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Welcome to take to Radio Pam your host, and of
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course I wouldn't be here with anyone else other than
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my co host Anthony. Hello Anthony, Hella Halla Halla.
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From very very Hotami, Florida.
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I don't envy you. Chicago has enough humidity, but you
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guys are even worse. So there you go. Today, we
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are very honored to welcome an actor, a filmmaker, a producer,
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and an artist whose remarkable career has spanned decades of
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television and film. From the iconic role of Arnie Becker
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on La Law to unforgettable work on psych Major League
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and countless other projects, our guest has built one of
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the most versatile and respected careers in entertainment. Beyond the screen,
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He's also explored directing, producing, painting, and deeply personal storytelling
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that continues to inspire audiences around the world. Please welcome
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the incredibly talented Corbyn Burnson.
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Peace. Peace. We'll see why further down the interview.
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Okay, you have a thumb in all those pies, don't you.
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Before we get started with my first question, I have
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to mention something to you that happened to me this
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past weekend. I think the TV spirits knew we were
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going to be talking with you because Major League happened
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to be airing on CMT, a movie I absolutely love
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and one that still makes me cheer up at the
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end every time I watch it. Then when that was over,
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I flipped over to TV Land and Sidefell was on,
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and there you were again.
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And why do I only think residual's residuals? Okay, yeah,
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I'm gonna say, be expecting that you know.
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This weekend now, right, And I gotta telling you from me.
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Major League is one of those movies. I've seen it
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at least one hundred times. I played baseball all my
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early life, all through college, I did a year of
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the Maryland Blue Crabs, and yeah, so you know, it's
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one of those go to movies to just put on
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to relax, or to fall asleep, or to you know,
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feel better if it's one of those days. So thank
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you for that. And I have to say I loved
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Arnie Becker. Don't get me wrong, but I adored you
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on psych.
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Right all over the place, right, yes, yes. While your
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career has spanned everything from intense courtroom drama to comedy,
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faith based films, directing, producing, and even painting, looking back,
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what originally drew you to storytelling as a career, either
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in front or behind the camera.
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Well, you know, I have to ponder that. You know,
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as you get older, we start to ponder our lives.
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And you know what drew me there? What drew me here?
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I am I'll tell you when we go out to dinner.
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My family have four sons and a wonderful wife. We've
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been married thirty seven years to Amanda. We go to
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dinner and they'll catch me staring at people, and Dad,
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don't stare. You can't look like you can't be staring.
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I'm fascinated by people, and I'm fascinated by the human experience,
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the good and bad of it, by the way, the good, bad,
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and the ugly. I you know, I'm keenly. I've been
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thinking lately with all this stuff going on in the world.
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For instance, you know that is let's just call it
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negative right now, or bad or adversarial. You know, when
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the Artemis rocket went up a month ago or so,
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you see that little picture of the globe and I
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sit back and I go, wow, we have this incredible
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gift of this planet and life. And from the you know,
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tops of mountains to the lava fields, to the deserts,
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to the you know it, just to the redwood forest,
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and we have this incredible beauty, this ball of beauty,
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to be enjoyed and to love and to cherish each other,
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and somehow we as human beings, screw it up. And
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you know it's not now, It's not just the stuff
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we're going through now. We've been fighting each other for
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years and years. So I guess what I'm saying is,
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I'm fascinated by the human condition, the capacity to love,
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the capacity to hate, the capacity to make amends. I'm
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fascinated by that. And well, I do a little bit
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of painting. That's that's lesser in my life. I love
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to draw, but storytelling and writing specifically, and I think
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is why I studied play writing in college, because I
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was so influenced by the wonderful you know, the Arthur
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Miller's and and people like that, and Shakespeare if you
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want to go back further. But I'm fascinated by the
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human experience and specifically this thing we do with one another,
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you know, this thing, the good, bad, and the ugly
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of it. So I think I through my art, through
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my writing, and certainly through my acting and the characters
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that I choose to play. I want to express that
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in hopes and it's I didn't do. It is a
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means to an end, but I want to. I sort
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of love holding up that mirror and saying, this is
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who we are and and let's all recordize that, and
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if we can rectify it from there, great. But it's
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not really that I don't. I'm not in it to
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like change the world, but I simply love expressing who
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we are. So if I stare at somebody in a restaurant,
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which could be a little bit uncomfortable for those with me,
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it's funy because I'm trying to I've seen something. I've
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seen a piece of personality, the way somebody eats. I
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saw the other day two people that were clearly on
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a date. But I've never seen two people so far
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apart in my life, even though they were sitting across
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from the table. I'm fascinated by it. Wow, that took up.
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Thank you. That was really a wonderful interview. That was
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my long answer.
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Well, you know, it ends up being a perfect segue
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into my first question. You know, Ellie Law was a
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cultural phenomenon, and you know, I was a young teenager
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and was driven and drawn in by the storytelling and
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Arnie Becker. I feel was like the most
multifaceted parrots
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are on the canvas. You know, he could be funny, flawed, frustrating.
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So how did you find the humanity in him? And
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what were the funnest parts to play though?
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The humanity with him? And I find it with actually
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now it's sort of a tail into that doing your
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friends and neighbors. It's sort of the other end of
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Arnie Becker. I always I had, well, I wasn't. I
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met my wife a year into it, so I understood
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the capacity for love and to be loved and family,
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all those things that extend from it. And I saw
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him as a guy who did not have the ability,
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for a variety of reasons. One, in pursuit of his
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career and money and all that stuff, was unable to
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attach himself to that thing that he really wanted to
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love and to be loved. Yeah, maybe something. I didn't
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go so far as writing a backstory, but I'm sure
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his childhood was completely screwed up. I think his mother
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was possessive. My mom. Geene Cooper played my mom in
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it for a couple of episodes. Yes, actually got nominated
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for an Emmy, which is remark we both did for
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that episode. And his father probably was just not there.
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He was a distant father. So I felt bad for
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Arnie Becker. So you know, on paper, when you read
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that he's a gold chain, you know, poorst drive and
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pick up the girls, all that. But I always knew
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he was a lonely, lonely man, and we saw that occasionally.
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And I chose, if you will is the lead or
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the bass for this character, to play that, not play
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the obvious. You know. I think they saw a couple
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thousand people and I was not in a camplished actor
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at this point. Believe me, I was. When I got
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nominated for an Emmy, I was blown away. I thought like, no,
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I'm not even good yet. I'm not I'm not there.
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But I think people were responding to my ability to
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find empathy. My mother, God bless her. One of her
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first acting lessons for me was teaching me empathy. If
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I could. A short story she you know, one day
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when I decided to be an actor, she said, I
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said to her, I said, how do you get the tear?
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Where the tears come from? She took me to a
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door and showed me a doorknob. She said, touch that doorknob.
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Now turn the doorknob and open the door. Now close
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the door, lock the door, Turn the feel that doorknob,
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she said, in all of life, that poor doorknob just
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gets to be a doorknob, in this wonderful experience of
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redwood trees and ocees and fishes in the sea, it
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just gets to be a doorknob. And do how do
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you feel about that? I said, I feel sorry for it,
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And she said, you have empathy. And I found empathy
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in all my characters. They still do. I still I
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don't try to find much more than really attaching the
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human experience I've been talking about to the character and
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finding out, you know, and just feeling for them. Feel
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I feel for them, so that I think creates the
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multi dimension. I don't sit there and go, I'm going
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to layer this guy to the hill. I just I
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just feel for the character. I feel what they're missing.
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I feel their joy when they have it. But more
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often than not, the characters I play are deficient in
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something that makes them fully human. And I try to
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find that, and then I just bring me to it.
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You know me, who's for all my faults or whatever?
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A humanist? And then you get these and the words
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do the rest. You know, the words. The words are important.
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You got to have the right words and the right story.
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And I just opened my mouth and try to get
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the words out ninety percent of the time, and the.
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Right acting partner helps. I am sure. And thank you
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so much.
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Pam and I are lifelong soap fans, so thank you
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for sharing that story about your mom, Jeanie the incredible
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Catherine Chancellor right.
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Right, And you know, with your mother's career spanning generations
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of television, I just have one question about your mom,
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although I could ask a million, but we were very
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blessed and we did get to interview her years back.
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When you face challenges in your own creative life, do
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you ever find yourself drawing on lessons you learned simply
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from watching how she handled hers?
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Uh? Yeah, funny, that's I guess I do. I haven't
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really thought about it, but I do know that I
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was influenced by Look, here's a woman who married a
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Hollywood guy, my dad, you know, had children. She probably
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gave up a bigger career for family. You know, she was.
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She told you she was under contract at Warner Brothers
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and all that, but she, you know, my dad got
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to pursue all his fanciful dreams of being a producer
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and a big shot and things that were important to him.
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And again, I have empathy for him, so I don't
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I'm not angry at him. Empathy you know where I
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know stuff happened in his life that you know, he's
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filling voids. But my mother took it upon herself to
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be able to carry the family, uh, you know, make
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do so the family had clothes and food. I mean again,
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small stories, and I guess my mother's stories are the best.
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But my mother was a wonderful carpenter. I don't know.
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Most people don't know that she built stuff. We built.
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We renovated garages into nanny flats for a great aunt
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that I had two of them. And she would some
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years she would build these little boxes that ultimately they're
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sort of twelve by fifteen. Maybe they had little hinges
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on the back, and she'd put them like Garfield or
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something on the top, and she'd brain paint them a
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right color. She would make these wonderful little boxes and
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wine job wine racks little beautiful stuff. She's very, very
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talented carpenter and I
learned carpentry from her. But when
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we were at a real low Now imagine this, I'm
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living in Beverly Hills. All my friends' families are doctors
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and lawyers, with swimming pools and tennis courts, and they're
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all getting porsches for their sixteenth birthday. We were at
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a low point financially, but we're we had to live
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in Beverly Hills. That was my dad's thing, you know.
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And my mother made a slew of these little boxes
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and sold them to Beverly Hills Stationary at Christmas to sell.
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She made them and ended up but I don't know,
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maybe a thousand bucks so we could have Christmas. Yeah,
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that was her. That was the other side of this,
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you know, woman who is also an alcoholic and all
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the other things we know. So you your question. I
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look at the things that she did to keep the
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family going, which has always been number one priority to me. Uh,
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and at the same time continue this art, this passion
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that I have for acting and storytelling really more storytelling
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than anything. And when times are low, I go, look
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what she did, and I actually have it better than
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she did. You know, I've never gone to a point
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where I've had to build jewelry boxes to sell to
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the local stationary store at Christmas so we could buy
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Christmas gifts. Yeah, and I draw on that and I
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you know, and it ultimately, I'm not gonna say it
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killed her, but you know, life, you know, she might've
238
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had a lot more life in her if she hadn't
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had to struggle so hard. I mean, look, she took
240
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a soap opera. You know, that's a big choice actors make.
241
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Like you're she's in her mid she's around fifty, I guess,
242
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or so her mid forties. And I remember we were in
243
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Hawaii and she had an offer to do the Young
244
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and the restless. She goes, should I do this? Because
245
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she knew, especially with soaps, you're in you're in there
246
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not a lot of people these days that come out
247
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there have been you know, there's plenty of actors who
248
00:15:31.080 --> 00:15:33.559
you know, started in soaps and worked a web, but
249
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not many. There are not many. And she knew the
250
00:15:37.200 --> 00:15:42.279
commitment she was making simply to keep you know, acting,
251
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doing the things she loved, but also to to you know,
252
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feed her family. And you know, dare I say maybe
253
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part of her alcoholism was based on that. Was that
254
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that struggle.
255
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You know that she stressed.
256
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Yeah, the stress of like not pursuing nothing, you know.
257
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I mean I remember the one time she was really
258
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came out of it. She did a and it really
259
00:16:05.840 --> 00:16:08.159
inspired me to actually be an actor, even though at
260
00:16:08.159 --> 00:16:10.799
that point I hadn't chosen. She did The Miracle Worker
261
00:16:10.799 --> 00:16:13.559
at La Joya Playhouse, and I saw my mother playing
262
00:16:13.600 --> 00:16:16.279
Annie Sullivan up there on stage. And I was a
263
00:16:16.320 --> 00:16:19.720
young guy and I thought like, wow, look at my mom.
264
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That's not my mom. This is this and it was
265
00:16:22.360 --> 00:16:26.840
fascinated that she could become this character. But she really,
266
00:16:27.039 --> 00:16:30.120
she really blossomed during that, you know, getting back on
267
00:16:30.159 --> 00:16:34.360
the stage and and you know, so again to answer
268
00:16:34.360 --> 00:16:36.679
your question, I just she did what she had to
269
00:16:36.720 --> 00:16:40.919
do to satisfy both her creative side and her family.
270
00:16:41.000 --> 00:16:44.759
But I think family always came first. I should probably
271
00:16:44.759 --> 00:16:48.399
write a book, you should tell a little story quickly.
272
00:16:48.399 --> 00:16:50.279
So my mom wrote a book, you know, she wrote
273
00:16:50.279 --> 00:16:55.559
a book. It Young not Wrestlers or whatever. She gave
274
00:16:55.600 --> 00:16:57.639
it to me and I never read it while she
275
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was alive. I never never. I don't don't. I don't
276
00:17:02.480 --> 00:17:07.119
know why. Maybe I didn't want to knowing who she was,
277
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I didn't want to hear this. I didn't want to
278
00:17:08.799 --> 00:17:11.839
confront her about anything, and I let it rest. So
279
00:17:12.000 --> 00:17:14.880
twelve years after she's gone, I see her. We're moving
280
00:17:14.880 --> 00:17:17.119
and I see her book. It's always on my desk.
281
00:17:17.160 --> 00:17:19.240
It's always been on my desk. I thought, you know what,
282
00:17:19.359 --> 00:17:23.519
you're an ass read her book. And I read her book,
283
00:17:24.079 -->
00:17:31.720
and I was taken aback by how simple she made
284
00:17:31.759 --> 00:17:34.640
some of her problems to be. There were a lot
285
00:17:34.640 --> 00:17:36.680
of things in there I might have challenged her on.
286
00:17:37.279 --> 00:17:40.160
You know, if you know, when you're an alcoholic, you
287
00:17:40.160 --> 00:17:42.720
have a very selective memory of how you got there.
288
00:17:44.279 --> 00:17:47.480
But all in all, I thought, like, wow, it's a
289
00:17:47.559 --> 00:17:53.160
very it's not a complicated book. Although every this is
290
00:17:53.200 --> 00:17:56.039
the thing when I really learned she hated my dad.
291
00:17:56.799 --> 00:18:00.240
Every chapter. It could have been the business plan was
292
00:18:00.319 --> 00:18:02.960
incredible in the and the grandpa was there, and this
293
00:18:03.119 --> 00:18:05.400
was there, and and we had the brand new car
294
00:18:05.559 --> 00:18:07.759
going down and the last words of the chapter was
295
00:18:07.799 --> 00:18:11.079
always and that effing husband of mine. You know, it
296
00:18:11.119 --> 00:18:13.519
was nothing to do with it, nothing to do she
297
00:18:13.599 --> 00:18:21.319
always she really hated my dad. You know what, I
298
00:18:21.319 --> 00:18:25.200
think she really loved him, and that's the problem.
299
00:18:25.359 --> 00:18:27.920
Well, you know, as they say, there's a thin line, you.
300
00:18:27.880 --> 00:18:33.440
Know, absolutely, and and honestly, the book is brave, you know,
301
00:18:33.720 --> 00:18:38.039
we we we all, I think can see pieces of
302
00:18:38.079 --> 00:18:41.079
ourselves from whatever our struggle is.
303
00:18:41.119 --> 00:18:42.759
Nobody gets their life without struggle.
304
00:18:43.599 --> 00:18:46.759
And and and you're really able to connect at least
305
00:18:46.799 --> 00:18:48.680
on that level in the book. And you know, if
306
00:18:48.759 --> 00:18:51.279
you're a soap opera fan, there's so much more. But
307
00:18:51.960 --> 00:18:56.119
rolling this back to you, my friend, do you have
308
00:18:56.759 --> 00:19:00.400
quite the you know, history of playing dramatic character and
309
00:19:00.759 --> 00:19:03.160
being able to really kind of pull the knit and
310
00:19:03.240 --> 00:19:06.000
the grid out of dramatic scenes.
311
00:19:06.519 --> 00:19:08.640
But then there's that comedy.
312
00:19:08.240 --> 00:19:12.640
Side especially you know, as I said on psych does
313
00:19:12.720 --> 00:19:15.079
that come natural or is that something you had to
314
00:19:15.119 --> 00:19:16.160
develop along the way.
315
00:19:16.759 --> 00:19:18.960
Well, you know, my comedy's not like I've never really
316
00:19:19.079 --> 00:19:21.720
been really good at sitcoms as it were, you know,
317
00:19:21.759 --> 00:19:23.880
if you really look back at and I mean, yes,
318
00:19:23.920 --> 00:19:26.720
I did an episode Seinfeld and a couple other and
319
00:19:27.200 --> 00:19:30.559
I'm okay in I'm not like a sitcom
guy. I
320
00:19:30.599 --> 00:19:33.400
think through everything we've said, let's just boil it down
321
00:19:33.480 --> 00:19:35.880
to for all of what we said, for all of
322
00:19:35.920 --> 00:19:39.440
the humanists, and the way we treat each other and
323
00:19:39.480 --> 00:19:42.440
all that. I kind of find it funny. I kind
324
00:19:42.440 --> 00:19:44.960
of you know, I kind of find you know, people
325
00:19:44.960 --> 00:19:47.680
are arguing to make it current and I'm not picking
326
00:19:47.720 --> 00:19:51.319
aside here. People are kind of bitching and moaning about
327
00:19:51.359 --> 00:19:53.759
Trump and this and Trump that, and and I kind
328
00:19:53.759 --> 00:19:58.920
of find it humorous. There's something, you know, there's something
329
00:19:59.000 --> 00:20:01.480
funny about bold letters being written in the middle of
330
00:20:01.519 --> 00:20:06.200
the night. So I find humor in characters that are
331
00:20:06.359 --> 00:20:11.079
not necessarily humorous, you know, I think me human beings
332
00:20:11.079 --> 00:20:14.400
were just The example I use often is you know,
333
00:20:14.279 --> 00:20:16.480
you know, you walk down the sidewalk and you trip
334
00:20:16.480 --> 00:20:19.599
over a little crack. You always look back at the crack, right,
335
00:20:19.640 --> 00:20:21.440
and you're like, no, it's not the crack, it's your
336
00:20:21.440 --> 00:20:25.319
clumsy feet. And you know, so I think there's a
337
00:20:25.400 --> 00:20:27.799
way to look at people, you know, and by the way,
338
00:20:28.279 --> 00:20:31.680
you are devastated that you've tripped on a crack, and
339
00:20:31.920 --> 00:20:35.359
ten people around you behind you were all laughing exactly.
340
00:20:35.640 --> 00:20:38.720
Humor is sometimes humor is in the eye of the beholder,
341
00:20:39.240 --> 00:20:42.880
and if the truth of a situation gets you so
342
00:20:43.279 --> 00:20:46.359
riled up or so, you know, in the case of Seinfeld,
343
00:20:46.400 --> 00:20:48.880
like this, idiot's telling me this cat story. I'm not
344
00:20:48.960 --> 00:20:52.200
really being funny. I'm just getting all riled up about it,
345
00:20:52.319 --> 00:20:56.279
you know. And there's something funny in that. I'll tell
346
00:20:56.279 --> 00:20:57.920
you that. I'll give you the big funny. There's something
347
00:20:58.039 --> 00:21:02.200
I've been using lately, you know, when the world gets
348
00:21:02.240 --> 00:21:04.160
a little too heavy for me and a little too like,
349
00:21:04.240 --> 00:21:06.519
oh my god, and people are what are we doing?
350
00:21:07.119 --> 00:21:09.119
I think it's during the whole Artemis thing again that
351
00:21:09.440 --> 00:21:12.720
we saw that little ball of this beautiful blue planet,
352
00:21:12.839 --> 00:21:15.039
right and somebody came on and it was one of
353
00:21:15.079 --> 00:21:18.839
the astrophysicists, novelists, kinds of guys and said, you know,
354
00:21:19.759 --> 00:21:23.559
in a
billion years, the sun is going to eat
355
00:21:23.640 --> 00:21:26.680
the earth and none of this will be here. And
356
00:21:28.079 --> 00:21:30.519
I saw humor in that. I mean, think about how
357
00:21:30.519 --> 00:21:34.559
is to get ahead money? And your neighbor's fence line
358
00:21:34.599 --> 00:21:36.359
is here, but I want one more foot because it's
359
00:21:36.400 --> 00:21:38.640
really mine, And how dare you cut down that tree
360
00:21:38.680 --> 00:21:41.599
that hangs over into my yard? And I want one
361
00:21:41.640 --> 00:21:44.319
hundred dollars more. My trailer is bigger than your trailer.
362
00:21:44.400 --> 00:21:47.720
The actors like, in a billion years, the earth is
363
00:21:47.759 --> 00:21:50.799
going to be eaten up? What are you doing? You know,
364
00:21:53.599 --> 00:21:59.559
there's a kind of an absurd humor in this devastation
365
00:22:00.119 --> 00:22:02.559
that we look at life. I mean, yes, it has
366
00:22:02.599 --> 00:22:05.119
its up and down. Death is not easy, none of
367
00:22:05.480 --> 00:22:07.640
you know. Then you think, you know, I don't know
368
00:22:07.640 --> 00:22:09.599
if you ever think about death that you go like, well,
369
00:22:09.599 --> 00:22:11.720
it's not a bad club to join. There's a lot
370
00:22:11.720 --> 00:22:14.279
of interesting people on the other side. And that's kind
371
00:22:14.279 --> 00:22:18.680
of funny, you know. Yeah, terrible as death is. It's like,
372
00:22:19.200 --> 00:22:21.799
you know, I mean, I'm not one who thinks my
373
00:22:21.839 --> 00:22:24.359
mom's up there telling jokes. We can make jokes about that.
374
00:22:24.440 --> 00:22:27.279
But you're just like, oh, yeah, you're just in you know,
375
00:22:27.640 --> 00:22:30.240
for all you did and all the struggle and all
376
00:22:30.279 --> 00:22:33.039
this life and then this and that you made all
377
00:22:33.039 --> 00:22:36.640
these jewelry boxes. You're dead. The sun is going to
378
00:22:36.720 --> 00:22:38.960
eat the earth, and all these other people are dead too,
379
00:22:39.559 --> 00:22:40.359
So have.
380
00:22:40.359 --> 00:22:43.319
A lie, right, Yeah, yeah, you have to have a
381
00:22:43.400 --> 00:22:44.160
sense of humor.
382
00:22:44.440 --> 00:22:48.519
That's that's kind of where my you know, I mean, really,
383
00:22:50.000 --> 00:22:52.839
just clear your head for a second and think, aren't
384
00:22:52.839 --> 00:22:56.720
we humans just funny creatures? We are? I think we
385
00:22:56.759 --> 00:22:58.440
are funny creatures?
386
00:22:59.079 --> 00:23:02.720
Yeah, absolutely, So the drama is.
387
00:23:02.640 --> 00:23:05.440
The drama part of it, right, the funny part is
388
00:23:05.680 --> 00:23:08.519
the stepping back and realizing how absurd.
389
00:23:09.079 --> 00:23:14.079
Yeah, you know, and being able to mix the two
390
00:23:14.319 --> 00:23:18.960
and find you know, the humanity in the comedy and
391
00:23:19.160 --> 00:23:22.079
the comedy in you
know, in the heart.
392
00:23:21.920 --> 00:23:26.640
Stuff right right, that's it, you know, and the place
393
00:23:26.640 --> 00:23:28.920
where it always comes out. And I'm really this is
394
00:23:30.359 --> 00:23:33.920
I'm thankful because I've I've come to a place in
395
00:23:34.000 --> 00:23:39.519
my work where the word truth means a lot, and
396
00:23:39.559 --> 00:23:41.880
it means it doesn't mean true, you know, you're telling
397
00:23:41.920 --> 00:23:44.759
true stories or any of that. But you just the
398
00:23:44.839 --> 00:23:47.240
other day I thought to myself, the art of acting
399
00:23:47.359 --> 00:23:51.400
is not acting, it's just being. And you know, the
400
00:23:51.480 --> 00:23:57.400
closer you can get to just being, the more interesting
401
00:23:57.480 --> 00:24:00.839
your work will become. Uh you. Acting is some of
402
00:24:00.839 --> 00:24:02.400
the stuff like gues, I put on a wig and
403
00:24:02.440 --> 00:24:04.720
a put on a British accent and I do that
404
00:24:04.799 --> 00:24:07.559
and I do you know, and all that, but that's
405
00:24:07.559 --> 00:24:10.039
sort of the acting technique stuff. But the being part,
406
00:24:10.160 --> 00:24:13.279
that being just being there. And I think, Pam you
407
00:24:13.359 --> 00:24:16.559
mentioned something earlier about you know, your acting partner. You know,
408
00:24:16.640 --> 00:24:19.200
you look at I've worked with John Hamm recently on
409
00:24:19.279 --> 00:24:21.480
your friends and neighbors, and now look at John when
410
00:24:21.480 --> 00:24:24.160
we walk here's two guys, kind of macho guys. We're
411
00:24:24.160 --> 00:24:26.799
looking at each other and there's something like clicks. It's
412
00:24:26.839 --> 00:24:30.119
like two guys who realize it's all just so screwed up,
413
00:24:30.599 --> 00:24:34.799
you know, and so but you just got to be there,
414
00:24:34.799 --> 00:24:36.240
You got to be present. You just got to be
415
00:24:36.279 --> 00:24:39.119
there with your acting partner, you know. I worked with
416
00:24:39.200 --> 00:24:42.720
Robert Downey jun on name dropping, Now, isn't that funny?
417
00:24:44.240 --> 00:24:46.079
On Kiss Kiss Bang Bang? And I don't think I've
418
00:24:46.079 --> 00:24:48.799
ever looked in another actor's eyes and went like, that
419
00:24:48.839 --> 00:24:52.039
guy is just truth. He's just truth is spilling out
420
00:24:52.079 --> 00:24:56.240
of his eyes and his being, and truth is just being.
421
00:24:56.839 --> 00:25:01.920
You know. It doesn't mean you're true, it's just being being.
422
00:25:03.079 --> 00:25:06.559
I did. I had an experiment and I hoped, well,
423
00:25:06.720 --> 00:25:09.680
nobody's around that would really get offended at this anymore.
424
00:25:10.039 --> 00:25:14.039
But I got offered a while ago in a lower
425
00:25:14.119 --> 00:25:17.200
part of my career, meaning less work part, to do
426
00:25:17.599 --> 00:25:21.880
a general hospital for a year or so. I'm playing
427
00:25:21.920 --> 00:25:30.039
Carly's father. Yes, and I never told anybody this, but
428
00:25:30.079 --> 00:25:33.799
it absolutely is true. I used it because of the
429
00:25:33.880 --> 00:25:36.319
nature of the way soaps are that if you get
430
00:25:36.640 --> 00:25:38.720
you hit your marks and get eighty percent of the lines,
431
00:25:38.720 --> 00:25:41.400
as long as the story's out, good, moving on. They
432
00:25:41.400 --> 00:25:44.200
don't have enough time. You know, you're doing fifty pages
433
00:25:44.240 --> 00:25:47.240
of script today. You got to move you know, Okay,
434
00:25:47.279 --> 00:25:53.039
stories out great, you're in focus, moving on? And I thought, yes,
435
00:25:53.079 --> 00:25:55.799
and I'm not in I'm not in enough in the
436
00:25:55.920 --> 00:25:58.680
cast to really get deep into the whole storyline and
437
00:25:58.720 --> 00:26:05.519
all that. So I used it as a an exercise,
438
00:26:05.599 --> 00:26:08.480
if you will, I said, whatever I'm feeling on a
439
00:26:08.519 --> 00:26:14.880
given day, especially since I'm not continuing a story so heavily. Whatever,
440
00:26:14.960 --> 00:26:16.920
if I have a cold, i feel like crap, if
441
00:26:16.920 --> 00:26:19.440
somebody's pissed me off and I'm angry, I'm going to
442
00:26:19.480 --> 00:26:24.200
bring whatever's there and let that reflect through my character
443
00:26:24.519 --> 00:26:28.839
that day, John Durant, And you know something, the words
444
00:26:28.880 --> 00:26:31.400
will take care of the story. Carly, you don't do this,
445
00:26:31.640 --> 00:26:35.720
you know, Sonny, you got it. Blah blah blah. But
446
00:26:35.720 --> 00:26:39.880
but the being the truth of what I felt like,
447
00:26:40.160 --> 00:26:43.680
I want to vomit. You know you can how many
448
00:26:43.680 --> 00:26:47.079
times you said I want to vomit? When you're telling
449
00:26:47.359 --> 00:26:49.559
somebody you love you're with them, you know it doesn't
450
00:26:49.759 --> 00:26:52.079
it doesn't mean you don't. You can say I love
451
00:26:52.119 --> 00:26:54.759
you but still feel not well. By the way, when
452
00:26:54.799 --> 00:26:56.519
you say I love you to somebody, probably for the
453
00:26:56.559 --> 00:27:00.599
first time, you do feel nauxious, So you know, it's
454
00:27:00.640 --> 00:27:04.039
all kind of valid. I just work, and only on
455
00:27:04.480 --> 00:27:09.400
a couple of occasions was it completely inappropriate, you know.
456
00:27:09.559 --> 00:27:12.000
But for the most part, as long as I was
457
00:27:12.119 --> 00:27:16.720
truthful in what I was feeling and how I was
458
00:27:16.799 --> 00:27:19.599
that day, my being my truth of the day, and
459
00:27:19.640 --> 00:27:22.160
the words were there to help the story. I just
460
00:27:22.240 --> 00:27:25.240
tried to be as truthful as I can and be
461
00:27:25.440 --> 00:27:29.799
true to what I was feeling, which was a great exercise. Actually,
462
00:27:30.799 --> 00:27:31.359
well mean.
463
00:27:31.279 --> 00:27:32.599
The character, I mean the character.
464
00:27:32.839 --> 00:27:37.440
It was so memorable and you know magnetic too. I
465
00:27:37.480 --> 00:27:40.519
still excite at the time magnetic to watch on screen.
466
00:27:41.680 --> 00:27:43.880
I have to wonder and Pam, I'm throwing an extra
467
00:27:43.920 --> 00:27:46.960
question in here. But you know, you had appearances on
468
00:27:47.000 --> 00:27:49.160
The Young and the Restless, of course, but the day
469
00:27:49.240 --> 00:27:51.759
to day of doing General Hospital, did that give you
470
00:27:51.880 --> 00:27:57.279
any deeper appreciation or knowledge of, you know, what your
471
00:27:57.279 --> 00:27:58.720
mom did for all those years?
472
00:27:58.720 --> 00:27:59.079
Something other?
473
00:28:00.079 --> 00:28:03.720
Truthuly, I didn't work as much as you're saying, and
474
00:28:03.880 --> 00:28:06.000
it really wasn't day to day I was, you know,
475
00:28:06.279 --> 00:28:07.960
I was lucky if I got a couple of I
476
00:28:08.000 --> 00:28:10.440
think my guarantee was like one and a half episodes
477
00:28:10.480 --> 00:28:13.759
a week, which was just enough to make jewelry boxes
478
00:28:13.799 --> 00:28:18.200
and but food on the table, and uh, because I
479
00:28:18.240 --> 00:28:20.440
wasn't working. Nothing was you know, it was post La
480
00:28:20.640 --> 00:28:22.680
law and you sort of in the big shot on that.
481
00:28:22.799 --> 00:28:24.799
And I tried a couple of things. They didn't work,
482
00:28:24.839 --> 00:28:27.519
and there was a down period, which there are in
483
00:28:27.759 --> 00:28:31.880
actors' lives. But I learned that more through my mom,
484
00:28:31.960 --> 00:28:33.920
watching my mom, because that was she was the real
485
00:28:34.039 --> 00:28:36.599
day to day person, day to day and getting older
486
00:28:36.640 --> 00:28:39.799
and having to like endure endure and having the endurance
487
00:28:40.359 --> 00:28:44.000
to get through a day. Yeah, I don't think most
488
00:28:44.160 --> 00:28:52.119
actors really know that incredible fortitude of soap actors. I don't,
489
00:28:52.240 --> 00:28:54.680
you know, it's it's it isn't. I'm in my trailer,
490
00:28:54.720 --> 00:28:56.400
Get me a burrito and call me when I'm on.
491
00:28:57.000 --> 00:28:59.119
You know you're there. You got to you gotta be
492
00:28:59.240 --> 00:29:03.519
on a quick little side story with Young Restless because
493
00:29:03.559 --> 00:29:06.079
I always like to do this. When I did after
494
00:29:06.119 --> 00:29:11.559
my mom passed away, I was called in and they said, look,
495
00:29:11.640 --> 00:29:14.200
we're going to clear the entire sound stage. We're going
496
00:29:14.240 --> 00:29:16.400
to make a park, We're going to do this huge
497
00:29:16.440 --> 00:29:19.160
memorial to missus Chancell. It's gonna be dedicated to her
498
00:29:19.279 --> 00:29:24.519
the park in Generous City. And because your father Todd could,
499
00:29:24.599 --> 00:29:31.160
would you be okay your character officiating the memorial? I thought, wow, okay,
500
00:29:31.720 --> 00:29:33.920
I don't have my mom to go ask if that's cool,
501
00:29:34.160 --> 00:29:38.880
and I'm assumed she'd probably be thrilled. I said, yeah,
502
00:29:39.160 --> 00:29:43.000
I guess yeah, sure, I mean you know, I mean yeah,
503
00:29:43.119 --> 00:29:47.079
I mean, I played this priest. Let's I'll officiate. So
504
00:29:47.119 --> 00:29:50.160
we get there that day and they've literally cleared and
505
00:29:50.279 --> 00:29:53.960
start entire stage forty three where they shot, and it's
506
00:29:54.079 --> 00:29:57.119
all a big park. There's no more sets anywhere. It's
507
00:29:57.160 --> 00:30:00.319
just a big park. And everybody and anybody who's ever
508
00:30:00.400 --> 00:30:04.599
been around young and restless, kept cast crew, everybody was
509
00:30:04.720 --> 00:30:07.000
in the scene of this thing or in that day
510
00:30:07.039 --> 00:30:11.000
and memorrow. And I'm sitting up there and we're doing
511
00:30:11.000 --> 00:30:17.279
the memorial and everybody is crying. But being father Todd,
512
00:30:18.160 --> 00:30:21.960
I'm the one who had to have composure, and it
513
00:30:22.000 --> 00:30:25.440
was really right now. I could actually kind of get
514
00:30:25.480 --> 00:30:29.240
there emotional about it because it was I thought, I've
515
00:30:29.240 --> 00:30:32.160
got to hold this together because my character is the
516
00:30:32.160 --> 00:30:35.480
guy who's keeping it together. You know, the priest ain't
517
00:30:35.519 --> 00:30:38.960
crying at a memorial. That's not good, you know, and
518
00:30:39.039 --> 00:30:42.799
everybody is crying, and I thought like wow, And I
519
00:30:42.839 --> 00:30:45.359
could just see my mom like winking and going like.
520
00:30:46.400 --> 00:30:49.519
Gotcha one more time.
521
00:30:50.839 --> 00:30:51.079
Wow.
522
00:30:55.279 --> 00:30:57.359
I can't even imagine how hard that was for you.
523
00:30:57.519 --> 00:30:59.799
And thank you for doing it, because it really did
524
00:31:00.000 --> 00:31:03.960
make a difference when the viewers that know that you
525
00:31:04.240 --> 00:31:09.640
were her son, you know, it really felt like we
526
00:31:09.640 --> 00:31:13.319
were there in the real process. So we thank you
527
00:31:13.400 --> 00:31:17.319
for that. But speaking of working with family, you recently
528
00:31:17.319 --> 00:31:20.880
worked with your son Oliver on a new project called Woodstockers,
529
00:31:20.960 --> 00:31:24.640
which is such an interesting full circle moment in your career.
530
00:31:25.880 --> 00:31:28.680
What has that experience been like for you, both professionally
531
00:31:28.720 --> 00:31:29.279
and personally.
532
00:31:29.559 --> 00:31:32.279
Well, I wrote Woodstockers. I moved up here to New York.
533
00:31:32.880 --> 00:31:34.680
Thank you
for asking about that, because I do want
534
00:31:34.759 --> 00:31:39.079
people to hear Woodstockers, because you know, we when it's
535
00:31:39.119 --> 00:31:41.720
out there, you'll have heard it. You've heard it here first.
536
00:31:42.480 --> 00:31:47.960
Thank you. When I moved up here, I met just
537
00:31:48.000 --> 00:31:50.200
a lot of people that, Yeah, part of my fascination
538
00:31:50.400 --> 00:31:53.200
was woodstock That's my era, my culture, all of that
539
00:31:53.240 --> 00:31:55.160
when I was growing up, So it was part of
540
00:31:55.200 --> 00:31:57.599
my draw being here in the course going over to Woodstock,
541
00:31:57.640 --> 00:32:01.960
and everything in Woodstock is Woodstock, you know, although most
542
00:32:02.000 --> 00:32:06.559
people don't know Woodstock actually happened about an hour away. Yeah,
543
00:32:06.960 --> 00:32:09.599
but still it's Woodstock. And I saw a bunch of
544
00:32:09.640 --> 00:32:11.920
hippies and I came up with this funny idea for
545
00:32:12.000 --> 00:32:15.160
a show called Woodstockers, which was two guys who went
546
00:32:15.200 --> 00:32:18.039
to Woodstock and are now in their seventies and they
547
00:32:18.119 --> 00:32:21.440
never left. So it was kind of a stoner comedy,
548
00:32:22.119 --> 00:32:26.440
you know, Verse seventy. A little more sophisticated maybe than
549
00:32:26.559 --> 00:32:31.720
Cheech and Chong, but a stoner comedy nonetheless. And as
550
00:32:31.720 --> 00:32:34.359
I got to know the people and talk to one
551
00:32:34.359 --> 00:32:37.680
of the organizers of Woodstock before he passed away, you know,
552
00:32:37.759 --> 00:32:40.720
he said, this is very good, but he said, you know,
553
00:32:40.799 --> 00:32:47.359
Woodstock failed. It was a failed experiment. And I thought,
554
00:32:47.519 --> 00:32:50.359
you know, he said, you know, we lost money, and
555
00:32:51.240 --> 00:32:53.720
peace and love and music did not win the day. Peace,
556
00:32:53.799 --> 00:32:56.720
love and music got us to Arnie Becker. You know,
557
00:32:57.079 --> 00:32:59.880
that was the next We didn't solve the world through
558
00:33:00.039 --> 00:33:03.759
Woodstock piece, Love and Music and Smoking Weed twenty four seven.
559
00:33:04.319 --> 00:33:07.519
And I thought, okay, that's interesting because I always thought
560
00:33:07.519 --> 00:33:10.440
it was let's just celebrate woodstock, you know, and let's
561
00:33:10.440 --> 00:33:13.240
have fun and be giggles and giggles. And I thought, Okay,
562
00:33:13.240 --> 00:33:15.359
there's something deeper. And I personally was going through a
563
00:33:15.400 --> 00:33:18.759
period in my life that I'm still in where you're
564
00:33:18.920 --> 00:33:22.160
entering Act three and you're going, oh, this is the reckoning.
565
00:33:22.279 --> 00:33:24.880
This is everything you've done from wealth, health. The love
566
00:33:24.960 --> 00:33:28.079
you put in is what you get. And you can
567
00:33:28.119 --> 00:33:30.359
sit and moan and bitch about it and all that,
568
00:33:30.480 --> 00:33:33.000
but you better come to terms with it because this
569
00:33:33.200 --> 00:33:35.599
is the bed you made. These are the choices you've made.
570
00:33:35.880 --> 00:33:39.000
You have two choices now still to just keep bitching
571
00:33:39.000 --> 00:33:41.839
and moaning and dragging the anchor of your past with you,
572
00:33:42.440 --> 00:33:45.160
or you can say, I accept, you know something my
573
00:33:45.240 --> 00:33:47.599
mother had to do to quit drinking. I accept I'm
574
00:33:47.599 --> 00:33:52.319
an alcoholic and I and I'm Jeene Cooper and I
575
00:33:53.000 --> 00:33:56.039
want to I want my life back. So I thought
576
00:33:56.039 --> 00:33:59.000
it was fascinating to say because I saw myself, not
577
00:33:59.319 --> 00:34:02.160
the addict part of it, but the reckoning with your
578
00:34:02.200 --> 00:34:04.400
life and saying these are the choices I made. These
579
00:34:04.400 --> 00:34:06.799
are you know, the acting we went back to that.
580
00:34:06.880 --> 00:34:10.159
You know, I made these choices, you know, to for
581
00:34:10.320 --> 00:34:12.360
my family. Okay, so they didn't make you the A
582
00:34:12.519 --> 00:34:15.360
list actor or you begin the B list actor, you know,
583
00:34:15.400 --> 00:34:17.960
but that's okay. You accept that, you understand the bed
584
00:34:18.039 --> 00:34:21.760
that you made. And so I put all that into Woodstockers.
585
00:34:21.800 --> 00:34:24.800
I wrote a script that everybody loved. I wrote actually
586
00:34:24.840 --> 00:34:27.920
a whole lot during COVID. I wrote eight episodes of it.
587
00:34:28.199 --> 00:34:31.519
Every loved the pilot. I couldn't get it, couldn't gay,
588
00:34:31.519 --> 00:34:33.480
couldn't get a look at it, couldn't game by look
589
00:34:33.519 --> 00:34:35.320
at it. And I was working on a movie that
590
00:34:35.400 --> 00:34:39.079
my son Oliver had directed, little movie that he and
591
00:34:39.119 --> 00:34:41.960
his little friend, little bit little you know, cast and
592
00:34:42.079 --> 00:34:45.119
crew of friends his age where he just roll up
593
00:34:45.119 --> 00:34:48.360
their sleeve like the old days, and they're making this movie.
594
00:34:48.440 --> 00:34:51.599
And I went, you know what, I'm just gonna make
595
00:34:51.599 --> 00:34:54.079
Woods Oliver, would you direct it. I'm going to get
596
00:34:54.079 --> 00:34:57.199
all these people here, wardrobe, art department, all of it,
597
00:34:57.559 --> 00:35:00.360
even one of the actors. And I said, let's still
598
00:35:00.400 --> 00:35:03.360
make this same I'll pay for it. And Oliver came
599
00:35:03.400 --> 00:35:07.079
on board. And after a few discussions about the script
600
00:35:07.079 --> 00:35:09.199
where he said, I said, we all we got to
601
00:35:09.239 --> 00:35:09.840
save that part.
602
00:35:09.880 --> 00:35:10.039
All.
603
00:35:10.039 -->
00:35:12.800
We got to say that he's a Dad, I want
604
00:35:12.840 --> 00:35:15.199
you to be quiet. I want you to let me
605
00:35:15.239 --> 00:35:18.280
work on the script with Henry who's his brother, one
606
00:35:18.280 --> 00:35:21.719
of my twins, and he said, your job from this
607
00:35:21.840 --> 00:35:24.239
point on is to be an actor. I will be
608
00:35:24.360 --> 00:35:27.360
the director, Henry and Zoe this woman will produce it.
609
00:35:27.639 --> 00:35:29.679
You come on and you be the actor. If you
610
00:35:29.719 --> 00:35:32.519
feel something as an actor, we're going to have that discussion,
611
00:35:32.880 --> 00:35:36.519
but the rest of it is us. And I had
612
00:35:36.559 --> 00:35:39.039
to make a hard choice. I went okay, And so
613
00:35:40.000 --> 00:35:44.480
working with him was great. I mean, the pilot is wonderful.
614
00:35:44.559 --> 00:35:47.360
It's been it's one awards at south By Southwest at
615
00:35:47.760 --> 00:35:54.960
Series Fest, and I've now written a new further five episodes,
616
00:35:55.000 --> 00:35:58.280
so six episodes of the first season, and we're trying
617
00:35:58.320 --> 00:36:01.360
to get it made. But working with him was, uh,
618
00:36:02.000 --> 00:36:04.199
you know. And all the other actors, Susan Rattan who
619
00:36:04.199 --> 00:36:07.679
is in La Law with me, is in it. Maggie
620
00:36:07.760 --> 00:36:11.960
Laws and who's in Psych is in it. Stephen Tobolowski,
621
00:36:11.960 --> 00:36:14.599
who's just a wonderful actor and old friend is in
622
00:36:14.760 --> 00:36:17.599
So we've got this wonderful cast and they all loved
623
00:36:17.679 --> 00:36:20.679
working with all. He's so easy and he's smart, and
624
00:36:20.719 --> 00:36:23.320
he's just he's simple, and he's not. You know, it's
625
00:36:23.320 --> 00:36:27.519
a kind of a very theory. It's it's funny, funny
626
00:36:27.559 --> 00:36:30.320
as hell, but it's not sitcomy. You know that one
627
00:36:30.320 --> 00:36:31.760
of the things I didn't want to do is make
628
00:36:31.800 --> 00:36:34.039
a sitcom. And I wanted to make a thing. Everything
629
00:36:34.079 --> 00:36:37.400
we've been talking about, the humor of life, you know,
630
00:36:38.039 --> 00:36:40.639
I created in there in the words. He made sure
631
00:36:40.639 --> 00:36:44.320
it got to the screen, and so I think he must.
632
00:36:44.559 --> 00:36:47.440
I guess he knows me right. He's my kid, so
633
00:36:48.199 --> 00:36:50.599
he was able to calm me down and say, Dad,
634
00:36:50.679 --> 00:36:52.960
let me do this, and he brought out the very
635
00:36:54.360 --> 00:36:56.920
best of what I could do with this character of
636
00:36:56.960 --> 00:37:00.480
Lenny Baker. And uh so now we're trying to get
637
00:37:00.480 --> 00:37:02.440
it made. So if it ever ends up on the
638
00:37:02.480 --> 00:37:05.639
air called Woodstalkers, you'll have heard it here first.
639
00:37:06.760 --> 00:37:09.360
Thank you, and we cannot wait
to see this. I mean,
640
00:37:09.679 --> 00:37:13.519
I'm a little bit younger than you, so that's telling
641
00:37:13.559 --> 00:37:16.039
you my age in a way. But I grew up
642
00:37:16.039 --> 00:37:18.840
in the hippie era too, and of course I'm a
643
00:37:18.880 --> 00:37:23.679
seventies child, and so I love that time and I
644
00:37:24.480 --> 00:37:26.199
could just picture those things.
645
00:37:26.440 --> 00:37:29.320
People love it now. It's it's it has a resurgence
646
00:37:29.400 --> 00:37:33.159
because dare I say, the world could use piece leven music?
647
00:37:33.280 --> 00:37:36.760
This all absolutely, we have become organic, we have become
648
00:37:36.880 --> 00:37:39.519
Saturday markets, all the stuff that was part of the
649
00:37:39.559 --> 00:37:44.119
hippie dream. Really yes, and by the way, who knows
650
00:37:44.199 --> 00:37:51.199
weed is legal? You know? So yes, And so there's
651
00:37:51.239 --> 00:37:56.559
a weird current thing to it. That is, you know
652
00:37:56.800 --> 00:37:59.039
that a lot of people, and my son responded to
653
00:37:59.280 --> 00:38:01.280
he's the one who picked all the music that my
654
00:38:01.400 --> 00:38:04.519
thing was going to be. Oh, the turtles happy together,
655
00:38:04.800 --> 00:38:07.159
and the mama's and the papas and all the obvious
656
00:38:07.239 --> 00:38:09.719
that he said, Dad, let me look for music, and
657
00:38:09.719 --> 00:38:14.320
he found this kind of really obscure music but of
658
00:38:14.400 --> 00:38:18.480
the period, and so he has an appreciation for it
659
00:38:18.519 --> 00:38:22.559
from a forty year distant view, if you will.
660
00:38:22.960 --> 00:38:28.400
And it really gave it a present day feeling while
661
00:38:28.480 --> 00:38:32.960
not being overly nostalgic, which it could have easily fallen into.
662
00:38:35.639 --> 00:38:38.960
You know, I saw something recently that for the first
663
00:38:39.000 --> 00:38:43.000
time in like chart history, we're seeing a resurgence of
664
00:38:43.079 --> 00:38:47.760
past music fifties, sixties, seventies, eighties, nineties, but from the
665
00:38:47.840 --> 00:38:51.320
younger generation, and their playlist is so the first. So
666
00:38:51.639 --> 00:38:54.280
that is that's really cool. To hear, and I believe
667
00:38:54.480 --> 00:38:58.599
in manifesting. So this podcast going out into the ether
668
00:38:58.679 --> 00:39:03.079
of podcast land. Hopefully we'll create some energy and get woodstockers,
669
00:39:03.920 --> 00:39:07.079
you know, to be picked up and noticed and given
670
00:39:07.199 --> 00:39:11.079
some money. But I am really curious to hear how
671
00:39:11.079 --> 00:39:14.599
you're gonna link this to humanity.
672
00:39:14.840 --> 00:39:16.400
You're now going.
673
00:39:16.199 --> 00:39:20.400
Into the creature feature thriller a space as well with Yetti,
674
00:39:22.079 --> 00:39:24.800
So tell us about you know, stepping into that genre
675
00:39:25.000 --> 00:39:27.679
and yeah, links some humanity to that too for.
676
00:39:27.719 --> 00:39:30.960
Us, I will, you know, that really is a part
677
00:39:31.000 --> 00:39:33.880
of my I call it my Lewis and Clark meaning
678
00:39:33.920 --> 00:39:37.039
anything exploring. You know, I believe I would have been
679
00:39:37.079 --> 00:39:40.679
one of those guys back in the day. I was
680
00:39:40.719 --> 00:39:44.920
presented with this script that was really kind of wonderful
681
00:39:45.159 --> 00:39:49.639
and interior and not big. You know, it didn't need
682
00:39:49.679 --> 00:39:52.679
to be eighty million dollar movie out in the middle
683
00:39:52.679 --> 00:39:55.360
of nowhere. It was a very small, interior story and
684
00:39:55.559 --> 00:39:58.239
very very indie, which is the other part of my
685
00:39:58.440 --> 00:40:01.920
being right now. I I'm you know, I'm doing Friends
686
00:40:01.920 --> 00:40:04.639
and Neighbors. That's a big Apple show and Lincoln Lawyer,
687
00:40:04.719 --> 00:40:08.079
big Netflix show. I've Reggie Dinkins, The Falling Rids of
688
00:40:08.079 --> 00:40:12.039
Reggie Dinkins on NBC. I mean, my foot's in the
689
00:40:12.079 --> 00:40:15.840
real world, if you will, or the traditional world. But
690
00:40:16.000 --> 00:40:20.320
I'm fascinated by I've always been fascinated by the indie world.
691
00:40:20.760 --> 00:40:23.519
And he had a couple of guys who had a
692
00:40:23.599 --> 00:40:27.679
vision and not a ton of money, enough to do
693
00:40:27.719 --> 00:40:31.480
a good job. And they did a great job with
694
00:40:31.599 --> 00:40:34.760
the money they had, but there was a spirit about
695
00:40:34.800 --> 00:40:37.239
what they did. I'm not going to say that they
696
00:40:37.320 --> 00:40:39.679
did so much to be into the creature feature. I mean,
697
00:40:39.840 --> 00:40:43.599
it's sure that's fun to explore genres and all of that.
698
00:40:44.079 --> 00:40:47.199
I had to look at the character and again, there
699
00:40:47.239 --> 00:40:52.880
was a very deep connection to this guy that I understood.
700
00:40:52.880 --> 00:40:54.800
There was an empathy for what he was and what
701
00:40:54.840 --> 00:40:57.440
he wanted to do and his relationship with his son,
702
00:40:57.559 --> 00:41:01.840
which is important and something I could I could, you know,
703
00:41:02.119 --> 00:41:07.119
Uh yeah, raw, thank you for thank you for the
704
00:41:07.119 --> 00:41:09.880
big words. I'm a writer, but I can't come up
705
00:41:09.880 --> 00:41:13.679
with him sometimes that I could draw on. And And
706
00:41:13.760 --> 00:41:17.639
so it's funny because it was I had been in
707
00:41:17.880 --> 00:41:21.519
Europe and I came back and it was the middle
708
00:41:21.519 --> 00:41:25.639
of the early January and it was freezing. We were
709
00:41:25.639 --> 00:41:27.679
shooting in Buffalo, and I thought, oh my god, this
710
00:41:27.719 --> 00:41:29.599
whole thing is in the
woods and it's going to
711
00:41:29.679 --> 00:41:32.840
be It's not all night shoots. I'm going to freeze
712
00:41:32.880 --> 00:41:36.239
to death up there. And I'm seventy one years old. God,
713
00:41:36.280 --> 00:41:38.639
I don't want to go freeze. What have I done?
714
00:41:38.679 --> 00:41:41.159
What have I done? You know, it's not a lot
715
00:41:41.199 --> 00:41:43.800
of money, it's not even that. It's what have I done?
716
00:41:44.159 --> 00:41:46.199
I get up there, lo and behold. They had built
717
00:41:46.239 --> 00:41:51.199
the entire forest on the sound stage, on two big warehouses,
718
00:41:51.840 --> 00:41:55.119
and they had to because they knew they couldn't shoot
719
00:41:55.119 --> 00:41:57.800
out Nicole. I mean, that's just would have been impossible.
720
00:41:57.840 --> 00:42:00.559
You'd had mutiny, you know. I mean it was where
721
00:42:00.559 --> 00:42:05.280
of those freezy buffalo you know lake effect. Oh yeah, So,
722
00:42:07.400 --> 00:42:10.320
and they shot it on the sound stage and everything
723
00:42:10.480 --> 00:42:14.480
was sort of hyper real. I thought, Wow, I scored,
724
00:42:15.000 --> 00:42:17.719
I'm doing the Twilight Zone. I thought, you know, it's
725
00:42:17.719 --> 00:42:22.239
not you know, from Binghamton, where Rod Serling was from,
726
00:42:22.639 --> 00:42:27.960
you know, upstate is being think it's Bingminton, Binghamton, Yeah, whatever,
727
00:42:28.800 --> 00:42:32.320
not far. And it was because it was you know,
728
00:42:32.519 --> 00:42:35.039
remember Twilight, and it was always sort of hyper real.
729
00:42:36.639 --> 00:42:39.440
Maple Avenue is not really a real street. It's kind
730
00:42:39.440 --> 00:42:44.320
of like a back lotty street and uh and this
731
00:42:44.360 --> 00:42:46.159
thing was sort of hyper real, so it was very
732
00:42:46.280 --> 00:42:50.599
very cool. Uh and it was still cold on the
733
00:42:50.639 --> 00:42:55.480
sound stage. Uh. And yeah, it was a wonderful experience.
734
00:42:55.519 --> 00:42:58.000
And I think they came out with a wonderful, very
735
00:42:58.039 --> 00:43:03.079
small movie. And my biggest fear was always it's cool
736
00:43:03.079 --> 00:43:06.840
and it's small. But there's such a expectation with Creature
737
00:43:06.960 --> 00:43:09.719
Feature that it's big and it's you know, it's Jaws,
738
00:43:10.039 --> 00:43:14.199
it's it's, it's, it's, it's it's this massive movie. And
739
00:43:14.320 --> 00:43:17.440
it wasn't was small and interior and it's it sort
740
00:43:17.480 --> 00:43:20.239
of was the I think, you know, ultimately the reviews
741
00:43:20.239 --> 00:43:26.159
of it was yeah, but I thought I wanted more.
742
00:43:26.440 --> 00:43:30.119
So it can never quite figure out, you know, it
743
00:43:30.119 --> 00:43:33.679
can never I guess the appeal that it didn't you know,
744
00:43:33.840 --> 00:43:36.480
it just didn't. It wasn't big enough for some people
745
00:43:36.639 --> 00:43:38.639
and for those of us who love it to be
746
00:43:38.719 --> 00:43:44.079
interior it was great, but uh, but I think they
747
00:43:44.159 --> 00:43:46.119
succeeded in what they're doing and I think it's probably
748
00:43:46.159 --> 00:43:48.239
doing well. I mean, it's a good movie. I mean,
749
00:43:48.239 --> 00:43:49.840
if you have a chance to check it out, it's
750
00:43:49.880 --> 00:43:54.360
playing anywhere. You can click I'm sure. But it's a
751
00:43:54.400 --> 00:43:57.000
very cool movie, very very cool. It's a really good
752
00:43:57.039 --> 00:44:00.679
acting in it, really good good direction, great screen, and
753
00:44:01.559 --> 00:44:05.119
beautiful for me, a beautiful atmosphere.
754
00:44:07.400 --> 00:44:11.840
Well, you know, I grew up again with that type
755
00:44:11.840 --> 00:44:15.920
of TV shows, And the one thing I have to
756
00:44:15.960 --> 00:44:24.360
say is that some of them when you're a child
757
00:44:24.119 --> 00:44:29.039
and be overwhelming and scary. You realize you're watching TV.
758
00:44:29.199 --> 00:44:31.320
But then again you don't, you know what I mean,
759
00:44:31.400 --> 00:44:34.800
You get into that headspace and so it really can
760
00:44:34.840 --> 00:44:38.079
get to you. But I still love watching them all,
761
00:44:38.559 --> 00:44:40.880
so I would be happy to watch it on TV.
762
00:44:41.400 --> 00:44:43.559
In a movie, you go to a movie, a scary movie,
763
00:44:43.599 --> 00:44:46.000
and you kind of like you're spooked for a little
764
00:44:46.000 --> 00:44:49.159
bit and it kind of leaves you. You get your car,
765
00:44:49.280 --> 00:44:52.199
you drive home. You know, maybe your house h's dark
766
00:44:52.239 --> 00:44:54.440
and you're you know, like what's behind the door. But
767
00:44:54.480 --> 00:44:58.199
when someone's on TV it's in your living room, right yes,
768
00:44:58.679 --> 00:45:02.880
and you're sitting there, it's sort of invading your space.
769
00:45:03.360 --> 00:45:06.320
It's invading your space you haven't gone to. It's space
770
00:45:06.360 --> 00:45:11.760
the movie theater, it's and especially today when a TV
771
00:45:11.880 --> 00:45:14.840
is no longer a TV, it's you know, seventy inches
772
00:45:14.880 --> 00:45:20.519
of plasma screen, you know, fullwith round sound. It's there.
773
00:45:20.639 --> 00:45:24.199
You may turn off the TV, but that that specter
774
00:45:25.320 --> 00:45:30.199
is still living in the room. And I think you
775
00:45:30.360 --> 00:45:32.800
almost because you heard it in the room. You heard
776
00:45:32.880 --> 00:45:35.800
the voice, you heard the creek whatever. So I think
777
00:45:36.039 --> 00:45:38.119
I think it infects us more. And I think with
778
00:45:38.239 --> 00:45:42.000
Rod Serling, I wouldn't call his stuff scary, but it's
779
00:45:42.039 --> 00:45:43.639
certainly for me was what it might be. I mean,
780
00:45:43.679 --> 00:45:46.159
you can imagine there was a guy who really looked
781
00:45:46.159 --> 00:45:48.239
at humanity. That's all those were about.
782
00:45:48.280 --> 00:45:51.000
Were Oh my god. They all make you think. I
783
00:45:51.480 --> 00:45:52.159
think back to you.
784
00:45:52.440 --> 00:45:56.000
One that left me depressed, and I don't know what
785
00:45:56.039 --> 00:45:59.239
the word is, but it affected me. The one where
786
00:45:59.280 --> 00:46:01.239
the guy just want to be left alone so he
787
00:46:01.280 --> 00:46:06.000
can read. And then the glass yeh went to and
788
00:46:06.239 --> 00:46:09.199
that affected me so deeply. I love to read and
789
00:46:09.239 --> 00:46:11.639
I love to get lost in stories.
790
00:46:11.960 --> 00:46:15.639
That probably every that's that is, that's certainly one of
791
00:46:15.679 --> 00:46:19.239
my papers. And so he just wants to be left alone.
792
00:46:19.280 --> 00:46:21.800
And and it's not about that, it's not about that.
793
00:46:21.880 --> 00:46:24.920
It's just that those moments where I just there's too
794
00:46:24.960 --> 00:46:27.599
much noise. Just leave me alone, leave me alone. Stop
795
00:46:27.679 --> 00:46:31.840
the I R S and political and today spam and
796
00:46:31.840 --> 00:46:34.960
spam mail and and and you know it, just leave
797
00:46:35.039 --> 00:46:37.920
me alone, leave me alone. And I think, you know
798
00:46:38.400 --> 00:46:41.599
that's one certainly, I think. Uh, but he was Rod
799
00:46:41.639 --> 00:46:45.480
Serling was the master at that of really looking at
800
00:46:45.519 --> 00:46:48.079
who we are, our racism, everything. I mean, he really
801
00:46:48.119 --> 00:46:52.239
looked at it all, you know, I mean it'd be fascinating.
802
00:46:53.239 --> 00:46:55.119
I don't think. I don't think he could do it
803
00:46:55.159 --> 00:46:58.719
today because too much is out there, you know, not
804
00:46:58.880 --> 00:47:01.679
enough left to the imagine nation. I guess you know,
805
00:47:01.760 --> 00:47:03.599
he was ahead of it. He was ahead of he
806
00:47:03.760 --> 00:47:05.119
was social media.
807
00:47:05.360 --> 00:47:11.119
You know, definitely. Well, you know, with having worked with
808
00:47:11.159 --> 00:47:14.519
so many of the industry's most talented people over the years,
809
00:47:14.920 --> 00:47:17.599
is there a piece of advice you received early in
810
00:47:17.639 --> 00:47:19.599
your career that you'd like to pass on to others
811
00:47:19.599 --> 00:47:20.639
that are just starting out.
812
00:47:22.519 --> 00:47:26.480
Yes, but not before I make one more footnote. My
813
00:47:26.559 --> 00:47:30.760
mother was in a twilight zone. You know that, mister. Yes, Yes,
814
00:47:31.199 --> 00:47:35.239
for my mom, she made it the twilight zone. Yes, Uh,
815
00:47:35.639 --> 00:47:37.639
I forgot. I have to bring that up wherever. Yeah,
816
00:47:38.000 --> 00:47:42.719
I'm going to keep her alive. However, I can absolutely yes,
817
00:47:43.119 --> 00:47:46.599
And again, you know I sound like
a mama's boy,
818
00:47:46.639 --> 00:47:49.000
but that's okay, because she was a pretty brilliant lady.
819
00:47:49.320 --> 00:47:52.239
She gave me the best piece of advice as a
820
00:47:52.239 --> 00:47:55.559
young actor my father had produced. I was in college
821
00:47:55.880 --> 00:47:58.159
in San Diego. I wanted to be a lawyer. I
822
00:47:58.199 --> 00:48:02.280
was studying philosophy and I was taking I thought as
823
00:48:02.360 --> 00:48:05.400
pre law I wanted my major to be philosophy. You know,
824
00:48:06.039 --> 00:48:08.280
logic classes and all that kind of stuff. You have
825
00:48:08.440 --> 00:48:13.480
different choices. Philosophy seemed interesting to me. So I'm making this.
826
00:48:13.760 --> 00:48:15.840
I'm doing this down in San Diego State. My dad
827
00:48:15.880 --> 00:48:19.079
calls me up one day. I was seventeen eighteen maybe,
828
00:48:19.519 --> 00:48:23.320
and he says, hey, I'm making a little movie. We're
829
00:48:23.320 --> 00:48:26.480
shooting it down near San Diego with Jim Brown, Fred Williamson,
830
00:48:26.519 --> 00:48:28.960
and Jim Kelly. Jim Brown and Fred Williams in big
831
00:48:29.000 --> 00:48:32.440
football players. Jim Kelly was a martial arts guy and
832
00:48:32.519 --> 00:48:35.960
one of the first black exploitation movies with a wonderful
833
00:48:35.960 --> 00:48:38.840
director named Gordon Parks Junior, whose father, Gordon Parks was
834
00:48:38.880 --> 00:48:44.599
a pretty much a you know, preeminent filmmaker in the day.
835
00:48:46.360 --> 00:48:51.760
And I said, okay, sure. He said, look, I'm going
836
00:48:51.840 --> 00:48:55.239
to You're going to be paid, but I need your
837
00:48:55.239 --> 00:48:56.800
car we're going to blow up your car. And I
838
00:48:56.880 --> 00:48:59.119
had this kind of Camaro that was kind of okay
839
00:48:59.159 --> 00:49:03.159
but not yeah, certainly was all my friends Porsches. And
840
00:49:03.199 --> 00:49:04.960
he said, well, we'll give you the production man at
841
00:49:04.960 --> 00:49:07.960
the end. And in the script it says, you make
842
00:49:08.000 --> 00:49:10.039
out with a beautiful young girl in the backseat of
843
00:49:10.039 --> 00:49:13.199
a Rolls Choice, and Jim Brown, the legendary football player,
844
00:49:13.280 --> 00:49:15.719
comes up and says, hey, man, what are you doing.
845
00:49:15.960 --> 00:49:19.000
And I thought, Jim Brown making out with a beautiful
846
00:49:19.000 --> 00:49:22.400
girl and blowing up my car, that's kind of cool.
847
00:49:22.480 --> 00:49:25.480
Production man, oh man, that could be cool, and I'll
848
00:49:25.480 --> 00:49:28.000
give you nine hundred bucks. I went on in and
849
00:49:28.039 --> 00:49:31.599
I went there this night and I was, you know,
850
00:49:31.719 --> 00:49:34.000
I made out with a beautiful girl. It turned out
851
00:49:34.000 --> 00:49:35.719
to me a sleeping bag instead at the backseat of
852
00:49:35.719 --> 00:49:39.119
a Rolls Voice. The script said, a pair of naked
853
00:49:39.199 --> 00:49:41.840
young limbs thrashing in the backseat of a Rolls Choice,
854
00:49:42.280 --> 00:49:45.639
just to set up the draw the appeal of the scene.
855
00:49:47.880 --> 00:49:50.000
So I make up with this girl. They take my car,
856
00:49:50.079 --> 00:49:53.199
they blow it twenty feet in the sky, wow and
857
00:49:53.280 --> 00:49:56.400
a fireball, and they hand me the keys to the
858
00:49:56.400 --> 00:49:58.719
production man, and my dad gives me nine hundred bucks
859
00:49:58.800 --> 00:50:00.840
cash at the end of the night, and I shake
860
00:50:00.880 --> 00:50:03.960
hands with Jim Brown Fred Williamson, and I thought, like,
861
00:50:05.760 --> 00:50:09.840
I want to be an actor. This is no screw laws,
862
00:50:09.880 --> 00:50:14.000
screw philosophy. This is what I want to do. I literally,
863
00:50:14.320 --> 00:50:16.360
I don't think I went back to Sandy I do
864
00:50:16.519 --> 00:50:19.280
this day. Honest to God, I don't remember moving out
865
00:50:19.320 --> 00:50:22.000
of San Diego. I just thought, I'm going to go
866
00:50:22.039 --> 00:50:25.039
to UCLA. I'm going to be near home and I'm
867
00:50:25.039 --> 00:50:26.440
going to be an actor and I'm going to go
868
00:50:26.440 --> 00:50:28.880
to UCLA because they had a big theater program. I
869
00:50:28.920 --> 00:50:30.960
went to my mom and said, Mom, all this all this,
870
00:50:31.079 --> 00:50:35.719
he said, okay. She said, you can do whatever you want,
871
00:50:35.960 --> 00:50:38.440
but if you want my respect as a fellow actor,
872
00:50:38.920 --> 00:50:41.880
you're going to train. And that's when I said, well,
873
00:50:42.320 --> 00:50:44.679
I'll go to UCLA. And she said, great, that's great.
874
00:50:44.719 --> 00:50:46.960
That's good. She said, you can do whatever you want,
875
00:50:47.280 --> 00:50:52.079
but to be an actor you have to train. And
876
00:50:52.119 --> 00:50:53.880
you can't do it for the girls. You can't do
877
00:50:53.920 --> 00:50:55.800
it for the money. You can't do it for the cars.
878
00:50:56.079 --> 00:50:57.880
You can't do it for the fame and the glory
879
00:50:57.920 --> 00:51:00.880
and all that. I mean, that might come, but that's
880
00:51:01.000 --> 00:51:02.719
not why you do it. You do it because you
881
00:51:02.880 --> 00:51:05.239
love this craft of what you do. And you're only
882
00:51:05.280 --> 00:51:08.599
going to love the craft if you go study and
883
00:51:08.719 --> 00:51:11.920
learn the craft. And I said, okay. I went to
884
00:51:11.960 --> 00:51:14.639
UCLA and I did seven years there. I did my
885
00:51:15.039 --> 00:51:18.159
undergraduate degree, then I got my master's degree in playwriting.
886
00:51:18.760 --> 00:51:22.679
And it was years later where I realized what she
887
00:51:22.800 --> 00:51:25.760
was doing was setting me up for. And this is
888
00:51:25.960 --> 00:51:29.519
to any young actor out there is I don't care
889
00:51:29.679 --> 00:51:34.840
how big you are. Sylvester Stallone is not what Sylvester
890
00:51:34.960 --> 00:51:40.320
Stallan was ten e eight Rocky, and Kevin Costner is
891
00:51:40.360 --> 00:51:43.800
not what Kevin Costner was. And Tom Cruise, God bless him.
892
00:51:43.840 --> 00:51:47.599
One day will not be Tom Cruise that he was
893
00:51:47.679 --> 00:51:51.280
Tom Cruise and lesser guys Arnie Becker on La Law
894
00:51:51.280 --> 00:51:53.440
at Cordon Burns and you're gonna have a downtime, you're
895
00:51:53.480 --> 00:51:58.960
going to be doing general hospital. And I realized what
896
00:51:59.159 --> 00:52:03.239
got me over those hills and valleys and going from
897
00:52:03.360 --> 00:52:05.239
LA Law And I don't means it sounded like general
898
00:52:05.280 --> 00:52:09.000
hospitals down here, but it certainly wasn't the higher thing
899
00:52:09.039 --> 00:52:12.679
of La Law in my mind, you know, and the
900
00:52:12.719 --> 00:52:15.800
work and the recognition, but the thing that got me
901
00:52:15.800 --> 00:52:19.920
through it was I don't care. I loved doing La
902
00:52:20.119 --> 00:52:23.119
Law and this is honestly God's truth. As much as
903
00:52:23.159 --> 00:52:25.480
I love doing General Hospital, as much as I love
904
00:52:25.559 --> 00:52:30.079
doing this podcast with you, because I'm entertaining I'm doing
905
00:52:30.239 --> 00:52:33.440
I'm not saying I'm entertaining. I'm doing what I do.
906
00:52:33.960 --> 00:52:39.079
I'm getting to express my human self. And it's the
907
00:52:39.159 --> 00:52:41.960
love of the craft. And as you know, you're doing
908
00:52:41.960 --> 00:52:43.840
a podcast, A lot of people think it's probably easy.
909
00:52:43.880 --> 00:52:48.440
It's not. It's a craft. It's a craft. It's a craft, right.
910
00:52:48.800 --> 00:52:51.599
It's the reason you do it, I would hope is
911
00:52:51.639 --> 00:52:54.199
because you love doing it and therefore we know it.
912
00:52:54.559 --> 00:52:57.719
You know, you know, you may do a month. He's like, Geene,
913
00:52:57.800 --> 00:53:01.119
nobody's listening to our podcast and it's like, wow, oh well,
914
00:53:01.159 --> 00:53:04.440
I raisedly you know what we do are these hills
915
00:53:04.519 --> 00:53:07.239
and valleys. And the thing that takes you through it,
916
00:53:07.519 --> 00:53:12.280
young actors, is the love of what you do. Because
917
00:53:12.320 --> 00:53:17.199
then you can do a big, huge feature film, or
918
00:53:17.280 --> 00:53:20.119
you can do community theater, or you can do a
919
00:53:20.159 --> 00:53:21.920
soap opera, you can do a player, you can do
920
00:53:21.920 --> 00:53:25.159
a podcast, and you love it all exactly the same.
921
00:53:25.519 --> 00:53:28.679
You love it the same because you love. You love
922
00:53:28.760 --> 00:53:32.800
the art of expressing yourself with a camera rolling or
923
00:53:32.920 --> 00:53:38.519
an audience in a theater environment. And that was talked
924
00:53:38.519 --> 00:53:41.400
to me by my mom.
925
00:53:41.639 --> 00:53:44.880
Well, it's great at device and mean it makes you
926
00:53:46.039 --> 00:53:49.760
feel your human side besides, you know, wanting all your
927
00:53:49.840 --> 00:53:53.559
dreams to come true. And I have to say that
928
00:53:53.639 --> 00:53:56.079
we've been here doing this for fourteen years, so we
929
00:53:56.199 --> 00:54:00.960
better love it because if you don't.
930
00:54:00.800 --> 00:54:03.280
Love it, you know, you know I can hear your
931
00:54:03.320 --> 00:54:05.519
voices that you love it, and your people who listen
932
00:54:05.559 --> 00:54:07.440
to you and listening to us right now love it.
933
00:54:07.840 --> 00:54:10.000
You know they love it because you love it. If
934
00:54:10.039 --> 00:54:13.079
you didn't love it, you know, I've often thought I'd
935
00:54:13.119 --> 00:54:15.719
like to do a podcast, and first of I don't
936
00:54:15.719 --> 00:54:19.039
know what I would do. I think I'm a better
937
00:54:19.079 --> 00:54:22.800
guest than I would be a host. But you know,
938
00:54:23.199 --> 00:54:25.960
do I love it enough to do it? No? You
939
00:54:26.000 --> 00:54:29.039
know I don't. Doesn't mean it's not a great thing
940
00:54:29.119 --> 00:54:31.800
and you love it, but you know I don't love
941
00:54:31.800 --> 00:54:34.679
it enough to do it. So you know, people say
942
00:54:34.719 --> 00:54:36.400
we should do it because people would listen to you.
943
00:54:36.440 --> 00:54:39.199
I say, no, it's not my thing. I'll write and
944
00:54:39.239 --> 00:54:43.519
I'll do woodstalkers. I love that So that's great. You know,
945
00:54:43.639 --> 00:54:45.400
you do what you do, and I'll do what I do.
946
00:54:45.559 --> 00:54:48.320
And as long as we love what we do and
947
00:54:48.400 --> 00:54:52.119
people are in tune with what you're doing, then the
948
00:54:52.199 --> 00:54:55.679
world's working perfectly until the sun comes and eats us
949
00:54:55.719 --> 00:55:00.719
all up in a billion years.
950
00:55:01.000 --> 00:55:05.920
You've been very honest and open about creativity across you know,
951
00:55:06.000 --> 00:55:09.199
across the spectrum, across the arts, and we know that
952
00:55:09.320 --> 00:55:10.360
you are a collector.
953
00:55:10.519 --> 00:55:12.760
So stepping away from acting.
954
00:55:12.440 --> 00:55:15.719
For a little bit, tell us about Corbin the art
955
00:55:15.800 --> 00:55:18.519
lover and what drives you.
956
00:55:18.519 --> 00:55:20.519
You know, what drives your collecting?
957
00:55:21.239 --> 00:55:23.239
Well, my snow globe that I think you're probably telling
958
00:55:23.280 --> 00:55:28.599
about my snow globe collection. Yes, okay, we do collect art.
959
00:55:28.639 --> 00:55:31.159
My wife and I happen to love you see when
960
00:55:31.159 --> 00:55:36.599
I'm painting behind me right there. We we do love art.
961
00:55:36.320 --> 00:55:39.199
We're not big, you
know, got to get Picassa's We're
962
00:55:39.239 --> 00:55:41.760
not those people. We never made that kind of money.
963
00:55:42.039 --> 00:55:45.559
But we've collected art. It's been one of our common links. Again,
964
00:55:45.760 --> 00:55:50.800
art is just another expressing human humanity, whether it's an
965
00:55:50.840 --> 00:55:55.960
abstract I mean Picasso's away, I think Picasso isn't Pacasso
966
00:55:56.039 --> 00:55:58.239
telling us that all that stuff I've been saying about
967
00:55:58.519 --> 00:56:04.280
how absurd we look and we are, you know, you know, so, yes,
968
00:56:04.400 --> 00:56:07.119
I love art. The snow domes are a different thing.
969
00:56:07.199 --> 00:56:10.119
It's something I just happened to start collecting during La Law.
970
00:56:10.119 --> 00:56:13.119
When I was traveling the country promoting the show, I'd
971
00:56:13.199 --> 00:56:16.039
end up in the city invariably, you know, be given
972
00:56:16.159 --> 00:56:19.639
like a snow globe from Saint Louis or whatever. And
973
00:56:19.679 --> 00:56:21.840
by the end of La Law I had about twenty
974
00:56:21.840 --> 00:56:24.199
five of these snow globes, which didn't mean much to
975
00:56:24.239 --> 00:56:31.039
me at the time, but they they together, they looked
976
00:56:31.159 --> 00:56:36.280
like wonderful pop art, and I started collecting, and now
977
00:56:36.280 --> 00:56:40.719
ten thousand globes later, and thirty five years later, I
978
00:56:40.760 --> 00:56:44.639
have one of the larger, not the largest, snow globe collections.
979
00:56:44.679 --> 00:56:49.320
And first on your show, happy to announce not this Christmas,
980
00:56:49.320 --> 00:56:52.519
but next Christmas, I'll have a book coming out of
981
00:56:52.559 --> 00:56:53.440
my snow globes.
982
00:56:54.480 --> 00:56:59.679
Awesome, congratulations, Thank you for sharing that with us. That's amazing.
983
00:57:00.320 --> 00:57:02.920
Yeah, I didn't realize books take so long to get together,
984
00:57:03.039 --> 00:57:06.239
but but we're doing here. The really weird part is,
985
00:57:06.239 --> 00:57:08.519
so I have like ten thousand snow globes, and the
986
00:57:08.519 --> 00:57:11.400
publishers said, well, we can about three hundred in this book.
987
00:57:11.760 --> 00:57:14.000
And I want to do a really nice coffee table book,
988
00:57:14.039 --> 00:57:16.599
you know, not some kitchy kind of like you know,
989
00:57:16.679 --> 00:57:19.320
goofy book. I went nobody's. I've never really seen a
990
00:57:19.360 --> 00:57:23.679
really beautiful, you know, snow globes against a black background.
991
00:57:23.280 --> 00:57:27.400
Lit properly like a photo of a photography book, if
992
00:57:27.440 --> 00:57:31.320
you will. And so I had to get all my
993
00:57:31.400 --> 00:57:35.239
snow globes from LA, where they've been sitting in storage
994
00:57:35.239 --> 00:57:37.159
since I moved to New York. I had to rent
995
00:57:37.239 --> 00:57:40.760
a warehouse
here and get out you know, those full
996
00:57:40.840 --> 00:57:44.800
eight foot folding tables, get about thirty of those and
997
00:57:44.880 --> 00:57:49.079
put them all out, all ten thousand, and I had
998
00:57:49.079 --> 00:57:52.480
to sort of organize them because they were kind of organized.
999
00:57:52.519 --> 00:57:54.760
I packed them pretty well when I packed them up
1000
00:57:54.760 --> 00:57:57.159
for the last time in LA. But I had to
1001
00:57:57.159 --> 00:58:00.840
put them out. And you know, will say which one's
1002
00:58:00.880 --> 00:58:03.920
your favorite child, your favorite son, and you can't out
1003
00:58:03.920 --> 00:58:06.239
of three, you can't pick you just you can't pick one.
1004
00:58:06.840 --> 00:58:10.760
I had to pick. I'll get back to empathy again,
1005
00:58:11.800 --> 00:58:14.840
go straight back. Story is all the same. I had
1006
00:58:14.840 --> 00:58:17.440
to pick three hundred snow gloves out to be in
1007
00:58:17.480 --> 00:58:22.639
the book. I felt terrible for those ones that were rejected,
1008
00:58:24.519 --> 00:58:24.840
and I.
1009
00:58:24.800 --> 00:58:26.960
Bet they're still holding it against you now.
1010
00:58:27.000 --> 00:58:31.679
And holding it first. They're still going to get well,
1011
00:58:31.719 --> 00:58:36.360
I'm somebody steals us. But it's funny. I picked out
1012
00:58:36.400 --> 00:58:41.320
three hundred that basically tells my story a little bit,
1013
00:58:41.440 --> 00:58:43.960
you know, the first ones I got and the last
1014
00:58:44.000 --> 00:58:48.760
ones and ones that I made for different events, and
1015
00:58:48.800 --> 00:58:53.119
some of my more beautiful ones that they love Disney
1016
00:58:53.280 --> 00:58:55.679
not the big I don't really go for the big,
1017
00:58:55.719 --> 00:58:58.840
gaudy stuff that you get at Disneyland, but the like
1018
00:58:59.039 --> 00:59:05.480
old still yeah, but this stuff from like the sixties,
1019
00:59:05.559 --> 00:59:08.760
like when is that there? You know? You know that
1020
00:59:08.800 --> 00:59:11.960
one's from? Where is that from? I can't read? I
1021
00:59:12.039 --> 00:59:19.760
have my glasses. Oh wow, lamridiot or something. Anyway, these ones,
1022
00:59:19.840 --> 00:59:22.920
these plastic with just they're just so detailed and can
1023
00:59:22.960 --> 00:59:24.159
you see it properly? I don't know.
1024
00:59:24.360 --> 00:59:29.000
Yeah, yeah, yeah, I remember those. I grew up with the.
1025
00:59:28.960 --> 00:59:31.599
Old classic ones, you know. And then I have some
1026
00:59:31.639 --> 00:59:35.639
really beautiful vintage you know, from the forties and the thirties,
1027
00:59:35.719 --> 00:59:39.639
and you know, the first one goes back to Paris
1028
00:59:39.679 --> 00:59:44.000
Expo in eighteen ninety six had the first souvenirs souvenir
1029
00:59:44.039 --> 00:59:48.880
I've been and from the Paris Expo, and it's the
1030
00:59:48.920 --> 00:59:50.800
Holy Grail. I have a
guy who has one who
1031
00:59:50.800 --> 00:59:54.000
wants to sell it to me for money that my
1032
00:59:54.039 --> 00:59:58.599
wife won't let me spend on it. I thought, like,
1033
00:59:58.719 --> 01:00:01.519
you know, maybe I should always be the holy Grail.
1034
01:00:01.840 --> 01:00:05.000
You know, maybe maybe I can mirror life a little bit,
1035
01:00:05.039 --> 01:00:09.239
that we're always chasing that one thing, and we're chasing
1036
01:00:09.280 --> 01:00:13.360
something and I don't have it all. That's one thing
1037
01:00:13.360 --> 01:00:14.960
I've learned in life. I don't have it all. I
1038
01:00:14.960 --> 01:00:17.039
don't know it all. I give up, I don't want
1039
01:00:17.079 --> 01:00:20.800
it I can't know it all. I can certainly be
1040
01:00:20.880 --> 01:00:25.559
open to learning at all. And so you know, uh yeah,
1041
01:00:25.599 --> 01:00:29.000
So it's a variety of my domes and it may
1042
01:00:29.079 --> 01:00:32.440
or may not feature the Holy Grail, depending on the
1043
01:00:32.440 --> 01:00:33.199
mood of my wife.
1044
01:00:36.079 --> 01:00:38.000
Well, who knows. Maybe one day you'll get it as
1045
01:00:38.039 --> 01:00:39.320
a gift.
1046
01:00:39.880 --> 01:00:42.519
An expensive gift. I don't think so nobody likes me
1047
01:00:42.559 --> 01:00:50.840
that much. That's not true, mom, Mom, there's a little
1048
01:00:51.119 --> 01:00:53.280
with some friends here. Could you just get me the
1049
01:00:53.519 --> 01:00:54.360
Bears x BO.
1050
01:00:57.039 --> 01:00:59.960
You know what, make a deal if Woodstockers gets paid
1051
01:01:00.119 --> 01:01:02.679
job for a full Seatson and you get to buy.
1052
01:01:02.480 --> 01:01:08.559
It, right that's true, all right, I have to have it. Yeah,
1053
01:01:08.719 --> 01:01:12.079
So anyway, it's it's cool if you look up Paris.
1054
01:01:12.599 --> 01:01:17.320
Look up Paris Expo. Anybody listening Paris Expo eighteen ninety six,
1055
01:01:18.719 --> 01:01:21.400
Eiffel Tower, snow globe. And he knows he won the
1056
01:01:21.480 --> 01:01:28.559
very first ones. It's online. He has it online.
1057
01:01:29.599 --> 01:01:33.400
Yeah. I have one more question for you, and so
1058
01:01:33.519 --> 01:01:36.920
does Anthony. My last question is going to be a
1059
01:01:36.960 --> 01:01:40.480
little bit of a fun one. If there's a movie
1060
01:01:40.480 --> 01:01:43.280
written about you one day, what would the title be,
1061
01:01:44.920 --> 01:01:48.360
who would play you? And what would it be about.
1062
01:01:53.679 --> 01:01:56.480
The title. It's one of my episodes I just wrote
1063
01:01:56.480 --> 01:01:59.599
of Woodstockers. It's one of my favorite titles because I
1064
01:01:59.679 --> 01:02:02.760
usually a lot when I wrote the episodes, I would
1065
01:02:03.000 --> 01:02:06.480
find these little themes. And there was a thing where,
1066
01:02:07.519 --> 01:02:10.599
you know, I said to a character do you love him?
1067
01:02:10.639 --> 01:02:14.239
And she goes, yeah, but no, and I called that
1068
01:02:14.360 --> 01:02:16.760
the episode. Yeah but no. I found a lot of
1069
01:02:16.800 --> 01:02:21.840
life lies in yeah but no, you know never neverthing
1070
01:02:21.920 --> 01:02:26.760
is never, yeah, nothing is ever no but yeah but no,
1071
01:02:27.360 --> 01:02:32.760
but yeah but no, so yeah but no. I like that. Yeah, Comma,
1072
01:02:32.920 --> 01:02:38.039
but no, who would play I mean, are they who?
1073
01:02:38.119 --> 01:02:40.360
I mean? Like if they were alive now if they're
1074
01:02:40.360 --> 01:02:42.800
making it now or I.
1075
01:02:43.159 --> 01:02:45.400
Like, you know, in a couple of years or something.
1076
01:02:45.559 --> 01:02:50.440
Is there anybody out there? That's everybody actor out there?
1077
01:02:52.280 --> 01:02:52.480
You know?
1078
01:02:52.960 --> 01:02:55.960
In a weird way, he wouldn't be the right guy.
1079
01:02:56.039 --> 01:03:00.159
Although he played my son in a pionet. Uh uh.
1080
01:03:02.159 --> 01:03:09.280
I guess there's a little something about Ryan Gosling his vibe. Yeah,
1081
01:03:09.440 --> 01:03:12.880
so there's something. He's funny, he's serious, but he has
1082
01:03:12.920 --> 01:03:16.480
that deprecating humor. So I have to really like he
1083
01:03:16.519 --> 01:03:19.119
actually did. I did a pilot right after La Lot
1084
01:03:19.079 --> 01:03:21.480
and he played my son. I forgot about it and
1085
01:03:21.480 --> 01:03:24.559
never got picked up. And so there's the Yeah, at
1086
01:03:24.719 --> 01:03:28.599
no sting Ryan Gosling, as Corbyn Burn said. And what's
1087
01:03:28.639 --> 01:03:29.199
the last thing.
1088
01:03:30.039 --> 01:03:31.679
What would it be about?
1089
01:03:33.920 --> 01:03:36.639
It would be about Yeah, like.
1090
01:03:37.079 --> 01:03:40.760
Any particular time in your life or your whole history.
1091
01:03:40.880 --> 01:03:44.519
Oh I'm a little more rod Serling than that would
1092
01:03:44.559 --> 01:03:52.920
be about my be one of two things. He would
1093
01:03:52.960 --> 01:03:58.639
be this absurd comedy. When I'm inside my mom's belly
1094
01:04:00.000 --> 01:04:04.079
and the feetus me is wondering if it wants to
1095
01:04:04.440 --> 01:04:08.679
It's heard all these stories about the world, and you
1096
01:04:09.400 --> 01:04:14.000
hear the doctor in the delivery room say to my mother,
1097
01:04:14.079 --> 01:04:18.880
Are you ready? And both my mother and I inside
1098
01:04:19.039 --> 01:04:27.440
their feet as go yeah, but no, that is bizarre.
1099
01:04:28.360 --> 01:04:37.199
I love that. It's oh my gosh, are you ready?
1100
01:04:38.079 --> 01:04:44.000
Yeah, that is awesome. I'm gonna throw a fun one
1101
01:04:44.199 --> 01:04:45.159
at you as well.
1102
01:04:46.159 --> 01:04:52.480
I feel like you have given a really robust slice
1103
01:04:52.519 --> 01:04:55.039
of life. Yes, the career of course, and some of
1104
01:04:55.079 --> 01:04:58.639
the
highlights that we've spoken about, like throwing the whole
1105
01:04:58.960 --> 01:05:01.480
you know, threadline of humanity and.
1106
01:05:01.360 --> 01:05:06.119
Empathy throughout this interview. I have to balance it with if.
1107
01:05:06.000 --> 01:05:08.039
You know, the genie popped out of the bottle or
1108
01:05:08.280 --> 01:05:11.679
you know, you were you were pushed into a space
1109
01:05:11.719 --> 01:05:15.840
where you were brought back onto this planet for thirty
1110
01:05:15.960 --> 01:05:20.800
days as a woman, and you were put in a movie,
1111
01:05:21.079 --> 01:05:25.320
what is the role from the female perspective that you'd love.
1112
01:05:25.199 --> 01:05:26.039
To play.
1113
01:05:30.199 --> 01:05:32.079
As? That would be fun to be the flying nun
1114
01:05:32.159 --> 01:05:37.199
and Sally Field that's a different that's just weird, that's
1115
01:05:37.199 --> 01:05:38.119
real weird.
1116
01:05:39.079 --> 01:05:39.239
And.
1117
01:05:42.840 --> 01:05:51.880
You know, probably that's a really hard one. But somebody
1118
01:05:52.079 --> 01:05:56.599
I admire and wouldn't mind being and knowing what it
1119
01:05:56.679 --> 01:06:01.679
was to be in her boots would be Catherine Hepburn.
1120
01:06:02.760 --> 01:06:09.159
Oh and I'll just pick a movie anything, you know, Uh,
1121
01:06:09.599 --> 01:06:13.480
I'm with Humphrey Bogart and something. I guess uh afric
1122
01:06:13.679 --> 01:06:19.639
was it was it uh go on with Catherine Hepburn
1123
01:06:19.679 --> 01:06:21.599
and something, and I don't know what it would be.
1124
01:06:22.280 --> 01:06:23.599
I don't know what it would be.
1125
01:06:24.639 --> 01:06:27.519
Well, I absolutely love her with Carrie Grant and when
1126
01:06:27.559 --> 01:06:30.079
they did those comedies. Those are my two fans.
1127
01:06:30.280 --> 01:06:34.239
Yeah, I'm not sure if they you know, being Yeah,
1128
01:06:34.719 --> 01:06:37.440
it's it's where she gets to be funny. Yeah, that
1129
01:06:37.559 --> 01:06:40.199
thing because she was. She was another person who was
1130
01:06:41.039 --> 01:06:45.280
feisty and real and dramatic but very funny. So yes,
1131
01:06:45.679 --> 01:06:47.880
I can't pick the movie. I'm not well versed in
1132
01:06:48.039 --> 01:06:51.159
all the Katherine Hepburn movies or the titles, but pick
1133
01:06:51.239 --> 01:06:56.239
one where she's just robust and she's funny as hell
1134
01:06:56.360 --> 01:06:59.639
but she means business. Yeah.
1135
01:06:59.679 --> 01:07:03.000
I see some of the uh ones that she did
1136
01:07:03.000 --> 01:07:04.039
with Spencer Tracy.
1137
01:07:04.679 --> 01:07:06.719
Well yeah, yeah, really good.
1138
01:07:07.280 --> 01:07:09.039
But she does that and never I mean that's what
1139
01:07:09.159 --> 01:07:12.519
she was, you know. And by the way, who, just
1140
01:07:12.599 --> 01:07:16.320
to really round up the conversation, who does she remind
1141
01:07:16.400 --> 01:07:16.800
you of.
1142
01:07:18.519 --> 01:07:20.800
Your mother? Yes?
1143
01:07:20.840 --> 01:07:25.000
Absolutely right, Wow, I'm a mama's boy.
1144
01:07:25.559 --> 01:07:28.559
Yes, absolutely.
1145
01:07:30.400 --> 01:07:33.159
Well this is the moment where we say, if there's
1146
01:07:33.199 --> 01:07:37.119
anything you want to sell or drive folks to any
1147
01:07:37.159 --> 01:07:38.639
social media or projects.
1148
01:07:38.760 --> 01:07:39.480
Please feel free.
1149
01:07:39.840 --> 01:07:42.639
Right toothpaste is the best toothpaste in the world, and
1150
01:07:47.159 --> 01:07:52.320
everybody's got a big plug there. Uh this new toothpaste
1151
01:07:52.320 --> 01:07:58.719
I found. Please put your good vibes out for woods.
1152
01:07:58.840 --> 01:08:02.679
Woodstockers means a lot to me. It really, it really.
1153
01:08:02.880 --> 01:08:08.559
I've had this incredible journey as an actor and you know,
1154
01:08:08.800 --> 01:08:11.440
all the things I think if you've heard, all the
1155
01:08:11.519 --> 01:08:14.320
things kind of link up, right, there's a there's a
1156
01:08:15.480 --> 01:08:19.840
yeah through line, right, and a lot of it comes
1157
01:08:19.840 --> 01:08:24.119
out in Woodstockers. So both for the content but also
1158
01:08:25.039 --> 01:08:31.520
for the passion of me to create a tapestry of
1159
01:08:31.600 --> 01:08:34.279
all these things we've talked about. I really were like
1160
01:08:34.319 --> 01:08:37.760
Woodstalkers to happen. So I just need vibes. I need
1161
01:08:37.800 --> 01:08:43.560
good vibes. You know, if you can't go out good vibes,
1162
01:08:43.600 --> 01:08:46.000
but you hear about it and six months from now
1163
01:08:46.399 --> 01:08:51.840
check it out. But yeah, really, really cross your fingers
1164
01:08:51.880 --> 01:08:55.760
for me for that. It means a lot to me.
1165
01:08:55.840 --> 01:09:01.000
And I've been telling friends, family, business associates, like you know,
1166
01:09:02.039 --> 01:09:03.800
it means a lot to me, and it's just more
1167
01:09:03.840 --> 01:09:07.880
than It's more than just the content of it, which
1168
01:09:07.920 --> 01:09:10.039
is important, but it's also at this point in my
1169
01:09:10.119 --> 01:09:13.560
career would be really nice. You know, I've worked for people,
1170
01:09:13.600 --> 01:09:16.520
I've done other people's scripts, I've poured my soul into it.
1171
01:09:16.760 --> 01:09:20.880
I'd love to do something that's from me for you.
1172
01:09:23.079 --> 01:09:26.760
Well, when I'm gonna, I'm gonna manifest enough to say
1173
01:09:26.800 --> 01:09:31.039
when that happens, scoop up Oliver and Henry and come
1174
01:09:31.079 --> 01:09:32.039
back and talk.
1175
01:09:31.880 --> 01:09:32.640
To us about it.
1176
01:09:32.760 --> 01:09:37.920
And and I'm sure we'll have even more humanity based questions.
1177
01:09:37.359 --> 01:09:38.079
To grill you on.
1178
01:09:39.279 --> 01:09:40.840
I've seen it, you certainly will.
1179
01:09:42.880 --> 01:09:43.840
I feel nourished.
1180
01:09:43.840 --> 01:09:46.199
This has been You know, all of our conversations are
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great in whatever space they end up occupying, but I
1182
01:09:50.520 --> 01:09:52.880
feel really nourished today. So thank you so much for
1183
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your openness, your vulnerability, and for preaching without really preaching.
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01:10:00.079 --> 01:10:02.720
Reach man, Live life, life. We are all given this
1185
01:10:02.880 --> 01:10:05.680
incredible This is the breach. We've all been given. This
1186
01:10:05.840 --> 01:10:11.399
an incredible, extraordinary gift. I mean, how many people back,
1187
01:10:11.479 --> 01:10:14.159
go back if one thing had happened to somebody, this
1188
01:10:14.159 --> 01:10:18.159
is the billion dollar sun thing again and they didn't happen,
1189
01:10:18.279 --> 01:10:21.720
You wouldn't happen. You've been given this gift. On this incredible,
1190
01:10:22.079 --> 01:10:25.079
insane planet spinning around the sun.
1191
01:10:26.600 --> 01:10:28.159
It's going to be eaten up in a billion years.
1192
01:10:28.199 --> 01:10:31.600
But yes, what did I say? We were going to
1193
01:10:31.640 --> 01:10:34.479
start with peace, make love not war.
1194
01:10:35.479 --> 01:10:37.920
Absolutely what great words.
1195
01:10:38.039 --> 01:10:41.520
So everybody stay tuned for all of our information, our
1196
01:10:41.560 --> 01:10:43.880
socials and such, and we will be back in your
1197
01:10:43.920 --> 01:10:46.680
podcast feeds with another great episode soon.
1198
01:10:46.800 --> 01:10:48.439
Thank you so much, Corbin.
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01:10:48.520 --> 01:10:51.680
This has been an amazing experience.
1200
01:10:51.760 --> 01:10:55.239
Yes, thank you Corbyn. We absolutely love speaking with you. You're
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01:10:55.119 --> 01:10:58.760
welcome back anytime and keep bringing those stories.
1202
01:11:00.319 --> 01:11:00.560
God.
1203
01:11:00.640 --> 01:11:14.319
Try follow us on Instagram and Facebook at take to Radio.
1204
01:11:14.399 --> 01:11:17.640
That's with the number two for Take to Radio the Remix.
1205
01:11:17.800 --> 01:11:21.720
Follow us on Instagram and TikTok at take to Radio
1206
01:11:21.880 --> 01:11:25.359
the Remix again with the number two for all things
1207
01:11:25.439 --> 01:11:29.800
Anthony and Sunday Edition go to Anthony Corona dot com and.
1208
01:11:29.760 --> 01:11:34.439
That's c O R O N A. Until next time,
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01:11:34.800 --> 01:11:35.760
Thanks for listening.