TRANSKRIP 🔗
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Hello, Candy Mattson.
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I understand you've been hired to find out who knocked
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off Donna Dunham.
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Abrupt and right to the point. That's my business, old
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man who talks like a ghost.
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Take care of your health, little lady. Donna Dunham is dead.
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Let her stay like that.
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You take care of your cues and I'll show my peas, understood?
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Not quite.
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Listen to this.
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Oh, goody, goody. Bullet's now delivered by phone. Thanks for
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the slug. I'll have it identified later.
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Maybe you'll be identified later. Remember what I said, Candy Mattson.
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Forget about Donna Dunham.
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The End My name is Candy Mattson. I like money.
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Lots of it. That's why I became a private eye. And, too,
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you meet such interesting people. Mostly dead. But getting back
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to the cash angle, that's why I took on the
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Donna Dunham case. I knew it was full of dynamite.
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But a girl has to eat now and then, maintain
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a penthouse on Telegraph Hill, and keep the moors out
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of a few mink coats. Doesn't she? Sure is. And
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a shot fired into your room from across the street
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at three in the morning is just one of those
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occupational hazards. So I took the job, and the 500,
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and went to work. Like to hear how the whole
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thing started? Well, leave us proceed to Act One. Act
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One I'd had a hard day at the office, sleeping
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all day. And I needed a bit of a tonic
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to pick me up. So the natural thing to do
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was to ground loop into the marigold room and see
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what could be done. As I sank down onto one
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of the padded stools the dispenser approached. Make it a martini,
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my good man, very dry. So dry it comes out
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like a blotter.
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Look, lady, nothing would give me more pleasure, but I
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can't serve you here unless you have an escort.
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What? Oh, I'm waiting for someone.
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That's what they all say.
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But he'll be here very soon.
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I know, I know. It never fails.
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Why, you low-minded crock. For two cents, I'd knock your.
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I see I arrived just in time. Save your two cents,
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my dear.
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Huh?
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You heard what the lady said.
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A martini.
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Make it two.
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Yeah, sure.
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I thought it was just another one of those... Yeah,
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two martinis.
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Well, saved from a fate worse than death. Miss Madsen.
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Who are you?
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A natural question.
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And I'd like a natural answer.
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Roberts is my name. Warren Roberts.
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Oh.
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I own a few steamships hither and yon about the world.
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Oh, yes, I know. I took a trip on one
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of your scowls once. The food was a nightmare's nightmare.
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How do you think I came to be a millionaire?
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I see your point. How did you know my name
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and what do you want?
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I have a business proposition to make to you, Miss Mattson.
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You're sure it's business, Mr.
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Roberts? Strictly business, Miss Mattson.
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Call me Candy. You tell me the details and I'll
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tell you what it'll cost you.
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Fair enough.
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But don't think. You can always make it back on
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your food.
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Well, I can hardly tell you here. Suppose we drop
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over to my place.
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But I want that martini.
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My man will make us a batch over there.
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The things I do to make a living... Okay, let's go.
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Hey, how about these drinks?
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Here you are, my man, and save the martinis for
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some poor wayward soul who hasn't the wherewithal to make
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the purchase.
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Oh, good evening, Mr. Roberts. I didn't know you were
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expecting company. So soon after... Take Miss Mattson's things, Montgomery,
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and bring us some martinis. They're all made, sir.
Load full transcript
Good.
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Let's go into the drawing room, shall we?
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Mm-hmm.
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Modest little mousetrap, isn't it? And I'll bet it's had
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a good path beaten to its.
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Door, too.
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Quite a sense of humor you have, Candy.
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Well, it helps now and then.
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Here, sit down here. That's it. I, uh.
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I can't quite see you. It's like being behind a
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retaining wall. Oh, well, I'll just listen. What's the topic
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of conversation?
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A young lady named... Donna Dunham.
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Aha, the female element. What is your connection?
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Much strictly that of a patron.
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Oh?
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Miss Dunham was a hat-check girl over at the Scarlet Dawn.
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I heard her sing one night. I decided right then
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and there that I was going to sponsor her career.
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Was?
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Yes. Donna Dunham was murdered early this morning.
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By you?
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What?
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Are you out of your head?
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Yes, when I think of the fee I'm going to
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get from you.
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I beg your pardon, sir.
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The martinis.
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Oh, yes.
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Put them down there, Montgomery. Very good, Montgomery. I won't
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need anything else tonight. Thank you, sir.
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Good night, miss. Good night. Don't sleep too tight.
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May I?
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You certainly may. I've been waiting far too long for
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one of these.
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There you are.
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Well, as a sponsor, you didn't pick a protege with
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great lasting qualities, did you?
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No, I didn't. She was so young, so very lovely.
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Will you take the case, Miss Mattson?
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What do I have to go on?
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Oh, very little.
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My suspicions point to a musician who worked at the
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Scarlet Dawn. He seemed to resent very strongly my stepping.
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Into the picture.
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Were they going together?
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Off and on. until I started to back Donna's career.
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A very interesting triangle. What do the police have to say?
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The police, Miss Mattson, have not yet been notified.
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What?
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I went over there this morning, and I discovered the
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body lying on the floor.
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I became confused. I locked the door and called the
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Scarlet Dawn.
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I told the manager that Miss Dunham was quite ill
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and wouldn't be able to appear tonight.
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Extremely ill, I'd say. Well, this is fine now. You
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realize you're in trouble, don't you?
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Yes, I do.
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And that if I take this case, I'm sticking my
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neck out too?
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Exactly.
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My fee is 500.
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That's a fair price.
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In advance.
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Well, I'll make out a check immediately. Oh, won't you
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have another martini? I, uh, I don't think so. You know,
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you are very beautiful.
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Thank you. But I already have a sponsor.
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And your lips are very, very kissable.
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The best you can buy from Max Factor's.
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Are you sure you don't want another martini?
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Look, Roberts, let's get this straight. You're in the middle
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of a jackpot. Make that check out right now so
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I can join you. Then it's up to me to
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spring the both of us. In the meantime, get that
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glint out of your eye. The one that's wired for
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wolf calls. Understood?
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Very well.
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I'll get started right away. Where does the late Miss
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Dunham live?
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Just on the edge of Chinatown, 27B Gresham Alley. It's
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the only three-flat house.
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On the block.
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I'll find it. And you, you just stick right here
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and don't poke your face out of the door. Now, the, uh, check,
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if you will. Now, listen, you. If you think you're
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going to get... Well, send me back to the
last
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line in the course. If it isn't old Hawkshaw himself.
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Yeah, that's right.
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Hiya, Candy.
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Mallard, how you ever got to be a police detective,
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I'll never know. I heard you trailing me for the
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last two blocks.
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Maybe I wanted you to hear me.
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What are you doing over in Chinatown, Candy?
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I like tomato chow yuck.
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Uh-huh. Something up?
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Not with you around, there isn't.
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Look, Candy, just a little word of caution. We're laying
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for you.
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Oh.
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The chief isn't very happy about you busting up that
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Newton case last month.
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Somebody had to. The score was still tied in the
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27th inning.
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Stop gagging, Candy.
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What are you doing around here?
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You don't like tomato chow yuck that much?
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Well, maybe that oriental music sends me. By the way,
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where's the Scarlet Dawn, Mallard? Right down there on the corner.
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Come on. I'll buy you a double Mickey.
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No, thanks.
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I just had one.
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And listen, Candy, take a tip. Don't interfere with the
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work of the police.
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Don't worry about me, Mallard. And you take a tip, too.
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Next time you trail somebody, get yourself a pair of
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tennis shoes.
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Yes, miss.
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Would you like a table? No, thanks.
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No.
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Something I can do?
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Hmm? Oh.
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Oh, yes, I'm... I'm a friend of Donna Dunham's. She
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wanted me to come over and tell you that she's
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feeling better. She'll be back at work tomorrow night.
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Oh, that's good. Business at the hat check stand, no
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good without her. Yes.
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Yes, yes, she's a great girl. By the way, I
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don't see her boyfriend tonight.
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Boyfriend?
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You know, the
fellow who plays in the band.
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Oh, Donnie Andrini.
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No, he got night off.
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Oh, too bad.
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She wanted me to tell him, too.
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Yep, too bad. Oh, maybe you'll find him at the
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Lotus Hotel.
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He lived there.
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Oh, sure. The Lotus. Yes, I'll check there, and thank
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you very much.
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Rembrandt Watson speaking.
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Yes, I know.
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Now, look. Photographs taken at reasonable prices.
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I know, Rembrandt.
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Family groups and portraits especially. Also.
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Rembrandt, this is I, Candy Mattson.
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Fine colored pictures of.
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What?
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Candy Mattson?
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That's right.
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By all the Furies of Zeus. Why did you have
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to call just now? I was wooing the muse that
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only Bacchus can create, probing the infinitesimal heights a soul
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can reach from the tear of the grape. And you
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have to call and spoil it all.
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Look, Rembrandt, uncross your eyes and listen to me.
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I shall listen, my lily, but undoubtedly I won't like it.
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What skullduggery are you up to now?
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I'm knee-deep in something that smells as high as the
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Oakland mudflats.
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A towering comparison, please.
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What is it?
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I can't tell you now, but I want you to
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do me a favor. Get your finest camera and go
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over to 27B Gresham Alley. Get inside and take all
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the pictures you can at the place.
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Won't I be intruding?
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No. There's a very attractive young lady there.
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How delightful.
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She's dead.
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How dull.
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I dislike intensely one-sided conversations.
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All right. What do I do then?
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Go back to your place and get me some prints
259
00:12:09.360 --> 00:12:10.279
as fast as you can.
260
00:12:10.539 --> 00:12:14.519
I go, but not willingly. Only for you would I
261
00:12:14.580 --> 00:12:18.659
forsake the mood I have achieved through prodigious application.
262
00:12:18.940 --> 00:12:21.779
Bully for you, Laddie Buck. I'll see you at your
263
00:12:21.820 --> 00:12:32.690
place in about an hour. Pardon me. Are you the
264
00:12:32.730 --> 00:12:33.190
night clerk?
265
00:12:33.269 --> 00:12:34.200
I ain't sitting bull.
266
00:12:34.379 --> 00:12:35.679
Yes, we have no rooms.
267
00:12:37.740 --> 00:12:39.679
I'm not here for a room.
268
00:12:39.700 --> 00:12:39.759
Oh?
269
00:12:40.559 --> 00:12:40.899
Well, then.
270
00:12:41.990 --> 00:12:43.610
Maybe there's something I can do for you.
271
00:12:44.610 --> 00:12:44.889
Yes.
272
00:12:46.529 --> 00:12:49.299
Could you tell me if Mr. Danny Andrini is in?
273
00:12:49.519 --> 00:12:50.200
No, he isn't.
274
00:12:50.379 --> 00:12:52.019
As a matter of fact, I haven't seen him all day.
275
00:12:53.820 --> 00:12:56.440
Yes, I know. There's a reason. We had to take
276
00:12:56.460 --> 00:12:57.639
him to the hospital this morning.
277
00:12:57.820 --> 00:12:58.720
What? Yes.
278
00:12:59.340 --> 00:13:02.320
He's under observation for appendicitis.
279
00:13:02.580 --> 00:13:03.580
Oh, I'm sorry to hear that.
280
00:13:04.100 --> 00:13:07.330
So, I was wondering if you'd let me have his keys. Huh?
281
00:13:07.870 --> 00:13:10.149
He wants me to bring him his portable radio.
282
00:13:10.529 --> 00:13:11.789
Oh, does he have one?
283
00:13:12.230 --> 00:13:15.169
Why, sir, did you ever know a musician who didn't
284
00:13:15.190 --> 00:13:17.549
own a portable radio? Well, I know.
285
00:13:17.600 --> 00:13:18.429
Come to think of it, I.
286
00:13:18.529 --> 00:13:22.179
Yeah, yeah, here's the key. It's room 418.
287
00:13:22.159 --> 00:13:23.399
Thank you.
288
00:13:23.919 --> 00:13:26.539
You're very kind. Not at all.
289
00:13:27.340 --> 00:13:28.669
Not at all.
290
00:13:50.019 --> 00:13:56.789
All right, candy nuts, and start making like a private eye. Letters, letters. Yes,
291
00:13:56.850 --> 00:13:57.350
over here.
292
00:13:59.210 --> 00:13:59.909
Promising.
293
00:14:01.210 --> 00:14:10.700
A whole pileup. Well, let's try this one. Dear Danny,
294
00:14:11.700 --> 00:14:15.000
I don't know how to start this, but your accusations
295
00:14:15.059 --> 00:14:18.190
last night need some sort of answerings. I'm not in
296
00:14:18.250 --> 00:14:21.610
love with Warren Roberts and never will be. He's just
297
00:14:21.629 --> 00:14:25.129
proven to be a very kind and gracious friend. You
298
00:14:25.169 --> 00:14:28.169
must realize that I have placed my singing career above
299
00:14:28.240 --> 00:14:30.539
everything else and I want to... Well, leave us confront
300
00:14:32.360 --> 00:14:33.080
the issue, Candy.
301
00:14:33.159 --> 00:14:33.559
All right.
302
00:14:45.899 --> 00:14:46.820
Hello, you.
303
00:14:47.120 --> 00:14:47.700
Hello.
304
00:14:48.730 --> 00:14:51.250
I was wondering if I could be of any assistance.
305
00:14:51.769 --> 00:14:55.309
Oh, no. It seems Mr. Andrini was out of his head.
306
00:14:55.690 --> 00:14:59.830
I mean, he doesn't seem to have a portable radio. Oh.
307
00:15:00.750 --> 00:15:02.169
I'll just be on my way.
308
00:15:02.250 --> 00:15:03.509
Oh, now, what's the rush?
309
00:15:03.610 --> 00:15:05.090
You don't have to leave right away?
310
00:15:05.649 --> 00:15:09.379
Wouldn't you like a drink or something?
311
00:15:09.399 --> 00:15:12.860
No, not right now. I am pressed for time. I'll
312
00:15:13.779 --> 00:15:14.700
tell you what, though.
313
00:15:14.759 --> 00:15:14.879
Huh?
314
00:15:15.649 --> 00:15:18.240
I'll be back later. How's that?
315
00:15:19.100 --> 00:15:19.480
Sure.
316
00:15:20.500 --> 00:15:20.879
Fine.
317
00:15:21.940 --> 00:15:23.080
When?
318
00:15:23.139 --> 00:15:36.629
Let's make it next whitsuntide, huh? Goodbye.
319
00:15:37.710 --> 00:15:40.470
On my soul, I'd like to have the popcorn concession
320
00:15:40.509 --> 00:15:47.120
here tonight. Come in, come in. Rembrandt, you're a double-crosser. I,
321
00:15:47.220 --> 00:15:48.360
a double-crosser?
322
00:15:48.600 --> 00:15:48.669
Yes.
323
00:15:48.700 --> 00:15:50.159
My dear, you're mistaken.
324
00:15:50.179 --> 00:15:50.240
Oh?
325
00:15:50.700 --> 00:15:53.120
The only time I double-crossed was out in the country.
326
00:15:53.240 --> 00:15:56.700
I passed over a bridge, then I had to double-cross back.
327
00:15:56.860 --> 00:15:57.279
Oh, no.
328
00:15:57.480 --> 00:16:00.720
I found I'd left my knapsack with some rare vintage
329
00:16:00.779 --> 00:16:02.000
in it on the other side.
330
00:16:02.100 --> 00:16:04.210
What are you doing here? You haven't had time to
331
00:16:04.230 --> 00:16:05.279
get the pictures I wanted.
332
00:16:05.330 --> 00:16:08.389
That's just the point. To elucidate, I arrived at 27B
333
00:16:08.429 --> 00:16:08.990
Gresham Alley.
334
00:16:11.100 --> 00:16:14.279
And found it to be a most loathsome location.
335
00:16:14.320 --> 00:16:16.330
That's beside the point. What happened?
336
00:16:16.570 --> 00:16:17.470
I couldn't get in.
337
00:16:18.610 --> 00:16:22.909
Oh, Rembrandt, I've done you a grave injustice. Of course
338
00:16:22.929 --> 00:16:26.190
you couldn't get in. Warren Roberts has the key.
339
00:16:26.250 --> 00:16:27.470
Who's this Minion Roberts?
340
00:16:27.629 --> 00:16:29.870
I'll tell you later. We've got to work fast. Mallard
341
00:16:29.889 --> 00:16:31.919
sniffed something in the wrong key, and the police will
342
00:16:31.940 --> 00:16:33.279
be in on the deal before long.
343
00:16:33.519 --> 00:16:35.019
Mallard, the gumshoe?
344
00:16:35.059 --> 00:16:35.659
That's right.
345
00:16:36.419 --> 00:16:38.200
I've just got to get pictures of the layout so
346
00:16:38.240 --> 00:16:38.879
I can study them.
347
00:16:39.299 --> 00:16:39.940
In my own.
348
00:16:39.980 --> 00:16:43.799
Fumbling fashion, Candy, my love, I have given birth to
349
00:16:43.860 --> 00:16:44.559
an idea.
350
00:16:44.759 --> 00:16:48.200
Even from you, Rembrandt, I'll take it. I'm grabbing at straws.
351
00:16:48.539 --> 00:16:49.440
Straws.
352
00:16:49.740 --> 00:16:52.659
Very effective with a tall, cool column.
353
00:16:52.940 --> 00:16:54.929
Never mind now. What's your idea?
354
00:16:55.250 --> 00:16:58.750
Let us hire ourselves to a locksmith. Present ourselves as
355
00:16:58.870 --> 00:17:01.830
man and wife, and a peasant will make us a key.
356
00:17:01.850 --> 00:17:02.769
Voila!
357
00:17:03.269 --> 00:17:05.369
Entree to the murdery's apartment.
358
00:17:05.450 --> 00:17:10.650
No, Rembrandt, that'll never work. Oh, wait a minute. Three
359
00:17:10.759 --> 00:17:13.720
flats to the house. I used to live in just
360
00:17:13.759 --> 00:17:15.440
that kind of a house out on Fulton Street when
361
00:17:15.460 --> 00:17:16.059
I was a kid.
362
00:17:16.400 --> 00:17:17.599
A nauseating thought.
363
00:17:18.140 --> 00:17:22.529
Rembrandt, those flats are identical. If we can get into
364
00:17:22.549 --> 00:17:25.369
the flat above, we can get what we want.
365
00:17:25.589 --> 00:17:28.220
I think I've heard them your reasoning, Candy.
366
00:17:28.839 --> 00:17:31.339
In other words, the living room is just the same.
367
00:17:31.359 --> 00:17:31.839
That's right.
368
00:17:32.140 --> 00:17:33.559
The dining room, likewise.
369
00:17:33.579 --> 00:17:33.980
Check.
370
00:17:34.319 --> 00:17:37.089
And the same goes for the bedroom, the kitchen, and
371
00:17:37.150 --> 00:17:38.109
even the, uh.
372
00:17:38.170 --> 00:17:39.930
That's right, even in there.
373
00:17:39.970 --> 00:17:43.809
Well, what are we waiting for? Let's go slumming in
374
00:17:43.890 --> 00:17:44.849
Gresham Alley.
375
00:17:46.829 --> 00:17:53.380
Go ahead, Rembrandt.
376
00:17:53.559 --> 00:17:54.059
Ring the bell.
377
00:17:54.529 --> 00:17:56.319
Always I must do the labor.
378
00:17:56.390 --> 00:17:57.119
Oh, Pooh.
379
00:17:57.640 --> 00:18:00.539
Well, I hope we don't disturb the dead in the
380
00:18:01.200 --> 00:18:02.079
middle flat.
381
00:18:02.500 --> 00:18:05.420
You won't. From what I hear, she was done in
382
00:18:05.480 --> 00:18:06.599
sort of permanently.
383
00:18:07.059 --> 00:18:10.839
Oh, it appears there's no one at home. Come on, Candy.
384
00:18:11.380 --> 00:18:13.799
Let's return and see what Bacchus has to offer.
385
00:18:13.819 --> 00:18:14.680
No, wait.
386
00:18:14.700 --> 00:18:18.930
I thought I heard something.
387
00:18:19.190 --> 00:18:21.529
There, you see? Got all your flash bulbs?
388
00:18:21.789 --> 00:18:24.369
As they say in the old country... I lost my marbles.
389
00:18:24.930 --> 00:18:25.549
Open the door.
390
00:18:27.579 --> 00:18:29.200
Beauty before age, my dear.
391
00:18:29.599 --> 00:18:30.220
Thank you, Randy.
392
00:18:30.240 --> 00:18:35.859
It's kind of dark in here.
393
00:18:35.880 --> 00:18:42.539
The hue of your aroma definitely smacks of the Far East. Yes.
394
00:18:43.299 --> 00:18:46.450
Something you folks wanted? Choco candy, it's your cue.
395
00:18:46.569 --> 00:18:50.710
Why, yes, may we come up? What do you want? Well,
396
00:18:51.109 --> 00:18:55.400
where were the magazines? The house lovely. We want to
397
00:18:55.420 --> 00:18:57.079
take a few photographs of your place.
398
00:18:57.200 --> 00:18:57.940
At this hour?
399
00:18:57.960 --> 00:19:00.720
The working press is never shackled by the hands on
400
00:19:00.759 --> 00:19:05.180
a clock, sir. Sounds phony to me, but come on up.
401
00:19:09.579 --> 00:19:11.960
What do you want to take pictures of this beat-up
402
00:19:12.019 --> 00:19:12.809
joint for?
403
00:19:13.009 --> 00:19:16.470
Well, you see, it's comparison. The old and the new.
404
00:19:17.029 --> 00:19:19.529
We've already taken pictures of a flat similar to this,
405
00:19:19.630 --> 00:19:24.410
only it's been remodeled. This is... Well, this is perfect
406
00:19:24.450 --> 00:19:25.490
for the contrast.
407
00:19:26.289 --> 00:19:27.839
I guess it's all right.
408
00:19:28.410 --> 00:19:28.940
Go ahead.
409
00:19:29.880 --> 00:19:31.220
Start with the hall, Rembrandt.
410
00:19:31.259 --> 00:19:32.319
Roger, my pretty.
411
00:19:32.599 --> 00:19:33.359
Let's see.
412
00:19:33.420 --> 00:19:35.660
This should be just about right.
413
00:19:37.859 --> 00:19:42.119
Now the bedroom. That should be off the hall here. Oh, yes.
414
00:19:42.809 --> 00:19:45.549
Shoot from the door, Rembrandt. Did he get the entire room?
415
00:19:45.569 --> 00:19:47.720
Not quite, but most of it.
416
00:19:47.930 --> 00:19:48.509
That'll do.
417
00:19:48.829 --> 00:19:49.450
Just a moment.
418
00:19:49.769 --> 00:19:49.839
Ah.
419
00:19:50.160 --> 00:19:52.759
Ah. There we are.
420
00:19:53.380 --> 00:19:55.059
You cats work fast.
421
00:19:55.380 --> 00:19:57.039
Uh, what was that?
422
00:19:57.279 --> 00:19:59.940
I said you work fast. Yes.
423
00:20:00.720 --> 00:20:02.829
Now, in the bathroom, do you have a tub or
424
00:20:02.849 --> 00:20:03.289
a shower?
425
00:20:03.390 --> 00:20:06.730
Why, uh, why don't you see for yourself?
426
00:20:08.410 --> 00:20:13.980
No. On second thought, I think that's about all we need.
427
00:20:14.000 --> 00:20:15.220
Candy, you said that we could.
428
00:20:15.240 --> 00:20:18.430
Come along, Rembrandt. And thank you very much.
429
00:20:18.710 --> 00:20:23.569
That's okay. And don't slam the door. The lady downstairs
430
00:20:23.690 --> 00:20:25.250
is sound asleep.
431
00:20:31.329 --> 00:20:38.660
Rembrandt, I think I've got this thing licked.
432
00:20:39.009 --> 00:20:41.869
Are you referring to this case or my desire to
433
00:20:41.930 --> 00:20:43.990
return to the arms of Bacchus?
434
00:20:44.450 --> 00:20:47.369
That I could never let go. I'm talking about the case.
435
00:20:48.390 --> 00:20:50.509
But I need help, Rembrandt.
436
00:20:50.930 --> 00:20:51.650
I'm here.
437
00:20:51.670 --> 00:20:51.730
No.
438
00:20:53.089 --> 00:20:56.269
That's not
enough. I need the big, strong arm of
439
00:20:56.329 --> 00:20:56.849
the law.
440
00:20:57.029 --> 00:20:59.849
Oh, no. Candy, you traitor.
441
00:21:00.089 --> 00:21:03.809
I hate to admit it, but I need somebody like Mallard.
442
00:21:03.829 --> 00:21:05.549
Am I being paid?
443
00:21:05.609 --> 00:21:05.829
Oh, no.
444
00:21:08.019 --> 00:21:09.220
It's the wicked genie.
445
00:21:09.279 --> 00:21:11.099
Yikes, it's the gumshoe.
446
00:21:11.380 --> 00:21:13.400
Yep, in person.
447
00:21:14.059 --> 00:21:15.599
Mallard, how did you get here?
448
00:21:16.039 --> 00:21:20.940
I took your advice and bought some tennis shoes. All right, Spill,
449
00:21:20.980 --> 00:21:23.630
what goes on? Been following you around till I'm punchy.
450
00:21:23.650 --> 00:21:24.650
Start talking, Candy.
451
00:21:24.930 --> 00:21:29.009
Okay, so you heard me. I do need your help, Mallard. Badly.
452
00:21:29.750 --> 00:21:33.009
There was a young girl murdered yesterday at 27B Gresham Alley.
453
00:21:33.269 --> 00:21:34.559
Is that the place you just came from?
454
00:21:34.579 --> 00:21:35.059
That's right.
455
00:21:35.599 --> 00:21:37.460
Why don't we ever hear of these things?
456
00:21:37.480 --> 00:21:40.880
Oh, I get exclusive rights. Anyway, I think I have
457
00:21:40.940 --> 00:21:44.029
a whole deal figured out. You can have full credit, Mallard,
458
00:21:44.069 --> 00:21:46.289
but you've got to take my advice.
459
00:21:47.390 --> 00:21:49.029
It hurts, but go ahead.
460
00:21:49.670 --> 00:21:53.869
Now go back to 27C, Gresham Alley. That's the top flat.
461
00:21:54.410 --> 00:21:57.849
You'll find a character there named Danny Andrini. Take him.
462
00:21:58.349 --> 00:22:01.009
Then get out to 5711 Pacific Street as fast as
463
00:22:01.029 --> 00:22:01.410
you can.
464
00:22:03.329 --> 00:22:04.329
All right, I'll do it.
465
00:22:04.880 --> 00:22:07.980
But can't he so help me if this is a foul-up?
466
00:22:08.660 --> 00:22:11.559
On you, the new look with stripes is going to
467
00:22:11.599 --> 00:22:13.240
be very fashionable.
468
00:22:13.599 --> 00:22:16.779
She knows what she's doing, Mallard. When you get back
469
00:22:16.839 --> 00:22:20.019
to Gresham Alley, just tell Mr. Andrini that you're from
470
00:22:20.099 --> 00:22:22.519
House Lovely. He'll adore you.
471
00:22:31.700 --> 00:22:35.140
This is it, Rembrandt. I just hope my man Montgomery
472
00:22:35.180 --> 00:22:36.259
hasn't retired yet.
473
00:22:38.519 --> 00:22:41.789
What are we doing out here on Pacific, Candy? This
474
00:22:41.829 --> 00:22:42.769
is out of our league.
475
00:22:43.089 --> 00:22:47.529
All of a sudden, I've become socially conscious. Come on, Montgomery,
476
00:22:47.630 --> 00:22:51.069
answer the door. Ah, right on cue.
477
00:22:51.329 --> 00:22:52.799
I beg your pardon. Did you ring?
478
00:22:52.819 --> 00:22:57.619
No, Montgomery. We crossed the moat and used a battering ram.
479
00:22:57.779 --> 00:22:58.740
I'm sorry, young lady.
480
00:22:58.799 --> 00:22:59.039
Mr.
481
00:22:59.099 --> 00:23:00.539
Roberts doesn't wish to be disturbed.
482
00:23:00.819 --> 00:23:04.759
Look, Montgomery, remember me? I was here earlier this evening. Mr.
483
00:23:04.799 --> 00:23:06.500
Roberts and I had a martini together.
484
00:23:06.700 --> 00:23:07.640
Martinis?
485
00:23:08.259 --> 00:23:11.099
Well, it was worth a safari out here after all.
486
00:23:11.259 --> 00:23:11.859
Uh-uh.
487
00:23:12.109 --> 00:23:13.509
Oh, I'm sorry, miss.
488
00:23:13.640 --> 00:23:15.029
I didn't recognize you at first.
489
00:23:15.450 --> 00:23:18.009
Yes, do come in, won't you? The light dawned.
490
00:23:19.150 --> 00:23:21.509
If you'll just wait in the drawing room, miss, I'll
491
00:23:21.549 --> 00:23:22.130
inform Mr.
492
00:23:22.170 --> 00:23:23.069
Roberts of your presence.
493
00:23:23.230 --> 00:23:24.730
Thank you very much, Montgomery.
494
00:23:24.950 --> 00:23:26.609
I used to know a chap like that in the
495
00:23:26.630 --> 00:23:31.599
British Army. By continual groveling and studied objectiveness, he worked
496
00:23:31.619 --> 00:23:33.539
his way up to the rank of a private.
497
00:23:35.180 --> 00:23:36.059
Thanks, Rembrandt.
498
00:23:36.519 --> 00:23:38.400
That's the first laugh I've had tonight.
499
00:23:38.779 --> 00:23:41.009
What's the pitch, Candy? I don't get it.
500
00:23:41.259 --> 00:23:41.900
You will in a minute.
501
00:23:42.799 --> 00:23:43.519
Shh.
502
00:23:43.539 --> 00:23:44.740
I hear the patter of little feet.
503
00:23:45.240 --> 00:23:46.579
Miss Mattson, what's the idea?
504
00:23:46.599 --> 00:23:49.420
I thought you were going to check with me by phone.
505
00:23:49.619 --> 00:23:52.390
Mr. Roberts, this thing is bigger than either of us.
506
00:23:52.490 --> 00:23:53.990
I just couldn't wait.
507
00:23:55.210 --> 00:23:56.910
Is there a martini in the house?
508
00:23:57.269 --> 00:23:58.970
I'll have Montgomery serve in just a moment.
509
00:23:59.109 --> 00:24:01.170
I don't think there'll be time, Mr.
510
00:24:01.210 --> 00:24:01.470
Roberts.
511
00:24:03.309 --> 00:24:05.410
Well, where is she?
512
00:24:08.230 --> 00:24:08.769
Upstairs.
513
00:24:10.150 --> 00:24:11.430
You really loved her, didn't you?
514
00:24:13.039 --> 00:24:13.490
Madly.
515
00:24:14.259 --> 00:24:18.640
That just about describes it, madly. And while you were,
516
00:24:19.640 --> 00:24:23.420
shall we say, sponsoring her career, you thought she was
517
00:24:23.460 --> 00:24:26.119
playing around with Danny Andrini as well. Yes, she was.
518
00:24:26.140 --> 00:24:29.079
You're wrong, Roberts. I have a letter from Donna Dunham
519
00:24:29.119 --> 00:24:33.130
to Danny Andrini. In effect, she told him to blow, skedaddle, vamoose.
520
00:24:33.490 --> 00:24:33.750
What?
521
00:24:34.130 --> 00:24:38.349
That's right. So it seems we have a slight case
522
00:24:38.410 --> 00:24:41.809
of mistaken murder on our hands, doesn't it?
523
00:24:41.829 --> 00:24:42.109
Yes.
524
00:24:43.890 --> 00:24:44.440
On one hand.
525
00:24:45.859 --> 00:24:47.740
On the other, I have two in mind that will
526
00:24:47.779 --> 00:24:48.339
be deliberate.
527
00:24:49.619 --> 00:24:50.779
You asked for it, Miss Mattson.
528
00:24:50.980 --> 00:24:52.359
Too bad you had to bring your friend along.
529
00:24:52.440 --> 00:24:53.579
I wouldn't if I were you, Robert.
530
00:24:54.089 --> 00:24:57.250
Flighter has a pistol. I thought you said he served martinis.
531
00:24:57.269 --> 00:25:00.289
This isn't exactly a social moment. I know how you
532
00:25:00.329 --> 00:25:01.890
privatize work, you lone wolves.
533
00:25:02.490 --> 00:25:03.509
You confide in no one.
534
00:25:04.289 --> 00:25:06.890
So with a pull of the finger, I erase all evidence.
535
00:25:07.410 --> 00:25:09.079
Just like this.
536
00:25:09.710 --> 00:25:21.619
He's dead. I'm really grateful to you, but where on
537
00:25:21.720 --> 00:25:22.740
earth did you come from?
538
00:25:23.599 --> 00:25:28.269
Like I say, Candy, you just can't beat these tennis shoes.
539
00:25:29.220 --> 00:25:33.890
Well, that fills everything up except for one thing. Where
540
00:25:33.910 --> 00:25:36.009
do we go now for the martinis?
541
00:25:47.299 --> 00:25:50.519
And that's how it happened. My phone rings and I'm
542
00:25:50.619 --> 00:25:55.079
into the darnedest message you ever heard of. Sure, Roberts
543
00:25:55.200 --> 00:25:58.319
killed her. He was jealous. And I knew I was
544
00:25:58.380 --> 00:26:01.599
on the right track when Rembrandt said the apartment above
545
00:26:01.680 --> 00:26:06.539
Donna Dunham smelled like the Far East. It was tobacco odor,
546
00:26:07.160 --> 00:26:10.220
the same Turkish aroma I had smelled in Roberts' home
547
00:26:10.299 --> 00:26:15.079
out on Pacific Street. Danny and Dreamy? Well, he was
548
00:26:15.140 --> 00:26:18.480
waiting for Roberts to return. He was going to kill him.
549
00:26:19.700 --> 00:26:22.829
He knew that Roberts had rented the flat above Dunham for, uh,
550
00:26:23.970 --> 00:26:29.839
sponsoring purposes. Donna was a nice kid. She was just
551
00:26:30.059 --> 00:26:31.910
caught in the middle. Black.