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Act I of The Machine by Upton Sinclair. This is
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a LibriVox recording. All LibriVox recordings are in the public domain.
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For more information or to volunteer, please visit LibriVox.org. The
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Machine by Upton Sinclair. Characters in order of appearance. Narrator,
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read by Lynette Geisel. Julia Patterson, a magazine writer.
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Read by Elizabeth Klett.
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Jack Bullen. a parlor socialist.
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Read by Dale Burgess.
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Laura Hegan, Hegan's daughter.
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Read by Arielle Lipshaw.
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Alan Montague, a lawyer.
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Read by Matt Perard.
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Jim Hegan, the Traction King.
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Read by Todd.
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Annie Roberts, a girl of the slums. Read by Lucy Perry.
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Robert Grimes, the boss.
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Read by John Steigerwald.
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Andrews, Hegan's secretary.
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Read by Max Scherling.
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Parker, a clerk.
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Read by Marty Criss.
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The Machine, Act I. Julia Patterson's apartments and a model
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tenement on the Lower East Side. The scene shows the
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living room, furnished very plainly, but in the newest taste.
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Arts and crafts furniture, portraits of Morris and Ruskin on
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the walls. a center table a couple of easy chairs
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a divan and many bookshelves the entrance from the outer
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hall is at center entrance to the other rooms right
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and left at rise julia has pushed back the lamp
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from the table and is having a light supper with
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a cup of tea and at the same time trying
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to read a magazine which obstinately refuses to remain open
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at the right place She is an attractive and intelligent
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woman of thirty. The doorbell rings.
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Ah, Jack!
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Presses button, then goes to the door. Jack enters, having
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come upstairs at a run. He is a college graduate
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and volunteer revolutionist, one of the organizers of the Society
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of the Friends of Russian Freedom. Handsome and ardent, eager
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in manner, and a great talker.
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Hello, Julia.
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All alone?
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Yes. I expected a friend, but she can't come till later.
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Just eating?
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I've been on the go all day. Have something.
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No, I had dinner.
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As she starts to clear things away.
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Don't stop on my account.
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I was just finishing up.
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As he begins to help.
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No, sit down. Nonsense.
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Let the men be of some use in the world.
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What have you been up to today?
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We're organizing a demonstration for the Swedish strikers.
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It's marvelous how those Swedes hold on, isn't it?
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The people are getting their eyes open. And when they're
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once open, they stay open.
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Yes.
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Did you see my article?
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I should think I did. Julia, that was a dandy.
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Do you think so?
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I do indeed. You've made a hit. I heard a
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dozen people talking about it.
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Indeed.
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You've come to be the champion female muckraker of the country,
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I think. Why did you want to see me so
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specially tonight?
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I've a friend I want you to meet. Somebody I'm
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engaged in educating.
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You seem to have chosen me for your favorite proselytizer.
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You've seen things with your own eyes, Jack.
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Yes, I suppose so.
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And you know how to tell about them. And you've
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such an engaging way about you. Nobody could help but
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take to you.
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Cut out the taffy. Who's your friend?
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Her name's Hegan.
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A woman?
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A girl, yes. And she's coming right along, Jack. You
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must take a little trouble with her, for if we
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can only bring her through, she can do a lot
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for us. She's got no end of money.
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No relative of Jim Hagen, I hope?
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She's his daughter.
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Jack, with a bound.
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What?
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His only daughter.
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Good God, Julia!
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What's the matter?
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You know I don't want to meet people like that.
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Why not?
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I don't care to mix with them. I've nothing to
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say to them.
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My dear Jack, the girl can't help her father.
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I know that, and I'm sorry for her. But, meantime,
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I've got my work to do.
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You couldn't be doing any better work than this. If
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we can make a socialist of Laura Hegan.
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Oh, stuff, Julia. I've given up chasing after Will-o'-the-Wisps like that.
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But think what she could do.
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Yes. I used to think what a whole lot of
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people could do. You might as well ask me to
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think what her father could do, if he only wanted
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to do it, instead of poisoning the lifeblood of the
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city and piling up his dirty millions. Go about this
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town and see the misery and horror, and think that
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it's Jim Hegan who sits at the top and reaps
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the profit of it all. It's Jim Hegan who is
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back of the organization. He's the real power behind Boss Grimes.
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It's he who puts up the money and makes possible
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this whole regime of vice and graft.
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My dear boy, don't be silly.
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How do you mean? Isn't it true?
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Of course it's true. But why declaim to me about it?
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You forget, you are talking to the champion female muckraker
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of the country.
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Yes, that's right, but I don't want to meet these
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people socially. They mean well, a lot of them, I suppose.
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But they've been accustomed all their lives to being people
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of importance, to have everybody stand in awe of them
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because of their stolen money and all the wonderful things
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they might do with it if they only would.
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My dear Jack, did you ever observe anything of the
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Tuft Hunter in me?
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No, I don't know that I have, but it's never
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too late.
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Well, until you do, have a little faith in me.
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Meet Laura Hegan and judge for yourself.
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All right. I'll meet her. But let me tell you,
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I don't propose to spare her feelings. She'll get things
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straight from me.
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That's all right, my boy. Give her the class war
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and the revolution with a capital R. Tell her you're
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the only original representative of the disinherited proletariat, and that
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some day before long you intend to plant the red
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flag over her daddy's palace.
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Of course.
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What you'll actually do is meet her like a gentleman,
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and tell her of some of your adventures in Russia,
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and give her some idea of what's going on outside
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of her little Fifth Avenue set.
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Where did you run on to her?
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I met her at the settlement.
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Good Lord, Jim Hegan's daughter. They were toadying to her there,
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I'll wager.
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Well, you know what settlement people are. She's been coming
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there for quite a while, and seems to be interested.
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She's given them quite a lot of money.
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No doubt.
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I had a little talk with her one afternoon. She's
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a quiet, self-contained girl, but she gave me a peculiar impression.
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She seemed to be unhappy. There was a kind of
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troubled note in what she said. I had felt uncomfortable
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about meeting her. You can imagine, after my study of
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Tammany and the Traction Trust.
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Did she mention that?
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No, she never has. But I've several times had the
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feeling that she was trying to get up the courage
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to do it. I've thought somehow that she must be
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suffering about her father.
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My God. Wouldn't it be a joke if Nemesis were
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to get at Jim Hegan through his daughter?
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Yes, wouldn't it?
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How do you suppose he takes her reform activities?
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I don't know. But I fancy they must have had
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it out. She's not the sort of person to let
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herself be turned back when her mind's made up.
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A sort of chip off the old block.
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After a pause.
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If I'd known what was up, I wouldn't have suggested
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asking anybody else to come.
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Oh, that's all right. It won't make any difference.
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This chap Montague that I phoned you about, he's a
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sort of a convert of my own.
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I see. We'll reciprocate.
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I think I've got Montague pretty well landed. You'll be
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interested in him. It's quite a story. It was last
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election day.
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The bell rings.
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Ah, there's somebody.
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She goes to the door, calls.
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Is that you, Miss Hegan? Laura, off.
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Yes, it's I.
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You found your way, did you?
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Oh, no trouble at all.
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Enters a tall, stately girl, about twenty-three, simply but elegantly clad.
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How do you do?
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I'm so glad to see you. Jack, this is Miss Hegan.
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Mr.
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Bullen.
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How do you do, Mr. Bullen?
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I'm very glad to meet you, Miss Hegan.
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Let me take your things.
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Laura, looking about.
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Oh, what a cozy place. I think these model tenements
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are delightful.
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They're indispensable to us agitators, an oasis in a desert.
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Built for the proletariat and inhabited by cranks.
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Is that the truth?
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It's certainly the truth about this one. Below me are
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two painters and a settlement worker, and next door is
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a blind anarchist and a Yiddish poet.
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What's the reason for it?
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Julia, going to room off left with Laura's things.
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The places are clean and cheap, and whenever the poor
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can't pay their rent, we take their homes.
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The elimination of the unfit.
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It
sounds like a tragic explanation, but I guess it's true.
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Looking at Jack.
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And so this is Mr.
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Bolin.
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For such a famous revolutionist, I expected to find someone
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more dangerous-looking.
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Julia, returning.
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Don't make up your mind too soon about Jack. He's
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liable to startle you.
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I'm not easily startled anymore. I'm getting quite used to
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meeting revolutionists.
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You don't call them revolutionists that you meet at the settlement,
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I hope?
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No, but all sorts of people come there.
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By the way, Jack phoned me this afternoon and said
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he'd invited a friend here. I hope you don't mind.
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Why, no, not at all. Is it one of your
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Russian friends?
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Oh, no.
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He's an American. His name is Montague. I was just
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starting to tell Julia about him. when you came in.
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Go ahead.
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It was quite an adventure. I don't know that I've
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ever had one that was more exciting, and I've had
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quite some, you know.
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Yes, I've been told so.
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It was last election day, in a polling place on
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the Bowery. I was a watcher for the socialists, and
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this Montague was one of the watchers for the reform crowd.
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The other one was drunk, and so he had the
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work all to himself. It was in the heart of
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Leary's district, and the crowd there was a tough one.
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I can tell you, it was a close election.
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Yes, I know.
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There'd been all kinds of monkey work going on, and
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the box was full of marked and defective ballots, and
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Montague set to work to make them throw them out.
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I didn't pay much attention at first. I was only
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there to see that our own ballots were counted. But
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pretty soon, I began to take interest. He had every
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one in the place against him. There was a Tammany
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inspector of elections and four tally clerks. All in with Tammany,
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of course. There were three or four Tammany policemen, and
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outside of the railing, the worst crowd of toughs that
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ever you laid eyes on. To make matters worse, there
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were several men inside who had no business to be there.
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One of them, a judge of the city court, and another,
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a state's attorney, and all of them storming at Montague.
256
00:12:09.559 --> 00:12:10.379
What did he do?
257
00:12:10.820 --> 00:12:13.539
He just made them throw out the marked ballots. They
258
00:12:13.580 --> 00:12:16.220
were willing enough to put them to one side, but
259
00:12:16.259 --> 00:12:19.909
wanted to count them in on the tally sheets. And
260
00:12:19.950 --> 00:12:23.309
of course, Montague knew perfectly well that if they ever
261
00:12:23.389 --> 00:12:26.190
counted them in, they'd close up at the end, and
262
00:12:26.289 --> 00:12:28.789
that would be all there was to it. He had
263
00:12:28.830 --> 00:12:31.649
the law with him, of course. He's a lawyer himself,
264
00:12:32.129 --> 00:12:34.240
and he seemed to know it all by heart, and
265
00:12:34.269 --> 00:12:38.120
he'd quote it to them, paragraph by paragraph, and they'd
266
00:12:38.159 --> 00:12:40.700
look it up and find that he was right. And
267
00:12:40.740 --> 00:12:44.269
of course, that only made them madder. The old judge
268
00:12:44.330 --> 00:12:49.029
would start up on his seat. Officer, he'd shout. He
269
00:12:49.070 --> 00:12:54.620
was a red-faced, ignorant fellow. Typical barroom politician. I demand
270
00:12:54.679 --> 00:12:57.779
that you put that man out of here. And the
271
00:12:57.820 --> 00:13:01.279
cop actually laid his hand on Montague's shoulder. If he'd
272
00:13:01.659 --> 00:13:04.289
ever been landed on the other side of that railing,
273
00:13:04.370 --> 00:13:06.830
the crowd would have torn him to pieces. But the
274
00:13:06.870 --> 00:13:10.590
man stayed as cool as a cucumber. Officer, he said,
275
00:13:11.230 --> 00:13:13.740
you are aware that I am an election official. here
276
00:13:13.779 --> 00:13:16.299
under the protection of the law, and if you refuse
277
00:13:16.340 --> 00:13:19.610
me that protection, you are liable to a sentence state's prison.
278
00:13:20.149 --> 00:13:21.889
Then he'd quote another paragraph.
279
00:13:22.450 --> 00:13:24.549
It's a wonder he ever held them.
280
00:13:25.169 --> 00:13:28.549
He did it. He made them throw out 47 ballots,
281
00:13:29.009 --> 00:13:32.080
and 38 of them were Tammany ballots, too. There was
282
00:13:32.360 --> 00:13:34.159
one time when I thought the gang was going to
283
00:13:34.179 --> 00:13:36.779
break loose, and I sneaked out and telephoned for help.
284
00:13:37.480 --> 00:13:40.059
Then I came back
and spoke up for him. I
285
00:13:40.100 --> 00:13:43.799
wanted them to know there'd be one witness. You should
286
00:13:43.820 --> 00:13:45.940
have seen the grateful look that Montague gave me.
287
00:13:46.519 --> 00:13:47.480
I can imagine it.
288
00:13:48.399 --> 00:13:49.440
And how did it end?
289
00:13:50.299 --> 00:13:53.159
Why, you see, we kept them there till eleven o'clock
290
00:13:53.230 --> 00:13:56.149
at night, and by that time everybody knew that Tammany
291
00:13:56.169 --> 00:13:58.690
had won, and the ballots were not needed. So the
292
00:13:58.730 --> 00:14:00.909
old judge patted us on the back and told us
293
00:14:00.990 --> 00:14:03.289
we were heroes and invited us out to get drunk
294
00:14:03.309 --> 00:14:06.480
with him. Montague and I walked home together through the
295
00:14:06.519 --> 00:14:09.799
election din and got acquainted. I don't know that I
296
00:14:10.000 --> 00:14:12.159
ever met a man I took to more quickly.
297
00:14:12.769 --> 00:14:15.110
You are making a socialist out of him, of course.
298
00:14:15.850 --> 00:14:18.230
Oh, he's coming on. But he's not the sort of
299
00:14:18.320 --> 00:14:21.000
man to take his ideas from anyone else. He wants
300
00:14:21.039 --> 00:14:24.220
to see for himself. He hasn't been in New York long,
301
00:14:24.240 --> 00:14:27.299
you know. He comes from the South. From Mississippi.
302
00:14:27.779 --> 00:14:30.299
From Mississippi? What's his first name?
303
00:14:30.899 --> 00:14:31.139
Allen.
304
00:14:31.730 --> 00:14:32.710
Allen Montague?
305
00:14:32.730 --> 00:14:33.789
Do you know him?
306
00:14:34.289 --> 00:14:37.570
Yes, I know him very well indeed. Oh, I didn't...
307
00:14:38.129 --> 00:14:41.169
That is, I have not seen him for a long time.
308
00:14:41.809 --> 00:14:42.929
Recovering her poise.
309
00:14:43.509 --> 00:14:44.669
Is he surely coming?
310
00:14:44.690 --> 00:14:46.710
He generally keeps his engagements.
311
00:14:47.289 --> 00:14:48.450
How did you come to know him?
312
00:14:49.149 --> 00:14:50.730
He's Ali Montague's brother.
313
00:14:50.750 --> 00:14:52.809
Who's Ali Montague?
314
00:14:53.269 --> 00:14:56.330
He's one of those pretty boys that everybody knows in society.
315
00:14:56.870 --> 00:14:59.269
He brought his brother up from the south to introduce him.
316
00:14:59.970 --> 00:15:02.610
He was in some business deal or other with my father.
317
00:15:03.340 --> 00:15:05.620
Then he seemed to drop out of everything and nobody
318
00:15:05.679 --> 00:15:07.840
sees him anymore. I don't know why.
319
00:15:07.860 --> 00:15:10.799
I think he was disgusted with his experiences. Oh.
320
00:15:12.080 --> 00:15:14.970
Jack, realizing that he had said something awkward.
321
00:15:16.110 --> 00:15:18.649
I think I was the first socialist he'd ever met.
322
00:15:19.370 --> 00:15:22.009
He had just gotten to the stage of despair. He'd
323
00:15:22.070 --> 00:15:24.649
started out with a long program of reforms, and he
324
00:15:24.690 --> 00:15:28.049
was going to educate the people to them, one by one,
325
00:15:28.850 --> 00:15:31.549
until he made them all effective. I said to him,
326
00:15:32.220 --> 00:15:34.360
by the time you've got the attention of the public
327
00:15:34.500 --> 00:15:38.080
on reform number 30, what do you suppose the politicians
328
00:15:38.220 --> 00:15:40.220
will have been doing with reform number one?
329
00:15:40.919 --> 00:15:43.600
We all have to go through that stage. I can
330
00:15:43.639 --> 00:15:44.740
remember just as well.
331
00:15:45.379 --> 00:15:46.440
A ring upon the bell.
332
00:15:47.139 --> 00:15:47.860
Ah, there he is.
333
00:15:48.419 --> 00:15:50.620
Jack rises and goes to the door.
334
00:15:51.080 --> 00:15:53.519
But I think he's most through butting his head against
335
00:15:53.559 --> 00:15:54.200
the stone wall.
336
00:15:54.620 --> 00:15:55.019
Calls.
337
00:15:55.639 --> 00:15:56.519
Are you there, old man?
338
00:15:57.000 --> 00:15:58.100
Montague, off.
339
00:15:58.639 --> 00:15:59.159
I'm here.
340
00:15:59.179 --> 00:16:00.240
How are you?
341
00:16:00.799 --> 00:16:01.279
Fine.
342
00:16:01.799 --> 00:16:02.360
Come right in.
343
00:16:02.840 --> 00:16:07.340
Montague enters a tall, handsome man of thirty, self-contained and
344
00:16:07.419 --> 00:16:10.340
slow of speech, the dark type of a southerner.
345
00:16:10.879 --> 00:16:21.700
I'm a trifle late. Miss Hagen, you? Why, an unexpected pleasure.
346
00:16:22.600 --> 00:16:26.080
I'm delighted to meet you, really.
347
00:16:28.139 --> 00:16:31.019
Julia, my friend Mr. Montague, Miss Patterson.
348
00:16:31.519 --> 00:16:33.879
I'm very glad to meet you, Miss Patterson.
349
00:16:34.340 --> 00:16:37.000
We had no idea we were bringing old friends together.
350
00:16:37.679 --> 00:16:40.360
No, it was certainly a coincidence.
351
00:16:41.029 --> 00:16:44.169
It's been, let me see, a year since we've met.
352
00:16:44.740 --> 00:16:46.120
It must be fully that.
353
00:16:46.639 --> 00:16:48.340
Where do you keep yourself these days?
354
00:16:49.039 --> 00:16:51.519
Oh, I'm studying, in a quiet way.
355
00:16:52.059 --> 00:16:53.879
And none of your old friends ever see you?
356
00:16:54.500 --> 00:16:55.779
I don't get about much.
357
00:16:56.480 --> 00:16:59.049
And friendship means so little to you as that. I,
358
00:17:00.740 --> 00:17:01.220
it would.
359
00:17:01.080 --> 00:17:04.680
Be hard to explain. I have been busy with politics.
360
00:17:05.319 --> 00:17:06.720
A pause of embarrassment.
361
00:17:07.420 --> 00:17:10.349
Mr. Bullen has just been telling us about your heroism.
362
00:17:10.950 --> 00:17:12.609
My heroism? Where?
363
00:17:13.299 --> 00:17:14.240
At the polling place.
364
00:17:14.900 --> 00:17:16.500
Oh, that. It was nothing.
365
00:17:16.940 --> 00:17:18.559
It seemed like a good deal to us.
366
00:17:19.160 --> 00:17:21.559
They can tell you about some of his own adventures.
367
00:17:22.180 --> 00:17:25.259
Would you ever think to look at his innocent countenance
368
00:17:25.319 --> 00:17:27.650
that he had helped to hold a building for six
369
00:17:27.730 --> 00:17:29.690
hours against Russian artillery?
370
00:17:30.410 --> 00:17:31.849
Good heavens, where was this?
371
00:17:32.609 --> 00:17:34.470
During the St. Petersburg uprising.
372
00:17:34.970 --> 00:17:37.569
And weren't you frightened to death? No.
373
00:17:38.559 --> 00:17:41.650
No. We were too busy taking pot shots at the Cossacks.
374
00:17:42.470 --> 00:17:45.299
It was like the hunting season in the Adirondacks.
375
00:17:45.920 --> 00:17:46.980
And how did it turn out?
376
00:17:47.559 --> 00:17:49.140
Well, they were too much for us in the end.
377
00:17:49.720 --> 00:17:52.779
I got away across the ice of the Neva. I
378
00:17:52.839 --> 00:17:55.940
had the heel of one shoe shot off, and yet
379
00:17:56.359 --> 00:18:00.089
people tell us romance is dead. Anybody who is looking
380
00:18:00.119 --> 00:18:03.670
for romance and knows what it is can find all
381
00:18:03.710 --> 00:18:04.589
he wants in Russia.
382
00:18:05.089 --> 00:18:07.369
Pause. Laura to Montague.
383
00:18:08.170 --> 00:18:09.730
Have you seen my father lately?
384
00:18:10.329 --> 00:18:12.069
No, not for some time.
385
00:18:12.589 --> 00:18:15.210
You may see him this evening. He promised to call
386
00:18:15.269 --> 00:18:15.630
for me.
387
00:18:16.269 --> 00:18:16.769
Indeed.
388
00:18:17.490 --> 00:18:19.809
Oh, by the way, Julia, I forgot.
389
00:18:20.569 --> 00:18:21.109
How's Annie?
390
00:18:21.609 --> 00:18:22.569
Oh, yes, how is she?
391
00:18:23.390 --> 00:18:25.849
She's doing well, I think. Better every day.
392
00:18:26.410 --> 00:18:27.450
Is she still violent?
393
00:18:28.069 --> 00:18:30.910
Not so much. I can always handle her now.
394
00:18:31.609 --> 00:18:32.829
Is she in the next room?
395
00:18:33.349 --> 00:18:34.329
Looking to the right.
396
00:18:34.869 --> 00:18:37.519
Yes, she's been asleep since this afternoon.
397
00:18:38.190 --> 00:18:40.450
And you still won't let me send her to a hospital.
398
00:18:40.970 --> 00:18:43.440
Oh, no. Truly, it would kill the poor girl.
399
00:18:43.839 --> 00:18:46.220
But you, with all your work and your engagements.
400
00:18:46.900 --> 00:18:50.240
She's very quiet. And the neighbors come in and help
401
00:18:50.279 --> 00:18:52.539
when I'm out. They all sympathize.
402
00:18:53.400 --> 00:18:56.400
Talking about heroism, it seems to me that you are
403
00:18:56.460 --> 00:18:57.440
entitled to mention.
404
00:18:58.299 --> 00:19:02.180
Why, nonsense. The girl was simply thrown into my arms.
405
00:19:02.940 --> 00:19:05.029
Most people would have managed to step out of the
406
00:19:05.069 --> 00:19:08.200
way just the same. You've heard the story, have you, Mr.
407
00:19:08.220 --> 00:19:08.740
Montague?
408
00:19:09.220 --> 00:19:12.460
Bullen has told it to me. You haven't been able
409
00:19:12.480 --> 00:19:13.609
to get any justice?
410
00:19:14.220 --> 00:19:18.569
From the police? Hardly. But we're keeping at it, to
411
00:19:18.609 --> 00:19:22.529
make the story complete. I went to see Captain Quinn today.
412
00:19:23.190 --> 00:19:23.829
What's this?
413
00:19:24.529 --> 00:19:25.009
Says he.
414
00:19:25.650 --> 00:19:26.769
Annie Rogers again?
415
00:19:27.609 --> 00:19:29.990
Didn't your lady friend get her picture in the papers
416
00:19:30.230 --> 00:19:34.430
over that case? And what more does she want?
417
00:19:35.259 --> 00:19:37.519
I went this afternoon to see the tammany leader of
418
00:19:37.599 --> 00:19:42.289
our district leary the same i went straight into his
419
00:19:42.329 --> 00:19:47.329
saloon lady says he the goyle's nutty you got a
420
00:19:47.430 --> 00:19:50.690
bug-house patient on your hands this here talk about the
421
00:19:50.730 --> 00:19:53.529
white slave traffic, ma'am, it's all the work of these
422
00:19:53.609 --> 00:19:59.740
magazine muckrakers.'' A meaning myself, Mr. Leary,' said I, and
423
00:19:59.759 --> 00:20:02.279
he looked kind of puzzled. I don't think he knew
424
00:20:02.339 --> 00:20:02.940
who I was.
425
00:20:02.960 --> 00:20:07.059
All the work of the muckrakers. I see Boss Grimes
426
00:20:07.420 --> 00:20:08.880
is out to that effect also.
427
00:20:09.500 --> 00:20:11.960
and I see that half a dozen clergymen sat down
428
00:20:12.019 --> 00:20:14.640
to a public banquet with him the other day. That's
429
00:20:14.680 --> 00:20:18.180
what we've come to in New York. Bob Grimes, with
430
00:20:18.220 --> 00:20:21.809
his hands on every string of the whole infamous system,
431
00:20:22.329 --> 00:20:25.190
with his paws in every filthy graft pot in the city.
432
00:20:26.049 --> 00:20:30.430
Bob Grimes, the type and symbol of it all. Every
433
00:20:30.470 --> 00:20:33.390
time I see a picture of that bulldog face, it
434
00:20:33.490 --> 00:20:35.930
seems to me as if I were confronting all the
435
00:20:35.970 --> 00:20:38.299
horrors that I've ever fought in my life.
436
00:20:39.170 --> 00:20:42.609
It's curious to note how much less denunciation of Tammany
437
00:20:42.730 --> 00:20:44.730
one hears now than in the old days.
438
00:20:45.410 --> 00:20:47.150
Tammany's getting respectable.
439
00:20:47.730 --> 00:20:49.759
The big interests have found out how to use it,
440
00:20:50.069 --> 00:20:51.529
the Traction Gang especially.
441
00:20:52.049 --> 00:20:56.779
He stops abruptly, a tense pause. Laura, leaning toward him
442
00:20:57.039 --> 00:20:58.220
with great earnestness.
443
00:20:58.819 --> 00:21:01.180
Mr. Bullen, is that really true?
444
00:21:01.680 --> 00:21:02.839
That is true, Miss Hegan.
445
00:21:03.279 --> 00:21:05.960
Mr. Bullen, you will understand what it means to me
446
00:21:06.000 --> 00:21:09.359
to hear that statement made. I hear it made continually,
447
00:21:09.680 --> 00:21:11.440
and I ask if it is true, and I am
448
00:21:11.529 --> 00:21:14.190
told that it
is a slander. How am I to know?
449
00:21:14.849 --> 00:21:16.609
Would you be able to tell me that you know
450
00:21:16.650 --> 00:21:18.349
it of your own personal knowledge?
451
00:21:18.930 --> 00:21:20.630
Jack, weighing the words.
452
00:21:21.250 --> 00:21:23.410
No, I could not say that.
453
00:21:23.910 --> 00:21:25.880
Would you say that you could prove it to a jury?
454
00:21:25.900 --> 00:21:28.759
I would say that if I had to prove it,
455
00:21:29.519 --> 00:21:30.440
I could get the evidence.
456
00:21:31.099 --> 00:21:32.359
What would you say, Mr.
457
00:21:32.420 --> 00:21:32.920
Montague?
458
00:21:33.599 --> 00:21:35.759
I would rather not say, Miss Hagen.
459
00:21:36.180 --> 00:21:36.529
Please.
460
00:21:37.109 --> 00:21:38.650
Please, I want you to answer me.
461
00:21:39.210 --> 00:21:41.029
Montague, after a pause.
462
00:21:41.690 --> 00:21:44.170
I would say that I shall be able to prove
463
00:21:44.210 --> 00:21:45.539
it very shortly.
464
00:21:45.980 --> 00:21:46.519
How do you mean?
465
00:21:46.539 --> 00:21:49.619
I have been given most of my time to a
466
00:21:49.720 --> 00:21:52.779
study of just that question, and I think that I
467
00:21:52.819 --> 00:21:54.000
shall have the evidence.
468
00:21:54.599 --> 00:21:58.970
I see. She sinks back, very white. A pause. The
469
00:21:59.009 --> 00:21:59.730
bell rings.
470
00:22:00.289 --> 00:22:01.109
Who can that be?
471
00:22:01.670 --> 00:22:02.950
Jack, springing up.
472
00:22:03.390 --> 00:22:04.099
Let me answer it.
473
00:22:04.349 --> 00:22:06.190
Presses button, then to Montague.
474
00:22:06.880 --> 00:22:09.460
Had no idea you were going in for that, old man.
475
00:22:09.779 --> 00:22:12.180
This is the first time I have ever mentioned it
476
00:22:12.200 --> 00:22:12.859
to anyone.
477
00:22:13.349 --> 00:22:17.289
Julia, rising, hoping to relieve an embarrassed situation.
478
00:22:17.950 --> 00:22:19.750
I hope this isn't any more company.
479
00:22:20.210 --> 00:22:22.529
Jack, to Montague, aside.
480
00:22:22.869 --> 00:22:24.609
You must let me tell you a few things that
481
00:22:24.650 --> 00:22:27.410
I know. I've been running down a little story about
482
00:22:27.470 --> 00:22:28.950
Grimes and the Traction Crowd.
483
00:22:29.430 --> 00:22:30.819
Indeed? What is it?
484
00:22:31.309 --> 00:22:33.650
I can't tell it to you now. It would take
485
00:22:33.690 --> 00:22:34.069
too long.
486
00:22:34.289 --> 00:22:35.349
But, gee.
487
00:22:36.130 --> 00:22:38.630
If I can get the evidence, it'll make your hair
488
00:22:38.730 --> 00:22:41.210
stand on end. It has to do with the Grand
489
00:22:41.410 --> 00:22:42.609
Avenue railroad suit.
490
00:22:43.190 --> 00:22:46.210
The one that's pending in the Court of Appeals? Yes.
491
00:22:46.609 --> 00:22:50.039
You see, Jim Hegan stands to lose a fortune by it,
492
00:22:50.410 --> 00:22:52.849
and I've reason to believe that there's some monkey work
493
00:22:52.930 --> 00:22:55.829
being done
with the court. It happens that one of
494
00:22:55.849 --> 00:22:59.839
the judges has a nephew, a dissipated chap who hates him.
495
00:23:00.210 --> 00:23:02.170
He's an old college friend of mine, and he's trying
496
00:23:02.210 --> 00:23:03.420
to get some evidence for me.
497
00:23:03.880 --> 00:23:05.519
Good Lord. And think.
498
00:23:06.349 --> 00:23:08.670
It concerns Jim Hagen, personally.
499
00:23:09.210 --> 00:23:10.069
A knock at the door.
500
00:23:10.769 --> 00:23:11.170
I'll go.
501
00:23:11.849 --> 00:23:14.369
Opens the door. Hagen, without.
502
00:23:14.970 --> 00:23:17.210
Good evening. Is Miss Hagen here?
503
00:23:17.849 --> 00:23:19.240
Laura, standing up.
504
00:23:19.650 --> 00:23:21.589
Father! Won't you come in?
505
00:23:22.170 --> 00:23:22.549
Thank you.
506
00:23:23.289 --> 00:23:27.289
Enters a tall, powerfully built man with a square jaw, wide,
507
00:23:27.450 --> 00:23:32.170
overarching eyebrows, and keen eyes that peer at one. A
508
00:23:32.210 --> 00:23:36.539
prominent nose, the aspect of the predatory eagle. a man
509
00:23:36.599 --> 00:23:39.859
accustomed to let other people talk and to read their thoughts.
510
00:23:40.619 --> 00:23:41.200
Why, Mr.
511
00:23:41.240 --> 00:23:45.059
Montague, you here? Mr. Hagen, why, how do you do?
512
00:23:45.619 --> 00:23:48.920
We stumbled on each other by chance. Father, this is
513
00:23:48.980 --> 00:23:49.819
Miss Patterson.
514
00:23:50.539 --> 00:23:53.160
I am very pleased to meet you, Miss Patterson. How
515
00:23:53.200 --> 00:23:54.269
do you do, Mr. Hagen?
516
00:23:54.789 --> 00:23:55.609
They shake hands.
517
00:23:56.269 --> 00:23:56.869
And Mr.
518
00:23:56.890 --> 00:23:57.269
Bullen?
519
00:23:57.789 --> 00:24:00.269
Bullen, remaining where he is stiffly.
520
00:24:00.789 --> 00:24:01.509
Good evening, sir.
521
00:24:02.069 --> 00:24:03.069
Turns to Laura.
522
00:24:03.569 --> 00:24:03.990
My dear.
523
00:24:04.519 --> 00:24:07.420
I finished up downtown sooner than I expected, and I
524
00:24:07.460 --> 00:24:10.190
have another conference at the house. I stopped off to
525
00:24:10.210 --> 00:24:12.289
see if you cared to come now, or if I
526
00:24:12.309 --> 00:24:12.890
should send.
527
00:24:12.730 --> 00:24:13.609
Back the car for you.
528
00:24:14.190 --> 00:24:15.490
I think you'd best send it back.
529
00:24:16.450 --> 00:24:18.769
Why, yes. She only just got here.
530
00:24:19.529 --> 00:24:20.029
Very well.
531
00:24:20.789 --> 00:24:23.430
Won't you stop a minute? No, I really can't.
532
00:24:23.970 --> 00:24:25.799
Mr. Grimes is waiting for me downstairs.
533
00:24:26.380 --> 00:24:28.079
Laura, involuntarily.
534
00:24:28.559 --> 00:24:28.819
Mr.
535
00:24:28.859 --> 00:24:29.339
Grimes?
536
00:24:29.900 --> 00:24:30.140
Yes.
537
00:24:30.859 --> 00:24:31.720
Robert Grimes?
538
00:24:32.279 --> 00:24:32.579
Yes.
539
00:24:33.019 --> 00:24:33.259
Why?
540
00:24:33.279 --> 00:24:33.349
Why?
541
00:24:33.950 --> 00:24:36.779
Nothing,
only we happened to be just talking about him.
542
00:24:37.400 --> 00:24:37.960
I see.
543
00:24:38.480 --> 00:24:40.140
We happen to have one of his victims in the
544
00:24:40.180 --> 00:24:42.099
next room. One of his victims?
545
00:24:42.779 --> 00:24:43.240
Jack?
546
00:24:43.920 --> 00:24:46.619
A daughter of the slums. One of the helpless girls
547
00:24:46.660 --> 00:24:49.000
who have to pay tribute that he... A.
548
00:24:49.039 --> 00:24:51.779
Piercing and terrifying scream is heard off right.
549
00:24:52.440 --> 00:24:52.759
Annie!
550
00:24:53.299 --> 00:24:53.960
Runs off.
551
00:24:54.440 --> 00:24:55.019
What's that?
552
00:24:55.569 --> 00:24:58.529
The screams continue. Julia, off.
553
00:24:59.130 --> 00:24:59.410
Help!
554
00:24:59.930 --> 00:25:00.269
Help!
555
00:25:00.849 --> 00:25:04.380
Jack, who is nearest, leaps toward the door. but before
556
00:25:04.420 --> 00:25:07.940
he can reach it it is flung violently open annie
557
00:25:08.299 --> 00:25:12.339
enters deliriously her bare arms and throat covered with bruises
558
00:25:12.779 --> 00:25:17.099
her hair loose and her aspect wild an irish peasant
559
00:25:17.140 --> 00:25:22.279
girl aged twenty no no let me go rushes into
560
00:25:22.319 --> 00:25:26.809
the opposite corner and cowers in terror julia following her
561
00:25:27.490 --> 00:25:31.930
annie annie annie flings her off and stretches out her
562
00:25:32.089 --> 00:25:33.380
arms What do.
563
00:25:33.359 --> 00:25:34.099
You want with me?
564
00:25:34.539 --> 00:25:34.880
Help!
565
00:25:35.359 --> 00:25:35.720
Help!
566
00:25:35.759 --> 00:25:36.390
I won't do it.
567
00:25:36.460 --> 00:25:37.140
I won't stay.
568
00:25:37.200 --> 00:25:40.240
Let me alone. Wild and frantic sobbing.
569
00:25:40.960 --> 00:25:44.430
Annie, dear. Annie, look at me. Don't you know me?
570
00:25:45.170 --> 00:25:49.529
I'm Julia. Your own Julia. No one shall hurt you.
571
00:25:49.670 --> 00:25:50.269
No one.
572
00:25:51.029 --> 00:25:55.049
Annie stares at her wildly. He's after me still.
573
00:25:55.410 --> 00:25:56.410
He'll follow me here.
574
00:25:56.470 --> 00:25:57.809
He won't let me get away from him.
575
00:25:57.970 --> 00:25:58.809
Oh, save me.
576
00:25:59.410 --> 00:26:00.869
Julia, embracing her.
577
00:26:01.509 --> 00:26:04.789
Listen to me, dear. Don't think of things like that.
578
00:26:05.569 --> 00:26:09.609
You are in my home. Nothing can hurt you. Don't
579
00:26:09.690 --> 00:26:12.089
let these evil dreams take hold of you.
580
00:26:12.930 --> 00:26:19.099
Annie stares, succumbing out of a trance. Why didn't you
581
00:26:19.130 --> 00:26:21.779
help me before? Come, dear, come.
582
00:26:22.440 --> 00:26:23.180
It's too late.
583
00:26:24.240 --> 00:26:24.779
Too late.
584
00:26:25.859 --> 00:26:27.049
Oh, I can't forget about it.
585
00:26:27.619 --> 00:26:28.900
Yes, dear, I know.
586
00:26:29.579 --> 00:26:31.140
Annie, seeing the others.
587
00:26:31.720 --> 00:26:31.900
Who?
588
00:26:32.880 --> 00:26:36.619
They are all friends. They will help you. Come, dear,
589
00:26:36.700 --> 00:26:37.559
lie down again.
590
00:26:37.579 --> 00:26:39.700
Oh, what shall I do?
591
00:26:40.359 --> 00:26:41.559
Is led off sobbing.
592
00:26:42.220 --> 00:26:45.000
It will be all right, dear. Exit.
593
00:26:45.599 --> 00:26:46.119
A pause.
594
00:26:46.759 --> 00:26:47.640
What does this mean?
595
00:26:48.220 --> 00:26:50.420
Jack, promptly and ruthlessly.
596
00:26:50.880 --> 00:26:52.690
It means that you have been seeing the white slave
597
00:26:52.730 --> 00:26:53.589
traffic in action.
598
00:26:54.069 --> 00:26:54.930
I don't understand.
599
00:26:55.490 --> 00:26:58.049
Tens of thousands of girl slaves are needed for the
600
00:26:58.089 --> 00:27:01.450
markets of our great cities, for the number of camps
601
00:27:01.509 --> 00:27:04.230
of the North. the mining camps of the West, the
602
00:27:04.289 --> 00:27:07.730
ditches of Panama. And every four or five years, the
603
00:27:07.750 --> 00:27:10.950
supply must be renewed. And so the business of gathering
604
00:27:10.970 --> 00:27:13.349
these girl slaves from our slums is one of the
605
00:27:13.410 --> 00:27:18.150
great industries of the city. This girl, Annie Rogers, a
606
00:27:18.210 --> 00:27:21.210
decent girl from the north of Ireland, was lured into
607
00:27:21.250 --> 00:27:24.150
a dance hall and drugged, and then taken to a
608
00:27:24.190 --> 00:27:27.380
brothel and locked in a third-story room. They took her
609
00:27:27.390 --> 00:27:29.910
clothing away from her. but she broke down her door
610
00:27:29.970 --> 00:27:32.410
at night and fled to the streets in her wrapper
611
00:27:33.049 --> 00:27:36.609
and flung herself into Miss Patterson's arms. Two men were
612
00:27:36.650 --> 00:27:39.950
pursuing her. They tried to carry her off. Miss Patterson
613
00:27:39.970 --> 00:27:43.009
called a policeman, but he said the girl was insane.
614
00:27:43.769 --> 00:27:46.019
Only by making a disturbance and drawing a crowd was
615
00:27:46.079 --> 00:27:48.859
my friend able to save her. And now we have
616
00:27:48.940 --> 00:27:52.160
been the rounds, from the sergeant at the station and
617
00:27:52.200 --> 00:27:54.799
the police captain to the chief of police and the
618
00:27:54.859 --> 00:27:57.750
mayor himself. We have been to the Tammany leader of
619
00:27:57.789 --> 00:28:00.950
the district, the real boss of the neighborhood. And there
620
00:28:01.009 --> 00:28:04.039
is no justice to be had anywhere for Annie Rogers.
621
00:28:04.900 --> 00:28:05.740
Impossible.
622
00:28:06.400 --> 00:28:09.240
You have my word for it, sir. And the reason
623
00:28:09.299 --> 00:28:11.660
for it is that this hideous traffic is one of
624
00:28:11.700 --> 00:28:14.940
the main cogs in our political machine. The pimps and
625
00:28:14.960 --> 00:28:18.369
the panders. The cadets and the macro. They vote the
626
00:28:18.400 --> 00:28:21.650
ticket of the organization. They contribute to the campaign funds.
627
00:28:21.950 --> 00:28:26.000
They serve as colonizers and repeaters at the polls. The
628
00:28:26.059 --> 00:28:29.640
tribute that they pay amounts to millions, and it is
629
00:28:29.799 --> 00:28:32.920
shared from the lowest to the highest in the organization,
630
00:28:33.329 --> 00:28:36.150
from the ward man on the street to the police captain,
631
00:28:36.509 --> 00:28:40.170
up to the inner circle of the chiefs of Tammany Hall. Yes,
632
00:28:40.549 --> 00:28:45.289
even to your friend, Mr. Robert Grimes himself. A thousand times, sir,
633
00:28:45.390 --> 00:28:48.529
has the truth about this monstrous infamy been put before
634
00:28:48.569 --> 00:28:50.910
the people of your city, and that they have not
635
00:28:50.970 --> 00:28:53.650
long ago risen in their wrath and driven its agents
636
00:28:53.690 --> 00:28:56.680
from their midst is due, to but one single fact,
637
00:28:57.259 --> 00:29:00.539
that this infamous organization of crime and graft is backed
638
00:29:00.759 --> 00:29:04.079
at each election time by the millions of the great
639
00:29:04.299 --> 00:29:11.220
public service corporations. It is they Montague, interfering. Bullen, let
640
00:29:11.259 --> 00:29:14.700
me go on. It is they, sir, who finance the
641
00:29:14.809 --> 00:29:18.750
thugs and repeaters who desecrate our polls. It is they
642
00:29:18.849 --> 00:29:21.490
who suborn our press and blind the eyes of our people.
643
00:29:22.089 --> 00:29:24.779
It is they who are responsible for this traffic in
644
00:29:24.819 --> 00:29:28.339
the flesh of our women. It is they who have
645
00:29:28.359 --> 00:29:32.380
to answer for the tottering reason of that poor peasant
646
00:29:32.460 --> 00:29:33.700
girl in the next room.
647
00:29:34.400 --> 00:29:38.069
Laura has been listening to this speech white with horror
648
00:29:38.509 --> 00:29:41.720
as the indictment proceeds she covers her face with her
649
00:29:41.779 --> 00:29:46.380
hands at this point she breaks into uncontrollable weeping oh
650
00:29:46.500 --> 00:29:51.190
i can't stand it hegan springing to her side my
651
00:29:51.269 --> 00:29:56.230
dear laura clasping him father father.
652
00:29:55.829 --> 00:29:58.930
My child i have begged you not to come to
653
00:29:58.950 --> 00:30:01.609
these places Why should you see such things?
654
00:30:02.549 --> 00:30:05.190
Why should I not see them so long as they exist?
655
00:30:05.990 --> 00:30:07.730
I won't have it. This is the end of it.
656
00:30:08.119 --> 00:30:09.920
I mean what I say. Come home with me.
657
00:30:10.180 --> 00:30:11.200
Come home at once.
658
00:30:11.819 --> 00:30:14.000
With Grimes? I won't meet that man.
659
00:30:14.579 --> 00:30:17.839
Very well, then. You need not meet him. I'll call
660
00:30:17.859 --> 00:30:19.339
a cab and take you myself.
661
00:30:20.160 --> 00:30:20.799
Where are your things?
662
00:30:21.460 --> 00:30:23.519
Laura, looking to the left.
663
00:30:24.240 --> 00:30:24.789
In that room.
664
00:30:25.460 --> 00:30:25.970
Come, then.
665
00:30:26.490 --> 00:30:27.230
Takes her off.
666
00:30:27.750 --> 00:30:28.009
Jack.
667
00:30:28.539 --> 00:30:31.670
Turns to Montague and to Julia, who appears in the
668
00:30:31.710 --> 00:30:32.690
doorway at right.
669
00:30:33.170 --> 00:30:35.089
We gave it to them straight that time, all right.
670
00:30:36.619 --> 00:30:38.660
Curtain End of Act 1