رونوشت 🔗
WEBVTT
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It is playing with this line between life and death.
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Yes.
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It is this it's that frontier that's kind of a special place that is between worlds that's neither one or the other.
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And it makes people, it it kind of confronts them with this existential question of what it is to be alive.
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Ow! Con con, welcome black.
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Hi, Lena.
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How are you, my darling?
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Delicious.
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We're giving you very skittles taste that rainbow today.
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Thank you.
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Colors, colors.
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Colors.
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Remember Benetton Colors?
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Yeah.
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I used to live, I still have that fragrance.
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Cisco, like this.
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You're the nanny.
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Wait.
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I almost did the oh, now it got X-rated.
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She did it first.
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Wait, we still have to hear Sherry Weinstein's um version of the nanny.
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Palm olive hands is not.
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Wait, are we not recording right now?
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Oh.
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You got me.
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You thought you got me.
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Of the nanny.
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You can imagine it starts with a T and ends with a Y.
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What could that mean?
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I have no idea.
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Like Tangie?
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That's how she became the Tangie.
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That's how she became the Tanji.
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Con, your nails, first of all, give us the nail, the nail cam, honey.
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I mean, what?
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I was saying to her when we were in the dressing room.
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I want to unscrew her hand like a mannequin and put it on.
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And speaking of, that brings us to our next guest.
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Who we got, Con?
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Well, we have an artist extraordinaire creator of beautiful, beautiful, beautiful things and beautiful images.
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Monsieur Basil Twist.
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Ow.
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Looking like a gym doll, honey.
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You yummy papa.
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I know.
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It is it's very G.I.
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Jammer.
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Yes, and I was gonna bring the doll on when he was sitting here, especially in that stamp, because the way I have him, he's silly sitting like that with his legs on on top of Ken, which is the name of his husband, ironically.
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Yeah.
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Oh, I know.
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That's his backstory.
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Speaking of a backstory.
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Hi, Dave! You look so yummy.
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It has been a minute.
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It has been, yeah.
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But it's so nice to see you both here.
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I'm so delighted to be here.
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That smile.
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One thing I love about Ba Basil, because there's so many.
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I love people who smile with their eyes.
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Yes.
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And when you talk smizing, the original smise, you've always smiled with your eyes.
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Well, thank you.
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Even when you're upset.
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Yeah.
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Which I've never seen.
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But I'm happy now.
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I'm so happy to see you.
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Baby.
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This is this is a little alumni.
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This is high school right here.
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Yeah, yeah, yeah.
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Oh.
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When was the last time you saw B?
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Um it was I can't remember.
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I know.
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It was something dance noise.
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Ah oh, okay.
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It was something dance noise.
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How long ago was that?
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A few years ago.
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Okay.
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So you've seen him more recently than I have.
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In these.
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Yeah, last time I saw you was out on the island.
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And that was when I was there the original time.
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Oh, damn Gina.
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That was pre-panini.
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Pre-Everything.
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Yeah.
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Wow, damn Gina.
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Yeah.
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Here we are.
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Pre-panic.
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Pan pan pan pan pan panny.
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Yes.
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Pre-pan.
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Pre-panny.
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Pre-panny.
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Pre-panny demic.
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Demic, yes, exactly.
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Oh.
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Okay.
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Load full transcript
Anyway.
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We're here.
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We're here.
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So we had your dear, our dear sister, Miss Harry Ass on, Joey Garrison.
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Yes.
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And she leaked out something that I think uh you can elaborate on.
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Is it true that you guys have a show coming up this fall?
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Yes.
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Please, please, please.
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Reviving Aries with a twig.
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Yay!
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Oh my god, amazing.
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I did not see it.
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You didn't see it?
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I did not see it.
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Oh shit.
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Well, that's why we're doing it.
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Hello.
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Yeah, yeah.
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Well, that's why we're doing it.
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Gorgeous.
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Gorgeous.
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What location?
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Gorgeous.
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The original site where we first did it, which is at the Here Artists.
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Here space where we did Charlie.
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Yes.
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But we did Charlie Upstairs.
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This is downstairs.
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The downstairs.
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The downstairs, which is the theater named after my grandmother.
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No.
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Oh my gosh.
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It's where I did Symphony Fantastique and that opened that space, and it has my grandmother's name.
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What's the name?
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The Dorothy Theater.
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Not a friend of Dorothy.
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Oh my god, that's so gorgeous.
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I'm a grandson of Dorothy.
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Literally coming back home.
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Basil, that's amazing.
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No, it is.
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It's a special place.
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Yeah, that that theater has there's new, a fabulous new leadership team there.
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Um, but it's part of like the continuity of this.
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I mean, I've been doing puppet shows there for 30 years.
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Oh my god.
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Damn, Gina.
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I know.
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So so it's now a cavalcade, a cavalcade of your uh of your art.
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Yes.
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That is hosted at this wonderful theater.
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Yes, and other puppeteers do.
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--> 00:05:10.000
I bring lots of other people there too.
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Okay, Cecil, that's amazing.
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What are the dates, sweetheart for Basil with a twist?
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Opens Arias with a twist.
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Oh, yes.
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Oh, Freddy and Slip.
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It opens September 17th.
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September 17th.
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What day is that fall on?
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Is that a I think it's uh Thursday?
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It's a Wednesday.
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It's a Wednesday, right?
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Yeah, Wednesday, yeah.
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No, we're all coming.
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We're all coming.
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We're bringing the whole family.
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It's there.
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Yeah, and it's gonna run.
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I mean, we're we are on sale into November, but we want to go.
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Oh, you're gonna be starting an opportunity.
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Yes, exactly.
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Yeah, fuck, that's amazing.
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Yeah, yeah, yeah, yeah, yeah.
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And we're now we're like taking all this stuff out, polishing it off, adding more rhinestones, you know, just like but it is the original show that fit in that space, which is still like the space is tiny.
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So you well, I've been doing stuff there over the years since it was 18 years ago that we did the show.
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And whenever I'm in the space, I'm like, how did we fit all this stuff?
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But you know it's how did we do that?
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You know how to manipulate it, yeah.
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Well, I know that we did it, right?
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That's all.
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I don't actually remember how we did it, yeah.
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But we did it, and we have the stuff, and there are there are there's a film, and so we know we can do it.
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Wow.
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And Joey, as you saw, yes, looks amazing.
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She looks amazing, yes, and just gets better and better and tinier and tinier.
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Yeah.
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I know.
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Hello.
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Yeah, everybody's regenerating backwards a whole don't get too tiny when I see your eyes.
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Yeah, well, see, hello by then, exactly.
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Hello.
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But she looks amazing.
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She does look amazing.
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Yeah.
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Um, going back to the your
amazing puppeteering, we were speaking about this before we went on.
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Basil and I did um a number together back in the day when I was doing swirl at crowbar.
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And he matched my um puppet to what I had on.
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And I had a snakeskin skirt on with a Gucci silk, that whole moment that was going on, all buttoned down to here, the same hair, the whole situation.
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No, it was your head on a little puppet body.
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So you like strapped it around your neck on the back.
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Oh, that's right, and then you worked the legs.
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The legs, which you, of course, you did very well.
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And we did a duet with the with my pussy cat.
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We gotta find this.
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We got and Michael Wakefield, if you're watching, and we make certain that you will see this.
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We need because you have this episode.
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He has this episode on the he was telling me about his storage space upstate that has all of the archives.
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So he's gonna look and find that puppet.
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And we're gonna re-jush her.
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Yes, yes, we shall.
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Oh my gosh.
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She would make a wonderful opening.
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She would make a great opening.
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I walked her into that.
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She did.
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She's so learning now.
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She is so learning, but my sister's so good about her in.
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Giving me a good opening into the openings.
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Yes, yes.
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And I love when she does a nasty before leanish.
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All before noon.
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Yay.
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So, Basil, tell us some of the amazing um collaborations that you've done with some people throughout the years.
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Because you've done some great shit.
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Yeah, gosh, I don't know.
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I've had such an amazing, I've had an amazing um uh life in what I've done.
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I and all these amazing adventures show up for me.
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So I don't know.
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Let's see, I could tell you about the time I worked with Kate Bush.
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Wow!
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Um who uh had her comeback concert.
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This was in 2014.
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Wow.
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And where was it?
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It was in London.
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London, yeah.
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And um I had done this big show, I did this uh version of The Rite of Spring, which used a lot of silk, these huge silk curtains, and somehow she saw it and called me.
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Just cold called me and said, Hi, this is Kate Bush.
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Oh my god.
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Would you come help me with my show?
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And I and I worked with Kate Bush.
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And let's see, I worked with um, I don't know, I have another show that's playing in I've done a lot of stuff in London.
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Um there's a show playing in London right now, which is My Neighbor Totoro.
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Do you know this film?
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It's a Japanese.
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Yes, yes, yes, yes, I've heard of it.
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I haven't seen it, but I've heard of it.
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Yeah.
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So it's a very like it's a cult uh anime film.
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Yes.
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And there's a stage production in London with my giant puppets.
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Okay.
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Oh my god.
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Created with the Jim Henson Company, who I'm meeting later today.
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Mazel Talk.
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So I know I've done um uh you know, opera and ballet in Broadway, and of course off, off Broadway and downtown and clubs and all of the disciplines.
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Yes, yeah, yeah, yeah.
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All of the disciplines.
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Yeah, well, the real, you know, I my real training was in the clubs, like at Hello Boy Bar and Jackie60, and having to like get an audience who's been dancing and drinking to stop and pay attention while they're standing and get on stage and off quick and clean and blow their minds.
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Yeah, that's so fiercely, honey.
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That was the best training I had.
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Yes, yeah, and that'll keep you on your toes and ready for anything.
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Yeah.
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Because we know, especially at boy bard days, honey, a wrench is coming.
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Dumb bitch!
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A post-it stamp size stage.
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Yes, and utilizing and really using it if you really get it.
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Yeah, yeah.
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Working in miniature, you can really turn that out.
00:10:43.039 --> 00:10:50.080
So But what you do is just it's so I need you to uh I forget what's the name of the gentleman who works with Madam now.
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Oh let's see, it keeps changing.
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It does change.
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It was Joe Kovax for a
while, but it's not him anymore.
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It's not no um, but amazing that that legacy continues.
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I I live because I lived for Madam.
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I gotta tell you, I've been modeled modeled after Madam.
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Oh, come on.
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And then he held no because Madam was so filthy and fierce, and I used to sneak and watch her, and I'm like, there's something about this nasty puppet woman that speaks to me.
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Yeah, and I live for her.
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Yes, well, Wayman Flowers was a genius.
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He was genius.
00:11:23.519 --> 00:11:23.919
Oh my god.
00:11:24.080 --> 00:11:26.399
And when she was on solid gold, and remember Madam's place?
00:11:26.720 --> 00:11:27.120
Yeah, yeah.
00:11:27.279 --> 00:11:28.639
Madam's place was everything.
00:11:28.799 --> 00:11:31.919
No, uh, uh a puppet had had a prime time.
00:11:32.879 --> 00:11:33.200
Prime time.
00:11:33.600 --> 00:11:33.759
Hello!
00:11:34.240 --> 00:11:35.279
A box on Hollywood Square.
00:11:35.759 --> 00:11:37.279
Thank you, and a box on Hollywood Square.
00:11:38.240 --> 00:11:40.000
Yes, different than Miss Piggy.
00:11:40.080 --> 00:11:42.960
Miss Piggy's fierce, but Madam was like her own thing.
00:11:43.279 --> 00:11:46.639
So Miss Piggy, so you know, I did this show Symphony Fantastica.
00:11:46.879 --> 00:11:47.600
Yes, yes, yes, yeah.
00:11:47.919 --> 00:11:51.279
10 years before Aries with a Twist, um, my underwater show.
00:11:51.360 --> 00:11:54.240
And I had that was a show that I was a puppeteer in.
00:11:54.399 --> 00:11:55.440
I I performed in.
00:11:55.600 --> 00:12:00.480
I'm not in Aries with a twist, I'm just the director designer in Presario.
00:12:00.960 --> 00:12:04.960
But um Symphony Fantastica, I was in it, but I needed an understudy.
00:12:05.039 --> 00:12:08.240
And I had a kid, his name was Eric Jackson.
00:12:08.960 --> 00:12:14.080
He now, Eric Jacobson, I'm sorry, Eric Jacobson now is Miss Piggy.
00:12:14.320 --> 00:12:16.240
He he does he took over Miss Piggy.
00:12:16.320 --> 00:12:18.480
He took over Miss Piggy from Frank Oz, who originated.
00:12:18.799 --> 00:12:19.200
Right, right.
00:12:19.519 --> 00:12:21.679
He now does, you know, Jimmy Kimmel.
00:12:21.919 --> 00:12:24.960
Anytime Miss Piggy makes an appearance at the at the World Cup.
00:12:25.360 --> 00:12:28.799
I don't know if you saw the Muppets tour at the World Cup uh halftime show.
00:12:28.960 --> 00:12:33.919
That's this guy who used to work with me on Symphony Fantastic in my in Dorothy's theater, in that little theater.
00:12:34.159 --> 00:12:36.720
Baby, look at all your children going off and doing other things.
00:12:36.960 --> 00:12:37.120
I know.
00:12:37.279 --> 00:12:39.120
You really got your hand in everybody's ass.
00:12:39.279 --> 00:12:39.679
There you go.
00:12:40.240 --> 00:12:40.639
Yes.
00:12:42.720 --> 00:12:45.279
Well, that's it.
00:12:45.759 --> 00:12:46.799
I mean, come on.
00:12:47.679 --> 00:12:48.159
It's true.
00:12:48.480 --> 00:12:48.960
It's true.
00:12:49.279 --> 00:12:49.679
It's true.
00:12:50.080 --> 00:12:51.600
I wasn't being filthy.
00:12:52.399 --> 00:12:53.279
Just technical.
00:12:53.679 --> 00:12:54.000
Ish.
00:12:55.679 --> 00:13:08.159
So um speaking of Jim Henson, it um who who are your um sort of, who whom do you, whom did you or do you look up to in puppetry?
00:13:08.240 --> 00:13:08.480
Yeah.
00:13:09.360 --> 00:13:15.200
Well, of course, Jim Henson was a huge influence, and I'm totally like of the Sesame Street generation.
00:13:15.519 --> 00:13:18.960
And that was like uh so that had a huge influence on me.
00:13:19.200 --> 00:13:22.879
Um I there was a puppeteer I used to see.
00:13:22.960 --> 00:13:23.919
I grew up in San Francisco.
00:13:24.080 --> 00:13:24.240
Right.
00:13:24.399 --> 00:13:28.559
So there was a puppeteer who used to perform on the street at work at Fisherman's Wharf.
00:13:28.960 --> 00:13:29.279
Gorgeous.
00:13:29.600 --> 00:13:41.679
Who was his name was Bob Hartman, and he did these hysterical skits, and he would draw huge crowds of adults who were laughing wildly at the they weren't nasty or watching them, but it was just smart.
00:13:42.000 --> 00:13:45.360
And and um he m had this huge influence on me.
00:13:45.600 --> 00:13:46.080
Bob Hartman.
00:13:46.399 --> 00:13:47.519
You saw the power, yeah.
00:13:47.679 --> 00:13:57.120
And then I came to New York when I was a when I was 10, and I saw this puppet troupe um Moominshans.
00:13:57.279 --> 00:13:57.679
Do you remember Moon?
00:13:58.000 --> 00:14:00.720
Yes, Moomin Shawn's, yes, wow the toilet paper.
00:14:00.799 --> 00:14:10.960
I was like, Moominshawns had been this big hit, but then there was another um kind of artist who came and filled the theater that they were in.
00:14:11.039 --> 00:14:11.360
Right.
00:14:11.600 --> 00:14:13.919
Named Philippe Chanti, who was French.
00:14:14.080 --> 00:14:14.240
Uh-huh.
00:14:14.320 --> 00:14:14.399
Yeah.
00:14:14.559 --> 00:14:23.679
He was a French puppeteer and he did this kind of existential, um, surreal stuff with lots of fabric and kind of a little bit spooky.
00:14:23.919 --> 00:14:26.159
And it was not at all, it was like the opposite of the fish.
00:14:26.320 --> 00:14:27.759
So different from everything you'd seen, yeah.
00:14:28.000 --> 00:14:37.120
And that actually that journey, that my admiration for that artist led me to France, which is where I actually was trained.
00:14:37.279 --> 00:14:44.480
I went to the École Supérieure Nationale de la Marionette, the Superior National School of Puppetry.
00:14:46.960 --> 00:14:48.320
Oh, but we poulet.
00:14:48.960 --> 00:14:56.159
So I so I was I had my training at the um sort of the Hogwarts of puppetry in France.
00:14:56.399 --> 00:14:57.200
That is everything.
00:14:57.440 --> 00:15:01.440
And that was because of
this Philippe Gentil, actually, who who inspired me.
00:15:01.519 --> 00:15:07.600
So those were my big, and then of course, I'm I I worked with Julie Tamor, who did The Lion King.
00:15:07.679 --> 00:15:10.320
I worked with her early on.
00:15:10.720 --> 00:15:13.120
And um she's she's amazing.
00:15:13.519 --> 00:15:28.960
Shit, and and I I don't know, I I get inspiration from also just the world of visual art and nature and absolutely um uh so because puppetry is the original interdisciplinary art form.
00:15:29.279 --> 00:15:35.279
Yes, yes, yes, it involves and a puppeteer is someone who wears all the hats.
00:15:35.600 --> 00:15:36.639
All the hats, yes.
00:15:36.879 --> 00:15:39.519
Um and that's how I, you know, that's how I used to do it.
00:15:39.840 --> 00:15:42.879
And I s now I I have a lot of people who help me.
00:15:43.120 --> 00:15:43.759
I love that.
00:15:44.080 --> 00:15:47.919
But I still have that I think I still bring that spirit.
00:15:48.480 --> 00:15:50.879
Yeah, you do, you absolutely do, you know, at at Boy Bar.
00:15:51.120 --> 00:15:51.759
Yeah, yeah, yeah.
00:15:52.159 --> 00:16:01.200
No, the essence, the essence of uh of how your art comes comes to fruition and blossoms is with your hands.
00:16:01.360 --> 00:16:02.559
Yes, yes, yeah.
00:16:02.879 --> 00:16:09.039
And and and it's so it's tactile, so it has to be in there for it to be you.
00:16:09.360 --> 00:16:16.320
Yes, yeah, and and and it's it's the essential thing that it is, it's about bringing something to life.
00:16:16.559 --> 00:16:34.320
Yes, it's making something come to life that maybe isn't what we call a live, but it's some so it's some summoning spirit, yeah, bringing it and bringing, you know, and creating a moment that and all three of us do that that we enjoy live, right?
00:16:34.399 --> 00:16:34.799
Exactly.
00:16:35.120 --> 00:16:41.919
Concon when she does her um uh illustrations, me from playing with my barbies, literally curating my life, you know, as a kid.
00:16:42.080 --> 00:16:46.000
You know, I was putting these stories together and now I have woman-fested it.
00:16:46.080 --> 00:16:46.639
You know what I mean?
00:16:46.799 --> 00:16:46.960
Uh huh.
00:16:47.039 --> 00:16:50.159
But what was the name of the um did you clack that children?
00:16:52.720 --> 00:16:53.120
Yes.
00:16:53.519 --> 00:16:55.120
Um, who lamb chop?
00:16:55.440 --> 00:16:57.919
Oh, Sherry Lewis.
00:16:58.080 --> 00:17:01.120
Sherry Lewis was so fierce, honey, and I live for Lamb Chop too.
00:17:01.200 --> 00:17:01.440
Yeah.
00:17:02.320 --> 00:17:27.359
Because that that's the thing about puppetry, it um the uh the the character itself is childlike, yeah, but the person and the voice and the creator behind it can interject so much adult sort of subtext and sort of like you know, narrative in there that everyone can enjoy.
00:17:27.599 --> 00:17:27.839
Yes.
00:17:28.000 --> 00:17:41.519
Yeah, and like, you know, shows like Avenue Q, they show that's actually a long honored tradition of puppetry can kind of go there in a way that sometimes you can't, or people can't.
00:17:41.920 --> 00:17:44.000
And the one that was on uh Comedy Central too.
00:17:44.160 --> 00:17:48.880
Oh crank callers, crank yankers, crank yankers, crank yankers, crank yankers.
00:17:49.440 --> 00:17:50.799
I did that in the 80s, honey.
00:17:51.359 --> 00:17:53.200
Healthy motherfucker, yeah, yeah.
00:17:53.519 --> 00:17:59.920
No, but it's the but that like but political satire or speaking to subjects that make people uncomfortable.
00:18:00.079 --> 00:18:18.240
Like, that's actually there's a lot of like therapies or a lot of like age education in Africa that's done with puppets is amazing because you can get through to people in a way that sometimes people are it opens up a it opens up something, like opens a portal.
00:18:18.480 --> 00:18:20.240
Yeah, yes, one of those.
00:18:20.559 --> 00:18:21.839
Remember the one that was on Mr.
00:18:22.319 --> 00:18:23.279
What am I doing?
00:18:23.519 --> 00:18:24.240
I can't help it.
00:18:24.319 --> 00:18:25.680
You know I can't, con, con.
00:18:26.000 --> 00:18:27.599
Well, the the one that was on Mr.
00:18:27.680 --> 00:18:30.400
Rogers, that one who uh the what was that one's name?
00:18:30.480 --> 00:18:32.079
The who do the the train.
00:18:32.720 --> 00:18:35.200
Well, there was uh uh Mr.
00:18:35.279 --> 00:18:37.039
Rogers, you know, he did all of those voices.
00:18:37.279 --> 00:18:38.400
Yes, yes, yes, yes.
00:18:38.640 --> 00:18:41.599
He did all of those voices King Friday Friday, yeah.
00:18:41.680 --> 00:18:42.799
Um the little cat um.
00:18:43.119 --> 00:18:46.960
Um my Daniel Tiger.
00:18:47.279 --> 00:18:48.880
Daniel Tiger was a lady.
00:18:49.119 --> 00:18:49.599
Lydia Lane.
00:18:49.920 --> 00:18:50.319
Lady Lane.
00:18:52.240 --> 00:18:54.000
Lady Elaine was shady and fierce, honey.
00:18:54.240 --> 00:18:57.119
I didn't she was so shady and the nose gave it.
00:18:57.200 --> 00:18:58.880
The nose was all like dark.
00:18:59.920 --> 00:19:00.400
Yes.
00:19:00.640 --> 00:19:02.480
But he did not know how to contour, honey.
00:19:02.559 --> 00:19:04.480
It's before contouring, Children of the Corn.
00:19:04.880 --> 00:19:06.559
But he didn't, he I didn't know.
00:19:06.720 --> 00:19:10.079
He did all of he was the puppeteer and did the voices.
00:19:10.240 --> 00:19:10.559
Yes.
00:19:10.720 --> 00:19:14.799
I oh I watched that as a kid and I was like, oh, Sesame Street is better.
00:19:14.960 --> 00:19:16.799
But um he was doing that.
00:19:16.880 --> 00:19:17.759
That's so amazing.
00:19:18.079 --> 00:19:19.200
I had such a crush on him.
00:19:19.359 --> 00:19:19.519
Yeah.
00:19:19.759 --> 00:19:20.319
I really did.
00:19:20.480 --> 00:19:22.079
I thought there was just something so fierce about him.
00:19:22.319 --> 00:19:25.519
And and then when I got older, I was like, oh my god, he's totally giving me the Smith.
00:19:25.599 --> 00:19:26.160
You know what I
mean?
00:19:26.559 --> 00:19:28.559
He likes totally giving that in the Smiths, you know what I mean?
00:19:29.519 --> 00:19:30.559
Yeah, meet his burger.
00:19:31.440 --> 00:19:35.519
Also, just with the with the with the socks and with the and putting on the shoe and everything like that.
00:19:35.839 --> 00:19:37.839
Oh, yeah, yeah.
00:19:38.319 --> 00:19:39.839
And you wanted to change his shoes.
00:19:40.000 --> 00:19:41.440
Yeah, and I was like, why can't I see your feet?
00:19:42.079 --> 00:19:43.279
But it was the sock too, honey.
00:19:43.519 --> 00:19:44.160
Oh, sorry.
00:19:44.319 --> 00:19:46.559
Yeah, you can get it, honey.
00:19:46.640 --> 00:19:47.839
You can get it, honey.
00:19:48.079 --> 00:19:48.480
Yeah.
00:19:48.799 --> 00:19:50.480
But he knew the power of that.
00:19:50.799 --> 00:19:51.200
He certainly did.
00:19:52.079 --> 00:19:54.079
Yeah, he knew the power of the children's of mind.
00:19:54.240 --> 00:19:54.400
Yeah.
00:19:54.559 --> 00:20:04.319
And there's something that I've always I've always benefited from with my puppetry, is that somehow people always underestimate it.
00:20:04.559 --> 00:20:05.599
Oh, oh, oh, absolutely.
00:20:06.000 --> 00:20:14.559
They think it's for kids, they think it's for they think it's something that's they no longer are interested in, or it's and they they think it's for children.
00:20:14.640 --> 00:20:14.880
Yes.
00:20:14.960 --> 00:20:18.559
Yeah, or grown, grow, grown past it, yeah, or grown out of it.
00:20:18.799 --> 00:20:22.960
And so that's like when I would come and do it on nightclub stages.
00:20:23.119 --> 00:20:24.079
People were like, What?
00:20:24.400 --> 00:20:39.440
Yeah, and every time, still, now I've done, you know, four Broadway shows, but I still come in always as an outsider and an underdog, which is kind of a really good place to be.
00:20:39.920 --> 00:20:41.680
Always, and the engine, yeah.
00:20:42.559 --> 00:20:43.359
That fuels you're gonna do it.
00:20:43.519 --> 00:20:44.079
Yeah, exactly.
00:20:44.319 --> 00:20:48.160
That runs you is that oh, you think this is bullshit.
00:20:48.400 --> 00:20:49.359
Yeah, hold on.
00:20:49.680 --> 00:20:50.000
That's right.
00:20:50.160 --> 00:20:50.720
Yeah, yep.
00:20:51.039 --> 00:21:04.240
Because in fact, what's happening in this is sort of serious, but what's happening in puppetry is quite profound because it's between it is playing with this line between life and death.
00:21:04.400 --> 00:21:21.279
Yes, it is this it's that frontier that's kind of a special place that is between worlds that's neither one or the other, and it makes people it uh it kind of confronts them with this existential question of what it is to be alive.
00:21:21.680 --> 00:21:26.640
That happens even in the silliest, goofy, yeah, nasty little puppet show.
00:21:27.039 --> 00:21:36.720
There's somehow people completely fall for it immediately, and it's surprising to everybody when it happens still.
00:21:37.119 --> 00:21:38.240
It's amazing, it's true.
00:21:38.559 --> 00:21:40.720
But it it's like Pinocchio, yeah.
00:21:41.279 --> 00:21:46.400
And in that, like, you know, you can sprinkle the stardust, and then it just comes to life.
00:21:46.640 --> 00:21:47.039
Yeah, yeah.
00:21:47.440 --> 00:21:54.960
And then it sh it it um in that moment you get to see life.
00:21:55.119 --> 00:21:55.599
Yeah, yeah, yeah.
00:21:59.119 --> 00:22:02.400
And it's just like You're taught something.
00:22:02.559 --> 00:22:03.119
You really are.
00:22:03.279 --> 00:22:03.440
Yeah.
00:22:03.680 --> 00:22:04.480
Which is so beautiful.
00:22:04.720 --> 00:22:09.839
It's a moment of beautiful fantasy of like leaving reality and going into a different one.
00:22:10.160 --> 00:22:11.440
But it's and it's magic.
00:22:11.680 --> 00:22:16.720
It is magic, it's real magic, and it's very simple, pure magic.
00:22:16.799 --> 00:22:16.960
Yeah.
00:22:17.119 --> 00:22:18.880
And it has nothing to do with AI.
00:22:19.200 --> 00:22:19.359
No.
00:22:19.839 --> 00:22:20.319
The goddesses.
00:22:20.559 --> 00:22:21.759
Computers, all that.
00:22:22.799 --> 00:22:24.000
It's actually ancient.
00:22:24.240 --> 00:22:32.799
It's like connected to the ancient rites and the ancient that where there's this stone or an icon that has power.
00:22:33.440 --> 00:22:34.960
It goes back as deep as that.
00:22:35.119 --> 00:22:36.240
Basil, what's your sign?
00:22:36.559 --> 00:22:39.119
I'm a Cancerian with a Leo rising.
00:22:39.680 --> 00:22:40.799
Oh, hi, Leo.
00:22:41.200 --> 00:22:42.319
Hi, so I'm dish.
00:22:42.720 --> 00:22:43.920
Leo season, bitches.
00:22:44.240 --> 00:22:44.799
That's right.
00:22:45.039 --> 00:22:45.359
Yeah.
00:22:45.680 --> 00:22:47.119
Kankan just had hers.
00:22:47.440 --> 00:22:47.599
Oh.
00:22:48.000 --> 00:22:49.039
That's fucking fabulous.
00:22:49.119 --> 00:22:50.000
And you're absolutely true.
00:22:50.079 --> 00:22:56.319
It is very old school art of uh, what am I thinking of?
00:22:56.480 --> 00:22:57.440
Almost Mayan-ish.
00:22:57.920 --> 00:22:59.359
Yeah, it's pri it's primal.
00:22:59.519 --> 00:22:59.839
It's old.
00:23:01.039 --> 00:23:03.359
It's an ancient oral tradition.
00:23:03.519 --> 00:23:03.839
Yes, thank you.
00:23:03.920 --> 00:23:04.559
That's what I was trying to do.
00:23:04.960 --> 00:23:13.920
Oral tradition, which even just the the word marionette comes from, it's actually from it's a little Mary, which is like a religious icon.
00:23:14.319 --> 00:23:18.640
And and they would have like a little religious icon and maybe put strings on it.
00:23:18.880 --> 00:23:18.960
Yeah.
00:23:19.119 --> 00:23:19.839
People would freak out.
00:23:20.079 --> 00:23:20.559
Yeah, yeah, yeah.
00:23:20.799 --> 00:23:32.559
That's that it comes from old like the Venus of Willendorf, those kind of like icons that are like little stone figures that are that are charged with meaning.
00:23:32.720 --> 00:23:32.960
Yes.
00:23:33.200 --> 00:23:34.160
That's that's where it comes
from.
00:23:34.480 --> 00:23:34.880
I love that.
00:23:35.039 --> 00:23:35.119
Yeah.
00:23:35.279 --> 00:23:36.400
Wait, there was also one too.
00:23:36.559 --> 00:23:39.279
Remember um the magical garden?
00:23:39.759 --> 00:23:40.000
Magical.
00:23:40.480 --> 00:23:43.119
With the two lesbians on the on the swing with the chuckle patch.
00:23:44.000 --> 00:23:45.119
They were lesbians, girls.
00:23:45.279 --> 00:23:46.079
Wait, I don't know this one.
00:23:46.319 --> 00:23:48.480
You don't know the chuckle patch and the music review.
00:23:49.279 --> 00:23:50.079
Oh, how about that one?
00:23:50.799 --> 00:23:51.440
The magical garden?
00:23:52.799 --> 00:23:54.400
The newsy review with animals.
00:23:54.640 --> 00:23:55.359
Yeah, was that it?
00:23:55.680 --> 00:23:56.240
What they do.
00:23:56.720 --> 00:24:02.720
Yeah, I knew that one with the hippo, Henry and Hippo, and the and the I can't remember the song though.
00:24:02.960 --> 00:24:03.680
But the magic garden.
00:24:04.000 --> 00:24:04.480
Magic garden.
00:24:04.640 --> 00:24:04.960
Yes, yeah.
00:24:06.079 --> 00:24:07.119
They were lesbians, girls.
00:24:07.599 --> 00:24:07.759
Okay.
00:24:07.920 --> 00:24:08.640
They come on.
00:24:08.880 --> 00:24:09.200
Okay.
00:24:09.440 --> 00:24:10.240
That's cool.
00:24:10.559 --> 00:24:11.039
Girl.
00:24:11.200 --> 00:24:11.920
I knew, honey.
00:24:12.079 --> 00:24:14.960
I was like, these women are puppet munchers, honey.
00:24:15.200 --> 00:24:17.440
I knew they were licking a lot of pusses, honey.
00:24:17.519 --> 00:24:20.640
I knew it, I knew it, I knew it at the age of four, honey.
00:24:21.599 --> 00:24:24.480
It's like you ain't fooling nobody up on that swing.
00:24:25.440 --> 00:24:27.440
But anyway, they had a puppet.
00:24:27.680 --> 00:24:28.000
Okay.
00:24:28.240 --> 00:24:30.079
All right, I'll have to check that out, the magic garden.
00:24:30.319 --> 00:24:31.200
I was like, no, they weren't.
00:24:31.440 --> 00:24:33.119
Who was the puppet on the magic garden?
00:24:33.440 --> 00:24:34.240
I don't remember.
00:24:34.400 --> 00:24:35.839
But I remember there being puppet.
00:24:35.920 --> 00:24:37.039
There was like a segment or something.
00:24:37.200 --> 00:24:38.880
It was in the chuckle patch.
00:24:39.279 --> 00:24:39.519
Oh.
00:24:39.920 --> 00:24:40.240
Yeah, yeah.
00:24:40.640 --> 00:24:43.839
And the chuckle patches, they were all basically puppets because they were all like key ki.
00:24:44.319 --> 00:24:45.119
They all kikied.
00:24:45.279 --> 00:24:45.359
Yeah.
00:24:45.759 --> 00:24:46.480
True, true, true, true.
00:24:46.799 --> 00:24:46.960
Yeah.
00:24:47.119 --> 00:24:47.279
True.
00:24:47.359 --> 00:24:48.240
Okay, I'll have to check that out.
00:24:48.319 --> 00:24:49.200
Yeah, go back and watch that.
00:24:49.519 --> 00:24:50.079
Yeah.
00:24:50.559 --> 00:24:51.200
Magic garden.
00:24:51.519 --> 00:24:52.079
Magic garden.
00:24:52.319 --> 00:24:52.960
Yeah, they're totally.
00:24:53.200 --> 00:24:53.920
You have to go back and look.
00:24:54.000 --> 00:24:55.680
I promise you they're lesbians, honey.
00:24:55.839 --> 00:24:56.160
Okay.
00:24:56.400 --> 00:24:56.720
Okay.
00:24:56.880 --> 00:24:58.880
I I th I just thought they were hippies.
00:24:59.039 --> 00:25:00.640
Well, they were hippie lesbians.
00:25:00.880 --> 00:25:01.440
Well, that's true.
00:25:01.680 --> 00:25:02.799
You never seen a hippie lesbians.
00:25:03.039 --> 00:25:03.200
Okay.
00:25:03.359 --> 00:25:05.039
All hippies were lesbians or gay.
00:25:05.200 --> 00:25:05.359
Yeah.
00:25:05.519 --> 00:25:05.839
They were.
00:25:05.920 --> 00:25:07.200
Everyone's like free love, man.
00:25:07.359 --> 00:25:07.440
Er.
00:25:07.839 --> 00:25:08.079
Hello?
00:25:08.400 --> 00:25:08.480
Er.
00:25:09.200 --> 00:25:11.359
Let us sing cross-legged by the fire.
00:25:11.599 --> 00:25:13.759
Or uncrossed and sing cum by ya.
00:25:14.640 --> 00:25:15.279
Open your womb.
00:25:15.680 --> 00:25:16.799
Open your legs to my womb.
00:25:17.440 --> 00:25:17.680
Yeah.
00:25:17.839 --> 00:25:18.079
Right.
00:25:18.160 --> 00:25:20.000
Because you'd have to open your legs to get to the womb.
00:25:20.240 --> 00:25:21.599
What were we talking about?
00:25:23.359 --> 00:25:24.319
Lesbians and puppeteers.
00:25:24.640 --> 00:25:26.319
Lesbians and puppeteering, yes.
00:25:26.640 --> 00:25:29.759
Speaking of lesbian and puppeteering, do you have a trailer?
00:25:30.160 --> 00:25:30.799
Uh yes.
00:25:31.599 --> 00:25:32.720
Yes, I do.
00:25:32.960 --> 00:25:34.720
Did you live in a trailer?
00:25:36.000 --> 00:25:38.559
I have a good, uh we have the reveal of Joey.
00:25:38.640 --> 00:25:39.599
That'll be our trailer.
00:25:41.200 --> 00:25:43.440
Let's see if we can go to can we go to a clip of that, Pomolliff?
00:25:43.519 --> 00:25:44.559
All right, we're gonna go to a clip to that.
00:25:44.640 --> 00:25:45.440
We'll be right back.
00:25:45.920 --> 00:25:50.960
She is the C, the last of the alphabet.
00:25:52.079 --> 00:25:56.079
So C is what you get tonight.
00:26:15.519 --> 00:26:15.839
Amazing.
00:26:15.920 --> 00:26:16.480
I cannot wait.
00:26:16.720 --> 00:26:18.160
We're all, like I said, we're all coming.
00:26:18.240 --> 00:26:22.640
We're gonna be there to support you, sweetheart, and especially to be there in the legacy of Dorothy.
00:26:22.880 --> 00:26:23.440
Yes, thank you.
00:26:23.599 --> 00:26:23.839
Thank you.
00:26:23.920 --> 00:26:25.359
Yeah, that means that's so beautiful.
00:26:25.599 --> 00:26:28.319
I need to see a picture of her because I know she smiled with her eyes, didn't she?
00:26:28.480 --> 00:26:28.799
She did.
00:26:28.960 --> 00:26:29.119
See?
00:26:29.440 --> 00:26:30.240
You got that from her.
00:26:30.559 --> 00:26:30.720
Yes.
00:26:30.880 --> 00:26:31.759
Come on, Dorothy.
00:26:31.920 --> 00:26:40.480
She was, she was, so I don't know if you remember this at the theater, because I know you both have been there, but there's these puppets, these old puppets that
belong to my grandfather.
00:26:40.880 --> 00:26:42.559
And they're in the show, right?
00:26:42.720 --> 00:26:44.079
They're in the show with Joey.
00:26:44.240 --> 00:26:45.839
They're like the band that plays.
00:26:46.000 --> 00:26:46.640
Oh my god.
00:26:46.799 --> 00:26:47.440
That plays back.
00:26:47.920 --> 00:26:52.480
Oh, this is because I I've seen I've seen little things on YouTube.
00:26:52.960 --> 00:27:11.839
So it looks like these these little men in the distance, but it's actually they're they're these beautiful hand-carved wooden faces of famous band leaders from the 40s because my grandfather was a big band leader in the 1930s and 40s.
00:27:12.000 --> 00:27:13.519
His name was Griff Williams.
00:27:13.839 --> 00:27:29.440
And and Dorothy married Griff, the bandleader, and traveled around the country with the band and met in San Francisco, eventually settled in Chicago, and Griff um loved puppets also.
00:27:29.519 --> 00:27:34.160
So had these puppets made of famous band leaders like Harry James, Cab Callaway.
00:27:34.559 --> 00:27:36.640
So I never met my grandfather.
00:27:36.720 --> 00:27:43.680
He died before I was born, but my grandmother Dorothy gave me those puppets when I was like 10 years old.
00:27:43.920 --> 00:27:45.200
Wow, this is a legacy.
00:27:45.440 --> 00:27:48.720
And I've been carrying them around, and they finally found a home.
00:27:48.960 --> 00:27:49.119
Yes.
00:27:49.359 --> 00:27:53.519
When this theater was formed around Symphony Fantastique.
00:27:53.680 --> 00:27:55.920
And they lived in this case.
00:27:56.240 --> 00:27:58.240
Um and they're antiques.
00:27:58.319 --> 00:28:02.240
So and they're a little bit, they're they're I didn't use them that much.
00:28:02.319 --> 00:28:03.839
They're kind of a little spooky.
00:28:04.079 --> 00:28:04.960
But they're perfect for this.
00:28:05.200 --> 00:28:06.079
They're perfect for the show.
00:28:06.160 --> 00:28:09.920
And what happened once was that Joey was doing, he was in Zoomanity in Vegas.
00:28:10.079 --> 00:28:10.480
Yeah, yeah.
00:28:10.799 --> 00:28:14.640
And he came back to New York and he was doing a party for Mao magazine.
00:28:15.119 --> 00:28:17.039
And he wanted to do something special.
00:28:17.200 --> 00:28:21.359
And, you know, as much as Joey is um Joey.
00:28:21.599 --> 00:28:21.920
Joey.
00:28:22.160 --> 00:28:24.880
And he's, you know, and he's Joey.
00:28:25.279 --> 00:28:25.599
Joey.
00:28:26.720 --> 00:28:28.960
Joey is essentially classy.
00:28:29.119 --> 00:28:29.279
Yeah.
00:28:29.440 --> 00:28:31.039
He's so classy and elegant.
00:28:31.119 --> 00:28:35.519
And there was something I thought, I can put Joey with my grandfather's puppets.
00:28:35.920 --> 00:28:45.359
And we did this performance, and Joey was so I had set them up as a little band behind Joey and Joey did his Billy Holiday thing, and the and he flirted with the puppets and the puppets.
00:28:45.680 --> 00:28:45.920
Yes.
00:28:46.240 --> 00:28:47.920
They had such amazing chemistry.
00:28:48.319 --> 00:28:51.519
It's like you know, you would see on the Muppet show, like people, there were some people.
00:28:51.839 --> 00:28:54.799
Yeah, something really dumb had chemistry with the puppets.
00:28:55.279 --> 00:28:59.119
Joey had chemistry in a way that brought the puppets even more to life.
00:28:59.440 --> 00:29:03.359
Like the puppeteers brought them to life, and Joey's interaction brought them even more to life.
00:29:03.519 --> 00:29:04.720
So the era flirting, honey.
00:29:04.799 --> 00:29:05.039
Hello.
00:29:05.200 --> 00:29:05.359
Yes.
00:29:05.519 --> 00:29:06.720
You can raise the dead.
00:29:06.960 --> 00:29:14.799
And it's also um that sort of relationship with lead singer and fan and band leader.
00:29:14.960 --> 00:29:15.119
Yeah.
00:29:15.359 --> 00:29:18.480
And that sort of big band, sort of, you know.
00:29:18.720 --> 00:29:18.880
Yeah.
00:29:19.440 --> 00:29:20.480
So it was perfect.
00:29:20.720 --> 00:29:24.319
It was perfect for for that um Billy Holiday persona.
00:29:24.480 --> 00:29:24.720
Yeah.
00:29:24.960 --> 00:29:28.000
It was, and then it was perfect to do it in the Dorothy Theater.
00:29:28.640 --> 00:29:34.160
And kind of the story of the show as it was created, because Joey had been away for years in Vegas.
00:29:34.400 --> 00:29:40.559
The show begins with my grandfather's music and his theme song, which is called Dream Music.
00:29:40.880 --> 00:29:44.640
And the band is playing alone into outer space.
00:29:44.799 --> 00:29:45.359
It's going to be great.
00:29:45.519 --> 00:29:47.039
And then we find Joey in the spaceship.
00:29:47.920 --> 00:29:51.279
And he has his crazy adventures and he eventually reunites with the band.
00:29:51.440 --> 00:29:52.000
That's the work.
00:29:53.200 --> 00:29:53.680
That's the journey.
00:29:54.480 --> 00:29:55.680
And the arc of the story.
00:29:55.920 --> 00:29:59.279
You guys, you'll be getting these tickets because we will all be there, honey.
00:29:59.519 --> 00:30:02.720
September 17th at the Here Space.
00:30:02.880 --> 00:30:03.119
Yes.
00:30:03.279 --> 00:30:05.200
The legendary Dorothy Dandres.
00:30:07.359 --> 00:30:08.880
The legendary Dorothy Theater.
00:30:09.119 --> 00:30:09.359
Hello.
00:30:09.680 --> 00:30:09.839
Yes.
00:30:10.079 --> 00:30:10.799
Hyphenated.
00:30:11.119 --> 00:30:12.480
Basil, you're everything.
00:30:12.640 --> 00:30:15.200
Oh we're not done with you yet, but I'm just you're everything.
00:30:15.440 --> 00:30:18.559
And I love knowing this history about him that we did not know.
00:30:18.799 --> 00:30:23.680
I mean, we knew you were legendary with the puppetry, but to see that there was this legacy of your family.
00:30:23.839 --> 00:30:24.000
Yeah.
00:30:24.400 --> 00:30:26.720
I'm all at hands in entertainment.
00:30:26.960 --> 00:30:27.039
Yes.
00:30:27.279 --> 00:30:27.759
Yes, exactly.
00:30:28.160 --> 00:30:28.640
Show business.
00:30:28.880 --> 00:30:32.240
So now we're gonna let you
take a little dip into the fishbowl, sweetheart.
00:30:32.559 --> 00:30:32.880
Okay.
00:30:33.200 --> 00:30:33.440
Okay.
00:30:35.920 --> 00:30:37.119
Steal that fish.
00:30:38.400 --> 00:30:39.680
Those gorgeous hands.
00:30:40.880 --> 00:30:41.680
What'd you get?
00:30:42.079 --> 00:30:42.960
What did I get?
00:30:44.079 --> 00:30:46.160
Um that's a fish.
00:30:46.880 --> 00:30:47.519
Is that an octopus?
00:30:47.839 --> 00:30:48.720
That's an octopus.
00:30:49.839 --> 00:30:51.200
I've never seen that one before.
00:30:51.440 --> 00:30:57.839
Who was my first gay mom in the scene?
00:30:58.240 --> 00:31:00.160
Who was my first gay mom?
00:31:01.519 --> 00:31:03.440
Well, that's pretty easy for me.
00:31:04.559 --> 00:31:05.359
Oh, well, no.
00:31:05.599 --> 00:31:06.559
There's two, actually.
00:31:06.880 --> 00:31:07.039
Okay.
00:31:07.200 --> 00:31:07.839
Sorry, go ahead.
00:31:08.640 --> 00:31:10.960
Well, who was who was your gay mom?
00:31:12.240 --> 00:31:16.799
Oh, well, my my first one was um uh cookie who is now passed on.
00:31:16.880 --> 00:31:21.680
I love you, uh, up in Montreal when I lived in Montreal, and then of course Mona Foote was my second one.
00:31:22.000 --> 00:31:22.319
Yeah.
00:31:23.119 --> 00:31:23.519
Yay.
00:31:24.640 --> 00:31:25.119
Mona!
00:31:25.519 --> 00:31:26.400
Big Lisa!
00:31:27.920 --> 00:31:29.680
Who would be my first gay mom?
00:31:30.160 --> 00:31:35.920
I mean, of course, I I I know you all through Bobby Miller.
00:31:36.319 --> 00:31:37.119
Oh, Bobby!
00:31:37.440 --> 00:31:38.319
Yeah, she was, yeah.
00:31:38.720 --> 00:31:43.039
Who was, you know, the drag nurse downstream to everybody at the time.
00:31:43.200 --> 00:31:48.400
And I met I met all the beautiful, uh-huh.
00:31:48.640 --> 00:31:49.759
All the beautiful people.
00:31:49.920 --> 00:31:51.680
And um She was very Mrs.
00:31:51.759 --> 00:31:52.960
Garrett, honey, if you think about it.
00:31:54.400 --> 00:31:55.359
Bobby Miller was Mrs.
00:31:55.519 --> 00:31:56.160
Garrett, honey.
00:31:56.799 --> 00:31:57.359
Girls.
00:32:00.000 --> 00:32:00.319
God.
00:32:01.359 --> 00:32:05.279
So, but I can't say that my my my boyfriend was my gay mom, of course.
00:32:05.519 --> 00:32:09.680
But um, I don't know, let's see who um Bobby Miller's a good one.
00:32:09.920 --> 00:32:31.039
Bobby Miller's a good one, but there was that, I mean, that whole world of of um, I mean, I met Sherry, of course, right away through um through Bobby and uh and that whole world with with Pat Field and and Chi Chi Valenti and these incredible women who would held space for all kinds of people.
00:32:31.279 --> 00:32:33.039
So that's a good one.
00:32:33.200 --> 00:32:33.279
Yeah.
00:32:33.440 --> 00:32:37.039
I mean, and also Matthew Casting was kind of everybody's mother, yeah.
00:32:37.200 --> 00:32:37.359
Yeah.
00:32:37.599 --> 00:32:37.839
Yeah.
00:32:38.559 --> 00:32:40.240
Because that that would be mine.
00:32:40.559 --> 00:32:40.960
Yeah, absolutely.
00:32:41.119 --> 00:32:41.839
I was about to say this.
00:32:42.079 --> 00:32:44.559
Would be um Matthew and Chrysis.
00:32:44.799 --> 00:32:47.119
I was about to say Matthew and Chris is definitely for you.
00:32:47.680 --> 00:32:48.960
Would be my two moms.
00:32:49.119 --> 00:32:49.920
Yeah, that's a good question.
00:32:50.240 --> 00:32:50.880
My two moms.
00:32:51.039 --> 00:32:53.839
You're back to the show theme.
00:32:54.240 --> 00:32:54.480
Yeah.
00:32:54.799 --> 00:32:59.359
Speaking of lesbians and the chuckle pad.
00:32:59.759 --> 00:32:59.920
True.
00:33:00.160 --> 00:33:00.319
See.
00:33:00.640 --> 00:33:01.039
Oh my god.
00:33:01.359 --> 00:33:03.680
Sister, you came from lesbians, honey.
00:33:04.319 --> 00:33:06.480
You were lesbiana by a Jay Sish.
00:33:06.880 --> 00:33:07.359
It's true.
00:33:07.599 --> 00:33:07.839
See.
00:33:08.079 --> 00:33:08.880
It's true.
00:33:10.160 --> 00:33:11.119
Just saying.
00:33:11.599 --> 00:33:13.039
What happened was.
00:33:14.079 --> 00:33:15.440
Oh, wait, so do you want to go?
00:33:15.599 --> 00:33:15.839
I'll go.
00:33:16.319 --> 00:33:16.400
Okay.
00:33:16.799 --> 00:33:17.039
Okay.
00:33:17.680 --> 00:33:18.799
Shake the shake things.
00:33:19.200 --> 00:33:19.359
Nice.
00:33:19.759 --> 00:33:20.960
Kill that fish.
00:33:21.440 --> 00:33:23.039
Ooh, is that a warrant?
00:33:23.519 --> 00:33:24.160
Oh, wow.
00:33:24.480 --> 00:33:26.720
Okie dokie smokies, let's see here.
00:33:27.119 --> 00:33:31.519
Ever made a snap decision that changed your life?
00:33:33.359 --> 00:33:34.319
Wearing this dress.
00:33:34.559 --> 00:33:34.960
Sorry.
00:33:37.359 --> 00:33:40.640
Uh, have I ever made a snap decision that changed my life?
00:33:41.039 --> 00:33:49.119
Um yeah, when I decided to go to um puppetry school in France.
00:33:50.319 --> 00:34:02.720
I I was living here in New York and um and I was I had met Julie Tamore and had met some puppeteers and was kind of doing my thing a little bit.
00:34:03.680 --> 00:34:08.880
And I had I had started going to college, but I left it behind.
00:34:09.119 --> 00:34:09.280
Right.
00:34:09.440 --> 00:34:11.519
I was like, this isn't working for me.
00:34:12.239 --> 00:34:14.639
And I wasn't sure what I was gonna do.
00:34:16.079 --> 00:34:19.920
And then I found out about this school in France, and I said, I'm gonna do that.
00:34:20.239 --> 00:34:23.360
I'm gonna I'm gonna throw all my eggs into this basket.
00:34:23.599 --> 00:34:23.920
Literally.
00:34:24.159 --> 00:34:31.039
And um, or place them gently in this basket and and and move forward with this plan to be a puppeteer.
00:34:31.679 --> 00:34:33.760
Which seemed like some I was into it as a kid.
00:34:33.920 --> 00:34:34.239
Right.
00:34:34.480 --> 00:34:38.159
But that was like the move I made to be like, I'm really doing this.
00:34:38.400 --> 00:34:39.119
And here you are.
00:34:39.280 --> 00:34:44.079
And it's still I every day I know that that was the right move to make.
00:34:44.400 -->
00:34:46.159
That yeah, stunning.
00:34:46.480 --> 00:34:46.719
Con?
00:34:48.159 --> 00:34:49.519
Oh what was the question?
00:34:49.840 --> 00:34:52.480
Um what was the question?
00:34:53.119 --> 00:34:58.639
Um, what what snap decision did I make that changed my life?
00:34:58.960 --> 00:34:59.760
Yes, good.
00:35:01.679 --> 00:35:09.360
I remember but what was that I can't help you with.
00:35:10.320 --> 00:35:10.880
Come on.
00:35:11.039 --> 00:35:12.159
What was the snap?
00:35:12.559 --> 00:35:16.639
I um I love you so much, girl.
00:35:19.679 --> 00:35:20.159
Snap.
00:35:20.320 --> 00:35:20.800
Snap decision.
00:35:21.519 --> 00:35:22.000
Snap.
00:35:22.880 --> 00:35:23.199
Okay.
00:35:23.599 --> 00:35:26.079
Um did you answer yet?
00:35:26.400 --> 00:35:26.639
No.
00:35:26.880 --> 00:35:28.639
Okay, go answer and then I'll think.
00:35:28.880 --> 00:35:30.719
Snap decision that changed my life.
00:35:32.639 --> 00:35:39.199
Oh, uh this is very true, and I yeah, and still to this day it still changed my life.
00:35:39.519 --> 00:35:50.239
The decision that I made to go onto Fire Island in 2005, it is one of those things that constantly gives me a gift every single day, you know.
00:35:50.400 --> 00:35:53.840
Um best decision I ever made that I didn't want to make.
00:35:54.159 --> 00:35:55.119
Okay, that helped.
00:35:55.360 --> 00:35:56.079
Does that help, sister?
00:35:56.559 --> 00:35:58.079
That helped I'm just trying to help sister.
00:35:58.480 --> 00:35:58.880
Oh, thank you.
00:35:59.119 --> 00:35:59.519
You're welcome.
00:35:59.840 --> 00:36:00.480
Thank you.
00:36:01.280 --> 00:36:18.239
Well, I guess the decision not to go to art school and to sort of go in and try and find myself.
00:36:19.039 --> 00:36:19.199
Right.
00:36:19.280 --> 00:36:21.519
Oh, that's that was that that was a snap.
00:36:21.599 --> 00:36:25.920
But because I was like, okay, I'm gonna go to art school and I'm going to stay in one line.
00:36:26.159 --> 00:36:31.280
Try and ink out and just be like, you know, silently miserable.
00:36:31.519 --> 00:36:32.159
Right, right, right.
00:36:32.400 --> 00:36:35.440
Because it's true, because when we did come up from that time, we had to pick one.
00:36:36.159 --> 00:36:44.880
You weren't really encouraged to do so many things, but now look, we've all managed to kind of juggle, if you will, all of these wonderful qualities that we were very talented in.
00:36:45.280 --> 00:36:45.599
You know?
00:36:45.920 --> 00:36:50.400
And look at how you have flourished in your in my snap decision.
00:36:50.480 --> 00:36:54.239
In your snap decision, and how it has been amazing how you've done it now.
00:36:54.400 --> 00:36:54.880
Yeah.
00:36:55.119 --> 00:36:58.000
Well, you still get to do that in so many other things while looking stripping.
00:36:58.239 --> 00:36:58.480
True, true.
00:36:59.760 --> 00:37:00.880
It was a full circle moment.
00:37:01.119 --> 00:37:01.360
Exactly.
00:37:01.760 --> 00:37:03.199
I just come back
around to art.
00:37:03.440 --> 00:37:03.679
Wow.
00:37:04.159 --> 00:37:04.320
Yeah.
00:37:04.480 --> 00:37:05.440
Do we have time for one more?
00:37:05.760 --> 00:37:05.920
Con?
00:37:07.280 --> 00:37:12.880
Oh this brought me good luck.
00:37:14.400 --> 00:37:16.800
I am giving you very tropical fish bowl, honey.
00:37:17.039 --> 00:37:18.400
I am a tropical fish.
00:37:18.559 --> 00:37:20.159
Ooh, that matches my dress.
00:37:20.320 --> 00:37:20.880
Ooh.
00:37:21.360 --> 00:37:23.440
Um, and she is a whale.
00:37:23.760 --> 00:37:27.119
Excuse me! Oh, you're calling a whale.
00:37:27.760 --> 00:37:34.719
Thing about me that is not a trait of my astrological sign.
00:37:35.199 --> 00:37:35.440
Oh.
00:37:36.559 --> 00:37:39.119
A trait that is not a part of my astrological sign.
00:37:40.480 --> 00:37:44.239
That is not a trait of my astrological sign.
00:37:44.639 --> 00:37:44.880
Ah.
00:37:45.280 --> 00:37:46.320
Okay, cancer.
00:37:46.719 --> 00:37:54.639
Yes, well, cancer is um uh sensitive and uh homey.
00:37:55.440 --> 00:38:11.599
Um uh I am I I I haven't been able to have all these adventures and experiences I've had without being um out adventurous and and ambitious.
00:38:12.000 --> 00:38:12.239
Exactly.
00:38:12.400 --> 00:38:14.079
Yes, and that's and not be home.
00:38:14.239 --> 00:38:21.280
Yeah, yeah, not be home, go around the world and and and be uh risky to throw it out there.
00:38:21.760 --> 00:38:26.559
Yeah, which makes it even special when he is at home and you can do it to kind of reboot your browser in a sense.
00:38:26.800 --> 00:38:27.599
Oh, I love being at home.
00:38:27.760 --> 00:38:28.400
Oh, absolutely.
00:38:28.559 --> 00:38:28.960
Who doesn't?
00:38:29.039 --> 00:38:31.119
Yeah, I mean hello, we're working from home today.
00:38:32.320 --> 00:38:32.960
Yeah.
00:38:35.360 --> 00:38:36.719
That was so puppet-ish.
00:38:37.679 --> 00:38:38.159
Thank you.
00:38:38.480 --> 00:38:39.119
Con, con.
00:38:39.360 --> 00:38:40.000
You clapped it.
00:38:40.079 --> 00:38:40.559
You clapped it.
00:38:40.880 --> 00:38:41.519
For you, hello.
00:38:41.760 --> 00:38:42.000
Thank you.
00:38:42.239 --> 00:38:43.039
What about you, Con?
00:38:43.519 --> 00:38:44.719
Uh yeah, okay.
00:38:48.000 --> 00:38:49.119
That is not a trait.
00:38:49.519 --> 00:38:50.800
That's a little sign.
00:38:51.440 --> 00:39:09.440
Um I uh um I guess my introverted personality because at the core, I am super introverted.
00:39:09.679 --> 00:39:10.000
Right, right.
00:39:10.400 --> 00:39:12.559
But you've managed to work through that, obviously.
00:39:12.800 --> 00:39:13.039
Yeah.
00:39:13.280 --> 00:39:15.440
But no, I I just have a different persona.
00:39:15.599 --> 00:39:16.719
Well, yeah, well, yeah, exactly.
00:39:17.039 --> 00:39:17.920
As opposed to your Leo.
00:39:18.159 --> 00:39:18.480
Me too.
00:39:18.639 --> 00:39:19.199
Your Leo, yeah.
00:39:19.440 --> 00:39:20.159
Yeah, Leo.
00:39:20.719 --> 00:39:23.440
Leo are is supposed to be more
gregarious.
00:39:23.679 --> 00:39:24.159
Right, right, right.
00:39:25.440 --> 00:39:26.320
No, you're absolutely right.
00:39:26.639 --> 00:39:26.880
Okay.
00:39:27.280 --> 00:39:27.920
Yeah.
00:39:28.400 --> 00:39:28.800
Yeah.
00:39:29.039 --> 00:39:29.760
We did that.
00:39:30.000 --> 00:39:30.800
Yes, we did.
00:39:31.039 --> 00:39:32.320
We got through that.
00:39:32.880 --> 00:39:39.360
I'm going to piggy, actually, piggyback onto you because Aries, as you know, we're very um outgoing and social.
00:39:40.320 --> 00:39:45.039
Um, but I think that very few people know that I am actually very shy.
00:39:46.159 --> 00:39:46.719
Uh-huh.
00:39:47.760 --> 00:39:49.280
Oh my god, I am.
00:39:49.440 --> 00:39:50.559
I'm really shy.
00:39:50.800 --> 00:39:52.559
No, I know that about you.
00:39:52.800 --> 00:39:54.880
You don't believe me, Luke Skywalker.
00:39:57.199 --> 00:39:58.960
But I've learned to work through it.
00:39:59.039 --> 00:39:59.199
Yeah.
00:39:59.679 --> 00:40:00.800
You certainly have.
00:40:01.199 --> 00:40:02.800
And a snap decision.
00:40:03.039 --> 00:40:03.360
Okay.
00:40:06.719 --> 00:40:12.639
No, but yeah, I I you know what it was because when I was younger and I would be in um uh uh what was it?
00:40:13.280 --> 00:40:14.880
Uh uh uh dance class.
00:40:15.119 --> 00:40:18.880
And and we would have a um a rehearsal uh or a what a recital.
00:40:19.360 --> 00:40:20.000
I think a recital.
00:40:20.719 --> 00:40:24.400
And um, I would get such stage fright before getting on stage.
00:40:24.639 --> 00:40:28.880
And then I realized throughout the years that it was all the energy that I was about ready to put out.
00:40:29.039 --> 00:40:30.559
And you know who taught me that lesson?
00:40:31.039 --> 00:40:48.719
I can honestly cry because I remember it was one of the last big wig stocks that we had on the water, and it was um uh I I remember I had the I was doing Latin Lover.
00:40:49.039 --> 00:40:50.880
Oh no, no, no, the white, not the light.
00:40:51.199 --> 00:40:54.960
Uh uh it was before we left the uh the West Side Highway.
00:40:55.119 --> 00:40:57.679
It was one of the last ones before it ended there.
00:40:58.000 --> 00:41:04.079
It was like early 2000s, and um, I remember I was having the only panic attack.
00:41:04.320 --> 00:41:06.800
And Jackie B, bitch was fierce.
00:41:07.280 --> 00:41:10.000
She saw what I was going through, whatever, and I I don't know.
00:41:10.079 --> 00:41:15.679
I was just for some reason I was so in my head and just giving a great performance and whatnot.
00:41:15.920 --> 00:41:20.000
And she just took me aside, she's like, sister, she's like, You've got this, you're so amazing.
00:41:20.159 --> 00:41:24.719
When you get on that stage, just burst and give them all that energy, and it stuck with me every single day.
00:41:24.880 --> 00:41:36.639
And it doesn't matter, and then you know, I obviously stopped performing way back in the day, but even DJing or public speaking or any of the things, it still always got in my head, and I've remembered that every single day that guess what?
00:41:36.800 --> 00:41:42.320
I black out, I do my mantra, and I go into the set, and I don't know what happens once I'm there.
00:41:42.639 --> 00:41:43.280
And I love that.
00:41:43.360 --> 00:41:49.119
And then afterwards, if I see a video or a photo, I'm like, wow, I was really dialed in.
00:41:49.199 --> 00:41:51.039
And Jackie B, I love you, bitch.
00:41:51.280 --> 00:41:54.960
You help me every single day when I have to go into that place.
00:41:55.039 --> 00:41:58.559
I remember that, and it's just that love that you gave me and that hug was everything.
00:41:58.719 --> 00:42:00.079
So yeah, gorgeous.
00:42:00.320 --> 00:42:01.119
Yeah, that yeah.
00:42:01.360 --> 00:42:02.079
Oh wow.
00:42:04.559 --> 00:42:05.679
Yeah, okay, guys.
00:42:05.840 --> 00:42:08.960
Not a let's talk about no.
00:42:09.519 --> 00:42:11.599
Oh, I had to bite my tongue on that one.
00:42:12.159 --> 00:42:13.840
You guys, we're here every Thursday.
00:42:13.920 --> 00:42:15.039
I'd like to thank Basil.
00:42:15.119 --> 00:42:16.320
You are everything, sweetheart.
00:42:16.400 --> 00:42:18.400
Wow, you're welcome anytime.
00:42:18.559 --> 00:42:22.159
And I cannot wait to see you shine at Dorothy's Theatre.
00:42:22.320 --> 00:42:23.679
Yeah, I can't wait to have you there.
00:42:23.760 --> 00:42:31.920
And oh my god, it's so wonderful to be in this space with you and to remember our our art and our culture and our families.
00:42:32.079 --> 00:42:34.719
Yeah, and please tell your husband we cannot wait to meet him.
00:42:34.880 --> 00:42:36.480
Yes, he's gorgeous, Ken.
00:42:36.800 --> 00:42:39.039
Yes, he's he is in the gelico ball.
00:42:39.360 --> 00:42:40.239
The jellico ball, yes.
00:42:40.639 --> 00:42:41.760
He did you see the jellico ball?
00:42:42.079 --> 00:42:44.480
Yeah, she went yeah, he's the he's the the the DJ, right?
00:42:44.719 --> 00:42:45.360
Yeah, he's the DJ.
00:42:45.679 --> 00:42:47.519
Oh, that that was in the original cats.
00:42:47.920 --> 00:42:50.000
He was in the original company of cats.
00:42:50.079 --> 00:42:54.320
He was the original McCavity of Cats 44 years ago.
00:42:54.719 --> 00:42:55.519
Come on, Cavity.
00:42:56.079 --> 00:42:56.320
I know.
00:42:56.480 --> 00:42:57.199
Wait, McCavity.
00:42:57.599 --> 00:42:58.079
McCavity.
00:42:58.559 --> 00:42:59.119
McCavity.
00:42:59.440 --> 00:43:00.480
Dentures, I don't know.
00:43:00.960 --> 00:43:01.280
Work.
00:43:01.519 --> 00:43:02.239
That's fierce.
00:43:02.320 --> 00:43:02.480
Yeah.
00:43:02.639 --> 00:43:03.280
All right, you guys.
00:43:03.519 --> 00:43:03.920
Oh, wow.
00:43:04.159 --> 00:43:04.559
Yeah, yeah, yeah.
00:43:04.639 --> 00:43:05.760
So say hello for him.
00:43:06.159 --> 00:43:06.400
Absolutely.
00:43:07.360 --> 00:43:07.679
I will.
00:43:07.760 --> 00:43:11.119
We were Sydney was talking about you less Sydney Harcourt.
00:43:11.440 --> 00:43:11.920
Yeah.
00:43:12.400 --> 00:43:12.719
Yay.
00:43:13.280 --> 00:43:15.440
Well, we will see you at the theater.
00:43:15.760 --> 00:43:16.159
At the theater.
00:43:16.559 --> 00:43:20.000
Theater, at the Here Theater, at the Dorothy Theater for Aries with the Twitter.
00:43:20.239 --> 00:43:20.800
September 15th.
00:43:22.400 --> 00:43:23.760
And we're gonna have to Arias with the twist.
00:43:24.079 --> 00:43:25.440
Arias with the twist, you guys.
00:43:25.599 --> 00:43:26.719
You guys like, subscribe.
00:43:26.800 --> 00:43:30.960
We're here every Thursday, sending you blessings, love, and light, and always some brown sugar kisses.
00:43:31.039 --> 00:43:31.840
What you got?
00:43:32.079 --> 00:43:36.000
I got some puppety shoes.
00:43:36.480 --> 00:43:41.199
Oh, puppety shoes for my sugar dumplings and deuce.
00:43:42.960 --> 00:43:43.760
Love you, Basil.
00:43:44.559 --> 00:43:45.440
Oh, shoe camp chat.
00:43:45.519 --> 00:43:46.320
Everybody kick up your shoes.
00:43:46.480 --> 00:43:46.960
Shoe camps.
00:43:47.039 --> 00:43:48.400
Basil, kick up your legs, baby.
00:43:48.880 --> 00:44:00.000
Shoe can our show is produced by Josh Rosenspack and Matthew Green.
00:44:00.320 --> 00:44:03.679
Our gorgeous graphics are by Daryl Raymond.
00:44:03.760 --> 00:44:06.079
Our theme music is You Need It.
00:44:06.320 --> 00:44:10.960
Produced and written and performed by 808 Beach, John J.C.
00:44:11.119 --> 00:44:12.719
Carr, and Bill Coleman.
00:44:12.960 --> 00:44:15.599
Courtesy of Peace Biscuit.
00:44:15.760 --> 00:44:19.199
Our perfect production designer is Daryl Dickens.
00:44:19.360 --> 00:44:24.960
This season's hair has been done by the heavenly hair goddess herself, Mariah.
00:44:26.320 --> 00:44:30.480
Our very special thanks to Jason Canner for all your wonderful support.
00:44:30.639 --> 00:44:34.079
The cutting up is a Pride House Media production.