# Mere Spectacle

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Data & Diagramming: Two Tools for Meaningful Design - Sophie Larsmon

The video of talk can be found on our YouTube channel - https://youtu.be/p2pUSzzAqWc Sophie Larsmon, a creative producer and director of live immersive experiences, presents data and diagramming tools to help create and structure immersive experiences. Talking about her previous work, particularly …

Episode 304 - Bullet in the Head

For the month of April, Not A Bomb is shining a spotlight on Hong Kong films. This week, Troy and Brad shift from modern action thrillers to one of John Woo’s most personal and harrowing works: Bullet in the Head. Directed, written, produced, edited, and shaped by John Woo, the film pushes his trad…

Mental Health and Superheroes: A Deep Dive into 'Thunderbolts*'

In this episode of *Movies First*, we dive into Marvel's groundbreaking film *Thunderbolts*, which boldly places mental health at the forefront of its superhero narrative. As we explore the character of Yelena, played by Florence Pugh, we discuss her profound struggles with purposelessness and how …

Leila Ullrich, "Victims and the Labour of Justice at the International Criminal Court: The Blame Cascade" (Oxford UP, 2024)

Victim participation at the International Criminal Court (ICC) has routinely been viewed as an empty promise of justice or mere spectacle for audiences in the Global North, providing little benefit for victims. Why, then, do people in Kenya and Uganda engage in justice processes that offer so littl…

S8 Ep1148: Guests in Londinium, 92 AD: Gaius and Germanicus. The Corruption of Hollywood and the Sacred Canon. Regarding the Hollywood remak

Guests in Londinium, 92 AD: Gaius and Germanicus. The Corruption of Hollywood and the Sacred Canon. Regarding the Hollywood remake of the Odyssey, Germanicus characterizes the production as a "Hail Mary" by a "cesspool of corruption" known as Hollywood to remain relevant while "hemorrhaging talent.…

Leila Ullrich, "Victims and the Labour of Justice at the International Criminal Court: The Blame Cascade" (Oxford UP, 2024)

Victim participation at the International Criminal Court (ICC) has routinely been viewed as an empty promise of justice or mere spectacle for audiences in the Global North, providing little benefit for victims. Why, then, do people in Kenya and Uganda engage in justice processes that offer so littl…

Leila Ullrich, "Victims and the Labour of Justice at the International Criminal Court: The Blame Cascade" (Oxford UP, 2024)

Victim participation at the International Criminal Court (ICC) has routinely been viewed as an empty promise of justice or mere spectacle for audiences in the Global North, providing little benefit for victims. Why, then, do people in Kenya and Uganda engage in justice processes that offer so littl…

Leila Ullrich, "Victims and the Labour of Justice at the International Criminal Court: The Blame Cascade" (Oxford UP, 2024)

Victim participation at the International Criminal Court (ICC) has routinely been viewed as an empty promise of justice or mere spectacle for audiences in the Global North, providing little benefit for victims. Why, then, do people in Kenya and Uganda engage in justice processes that offer so littl…

Terry Tyson

What if magic could be more than just tricks and illusions, but rather a journey into the mystical and the personal? Terry shares his fascinating experiences with seances and narrative-driven magic, illustrating how deeply personal stories can create unforgettable moments for the audience. Discover…

Irish Wrestle Talk: The Great Khali - Icon or Mere Spectacle?

From his remarkable debut in 2006 to his Hall of Fame induction in 2021, The Great Khali's wrestling career was filled with memorable moments and controversy. We explore whether Khali was a true wrestling success or merely a towering spectacle. We dive into his historic achievements, cultural impac…