# Sebastian Smee
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sebastian smee is an Australian-born Pulitzer Prize-winning art critic for the Washington Post.
== Education and career ==
Educated at St Peter's College, Adelaide, Smee graduated from the University of Sydney with an Honours degree in fine arts in 1994 and moved to Boston in 2008, having also lived in the United Kingdom between 2001 and 2004. Before joining the Boston Globe he was national art critic for The Australian and has also worked for The Daily Telegraph and contributed to The Guardian, The Times, The Financial Times, The Independent on Sunday, The Art Newspaper, Modern Painters, Prospect magazine and The Spectator.
Arts under attack in Trump's America
Not much has remained untouched in Trump’s second term: the East Wing of the White House torn down, the Kennedy Center board stripped back—the list goes on. Cultural institutions, in particular, have found themselves in the firing line, reshaped by political pressure and an ever-narrowing space for…
Sebastian Smee on being laid off by the Washington Post, plus the secret life of famous author Daniel Defoe
Pulitzer prize-winning art critic Sebastian Smee, recently laid off by Jeff Bezos's Washington Post, looks at the state of the arts in Trump's America., Plus, the story of Daniel Defoe's secret life as a spy, against Scottish independence, in the early 1700s, before he became the author of the famo…
Sex Lives of Poets: Frank O'Hara
All the queens want is boundless love in this episode about the love life of Frank O'Hara.
Please Support Breaking Form!Review the show on Apple Podcasts here.
Aaron's STOP LYING is available from the Pitt Poetry Series. And BEAUTIFUL PEOPLE is available from Bridwell Press.
James's ROMANTIC COMED…
The Mischievous, Maddening Marcel Duchamp
If you hate contemporary art, everything you dislike about it can be traced back to him.
By Sebastian Smee
From the August 2026 issue.
Get more from your favorite Atlantic voices when you subscribe. You’ll enjoy unlimited access to Pulitzer-winning …
July 15, 2026 - Sebastian Smee on Trump's Arch, Uli Lorimer on summer watering, and Avery, Gottlieb & Rothko: By the Sea
Pulitzer Prize-winning art critic Sebastian Smee discusses President Trump’s proposed 250-foot triumphal arch near Arlington National Cemetery. His Atlantic essay, “Trump’s Arch Is Atrocious. Don’t Build It,” considers how the monument could reshape a landscape devoted to sacrifice and remembrance.…
S8 Ep1221: Sebastian Smee, Part Two: The narrative follows the 1871 Paris Commune and "Bloody Week," where civil war left the city in ruins.
Sebastian Smee, Part Two: The narrative follows the 1871 Paris Commune and "Bloody Week," where civil war left the city in ruins. Amidst this trauma, Berthe Morisot resolved to become a professional artist, developing a radical style focused on domesticity and the "fugitive effects" of light. Smee …
S8 Ep1221: Sebastian Smee, author of Paris in Ruins: Love, War, and the Birth of Impressionism, Part One: In 1874, artists staged a revoluti
Sebastian Smee, author of Paris in Ruins: Love, War, and the Birth of Impressionism, Part One: In 1874, artists staged a revolutionary independent exhibition in Paris, marking the birth of Impressionism. Smee explores how painters like Monet and Morisot revolted against the rigid Salon hierarchy, s…
Episode 391- OLD NEWS plus Lucien Smith mini-tribute
This episode is a mix of excerpts from OLD NEWS (Jeff Weiss's nightly email blast of art-related content) and a Lucien Smith obituary, including comments from readers of the obit more than the obituary itself.
George Stoll, a comment from The Art Daddy, and passages from a long Atlantic article by…
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