Trascrizione completa di September 28, 2026

single. It's called Ase Pase. He's getting 76 00:10:06.039 --> 00:10:10.159 ready for a big fall into the winter here. The 77 00:10:10.179 --> 00:10:12.480 Lavender taking over Halloween season. 78 00:10:12.799 --> 00:10:14.840 Can't wait. Here's Priyaragu. 79 00:10:15.840 --> 00:10:18.820 Finally I found a lover, I know that it's like 80 00:10:18.840 --> 00:10:22.000 me I finally I found a girl, I know that 81 00:10:22.039 --> 00:10:25.299 excites me, yeah Finally I found a girl, I know 82 00:10:25.320 --> 00:10:26.899 that it's like me. 83 00:10:26.740 --> 00:10:30.940 Finally I found a lover, I know that it's like 84 00:10:31.019 --> 00:10:36.230 me For so long I didn't know What I have 85 00:10:36.330 --> 00:10:42.370 been looking for Faith be nothing at my door This 86 00:10:42.450 --> 00:11:02.399 doom doom doomsday is so short you finally i found 87 00:11:02.419 --> 00:11:06.190 you me i'm also enticing i finally i found a 88 00:11:06.250 --> 00:11:09.389 love with swagger that's so high finally i found a 89 00:11:09.450 --> 00:11:47.570 pure soul so enlightening finally i For so long, I 90 00:11:47.649 --> 00:11:53.490 didn't know what I had been looking for. 91 00:11:53.570 --> 00:11:58.509 Baby, knock me at my door. This doom, doom, doom 92 00:11:58.750 --> 00:12:03.149 is so short. I won't let you go. Our names 93 00:12:03.309 --> 00:12:05.370 in stone. Even when we are gone. 94 00:12:05.490 --> 00:12:10.029 One day we'll know. Someday we'll be free. For the 95 00:12:10.100 --> 00:12:19.049 world to see. Even when we're gone, this song will keep. Finally, finally, 96 00:12:19.549 --> 00:12:24.750 finally Baby, you make my hope get 180 Won't you 97 00:12:24.769 --> 00:12:30.389 come down and save me One million stars have been 98 00:12:30.629 --> 00:12:35.299 raining Just to get close to you Close to. 99 00:12:35.019 --> 00:12:55.379 You Switzerland's very own. Briaragu, everybody. 100 00:12:55.899 --> 00:12:59.779 The song is called Finally. Hope you're enjoying your morning 101 00:12:59.820 --> 00:13:03.080 wherever you may be. Let's turn over this microphone to 102 00:13:03.139 --> 00:13:03.759 our own Dr. 103 00:13:03.799 --> 00:13:04.059 Roy. 104 00:13:04.100 --> 00:13:04.759 What's up, Dr. 105 00:13:04.799 --> 00:13:05.039 Roy? 106 00:13:05.220 --> 00:13:05.799 Hey, guys. 107 00:13:05.860 --> 00:13:06.460 This is Dr. 108 00:13:06.500 --> 00:13:09.289 Roy with today's Word on the Avenue. In film and 109 00:13:09.309 --> 00:13:13.480 TV news... Frida Pinto stars in Unaccustomed Earth, an all-new 110 00:13:13.519 --> 00:13:18.450 series inspired by Chumpa Lahiri's internationally beloved short story collection, 111 00:13:18.730 --> 00:13:22.750 premiering December 17th. The series follows a wife and mother who, 112 00:13:22.889 --> 00:13:27.190 after a life-changing cancer diagnosis, moves her family from India 113 00:13:27.250 --> 00:13:31.610 back to Cambridge, Massachusetts, the place where she once felt 114 00:13:31.710 --> 00:13:36.860 truly at home, and also stars Siddharth Sarayu Blue, Indranil Sengupta, 115 00:13:37.240 --> 00:13:43.039 Adi Roy, Ila Sundar Singh McKay, and Frida Pinto. In 116 00:13:43.059 --> 00:13:46.720 media news, Rani Mukherjee brought timeless Indian elegance to the 117 00:13:46.799 --> 00:13:50.139 front row of Sabyasachi Mukherjee's New York Fashion Week showcase, 118 00:13:50.639 --> 00:13:54.159 wearing a sleek black silk sari paired with bold sunglasses 119 00:13:54.559 --> 00:13:58.090 and understated gold jewelry. Her appearance was especially fitting as 120 00:13:58.129 --> 00:14:01.009 Sabyasachi returned to New York Fashion Week after nearly two 121 00:14:01.049 --> 00:14:06.350 decades with his Bengal Byzantine Broadway collection, blending Bengali craftsmanship 122 00:14:06.509 --> 00:14:12.070 and Indian heritage with contemporary global fashion. In event news, 123 00:14:12.389 --> 00:14:15.889 Garan Johar and Prince Williams are teaming up ahead of 124 00:14:15.909 --> 00:14:19.429 the Earthshot Prize 2026, with the filmmakers sitting down with 125 00:14:19.450 --> 00:14:23.320 the royal to discuss this year's 15 finalists and their 126 00:14:23.379 --> 00:14:27.879 groundbreaking environmental solutions. The awards will take place in Mumbai 127 00:14:27.919 --> 00:14:31.460 on November 17th, marking the first time the Earthshot Prize 128 00:14:31.539 --> 00:14:34.529 is being held in India, with Johar making history as 129 00:14:34.590 --> 00:14:37.960 the first Indian host. That's it for today's Word on 130 00:14:37.980 --> 00:14:38.620 the Avenue. 131 00:14:38.879 --> 00:14:39.590 Until next time. 132 00:14:40.070 --> 00:14:41.350 Thank you, Dr. 133 00:14:41.429 --> 00:14:41.909 Roy. 134 00:14:41.970 --> 00:14:45.629 Got a big program ahead. Sonny Guttowall is stopping by. 135 00:14:46.789 --> 00:14:48.789 Can't wait for that. Sonny is going to be talking 136 00:14:48.809 --> 00:14:51.250 about his show that aired this morning at 5 a.m. 137 00:14:52.029 --> 00:14:54.980 And repeats again today at 5 p.m. Pacific time. 138 00:14:56.679 --> 00:14:57.039 Folks. 139 00:14:57.620 --> 00:15:00.259 This is Buddha. His song is called Lakkire. He's stopping 140 00:15:00.299 --> 00:15:01.440 by right after this song. 141 00:15:19.970 --> 00:15:27.190 Ho jaate dundale rah hamare likh dete Pyaar kisi aahiyo 142 00:15:27.250 --> 00:15:35.019 se tera mera naam Pyaar kisi aahiyo se tera mera 143 00:15:35.080 --> 00:15:39.179 naam Pyaar kisi aahiyo se. 144 00:15:58.610 --> 00:16:05.990 Tu naaraaj houwe Ji mere katdehne Jad tu. 145 00:16:06.289 --> 00:16:31.769 Rohnaaye Meri athroo vagdehne, jad toor se jaaveh Sooraj taldehne, 146 00:16:32.750 --> 00:16:36.860 enj toon hasdaveh Fuljh me khiddeh. 147 00:16:36.940 --> 00:16:42.080 Bhojh daasaaz hoveh Pyar di awaaz hoveh. 148 00:16:50.090 --> 00:16:51.990 Oh, yeah. 149 00:17:03.480 --> 00:17:05.109 Thank you. 150 00:17:23.380 --> 00:17:26.099 Sasi Kaal Saryanu, this is Burra and you're

listening to 151 00:17:26.140 --> 00:17:28.460 my new single On the Bridge with Sami Chand on 152 00:17:28.539 --> 00:17:31.539 Ruckus Avenue Radio. I'm a Punjabi artist out of New 153 00:17:31.579 --> 00:17:34.440 Delhi and I have a gut feeling that I'll be 154 00:17:34.480 --> 00:17:38.380 in LA soon and one day, I'm telling you, one 155 00:17:38.400 --> 00:17:41.460 day I'm claiming it. Very soon, we'll pack a stadium 156 00:17:41.519 --> 00:17:43.039 together in LA. 157 00:17:43.420 --> 00:17:44.519 Alright, see you soon. 158 00:17:44.539 --> 00:17:44.900 Bye-bye. 159 00:17:46.420 --> 00:17:48.789 Shout out to Burra there for stopping by. 160 00:17:49.369 --> 00:17:49.910 Yeah, brother. 161 00:17:50.529 --> 00:17:53.789 Hope we packed that stadium out for you here. That's 162 00:17:53.829 --> 00:17:56.210 his new song called Look Eat In. What a great 163 00:17:56.269 --> 00:17:59.069 job there on his new single. Now let's bring in 164 00:17:59.109 --> 00:18:01.279 Meera Sharma, who's got today's Mindful Minute for you. 165 00:18:01.359 --> 00:18:02.180 What's up, Meera? 166 00:18:02.759 --> 00:18:03.420 Hey, Sammy. 167 00:18:03.500 --> 00:18:04.259 Hey, everyone. 168 00:18:04.519 --> 00:18:07.660 Meera Sharma here with your weekly dose of mindful sass, 169 00:18:08.279 --> 00:18:13.359 helping you stay self-assured, spirited, and strong. As September comes 170 00:18:13.400 --> 00:18:13.680 to an. 171 00:18:13.799 --> 00:18:15.380 End, here's your reminder. 172 00:18:16.180 --> 00:18:19.410 Build a life that feels good to you, not one 173 00:18:19.470 --> 00:18:21.529 that simply looks good to everyone else. 174 00:18:22.450 --> 00:18:23.990 It's so easy. 175 00:18:23.750 --> 00:18:27.019 To get caught up in what society says success looks like, 176 00:18:27.599 --> 00:18:31.259 but your life doesn't have to follow someone else's blueprint. 177 00:18:32.119 --> 00:18:36.500 Maybe your version of happiness looks completely different and that's okay. 178 00:18:37.420 --> 00:18:41.140 So this week ask yourself, am I living for myself 179 00:18:41.509 --> 00:18:43.730 or for other people's expectations? 180 00:18:44.630 --> 00:18:45.609 Because at the end of. 181 00:18:45.589 --> 00:18:49.950 The day, you have to live your life, not anyone else's. 182 00:18:50.789 --> 00:18:51.470 You've got this. 183 00:18:52.130 --> 00:18:54.190 That's amazing advice. 184 00:18:55.190 --> 00:18:58.880 Great power for the Monday morning for you guys, courtesy 185 00:18:58.920 --> 00:19:02.000 of Meera Sharma, right here on the bridge on Ruckus 186 00:19:02.079 --> 00:19:02.779 Avenue Radio. 187 00:19:03.640 --> 00:19:04.579 Thank you, Meera. 188 00:19:06.440 --> 00:19:08.559 You know, there are a few albums that we're very 189 00:19:08.619 --> 00:19:11.559 excited about here for the fall. Of course, I shared 190 00:19:11.700 --> 00:19:13.299 one of them with you, which is coming out on 191 00:19:13.339 --> 00:19:17.480 the 29th of October. That's Delvinder. Painted Feelings is what 192 00:19:17.519 --> 00:19:20.900 it's called. And then we have God and Audula. who's 193 00:19:20.940 --> 00:19:25.279 dropping two EPs here. And the very first one just 194 00:19:25.319 --> 00:19:29.420 dropped on the 25th of September. It's called Aajla, season one. 195 00:19:30.180 --> 00:19:32.380 Here is the lead single. It's called Ashke. 196 00:19:40.190 --> 00:19:45.579 Bhabhi di saanu bakshe Karanatiyan gaani lashke Ni modde paundi 197 00:19:45.779 --> 00:19:50.279 chumrid naali kaike yashke Mir jor bala e pateche Nija 198 00:19:50.339 --> 00:19:54.279 tu saala hathche Tu tigra dekhi jateche Khad jaan da. 199 00:19:54.099 --> 00:19:56.240 Kala gathche Main sita. 200 00:19:55.880 --> 00:20:01.269 Chalda puthiyana Bingwal ni saala mathche Lata koi khichda khichle. 201 00:20:00.630 --> 00:20:02.089 Min trust ya nili. 202 00:20:01.710 --> 00:20:06.829 Shatche Saade kam kaale Teriyan galaan dey utne laliyani See 203 00:20:06.950 --> 00:20:07.930 Sony a kiss. 204 00:20:08.009 --> 00:20:09.230 I'm at home in Thailand. 205 00:20:09.250 --> 00:20:10.839 Yeah, I know that the only. 206 00:20:10.880 --> 00:20:23.579 Thing that I had yeah, yeah, yeah, yeah Baby, you 207 00:20:23.640 --> 00:20:25.400 so fire, I miss you so much, I miss you 208 00:20:25.420 --> 00:20:27.200 so much, I miss you so much. 209 00:20:27.220 --> 00:20:29.240 I miss you so much, I miss you so much. 210 00:20:46.529 --> 00:20:49.450 Wherever I keep my feet, my teeth are still there. 211 00:20:49.509 --> 00:20:51.849 I came to the village with a pair of sandals 212 00:20:51.950 --> 00:20:54.289 and a pair of shoes. I didn't want to give 213 00:20:54.410 --> 00:20:56.289 a show-off, so I went to India. I met a girl, 214 00:20:56.309 --> 00:20:59.180 but I couldn't even get a photo of her. 215 00:20:59.299 --> 00:21:03.019 I'm a young man from Siddharth, you're a young man 216 00:21:03.279 --> 00:21:04.140 from Taddi. 217 00:21:04.180 --> 00:21:07.079 You're a body girl, I'm a slim girl, and. 218 00:21:06.940 --> 00:21:11.599 I'm a girl from Kamshiri. We're from Tora, Fera, Enam, Raini, Lodha, Gedi. 219 00:21:13.380 --> 00:21:45.359 I don't know what to do Gadan Ajla collaborating with. 220 00:22:13.099 --> 00:22:17.559 One of his best producer collaborators, I think. Mercy Beats. 221 00:22:18.420 --> 00:22:22.460 It's called Audula Season 1. That is the brand new EP. 222 00:22:22.960 --> 00:22:24.420 That's the lead single from it. 223 00:22:24.480 --> 00:22:25.420 It's called Ashke. 224 00:22:26.059 --> 00:22:28.759 And a great, great vibe to kick off that album 225 00:22:28.799 --> 00:22:32.000 and the rollout for the whole Audula Season 1 EP. 226 00:22:32.079 --> 00:22:34.779 So big shout out to Karan Audula and a big 227 00:22:34.819 --> 00:22:37.220 shout out to Mercy Beats there. Looking forward to the 228 00:22:37.269 --> 00:22:40.200 rest of the project. And now, folks, let's bring in 229 00:22:40.269 --> 00:22:44.109 Daniel Johnson from the UN

News Department as he brings 230 00:22:44.150 --> 00:22:46.269 you a news break every Monday. 231 00:22:46.529 --> 00:22:47.670 What's up, Daniel? 232 00:22:47.930 --> 00:22:51.269 This is UN News Today with me, Daniel Johnson. The headlines. 233 00:22:52.009 --> 00:22:56.210 Violence in Yemen is causing an alarming hunger spike in children. 234 00:22:56.849 --> 00:23:01.069 How Sudan's people urgently need support to withstand war and 235 00:23:01.089 --> 00:23:05.009 the El Nino climate shock. And in the occupied West Bank. 236 00:23:05.390 --> 00:23:10.099 New Israeli demolitions deepen ethnic cleansing fears. We'll have the details. 237 00:23:13.559 --> 00:23:16.740 Aid agencies in Yemen have warned about the growing hunger 238 00:23:16.799 --> 00:23:21.089 emergency sparked by renewed fighting between Houthi opposition forces and 239 00:23:21.150 --> 00:23:25.250 government troops after mobile health clinics reported that hundreds of 240 00:23:25.309 --> 00:23:28.609 children displaced by the violence are suffering the deadliest form 241 00:23:28.650 --> 00:23:33.880 of malnutrition. Of nearly 2,900 children screened, The UN Children's 242 00:23:33.920 --> 00:23:36.799 Fund UNICEF said that more than one in four are 243 00:23:36.839 --> 00:23:41.390 acutely malnourished, while around 200 were sick with severe acute malnutrition, 244 00:23:41.730 --> 00:23:46.609 which is even more dangerous. Approximately 130,000 people have fled 245 00:23:46.670 --> 00:23:50.250 clashes in the southwest since fighting erupted in recent weeks. 246 00:23:50.710 --> 00:23:55.730 That number includes around 71,000 children, mostly from Taiz governorate. 247 00:23:56.450 --> 00:24:00.500 UNICEF representative in Yemen, Akhil Ayah, described the ordeal of 248 00:24:00.619 --> 00:24:01.660 one displaced family. 249 00:24:01.960 --> 00:24:04.589 We spoke to Haifa, a young mother who fled Yemen's 250 00:24:04.630 --> 00:24:06.609 west coast, and she told us that the sounds of 251 00:24:06.650 --> 00:24:09.829 gunfire were closing in on her house as her house 252 00:24:09.890 --> 00:24:12.190 was shaking. She told us that she didn't have time 253 00:24:12.230 --> 00:24:14.630 to think. She just knew that she had to run 254 00:24:14.990 --> 00:24:17.990 and run quickly with her family. Today, she and her 255 00:24:18.049 --> 00:24:21.109 family live in extreme heat in a side of a 256 00:24:21.170 --> 00:24:23.990 tent with no source of income and they are struggling 257 00:24:24.049 --> 00:24:25.190 for food and medicine. 258 00:24:25.539 --> 00:24:29.200 Providing health care for all those exhausted by repeated displacement 259 00:24:29.259 --> 00:24:32.900 is vitally important, but reaching communities with the highest health 260 00:24:32.940 --> 00:24:37.430 needs is becoming increasingly difficult, the UN World Health Organization said. 261 00:24:38.250 --> 00:24:41.950 To Sudan, where funding shortages are limiting UN efforts to 262 00:24:42.009 --> 00:24:46.309

help communities impacted by ongoing war and displacement, just as 263 00:24:46.470 --> 00:24:49.529 El Nino threatens to bring 30 to 40 percent less 264 00:24:49.589 --> 00:24:53.250 rainfall than usual. In an alert, the food and agriculture 265 00:24:53.289 --> 00:24:58.609 organization FAO warned of worsening food security for farmers, pastoralists 266 00:24:58.869 --> 00:25:03.230 and fishing communities in regions largely reclaimed by government forces 267 00:25:03.549 --> 00:25:07.509 during the protracted war with former paramilitary allies, the RSF. 268 00:25:08.299 --> 00:25:11.259 The agency has several ways of supporting the most vulnerable, 269 00:25:11.640 --> 00:25:15.799 such as vaccinating millions of livestock and providing goats to 270 00:25:15.839 --> 00:25:19.460 displaced women-headed households and mothers so that children have a 271 00:25:19.519 --> 00:25:23.079 ready supply of nutritious milk. With more, here's the agency's 272 00:25:23.259 --> 00:25:24.019 Rain Paulson. 273 00:25:24.319 --> 00:25:26.839 The things that we do are really to try and 274 00:25:26.920 --> 00:25:31.259 mitigate the impacts of rainfall losses and drought on livestock 275 00:25:31.359 --> 00:25:36.579 by ensuring essentially healthy animals to the extent possible. So 276 00:25:36.619 --> 00:25:39.240 this is about ensuring that the body weight of animals 277 00:25:39.359 --> 00:25:43.220 are retained, that they're vaccinated against the types of diseases 278 00:25:43.259 --> 00:25:46.220 that will compromise their health, that they have access to 279 00:25:46.720 --> 00:25:48.049 animal feed concentrate. 280 00:25:48.569 --> 00:25:52.529 Another successful ongoing project that's brought investment returns of 30 281 00:25:52.529 --> 00:25:57.279 to 1 involves purchasing drought-resistant seed for farmers. From an 282 00:25:57.339 --> 00:26:01.980 initial $ 17 million outlay, farmers produced sorghum crops worth more 283 00:26:02.000 --> 00:26:06.500 than $ 500 million. This year, the agency needs $ 193 million 284 00:26:06.920 --> 00:26:11.019 to support its initiatives. It is currently only 23% funded. 285 00:26:12.259 --> 00:26:16.440 The situation in the occupied West Bank continues to deteriorate, 286 00:26:16.869 --> 00:26:19.670 The UN Human Rights Office has said, pointing to the 287 00:26:19.910 --> 00:26:24.529 mass destruction of Palestinian villages and forcible transfer of residents 288 00:26:24.869 --> 00:26:28.650 in Safayata, South Hebron Hills. In a call for an 289 00:26:28.690 --> 00:26:33.039 immediate halt to the demolitions, the UN office OHCHR said 290 00:26:33.079 --> 00:26:37.259 that Israeli bulldozers demolished homes, farm buildings, water tanks and 291 00:26:37.319 --> 00:26:41.000 solar panels in the village of Jinba on Wednesday. The 292 00:26:41.019 --> 00:26:44.579 forcible transfer of a civilian population from their land by 293 00:26:44.599 --> 00:26:47.960 an occupying power is a war crime. said Ajit Sungay, 294 00:26:48.319 --> 00:26:52.720 head of OHCHR in the Occupied Palestinian Territory. Three more 295 00:26:52.759 --> 00:26:57.160 villages in Masafayata have already been almost entirely destroyed in 296 00:26:57.240 --> 00:27:02.869 September 2026, OHCHR said, highlighting fears of ethnic cleansing in 297 00:27:02.910 --> 00:27:07.049 the Occupied Palestinian Territory. Overall, there are 12 villages in 298 00:27:07.109 --> 00:27:11.920 Masafayata housing over 1,100 Palestinians, most of whom have owned 299 00:27:12.099 --> 00:27:15.799 and lived on the land for generations. Israeli demolitions of 300 00:27:15.839 --> 00:27:20.000 Palestinian homes and infrastructure have displaced 1,500 people in the 301 00:27:20.039 --> 00:27:22.839 occupied West Bank so far this year, according to the 302 00:27:22.980 --> 00:27:27.960 UN Aid Coordination Office OCHA. Daniel Johnson, UN News. And 303 00:27:28.000 --> 00:27:30.380 that's the bulletin, but if you'd like to catch up 304 00:27:30.440 --> 00:27:33.109 with the latest news from the UN General Assembly in 305 00:27:33.160 --> 00:27:37.849 New York, go to our website at news.un.org or follow 306 00:27:37.890 --> 00:27:40.150 us online. Just search for UN News. 307 00:27:40.519 --> 00:27:41.980 Thank you, Daniel. Thank you so much. 308 00:27:42.299 --> 00:27:45.339 Daniel appears every Monday here as part of Ruckus Avenue 309 00:27:45.400 --> 00:27:48.400 Radio's partnership with the UN News Department. 310 00:27:49.279 --> 00:28:13.039 Thank you. What should I do? 311 00:28:23.660 --> 00:28:26.490 I don't know what to do without you. 312 00:28:26.569 --> 00:28:30.509 Why is the environment so scary? 313 00:28:30.549 --> 00:28:35.509 The whole of India is looking at you. Glory to 314 00:28:35.549 --> 00:28:38.789 the Lord. I keep my friends and my friends in 315 00:28:38.970 --> 00:28:41.450 my house. I don't know what to do. I don't 316 00:28:41.490 --> 00:28:43.490 know what to do. I keep my friends and my 317 00:28:43.509 --> 00:28:44.650 friends in my house. 318 00:28:53.000 --> 00:28:54.099 I don't know. 319 00:28:53.799 --> 00:28:57.480 What to say, but you're my crush, you're my crush 320 00:28:57.579 --> 00:29:01.460 It's such a beautiful imagination, they say Ask me, where 321 00:29:01.500 --> 00:29:02.940 did you get the drugs from? 322 00:29:02.960 --> 00:29:04.599 They say, you keep them in a big bag We 323 00:29:04.619 --> 00:29:06.920 laugh and you follow us We shout and we get 324 00:29:07.140 --> 00:29:09.920 beaten up every day How many times have we done 325 00:29:09.940 --> 00:29:11.319 this in our lives? 326 00:29:11.400 --> 00:29:12.700 Half of the rush is left. 327 00:29:12.559 --> 00:29:15.960 Behind, the rest is very deep God's grace and goodness is. 328 00:29:15.880 --> 00:29:21.380 With everyone Hania, my love Don't worry about it I understand, 329 00:29:21.440 --> 00:29:23.960 don't worry about it Honey. 330 00:29:23.940 --> 00:29:30.490 I'm here so much attitude and

personality. 331 00:29:28.890 --> 00:29:36.210 Passion Honey, I'm here. 332 00:29:37.150 --> 00:29:43.440 So much attitude and personality packed into this song. My 333 00:29:43.480 --> 00:29:46.359 favorite part might be these kind of parting words at 334 00:29:46.400 --> 00:29:49.099 the end of the song. A lot of great self-affirmation 335 00:29:49.160 --> 00:29:49.660 right there. 336 00:29:49.700 --> 00:29:52.740 It's so funny. This next one we've got for you. 337 00:29:53.640 --> 00:29:55.049 The song is called Radha. 338 00:29:56.089 --> 00:29:56.529 Enjoy. 339 00:29:56.549 --> 00:29:57.309 Enjoy. 340 00:30:09.259 --> 00:30:15.829 Why does it keep falling, Radha? 341 00:30:15.849 --> 00:30:16.710 Oh Radha! 342 00:30:16.730 --> 00:30:24.670 My Radha is filled with water in the nest of birds. 343 00:30:24.750 --> 00:30:30.259 These birds have lost their way. 344 00:31:10.460 --> 00:31:15.089 Us ghum chadho lena naam tera kaha mujh se Mere 345 00:31:15.269 --> 00:31:19.450 pank bheege hain paon chalate nahi. 346 00:31:19.609 --> 00:31:24.539 And this jungle mein ek gid bhookha hai Jo mujh 347 00:31:24.690 --> 00:31:25.900 ko dhund. 348 00:31:25.599 --> 00:31:32.920 Taar Gar kal sabha tak na ho khuda ki ganimet toh. 349 00:31:33.259 --> 00:31:38.440 Na saas ho na hi aahhte na ye jiwala So 350 00:31:38.480 --> 00:31:42.849 tell my mother, Radha, that your son is happy. 351 00:33:14.339 --> 00:33:16.000 Love the vibe. Love the track. 352 00:33:16.680 --> 00:33:18.279 And you guys know we've been playing this quite a 353 00:33:18.299 --> 00:33:20.460 bit here on the show over the last couple of weeks. 354 00:33:22.140 --> 00:33:27.289 Ja Divari, collaborating with Nutcut on a song called Radha. 355 00:33:28.630 --> 00:33:31.029 Hope you guys are enjoying yourselves wherever. 356 00:33:30.630 --> 00:33:31.630 You may be. 357 00:33:31.710 --> 00:33:33.589 We've got a lot going on on this show today. 358 00:33:33.630 --> 00:33:36.549 We'll be joined by Sonny Gutterwall, so don't go nowhere. 359 00:33:37.210 --> 00:33:38.599 Sonny will give us a little bit of an update 360 00:33:38.630 --> 00:33:42.740 as to what's going on with their show airing. 361 00:33:41.920 --> 00:33:45.779 Today at 5 p.m. Pacific time. This is Simran Chaudhary. 362 00:34:14.860 --> 00:34:15.860 So so. 363 00:34:44.539 --> 00:34:49.909 Tere piche heer hoi duniya pulaaiya Heer jai naar rab 364 00:34:49.989 --> 00:34:55.329 teri choli paaiya Hona naraz mera dil kab raunda hai 365 00:34:55.449 --> 00:34:59.679 Pyaar da mazaak mainu das kyun banauna hai Ishke de 366 00:34:59.739 --> 00:35:02.420 rog di daru Now it feels like I'm going to 367 00:35:02.739 --> 00:35:06.059 kill you. I'll throw you in heaven with two eyes. 368 00:35:06.400 --> 00:35:08.940 I'm yours and you become mine, my dear. 369 00:35:08.980 --> 00:35:13.309 Bring a beautiful girl in the neighborhood. 370 00:35:12.320 --> 00:35:13.429 Of your heart. 371 00:35:13.730 --> 00:35:18.409 Bring a beautiful girl in the neighborhood of your heart. 372 00:35:18.530 --> 00:35:20.269 My dear, look at your face, my dear. 373 00:35:20.329 --> 00:35:23.889 Bring a beautiful girl in the neighborhood of your heart. 374 00:35:23.969 --> 00:35:27.070 Bring a beautiful girl in the neighborhood. 375 00:35:26.449 --> 00:35:27.070 Of your heart. 376 00:35:35.210 --> 00:35:38.010 The song is from Simran Chowdhury. It's her latest single. 377 00:35:38.760 --> 00:35:40.760 Out now on Sarigama Music, everybody. 378 00:35:42.420 --> 00:35:44.019 Got a big week ahead, everyone. 379 00:35:44.500 --> 00:35:47.840 Sunny Gariwal today will be joined by several other of 380 00:35:47.860 --> 00:35:52.039 the Ruckus Avenue folks throughout the week. including Jeeva Mental 381 00:35:52.079 --> 00:35:53.179 Health's Ekta. 382 00:36:15.710 --> 00:36:47.440 I don't know. Tainu chate karke shami hoor ghazal yaaj 383 00:36:47.480 --> 00:36:52.650 likh lai main Jado jado bhi likha tainu lagda duniya 384 00:36:52.670 --> 00:36:57.869 jat lai main Jado jado bhi likha tainu lagda duniya 385 00:36:57.889 --> 00:37:15.630 jat lai main Kadi rahi tum wadi rahi tum pake 386 00:37:15.690 --> 00:37:21.190 parde chawate Kool khano ta koi na jathe na tori 387 00:37:21.230 --> 00:37:27.760 na raakhaate Kismat wala main raaniye saath jo tera labyaani 388 00:37:28.599 --> 00:37:33.980 Tere bajon saath kise da hoor janam main mangyaani Kedre 389 00:37:34.019 --> 00:37:38.079 saano nazir na lagje na photo paama islai. 390 00:37:37.699 --> 00:37:39.099 Main Jado jado. 391 00:37:41.300 --> 00:37:46.150 Jado jado bhi vekhaan tenu lagda duniyaan jatlai main Jion 392 00:37:46.190 --> 00:37:48.389 jugye jionda hojaan vehke tere. 393 00:37:48.150 --> 00:37:54.590 Haase ni Jaan te sade banyo di jad zulf ji 394 00:37:54.650 --> 00:37:59.909 kardi faase ni Tu hi saanu kaafi hai fir nazar 395 00:37:59.969 --> 00:38:05.960 kumama kislai main Jado jado bhi vekhaan tenu lagda duniyaan 396 00:38:05.980 --> 00:38:07.440 jatlai main. 397 00:38:14.329 --> 00:38:26.380 Siddhu is the artist. The song is called Duniya. I 398 00:38:29.360 --> 00:38:31.980 was mentioning to you that tomorrow we'll be joined by 399 00:38:32.159 --> 00:38:39.559 Shoman Mathur, an interesting artist. He's from Washington, D.C., multi-instrumentalist, 400 00:38:39.699 --> 00:38:41.860 and one of the most talented vocalists that I've heard 401 00:38:41.880 --> 00:38:45.599 from our community here. But he is the front man 402 00:38:46.119 --> 00:38:49.800 and the founder of a one-man rock band called Black 403 00:38:49.920 --> 00:38:52.510 Mustang Defense. He's joining us tomorrow. 404 00:38:53.570 --> 00:38:57.269 I don't know who it is. I don't know who 405 00:38:57.510 --> 00:39:11.119 it is. Yesterday I was free, why am I free today? 406 00:39:11.139 --> 00:39:15.730 Yesterday I was free, why am I helpless today? I 407 00:39:16.030 --> 00:39:19.090 don't know who I am, I don't know I don't 408 00:39:19.829 --> 00:39:21.230 know who I am This world Who

knows who it 409 00:39:21.630 --> 00:39:27.050 is This world Is confused. 410 00:39:26.170 --> 00:39:32.409 This world Is confused. 411 00:39:56.420 --> 00:40:02.030 Yesterday, everything was close. Today, look, it's far away. Yesterday, 412 00:40:02.210 --> 00:40:03.329 everything was special. 413 00:40:03.349 --> 00:40:04.329 Today, it's useless. 414 00:40:04.369 --> 00:40:06.530 Neither do we know who it is. Neither do we know. 415 00:40:06.630 --> 00:40:08.349 Neither do we know. 416 00:40:08.150 --> 00:40:09.389 Who it is. This world is a mess. 417 00:40:40.690 --> 00:40:43.000 All the way in from the UK, my brother from 418 00:40:43.059 --> 00:40:45.010 another mother, Sonny Garewal. 419 00:40:45.070 --> 00:40:45.949 How are you, Sonny? 420 00:40:46.130 --> 00:40:46.230 Hey. 421 00:40:47.210 --> 00:40:48.050 I'm doing well, brother. 422 00:40:48.070 --> 00:40:49.090 How are you keeping your cake? 423 00:40:49.329 --> 00:40:49.929 Good, brother. 424 00:40:50.150 --> 00:40:50.469 Good. 425 00:40:50.510 --> 00:40:53.590 Just working away over here, practicing dance moves. 426 00:40:53.989 --> 00:40:55.110 You know, we just put. 427 00:40:55.110 --> 00:40:58.809 Out a brand new show. I was the music supervisor 428 00:40:58.889 --> 00:41:04.349 of a show called Bollywood Dance University. And Bollywood Dance 429 00:41:04.389 --> 00:41:08.090 University is the accompanying documentary to the big Best of 430 00:41:08.150 --> 00:41:11.909 Best show that just got released on Netflix starring Hasan 431 00:41:11.929 --> 00:41:14.889 Minhaj and everybody like that. But, you know, which begs 432 00:41:14.949 --> 00:41:17.989 the question for me, Sonny. You know, what's the dance 433 00:41:18.030 --> 00:41:21.090 scene like over there from this kind of collegiate perspective? 434 00:41:21.110 --> 00:41:23.500 In the US, it's pretty competitive. 435 00:41:23.820 --> 00:41:26.880 We have these like annual events where these colleges get 436 00:41:26.940 --> 00:41:29.539 together and they compete and. 437 00:41:29.699 --> 00:41:32.090 It's a thing. Is there such a thing out there 438 00:41:32.110 --> 00:41:32.440 in the UK? 439 00:41:33.730 --> 00:41:36.650 It's interesting because, bear in mind, I am, you know, 440 00:41:36.670 --> 00:41:40.510 I've batted a half a century right now, right? And 441 00:41:40.610 --> 00:41:44.000 I'm into my 51st year in about a couple of days. 442 00:41:44.119 --> 00:41:44.960 Nice. 443 00:41:45.519 --> 00:41:47.559 And so I'll be honest with you. When I was younger, 444 00:41:47.599 --> 00:41:49.679 there was never a big thing about dancing. But there 445 00:41:49.699 --> 00:41:52.239 was always these little pockets of people who would have... 446 00:41:52.760 --> 00:41:55.719 dance off but it will be community based it will 447 00:41:55.760 --> 00:41:58.159 be if you're interested in hip hop if you're interested 448 00:41:58.199 --> 00:42:00.300 in break dancing I don't know yeah of course you 449 00:42:00.320 --> 00:42:02.280 would know so break dancing was a big thing when 450 00:42:02.320 --> 00:42:04.820 I was younger and it was and it was never 451 00:42:04.949 --> 00:42:08.409 recognized as a art form until a lot later at 452 00:42:08.449 --> 00:42:09.969 the time it was just like oh they're sort of 453 00:42:10.010 --> 00:42:13.949 like seedy down underground sort of thing and then but 454 00:42:13.969 --> 00:42:17.309 then when you look at colleges and universities when Michelle 455 00:42:17.349 --> 00:42:21.530 was at university there were these so they had these 456 00:42:21.710 --> 00:42:24.949 you know committees where they would have a Punjabi society, 457 00:42:24.969 --> 00:42:27.369 a Hindi society. They would have had like, you know, 458 00:42:27.409 --> 00:42:30.869 science society, chess board society. But they also have Bhangra 459 00:42:31.070 --> 00:42:35.409 and dance-related ones as well, like ballet or dancing. So 460 00:42:35.730 --> 00:42:39.340 over here, the one that I really conscribe to is 461 00:42:39.380 --> 00:42:43.380 the Bhangra one, right? And it's called Bhangra Showdown and 462 00:42:43.400 --> 00:42:45.860 it's called the Bhangra Dance-Off or whatever it's called. There's 463 00:42:45.900 --> 00:42:49.760 about three companies, there's three people who would normally set 464 00:42:49.780 --> 00:42:53.440 this up. And the universities would get together, about five, 465 00:42:53.480 --> 00:42:56.070 six big universities would come together and say, look, right, okay, 466 00:42:56.090 --> 00:42:57.090 so what we're going to do is we're going to 467 00:42:57.110 --> 00:42:59.849 do a Bhangra showdown, and you have to pass this, this, 468 00:42:59.889 --> 00:43:02.230 and this. And the judges come on board, and then 469 00:43:02.269 --> 00:43:06.050 they have one night of this massive dance-off against each other. 470 00:43:06.550 --> 00:43:09.449 And then the one who gets to the end gets 471 00:43:09.530 --> 00:43:15.579 crowned Bhangra team or Bhangra university of the year. So 472 00:43:15.639 --> 00:43:18.480 that's where, I guess, What you were just referring to 473 00:43:18.619 --> 00:43:19.639 is what we've got. 474 00:43:19.719 --> 00:43:20.059 Yeah. 475 00:43:20.579 --> 00:43:20.800 Yeah. 476 00:43:21.139 --> 00:43:24.590 And obviously, you know, we gave you guys the, you know, like, 477 00:43:24.730 --> 00:43:26.670 come dance with me or whatever it's called. 478 00:43:26.750 --> 00:43:27.869 I'm from the BBC, right? 479 00:43:27.989 --> 00:43:30.389 Yeah. Come dance with the stars. So that came from 480 00:43:30.409 --> 00:43:33.840 the BBC. So this country has a lot of heritage 481 00:43:33.880 --> 00:43:36.659 and a lot of, you know, a lot to do 482 00:43:36.699 --> 00:43:37.300 with dancing. 483 00:43:37.320 --> 00:43:37.480 Yeah. 484 00:43:38.039 --> 00:43:40.059 Uh, you know, and so as a result, we used 485 00:43:40.079 --> 00:43:43.300 to have dance halls and all of that kind of stuff. So, so, 486

00:43:43.340 --> 00:43:45.019 you know, come dance with whatever it is. I forgot 487 00:43:45.059 --> 00:43:46.579 the name of the show. I'm so, so sorry. I 488 00:43:46.639 --> 00:43:49.199 got blank, but it's like, that's the one that. 489 00:43:49.090 --> 00:43:51.750 We watch as a nation. That's interesting. 490 00:43:51.829 --> 00:43:55.559 And, and, Yeah, so that's the one that we would then, 491 00:43:55.840 --> 00:43:58.340 you know, watch it. But it would be like, oh, 492 00:43:58.360 --> 00:44:00.800 look who's going to be dancing with the stars now. 493 00:44:00.840 --> 00:44:01.659 Oh, look what happened. 494 00:44:02.000 --> 00:44:04.039 It's only the star element came later on and that 495 00:44:04.119 --> 00:44:08.610 was bringing a bigger view. And then obviously that format 496 00:44:08.650 --> 00:44:12.030 has now gone around the world from the BBC. And 497 00:44:12.110 --> 00:44:14.409 as a result, you know, that's the kind of dance 498 00:44:14.510 --> 00:44:15.030 aspect of it. 499 00:44:15.170 --> 00:44:15.889 But here's the thing. 500 00:44:16.550 --> 00:44:18.250 It's the music that brings you in. 501 00:44:18.250 --> 00:44:18.730 That's it, brother. 502 00:44:19.030 --> 00:44:21.210 And I think that's the key thing. And it's funny 503 00:44:21.230 --> 00:44:23.070 because you're the music supervisor. So I guess it must 504 00:44:23.090 --> 00:44:25.510 be really hard for you to think, okay, I need 505 00:44:25.610 --> 00:44:29.010 to be honorable to the, you know, to the dancing. 506 00:44:29.389 --> 00:44:32.090 But I also need to keep my finger on the pulse. 507 00:44:32.110 --> 00:44:34.480 That will bring people in who are probably not interested. 508 00:44:34.539 --> 00:44:37.480 How do you, you know, balance that sort of tight 509 00:44:37.519 --> 00:44:41.119 line with the show and also with the current fight guys? 510 00:44:41.440 --> 00:44:44.730 Yeah, it was interesting because these were filmed at certain points. 511 00:44:44.969 --> 00:44:48.090 And now, you know, to see those things performed, they 512 00:44:48.139 --> 00:44:51.179 feel dated, or they did at the time. But interesting 513 00:44:51.239 --> 00:44:54.320 enough in... In some of the scenes, we did recreate 514 00:44:54.380 --> 00:44:57.960 music to kind of modernize different things and add different 515 00:44:58.000 --> 00:45:00.079 effects to make it kind of come together. And that's, 516 00:45:00.139 --> 00:45:02.119 I guess, a musical trick that we used in the 517 00:45:02.139 --> 00:45:04.239 background there to kind of enhance what they were doing 518 00:45:04.260 --> 00:45:06.610 there with their mixes. But, you know, if there was 519 00:45:06.650 --> 00:45:09.610 anything that I took away from it, Sonny, was just 520 00:45:09.730 --> 00:45:13.409 the personal investment that each of the dancers made into 521 00:45:13.489 --> 00:45:14.090 each of their. 522 00:45:13.949 --> 00:45:17.719 Teams throughout the year. It almost felt like, to me.

523 00:45:18.500 --> 00:45:21.179 I was watching the story of like a local football 524 00:45:21.219 --> 00:45:24.099 team or something, you know, where the play, you know, 525 00:45:24.199 --> 00:45:26.719 each of them were coming together. They felt a responsibility. 526 00:45:26.760 --> 00:45:29.440 There were roles that they were being counted on for 527 00:45:29.480 --> 00:45:32.920 the greater good. And then the story itself, the arc follows, 528 00:45:32.980 --> 00:45:35.139 you know, this, a couple of the dance groups, of course, 529 00:45:35.179 --> 00:45:38.550 and how somebody wins and et cetera, et cetera. I'm 530 00:45:38.630 --> 00:45:40.250 not going to give me spoilers out there, but just 531 00:45:40.269 --> 00:45:42.670 so in case you haven't seen it, but it, to me, 532 00:45:43.659 --> 00:45:48.269 Just how much each of them gave the routine, not 533 00:45:48.389 --> 00:45:51.360 only in the actual confines of the dance group and 534 00:45:51.380 --> 00:45:54.320 the rehearsals and the actual performance, but just on a 535 00:45:54.380 --> 00:45:55.079 personal level. 536 00:45:55.400 --> 00:45:56.760 That, to me, was really interesting. 537 00:45:56.780 --> 00:45:56.860 Yeah. 538 00:45:58.340 --> 00:46:01.769 And also the platform they've got, they're on Netflix, right? 539 00:46:01.869 --> 00:46:04.429 And so it's going to be filmed. So I guess 540 00:46:04.449 --> 00:46:07.030 they had that much more that is not just going 541 00:46:07.050 --> 00:46:10.309 to be performed to a live studio audience. And whoever's 542 00:46:10.349 --> 00:46:12.170 in that room will see this is going to be 543 00:46:12.230 --> 00:46:12.909 witnessed by them. 544 00:46:13.130 --> 00:46:13.739 There's going to be. 545 00:46:14.030 --> 00:46:16.090 Probably immortalized I mean it's going to be there for 546 00:46:16.210 --> 00:46:21.219 archival and for continuous time does that add I guess 547 00:46:21.360 --> 00:46:23.920 that must add another layer of pressure on them in 548 00:46:23.980 --> 00:46:24.599 some way shape or. 549 00:46:24.619 --> 00:46:27.199 Form it's got to you know their whole story is 550 00:46:27.239 --> 00:46:30.519 being told out there but you know I think it 551 00:46:30.559 --> 00:46:34.260 was generally very positive I think everybody all the teams 552 00:46:34.320 --> 00:46:38.400 and the participants in the documentary did great and you 553 00:46:38.420 --> 00:46:40.079 know because I think the documentary has a little bit 554 00:46:40.119 --> 00:46:41.659 more of an arc to it in terms of the 555 00:46:41.699 --> 00:46:42.739 actual culture you. 556 00:46:42.699 --> 00:46:45.480 Know The film was a little bit more, you know, 557 00:46:45.500 --> 00:46:46.860 a little bit more Hollywoodized. 558 00:46:46.989 --> 00:46:49.340 And so there's like elements of the actual experience that 559 00:46:49.360 --> 00:46:52.269 we're missing. But the documentary did a great job of that. But, 560 00:46:52.429 --> 00:46:54.849 you know, I was just curious because I see it 561 00:46:54.909 --> 00:46:57.670 here in the U.S. and it's evolved so much over 562 00:46:57.710 --> 00:47:00.289 this generation of last, I would say, 20, 30 years 563 00:47:00.329 --> 00:47:03.250 from being, you know, just a few different Bhangra groups 564 00:47:03.329 --> 00:47:05.949 or different dance groups that are happening to men. These 565 00:47:05.989 --> 00:47:08.329 guys are like full on like clubs that are like 566 00:47:08.369 --> 00:47:11.809 being passed down from student year to student year and 567 00:47:11.869 --> 00:47:12.750 fascinating to watch. 568 00:47:14.039 --> 00:47:14.699 Oh, a hundred percent. 569 00:47:14.739 --> 00:47:17.559 And it's nice that, you know, like they say, don't they, 570 00:47:17.639 --> 00:47:19.239 if you want to get rid of a culture, if 571 00:47:19.260 --> 00:47:23.420 you want to shut down a practice of a certain. 572 00:47:23.119 --> 00:47:24.739 People, get rid of their language. Right. 573 00:47:25.260 --> 00:47:28.739 And alongside that, there's also the music element of it 574 00:47:28.840 --> 00:47:31.510 and also the way we move to our music. So 575 00:47:31.800 --> 00:47:34.570 if you can keep those elements alive, which is almost 576 00:47:34.670 --> 00:47:37.130 like part of your DNA, like the heartbeat, that heart, 577 00:47:37.289 --> 00:47:40.190 you know, there's always a rhythm to life. So I guess, 578 00:47:41.050 --> 00:47:43.619 I guess this is what the rhythm to our lives. 579 00:47:44.000 --> 00:47:45.449 No matter where I am in the world, if I 580 00:47:45.489 --> 00:47:50.269 hear at all, I'm going back. I'm up. 581 00:47:50.789 --> 00:47:53.130 That's my people. Let's go. We're my tribe. 582 00:47:53.309 --> 00:47:54.730 Let's go, man. 583 00:47:54.769 --> 00:47:55.269 Let's go. 584 00:47:55.849 --> 00:47:57.969 I guess that's the state for someone who probably hears 585 00:47:58.010 --> 00:48:00.769 the bagpipes. That's right, Sonny. 586 00:48:00.809 --> 00:48:02.110 That's right. 587 00:48:02.210 --> 00:48:03.409 I'm going to take on the world. 588 00:48:03.489 --> 00:48:05.530 It tugs at our heart like nothing else. 589 00:48:06.070 --> 00:48:06.489 It does. 590 00:48:07.599 --> 00:48:11.820 I love it, Sonny. Two guys that have probably not 591 00:48:12.079 --> 00:48:14.179 a foot of dance in us or an inch of 592 00:48:14.219 --> 00:48:17.380 dance capability in us both. Breaking down the dance scene 593 00:48:17.440 --> 00:48:18.019 out there, Sonny. 594 00:48:18.059 --> 00:48:20.440 How about that? Thanks so much for joining me today, brother. 595 00:48:20.480 --> 00:48:23.320 This has been fun. It's always a pleasure. 596 00:48:23.480 --> 00:48:23.880 God bless. 597 00:48:24.079 --> 00:48:24.489 Take care, brother. 598 00:48:24.570 --> 00:48:27.099 Thank you, Sonny. Here's the next song for you guys. 599 00:48:47.380 --> 00:48:51.239 600 00:48:51.280 --> 00:48:54.219 601 00:48:54.239 --> 00:48:57.219

602 00:48:57.260 --> 00:49:00.090 603 00:49:00.110 --> 00:49:03.230 604 00:49:03.269 --> 00:49:06.409 605 00:49:06.469 --> 00:49:09.449 606 00:49:09.469 --> 00:49:12.150 607 00:49:12.170 --> 00:49:14.519 They don't open their doors, they don't make 608 00:49:14.559 --> 00:49:16.960 their doors open They don't make their doors open, they 609 00:49:17.039 --> 00:49:22.280 don't make their doors open poppy on coming albums. I 610 00:49:22.320 --> 00:49:25.119 don't make a cap on worldwide greenery. I don't make 611 00:49:25.250 --> 00:49:27.250 a cap when I see myself drowning. I don't make 612 00:49:27.389 --> 00:49:33.250 a lot of money by doing little things. 613 00:49:33.269 --> 00:49:36.289 614 00:49:36.369 --> 00:49:38.900 615 00:49:38.920 --> 00:49:41.179 . 616 00:49:41.019 --> 00:49:42.840 . 617 00:49:42.739 --> 00:49:45.980 618 00:49:46.000 --> 00:49:49.000 619 00:49:49.019 --> 00:49:52.619 620 00:49:52.639 --> 00:49:56.139 621 00:49:56.159 --> 00:49:58.989 Chal dikhao e 622 00:49:59.030 --> 00:50:02.489 saki kinna botla mein tam Ja jubaan nahin lagi kyunki 623 00:50:02.510 --> 00:50:05.130 woh kala mein tam Mere kalle mein se jinnah ko 624 00:50:05.150 --> 00:50:08.349 nahin totla mein tam Rekh lo bali dikhega kinna lo 625 00:50:08.409 --> 00:50:12.019 kala mein tam Dikhao e saki kinna botla mein tam 626 00:50:12.079 --> 00:50:15.199 Ja jubaan nahin lagi kyunki woh kala mein tam Mere 627 00:50:15.260 --> 00:50:18.539 kalle mein se jinnah ko nahin totla mein tam Globally 628 00:50:18.559 --> 00:50:22.639 dekhaga kinna lokal aamdaar Dikhe top ke likhaari aaj choti 629 00:50:22.659 --> 00:50:23.780 na Vanayadu. 630 00:50:23.380 --> 00:50:26.449 Tera rap star e hip-hop ka goti na Vanayadu bronce 631 00:50:26.619 --> 00:50:28.210 odta aayi na meri. 632 00:50:27.949 --> 00:50:32.250 Voti na Vanayadu goat rapper aayi dekh liye thodi na Vanayadu. 633 00:50:31.829 --> 00:50:33.190 Culture bad bad. 634 00:50:32.909 --> 00:50:35.090 Jean saane dothi na Vanayadu. 635 00:50:34.670 --> 00:50:37.650 Door dangara ye rapper mai Thank you for watching. 636 00:50:55.280 --> 00:51:19.800 Keep on being a couple. Come on treat me special 637 00:51:43.809 --> 00:51:48.230 Come on, treat me special. Come on, treat me special. 638 00:51:49.449 --> 00:51:52.760 Come on, treat me special. Romy Huda. 639 00:51:54.380 --> 00:51:57.480 His collaboration with MC Square. It's a previous number one 640 00:51:57.519 --> 00:52:02.110 song from our top 20 countdown show. Want to give 641 00:52:02.130 --> 00:52:04.429 a big shout-out to Sonny Godewal for stopping by the 642 00:52:04.469 --> 00:52:09.010 big program today. Always a pleasure talking to him. And 643 00:52:09.170 --> 00:52:11.670 make sure you guys tune in to his big show today. 644 00:52:11.670 --> 00:52:14.489 5 p.m. Pacific time. 645 00:52:15.349 --> 00:52:17.789 And Sunny's

show, one of my favorites here on the air, 646 00:52:17.800 --> 00:52:19.380 it's called Off the Stream. 647 00:52:20.079 --> 00:52:21.800 And looking forward to that hour. 648 00:52:21.980 --> 00:52:25.639 Now let's bring in Doita Dasgupta, who's got today's artist 649 00:52:25.679 --> 00:52:26.579 spotlight for you. 650 00:52:27.039 --> 00:52:27.619 Hi, everyone. 651 00:52:27.679 --> 00:52:31.260 This is Doita Dasgupta, your Ruckus Avenue radio music correspondent, 652 00:52:31.340 --> 00:52:34.329 back with another artist spotlight. Today on The Bridge, we're 653 00:52:34.349 --> 00:52:38.530 spotlighting Rashmeet Gaur, the singer, songwriter, and performer whose powerful 654 00:52:38.590 --> 00:52:42.590 blend of Punjabi folk, Sufi music, hip-hop and contemporary pop 655 00:52:42.630 --> 00:52:45.159 has made her one of the most distinctive voices in 656 00:52:45.219 --> 00:52:48.400 Indian music today. Born in Punjab and raised in Delhi, 657 00:52:48.500 --> 00:52:52.400 Rashmi first gained attention through reality singing competitions before breaking 658 00:52:52.460 --> 00:52:56.679 into the mainstream with massive hits like Nadi Opar, Bajre Desita, 659 00:52:57.010 --> 00:53:00.710 Ish Nachawe and Khana Kasuta. Known for staying deeply connected 660 00:53:00.750 --> 00:53:04.610 to her musical roots while constantly experimenting with sound, Rashmeet 661 00:53:04.650 --> 00:53:08.969 has continued evolving her artistry through both Bollywood and independent music. 662 00:53:09.530 --> 00:53:13.300 In 2026, she's already released new tracks including Kaur Bat, 663 00:53:13.780 --> 00:53:17.940 Omran and her latest single Chore, showcasing a more emotional 664 00:53:18.179 --> 00:53:22.380 and introspective side of her music. She's also continued collaborating 665 00:53:22.530 --> 00:53:26.019 on film and soundtrack music, including the trending version of 666 00:53:26.119 --> 00:53:30.719 Dil Hai Ranjana with composer Shashwat Sachdev. Beyond streaming success, 667 00:53:30.800 --> 00:53:34.000 Rashmeet has also been making waves live, recently closing out 668 00:53:34.059 --> 00:53:38.590 Delhi University's 2026 fest season with a major performance at 669 00:53:38.650 --> 00:53:43.289 Hindu College's Mecca Festival. With her soulful vocals, fearless creativity, 670 00:53:43.449 --> 00:53:46.989 and ability to bridge tradition with modern sound, Rashmeet Kaur 671 00:53:47.030 --> 00:53:49.699 continues to prove why she's one of the most exciting 672 00:53:49.760 --> 00:53:52.800 and authentic artists in South Asian music right now. Well, 673 00:53:52.820 --> 00:53:55.500 that's all from me. Stay tuned for more only on 674 00:53:55.539 --> 00:53:56.820 Ruckus Avenue Radio. 675 00:53:57.900 --> 00:54:00.760 Thank you so much for that, Doita. Thank you so 676 00:54:00.800 --> 00:54:04.949 much for that artist spotlight there. Rashmeet Kaur, certainly one 677 00:54:04.969 --> 00:54:07.510 of our favorite artists here on the bridge. And we 678 00:54:07.550 --> 00:54:12.269 had an exclusive conversation with her earlier this year. One 679 00:54:12.289 --> 00:54:15.510 of our favorite interviews of the calendar year for sure. 680 00:54:16.210 --> 00:54:18.369 Here's her latest song called Ve Sajna. 681 00:54:18.730 --> 00:54:30.449 Ve Sajna Kaatu Kaise Ye Ratiya. 682 00:54:30.880 --> 00:54:32.219 Ve Sajna. 683 00:54:34.860 --> 00:54:44.460 How can I spend this night without you? I search 684 00:54:44.559 --> 00:54:50.190 for your traces You steal. 685 00:54:50.090 --> 00:54:58.570 My eyes How can I spend this night? 686 00:55:05.800 --> 00:55:07.070 Be 10 or better. 687 00:55:38.309 --> 00:55:40.949 Two eyes met, no work was left. 688 00:55:40.789 --> 00:55:46.579 Two eyes met, they became stars One eye met, the 689 00:55:47.219 --> 00:55:52.639 path was difficult Only two moments of life were left. 690 00:56:08.199 --> 00:56:14.789 Oh my love, how do I spend this night? 691 00:56:14.889 --> 00:56:20.699 Oh my love, how do I. 692 00:56:19.559 --> 00:56:41.630 Spend this night? How can I stay quiet? 693 00:56:41.789 --> 00:56:50.030 I haven't seen anyone like you How can I say anything? 694 00:56:50.050 --> 00:56:53.630 I won't say anything. 695 00:57:08.860 --> 00:57:24.599 Ve sajna, kathu kaise ye ratiya. 696 00:57:21.090 --> 00:57:26.610 Ve sajna, vite. 697 00:57:25.949 --> 00:57:38.909 Na bitaye ratiya. 698 00:57:33.750 --> 00:57:36.809 Rashmeet Kaur everybody, this song is called Ve Sajna. 699 00:57:38.219 --> 00:57:39.119 I hope you guys have had a. 700 00:57:39.099 --> 00:57:42.579 Great time hanging out with me today over this last hour. 701 00:57:43.519 --> 00:57:46.320 Certainly enjoyed this hour. We'll be back tomorrow with that 702 00:57:46.460 --> 00:57:49.219 exclusive interview with Shoman Mator, as I mentioned to you. 703 00:57:49.980 --> 00:57:52.900 And we'll leave you with Arjit Singh, who I can't 704 00:57:52.940 --> 00:57:56.900 decide if he is retired or not. He keeps dropping material. 705 00:57:57.679 --> 00:57:59.659 And this isn't the only new song that he has 706 00:57:59.719 --> 00:58:02.889 put out over the recent weeks. But this song is 707 00:58:02.929 --> 00:58:04.369 called Tu Hi Dista. 708 00:58:04.710 --> 00:58:05.630 Have a great day, everybody. 709 00:58:52.960 --> 00:58:54.090 I'm stuck here 710 00:59:56.969 --> 00:59:57.719 Thank you.