# Jerry Goldsmith
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Jerrald King Goldsmith (February 10, 1929 – July 21, 2004) was an American composer, conductor and orchestrator with a career in film and television scoring that spanned 49 years and over 200 productions, between 1954 and 2003. He was considered one of film music's most innovative and influential composers. He was nominated for eighteen Academy Awards (winning in 1977 for The Omen), six Grammy Awards, five Primetime Emmy Awards, nine Golden Globe Awards, and four British Academy Film Awards.
18 - Runaway
This week we’re time traveling to the distant future (1991) with Tom Selleck, his mustache, a scowling Gene Simmons, and lots of robots. We’re discussing Michael Crichton’s 1984 directorial effort “Runaway”. Topics include: Jerry Goldsmith going new wave with the synth heavy score, why the filmmak…
The Ricardo Amerigo Matter Ep 4
Originally Aired: January 19, 1956Johnny Dollar #309, "The Ricardo Amerigo Matter Ep 4,"Johnny continues his investigation into the death of violinist Ricardo Amerigo by visiting the bars where the alcoholic musician spent his final months. The story is always the same: Amerigo drank alone until on…
The Ricardo Amerigo Matter Ep 5
Originally Aired: January 20, 1956Johnny Dollar #310, "The Ricardo Amerigo Matter Ep 5,"Johnny Dollar has discovered two identical violins in violin maker Eric Snowden's shop, one supposedly the genuine $30,000 Amati insured violin belonging to the late concert violinist Ricardo Amerigo, whose car …
Star Trek 60th Anniversary - Part 1
On today's episode of CINEMATIC SOUND RADIO, we celebrate the 60th anniversary of STAR TREK by listening to some of the best music from the franchise, which first aired on network TV on September 6, 1966. During this special two-part series, you'll hear over two hours of music from the various STAR…
Capricorn One - With Brian Dobson
Welcome back, film music buffs! Today, we are strapping into our flight suits and preparing for liftoff as we expose the truth behind Jerry Goldsmith’s powerhouse score for Capricorn One. If you thought NASA could pull off a hoax without some seriously propulsive brass, you are vastly mistaken—this…
TNG: Absolutely I Do Indeed Concur Wholeheartedly
Episode 3: The Self-Destruct Series
Why is there a male countdown voice in “11001001” rather than the regular computer? Is fingerprint coding a good idea? Why do first officers struggle with self destruct situations? Is Riker traumatized by self destruct? How did Data turn off the self destruct in…
The Essential Soundtracks - Star Trek: Insurrection
Today on THE ESSENTIAL SOUNDTRACKS, Erik Woods, Robert Daniels, and Randy Andrews continue their journey through the STAR TREK films and their soundtracks as they discuss the ninth movie in the series, STAR TREK: INSURRECTION.
STAR TREK: INSURRECTION is the third STAR TREK film to star the cast o…
Episode 219 – Composing the Cosmos, with Meredith Rigby
In this episode, JF and Phil are joined by their beloved assistant and invaluable collaborator Meredith Rigby (formerly Meredith Michael) to discuss her recently completed doctoral dissertation, Composing the Cosmos: 20th Century Musical Mythologies of Outer Space. Meredith explains how classical m…
DS9: Kurzon Expects You to Hit This
Episode 4: The Self Destruct Series
What are your Trek Vocal Stims? Why is the scanner still in use for the Self-Destruct system? Why are Engineers better in Self Destruct situations? Why is the Self Destruct code the same in the prime and mirror universes? Why are Garak and Jadzia such a powerful …
Star Trek 60th Anniversary - Part 2
On today’s episode of CINEMATIC SOUND RADIO, we continue our celebration of the 60th anniversary of STAR TREK by listening to some of the best music from the franchise, which first aired on network TV on September 6, 1966. During this special two-part series, you’ll hear over two hours of music fro…
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