رونوشت 🔗
WEBVTT
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Hey everyone, this is KJ from Firefly. I'm joined by Andrew,
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my awesome lead guitarist.
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Of Firefly.
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Of Firefly, and we're here to talk to Heavy Mag,
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Chris Peters, about HoloFest 2026.
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That you are indeed, guys. Thanks for joining us today.
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Thank you for having us. My pleasure.
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So, Firefly will be one of the headline bands appearing
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at HoloFest 2026 at the Mansfield Tavern in Brisbane on
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October 31st.
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Not far away now, guys. He's all rehearsed up, packed,
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ready to go.
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Oh, we're definitely not packed. We've all just moved house.
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People are on holiday. Yeah, we've got a drummer in Hawaii.
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We've all got new houses and stuff, and we're all
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just absolute messes. But we are so fucking excited to
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come up there for it. We're excited for our holiday. Yeah, true.
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Yeah, fuck going overseas. Come up to Queensland. It's a
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lot better.
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Yeah, no, it absolutely is. In the few times that
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we've been up, it's been absolutely breathtaking. You have a
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beautiful city.
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Yeah, it is, man.
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It really is. And I think one thing that stands
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out to me about HoloFest is that every band is Australian.
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So organisers aren't relying on internationals to get people through
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the door. How important are festivals featuring just homegrown bands
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to the sustainability, I guess, of Australian music?
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Well, I've always seen that there's a big divide. Um,
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so you've got your destroyer lines level stuff, which is
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your good things and your not fest and your park waves.
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And you've got a lot of bands coming from overseas
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and that's the big draw. But then your, your next
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rung down is your steel assassins or your shred fests,
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which are a bit smaller. And there's no real kind
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of bridge between those two worlds or not one that's
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super accessible. Um, I mean, Shredfest, HoloFest, Blacken Festival, you've
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got a lot of festivals that are really driving that
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middle ground and getting eyes on bands that otherwise wouldn't
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have that exposure, that would get them the opportunities to
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play those bigger things, like your good things, or even
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go overseas or whatever. I think HoloFest is absolutely phenomenal
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for that. And Scotty's done a goddamn incredible job putting
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together a lineup.
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He has, man. Yeah, actually, I love that fact, mate.
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We're the hollow, run hollow fest, and Scotty puts it
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all together. So it's hard enough being in a band
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these days and making it work. Like, taking that extra
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responsibility on and organising a festival too, like, it's a
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pretty bloody good effort.
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Yeah, it is. And as someone who organises a lot
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of shows, like, I don't just organise shows for Firefly.
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I also have a productions company called Deep Six Entertainment
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run with Don from Loner, the lead singer. we both
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we're both obsessed with wrestling like we love it it's
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so i know it's wrestling is informed so much of
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how i perform like when you look at me on
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stage and you can tell who my favorite wrestler was
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when i was a kid you know like it's so
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what we started doing don and i we got together
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and we started putting on shows with local wrestling promotions
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where we'd have like a match happened, then a band
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would play.
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Then match, band would play. Yeah, right, yeah, that's a
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good idea, yeah.
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Then we started to dig deep into deathmatch wrestling and getting, like,
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the most heinous, brutal, like, 50,000 light tubes kind of,
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that's our goal, to get to, like, that kind of
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bullshit level. But we work with DMDU and we put
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those shows in these tiny little dive bars. But running
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the show with that many moving parts, it's really given
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me an appreciation for people who run festivals. Because what
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Scotty's doing is so far
Load full transcript
above what I do. Because
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at least what I'm working on has just got the
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one stage and a ring. Whereas Scotty, he's got, you know,
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god damn, there's over 20 something bands on that line.
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It's huge.
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It's a nightmare.
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And that means... Organising who brings the drum kit. I mean, yeah, gear.
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You've got 20 plus bands worth of gear you've got
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20 plus bands worth of crew you've got 20 plus
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bands worth of riders you've got 20 and then on
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top of that you've got a you've got all of
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that to fit into such a a crucial timeline because
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if you know the first band of the day goes five.
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Minutes over and then it goes two minutes over and
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it adds up and then you see stuff like um
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It happened at a festival recently where our friends Anton
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and Aisha didn't actually get to play because there.
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Were small delays.
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Seriously, that's fucked.
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Yeah. So, you know, all the respect in the world
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to Scotty for how incredible a job he's doing with this.
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Hell yeah, hell yeah.
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The actual light-up, like, it includes yourselves, like, We the Hollow,
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We the Devil, Depuration, Here's to Waking the Hate, so
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many more, but who are you most looking forward to seeing,
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playing or catching up with?
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There's one band in particular that I have a real
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fucking soft spot for. We've never met. We've only spoken briefly.
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But Terror Parade, I believe they're called. Yep. Their sound
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is incredible and their theatricality is something that just, it
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makes us look like we're just kind of like wearing costumes.
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They take it to this whole other level. And the
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amount of respect and love that I have for that,
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I'm going to be front row during their set with
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a grin ear to ear. Nice.
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Nice.
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Speaking of bands, which band other than yourselves do you
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reckon will get up to the most mischief on the day?
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Oh, that's a good question. Scotty is going to be
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too busy. That's a good point, yeah. But I know
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Scotty has some shit planned. God damn it. Christian oh
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so we're actually staying with Christian well when we come
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up and like we've been planning this so Christian helped
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us for the Brisbane show for the Avatar tiller like
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he joined us backstage and helped us set up and
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all that stuff which was really lovely of him but
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we built just enough of a rapport that I know
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he's going to fuck with me at some.
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Point during this night nice I'll tag him back when
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he comes down Christian if you're watching this if you
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do anything I'm coming for you but I do know
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it's coming.
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You know, that's just like a red flag to a bull.
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You're just doing that, mate. You've just fucked yourself.
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Oh, yeah, I've thrown the gauntlet down. It's officially a
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challenge to hell.
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It is.
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I'm actually just going to edit that little bit out,
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and I'm going to make a big deal of that.
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Just send it.
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Just do a really bad voiceover.
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Christian, I know you're watching.
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I can see you.
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Thanks for that, guys.
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It did some massive 12 hours of music spread across
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two stages, so.
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Yous are pretty much seasoned professionals now. What's your trick
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for pasting yourself and making sure you fire on all
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cylinders come stage time?
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Well, a lot of the build-up to us actually going
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on stage is really low-key. We don't drink much before
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we go. I mean, I don't drink at all. I
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haven't had a drop in about six years or something.
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I take that burden on myself.
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Take one for the team.
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When we hit the stage, we're all pretty sober. We're
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all clear. Most of our time is spent getting the
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makeup on and tuning instruments. It's all very quiet. The
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hard part that I've found throughout our career, though, is
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keeping that energy going on stage. So when I first started,
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I'd come out in just all cylinders right the way through.
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I didn't understand or respect the dynamic between performer and audience.
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So I'd be hitting 120%, and then by the end
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of the set, I'd be fucked. And there'd be a
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bunch of people who were watching but didn't have an
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opportunity to give their energy to us. Cause I'd be
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jumping off the stage, getting in their faces, running around
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the whole venue, being a dickhead, which was fun. But
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it's in recent years that I've discovered that we come
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out with 120% for the first song. Then the second
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song was, you know, we crank it up a little higher.
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And then by then people are starting to warm up.
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So we start to ease off a little bit. We
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let them give us. Yeah. We used to not stop.
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We just like a bang, bang, bang, bang, bang, bang, done. Yeah,
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our set was no gaps between the songs. It was
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just one seamless... Right.
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You'd be fucked after.
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Yeah. The thing that changed that, like... Goddamn. I was
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saying I wanted to quit music after that show. We
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played the Burdekin with Dreadnought and... Oh, God. A couple
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of years ago. Yeah, we're going back a couple of years. Goddamn.
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Other band, I'm so sorry.
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But that was great. That was great.
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We... Had an hour-long set, and it was a very
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small audience, an older audience who wasn't going to really
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kind of give back any of that energy. They just
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wanted to watch. So we did our thing. We played
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start to finish, no gaps, just go for the whole hour.
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And by the end, I was so horrifyingly exhausted. I
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didn't know how to function.
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Yeah, it's a two-way street. You give out the energy,
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the audience gives you the energy back. You feed off
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each other. We were looking out there. They were giving
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us nothing.
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We tried hard enough. They were giving us nothing. Yeah,
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we were chasing. Whereas if I was doing that performance now,
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what I'd do is I'd take a moment. We'd stop
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between a song. I'd talk to them. I'd bring them
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into our world. And that would allow me as a
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front man to kind of gauge what kind of energy
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they have. Because looking back, it's not that they weren't
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giving us any energy. It's just that I didn't understand
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the energy they were giving us.
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Yeah, they approached us afterwards and said, oh, that was.
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Great, that was great. Yeah, we were all enjoying it.
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Yeah, we didn't know.
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I guess that's a good lesson for younger bands, you know,
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like you play the gig to the crowd, you don't
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just play to your own expectations. Like every crowd is
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different You've got to give different things to get anything back.
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We played a gig where the square reader at the
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door was... And we played to two people for the
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entire set.
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Who was this band? There was one guy in front
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of us when we started. And I looked around and
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I just saw an empty room and the starting time
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was a bit vague. So I looked at him and went, you,
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what's your name? And he went, Brendan. And I went,
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what's your birthday today? Fuck yeah.
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Fuck yeah, that's right.
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This one's for you, Brendan.
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And this one's for you, Brendan. And this one's for you, Brendan.
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Whereas come HoloFest, with what we've learned over the course
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of our career that I don't want to talk about
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how long it's been, we're just going to come out,
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first two songs, push as hard as we can, get
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everyone's attention. And then after that, We pull back. We
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let them come to us. We throw out our stupid
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bong sticks and we get them to
beat the shit
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out of each other. I jump into the crowd and
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get them to crash tackle me. And we all sing
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and dance and have fun together. And that's what it's
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all about. As performers, it's our job to create a
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world that's different and engaging and is so much better
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than the bullshit that's out there.
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Well said, brother. Very well said, man.
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I like it.
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I like it.
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One of the beautiful things about music festivals, I'm sure
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you guys will agree, is stumbling across bands you may
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not have heard of before. So say someone's off to
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HoloFest and they don't know too much about Firefly. What
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three songs should they listen to in order to get
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to know the band a bit better?
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Lost. Lost, Emotet and Void, I think. Yeah, that's a
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good combo there. Lost is how we start every set.
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It's been our starter for a long time.
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Since the start.
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Yeah, and it's a song that's very, it's punchy, it's attention-grabbing,
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and we didn't know who we wanted to be as
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a band when we first kind of put it together.
245
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It was a song that Andrew had written, and we
246
00:11:54.649 --> 00:11:57.629
just did it, and it was fun, and we loved it.
247
00:11:58.429 --> 00:12:00.669
Emotep is... That was.
248
00:12:00.669 --> 00:12:03.370
One of the more recent ones that we wrote. It's
249
00:12:03.389 --> 00:12:05.409
sort of a bit more indicative of where we are now.
250
00:12:06.509 --> 00:12:08.370
Slow down a bit, a bit more bouncy, a bit
251
00:12:08.409 --> 00:12:08.690
more fun.
252
00:12:09.330 --> 00:12:12.169
And on top of that, because of the whole, you know,
253
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like it's a song written about the main antagonist of
254
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The Mummy, Emotep.
255
00:12:17.039 --> 00:12:17.919
Okay, yeah, you're right, yeah.
256
00:12:18.519 --> 00:12:21.019
And like what kind of push down, like I remember
257
00:12:21.080 --> 00:12:22.679
Andrew telling me about it, saying, I'm going to write
258
00:12:22.700 --> 00:12:24.340
a song about The Mummy. We love the movie. And
259
00:12:24.360 --> 00:12:28.299
I'm like, okay. Yeah, sure, okay, Andrew. And then he
260
00:12:28.320 --> 00:12:31.279
shows me the song and it's got the build up
261
00:12:31.320 --> 00:12:33.500
and I'm like, yeah, okay, I get it, I guess, whatever.
262
00:12:33.840 --> 00:12:35.500
And then it gets to the bit after the chorus
263
00:12:35.519 --> 00:12:36.080
where it's just.
264
00:12:39.309 --> 00:12:45.169
And with that, there's the chant, E-M-O-T-A-P. Right. I was like, oh, yeah,
265
00:12:45.210 --> 00:12:46.690
now I see this. I feel this.
266
00:12:46.909 --> 00:12:49.309
I wrote that song to be a crowd chant song.
267
00:12:50.509 --> 00:12:54.409
I want to see firsthand a thousand people screaming E-M-O-T-A-P.
268
00:12:54.789 --> 00:12:57.480
Yeah. And part of the way we kind of make
269
00:12:57.509 --> 00:12:59.659
it a bit more fun is because it's so bouncy,
270
00:12:59.679 --> 00:13:02.460
I get people to act like thralls and bounce around.
271
00:13:02.539 --> 00:13:03.200
Oh, heck no.
272
00:13:05.000 --> 00:13:07.740
That's great. It's good fun. And The Void, The Void
273
00:13:07.799 --> 00:13:14.129
is our heaviest song. It's our most, from a lyrical perspective,
274
00:13:14.200 --> 00:13:17.860
I'd say it's one of our most impactful. So a
275
00:13:17.899 --> 00:13:20.120
lot of the music that we write, because I write
276
00:13:20.139 --> 00:13:22.720
all the lyrics, a lot of the lyrics that I
277
00:13:22.779 --> 00:13:27.610
write are about my cripplingly horrifying mental health. I'm a
278
00:13:27.629 --> 00:13:33.590
crazy person, like, well and truly, like diagnosed and nuts. Nice.
279
00:13:33.629 --> 00:13:35.289
There's a lot of fun that comes with that, but
280
00:13:35.309 --> 00:13:37.539
there's a lot of struggles as well. Yeah, yeah. The
281
00:13:37.559 --> 00:13:39.399
Void is a song that I poured a lot of
282
00:13:39.519 --> 00:13:42.690
myself into, both musically and lyrically. So that's one of
283
00:13:43.669 --> 00:13:45.610
the few ones that I wrote. Yeah, very cool.
284
00:13:45.690 --> 00:13:47.090
I'm really proud of it. Very cool.
285
00:13:47.110 --> 00:13:48.990
Just give me an idea there too because they are
286
00:13:49.009 --> 00:13:52.110
having dress-up themes at HoloFest. So people can come dressed
287
00:13:52.169 --> 00:13:54.129
as mummies just so they can get right into it
288
00:13:54.629 --> 00:13:55.539
during Imhotep.
289
00:13:56.379 --> 00:13:59.809
Oh, yeah. Yeah, just get a roll of toilet paper,
290
00:13:59.830 --> 00:14:00.129
you're done.
291
00:14:00.450 --> 00:14:03.830
Make sure it's two-ply. It's got to be two-ply.
292
00:14:04.169 --> 00:14:06.350
Oh, by the way, we're not peasants here.
293
00:14:07.830 --> 00:14:09.799
So anybody who's thinking about what to wear, come dressed
294
00:14:09.860 --> 00:14:10.299
as a mummy.
295
00:14:12.100 --> 00:14:16.539
I'm stuck with, because we already dress up when we
296
00:14:16.559 --> 00:14:20.289
get on stage. So having to adjust that is like...
297
00:14:20.519 --> 00:14:22.490
I think if we just all come out looking like NSYNC,
298
00:14:22.549 --> 00:14:23.450
I think that would do it.
299
00:14:25.049 --> 00:14:26.799
Well you'll definitely get people talking.
300
00:14:28.120 --> 00:14:30.240
I'm in the process of looking at things that I
301
00:14:30.279 --> 00:14:38.120
can add to the already Firefly costume because one of
302
00:14:38.139 --> 00:14:41.259
the mental blocks that comes with it so I used
303
00:14:41.299 --> 00:14:43.899
to do a lot of acting as well and I
304
00:14:43.940 --> 00:14:47.299
used to study deeply into the theatre of cruelty which
305
00:14:47.720 --> 00:14:51.639
isn't as bad as it sounds it's more about shedding
306
00:14:51.700 --> 00:14:54.879
the person and becoming the character And the part of
307
00:14:54.919 --> 00:14:59.230
that is having an outfit or like the costume is
308
00:14:59.250 --> 00:15:02.549
the character. So when the makeup goes on and when
309
00:15:02.669 --> 00:15:05.830
that very specific shirt and those very specific jeans and
310
00:15:05.870 --> 00:15:09.409
those very specific boots all come on and the coat,
311
00:15:09.820 --> 00:15:13.379
it's like I am now the front man of Firefly.
312
00:15:13.399 --> 00:15:16.899
And I can be this egotistical, charismatic prick that tells
313
00:15:16.940 --> 00:15:19.309
people what to do. The second I get off stage,
314
00:15:19.330 --> 00:15:21.070
it all comes off and I'm just like a weenie
315
00:15:21.110 --> 00:15:21.789
little shit again.
316
00:15:23.269 --> 00:15:24.629
But for that moment on stage.
317
00:15:24.720 --> 00:15:30.200
I'm at my best. I like that. That's good. Yeah,
318
00:15:30.259 --> 00:15:32.179
finding things that we can add on to it to
319
00:15:32.240 --> 00:15:36.419
make it a bit more thematic with Halloween. I think
320
00:15:36.460 --> 00:15:37.960
that's where my focus is going to be over the
321
00:15:38.000 --> 00:15:38.740
next couple of weeks.
322
00:15:38.799 --> 00:15:40.340
You might be better off just focusing on doing the
323
00:15:40.399 --> 00:15:41.049
stage set up.
324
00:15:41.490 --> 00:15:44.129
Keep your original, like what you've got, your costume eyes,
325
00:15:44.490 --> 00:15:46.110
but do the stage up as well because that way
326
00:15:46.149 --> 00:15:48.110
you're still keeping your core identities.
327
00:15:48.909 --> 00:15:50.049
I actually really like that.
328
00:15:50.080 --> 00:15:51.659
That's why you pay me the big money, brother.
329
00:15:53.759 --> 00:15:58.820
We're going to need four trucks.
330
00:15:58.840 --> 00:16:00.539
Get on to Scotty now. Tell him to start getting
331
00:16:00.559 --> 00:16:00.980
them ready.
332
00:16:01.700 --> 00:16:04.559
We were lucky enough once a long time ago. It
333
00:16:04.980 --> 00:16:07.519
was the coolest show ever, actually. And it was the
334
00:16:07.580 --> 00:16:11.080
show that we discovered that we really liked wearing the
335
00:16:11.139 --> 00:16:16.080
makeup because we didn't know. We were never a makeup band.
336
00:16:17.509 --> 00:16:19.490
But we had a show in Wollongong at a place
337
00:16:19.509 --> 00:16:22.610
called La La La's and it was a show that
338
00:16:22.649 --> 00:16:25.879
was raising money to help a drag queen named Roxy
339
00:16:25.919 --> 00:16:29.299
Horror who had been savagely beaten up in the streets.
340
00:16:30.179 --> 00:16:32.519
And it was, you know, so we all came together
341
00:16:32.559 --> 00:16:35.940
as a community and we're really big on the queer community.
342
00:16:36.000 --> 00:16:39.350
I mean, shit, a number of us are involved in
343
00:16:39.370 --> 00:16:40.429
a number of different ways.
344
00:16:40.450 --> 00:16:42.950
People are people, mate, no matter what they think, you know.
345
00:16:43.429 --> 00:16:43.649
Yeah.
346
00:16:44.960 --> 00:16:47.399
So we were fortunate enough to be invited along to that.
347
00:16:47.440 --> 00:16:50.460
But then we realized we're going to be on stage
348
00:16:50.539 --> 00:16:52.860
with a drag queen before us and a drag queen
349
00:16:53.039 --> 00:16:55.149
after us. And no matter what we do, we're going
350
00:16:55.169 --> 00:16:58.730
to be bland as hell. So we painted our faces
351
00:16:58.809 --> 00:17:01.070
and we, you know, it looked terrible. It looked fucking
352
00:17:01.090 --> 00:17:03.370
garbage when we did it the first time. But it
353
00:17:03.409 --> 00:17:06.650
awoke something in us. We were performing so differently. We're like, oh,
354
00:17:06.670 --> 00:17:07.470
what happened here?
355
00:17:08.410 --> 00:17:09.119
How long ago was that?
356
00:17:09.940 --> 00:17:12.380
Oh, that's like four years ago now, I think.
357
00:17:12.559 --> 00:17:13.359
Yeah, it is. Well, yeah.
358
00:17:13.549 --> 00:17:16.950
Yeah, but the reason I bring up that show is
359
00:17:17.009 --> 00:17:21.089
because for some reason in this tiny little place, someone
360
00:17:21.130 --> 00:17:25.950
had brought cold sparks. So we had fucking pyro. Like,
361
00:17:25.990 --> 00:17:27.289
this is the greatest shit ever.
362
00:17:27.369 --> 00:17:30.940
Excellent. That's shit, right?
363
00:17:31.339 --> 00:17:34.259
We need pyro at Hollow first. We do. I'm going
364
00:17:34.279 --> 00:17:36.700
to get on to Scotty and demand pyro. Do we
365
00:17:36.740 --> 00:17:38.160
know any fire trolls or anyone up there?
366
00:17:38.500 --> 00:17:40.299
Well, they've had fire trolls and shit up there before,
367
00:17:40.339 --> 00:17:41.640
so if they've had that, you should be allowed to
368
00:17:41.660 --> 00:17:42.299
have pyro, so.
369
00:17:43.000 --> 00:17:44.740
Hey, it's a big stage. Yeah.
370
00:17:44.799 --> 00:17:45.519
It's a great stage.
371
00:17:47.599 --> 00:17:50.339
Yeah. You are now our ideas, man. We're hiring you
372
00:17:50.400 --> 00:17:51.279
full time.
373
00:17:51.299 --> 00:17:52.920
Just drop me a line whenever you want anything, mate.
374
00:17:52.940 --> 00:17:55.259
I can't guarantee it'll always be good or legal, but
375
00:17:55.299 --> 00:17:55.849
it'll be fun.
376
00:17:56.509 --> 00:17:59.069
Every Thursday night, just send through a list of ideas.
377
00:17:59.109 --> 00:18:01.150
Whatever I've thought of for the last week.
378
00:18:02.829 --> 00:18:04.109
Keep a notepad by the toilet.
379
00:18:04.849 --> 00:18:07.710
Toilet ideas are the best ideas.
380
00:18:07.809 --> 00:18:08.150
Oh, yeah.
381
00:18:08.349 --> 00:18:10.349
I always take a notepad to the toilet with me
382
00:18:10.390 --> 00:18:12.450
every time. Otherwise, you're missing out.
383
00:18:14.160 --> 00:18:17.819
Bad idea? One ply.
384
00:18:17.839 --> 00:18:21.200
Remember that for all the mummies out there. All the
385
00:18:21.240 --> 00:18:22.569
mummies get to wear the one ply.
386
00:18:25.930 --> 00:18:29.670
One ply released their latest album, Lost and Found, earlier
387
00:18:29.690 --> 00:18:32.509
this year too, guys. How was the reception? Did you
388
00:18:32.549 --> 00:18:33.690
get the response you were hoping for?
389
00:18:35.490 --> 00:18:38.930
It didn't spread online as much as we were hoping. But,
390
00:18:38.950 --> 00:18:42.079
I mean, cracking the algorithm is fucking brutal.
391
00:18:42.609 --> 00:18:43.490
It is, yeah.
392
00:18:43.509 --> 00:18:49.799
I mean, no matter what, it's luck. I mean, you've
393
00:18:49.890 --> 00:18:51.740
just got to be found by the right person at
394
00:18:51.759 --> 00:18:55.059
the right time. Where the hard work, where the work
395
00:18:55.079 --> 00:18:59.259
that we can control to a degree comes from is, like,
396
00:18:59.299 --> 00:19:02.839
in the scene. We've sold, like, we've nearly sold out
397
00:19:03.880 --> 00:19:05.799
of CDs, which has been amazing.
398
00:19:05.900 --> 00:19:07.480
That's good.
399
00:19:07.579 --> 00:19:10.460
Just so we've got enough to all hollow first. Ooh,
400
00:19:10.539 --> 00:19:11.839
our bass player has arrived. Yes.
401
00:19:12.599 --> 00:19:14.039
Right for the end. Good on, good timing.
402
00:19:15.180 --> 00:19:17.980
People, the people who hear the song seem to like them.
403
00:19:18.160 --> 00:19:21.420
Then the people who buy the CDs seem to enjoy
404
00:19:21.460 --> 00:19:26.160
having it. And honestly, I don't care as much for
405
00:19:26.180 --> 00:19:29.420
the online numbers as I do about the experience because
406
00:19:29.509 --> 00:19:32.369
numbers are numbers. Whereas like if someone's coming up to
407
00:19:32.390 --> 00:19:33.890
the merch desk to buy a CD.
408
00:19:34.769 --> 00:19:38.049
I'm looking. What is so hot?
409
00:19:39.549 --> 00:19:44.609
You little shit gremlin. He has to go into air jail.
410
00:19:46.500 --> 00:19:49.839
He's the big bad guard dog i was a little
411
00:19:49.880 --> 00:19:53.119
bit disheartened at first when the numbers weren't doing what
412
00:19:53.140 --> 00:19:55.940
i wanted them to do but the cds just kept
413
00:19:55.980 --> 00:19:58.619
disappearing and i got to see i got to look
414
00:19:58.660 --> 00:20:01.039
into people's eyes as they were buying these cds and
415
00:20:01.460 --> 00:20:04.200
and thank them and be present for that moment where
416
00:20:04.240 --> 00:20:05.910
like you're taking a piece of us home with you
417
00:20:05.950 --> 00:20:09.140
thank you yeah physical media is king Yeah, physical media
418
00:20:09.160 --> 00:20:09.460
is key.
419
00:20:09.819 --> 00:20:11.339
And you don't need enough of that in the modern age,
420
00:20:11.359 --> 00:20:13.400
do you? Like the modern age, everything is online and
421
00:20:13.420 --> 00:20:15.900
social media. Like actually getting to have that interaction and
422
00:20:15.940 --> 00:20:16.529
talk to the people.
423
00:20:16.609 --> 00:20:17.049
Hey, brother.
424
00:20:17.769 --> 00:20:18.109
Welcome.
425
00:20:18.150 --> 00:20:21.349
How are you doing? This is Bradley. Hey, brother. I'm
426
00:20:21.390 --> 00:20:22.349
going to pop a knee on.
427
00:20:23.210 --> 00:20:25.369
And you can maybe give us some sensible answers. These
428
00:20:25.390 --> 00:20:27.170
guys have been carrying on for the last 20 minutes.
429
00:20:28.859 --> 00:20:29.460
I'm lucky with that.
430
00:20:29.500 --> 00:20:33.839
We're discussing everything from festivals to the benefits of 4PLY.
431
00:20:34.890 --> 00:20:36.509
Okay.
432
00:20:36.569 --> 00:20:39.890
Are you picking up what we're putting down?
433
00:20:40.849 --> 00:20:45.210
I'm picking it up, yeah. This interview's been fucking excellent.
434
00:20:45.269 --> 00:20:46.849
It's been so much fun.
435
00:20:48.930 --> 00:20:51.170
I know we're talking about the LSS, guys, but not
436
00:20:51.210 --> 00:20:53.789
everyone lives in Brisbane, so you got any other shows coming.
437
00:20:53.650 --> 00:20:54.549
Up where people can catch you?
438
00:20:56.690 --> 00:20:56.859
We do?
439
00:20:56.869 --> 00:20:57.650
What do we have up for another?
440
00:20:58.519 --> 00:21:01.920
And I've been so focused on HoloFest and moving out. Yeah.
441
00:21:02.279 --> 00:21:05.470
It's like, it's just a big one in Sydney.
442
00:21:05.509 --> 00:21:07.430
When we get back, it's not a Brisbane one, but
443
00:21:07.450 --> 00:21:07.690
you know.
444
00:21:07.789 --> 00:21:12.269
Oh yeah. Steel Assassin. Ah, we're really excited about Steel Assassin.
445
00:21:12.309 --> 00:21:17.130
Steel Assassin. So Dave Balfour of Metal Evolution. Um, he
446
00:21:17.230 --> 00:21:19.430
is one of the people who gave us a platform
447
00:21:19.470 --> 00:21:22.869
when we were absolutely fucking nobody. And then he just
448
00:21:22.930 --> 00:21:25.470
kept giving it to us. He gave us a spot on,
449
00:21:25.650 --> 00:21:29.039
he gave us like, opening spots on small shows. Then
450
00:21:29.599 --> 00:21:32.539
we supported bands like Hazmat, and then we played, like,
451
00:21:32.579 --> 00:21:36.240
we opened up Steel Assassins. And every time we've been,
452
00:21:37.559 --> 00:21:39.880
every time we've been unsure about what our next step is,
453
00:21:40.460 --> 00:21:43.460
Dave is there. He just appears and goes, here you go, guys.
454
00:21:43.480 --> 00:21:44.269
That's so cool.
455
00:21:44.309 --> 00:21:47.150
And I'm at a point now where I firmly believe
456
00:21:47.190 --> 00:21:53.210
that Pyrefly, if we, if we ever came to a
457
00:21:53.309 --> 00:21:57.269
point where nobody on Earth was giving us opportunities, there
458
00:21:57.289 --> 00:22:00.920
would still be Dave Balfour handing us, handing us a line.
459
00:22:02.079 --> 00:22:04.819
We had to start again from square one. There he'd be.
460
00:22:05.859 --> 00:22:12.450
I cannot say, I cannot say anything unkind about the man. Yeah.
461
00:22:12.750 --> 00:22:12.910
Right.
462
00:22:13.619 --> 00:22:14.259
He is.
463
00:22:14.299 --> 00:22:15.980
You have a sensible answer. I didn't even have to
464
00:22:16.000 --> 00:22:16.759
say anything.
465
00:22:16.900 --> 00:22:17.220
Yeah, I know.
466
00:22:17.240 --> 00:22:19.289
But you've been there, mate. You've been there, brought it
467
00:22:19.349 --> 00:22:19.720
out of him.
468
00:22:21.509 --> 00:22:24.250
We're also going to be heading out to Dubbo early December.
469
00:22:24.970 --> 00:22:28.210
That show not been announced. Don't know what the line-up is.
470
00:22:28.750 --> 00:22:29.289
But you'll be there.
471
00:22:30.049 --> 00:22:32.859
Yeah, we'll be there. And if there isn't a show...
472
00:22:32.619 --> 00:22:34.700
And there'll be a show. Well, if there isn't a show,
473
00:22:34.759 --> 00:22:36.759
either way, we'll go to Dubbo.
474
00:22:36.799 --> 00:22:37.339
We'll make one.
475
00:22:37.380 --> 00:22:41.519
Yeah, go to Dubbo and visit Janine's bum. My wife
476
00:22:41.539 --> 00:22:43.940
was born in Dubbo, so I'm really looking forward to it.
477
00:22:43.940 --> 00:22:44.990
Best town in the world, isn't it?
478
00:22:45.559 --> 00:22:49.740
Move your mouth and then we'll dub in the right answer.
479
00:22:49.940 --> 00:22:51.559
As far as 2027 goes, we have a lot in
480
00:22:51.579 --> 00:22:53.599
the works. Nothing that I can talk about just yet.
481
00:23:11.130 --> 00:23:14.869
But we want to let everyone listening know we're going
482
00:23:14.890 --> 00:23:18.539
to be near you. We're coming. We have plans to
483
00:23:18.599 --> 00:23:20.140
visit all of you.
484
00:23:20.420 --> 00:23:22.099
Well, where's the best place for people to keep up
485
00:23:22.119 --> 00:23:23.519
to date on your new announcements and shit?
486
00:23:24.859 --> 00:23:28.829
Instagram. That's PyFlyOfficial. I abuse the hell out of that.
487
00:23:29.329 --> 00:23:35.329
I use that sometimes too much. Facebook, again, Pyrefly on Facebook.
488
00:23:35.609 --> 00:23:38.089
All my posts on Instagram just automatically go over there
489
00:23:38.130 --> 00:23:39.819
and I never look at it. So if you comment
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on our Facebook and you get a response like three
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months later, just know it came from the heart. On
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top of that, on our Instagram, if you look at
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our links, you'll see links to our, it'll have our
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bios and it'll have our upcoming shows and upcoming music,
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anything that you could possibly need to find. There it is.
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Fantastic, guys. Well, thanks very much for your time. It's
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about time we got to actually meet. It's been a
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00:24:05.369 --> 00:24:06.069
pleasure chatting with you.
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Fireflyer at HoloFest, 31st of October in Brisbane, Mansfield Tavern.
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Tickets through AusTix.