# Thelma Schoonmaker
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Thelma Colbert Schoonmaker (; born January 3, 1940) is an American film editor who has worked with director Martin Scorsese for over fifty years. She started working with Scorsese on his debut feature film Who's That Knocking at My Door (1967), and edited all of Scorsese's films since Raging Bull (1980). Schoonmaker has received eight Academy Award nominations for Best Film Editing, and has won three times—for Raging Bull (1980), The Aviator (2004), and The Departed (2006), which were all Scorsese-directed films.
Raging Bull
Last week we bet big that Raging Bull would be the first truly amazing film of this miniseries. And this week, we’re pleased to say: we were correct! Everything seems to have come together at just the right time for this to be a truly stunning work of art: Robert De Niro’s passion, Martin Scorsese’…
Ep 300: Top 10 Films You Must See For the Editing (“Filmmaker’s Book of Ten” by Steven Bernstein)
In this episode of Midday Movies, hosts Laura and Stephen wrap up their film school series by diving into the essential topic of editing through the lens of the "Filmmaker's Book of Ten" by Steven Bernstein. They present an extraordinary list of the top 10 films that every aspiring filmmaker must s…
Ep 301: Reviewing “Raging Bull" (1980) An American Tragedy and the Best Film Editing Of All Time
In this episode of Midday Movies, hosts Laura and Stephen delve into the cinematic brilliance of Martin Scorsese's "Raging Bull” (1980), a film often hailed as the best-edited movie of all time. Starring Robert De Niro, Joe Pesci, and Cathy Moriarty, this compelling American tragedy chronicles the …
Celebrating Women in Film with Vanguard
This episode is brought to you with Vanguard, whose Managed ISA service provides a smart way to invest with confidence, giving you a better chance of investment success.
It’s an International Women’s Day special, and we’ll be celebrating women in film by looking back at some of our favourite i…
Sexism In Post, pt2
In part 2 of this episode I continue my conversation with Kylee Wall and Siân Fever about work environments for women in post-production. This episode was inspired by a recent article by Kylee Wall on Creative Cow titled Sexism In Post. We talk about why Kylee wrote the article in the first place, …
Sexism In Post, pt1
In this episode I speak with Kylee Wall and Siân Fever about work environments for women in post-production. This episode was inspired by a recent article by Kylee Wall on Creative Cow titled Sexism In Post. We talk about why Kylee wrote the article in the first place, lots of different studies abo…
Int Style | Credit to the Edit | 110
Wes makes a passionate case for film editors as the unsung heroes of cinema, highlighting legendary editors like Thelma Schoonmaker and Sally Menke who shaped the visions of Scorsese and Tarantino respectively. Editors are just like the unsung music producers of Pearl Jam and Creed.
818-835-0473
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Summer of Editors Series: "GoodFellas" (1990) with Brian Skutles
On this week's episode of Female Gaze: The Film Club, Morgan is joined by critic, composer, filmmaker, and writer Brian Skutle in the continuation of our Summer of Editors Series. The pair discuss the 1990 film, "GoodFellas," directed by Martin Scorsese (ever heard of him?) and one of the greatest …
The Whisper Man
Today on Art of the Cut, we speak with Oscar-nominated editor Christopher Tellefsen, ACE, about his work on The Whisper Man.
Chris has been on Art of the Cut before for The Menu, The Many Saints of Newark, A Quiet Place, and Assassin’s Creed. He has an Oscar nomination for Money Ball. He has ACE Ed…
The Departed (2006) ft. Peterson W. Hill
Dana and Tom with 5x Club Member and CLP Contributor, Peterson W. Hill (Co-Host of the War Starts at Midnight podcast), discuss The Departed (2006) for its 20th anniversary: directed by Martin Scorsese, written by William Monahan, cinematography by Michael Ballhaus, music by Howard Shore, editing b…
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