# Osei Bonsu
قسمت های برتر پادکست
به روز شده:
osei bonsu (1779 – 21 January 1824) also known as Osei Tutu Kwame was the Asantehene (King of the Ashanti). He reigned from 1804 to 1824. During his reign the Ashanti fought the Fante confederation and ended up dominating Gold Coast trade.
Chorus in Rememory of Flight, Julianknxx (2023) (EMPIRE LINES x Barbican)
Curator Eleanor Nairne traces the migrations of contemporary artist Julianknxx, as he travels between European port cities, and back to the Barbican in London, collaborating with Black choirs and musicians.
Sierra Leonian artist Julianknxx challenges stereotypes around African art, history, and cu…
Advocacy through art: challenging traditional representations of Africa
Join Ilvy at Tate Modern art gallery in London as she discusses the incredible exhibition A World in Common: Contemporary African Photography with Aïda Muluneh, a fellow Canon Ambassador whose work features in the exhibition and Osei Bonsu who curated it.
Both our guests are working to change the…
So, Samuel de Saboia, contemporary art prodigy…tell us all about your community-based approach to creativity! (And P.S. What does 'peaceful loudness + fierce harmony' mean to you, in relation to getting your work seen and heard?)
Welcome to the Creative Blood Experience. One culture-defining creative guest… One passionate host… And a deck of 50 question cards designed to yield incredible creative tips, real life experiences and untold stories from the artists working across the creative industries today! Travelling the worl…
African identity via China and photography
Writers Teju Cole and Noo Saro-Wiwa and Tate curator Osei Bonsu talk to Laurence Scott.
The exhibition A World in Common: Contemporary African Photography at Tate Modern has a mission statement - to confront reductive representations of African peoples and cultures. All the images are from an Afric…
Whites Can Dance Too, Kalaf Epalanga, translated by Daniel Hahn (2023) (EMPIRE LINES x Kizomba Design Museum, Africa Writes 2023 at the British Library)
Writer and musician Kalaf Epalanga moves between Angola, Portugal, and Brazil, sounding out colonial histories and contemporary migrant experiences through kizomba and kuduro music, in Whites Can Dance Too (2023).
‘It took being caught at a border without proper documents for me to realise I'd alw…
Setting your Change Agenda with Osei Bonsu
In episode 10 of the Latitudes Podcast, host Refiloe Mpakanyane speaks with British-Ghanaian, curatorial powerhouse, Osei Bonsu. A sought-after curator of contemporary art, Osei’s work has taken him all over the world, advising museums, art fairs as well as private collections. Also a lecturer and …
Noko Y3 Dzen (There’s Something in the World), Serge Attukwei Clottey (2018-Now) (EMPIRE LINES Live at the Eden Project, Cornwall)
Artist Serge Attukwei Clottey joins EMPIRE LINES live at the Eden Project in Cornwall, to discuss Afrogallonism, uplifting communities with upcycled plastic waste, and how the traditional Ghanaian harvest festival of Homowo challenges colonial hierarchies of gender.
Accra-based artist Serge Attuk…
Ibrahim Mahama
A conversation from October 2024 between Fruitmarket Director Fiona Bradley and Ibrahim Mahama, a Ghanaian artist critically acclaimed for his evocative large-scale, site-specific installations that speak to the cultural and social effects of post-colonialism and global migration.
Mahama’s 2024 Fr…
Nigerian Modernism, Tehran’s art scene after the war, Wayne Thiebaud’s Cakes
Tate Modern continues to explore the histories of Modern art beyond the European and North American canons that were once its focus. This week it opened the exhibition Nigerian Modernism, and The Art Newspaper’s digital editor, Alexander Morrison, speaks to the show’s co-curator, Osei Bonsu, and to…
“What Makes Great Art?” with Osei Bonsu - Season 2, Episode 2
In continuing our season-long exploration of the question “What makes great art?” co-hosts Lauren Wetmore and Sky Goodden speak to essential voices about what are we seeking – and so often missing – in our experience of art. What follows is an interview with the British-Ghanaian curator, critic, an…
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giants.
‐ Isaac "Llamacorn" Newton
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