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Hello, hello, hello, and welcome to another episode of Reality Writes.
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I am author Ellie Alexander.
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This is the podcast where we talk about all things bookish, writer-ish, and whatever else is on our mind.
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And as always, I am here with the Tech Guy.
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Hello, hello.
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Back at it again.
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Uh fun topic this week.
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Yeah, we're gonna talk about ideas.
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Ideas, ideas, and more ideas is the theme of this week's podcast.
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And hopefully, for all of you darlings, whether you're writers, readers, or both, like many of us are, we will be able to share some mistakes that I find new writers often make when it comes to ideas, how I come up with ideas, and um pretty much everything about how a seed of a little idea turns into an actual book.
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Because you only get one idea at a time, right?
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Only one, yep.
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My brain just is like, here, I'm gonna dish this out.
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You get one little tiny piece of candy and then wait for another three years and I'll give you another one.
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Right, right.
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No, but this is something that you get asked all the time.
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I would say I get asked this most frequently.
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In fact, I was just doing an event last week, and inevitably a reader was like, Hey, I'm just so curious, how in the world do you come up with so many ideas?
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And are you constantly stuck trying to figure out new book ideas?
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And for me, the opposite is always true.
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I have way too many ideas taking up space in my head.
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Yeah, that that is something that we talk about a lot, actually, and have covered here on Reality Writes, but this is this is because it is a question that comes up all the time, it is important to cover again.
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And and that is that you have notebooks and notebooks and notebooks of ideas that are always coming up.
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For uh any darlings that are listening, this is just oh wait, wait, there are two more.
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They're just hiding in my stack, as well as like sticky notes.
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This is all just next to my desk, a lovely little stack of notebooks, all of which have some variation of ideas within them, whether that is notes on the story that I am currently writing that I want to change when I'm in the editing process or notes about future book ideas.
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There is never a shortage of notebooks of ridiculous
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notes on my phone when I go into the notes app where I have like 27 different notes.
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I try to categorize it and be like, okay, these are for Jules, this is for Annie, this is for you know, whatever future book I'm working on, but inevitably they all just get mixed up.
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And then when I'm going to work on a book, I'm like, wait, what does that mean?
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Like, who was that for?
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But but talk about how ideas evolve because the you come up with a bunch of ideas, and sometimes, like you just described, they are maybe nuggets of a story, and other times it's the full meal deal.
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Uh, you come up with the entire uh plot of a book and and and then everything in between.
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Yeah, I mean, I think there's sort of like an evolution to ideas.
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And so one example that comes to mind is my new cozy spy thriller that's coming out, Murder Moves In.
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This is coming out next January, January of 2027.
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And that started with really just like a nugget of an idea over a decade ago.
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And I put it in a notebook and I wrote down that first thought, which was really based on the interaction that I had with a neighbor.
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And I came home and you and I were like, oh my gosh, like this is so much potential for a story.
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So I maybe wrote, I don't know, two, three paragraphs of that nugget of an idea, basically.
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And then that sat in a notebook like this on my desk in closets at various points in time, and I did nothing with it.
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I just like, I do think, especially for any new writers out there, it's important to take these out of your head.
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That's what I've learned.
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And that's why I have stacks of notebooks and a ridiculous list of notes in my notes app, because otherwise, what I will find is I will just try to keep spinning on that idea when it's not ready.
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It's just that little hint, that spark of something that then needs to sit and wait for a little while.
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Yeah, and because you mentioned a notes app, I'm going to interject with some tech guy uh maybe tips for the writers out there.
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You know, storing notes in notebooks is great and writing them down is great.
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Um, searching for those notes at a later time is a little tedious then.
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Um so if you like to, and hey, if you want to use a pen, pencil, and a notebook and write write them down, that is awesome.
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But you can still take pictures of those pages and pull those into notes apps.
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And there are so many notes apps out there that will uh through OCR optical character recognition, we'll be able to, you'll be able to search your notes very easily.
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So just a a tech guy tip there.
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You are gonna have to pry my notebooks out of my cold dead hands.
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And look, I have a searchable way, I have little colored tabs, like darlings.
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For those of you who are listening to the podcast, I have a little yellow tab here.
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That's for Annie Murray.
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I have a little pink tab for Jules, I have a blue tab for new ideas.
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Yes, I know.
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This is a it is not uh for the darlings out there, this is something that I've been trying to like move Ellie toward forever, and it's not going to work.
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But I'm just saying for some writers out there, that might be a good strategy.
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No, I love it in theory, and in my writers group, I have a couple writer friends who take notes on their iPad for that reason because then they can search them, they can categorize them.
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Like again, I love it in theory, but I have a process that works for me.
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And that well, that but that's what's important, right?
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Is finding the process that does work for you.
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So there's nothing wrong with that.
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No, there's nothing wrong with it.
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Okay, so I think the most important thing that I do from a writing perspective is this idea comes to mind.
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I have to put it somewhere because otherwise, I'm like I mentioned, I'm gonna spend hours perseverating on it, trying to think about what it is when I don't know yet.
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I just know that it's a potential story idea.
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So I have stacks of notebooks that those rest in.
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And then what happens is sometimes a month later, a few weeks later, I'm like, oh wow, this one really has legs.
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I would love to use this idea, let's say, in the next bake shop mystery.
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That's a little clearer cut, I feel like, if it's something that is related to a series that I'm already writing.
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But I still have stacks of ideas for future books for every series that I'm writing.
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If we're talking about something like Murder Moves In, this new mashup that's like kind of cozy, kind of spy, kind of thriller.
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It's got a little bit of everything.
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That just sat as a note for a while.
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And then it was like
another five years before I was like, ooh, you know what?
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I'm I'm really feeling drawn to want to revisit that idea.
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And that kind of sparked because of another, while we were on a road trip, we've talked about this, where we were mapping things out, but there was also like this thing that happened in the neighborhood that kind of re-ignited my interest in that idea.
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And I kind of had some headspace where I was like, oh, I just I I'm not writing right now.
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So I want to, I want to noodle on this new idea.
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Um, and I think there's something to that, to letting new ideas have time to just simmer in the background if you're not sure what to do with it yet.
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To marinate.
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Marinate.
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Marinate.
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Just to put it into bake shop uh lingo.
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Actually, you mentioning road trips is another important thing that, regardless of your note-taking uh technique or or you know, tools, or lack thereof, is that right?
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Or lack thereof.
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No, no, no.
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Regardless of how you take notes for your ideas, make sure that you have that instrument or those instruments with you at all times, because an idea can strike anytime and anywhere.
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Um I just uh in fact, just yesterday, I remember I came running out of the shower on my towel and I said, Oh, I gotta take a note, I gotta take a note.
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You were like, What?
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I said, I mean notes in the shower.
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Halftime shower notes.
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Yeah.
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Yeah.
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I think you need to invent this.
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Who else wants shower notes?
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But I think there's that's true that a lot of times like the best ideas happen when we're not sitting in front of our computer.
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I talk about this all the time in our in my mystery series masterclass because I think you know, there's like different energy that comes when you're actually writing and drafting something or editing something versus just letting your creative energy run wild.
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And for me, ideas tend to happen when I'm out for a walk, when you and I are out for coffee.
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Yeah, when you're in the shower, when you're doing something where you usually don't have something on hand to take a note.
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Yeah.
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How many book ideas or series ideas do you think we have come up with on road trips alone over the years?
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I mean, I think on road
trips it's gotta be at least a dozen, if not more.
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It might be a couple dozen because there are so many that are currently sitting in notebooks where we've sketched out, you know, like a pretty decent 10 to 12 page outline for a story or a series that I have not yet had time to write.
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And I do think there's something about that too.
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There's something about movement for me.
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I think that's why ideas tend to happen when I'm out for a walk, when I'm swimming, when I'm on a road trip, when I'm driving.
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Like, yeah, there's something about like the creative energy flowing that way.
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But we don't come up with all the ideas.
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We do not come up with all the ideas.
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It's true.
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Let's talk about that.
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Tell me, what does that mean?
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Well, that means that a lot of people that we know, which another way you could say it is literally everyone we know that's right, volunteers ideas all the time, all the time, and some of them are really good, some of them are out there.
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I know it's a mix, and the thing that I will say about the darlings in particular, and this really surprised me when I first started writing, I'm used to it now, but at least a few times a week I will get email from you, darlings, with murder suggestions.
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And I gotta tell you, you're scary.
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Yeah, I you know, it is funny the number of people over the years who have come up to you and said, Oh, Ellie, I have the best idea for you as to how to kill someone and get away with it.
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And I'm thinking, there are a lot of people out there thinking about murder all the time, and like putting a lot of energy into those plans, which is a little concerning.
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Some of you might need to scrub your browser histories.
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That's all I'm saying.
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That's all you're saying.
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Just a word of caution.
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No, it's so great.
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I do think there's something collective about that that's so fun.
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And it's true.
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I mean, it's like I I remember one of the very first talks that I did when I came down to the Rogue Valley was at a big retirement community in Medford.
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Um, and it was so sweet because I had a line out the door.
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I thought for people wanting to have me sign books at the end of my talk, but no, everybody came and there were multiple sweet little um men and women, you know, like in their 90s and up that were like, I wrote a note for you, Ellie, about a way that you should kill someone here.
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So it's always just too like yeah, you wonder.
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I I don't know, living in a retirement community, there might be like I I think tensions can get a little hot sometimes, right?
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There's some built-in drama and those sweet little grandmas, watch out.
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They they're taking notes.
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They they too have stacks of ideas, and they're like, Oh, there's a mystery writer in town.
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I'm gonna hook her up, which is really fun.
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Like, I love hearing ideas from readers uh because it does there's something just fun about the idea of oh, you finished one of my books, and now you're like, hmm, let me tell you, I've got an X I want you to off.
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Well, and and and that's a good point.
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And I want to make sure that like we we're joking, you know, that like we love hearing the ideas.
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And that leads me into the next point that there are no bad ideas.
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Um, there, you know, even an idea that might not work at the time is something that could be reworked or might, after it marinates, might become something that that is is uh uh an idea for a book or or you know can be worked into the plot of an existing story later on, right?
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So you want to keep track of those as well.
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Yeah, this is something I talk about all the time when I'm coaching new writers, is there are no bad ideas, especially when you're in an early brainstorming creative flow like that.
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Every idea gets written down.
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Even if at the moment that it comes out, you're like, oh, I don't know, what am I gonna do with that?
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And we're gonna do like, I can't think of something.
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We're gonna murder someone with pickles.
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Are we?
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I well, okay, let's write that down because maybe the pickles then have been brined in some kind of poison.
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So actually, this is a great idea.
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I should write this down right now.
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A low bake shop, Jules is gonna make some kind of like delicious uh potato salad, and someone's gonna end up dead after they've sampled the potato salad because the killer snuck in and put poison in the brine.
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And now we also have no idea like what was the motive, not the motive, what was the method of murder?
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So yeah, I mean, you just you never want to discard an idea because it could lead you somewhere fantastic.
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It could lead you nowhere, believe me.
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I have so many dead ends and then thoughts that were like, oh, that could be really cool.
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And then once you explore it a little further and you try to build a sketch or a plot around it, you realize, like, oh, that doesn't really have legs.
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But again, then there have been ideas where I think that initially.
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And one example of this is the Meg Reed Return, A Cozy Kind of Christmas, which came out last year.
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We had sketched out this plot for another murder mystery.
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That was my very first mystery series.
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Meg, she's this bumbling journalist, if you're not familiar, darlings, who wants to be a New York Times investigative reporter but can't get a job.
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So she's writing for this extreme magazine.
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And we were in Bend for an event at Sun River Books, and we happened to be walking on the Deschutes, and we were like, oh my gosh, this would be a great way to force Meg to try her hand at surfing because there's this part of the river where you actually get to like practice surfing.
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They've created like a little rapids, although it seems a lot more intense than someone starting out, right?
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It looks a little scary, honestly.
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Watching it, some of the some of the people practicing are very, very talented, and we've seen some epic wipeouts there too.
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Yeah, and it was one of those epic wipeouts where I was like, oh, okay, I can imagine that Meg now, it's been 10 years, and now she has this social media following.
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She's a huge sensation on TikTok, and somehow she gets convinced to try this surfing thing, and then there's a murder that occurs.
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So that had been sitting in a notebook for a while, and I was like, yeah, I don't really think it has legs.
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I'm not sure that like the timing's gonna work to bring Meg back.
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And then when my publisher was like, hey, we would love to re-release all of the original titles, and in doing so, we would love for you to write another book.
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And I said, Well, gosh, you know, like I've had this idea for a while, but I'm not sure now that it's a murder.
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And so that evolved into this holiday rom-com.
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So I I had kind of written that idea off, and you just never know.
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But that that's another important point, I guess, is the impact of real-world events or or things that you come across and how that plays into ideas.
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So talk a little bit about that for writers and and how they should probably pay more attention.
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It it the act of coming up with ideas for books or plots or or or any elements of a story really involves kind of paying a little bit more attention to your surroundings and what's happening, right?
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Yeah, which is another thing that I always love to do when I have some free time.
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And we were just traveling last week.
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And so I would write in the mornings and then I would go find another spot in the afternoons and bring my idea notebook and just kind of people watch and pay attention.
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And I just think that's such a rich way to start to develop ideas and whether that's like layering in the background of a story.
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So, like if we're thinking about the bake shop mysteries, for example, for those, let's say we're in Ashland, I'm thinking about like what's happening in Ashland.
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So we were just there about a month ago.
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We obviously lived there for many years.
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Our son went all the way through school there.
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So, like every year in late October, there's this just like sweet, charming, wholesome small town homecoming parade where all of the kids at the school, all the different teams are making floats and they shut down Main Street and everybody like runs out from the businesses to watch and cheer them on.
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So I'm setting the next bake shop in late October, early November.
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And that's just gonna work in as sort of background color, but a way to really kind of like flesh out that world and bring in some real details.
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So then if you happen to be in Ashland in late October and it's homecoming, you're gonna be like, wait, the parade is real.
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I can go watch like the water polo team in their little pop-up pool on a flatbred truck.
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Like, that's so fun.
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Yeah, I love that parade.
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It's so much fun.
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What mistakes might new writers make when it comes to ideas?
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Who okay?
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Well, I think one of the first mistakes that a lot of new writers make is they get too attached to one idea.
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And so, or too attached to this has to be the idea.
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And what I've learned over the course of my writing career and writing almost 50 books now is that ideas do ebb and flow and change.
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And the more that you can lean into that and take the start of that idea, and then, like we've talked about, give it some time, see where it leads you, um, and not get so
locked in in this like singular focus of okay, I have this one idea.
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I am going to let's think.
00:19:46.640 --> 00:19:52.400
Let's say I'm gonna send someone to the moon and on their way there, they're gonna get murdered in space.
00:19:52.400 --> 00:19:53.920
Oh, you should write this book.
00:19:53.920 --> 00:19:56.240
I'll work on pickles, you work on this.
00:19:56.240 --> 00:19:56.480
Okay.
00:19:56.720 --> 00:19:57.839
Okay, got it.
00:19:58.720 --> 00:20:09.039
But then you get a quarter of the way into that book and you realize I don't know anything about how space travel works.
00:20:09.039 --> 00:20:10.160
What is gravity like?
00:20:10.160 --> 00:20:11.440
How, how are they getting there?
00:20:11.440 --> 00:20:12.480
Is this a sci-fi?
00:20:12.480 --> 00:20:19.119
Like, you haven't done then any of the other work to help support where that idea leads.
00:20:19.119 --> 00:20:30.480
And specifically for a mystery, you need to do, especially for a first book, some serious plotting and planning in order to then let that idea run wild and flourish.
00:20:30.480 --> 00:20:36.000
Because then I think what happens is with new writers in particular, you have this great idea and it's true.
00:20:36.000 --> 00:20:38.000
It's like, oh my gosh, yeah, I want to read that book.
00:20:38.000 --> 00:20:40.400
Like, how does the murder occur in space?
00:20:40.400 --> 00:20:41.599
All of those things.
00:20:41.599 --> 00:20:46.640
But you get, you know, past the first 20, 30 pages where you've got this fun, fresh idea.
00:20:46.640 --> 00:20:49.039
And then you're like, oh no, now what?
00:20:49.039 --> 00:20:58.400
And so I think then what happens is a lot of writers just stop writing because it's like, oh, I had this fun idea, but now I don't know what to do with it.
00:20:58.400 --> 00:21:11.279
Um, and if you spend a little more time planning and mapping that out and having a true sense of where you're going, then you're much more likely to keep writing past the point of the idea being fun and new and shiny.
00:21:11.759 --> 00:21:12.799
Uh, that makes sense.
00:21:12.799 --> 00:21:15.279
Um, do you want me to explain all that stuff right now?
00:21:15.279 --> 00:21:17.279
How space travel and everything?
00:21:17.279 --> 00:21:18.799
Because I can I can tell you all that.
00:21:18.799 --> 00:21:19.519
Okay, please.
00:21:19.599 --> 00:21:20.480
Yeah, we need to know.
00:21:20.480 --> 00:21:23.440
And how can like would it be a gunshot in space?
00:21:23.519 --> 00:21:28.720
That's gonna kill the rest of the crew, like it would need to be a special kind of gun, but okay.
00:21:28.720 --> 00:21:29.119
Yeah.
00:21:29.119 --> 00:21:30.400
Yeah.
00:21:30.400 --> 00:21:32.319
Um we'll talk about this later.
00:21:32.319 --> 00:21:46.880
So I would say murdering somebody in space with a gun is a risky, risky maneuver because if the projectile were to go through the person and hit the exterior hole, you could kill yourself in the in the process.
00:21:46.880 --> 00:21:51.119
So just something to think about when it comes to murdering people in space.
00:21:51.119 --> 00:21:58.240
You know, if anybody, if you ever find yourself in that situation, just make sure you consider that before you try it.
00:21:58.640 --> 00:21:59.759
Or better yet, darling.
00:21:59.759 --> 00:22:01.599
Send us your ideas.
00:22:01.599 --> 00:22:02.160
Right.
00:22:03.599 --> 00:22:04.240
Right.
00:22:04.240 --> 00:22:05.279
Exactly.
00:22:05.519 --> 00:22:14.000
But see, this is kind of what can happen too, where it's like, oh, you we would have a fun conversation like this on a road trip where I'm like, oh my gosh, I should totally write that book.
00:22:14.000 --> 00:22:15.440
Like, we should write that together.
00:22:15.440 --> 00:22:17.519
And then that idea sits for a while.
00:22:17.519 --> 00:22:25.839
It's like, oh, okay, that's a great idea, but that's gonna take a lot of work and research that I am maybe not perfectly prime for.
00:22:25.839 --> 00:22:28.400
But hopefully then that idea goes out there into the ether.
00:22:28.400 --> 00:22:31.119
And whoever is meant to tell that story tells it.
00:22:31.359 --> 00:22:52.000
And let me tell you, darlings, um, you've never been as uncomfortable as I have been driving a logging road in the backwoods of southern Oregon, sitting next to the murder mongress Ellie Alexander, and she just looks out the window and casually mentions, I could totally hide a body back here.
00:22:52.319 --> 00:22:52.720
Right.
00:22:52.960 --> 00:22:54.000
I'm like, what?
00:22:54.000 --> 00:22:56.480
Like, oh great.
00:22:56.480 --> 00:22:57.200
Yeah.
00:22:57.200 --> 00:22:59.839
So yeah.
00:22:59.839 --> 00:23:04.880
Uh you just you just like look straight ahead and keep on going.
00:23:05.279 --> 00:23:07.119
You just look straight ahead and keep on going.
00:23:07.119 --> 00:23:37.759
Well, and to circle back to the whole like real world piece of that, uh, you know, if we're talking about adding back background color into a story like the Homecoming Parade or um for my novel detective series, which is loosely based on Phyloli or inspired by Phyloli, and everything that I write about, let's say, for a Christmas novel that is in the novel detective's world, would be based on us going and walking the beautiful grounds and seeing all the lights and touring the historic mansion.
00:23:37.759 --> 00:23:40.240
So there are all those layers that you can add in.
00:23:40.240 --> 00:23:45.119
But I do think there's a fine line, especially in writing cozy's.
00:23:45.119 --> 00:23:55.440
Now, this would not be true if you're writing a really like dark serial killer thriller or noir or anything that is like really like a modern mystery.
00:23:55.440 --> 00:24:09.759
But if we're talking cozy, there is a there's a firm line that I won't cross that is any sort of murder or crime that has occurred in real life, which makes me think about like driving the back roads
of Ashland, right?
00:24:09.759 --> 00:24:16.480
Where there was this long-running story of this guy who had gone missing and was thought to have like disappeared in the woods.
00:24:16.480 --> 00:24:26.319
And I remember for many years, especially early on before we were living in Ashland, readers would come up to me at the end of a book talk and say, like, hey, like this case is still unsolved.
00:24:26.319 --> 00:24:27.680
You can see the posters around town.
00:24:27.680 --> 00:24:30.559
I'm like, oh gosh, no, like I don't I don't want to touch that.
00:24:30.559 --> 00:24:32.079
I don't want any of that energy.
00:24:32.079 --> 00:24:33.599
I'm not writing true crime.
00:24:33.920 --> 00:24:34.160
Yeah.
00:24:34.160 --> 00:24:48.720
So that brings up another thing that I know that coaching clients and mystery series masterclass students of yours over the years have asked, and some have been concerned about, is, you know, the protection of their ideas.
00:24:48.720 --> 00:25:02.799
Like what worried about, you know, maybe people, other writers stealing their ideas or um, you know, their ideas showing up in the form of another book or maybe a TV show or something like that.
00:25:02.799 --> 00:25:05.519
Is that something that writers should be concerned about?
00:25:05.920 --> 00:25:08.559
I mean, obviously, I can only speak for myself.
00:25:08.559 --> 00:25:11.279
And my philosophy on this is absolutely not.
00:25:11.279 --> 00:25:15.920
I don't think you need to worry and be like uber protective of your ideas.
00:25:15.920 --> 00:25:27.200
And I have lots of writer friends who are, and they're superstitious about not just new writers, but professional writers who have long-running careers that don't like to talk about what they're writing about, which again, I understand.
00:25:27.200 --> 00:25:44.960
So this is personal to me, but I just have this firm belief that what we bring to the table ourselves is our own unique voice, our lens, our lived experiences is what we breathe life into, then with every story.
00:25:44.960 --> 00:25:55.839
And if you think about the scope of all of literature and television and movies and plays, like the themes are the same, right?
00:25:55.839 --> 00:25:59.119
And even with a murder mystery, like the themes are the same.
00:25:59.119 --> 00:26:14.880
Even if somebody kills someone the exact same way, or if I have a friend who writes a baking mystery that is set in Louisiana, that's gonna feel very different than my series that's set in Ashland and coming from my worldview.
00:26:14.880 --> 00:26:29.519
So I don't think you need to spend a lot of energy in terms of being really anxious and spun up about like, oh, I've got to just like hold tight and clench on to this idea.
00:26:29.519 --> 00:26:33.759
I think I always use the garden hose analogy, right?
00:26:33.759 --> 00:26:39.359
Where we want our creative energy to flow like the water through a garden hose.
00:26:39.359 --> 00:26:46.480
And when we start to like rest and get really anxious and everything, we're kinking it and we're shutting off that creative flow.
00:26:46.480 --> 00:26:50.319
So I I I'm fine with sharing ideas.
00:26:50.319 --> 00:26:57.359
I mean, we we already know from this podcast that there's gonna be a pickle murder and now there's gonna be a murder in space.
00:26:57.359 --> 00:26:58.400
So bring it on.
00:26:58.720 --> 00:27:00.400
A very cautious murder in space.
00:27:00.559 --> 00:27:02.480
A very cautious murder in space, yeah.
00:27:02.720 --> 00:27:04.240
Yeah, for sure.
00:27:04.240 --> 00:27:05.200
Okay.
00:27:05.200 --> 00:27:15.519
Uh any other idea-related writing tips that you want to pass along to the darlings out there before we wrap it up today.
00:27:16.079 --> 00:27:25.920
I think just embrace whatever ideas come in, write them down, write them down, write them down, write them down, because you will also forget them.
00:27:25.920 --> 00:27:27.119
I promise you that.
00:27:27.119 --> 00:27:36.960
Even like some of the best ideas, if I don't write them down within a few days or weeks, they just sort of vanish into the ether.
00:27:36.960 --> 00:27:40.000
We'll be like, oh no, we had an idea for something.
00:27:40.000 --> 00:27:40.960
What was that?
00:27:40.960 --> 00:27:41.599
Yeah.
00:27:41.920 --> 00:27:42.559
Yeah.
00:27:42.559 --> 00:27:43.519
All right.
00:27:43.519 --> 00:27:47.519
Well, that about does it for this episode of Reality Writes.
00:27:47.519 --> 00:27:52.960
I'd love to hear from the darlings out there, especially writers with regard to ideas.
00:27:52.960 --> 00:27:59.920
Are you a pen and paper idea keeper or do you like to keep your ideas digitally?
00:27:59.920 --> 00:28:01.599
Let us know in the comments.
00:28:01.599 --> 00:28:10.079
And also if you've got any other questions for Ellie about ideas and how to keep them and catalog them and et cetera, just let us know.
00:28:10.079 --> 00:28:14.480
Uh use the send us the message link and uh we will get back to you.
00:28:14.480 --> 00:28:18.079
So with that, I will say until next time.
00:28:18.559 --> 00:28:19.839
Till next time.