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Daytime Nightmare

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WEBVTT 1 00:00:07.280 --> 00:00:11.480 Box thirteen with a style of paramount pictures Alan Ladd 2 00:00:11.759 --> 00:00:15.599 as Dan Holliday. 3 00:00:17.800 --> 00:00:20.120 Box thirteen, Care of the Star Times. 4 00:00:20.760 --> 00:00:23.239 I should like very much to see and offer a 5 00:00:23.280 --> 00:00:27.199 proposition which could be of mutual profit to us. Of course, 6 00:00:27.280 --> 00:00:31.839 there is some danger involved. But then your advertisement asks 7 00:00:31.879 --> 00:00:35.600 for adventure. So if you are interested, perhaps we could 8 00:00:35.600 --> 00:00:38.320 have lunch tomorrow afternoon, said. 9 00:00:38.079 --> 00:00:46.119 One of them. Say at one o'clock the Golden Arrow, 10 00:00:46.960 --> 00:00:54.159 ask for mister Waring's table. There's some danger involved. He said, Yes, 11 00:00:54.479 --> 00:00:58.240 that's what the man said. And brother, that's exactly what 12 00:00:58.320 --> 00:00:59.719 he meant. 13 00:01:13.400 --> 00:01:16.640 And now back to Box thirteen and Dan Holliday's newest 14 00:01:16.680 --> 00:01:18.760 adventure Daytime Nightmare. 15 00:01:23.200 --> 00:01:24.480 Well, lease this letter. 16 00:01:24.480 --> 00:01:26.040 I'd bought you to lunch, mister Holliday. 17 00:01:26.319 --> 00:01:30.879 Uh huh lunch? And then what dangerous sins that don't exciting? 18 00:01:31.319 --> 00:01:33.680 It always does? You know, Susie, someday I'm going to 19 00:01:33.719 --> 00:01:36.000 walk into one of these things and not walk on. 20 00:01:36.519 --> 00:01:39.319 Then follow up one it he does a letter, there's 21 00:01:39.439 --> 00:01:42.400 one that asks for a babysitter. The woman said, her 22 00:01:42.480 --> 00:01:43.560 children are an adventure. 23 00:01:44.319 --> 00:01:47.640 Oh no thanks, I'll take mister Waring's letter and his proposition. 24 00:01:48.280 --> 00:01:50.560 You better hurry it's almost twelve to thirty. 25 00:01:50.599 --> 00:01:53.079 Now, Oh, don't push, Susie, don't push. 26 00:01:53.200 --> 00:01:54.280 What time will you be back? 27 00:01:54.799 --> 00:01:57.599 Probably this evening, but don't wait for me. Just lock 28 00:01:57.680 --> 00:02:04.719 up the office and take off. It's along, Susie. An 29 00:02:04.760 --> 00:02:07.239 only narrow was one of those altar dining and lunch 30 00:02:07.239 --> 00:02:09.439 in spots where you can get a swell dollar lunch 31 00:02:09.439 --> 00:02:12.280 for five. I asked for mister Waring's table, and the 32 00:02:12.319 --> 00:02:15.199 waiter showed me to an icy fruited corner. A small 33 00:02:15.280 --> 00:02:19.240 orchestra was playing, a couple were dancing, and mister Waring 34 00:02:19.400 --> 00:02:22.120 was just sitting there. I took a good look at 35 00:02:22.240 --> 00:02:25.479 him before I sat down. He was big and handsome, 36 00:02:26.120 --> 00:02:28.879 maybe about fifty, and the diamond he flashed on the 37 00:02:28.879 --> 00:02:31.520 little finger of his right hand was spelled with fifteen 38 00:02:31.639 --> 00:02:35.120 hundred capital dollars. He looked up saw me standing there. 39 00:02:35.159 --> 00:02:38.639 How do you do You're a box thirteen? Yes, that's right, 40 00:02:38.960 --> 00:02:40.680 you're mister Waring and you're right. 41 00:02:41.000 --> 00:02:44.639 Please sit down. I've ordered lunch. I hope you approve. Oh, thanks, 42 00:02:44.639 --> 00:02:48.759 I'm sure I will. You're younger than I expected. Oh disappointed? 43 00:02:49.000 --> 00:02:49.319 No? 44 00:02:49.319 --> 00:02:53.240 No, please tell me is box thirteen the way you 45 00:02:53.240 --> 00:02:56.280 make you living? Aah, not quite Yeah, I read your 46 00:02:56.319 --> 00:03:01.000 advertisement several times. Adventure wanted go any place, do anything. 47 00:03:00.800 --> 00:03:04.599 Right Box thirteen. Is that said with disapproval? No, not 48 00:03:04.680 --> 00:03:08.639 at all, mister dad Holiday, No, not disapproval. 49 00:03:08.680 --> 00:03:12.039 Then just regret, regret that I hadn't the nerve to 50 00:03:12.039 --> 00:03:13.560 do such a thing when I was your age. 51 00:03:13.599 --> 00:03:17.080 Well, sometimes the regrets of mine. Huh oh oh, I see. 52 00:03:17.439 --> 00:03:19.680 You mean, once in a while you get something that's 53 00:03:19.680 --> 00:03:20.960 hard to handle, that's it. 54 00:03:21.639 --> 00:03:24.120 Book, You've always come out on top. Well, I've had 55 00:03:24.120 --> 00:03:27.719 a lot of luck. Is there any of it left? 56 00:03:28.639 --> 00:03:30.840 Do I need some? If you do what I ask, 57 00:03:30.960 --> 00:03:34.919 you will all right? What's on your mind as the work? First, 58 00:03:35.000 --> 00:03:37.319 we'll have lunch, then we'll talk. Will that be all 59 00:03:37.360 --> 00:03:41.400 right with you? You say so? Yes, good Charles. You may 60 00:03:41.400 --> 00:03:42.240 bring our lunch. Now. 61 00:03:43.159 --> 00:03:45.919 Now let's enjoy ourselves. There's lots of time to get 62 00:03:45.960 --> 00:03:47.400 serious after lunch. 63 00:03:53.439 --> 00:03:57.479 Well, Wearing was a very good conversation. I learned he 64 00:03:57.599 --> 00:03:59.639 was an attorney, an attorney for one of the biggest 65 00:03:59.719 --> 00:04:03.199 to stay in the country. He kept leading the conversation 66 00:04:03.360 --> 00:04:05.840 around to that every time we got on something else. 67 00:04:06.759 --> 00:04:12.159 Then when blunch was over, enjoyed then very much, Oh, no, 68 00:04:12.240 --> 00:04:15.599 thank you. Now, if you'll come with me, come with you. 69 00:04:16.040 --> 00:04:17.959 But I thought we were going to talk. I'd rather 70 00:04:18.000 --> 00:04:20.920 have more privacy. You'll understand why when I tell you 71 00:04:20.959 --> 00:04:21.720 what I have in mind. 72 00:04:22.319 --> 00:04:26.600 It's that important. Would you say ten million dollars was important? 73 00:04:26.639 --> 00:04:30.160 Commands attention? Yes, then please come with me. We left 74 00:04:30.160 --> 00:04:33.079 the
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Golden Arrow the dormand saluted wearing and signaled a 75 00:04:33.079 --> 00:04:35.360 big glamousine that sneaked up along the curb, and purred 76 00:04:35.399 --> 00:04:36.000 to a stop. 77 00:04:36.360 --> 00:04:40.879 Please get in then, oh, pardon, where are we going? 78 00:04:41.279 --> 00:04:41.480 Oh? 79 00:04:41.560 --> 00:04:47.079 For ride through the park. Wait a minute, I want 80 00:04:47.079 --> 00:04:49.120 to know what this is all up about before I 81 00:04:49.240 --> 00:04:52.759 go on. You're not very trusting, are you. 82 00:04:53.160 --> 00:05:01.160 It's not very something wrong? Then in the card damn 83 00:05:01.279 --> 00:05:04.319 little air will make you feel better. But go on, 84 00:05:04.759 --> 00:05:10.000 get in, all right, birds, you know where to go. 85 00:05:16.279 --> 00:05:18.560 I had been drugged before, so I knew what it 86 00:05:18.639 --> 00:05:24.439 felt like. I felt exactly like this. I came crawling 87 00:05:24.519 --> 00:05:26.639 out of the long dark tunnel with a buzzing in 88 00:05:26.680 --> 00:05:30.000 my ears, my mouth dry as cotton. I was lying 89 00:05:30.040 --> 00:05:33.959 down and I reached up my arms. I was on 90 00:05:34.040 --> 00:05:38.639 a cot, a nice white cotton, a nice white hoom. 91 00:05:38.800 --> 00:05:40.959 I sat on the edge of the bed. Looked around. 92 00:05:42.480 --> 00:05:45.240 There was a window, but there were bars over it. 93 00:05:45.800 --> 00:05:51.439 I went to the door. Hey, I open up, open 94 00:05:51.439 --> 00:05:54.199 this door, Open this door. How many come out o 95 00:05:54.319 --> 00:05:54.600 the door? 96 00:05:56.519 --> 00:06:00.279 Get away from the door, Get away from it. You 97 00:06:00.319 --> 00:06:03.839 are back away from it, and I will go on. 98 00:06:04.879 --> 00:06:07.399 I moved back in the way. There was a pause 99 00:06:07.439 --> 00:06:08.120 and then. 100 00:06:11.240 --> 00:06:13.959 Well, mister Stokes, you've awakened at last. 101 00:06:14.439 --> 00:06:17.560 Stokes, what are you talking about? Come on, get me 102 00:06:17.560 --> 00:06:18.959 out of this gag. I'll break my way out. 103 00:06:19.160 --> 00:06:24.079 Samuel, you'll go huh ah, mister Stokes. You don't want 104 00:06:24.120 --> 00:06:26.240 Samuel and Hugo to take care of you, do you? 105 00:06:26.519 --> 00:06:27.240 What is this? 106 00:06:27.560 --> 00:06:32.120 Sit down? Mister Stokes, please sit down. I won't sit 107 00:06:32.199 --> 00:06:35.319 down where he's wearing. He'll be here in a moment. 108 00:06:35.800 --> 00:06:37.839 If you want to see mister Waring, I'm sure that 109 00:06:37.879 --> 00:06:38.720 can be arranged. 110 00:06:38.959 --> 00:06:42.240 Well that's better. Call off those mastives and white coats. 111 00:06:42.519 --> 00:06:47.160 Wait outside, Samuel, you go and close the door. Go ahead, 112 00:06:47.439 --> 00:06:52.240 I'll be all right. Stay where you are, mister Stokes. 113 00:06:52.240 --> 00:06:53.959 Because this is a gag. Let's
run it off the 114 00:06:53.959 --> 00:06:55.000 boards and put a tag to it. 115 00:06:55.079 --> 00:06:59.839 Okay, why, mister Stokes, you sound almost rational? 116 00:07:00.800 --> 00:07:04.519 Rational? What are you talking about just that. 117 00:07:05.399 --> 00:07:08.759 I've no doubt that in a year, perhaps a little more, 118 00:07:08.920 --> 00:07:12.480 we can discharge you. You mean you mean this is 119 00:07:12.519 --> 00:07:16.639 no gag. No, it's not a gag. You're Edward Stokes. 120 00:07:17.319 --> 00:07:19.720 Remember that you're Edward Stokes. 121 00:07:20.519 --> 00:07:21.160 Where was wearing? 122 00:07:21.480 --> 00:07:24.639 He'll be here to see you with your wife. My wife, 123 00:07:24.759 --> 00:07:27.480 of course, I wonder if you remember her. 124 00:07:27.560 --> 00:07:29.000 I don't know what you're trying to get away with, 125 00:07:29.120 --> 00:07:30.680 but if I have to play rough, I can play. 126 00:07:31.439 --> 00:07:36.920 Samuel, you go. I think mister Stokes needs to be quiet. 127 00:07:37.560 --> 00:07:39.000 Take care of it, Samuel. 128 00:07:39.560 --> 00:07:40.360 Get them away from me. 129 00:07:41.120 --> 00:07:43.519 And you've decided to be more calm, mister Stokes, we 130 00:07:43.560 --> 00:07:46.399 can have a talk in my office. Until then, I 131 00:07:46.439 --> 00:07:50.120 shall take precautions against your homicidal tendencies. 132 00:07:52.759 --> 00:07:55.759 Well, if it's no gag. Samuel and Hugo were too 133 00:07:55.800 --> 00:07:58.759 big for games, and they played rough. Samuel left and 134 00:07:58.800 --> 00:08:02.240 Hugo sat beside the bed watch me. I knew now 135 00:08:02.319 --> 00:08:09.399 where I was a sanitarium? Why was I called Edward Stokes? 136 00:08:10.639 --> 00:08:15.639 I had to find out, so I turned to Hugo. What, oh, Hugo, 137 00:08:15.680 --> 00:08:19.279 these steps are hurting me. No danks, mister Stokes. I 138 00:08:19.319 --> 00:08:22.439 can't lose them for you. Look, get my clothes, take 139 00:08:22.480 --> 00:08:24.519 out my wallet, take the money that sent it, and 140 00:08:24.600 --> 00:08:25.839 just let me get to a telephone. 141 00:08:26.040 --> 00:08:27.560 I'm sorry, mister Stokes. 142 00:08:27.600 --> 00:08:30.680 You know that's against the rules. Who is the man 143 00:08:30.680 --> 00:08:31.759 who spoke to me before? 144 00:08:32.080 --> 00:08:37.679 That's mister Courton, mister not a doctor whoa yes and no? 145 00:08:38.120 --> 00:08:41.559 This here's a kind of a rest home. 146 00:08:42.799 --> 00:08:46.159 Does everyone get as much rest as I do? You're 147 00:08:46.240 --> 00:08:51.080 all right, that's pretty funny. Yeah, I'm dying. Were are 148 00:08:51.120 --> 00:08:54.240 my clothes and I we'll get them for you later. Look, 149 00:08:54.279 --> 00:08:57.399 I'm not Edward Stokes. I'm Dan Holliday. Get it. My 150 00:08:57.519 --> 00:09:02.360 name's Dan Holliday. I'm a writer. Swell, I'll bring you 151 00:09:02.360 --> 00:09:05.919 a pencil and paper. Later. You go go to a phone, 152 00:09:05.960 --> 00:09:07.639 call the number I'll give you and ask for SUSI. 153 00:09:08.200 --> 00:09:10.600 You got his sister from me. Now, lest you big lummas, 154 00:09:10.600 --> 00:09:12.519 this is a frame up. I am not Edward Stokes. 155 00:09:12.519 --> 00:09:14.440 I don't know who he is. I never even heard 156 00:09:14.480 --> 00:09:16.720 of him. I'm Dan the Holiday, a writer. 157 00:09:17.240 --> 00:09:20.080 Okay, okay, I believe you. Once I took care of 158 00:09:20.120 --> 00:09:23.480 a man who was Shakespeare, I believed him. I also 159 00:09:23.559 --> 00:09:26.960 took care of Michael Angelo Danty Spinoza. 160 00:09:26.399 --> 00:09:29.480 Why I but huh, I want to see Cordello one four. 161 00:09:30.320 --> 00:09:32.679 I want to talk to him. What a bar? Does 162 00:09:32.720 --> 00:09:33.480 that make any difference? 163 00:09:33.919 --> 00:09:36.720 Yeah, because if it's not important, you'll get mad at me. 164 00:09:38.120 --> 00:09:42.039 All right, tell him? Tell him. I remember now that 165 00:09:42.039 --> 00:09:45.840 I'm Atwood Stokes, it all comes back to me. Now, 166 00:09:46.159 --> 00:09:46.919 will you go to him? 167 00:09:47.320 --> 00:09:50.759 Okay, but please, mister Stokes, don't try what you did before. 168 00:09:50.840 --> 00:09:55.600 I hate to get rough, right, I promise it's a 169 00:09:55.639 --> 00:09:58.200 good boy, and keep on being a good boy, and 170 00:09:58.240 --> 00:10:00.000 you'll be allowed visitors this afternoon. 171 00:10:00.159 --> 00:10:06.039 I'll be very happy to see them, very happy. 172 00:10:10.360 --> 00:10:14.559 All right, mister Stokes. I brought you to see mister Cardell. Like, yes, now, 173 00:10:14.799 --> 00:10:16.240 promise you'll take it easy. 174 00:10:16.639 --> 00:10:20.799 Oh? Sure, thanks, you go, that's nothing here he is, 175 00:10:20.840 --> 00:10:21.559 mister Cardell. 176 00:10:22.000 --> 00:10:24.639 Good. Close the door and wait outside. You go. 177 00:10:25.120 --> 00:10:26.559 Sure you'll be all right, mister Cornell. 178 00:10:26.960 --> 00:10:29.000 I think mister Stokes has learned his lesson. 179 00:10:29.080 --> 00:10:34.639 Mm sure, please be a good boy now, yeah, I will, Hugo. 180 00:10:37.200 --> 00:10:39.879 So you've become reconciled, mister Stokes. 181 00:10:40.120 --> 00:10:42.080 I know I can talk myself blue in the face 182 00:10:42.159 --> 00:10:44.919 to Hugo or anyone else around here and not get anywhere. 183 00:10:45.519 --> 00:10:46.840 But I want you to tell me what this is 184 00:10:46.840 --> 00:10:47.320 all about. 185 00:10:47.519 --> 00:10:51.360 I'll be glad to you're Edward Stokes. You're here for 186 00:10:51.399 --> 00:10:54.799 a rest. You were formerly at the mill Haven Sanitarium, 187 00:10:54.840 --> 00:10:57.039 but your wife thought this would be a better place. 188 00:10:57.799 --> 00:11:02.639 Don't you remember, Oh course I do. You've made it 189 00:11:02.679 -->
00:11:06.679 all so clear, good, good, Oh. By the way, you're 190 00:11:06.720 --> 00:11:08.840 looking so much better than when I saw you last, 191 00:11:08.840 --> 00:11:12.120 mister Stokes. Would you like to see how much better? 192 00:11:12.919 --> 00:11:13.519 What do you mean? 193 00:11:13.919 --> 00:11:15.879 There's a mirror on the door of that closet to 194 00:11:15.919 --> 00:11:19.000 your right. Open it and see how you've improved. 195 00:11:22.919 --> 00:11:27.240 I looked in the mirror. I didn't see Dan Holliday. 196 00:11:27.960 --> 00:11:31.279 I saw a stranger. Gord El's voice came to me 197 00:11:31.360 --> 00:11:32.720 from a million miles away. 198 00:11:33.240 --> 00:11:36.159 There's some gray in your hair, of course, but that's 199 00:11:36.159 --> 00:11:40.159 to be expected as a whole. It's still a nice, deep, 200 00:11:40.360 --> 00:11:41.159 rich black. 201 00:11:41.320 --> 00:11:42.960 My husband died, has it. 202 00:11:43.720 --> 00:11:46.759 I'll bet you think it was once blonde. I imagine 203 00:11:46.759 --> 00:11:49.720 you think your name was once Dan Holiday. Take a 204 00:11:49.720 --> 00:11:52.759 good look at yourself, mister Stokes. Get acquainted with your 205 00:11:52.799 --> 00:11:56.200 new personality. You'll be with it for quite a while. 206 00:11:56.679 --> 00:11:59.679 Cordel smiled at me. Then I know for certainness was 207 00:11:59.720 --> 00:12:04.600 no I was Edward Stokes. My hair dyed clever, touches 208 00:12:04.639 --> 00:12:07.399 a makeup here and there. Even Susie wouldn't have known me. 209 00:12:07.879 --> 00:12:10.519 Do you know why you've become Edward Stokes? 210 00:12:11.159 --> 00:12:16.679 Why, mister Cordell, Because mister Edward Stokes is dead? 211 00:12:37.440 --> 00:12:41.480 And now back to daytime nightmare? Another Box thirteen adventure 212 00:12:41.559 --> 00:12:43.799 with Alan Land as Dan Holliday. 213 00:12:48.200 --> 00:12:51.440 Well, there was a twist. I was a dead man, 214 00:12:52.159 --> 00:12:55.320 yet I was alive and being kept alive. But for what. 215 00:12:56.600 --> 00:12:58.559 Later in my room I thought of making a break 216 00:12:58.600 --> 00:13:02.720 for it, but there was always Samuel and Hugo. Then 217 00:13:02.799 --> 00:13:05.879 later I was taken again to Cordell's office. This time 218 00:13:05.960 --> 00:13:09.600 Hugo went in with me. Cordell wasn't alone with him. 219 00:13:09.639 --> 00:13:13.279 We're wearing a woman. The woman looked at me as 220 00:13:13.279 --> 00:13:17.240 I entered, Edward, Edward Darling, would you mind just calling 221 00:13:17.240 --> 00:13:17.639 me Dan? 222 00:13:18.480 --> 00:13:18.919 Please? 223 00:13:19.240 --> 00:13:19.600 Edward? 224 00:13:20.000 --> 00:13:20.960 You remember me? 225 00:13:21.279 --> 00:13:25.919 Of course you remember your wife, don't you? Edward? Oh, hello, Wearing, 226 00:13:26.480 --> 00:13:30.519 I must buy you lunch some time. Lunch. Oh, of course, 227 00:13:30.600 --> 00:13:31.519 of course. 228 00:13:31.519 --> 00:13:33.679 I told your wife and mister Wearing that you were 229 00:13:33.720 --> 00:13:37.080 so much better, mister Stokes. But now you've disappointed me. 230 00:13:37.360 --> 00:13:39.879 Oh, I'm so sorry, mister Cardell. 231 00:13:39.879 --> 00:13:41.399 Hugo, please wait outside. 232 00:13:41.840 --> 00:13:44.480 I'll call you if I need you shere, mister Cordell, 233 00:13:46.279 --> 00:13:47.600 he does look like Edward? 234 00:13:47.679 --> 00:13:49.240 Must you say it so loud? Philip? 235 00:13:49.360 --> 00:13:52.559 Oh? Sorry? How long does this go on? 236 00:13:52.919 --> 00:13:56.080 Not much longer? Course, it all depends on you. Yes, 237 00:13:56.200 --> 00:14:00.480 how we'll leave that until later, Clarice. What you've got 238 00:14:00.480 --> 00:14:03.200 to sign those transfer papers? They're all right, of course, 239 00:14:03.720 --> 00:14:06.840 Oh Edward, it might be interesting for you to watch 240 00:14:06.879 --> 00:14:08.000 yourself being committed. 241 00:14:08.159 --> 00:14:09.639 I'm wanting all of you. I'm going to get out 242 00:14:09.679 --> 00:14:10.799 of here, and when I do. 243 00:14:10.840 --> 00:14:12.200 It, when you do what? 244 00:14:13.200 --> 00:14:16.000 Where's the real Edward Stokes? How does he know that 245 00:14:16.159 --> 00:14:16.480 it would? 246 00:14:16.600 --> 00:14:19.480 Hodell? Did you open your mouth? What's the difference? He 247 00:14:19.519 --> 00:14:21.200 can babble his head off and no one will pay 248 00:14:21.200 --> 00:14:21.720 any attention. 249 00:14:21.840 --> 00:14:23.159 Suppose something goes wrong? 250 00:14:23.279 --> 00:14:25.080 How can it? It's all too perfect? 251 00:14:25.159 --> 00:14:27.600 Course it is. Sign the paper's cleries. Get it over 252 00:14:27.639 --> 00:14:29.960 with good Now, let's go. 253 00:14:30.480 --> 00:14:33.159 Nothing can go wrong, not unless you double across me. 254 00:14:33.360 --> 00:14:35.840 You've got your money and you're in as deeply as anyone. 255 00:14:36.360 --> 00:14:40.080 You better see that everything goes all right. It will fine. 256 00:14:40.320 --> 00:14:44.399 Now, good bye, Edward, and good luck. Come along. 257 00:14:48.120 --> 00:14:51.320 Well, mister Stokes, you are now officially in my care. 258 00:14:52.080 --> 00:14:55.159 That should make everything just ducky Oh, it will if 259 00:14:55.159 --> 00:14:56.360 it's not asking too much. 260 00:14:57.120 --> 00:15:00.960 What happens now, my dear mister Stokes, if you knew 261 00:15:01.440 --> 00:15:02.440 you wouldn't like it? 262 00:15:03.000 --> 00:15:06.000 What's to prevent me from reaching across this desk knocking 263 00:15:06.039 --> 00:15:08.960 your head off just for the fun of it. This 264 00:15:09.279 --> 00:15:12.320 gun will prevent it. You wouldn't dare use. 265 00:15:12.159 --> 00:15:15.720 It, No, not directly. But suppose you did try something. 266 00:15:16.000 --> 00:15:18.759 Suppose we struggled and the gun went
off accidentally. 267 00:15:19.080 --> 00:15:20.320 Supposed it did. 268 00:15:20.240 --> 00:15:24.639 And killed you. Who would be your witness? Not you? 269 00:15:24.639 --> 00:15:28.559 You'd be dead, Not Hugo. Because he saw you attack 270 00:15:28.639 --> 00:15:29.320 me this morning. 271 00:15:29.919 --> 00:15:32.919 Cordell leaned back in his chair and grinned. Then he 272 00:15:33.480 --> 00:15:36.600 laid the gun on the desk. It was so close 273 00:15:36.639 --> 00:15:41.399 to me, so close He knew what I was thinking, 274 00:15:41.440 --> 00:15:44.360 because his grin widened. But I had to take the chance. 275 00:15:44.399 --> 00:15:44.840 I jumped. 276 00:15:46.000 --> 00:15:49.720 Stay right here, Cordle, All right, now that you've got 277 00:15:49.759 --> 00:15:51.480 the gun, what will you do? 278 00:15:52.159 --> 00:15:52.919 Hand me that phone? 279 00:15:53.240 --> 00:15:56.240 Certainly here you are, keep your hands on top of 280 00:15:56.240 --> 00:15:57.519 the desk with pleasure? 281 00:15:58.200 --> 00:16:01.480 Ah, whom are you going to call the police? 282 00:16:01.919 --> 00:16:08.360 All right, go ahead, you go, you go, be careful Hugo, 283 00:16:08.440 --> 00:16:09.000 he's raving. 284 00:16:09.279 --> 00:16:11.600 You've got to believe me. I'm not Edward Stokes. I'm 285 00:16:11.639 --> 00:16:13.840 Dad Holiday. Give me two minutes to put through a 286 00:16:13.879 --> 00:16:15.840 phone calls. 287 00:16:16.159 --> 00:16:18.159 You don't want to do anything with that gun. 288 00:16:18.759 --> 00:16:20.559 Better give it to me like a good boy. 289 00:16:20.639 --> 00:16:22.679 You'll go. Please, please stay. 290 00:16:22.440 --> 00:16:25.639 Back, careful, Hugo. He may shoot. Stay back, mister Cardell. 291 00:16:25.679 --> 00:16:26.279 I can handle him. 292 00:16:26.279 --> 00:16:28.200 You'll go. Listen to me, Listen to him. Give me 293 00:16:28.240 --> 00:16:30.159 two minutes on that phone, just one minute. 294 00:16:31.600 --> 00:16:34.279 Give me that gun on, give it to me. 295 00:16:34.320 --> 00:16:37.559 Wait. Wait, I don't want to shoot, but I'll have 296 00:16:37.600 --> 00:16:39.240 to do it. If you're come in closer, better not, 297 00:16:39.600 --> 00:16:41.519 He'll go. I'm in a spot. The real Edward Stokes 298 00:16:41.600 --> 00:16:43.799 is dead, Hugo. He's been killed by his wife and 299 00:16:43.840 --> 00:16:46.200 his attorney. Listen to me, stand still and listen to me. 300 00:16:46.240 --> 00:16:48.919 Easy is he Mister Stokes. 301 00:16:49.440 --> 00:16:51.440 Stokes has been killed. He was taken from the first 302 00:16:51.440 --> 00:16:53.919 Sanitarium and killed. I was brought here, Hugo, brought here 303 00:16:53.919 --> 00:16:56.240 to impersonate Stokes. Cordell wants me to shoot your Hugo 304 00:16:56.279 --> 00:16:57.200 so I can be killed legally. 305 00:16:58.480 --> 00:17:13.359 Yogo. I know all that, mister, but if you. 306 00:17:07.440 --> 00:17:10.599 You go, you go. 307 00:17:11.599 --> 00:17:13.160 I'm afraid you killed him. 308 00:17:13.319 --> 00:17:19.720 Stokes, Cordell, you shot the poor devil. Of course I did, 309 00:17:19.839 --> 00:17:22.359 mister Stokes. You shot him with another gun you just 310 00:17:22.359 --> 00:17:25.680 took out of that drawer. That's perfectly true, mister Stokes. 311 00:17:26.559 --> 00:17:29.319 Ballistics can prove which gun killed Hugo. 312 00:17:29.720 --> 00:17:33.440 That's true to mister Stokes. But who would think of 313 00:17:33.519 --> 00:17:36.039 ballistics in connection with a maniac? 314 00:17:40.079 --> 00:17:43.759 Cordell stood there, smoking gun in his hand. Ah, it 315 00:17:43.839 --> 00:17:46.519 was a beautiful frame. In the second the rest of 316 00:17:46.559 --> 00:17:48.599 the people in the place would crowd into that office. 317 00:17:48.839 --> 00:17:52.680 What chance would I have none? I tuck myself into 318 00:17:52.720 --> 00:17:56.079 a ladder. Cardell put the gun back onto his desk. 319 00:17:56.680 --> 00:17:59.279 Well, mister Stokes, what now. 320 00:17:59.680 --> 00:18:02.000 I I can prove I didn't shoot the gun. 321 00:18:02.160 --> 00:18:03.480 I think you'll get the chance. 322 00:18:04.000 --> 00:18:07.799 I'll be back. Get on the way, beck. 323 00:18:07.680 --> 00:18:10.279 Capful, all of you don't say he's got a cough. 324 00:18:10.680 --> 00:18:11.480 He killed Hugo. 325 00:18:11.839 --> 00:18:14.839 Stay by, let it go, Stay out of tenerable law. 326 00:18:15.880 --> 00:18:17.319 I ran up into the night, up and the rest 327 00:18:17.319 --> 00:18:19.000 of my nightmare. I cleared the grounds of the rest 328 00:18:19.000 --> 00:18:21.240 home and took to the woods. There was only one 329 00:18:21.240 --> 00:18:23.880 thing in my favor, the darkness. I stayed in the woods, 330 00:18:24.000 --> 00:18:29.960 but I had to get to a phone. I don't 331 00:18:30.000 --> 00:18:33.759 know how long I walked, maybe an hour, maybe two. 332 00:18:34.119 --> 00:18:36.119 Then I saw a house there were lights in it. 333 00:18:37.079 --> 00:18:39.519 I hesitated, but I had to get to that phone. 334 00:18:45.160 --> 00:18:45.960 Did you worry? 335 00:18:46.720 --> 00:18:54.400 Yeah, yeah, it's me. Don't don't scream. Please get back, Please, 336 00:18:55.119 --> 00:18:57.440 please don't look. I'm not going to hurt you. I 337 00:18:58.079 --> 00:18:59.519 want to get to a phone. Have you got one? 338 00:18:59.680 --> 00:19:01.519 No, there's no phone here. 339 00:19:02.119 --> 00:19:03.119 Where's a nurse one. 340 00:19:03.440 --> 00:19:04.920 The filling station down the road. 341 00:19:06.400 --> 00:19:09.920 Have you got any men's clothes here in the closet? 342 00:19:10.440 --> 00:19:11.480 Would you mind getting them out? 343 00:19:11.799 --> 00:19:12.359 Go? Wait? 344 00:19:12.480 --> 00:19:15.680 Please, I won't tell anybody you've been here, but don't 345 00:19:15.720 --> 00:19:16.119 hurt me. 346 00:19:16.319 --> 00:19:18.240 Please. You you
know who I am. 347 00:19:19.359 --> 00:19:20.920 The radio they said. 348 00:19:20.880 --> 00:19:23.720 How long ago? Half an hour? Maybe get those clothes 349 00:19:23.720 --> 00:19:26.960 for me? Please get them all right. 350 00:19:29.599 --> 00:19:31.640 You won't pitch your they're too small. 351 00:19:32.000 --> 00:19:34.240 I don't care about that. Throw them on the table. There. 352 00:19:34.920 --> 00:19:38.359 Just trousers and coat, all right. I put the trousers 353 00:19:38.400 --> 00:19:41.000 and coat on over the pajamas I was wearing. The 354 00:19:41.039 --> 00:19:43.440 woman watched me, and she watched the door. She was 355 00:19:43.440 --> 00:19:49.440 expecting someone wally, probably her husband. Then please please go? Now? 356 00:19:50.000 --> 00:19:53.160 How far is that filling station? About two miles there's 357 00:19:53.200 --> 00:19:56.559 no phone closer than there. No. All right, you stay 358 00:19:56.559 --> 00:19:58.279 in here. You're not going to get her. Just stay 359 00:19:58.279 --> 00:20:00.440 in here until you're sure I'm far enough away you 360 00:20:00.480 --> 00:20:01.039 get there. 361 00:20:01.480 --> 00:20:04.119 Yes, sir, I won't move good. 362 00:20:03.960 --> 00:20:09.920 I'll return the clothes later. She screamed. I could hear 363 00:20:09.960 --> 00:20:12.279 a screams fading into the night as I ran. I 364 00:20:12.279 --> 00:20:14.200 had two miles to go, two miles of the brush 365 00:20:14.240 --> 00:20:16.799 and woods. I couldn't risk it into the road. Then 366 00:20:16.839 --> 00:20:21.920 I heard something. I ran. I ran until my legs 367 00:20:21.920 --> 00:20:23.559 were torn by the brush. I ran until my breath 368 00:20:23.640 --> 00:20:26.559 choked in my throat. Then I saw the station, but 369 00:20:26.599 --> 00:20:36.480 I couldn't get to it. I crept closer and laid 370 00:20:36.480 --> 00:20:39.079 down in the mud filled ditch. I knew then what 371 00:20:39.119 --> 00:20:41.160 a fox must feel like, with the hounds tearing at 372 00:20:41.160 --> 00:20:44.480 his heels. I listened. I heard Cordell's voice. 373 00:20:44.599 --> 00:20:47.680 Begin with he's dark haired, wearing pajamas. But he may 374 00:20:47.680 --> 00:20:49.960 have picked up some clothes somewhere. I haven't seen anybody. 375 00:20:50.079 --> 00:20:50.759 Better be careful. 376 00:20:50.799 --> 00:20:53.000 I'm glade he's got a gun, already killed a man 377 00:20:53.039 --> 00:20:53.640 back at the home. 378 00:20:53.839 --> 00:20:56.319 Don't take no chances shoot to kill. 379 00:20:56.039 --> 00:20:56.880 Our wheel sheriff. 380 00:20:56.880 --> 00:20:57.759 Thanks for warning me. 381 00:20:57.880 --> 00:21:01.079 Okay, claydy oh got a gun? Sure, I'll always keep 382 00:21:01.079 --> 00:21:03.839 on the station. Good, keep your radio turned on too. 383 00:21:03.960 --> 00:21:06.160 We're running bulletins on the air. That way you can 384 00:21:06.200 --> 00:21:07.279 tell if he's headed this way. 385 00:21:07.400
--> 00:21:09.039 Sure, see you way a sheriff. 386 00:21:09.079 --> 00:21:10.720 Remember he's dangerous. 387 00:21:10.359 --> 00:21:13.480 A homicidal maniac. Take no chancewers okaymis to Crodell. 388 00:21:13.599 --> 00:21:33.559 Thanks, go on. Then I watched the attendant Klayde go 389 00:21:33.599 --> 00:21:36.359 back into the filling station. I watched him take a 390 00:21:36.359 --> 00:21:38.440 gun from a drawer and shove it into his pocket. 391 00:21:39.240 --> 00:21:42.400 I kept across the road, my stomach head from pressing 392 00:21:42.400 --> 00:21:45.519 it close against the concrete plate. Came out of the station, 393 00:21:45.799 --> 00:21:48.200 looked up and down the road. Then he turned off 394 00:21:48.200 --> 00:21:54.079 the lights and locked the door. Don't take another step 395 00:21:54.119 --> 00:21:56.640 from don't look around, don't reach for that gun in 396 00:21:56.680 --> 00:22:00.480 your pocket. What are you gonna do? Nothing, you get hurt. 397 00:22:01.200 --> 00:22:03.160 I want to use the phone in the station. It's 398 00:22:03.160 --> 00:22:05.920 a lot of order. You're lying. I'm not lying. Why 399 00:22:05.920 --> 00:22:08.000 don't you try it. We are the keys to the 400 00:22:08.039 --> 00:22:10.160 door in my pocket. Keep your hands out of that pocket. 401 00:22:10.319 --> 00:22:13.559 You want the keys, don't you go back turned. I 402 00:22:13.640 --> 00:22:16.480 know that gun is in your coat pocket. The keys 403 00:22:16.519 --> 00:22:20.240 there too. No, in my trousers. Reach in, get them out, 404 00:22:21.039 --> 00:22:27.400 but be careful. Yeah, unlock the station door and go 405 00:22:27.400 --> 00:22:33.519 in ahead of me. Never mind the lights. 406 00:22:33.640 --> 00:22:35.319 Look, why don't you give me your gun. You haven't 407 00:22:35.359 --> 00:22:37.960 got a chance, fellow. The roads are crawling with prowl cars. 408 00:22:37.960 --> 00:22:39.039 They were here just a minute ago. 409 00:22:39.160 --> 00:22:41.480 Yes, I know what I saw them. Reached in that 410 00:22:41.559 --> 00:22:45.240 coat pocket back to me. Reach in and take out 411 00:22:45.240 --> 00:22:48.480 that gun. All right, hold it my two fingers and 412 00:22:48.559 --> 00:22:54.079 drop it on the floor. Go on, ah, stand over 413 00:22:54.119 --> 00:22:55.839 there while I use the phone. There's a lot of order. 414 00:22:55.880 --> 00:23:01.680 I told you stay where you are. Hello, Hello, I 415 00:23:01.759 --> 00:23:04.480 told you there's another phone. 416 00:23:04.839 --> 00:23:07.279 The nearest one is about five miles down the road. 417 00:23:07.319 --> 00:23:12.200 You're lying like I was about this phone. Look, please, 418 00:23:12.240 --> 00:23:13.319 why don't you give up? 419 00:23:13.680 --> 00:23:16.440 Give me that gun. We'll go into town. Please. 420 00:23:16.920 --> 00:23:19.480 They'll shoot you down on side if you leave here alone. 421 00:23:19.559 --> 00:23:21.799 I've got to take that chance. No you
don't. I 422 00:23:21.880 --> 00:23:24.160 want to give you a break, fella. I want to 423 00:23:24.200 --> 00:23:25.640 give you a break because. 424 00:23:25.400 --> 00:23:30.319 Because once I saw a dog shot and dog they 425 00:23:30.359 --> 00:23:31.279 all said was mad. 426 00:23:32.480 --> 00:23:33.200 It wasn't mad. 427 00:23:33.279 --> 00:23:37.039 All I wanted was water, But they shot it without 428 00:23:37.079 --> 00:23:41.880 giving it a chance. Please give me your gun. 429 00:23:42.279 --> 00:23:45.440 Look, if I tell you a story, you won't believe it. 430 00:23:46.039 --> 00:23:48.799 I know you won't. Maybe I will go ahead. I'm 431 00:23:49.200 --> 00:23:51.279 I'm not Edward Stokes. I'm not the man they're hunting for. 432 00:23:51.440 --> 00:23:53.960 He's dead, killed by his wife and his aunny. What 433 00:23:54.799 --> 00:23:57.799 I think because they wanted a state I'm killed his Stokes. 434 00:23:57.799 --> 00:24:00.920 They'll identify me as him. Please give me the gun. 435 00:24:01.759 --> 00:24:03.880 You you don't believe me, do you? 436 00:24:05.039 --> 00:24:06.799 I believe only that if you leave here and get 437 00:24:06.799 --> 00:24:08.319 out on that road, you'll be shot down. 438 00:24:08.640 --> 00:24:15.640 Hi, you're hurt. It's never mind. Get me to a phone. 439 00:24:15.920 --> 00:24:23.000 I can't all right here, take the gun. Take him. 440 00:24:23.519 --> 00:24:28.079 What's the way for? Now you've got the gun. I 441 00:24:28.119 --> 00:24:30.240 want you to do one thing. Get me to a phone. 442 00:24:30.400 --> 00:24:32.400 Let me call the police. Let me identify myself. 443 00:24:32.400 --> 00:24:38.160 Will you come on, I've got a car. 444 00:24:42.279 --> 00:24:44.559 Clay got me to a phone. I called Lieutenant Kling 445 00:24:44.559 --> 00:24:47.319 and told him the story, and less than an hour later, 446 00:24:47.400 --> 00:24:50.359 the sheriff, his men, Clayton and I walked into Cardell's office. 447 00:24:50.640 --> 00:24:52.920 Oh you've got him, good work, sheriff. 448 00:24:53.079 --> 00:24:54.400 Yeah, we got him. 449 00:24:55.160 --> 00:24:57.119 I'm surprised he took him alive. 450 00:24:57.559 --> 00:25:00.720 Yeah, so are we mind? Step over here a minute 451 00:25:00.720 --> 00:25:03.519 mister Cordell, what what for get over? 452 00:25:04.000 --> 00:25:06.440 What is this? You'll find the gun that killed Hugo 453 00:25:06.480 --> 00:25:07.799 in that drawer shot? What? 454 00:25:07.799 --> 00:25:08.319 What? 455 00:25:08.319 --> 00:25:08.359 What? 456 00:25:08.480 --> 00:25:09.640 This man's mad, Sir? 457 00:25:09.880 --> 00:25:17.839 I heard different from the city. Look up, that's the 458 00:25:17.880 --> 00:25:20.160 gun that killed Hugo, not the one I gave Clay. 459 00:25:22.640 --> 00:25:25.599 You were right, mister Cardell. No one would have thought 460 00:25:25.599 --> 00:25:31.039 of ballistics to see which gun had killed Hugo. I 461 00:25:31.039 --> 00:26:07.839 think I need a bath and a nice long rest. 462 00:25:55.319 --> 00:25:58.759 Wearing And this is Stokes were arrested on suspicion of murder. 463 00:25:59.039 --> 00:26:03.240 Police are searching for the body of Edward Stokes. Gee, 464 00:26:03.279 --> 00:26:04.279 mister Holliday. 465 00:26:04.960 --> 00:26:07.720 And it was nice, Susie, but let's forget it. 466 00:26:08.039 --> 00:26:11.319 Sure I know what you mean? Oh stay, I have 467 00:26:11.400 --> 00:26:14.680 to remind huh of what You've got a luncheon appointment 468 00:26:14.720 --> 00:26:15.720 today at luncheon? 469 00:26:16.680 --> 00:26:22.240 Oh No, Susie. 470 00:26:21.160 --> 00:26:24.400 Next week, same time. Through the courtesy of Paramount Pictures. 471 00:26:24.720 --> 00:26:29.920 Alan Ladds stars as Dan Holliday and Box thirteen. Box 472 00:26:30.000 --> 00:26:33.440 thirteen is directed by Richard Sandville, with this week's original 473 00:26:33.480 --> 00:26:37.359 story by Russell Hughes. Original music is composed and conducted 474 00:26:37.400 --> 00:26:40.640 by Rudy Schrager. Part of Susie is played by Sylvia 475 00:26:40.680 --> 00:26:45.240 Picker and production is supervised by Burne Carstensen. Box thirteen 476 00:26:45.400 --> 00:26:53.200 is a Mayfair production from Hollywood. Watch for Alan Ladd 477 00:26:53.200 --> 00:26:54.599 in his latest Paramount picture.
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