رونوشت کامل Bob Odenkirk, "Normal"

elements, like I mean, 82 00:03:40.639 --> 00:03:43.439 obviously the setting is always under the character of a film, 83 00:03:43.759 --> 00:03:46.360 but in this one, it has to maybe enhance a 84 00:03:46.439 --> 00:03:48.599 performance in certain ways. 85 00:03:48.879 --> 00:03:51.879 Well also, I mean it does it also hurries you 86 00:03:52.000 --> 00:03:55.199 up because you want to get done and go home 87 00:03:55.360 --> 00:03:56.759 and get out of that cold. 88 00:03:58.479 --> 00:03:58.800 Yeah. 89 00:03:58.840 --> 00:04:03.000 Look, so Wheatley always says movies are mostly man versus man, 90 00:04:03.039 --> 00:04:05.840 but this is a film that's man versus man versus 91 00:04:05.879 --> 00:04:10.759 God because there's a snowstorm coming in and these people 92 00:04:10.800 --> 00:04:16.040 are having a out and out battle and the electricity's 93 00:04:16.120 --> 00:04:20.240 down and the whole place is is just hell and 94 00:04:20.279 --> 00:04:22.079 then they're after each other. 95 00:04:22.759 --> 00:04:26.079 Did you see, like in your career having this run 96 00:04:26.240 --> 00:04:29.519 of being an action star, of being like the act 97 00:04:29.639 --> 00:04:31.680 like you're one of the action stares right now. It's 98 00:04:31.680 --> 00:04:34.160 like when Bruce Willis went from Moonlighting to die Hard. 99 00:04:35.040 --> 00:04:38.720 We now have Saul Is now in normal. 100 00:04:39.240 --> 00:04:43.360 No, I didn't see it. It was a I did 101 00:04:43.399 --> 00:04:46.959 have a notion that I could do this, and it's 102 00:04:47.000 --> 00:04:51.040 based on Saul because Saul was a character who fought hard, 103 00:04:51.480 --> 00:04:55.199 pushed back and never quit and so those are qualities 104 00:04:55.199 --> 00:04:58.160 for an action lead. And then as far as learning 105 00:04:58.199 --> 00:05:02.319 how to fight do on screen fighting, that was a journey. 106 00:05:02.480 --> 00:05:04.879 That was a journey of a couple of years actually, 107 00:05:05.439 --> 00:05:07.439 and I was willing to do it. I was at 108 00:05:07.480 --> 00:05:11.879 the gym yesterday doing choreography. I was at the stunt gym. 109 00:05:12.040 --> 00:05:14.600 And I have no movie coming up. I'm taking a break. 110 00:05:14.639 --> 00:05:17.439 I'm going on some trips with my wife. But the 111 00:05:17.480 --> 00:05:19.519 truth is I want to keep it up because I 112 00:05:19.680 --> 00:05:22.920 like doing it. It's great fun and I hope I 113 00:05:22.959 --> 00:05:23.720 get to do more. 114 00:05:24.079 --> 00:05:25.680 Well, what's great about an action movie? 115 00:05:25.680 --> 00:05:27.959 And I think sometimes people don't think of it in 116 00:05:28.000 --> 00:05:31.240 these terms, but like the fight scenes and the choreography, 117 00:05:31.600 --> 00:05:33.959 I mean, this is physical storytelling. You still have to 118 00:05:34.079 --> 00:05:35.639 it's not just punch kick, punch kick. 119 00:05:35.879 --> 00:05:37.680 You're thinking of story. 120 00:05:38.079 --> 00:05:42.040 Yeah, you're pushing the character to his limits. He says things, 121 00:05:42.079 --> 00:05:44.519 he does things that he wouldn't have done up till 122 00:05:44.560 --> 00:05:47.439 that point. In this case, we have a character named 123 00:05:47.560 --> 00:05:52.800 Ulysses who's kind of receding, you know, he's like hiding 124 00:05:52.879 --> 00:05:56.959 away really, and he's forced because of the violence and 125 00:05:57.040 --> 00:06:01.480 the situation he finds himself in. He's forced to engage 126 00:06:01.639 --> 00:06:04.879 and interact and work with people and dig in and 127 00:06:04.959 --> 00:06:07.600 find out what's going on because he kinda he kind 128 00:06:07.600 --> 00:06:10.639 of knows there's a mystery in this town of normal, 129 00:06:10.920 --> 00:06:13.000 but he doesn't know what it is, and he doesn't 130 00:06:13.079 --> 00:06:15.759 want to know what it is. But then he's forced 131 00:06:15.759 --> 00:06:18.519 to have to learn what's happening. 132 00:06:18.720 --> 00:06:20.639 Yeah, you got to learn. He's got to learn what's happening. 133 00:06:20.639 --> 00:06:23.040 And like you said, putting putting himself in these situations 134 00:06:23.120 --> 00:06:25.920 or characters being forced to also the physically storyteller, because 135 00:06:25.920 --> 00:06:28.600 it's not just like how would this fight go down, 136 00:06:28.680 --> 00:06:30.279 it's how would my character fight? 137 00:06:31.759 --> 00:06:34.360 I think about that a lot, especially because of what 138 00:06:34.399 --> 00:06:37.560 you said earlier. Is like I've entered into this world 139 00:06:37.639 --> 00:06:41.759 of action character leads, and I just think about what 140 00:06:41.759 --> 00:06:44.720 am I What do I have to offer? Because we've 141 00:06:44.759 --> 00:06:50.879 certainly got wonderful fighters. Jason Statham Keanu reeves, what can 142 00:06:50.920 --> 00:06:53.560 I do in that space? Well, I can play a 143 00:06:53.639 --> 00:06:57.839 guy who's more real and more real seeming and also 144 00:06:58.519 --> 00:07:02.920 more vulnerable. So always playing a person who is getting hurt, 145 00:07:03.439 --> 00:07:06.959 is making mistakes and u and then in the course 146 00:07:07.000 --> 00:07:09.759 of a fight, is finding the you know, the grit 147 00:07:09.839 --> 00:07:11.959 inside him that carries them through. 148 00:07:12.759 --> 00:07:15.279 And I will say you can see that in this movie, 149 00:07:15.519 --> 00:07:18.720 in the Nobody films and Nobody too, that amazing scene 150 00:07:18.720 --> 00:07:21.680 in the Arcade where you finally give it to the 151 00:07:21.720 --> 00:07:23.160 guys who are asking for it. 152 00:07:23.360 --> 00:07:24.639 Phenomenal in that. But I will tell you. 153 00:07:24.680 --> 00:07:27.079 This fun I love doing it. I love giving that 154 00:07:27.240 --> 00:07:30.040 character that moment where he pops off, where he can't 155

00:07:30.040 --> 00:07:30.600 hold it in. 156 00:07:30.600 --> 00:07:33.360 An He just can't. He has to, he has no 157 00:07:33.439 --> 00:07:34.199 other choice. 158 00:07:34.279 --> 00:07:37.000 But it's it's great for the audience to when I 159 00:07:37.040 --> 00:07:37.839 go I left my. 160 00:07:37.879 --> 00:07:43.040 Phone, Yeah, they know what's coming. I will say there's 161 00:07:43.079 --> 00:07:45.480 three television shows that I returned to all the time 162 00:07:45.480 --> 00:07:47.439 when I need to have a pick me up, and 163 00:07:47.439 --> 00:07:50.160 one of them is The Larry Sanders Show. And you're 164 00:07:50.319 --> 00:07:54.079 amazing as Stevie in that show. That show is so brilliant. 165 00:07:54.759 --> 00:07:57.759 It's one of the greatest shows ever made. I just 166 00:07:57.839 --> 00:08:00.519 have to ask you about being on that set, being 167 00:08:00.519 --> 00:08:04.759 with Gary and the staying power of Larry Sanders, because 168 00:08:04.800 --> 00:08:08.040 to me, everything in it is still so funny. 169 00:08:08.480 --> 00:08:11.079 Yeah. Well, it was a whole new tone in half 170 00:08:11.160 --> 00:08:15.360 hour comedy. It was quiet, it was grounded, it felt real. 171 00:08:17.120 --> 00:08:19.720 Gary was really stepping in a whole new area that 172 00:08:19.800 --> 00:08:25.720 then later the Office sort of learned from the Larry 173 00:08:25.800 --> 00:08:29.720 Sanders Show and the guys who wrote the Office they 174 00:08:29.920 --> 00:08:33.240 talked to I heard them talking about the Larry Sanders 175 00:08:33.240 --> 00:08:37.759 Show as an influence. So it was a special place 176 00:08:37.759 --> 00:08:40.879 to be. We all knew it was special. We knew 177 00:08:40.960 --> 00:08:45.159 Gary was doing something unique, and we were all thankful 178 00:08:45.200 --> 00:08:47.159 to be on that set. And a lot of good 179 00:08:47.159 --> 00:08:51.200 friends were on that set too, David Spade and Jenny 180 00:08:51.279 --> 00:08:56.320 Garfflo and that whole crew of people were people who 181 00:08:56.440 --> 00:08:59.679 liked each other, appreciated each other's talents and were coming 182 00:08:59.759 --> 00:09:00.440 up together. 183 00:09:00.960 --> 00:09:03.120 Well, you know what, I love that one, and I 184 00:09:03.159 --> 00:09:04.039 love Normal. 185 00:09:04.159 --> 00:09:06.279 For people who haven't gone out there and see it, 186 00:09:06.320 --> 00:09:08.519 they need to get this movie. They need to watch 187 00:09:08.559 --> 00:09:11.320 this movie and enjoy this incredible action. 188 00:09:11.159 --> 00:09:12.799 Run that you're on of Bob. 189 00:09:12.879 --> 00:09:15.320 It really has been great and it's just an honor 190 00:09:15.399 --> 00:09:16.480 to speak to you this morning. 191 00:09:16.759 --> 00:09:20.279 Oh thanks for all the compliments. I'm very proud of Normal. 192 00:09:20.679 --> 00:09:24.240 I love the film. I've watched it with numerous audiences. 193 00:09:24.960 --> 00:09:26.919 If you can watch it with a friend or two, 194 00:09:27.559 --> 00:09:32.639 it'll be more fun because it's a movie with twists 195 00:09:32.679 --> 00:09:34.840 and turns that you don't see coming in. Those are 196 00:09:34.879 --> 00:09:36.679 always fun to share with other people. 197 00:09:37.080 --> 00:09:39.159 It's one of those movies that's a reminder of why 198 00:09:39.240 --> 00:09:42.039 these films are such a communal experience, and it's always 199 00:09:42.039 --> 00:09:42.919 better watch. 200 00:09:42.759 --> 00:09:44.200 It with the biggest group possible. 201 00:09:45.159 --> 00:09:46.080 You know, Bob, but I do. 202 00:09:46.159 --> 00:09:49.480 I appreciate you this morning. I really do have a 203 00:09:49.480 --> 00:10:05.679 good one.