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WEBVTT
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You're listening to DJ Matt Williams, Los Angeles.
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Welcome to Synth Pop Symphony.
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Playing the best new wave electropop, synth wave, italo disco.
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And high-energy electronic dance music from the 80s to today.
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We'll be your host, DJ Matt Williams.
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Your dance musical DC starts now.
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Welcome to Synth Pop Symphony.
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I'm your host, Matt Williams, and welcome to Show 352.
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Every week I take you on a musical journey through the past, present, and future of electronic dance music.
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From the unforgettable hits of the 80s and 90s to today's hottest dance forge, you're going to hear New Wave, Electropop, Synth Wave, Italo Dance, and the very best in independent electronic dance music from around the world.
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Tonight I'm taking you on a ride from yesterday to today with new music and timeless classics from Hot and Freddy, Ital Love remixed by Italo Connection, Head Shop Boys, Paul Rain, Jay Wyers, Train to Spain, and much more.
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Plus, in just 10 minutes, Minimix 352 kicks off into high gear with Depeche Mode, Bronsky Beat, and Company B.
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And an hour two, get ready for Sinister Nights 2, a non-stop collection of the hottest sounds tearing up the dance floors around the world, featuring new music from Purple Disco Machine, Freemasons, Fancy, Disco Dom, Metal Love, Marta Paradise, featuring Fred Ventura, DeSoper, Silver Hook, and so much more.
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But right now, let's get this party started with Naked Eyes and their 80s classic Promises Promises, given a fantastic new remix by Heiner Salvi.
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You're listening to the home of modern electronic dance music.
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This is Synth Pop Symphony.
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Timeless synth anthems, fresh new sounds, and remixes that move you.
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This is Synth Pop Symphony.
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Promises, promises promises, promises will you come around what you said.
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Why can't I start?
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Why do I have to do that?
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This is from the case.
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When one comes, we'll break it down.
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We could be forever.
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In every sound, the beat goes on.
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We could be the worst.
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We could be a ghost.
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Spread your brains down A dream in the heat of the flame.
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Shadows fall, but I'm calling your name.
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We took the chance and the stars were alike.
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If I could, I would try it again.
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She got me reaching out.
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She got a line to fly.
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To reach the sky, we could be the only ones.
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One more guns.
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We break the door.
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We could be forever.
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In every sound, the biggest one.
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You're listening to DJ Matt Williams, Los Angeles.
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Radio waves across the space.
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Every signal leads to you.
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Static base, the feelings true.
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And from there, we brought you the brand new We Can Be Lovers from Italo.
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That was remixed by none other than Atalo Connection.
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And I wrapped up that opening setup, welcoming a new artist to the show, Martin Holliden with Can You Hear Me?
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Fantastic.
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And believe me, I'm just getting started.
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There is so much incredible new music tonight from some of my favorite artists on this show.
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Now, unless you've been living under a rock, you probably noticed that Hart and Freddie are having a one incredible year.
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Your music has been making some serious waves in television.
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Most notably in the brand new video adaption of theory.
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And I can create your mic flying again.
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And actually we wrote the show, and now we can feel it.
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How cool is that?
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And now they're gonna have to be a little bit on the new album.
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And they're coming up all the time.
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Nobody's perfect and they wire.
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Returned with a brand new track called Go to Hell.
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So apparently he's in a very good mood these days.
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Let's get it started right now with a brand new hot and ready with film and war.
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And suddenly she's in your arms.
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Your sweetest dream, you'll never wake.
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From underneath a netted veil, it sounded sweet, it sounded rail.com for past shows and special DJ mixes.
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And everyone said you were a hero.
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How you shine through the darkest night, fighting for what's right.
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To end up with Zero But you know the thing with lies.
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There I feel too less.
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Everything falls apart.
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And all I can say is nobody's
Load full transcript
perfect.
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That's just great.
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You'll try hard time.
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You'll just push your style.
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Nobody's perfect.
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Nobody's to keep it.
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I want to start free wrong.
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You make it sound perfectly right.
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Now we're here, we're here.
00:19:52.000 --> 00:19:53.440
Why can't you unit?
00:19:56.960 --> 00:20:00.880
How do you unbreak something you broke out?
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Now it's time how it ought to be challenged with that.
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You can't deny the words you spoke.
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But you know the thing with last.
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They're not here to last.
00:20:25.839 --> 00:20:28.079
Everything falls apart.
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And all I can say is nobody's perfect.
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That's what's the break.
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No trying to hear.
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Nobody's perfect.
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Nobody's to give.
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I know that's something wrong.
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Just make it sound perfectly right.
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I'll be around.
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Can I take you out where you wanna go?
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Am I T T down?
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But I learned my lessons.
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The last time I felt cold.
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Much better than I'm looking at cold time.
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How is that for you?
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When you needed me, I came to your rescue.
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On my darkest day, you ran far away.
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Chasing Sublupens.
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Before that, we took you back to the early 2020s with Paul Rain's fantastic track, Nobody's Perfect, and we kicked off that set with the incredible new hot and Freddy single, Film Noir.
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Alright, it's time to get into the mix, and tonight I'm heading back to the 80s with some absolutely incredible, explosive remixes.
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I'm bringing back remix for Heiner Salvi, who you just heard earlier in the show with the remix of Promises Promises by Naked Eyes.
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But first we're gonna kick things off with the Fesh Mode and Strangelove, the original remix, which in my opinion has always been the strongest club remix of this track.
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An absolute classic.
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And then Heiner takes over with two incredible new remixes, starting with Company V and Fascinated, followed by Bronze TV and the legendary Small Town Boy.
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Fresh remixes, classic club tracks, and pure 80s synpop energy, all coming up right now.
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This is Sinpop Symphony, the past, present, and future of synth-driven dance music.
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Let's get into the mix right now.
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Seem almost unforgivable.
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I give it to sin.
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Because you have to make this life livable.
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But when you think I'm bad enough, when you see a love, I'll take more than another reversable.
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Yes, and I'll make it all work while I'll make your heart five.
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Hey, hey, hey, hey, pay.
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Hey, hey, hey, hey, hey, can you take a pain?
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I will give to you the game and again.
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We'll stray.
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I may appear to be completely out of reach.
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I give it to seriously.
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Because I like to practice what I preach.
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I'm not trying to say, I have it all my way.
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I'm always willing to look when you got something to teach.
00:28:21.440 --> 00:28:29.599
Oh and I'll make it all while I'll make it hard twice.
00:28:30.319 --> 00:28:31.759
Will you return it?
00:28:32.160 --> 00:28:34.880
I'll say it again, raise.
00:28:37.279 --> 00:28:39.440
Praise, will you return it?
00:28:39.759 --> 00:28:47.039
I'll say it again, raise, will you return it?
00:28:47.440 --> 00:28:54.640
I'll say it again, pain, pay, pay, will you return it?
00:28:54.799 --> 00:28:56.559
I will say it's gay.
00:28:58.319 --> 00:29:08.640
Hey, hey, hey, hey, hey.
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I'll say it again.
00:29:33.440 --> 00:29:34.799
I'll say it again.
00:32:36.960 --> 00:32:39.920
Your source for modern electronic dance music.
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Let me so I want to do this, but you want to do I want to be I want to be I want to be the name I don't know the baby I don't know the baby I don't think the name I don't know the name I don't like me until the point please be making me let me make you money I love it Well then give me some time I want we'll go I won't get all we I want to do just what you want me to do I got the dream that you can let me go to the I don't want to wait the next I don't know You're in the next with DJ Matt Williams alone on a black one never I just like that to me but the Hit will never be found in both never be found in both one that you talk about you down and I'll just take a make it cry I took the chickens every home and hot dog in that race on the case of the case of the water.
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Three absolute 80s dance four classics with some incredible remix action.
00:43:54.579 --> 00:43:57.619
And don't go anywhere because the second hour is gonna be something special.
00:43:57.780 --> 00:44:01.139
I've got what might be the best disco mix of the year.
00:44:01.460 --> 00:44:07.380
Sinister
92, a full hour of new disco and next generation of Halo Disco that's gonna absolutely blow you away.
00:44:07.619 --> 00:44:09.300
And here's a little preview of what's coming up.
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I've got the brand new purple disco machine track featuring me called Hess My Luck, plus the new Silverhook and Elliot track, I suppose, kicking off the mix, and trust me, you're not gonna want to miss this one.
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Right now, let's keep that hand floor moving with a little Italo Disco.
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First up, I've got the Italian disco Mafia putting their own fan on Alpha Ville's 80s classic sound like a melody.
00:44:30.260 --> 00:44:33.940
And remember disco on forty five from last week's finished disco mix?
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Well We're back with a brand new track called Angel Lady.
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And let me tell you, this sounds like modern talking from start to finish.
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I mean, it's practically a total ripoff of modern talking, but you know what?
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It's a really good ripoff, and that's all that matters.
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And here's the best part.
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This isn't some AI-generated vocals.
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It's a real person game root melting out those vocals and bringing that classic Eurodisco sound back to life.
00:44:58.260 --> 00:45:00.260
And finally I've got the headshot voice.
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I'm in love with a married man, getting a fresh remix freedom from DV Remix.
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Like a three-fantastic track, a whole lot of a calo disco energy, and it's coming up all right now on Fifth Pop Symphony.
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Electronic dance music only on Fifth Pop Symphony.
00:45:53.699 --> 00:45:55.539
This is bathing in the screen.
00:45:56.579 --> 00:46:00.340
She's so soft and warm in my arms.
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I tune it into the scene.
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My hands are resting on her shoulders.
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We step into the fire.
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By the hour of the loop, then I'm not a dream.
00:46:18.739 --> 00:46:20.980
There's no reason to hurry.
00:46:21.300 --> 00:46:24.099
Just start the brand new story, sit alight.
00:46:24.579 --> 00:46:34.340
We'll head over heels and sounds like sex.
00:47:11.139 --> 00:47:15.380
It's a toucher's eyes, my lips are resting on your shoulder.
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And when we're moving, so soft and slow.
00:47:20.179 --> 00:47:24.340
We need the ecstasy, the jealousy, the comedy of love.
00:47:24.980 --> 00:47:28.420
Like the carry grants and Kelly's voice before.
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Give me more tragedy, more harmony and fantasy, my ideas alight.
00:47:34.980 --> 00:47:36.739
Just starting a set of light.
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Lonely nights in the city.
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See the light, nothing's water.
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I'm searching for high life's oppression.
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In this world, this only memories of our last goodbye.
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Haunting me as this night goes away.
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Angel Angel Lady, don't leave me alone in this heart of snow.
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Angel Angel Lady, you say you'll be mine till the end of time.
00:50:17.300 --> 00:50:20.340
I hear your voice, I hear you call.
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A thousand miles make it pass.
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But you forever in my heart.
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Memory is of our last good bad.
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Haunting me as this night girl's work.
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Angel Angel Lady Don't leave me alone in this heart of stone.
00:50:46.579 --> 00:50:53.699
Angel Angel Lady You say you'll be mine till the end of time.
00:51:45.780 --> 00:51:50.579
Don't leave me alone in this heart of stone.
00:51:51.059 --> 00:51:58.099
Angel Angel, you say you'll be mine till the end of time.
00:52:53.059 --> 00:52:58.739
I think you still I think you wake now.
00:53:00.099 --> 00:53:02.019
Do you think about it?
00:53:03.780 --> 00:53:12.099
When you make up to your wife Wall Street, my belly.
00:53:49.139 --> 00:56:23.940
When you will love me, when you love me, as a feeling, as a cross and the Synth Bob Symphony.
00:56:29.619 --> 00:56:35.300
A pebble skips across the face a dozen times.
00:56:36.739 --> 00:56:42.179
Then disappears not a trace left behind.
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The thrower turns and walks away.
00:56:47.780 --> 00:56:49.380
A change of mind.
00:56:51.300 --> 00:56:54.980
Another start a brand new day.
00:57:08.900 --> 00:57:16.019
Why you're every wish, your every dream hope design.
00:57:16.579 --> 00:57:18.659
Here comes the mirror man.
00:57:23.780 --> 00:57:25.940
Here comes a mirror man.
00:57:27.380 --> 00:57:34.420
And if it seems I'm not the one you used to know.
00:57:34.579 --> 00:57:36.659
I let a friend show.
00:57:38.500 --> 00:57:40.659
Left behind not longer.
00:57:45.219 --> 00:57:47.860
As distance you see strongest.
00:58:14.260 --> 00:58:17.380
You're every free home desire.
00:58:17.940 --> 00:58:20.179
Here comes the mirror man.
00:58:21.380 --> 00:58:24.019
Since he's the people fell.
00:58:25.059 --> 00:58:27.059
Here comes the mirror man.
00:59:01.059 --> 00:59:03.539
Here comes the mirror now.
00:59:08.420 --> 00:59:10.579
Here comes the mirror man.
00:59:15.539 --> 00:59:24.099
That was the incredible Ross Alexander right there from his album, The Ultimate Collection, with an absolutely incredible take on the Human League's 80s classic Mirror Man.
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What a fantastic remake.
00:59:25.380 --> 00:59:28.980
Before that, the Pet Shop Boys turned up the high energy with Try It.
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I'm in Love with a Married Man originally from their 2003 album called Disco 3.
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And tonight it's getting the DV remix treatment.
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And if that wasn't enough, Disco on 45 comes roaring through with Angel Lady ringing back that unmistakable modern talking sound.
00:59:44.420 --> 00:59:51.860
And then we kick things off with the next generation Italo Disco remix of Alphaville Sounds like a Melody courtesy of the Italian disco mafia.
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And watch out for the music mafia, folks.
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They're a scary bunch.
00:59:55.619 --> 00:59:59.380
And now we've got two more fantastic tracks to wrap up the first hour.
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First up, I got Alex Brian with algorithm.
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I actually went in and did a little re-edit of this one myself.
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I added some glitch elements to give it a little extra electronic edge, and I had some fun playing around with this track, so I hope you guys like what I've done with it.
01:00:12.340 --> 01:00:19.940
And then trying to spawn is back with a random track called Into the Unknown, bringing us more of that fantastic synthop sound we all love so much.
01:00:20.179 --> 01:00:23.139
And then after that, we're gonna go straight into Sinister Night 2.
01:00:23.460 --> 01:00:30.420
That's right, a full hour of incredible new disco and next generation of Halo Disco featuring some of the hottest electronic dance tracks around.
01:00:30.579 --> 01:00:34.579
I've been putting this mix together all week, and believe me, it's an absolute monster.
01:00:34.820 --> 01:00:39.860
It's the sound of the past combined with the sounds of the future right here on Synth Pop Symphony.
01:00:40.260 --> 01:00:46.019
Experience the evolution of electronic dance music only on Synth Pop Symphony.
01:01:36.900 --> 01:02:19.300
Tells me every single day What to think yet, what to say Sequence of instructions programmed in the past called by the authorities Let me go down on my beast Life is an algorithm of penance of calculation formed by my inner voice.
01:02:20.579 --> 01:02:44.739
So in the end I have no choice So in the end I have no choice I rode you like a bad habit.
01:02:45.139 --> 01:02:47.619
Where's the button to reason?
01:02:49.539 --> 01:03:03.780
Eternalized year after year solid grounded Just by fear The more I love, the more doubt There's a chance to get away.
01:03:05.699 --> 01:03:24.420
Open your eyes and self-reflection be to end it self-reflection I feel calculation all by my inner voice.
01:03:25.460 --> 01:03:29.219
So in the end I have no choice.
01:04:29.780 --> 01:04:32.099
Am I doing it the right way?
01:04:33.059 --> 01:04:36.260
Oh Lord, should I stay?
01:04:36.980 --> 01:04:39.699
Will these tears ever go away?
01:04:40.340 --> 01:04:47.059
I can pretend, but not forevermore.
01:04:47.619 --> 01:04:50.099
It's not the end.
01:04:51.539 --> 01:04:53.460
I can feel it in my heart.
01:04:56.739 --> 01:04:56.980
Okay.
01:05:38.500 -->
01:05:45.139
Oh Lord, I'm losing ground, and the silent there is no sound.
01:05:45.780 --> 01:05:49.139
Oh Lord, show me a sight.
01:05:49.699 --> 01:05:52.579
Is this roasted battle truly might?
01:05:53.139 --> 01:05:59.619
I will defend my heart and the pathetic war.
01:06:00.420 --> 01:06:02.980
It's not the end.
01:06:04.260 --> 01:06:06.099
I can feel it in my heart.
01:06:11.539 --> 01:06:14.500
Just enough to make me stay.
01:07:05.380 --> 01:07:09.539
Oh yeah, that was Train to Spain with our latest release called Into the Unknown.
01:07:09.619 --> 01:07:10.260
What a track.
01:07:10.420 --> 01:07:12.420
These guys just keep delivering the goods.
01:07:12.659 --> 01:07:14.900
And before that, Alex Braun with Algorithm.
01:07:14.980 --> 01:07:16.820
That's the Matt Williams glitch re-edit.
01:07:16.980 --> 01:07:21.059
Had a little fun with that one, adding some extra glitch elements in there, giving my own electronic twist.
01:07:21.219 --> 01:07:22.500
Hope you guys enjoyed that one.
01:07:22.820 --> 01:07:24.900
And now it's time to get into the mix.
01:07:24.980 --> 01:07:27.699
And tonight, I've got this really special one lined up for you.
01:07:27.860 --> 01:07:36.099
I've been taking beep across the internet searching for some of the strongest next generation of Hallow Dance tracks and the grooviest new disco house music I could find.
01:07:36.179 --> 01:07:38.579
And let me tell you, I was pretty selective with this one.
01:07:38.820 --> 01:07:42.260
If a track didn't have an absolutely infectious groove, it wasn't getting into this.
01:07:44.019 --> 01:07:47.940
And tonight I've got a incredible music from Disco DOM.
01:08:00.260 --> 01:08:03.300
All wrapped up in one massive hour of non-configured music.
01:08:03.539 --> 01:08:06.179
And we're kicking things off with an absolute answer for destroyer.
01:08:06.500 --> 01:08:08.500
It's the newest track from Silver Hook and Elliot.
01:08:08.579 --> 01:08:11.860
It's called I suppose the Elliott 1987 mix.
01:25:46.739 --> 01:25:48.579
And we're in the came with nine.
01:26:03.460 --> 01:26:21.619
And when we gotta keep that home, we are died.
01:26:35.220 --> 01:26:36.500
We came with the bells.
01:26:36.579 --> 01:26:37.539
So here's a chance.
01:26:38.979 --> 01:26:42.420
We came with the belt.
01:26:42.739 --> 01:26:43.619
We came with the bell.
01:26:46.420 --> 01:26:48.579
We came back.
01:27:52.100 --> 01:27:53.140
So here's the chance.
01:28:16.819 --> 01:28:19.779
With Mount William Dons and Pop Symphony.
01:29:12.739 --> 01:29:14.180
Across the land.
01:29:15.380 --> 01:29:17.539
It is to do para mim.
01:29:20.579 --> 01:29:27.460
Hear me call one it all Latin Queen of the Sea.
01:30:22.659 --> 01:30:23.699
Touch me now.
01:30:34.100 --> 01:30:43.220
Let's take Queen Chaos.
01:30:50.100 --> 01:30:53.300
Just for me, okay.
01:34:19.460 --> 01:34:20.020
Oh, it's you.
01:34:20.260 --> 01:34:20.659
What do you want?
01:34:27.140 --> 01:34:27.779
Donde estaba.
01:34:28.260 --> 01:34:28.819
Donde estaba.
01:34:29.220 --> 01:34:30.100
You know where I was at.
01:34:30.180 --> 01:34:32.180
I was home while you were out with your new boyfriend.
01:34:35.539 --> 01:34:38.899
Yeah, it's a lie, except that I saw you in the gala car.
01:34:46.180 --> 01:34:47.380
This ain't no pace point.
01:34:47.779 --> 01:34:49.859
You only get one chance here, you please.
01:41:33.220 --> 01:41:35.699
Only on Synth Pop Symphony.
01:46:50.579 --> 01:46:52.979
Oh do girl.
01:46:54.260 --> 01:46:57.300
Don't I want to eat me?
01:46:57.859 --> 01:47:03.619
I'll do the short without just don't leave me till I come down.
01:47:04.500 --> 01:47:07.699
And I don't wanna fall in like a fool.
01:47:08.180 --> 01:47:11.779
Don't wanna follow any of the rules.
01:47:11.939 --> 01:47:17.140
I won't be the one you thought you lose, surprising you.
01:47:20.819 --> 01:47:22.819
Don't let me lose this touch.
01:47:23.300 --> 01:47:26.420
Honey, my heart, don't wanna feel too much.
01:47:26.979 --> 01:47:30.500
More than you dead every time we touch.
01:47:41.939 --> 01:47:45.460
More than you dead every time we touch.
01:47:50.420 --> 01:47:56.020
We still be on the night wide open, don't need them.
01:47:56.260 --> 01:47:58.180
Just need the moment, loose.
01:47:58.659 --> 01:48:05.460
Come scrolling the world in if you go a change to feel in.
01:48:06.020 --> 01:48:09.539
So now I don't wanna fall in like a fool.
01:48:09.859 --> 01:48:13.220
Don't want to follow in all the woo.
01:48:13.619 --> 01:48:16.899
I wanna be the children do it.
01:48:17.460 --> 01:48:24.500
Surprising you straight, don't let me lose this touch.
01:48:25.060 --> 01:48:28.100
Honey, my heart, don't wanna say too much.
01:48:28.739 --> 01:48:32.020
More than you tell me every time we touch.
01:48:32.420 --> 01:48:35.619
Hey, hey, I wanna taste my love.
01:48:36.180 --> 01:48:39.619
Drawing me in just like a moon in the sky.
01:48:43.699 --> 01:48:47.220
More than you tell me every time we touch.
01:48:52.420 --> 01:49:28.260
I wanna taste my love I wanna taste my love So now I don't wanna fall in like a fool.
01:49:28.579 --> 01:49:32.020
Don't wanna follow any of the rules.
01:49:32.260 --> 01:49:37.460
I wanna be who you thought you knew, surprising you.
01:49:38.020 --> 01:49:43.140
Oh my sweet, don't let me lose this touch.
01:49:43.619 --> 01:49:46.659
Honey, I don't wanna see much.
01:49:47.380 --> 01:49:50.899
More than you tell me every time it touched.
01:49:52.340 --> 01:49:58.180
I wanna test my own display.
01:49:58.739 --> 01:50:04.579
Moment, more than you tend to be time.
01:51:04.420 --> 01:51:30.260
Symphon sympathy, the past, present, and future of the free let my sky open.
01:51:32.420 --> 01:51:34.500
Save all memories.
01:51:35.779 --> 01:51:37.699
I'm bound to be broken.
01:51:38.579 --> 01:51:43.140
I can I can save this any longer.
01:51:43.699 --> 01:51:46.100
I just need some clarity.
01:51:47.539 --> 01:51:54.100
Keep my eyes full shut, then maybe I can bring you back to me.
01:52:24.979 --> 01:52:30.340
I can hear it be swimming in your wallet.
01:52:32.180 --> 01:52:34.579
Don't you come back to me?
01:52:36.180 --> 01:52:43.140
Nothing else without I can take this any longer.
01:52:43.699 --> 01:52:46.340
I just need some gravity.
01:52:47.539 --> 01:52:53.939
Keep my eyes wide shut, then maybe I can bring it back to me.
01:53:25.220 --> 01:53:28.260
I can take this any longer.
01:53:28.659 --> 01:53:31.300
I just need some clarity.
01:53:32.579 --> 01:53:39.220
Keep my eyes watch up, then maybe I can bring you back to me.
01:53:40.020 --> 01:53:41.460
Could you hear me?
01:56:25.699 --> 01:56:29.939
Baby, baby, the wall of mine.
01:56:32.100 --> 01:56:34.739
And I can't see you or breathe you.
01:56:34.819 --> 01:56:36.659
Cause there's trouble right beneath you.
01:56:36.979 --> 01:56:39.140
It's all in the night.
01:56:40.659 --> 01:56:45.060
Baby, baby, come pick me up in the ride.
01:56:47.699 --> 01:56:51.380
I'm a cool old J with the skip on my feet.
01:56:51.539 --> 01:56:55.060
I play tough ass nails with my heart on my sleep.
01:56:57.300 --> 01:57:00.020
So blow me away.
01:57:00.979 --> 01:57:03.380
Oh baby, I know.
01:57:04.020 --> 01:57:07.859
You do that for all the God, you know that I'm Fred Jack.
01:57:10.739 --> 01:57:14.979
Baby, pop up the baby, don't blow me away.
01:57:17.300 --> 01:57:18.500
Baby, I know.
01:57:18.979 --> 01:57:30.020
You do that for I will know that I'm Freddy Baby, don't blow me away.
01:57:56.739 --> 01:58:00.579
Make me losing the song of the eyes.
01:58:02.100 --> 01:58:04.739
And I can't believe you can read you.
01:58:04.819 --> 01:58:06.739
Cause there's pleasure in your preview.
01:58:06.979 --> 01:58:09.300
It's all in your eyes.
01:58:09.619 --> 01:58:12.500
But it's the DJ, baby.
01:58:12.899 --> 01:58:14.819
Can you meet outside?
01:58:16.579 --> 01:58:21.300
Cause you're an old school dude with the kick on the shoes.
01:58:21.619 --> 01:58:24.500
You got groove in your hand, the way you spin up.
01:58:26.659 --> 01:58:30.020
Yes, so baby, don't blow me away.
01:58:30.979 --> 01:58:33.460
Oh baby, I know.
01:58:34.020 --> 01:58:37.619
You do it for all the girls, you know that I'm fragile.
01:58:40.819 --> 01:58:44.979
Baby, baby, don't blow me away.
01:58:47.300 --> 01:58:48.420
Baby, I know.
01:58:48.979 --> 01:58:52.579
You do that for I will do that, you know that I'm fragile.
01:58:58.340 --> 01:59:00.020
Don't blow me away.
02:00:14.260 --> 02:00:17.300
Hey, thank you for joining me for another synthop Symphony 352.
02:00:17.380 --> 02:00:18.899
I'll see you here back next week.
02:00:18.979 --> 02:00:22.739
And remember, it's a crazy world out there, folks, so let's keep connecting to the world through music.
02:00:22.819 --> 02:00:23.619
I'll see you later.
02:00:23.779 --> 02:00:24.579
Have a good night.
02:00:24.819 --> 02:00:30.100
You're signing off Synthop Symphony with DJ Matt Williams.