.987 [SPEAKER_00]: Jewells and art bike lab meln the cob 01:12:27.260 --> 01:12:30.241 [SPEAKER_02]: It seems like this is right in your sweet spot, buddy. 01:12:30.261 --> 01:12:39.086 [SPEAKER_02]: You love black cat, like her and Peter Parker together, like how you feel and like this is your power a couple. 01:12:39.126 --> 01:12:42.807 [SPEAKER_02]: This is your, you know, I mean, this is what you're pulling for. 01:12:42.867 --> 01:12:43.748 [SPEAKER_02]: How did you feel? 01:12:43.768 --> 01:12:53.832 [SPEAKER_00]: Um, I mean, I do like them as an item, even though like they're doomed to never be together, but I would like to see them just date just a day for a while. 01:12:53.872 --> 01:12:54.873 [SPEAKER_00]: Why can't Peter date? 01:12:55.890 --> 01:13:11.935 [SPEAKER_00]: We got that great Mary Jane moment so it's hard to be rooting for another relationship right now, but this is a nice intimate story of them like going out on a conical mission, but it's sort of a day going to be to Lincoln Center to see some opera a place that I've been I've been 01:13:15.047 --> 01:13:22.293 [SPEAKER_00]: We have a big time, but I like they somehow switch into their costumes for... Yeah, they're like, you got your costume? 01:13:22.953 --> 01:13:28.618 [SPEAKER_02]: Sure do, wear because how the hell do you have it ready? 01:13:28.818 --> 01:13:29.379 [SPEAKER_02]: You know what I mean? 01:13:30.119 --> 01:13:30.360 [SPEAKER_00]: Yeah. 01:13:31.416 --> 01:13:42.843 [SPEAKER_00]: Um, but I like, I, this is a nice just like standalone story, uh, character issue of black cast sort of being out with Peter, but feeling alone at the end of the day, um, all that's nice. 01:13:43.063 --> 01:13:48.126 [SPEAKER_00]: I hope we're getting towards some sort of relationship move for her and or Peter Parker. 01:13:49.897 --> 01:13:53.020 [SPEAKER_02]: Yeah, I thought that this was cool. 01:13:53.180 --> 01:13:55.042 [SPEAKER_02]: Yeah, I'm not rooting for this as a couple. 01:13:55.342 --> 01:13:58.585 [SPEAKER_02]: And I felt like Peter was kind of being dick to her at times. 01:13:58.665 --> 01:13:58.846 [SPEAKER_02]: Yeah. 01:13:59.426 --> 01:14:03.090 [SPEAKER_02]: But I do like these two characters. 01:14:04.351 --> 01:14:07.654 [SPEAKER_02]: And it's usually a lot of fun when they're together. 01:14:07.754 --> 01:14:10.316 [SPEAKER_02]: So yeah, it's kind of fun to see. 01:14:11.518 --> 01:14:17.142 [SPEAKER_02]: You know, Peter will be the boy scouter, and try to be, you know, hey, you can't be stealing stuff like that. 01:14:17.162 --> 01:14:23.288 [SPEAKER_02]: So I think in general, they kind of butt heads in a fun way, so it's fun to see them have to work together. 01:14:24.710 --> 01:14:28.411 [SPEAKER_00]: get back to first position because it's time to grab the bar and dance. 01:14:29.211 --> 01:14:35.593 [SPEAKER_00]: We're prima aporata number two from ignition presser and by Olivia do fault art by Rebecca Isaacs. 01:14:35.713 --> 01:14:38.314 [SPEAKER_00]: This is the space ballet. 01:14:38.334 --> 01:14:40.054 [SPEAKER_00]: Oh, I'm excited. 01:14:40.195 --> 01:14:41.535 [SPEAKER_00]: sci-fi dance. 01:14:42.215 --> 01:14:47.838 [SPEAKER_02]: In the future, if you're not a bad ass ballerina, you can't help save the universe. 01:14:48.498 --> 01:14:53.520 [SPEAKER_02]: This is just awesome, I mean, fun, last panel reveal, holy shit. 01:14:53.840 --> 01:14:56.241 [SPEAKER_02]: Yeah, this continues to get better and better. 01:14:57.222 --> 01:15:04.025 [SPEAKER_02]: I am obsessed, weirdly obsessed with this ballerina battle world that we're kind of in in this comic. 01:15:05.266 --> 01:15:15.294 [SPEAKER_02]: It just seemed so intense in all the ballerina ways, so yeah, just kind of such a hilarious fun choice that has played so seriously. 01:15:15.314 --> 01:15:27.444 [SPEAKER_02]: Yeah, I thought this was a blast and continues to be so, I love this comic, it's a fun unique premise and I think they're doing a whole lot of job exploring it. 01:15:28.089 --> 01:15:29.510 [SPEAKER_00]: This comic goes so hard. 01:15:29.710 --> 01:15:34.453 [SPEAKER_00]: This is like fair, there's a lot of ballerinas who just get absolutely iced over the course of this. 01:15:35.433 --> 01:15:41.016 [SPEAKER_00]: I got to give it to this comic for establishing a premise and then, unflinchingly, just living it. 01:15:41.336 --> 01:15:43.057 [SPEAKER_00]: Like we

don't explain a ton. 01:15:43.117 --> 01:15:49.241 [SPEAKER_00]: It's just these characters are young ballerinas training for something they don't quite know what it is, but they know it's important. 01:15:49.401 --> 01:15:50.602 [SPEAKER_00]: And we don't know what it is, really. 01:15:51.582 --> 01:15:55.724 [SPEAKER_00]: But it's a massive space opera that combines ballet. 01:15:57.913 --> 01:16:02.116 [SPEAKER_00]: I think sort of space-kind you robots, which are cool. 01:16:03.496 --> 01:16:09.220 [SPEAKER_02]: I'm just, I'm just, it reminds me of the fun of the 80s when we used to do a lot of break dance fighting. 01:16:09.600 --> 01:16:12.582 [SPEAKER_02]: But now in the future, it's a ballerina fighting. 01:16:12.602 --> 01:16:16.063 [SPEAKER_00]: What do you mean by, like, you and I, we used to do a lot of break dance fighting? 01:16:16.384 --> 01:16:21.907 [SPEAKER_02]: Yeah, back in the 80s, there was all those kind of fun, like, you know, break dance fighting movies. 01:16:21.947 --> 01:16:23.328 [SPEAKER_00]: Were you doing, were you a part of that? 01:16:24.128 --> 01:16:25.829 [SPEAKER_02]: You know, like, break into electric bogaloo? 01:16:26.119 --> 01:16:29.062 [SPEAKER_02]: Dude, I had my, I put out my car board, you know what I mean? 01:16:29.382 --> 01:16:33.105 [SPEAKER_02]: I was, uh, I was kind of down. 01:16:33.906 --> 01:16:36.088 [SPEAKER_00]: What a, what great news for the fans. 01:16:36.428 --> 01:16:39.832 [SPEAKER_00]: People filling out their fan calendar of Pete's life and they're like, oh, 1985. 01:16:39.872 --> 01:16:40.252 [SPEAKER_00]: He dancing. 01:16:44.792 --> 01:17:00.304 [SPEAKER_00]: Oh yeah, let's talk Supergirl number 18 for BC comics by Sophie Campbell, we have Supergirl recently Finn who finished up the crossover the Zad crossover over in the other books got her own fortress. 01:17:01.050 --> 01:17:03.752 [SPEAKER_02]: Yeah, fortress of solidarity man. 01:17:03.792 --> 01:17:04.592 [SPEAKER_02]: This is awesome. 01:17:04.632 --> 01:17:09.655 [SPEAKER_02]: I mean love the layout of this love the breakdown Dude, I was spending time. 01:17:09.915 --> 01:17:12.096 [SPEAKER_02]: Yeah, too is Matt sweet map. 01:17:12.116 --> 01:17:16.439 [SPEAKER_02]: They you are here kind of mall type situation I love this man. 01:17:16.519 --> 01:17:20.321 [SPEAKER_02]: I love the I was spending some time in these rooms checking it out. 01:17:20.361 --> 01:17:27.425 [SPEAKER_02]: This was I really love this man crazy Twist here was super girl all these shit 01:17:28.666 --> 01:17:33.188 [SPEAKER_02]: I don't know if we want to spoil, but man this was, they're making some big swings, man. 01:17:33.208 --> 01:17:33.668 [SPEAKER_02]: I like this. 01:17:34.648 --> 01:17:38.690 [SPEAKER_00]: Yeah, I mean, I liked what a central role she Supergirl had in the Zod crossover. 01:17:38.750 --> 01:17:43.231 [SPEAKER_00]: So it's nice that we're carrying that high stakes energy into her own book. 01:17:43.751 --> 01:17:52.134 [SPEAKER_00]: The name of this, uh, Arrak is, uh, name of this issue is the ego death of Supergirl Part One and the last page revealed definitely gives us that. 01:17:52.254 --> 01:17:54.095 [SPEAKER_00]: I think the art in this is really, 01:17:55.304 --> 01:17:55.884 [SPEAKER_00]: Really good. 01:17:56.185 --> 01:18:23.580 [SPEAKER_00]: If you're a fan of Jeff Johns work with like Star Girl this feels very much like in that vein That's something that I I don't think we're getting a lot of it's just like super heroes out there having their lives In a super hero sense where it's not like they're just living it at a home and in dealing with their jobs This is very much set in the superhero world, but it's people being themselves with each other and that's really nice 01:18:26.279 --> 01:18:37.372 [SPEAKER_00]: At this book, I know Pete's been excited about the infernal hall first of the fantastic four number one for Marvel, written by Philip Kennedy Johnson, he goes by PKJ and our world R by C and 20. 01:18:38.493 --> 01:18:44.600 [SPEAKER_00]: The infernal hall has been just literally murdering everyone in continuity. 01:18:45.178 --> 01:18:52.450 [SPEAKER_00]: Technically and continuity something we talked about a lot lately and in this issue the Hulk is confronting the fantastic for Pete. 01:18:52.570 --> 01:18:56.116 [SPEAKER_00]: Did you like how this fight occurred? 01:18:56.920 --> 01:19:09.949 [SPEAKER_02]: Yeah, I just wanted to, uh, I had it in my trivia notes here, um, um, uh, just trying to find it, um, oh, no, it was the old. 01:19:10.149 --> 01:19:10.589 [SPEAKER_02]: Okay. 01:19:10.729 --> 01:19:10.970 [SPEAKER_02]: Sorry. 01:19:10.990 --> 01:19:11.590 [SPEAKER_02]: That's what it is. 01:19:11.990 --> 01:19:13.331 [SPEAKER_02]: But he's Irish. 01:19:13.371 --> 01:19:14.852 [SPEAKER_02]: So it's not a scene. 01:19:15.092 --> 01:19:17.374 [SPEAKER_02]: It's, um, uh, Kian. 01:19:18.392 --> 01:19:44.241 [SPEAKER_02]: uh... can uh... i just want to help you with that um... it's rare when i know something so i want to uh... i love i love the flex uh... i'm rich pronunciation flex yeah yeah uh... i think i have to get i was looking up interviews to kind of get how to pronounce it for the uh... the old trivia there to find yeah it's key in uh... yeah and uh... this is just 01:19:45.798 --> 01:20:12.480 [SPEAKER_02]: I infernal Hulk is such a bad ass kind of creation and such a thing that like obviously other people are having fun with but Philip County Johnson is created something that is just wreaking havoc in the Marvel universe and it's so fun to kind of read because it's like oh god how are the fantastic four are going to deal with this fucking Hulk and the answer is not 01:20:15.823 --> 01:20:28.543 [SPEAKER_02]: is a fucking badass who's not playing around at all and so this is just such edge of your seat action and man I am just having a blast with this. 01:20:29.671 --> 01:20:47.543 [SPEAKER_02]: But yeah, this is both kind of gross

ankle, but man, interesting last page, so yeah, yeah, I've been loving the infernal Hulk and kind of the this war of Marvel versus Hulk that's kind of happening. 01:20:47.623 --> 01:20:52.526 [SPEAKER_02]: So yeah, I've been just absolutely eaten this with the fork and knife. 01:20:53.346 --> 01:20:59.634 [SPEAKER_00]: Oh, he's hungry and he's cutting it up into tiny pieces with the knife and then he knew in his work. 01:20:59.935 --> 01:21:00.476 [SPEAKER_00]: Really good. 01:21:00.516 --> 01:21:01.056 [SPEAKER_00]: Really safe. 01:21:01.217 --> 01:21:02.518 [SPEAKER_00]: Really gentlemanly way to eat. 01:21:03.620 --> 01:21:11.590 [SPEAKER_00]: Yes, I think Philip K. Johnson's doing here is he's created his own cross over within his title. 01:21:12.134 --> 01:21:21.019 [SPEAKER_00]: And the way that to make these one shots, where it's the infernal Hulk versus all these other pillars of the Marley universe, is such a smart way to do it. 01:21:21.579 --> 01:21:27.042 [SPEAKER_00]: You know exactly what you're getting when you crack up in the book, it's Hulk just destroying the fantastic four. 01:21:27.622 --> 01:21:35.266 [SPEAKER_00]: We have like little glimmers of perhaps ways to defeat him, but nothing, nothing set, really. 01:21:35.626 --> 01:21:39.208 [SPEAKER_00]: No real solid path forward for anyone on the heroic side. 01:21:41.087 --> 01:21:44.389 [SPEAKER_00]: It's horrifying, but it's very cool. 01:21:44.489 --> 01:21:48.291 [SPEAKER_00]: It's sad for what he does to each individual member of the fantastic four. 01:21:48.631 --> 01:21:50.192 [SPEAKER_00]: Sure is, man, holy shit. 01:21:51.013 --> 01:21:53.654 [SPEAKER_00]: That the key in tourmy art is excellent. 01:21:53.814 --> 01:21:59.117 [SPEAKER_00]: Dark, the infernal Hulk is just constantly appearing in a terrifying dark corner. 01:21:59.677 --> 01:22:04.580 [SPEAKER_00]: This is the other book that I mentioned earlier, where Glob Herman is important. 01:22:04.680 --> 01:22:09.603 [SPEAKER_00]: We get a bunch of like, Glob monsters coming and doing the bidding of infernal Hulk. 01:22:10.440 --> 01:22:12.343 [SPEAKER_00]: Just great, scary stuff. 01:22:12.643 --> 01:22:13.404 [SPEAKER_00]: Chance to P.K.J. 01:22:13.885 --> 01:22:15.728 [SPEAKER_02]: Yeah. 01:22:15.788 --> 01:22:17.010 [SPEAKER_00]: No gods, no masters. 01:22:17.070 --> 01:22:21.997 [SPEAKER_00]: Number two from Boom Studios, and by Julio Anta Arby Jakobi Salcedo. 01:22:23.058 --> 01:22:24.180 [SPEAKER_00]: This is a world, the SP. 01:22:24.668 --> 01:22:31.872 [SPEAKER_02]: I just want to take a moment, you know, we see a lot of cool covers, but this is a bad ass cover right here. 01:22:31.952 --> 01:22:37.755 [SPEAKER_02]: You get a human jumping into a giant monster's mouth with nothing but a morshetti. 01:22:39.176 --> 01:22:44.739 [SPEAKER_02]: I love the balls, I love the, just, the, the imagery of this is just so awesome. 01:22:46.160 --> 01:22:51.742 [SPEAKER_02]: Yeah, I was just so excited when I saw this cover and I was like, oh, man, I helped the comics just like this. 01:22:52.462 --> 01:23:03.786 [SPEAKER_02]: And yeah, builds, but it is this kind of like world where monsters are everywhere and man crazy kind of last panel. 01:23:04.627 --> 01:23:12.850 [SPEAKER_02]: It was almost like a hint more than a reveal or maybe it was a reveal, but I was just like, oh, shit, if that's really what's going on. 01:23:13.710 --> 01:23:25.212 [SPEAKER_02]: We've got some explaining to do, so yeah, I'm just really impressed by this not only world, but the tension that we're already kind of in and kind of rolling with. 01:23:25.272 --> 01:23:36.014 [SPEAKER_02]: So yeah, just super impressed by the action, the pace, the kind of like scaring us and the monsters, the epic kind of feel of how the hell are we going to save the day. 01:23:36.095 --> 01:23:38.295 [SPEAKER_02]: So yeah, this does it all. 01:23:39.060 --> 01:23:39.780 [SPEAKER_00]: Yeah, it's cool. 01:23:39.800 --> 01:23:46.024 [SPEAKER_00]: I mean, I obviously the great cover, like you said, Pete, I just wish he the character had nunchucks instead of a machete. 01:23:46.324 --> 01:23:47.825 [SPEAKER_00]: Well, you know, devastating weapon. 01:23:49.465 --> 01:23:52.207 [SPEAKER_02]: You know, maybe the machete is the right choice for this scenario. 01:23:52.227 --> 01:23:52.487 [SPEAKER_02]: Yeah. 01:23:52.507 --> 01:23:53.027 [SPEAKER_00]: Do you think so? 01:23:53.988 --> 01:23:54.248 [SPEAKER_00]: Yes. 01:23:54.488 --> 01:23:57.610 [SPEAKER_00]: I would argue I better machete is the right choice, and almost any scenario. 01:23:57.650 --> 01:23:59.971 [SPEAKER_00]: And a machete versus nunchucks situation. 01:24:01.832 --> 01:24:03.793 [SPEAKER_02]: Well, if it's just those verses each other, 01:24:08.352 --> 01:24:12.036 [SPEAKER_00]: And I guess I would say a nunchucks versus almost any other weapon. 01:24:12.076 --> 01:24:15.379 [SPEAKER_00]: I would still choose the other weapon, you know what I mean? 01:24:16.460 --> 01:24:19.382 [SPEAKER_00]: A nunchucks seem like, let me see, I was the joke. 01:24:19.743 --> 01:24:22.005 [SPEAKER_00]: I've seen a couple of lines of a weapon. 01:24:23.306 --> 01:24:23.426 [SPEAKER_00]: Oh. 01:24:25.148 --> 01:24:25.608 [SPEAKER_00]: That's right. 01:24:25.628 --> 01:24:26.369 [SPEAKER_00]: That hurt you a little bit. 01:24:26.569 --> 01:24:27.410 [SPEAKER_02]: Yeah, it does. 01:24:28.071 --> 01:24:28.451 [SPEAKER_02]: Interesting. 01:24:30.093 --> 01:24:34.615 [SPEAKER_00]: I feel like if you were using Nunchucks, you would hit yourself more than you would hit anyone else and it would just hurt your fingers. 01:24:35.595 --> 01:24:47.901 [SPEAKER_00]: But getting to know God's no masters, like this is a story, what this does well is, just follow kids and your characters, boots on the ground during a monster situation. 01:24:48.321 --> 01:24:51.142 [SPEAKER_00]: It reminded me, it reminds me a little bit of Clover Field. 01:24:51.662 --> 01:24:57.565

[SPEAKER_00]: I don't know what your appetite for that movie is out there listeners, but it feels very much like you're riding along 01:25:00.442 --> 01:25:04.666 [SPEAKER_00]: this situation as you would with any everyday situation. 01:25:05.247 --> 01:25:08.050 [SPEAKER_00]: Obviously it's heightened, but I think that's cool. 01:25:08.090 --> 01:25:16.478 [SPEAKER_00]: We occasionally get to sort of pan up, boom up and see the monster in the sky, but otherwise it's just people dealing with people for a lot of it. 01:25:16.538 --> 01:25:23.385 [SPEAKER_00]: And I think that works, and it gives the book, makes the book feel very different from other books in this genre out there. 01:25:25.041 --> 01:25:31.985 [SPEAKER_00]: Let's have team titans number two from DC Comics or by Kyle Higgins, Archbite Daniels. 01:25:34.046 --> 01:25:37.588 [SPEAKER_00]: I thought this debut the first issue this was excellent and this continues it. 01:25:37.668 --> 01:25:46.693 [SPEAKER_00]: We're seeing Red Hood out here as a quote unquote mentor with some team titans more a reverent team titans willing to just 01:25:48.080 --> 01:26:08.367 [SPEAKER_00]: Lipa like really just yell at the other titans out there in the same way that you've got fanom yelling at the Avengers these guys are really shoving it to anybody above them basically I like we have a mystery at it the core here this gets sort of aggravated in a fun way I thought in this issue the artist really good sort of manga influence stuff. 01:26:08.387 --> 01:26:11.928 [SPEAKER_00]: Yeah, but I like these characters Kyle against crushing the dialogue 01:26:12.964 --> 01:26:13.684 [SPEAKER_02]: Yeah, I agree. 01:26:13.985 --> 01:26:15.346 [SPEAKER_02]: I love the stylized look to it. 01:26:15.386 --> 01:26:22.330 [SPEAKER_02]: Like you said, it's got like a manga anime field to it, which is really fun, brings a cool kind of newness to the characters. 01:26:23.631 --> 01:26:30.215 [SPEAKER_02]: I just hate when teams don't work well together when there's inner fighting that drives me nuts. 01:26:30.816 --> 01:26:33.998 [SPEAKER_02]: But yeah, solid twist at the end. 01:26:34.338 --> 01:26:36.439 [SPEAKER_02]: And yeah, I agree. 01:26:36.459 --> 01:26:39.701 [SPEAKER_02]: I think versus who was awesome, this continues that. 01:26:43.923 --> 01:27:03.690 [SPEAKER_00]: same, let's move over to a book that is right over the plate for our guy, Pete LePage, and that of course is, uh, Wade Wilson dead full number nine from Marvel and by Benjamin Percy, our by Jeff Shaw, part of the big guns cross over part three of four, actually, where Deadpool is crossing over with the Punisher and bullseye is certainly a big part of it. 01:27:04.790 --> 01:27:08.672 [SPEAKER_00]: In this issue, we get some, uh, really, I actually, 01:27:09.667 --> 01:27:10.907 [SPEAKER_00]: thought this was really well done. 01:27:10.967 --> 01:27:19.570 [SPEAKER_00]: We get a time gun has been introduced, and then it is in a very chico-vian way,

fired multiple times throughout the issue. 01:27:19.670 --> 01:27:23.451 [SPEAKER_00]: In a really, really fun cutaways that serve as great punch lines. 01:27:24.812 --> 01:27:26.692 [SPEAKER_00]: We get the Punisher in here. 01:27:26.732 --> 01:27:31.134 [SPEAKER_00]: We have these other like broken, sludgy dead pools. 01:27:31.994 --> 01:27:36.535 [SPEAKER_00]: Not called bad pools that are part of the story and wandering around causing havoc. 01:27:39.747 --> 01:27:40.388 [SPEAKER_00]: What did you think? 01:27:40.568 --> 01:27:42.529 [SPEAKER_00]: These are a lot of your favorite labs. 01:27:43.269 --> 01:27:56.596 [SPEAKER_02]: Yeah, I think this is just over the top fun I really love the kind of beginning where we see Deadpool kind of jumping around and killing and and kind of just It's a fun kind of start to kind of set the tone for this and then 01:27:57.899 --> 01:28:00.820 [SPEAKER_02]: Yeah, I'm excited to see where this is going to go. 01:28:00.900 --> 01:28:09.683 [SPEAKER_02]: We kind of have this magical kind of gone here and whose hands is going to end up in and what's going to happen. 01:28:09.703 --> 01:28:12.945 [SPEAKER_02]: And we hear Deadpool's plan to kind of try to save his daughter. 01:28:13.045 --> 01:28:14.585 [SPEAKER_02]: So cool stuff. 01:28:14.785 --> 01:28:21.928 [SPEAKER_02]: I think there's certain things up in a great way with tons of just kind of ridiculous action where we're always trying to shoot each other. 01:28:21.968 --> 01:28:24.329 [SPEAKER_02]: So yeah, this is just a blast. 01:28:25.295 --> 01:28:32.476 [SPEAKER_00]: I was surprised that the Punisher wasn't featured more heavily in this, given that it's his crossover, when Bullseye is getting a lot of love. 01:28:32.496 --> 01:28:38.858 [SPEAKER_00]: But just great Bullseye being a dick scene, I like he's just getting wasted and throwing darts. 01:28:39.418 --> 01:28:45.079 [SPEAKER_00]: That's something that I've done in my life, but he does again more randomly killing a bystander way. 01:28:45.919 --> 01:28:47.199 [SPEAKER_00]: Yeah, and I've never done that. 01:28:47.619 --> 01:28:48.299 [SPEAKER_02]: Well, that's good. 01:28:49.039 --> 01:28:51.780 [SPEAKER_02]: But yeah, drinking in darts are a good time, and 01:28:52.888 --> 01:28:54.710 [SPEAKER_00]: Has anyone ever combined those two ideas? 01:28:55.291 --> 01:29:01.216 [SPEAKER_00]: And that means just I think a lot of people have you think some gum look into this is a great maybe it's a start-up Maybe an app. 01:29:01.697 --> 01:29:11.446 [SPEAKER_00]: Oh, yeah, I used to love to be down with the kettle of fish the thrones and that Oh nice and kettle of fish is um, that's just an actual kettle of fish in your small town that you go stand around. 01:29:11.827 --> 01:29:14.109 [SPEAKER_00]: That was a bar in New York City Really 01:29:15.082 --> 01:29:23.202 [SPEAKER_00]: And that's when you were like, G-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A-A 01:29:24.127 --> 01:29:50.363 [SPEAKER_00]: uh... let's talk radian black number forty four last comic on the stack from which comic string by kyle higgins and joe clark arpy marselo cost uh... um... this is continuing this just i mean that's it's an epic story where but we've every issue moves the story forward we're a sea uh... the difference uh... radian blacks uh... we we get a great reunion from our two new characters from the very beginning of the show 01:29:51.483 --> 01:29:52.624 [SPEAKER_00]: of the comics. 01:29:52.644 --> 01:29:55.225 [SPEAKER_00]: So it's dice to see them back together, reconnecting. 01:29:55.325 --> 01:29:59.847 [SPEAKER_00]: This is another Kyle Higgins book and you know, he's just got a great command of dialogue. 01:30:00.527 --> 01:30:08.190 [SPEAKER_00]: You see it here with everybody, but truly all the conversations feel so real, 01:30:08.711 --> 01:30:14.117 [SPEAKER_00]: keeps you with the characters no matter what big sci-fi shit is happening around them. 01:30:14.678 --> 01:30:21.525 [SPEAKER_00]: So it's always a great read, definitely one that I keep right on the top of the stack, because it's like reading the news. 01:30:21.705 --> 01:30:24.148 [SPEAKER_00]: I gotta find out what's happening on my page. 01:30:24.758 --> 01:30:36.047 [SPEAKER_02]: Yeah, I mean, I've run out of different ways to explain how great this comic is, but I left out loud at this, this hasn't been as funny for me, but this issue was hilarious. 01:30:36.127 --> 01:30:40.130 [SPEAKER_02]: I love the jibrony place that they have here. 01:30:40.550 --> 01:30:42.292 [SPEAKER_00]: Yeah, Pete's a conversation with you. 01:30:42.312 --> 01:30:43.974 [SPEAKER_02]: Yeah, just really fun. 01:30:44.895 --> 01:30:48.879 [SPEAKER_02]: Love the camera guy, the source urge, it's really fun stuff. 01:30:49.579 --> 01:30:51.761 [SPEAKER_02]: Just I was surprised by all the fun moments. 01:30:51.882 --> 01:30:56.106 [SPEAKER_02]: Usually this is just like more kind of like slice of life. 01:30:56.126 --> 01:30:58.989 [SPEAKER_02]: How do you deal with powers, all these different things going on? 01:30:59.029 --> 01:30:59.810 [SPEAKER_02]: That kind of stuff. 01:31:00.770 --> 01:31:16.220 [SPEAKER_02]: I felt like this was kind of lighter in all this madness, which was such a great thing, but this comic continues to be just such a level maker, just such a kind of raising the bar or just just really impressive. 01:31:17.961 --> 01:31:21.344 [SPEAKER_02]: This is a badass comic and it continues to be so. 01:31:22.584 --> 01:31:28.008 [SPEAKER_00]: Yeah, I like Marshall and his relationship, and there's just a nice moment there. 01:31:29.092 --> 01:31:40.059 [SPEAKER_00]: This comic also does a good job just continuing to have some low-boiling

dread all the time and not afraid to have The hero get it's just as handy to him over and over again. 01:31:40.499 --> 01:31:46.123 [SPEAKER_00]: Yeah, just like all of us so another great issue of that Pete 01:31:47.207 --> 01:31:53.857 [SPEAKER_00]: That's it for the stack, but this time for us to make our big pit, the pick of this stuff. 01:31:53.997 --> 01:31:54.998 [SPEAKER_00]: This is tough. 01:31:55.139 --> 01:31:57.843 [SPEAKER_00]: What comic would you put at the top of this thing? 01:31:57.863 --> 01:31:59.145 [SPEAKER_02]: You can only pick one. 01:31:59.185 --> 01:32:00.487 [SPEAKER_02]: That's the hard one. 01:32:00.527 --> 01:32:01.508 [SPEAKER_00]: Only had a couple bucks. 01:32:02.089 --> 01:32:02.690 [SPEAKER_00]: What comic? 01:32:04.246 --> 01:32:07.008 [SPEAKER_02]: Well, first I got to say it would really depend on what kind of mood in. 01:32:07.649 --> 01:32:22.122 [SPEAKER_02]: I'm in, but if you just feel like a real badass, kind of comic, that's also a little kind of like a scary and dark, especially when it comes to the fantastic floor, I would say you pick up infernal hot versus fantastic floor number one. 01:32:23.495 --> 01:32:37.079 [SPEAKER_02]: Wow, but yeah, see those folks get what if you want to just snuggle up with the comic and just sit by Solomon just kind of really cozy up the comfort comic is doom patrol no, no, you have to choose one That's no, no, don't fuck around. 01:32:37.199 --> 01:32:38.060 [SPEAKER_00]: This is the whole thing 01:32:39.240 --> 01:32:48.285 [SPEAKER_00]: I chose did you I did you great then keep your mouth shut from here on out I agree though, it is a tough call. 01:32:48.305 --> 01:32:49.966 [SPEAKER_00]: I have a lot of faves out here. 01:32:50.146 --> 01:33:06.896 [SPEAKER_00]: You sure, but boiling it down to one I am going to go Now that's that would be the easy money pick I definitely love that but my heart saying got them central number two I love the Jacob Phillips art here 01:33:07.456 --> 01:33:23.683 [SPEAKER_00]: The Christopher Cantwell story I love Gotham Central as a comment back in the day This was able to capture that flavor while also servicing this massive crossover, which is really amazing So that would be my pick the week folks. 01:33:23.883 --> 01:33:26.144 [SPEAKER_00]: That is the stack Thank you. 01:33:26.244 --> 01:33:26.824 [SPEAKER_00]: Oh, man. 01:33:26.884 --> 01:33:34.187 [SPEAKER_00]: You can check us out every Tuesday at 7 o'clock show live show We just had Heath Corson on oh, man. 01:33:34.207 --> 01:33:35.468 [SPEAKER_02]: We should have talked to about stuff 01:33:36.220 --> 01:33:43.345 [SPEAKER_00]: We did talk to him about his book, which came out last week called witness point and the fourth issue comes out on November 11th. 01:33:43.365 --> 01:33:44.626 [SPEAKER_00]: Definitely check that out. 01:33:44.646 --> 01:33:51.970 [SPEAKER_00]: If you want to hear more from us, you can check us out our sons of a gun podcast Alex and I just watched all of lanterns and talked about every single episode. 01:33:51.990 --> 01:33:52.691 [SPEAKER_00]: Where was Pete in that? 01:33:53.115 --> 01:34:06.093 [SPEAKER_00]: He didn't watch him, but he is binge watching them now with a special episode where it's just going to be Pete, like literally ranting and raving as Alex and I white knuckle are away trying to hold on for dear life while he's talking. 01:34:06.754 --> 01:34:09.478 [SPEAKER_00]: Our Marvel vision podcast is coming back as of 01:34:10.270 --> 01:34:14.412 [SPEAKER_00]: later this week because we're starting and we are going on a vision quest. 01:34:14.612 --> 01:34:15.992 [SPEAKER_00]: Oh man. 01:34:16.392 --> 01:34:19.273 [SPEAKER_00]: All your favorite vision and vision related actors. 01:34:19.293 --> 01:34:22.854 [SPEAKER_00]: You can check us out at patreon.com slash comic book club where you can join up. 01:34:23.255 --> 01:34:25.055 [SPEAKER_00]: BNR discord talk to the people. 01:34:25.095 --> 01:34:25.635 [SPEAKER_00]: Talk to us. 01:34:25.655 --> 01:34:29.197 [SPEAKER_00]: We're in their talk and come farm and TV and film all day long. 01:34:29.537 --> 01:34:31.477 [SPEAKER_00]: Subscribe wherever you subscribe for podcasts. 01:34:31.917 --> 01:34:33.798 [SPEAKER_00]: Check us out on account for club on blue sky. 01:34:33.838 --> 01:34:35.099 [SPEAKER_00]: Comment for club live on instagram. 01:34:35.119 --> 01:34:35.739 [SPEAKER_00]: TikTok threads. 01:34:35.819 --> 01:34:37.779 [SPEAKER_00]: Comment for club live.com for this podcast. 01:34:37.819 --> 01:34:38.460 [SPEAKER_00]: And so many more. 01:34:39.875 --> 01:34:47.425 [SPEAKER_00]: We will see you next week where we'll be back with even more stuff in the meantime. 01:34:47.465 --> 01:34:48.506 [SPEAKER_00]: More comics, baby. 01:34:49.668 --> 01:34:56.777 [SPEAKER_00]: Please, only step in the ooze with the cool animal because I don't want to see you as a teenager ninja mosquito. 01:34:57.237 --> 01:34:57.758 [SPEAKER_00]: No. 01:35:03.123 --> 01:35:13.970 [SPEAKER_01]: That no-go-mind with their common sense And it's in now, it's in now, it's in now, it's in now, it's in now, it's in now It's in now, it's in now, it's in now, it's in now 01:35:22.397 --> 01:35:37.606 [SPEAKER_01]: They sit on crappy couches and they let us see the moon And he's just nothing, they're like fast, they're so fast, they're so fast So grab your red panel, don't be late for it, don't be late for it, don't be late, for it, don't be late