رونوشت 🔗
WEBVTT
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Late night stables and highlands.
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Yeah.
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What happens there after hours?
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Not a lot, from what I can tell.
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No, everyone leaves at about half past four.
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Really?
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Yeah.
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Are there any ghost horses there?
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Well, I've not seen them.
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No.
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Is it really old?
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Is the c is the stables really old?
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It is really old.
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The house itself's quite old, and I don't I think originally the house wasn't like rendered, so you know it's white.
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Yeah, yeah.
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I think it used to be brick.
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Really?
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You could see the brick.
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What I mean is you could see the bricks.
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That's not very grand, is it?
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Yeah, so it kind of had quite a different feel.
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That would look a bit rubbish brick, wouldn't it?
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I thought it'd be marble or something, isn't it?
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No, no, no, no, I don't think so.
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So it's not exactly the Palace of Versailles, is it?
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It's not quite just like this brick, brick building.
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Sounds like a new build.
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Oh my day.
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Highlands House is a new build, isn't that?
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It's before it was rendered white.
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Did you know that?
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Did you know that?
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Well, they've got to build it out of something, obviously.
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So it's usually a popular choice, isn't it?
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Oh no, but it looks like it already.
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Because it's got that Roman sort of, I don't know, or Georgian-y look with the columns.
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I thought it was gonna be like marble.
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Yeah, but it's yeah, it's not quite Roman.
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I mean it's not I didn't think Michael Andrew would come and carved and have one single block of granite.
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It did not.
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It lived like Highland's house just above his home.
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That's why that's what I'm gonna say, right?
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That's not a bad strap line.
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It's not the Palace of Versailles.
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We're at Are You Creative Podcast again at Lochameda
Load full transcript
Studios in Essex, Chelpson, Essex, the best place in the world, best town.
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Well, no, not best town, top one of the top three cities in Essex, the best county in the world.
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And um, and we've got another amazing guest here whose name is David Bishop.
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David Bishop.
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And are you from Essex?
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I am from Essex.
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Good, because otherwise I have to chuck you out.
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No, I know.
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Are you born and bred Essex?
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Yeah, yeah, yeah.
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I was uh I I grew up in Billaricky.
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I was born in Basledon.
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Yes, wow.
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Grew up in Billy, Billaricky Bishop.
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Yeah, yeah.
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And then when I was about I came to school in Chumced, funnily enough.
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Um when I was a senior school, and then uh I moved here when I was about I don't know, 25, 26.
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Amazing, and you've lived here ever since just another another year or so since then.
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Yeah, yeah, I live down the road.
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Yeah, amazing! Yeah, that's brilliant.
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And are you creative?
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Sort of, yeah.
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Yeah, I am.
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I I was on your Instagram earlier on and it says you're you're a part-time.
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Part-time.
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Part-time.
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Yeah.
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So part-time yes.
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Yes, part-time yes.
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Sagate, we've never had a um part-time creative yes before.
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Theoretically, I should be creative all the time because my job's supposed to be creative as well, but yeah.
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I don't think of work as kind of the same thing.
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Work's the money thing, and what you're here to talk about is what what what you would do if you could just have a fantasy thing where you could do whatever you wanted.
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Yes, exactly that.
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Yeah.
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Oh, so look, hey, look, what we do now, like Sangeita is now going to guess what you do, and she'll never she'll never be able to guess it.
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No, no.
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Because I think she's not even aware of what you do as a thing.
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Yes, right, okay, yes.
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It wouldn't surprise me.
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Okay, so this is a tough one.
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So Sangeita, Sangita,
use your words, describe him.
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Okay, so he looks like a very intelligent gentleman.
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Um, somebody I would say who has a lot of knowledge, and if I were to guess, I would say museum somewhere.
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However, I've got a feeling it's Highlands because I heard that pop up.
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He has got a studio at Highlands, yeah, in the state of the world.
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I was gonna say something to do with next to Nestle Guinea Pig.
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Um, okay, well, I don't know, but something to do with talking.
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I don't know if it's recording what happens in Highlands or No.
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No?
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All right, Tony.
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What do you think?
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David Bishop, what do you do?
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I sort of draw on toys.
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Whoa.
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So you would say it's a very important thing.
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Is it you customise toys?
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I customise toys, but not sort of like you know, any old toy.
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They're kind of it's a sort of very niche scene called sort of design of vinyl, design of toys.
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They used to be called adult toys until that took on a sort of unfortunate, yeah.
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Yeah, hey listeners, don't go googling that one.
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David David does not draw on dildos.
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Yeah, yeah.
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But yeah, that's so yeah, we try to avoid that.
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But you know, they've there are so many names for it.
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We won't do anything about it.
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So, yeah, adult collectible toys, but now it's vinyl figures, yeah.
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And the the reason they're kind of uh for adults, I guess, is because they're so expensive.
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So yeah, you okay.
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So Sagittarius, we are talking about this is really high-end, right?
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So it's collectibles.
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So say if sorry, you this will you will learn all this in a minute.
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But if you had a thing like called a Dunny, for example, which is like a a figure, it's called dunny, isn't it?
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It's like it's like a mad bunny thing.
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And if it even undrawn on, undrawn on in its raw form, undrawn, even even uncustomized, you know, that's probably gonna cost you about£100 or something, right?
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If you've got yeah, a large one.
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A large one, and but then when it gets customized and drawn on, it becomes a one of one unique piece, yeah, and that's then worth loads of money.
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Well, it's more, yeah.
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101 one hundred and one pounds.
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101 no, but it is that then then they start getting more and more expensive because obviously that there's time that goes into it, but there's the art and the craft and things like that as well.
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Yeah, yeah.
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So they can get they can get quite painful.
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Um depending on who's gonna be able to do that.
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Well, the most over a grand?
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The most I've sold one for was about£800, I think.
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Wow, need.
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We are not here to talk about the money though, we're here to talk about the creative craft.
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Yeah, I have I have bought some with me, so you can we'll have a look at some.
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We'll have a little show and show and tell in a minute.
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Wow, brilliant.
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But I think um it's it's such an interesting scene because if you're not aware of it, you know, this is a whole world that you could you could you could just never know about in your whole life.
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But as soon as you start noticing bits, you notice them like everywhere, you know, like um in people's windows at shops, around people's houses on their shelves and stuff, and it's very easy to ignore them.
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Yeah, yeah.
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But then when you know, like because I I'm I I love like Futura and Bear brick and stuff and all the Japanese, you know, the Japanese world.
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Yep.
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And yeah, it's only just because I've been aware of it.
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Now like when you see it in different places and you're like, oh, wow, like bear brick, bear bricks, just like he's like a little Lego bear.
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Yeah.
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But people customize them and people trade them and they and they become worth a lot of money.
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Bear bricks are wow.
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Very collectible, yeah.
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A lot of the basketball players, the NFL stars, they all have massive collections of of bear bricks and so on.
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So yeah, Nigo, Nigo from Bathing Ape, who's like a fashion a fashion brand in in uh Japan, like he's like the arbiter of cool taste and collectibles.
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He he made collecting stuff cool, basically.
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And like he's got loads of them, and I'm just like just desperate to have one.
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That's really where I got sucked into it.
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So I I used to I spend a lot of money
on records when I was younger, and uh as a consequence, one of the magazines I used to buy was called Straight No Chase, which I don't know if you remember if you like sort of jazz and and so on, then it it kind of trip hop when that was knocking about and hip-hop and and so on.
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And there was a guy called James Lavelle used to write for it, and he ended up starting a label called Mo Wax, and um they used uh a graffiti artist called Futura, Futura 2000 from New York, so really well known, did covers for the clash, I think, didn't he, and stuff as well.
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So and uncle, yeah, and then he did a same load of uncle stuff, and and so I've got quite a lot of his stuff, and and and that's kind of what I really liked.
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Uh, and that's sort of a I gradually sort of got drawn into this scene.
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I know this.
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Let me I've I'm gonna just bring this to life for Sangator.
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So Futura, you know, like it's kind of like when you talk about the difference between street art and graffiti.
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So he's got a really cool style where it's like aliens, like these little aliens, but they're kind of like American football shapes, and they've got like spiky ears, and they've got really nice, like um spray little spray bits over, like like little galaxies and things.
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I'm not doing it justice, am I?
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Well, he's he's way more sort of abstract than most graffiti generally sort of centres around writing a word or the name, or that was the whole point of it.
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Um, and but uh Futura kind of took it to the point where he was kind of almost just creating like uh an abstract piece, which was quite unusual back then.
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It's a whole world that when you look at it, you sort of you feel a vibe, you get a vibe from it, there's something about it.
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It's unique stuff, I don't know what it is.
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Yeah, yeah, there's something about it really grabs you, and then it it became really, really big with MoWax, uh, and that whole kind of vinyl toy scene then evolved out of that, and by about sort of early 2000s, all these companies were popping up releasing figures.
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You can still get them now, it's still a massive company from China called Popmart, which you might have seen around you see it in Westfield.
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Oh, yeah, Sankita.
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You know about laboo boos?
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Yeah, labos.
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Yeah, so labo is like an evolution of this whole thing because you know people buy these blind bag laboo boos, right?
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This is the same back in the vinyl toy days.
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People would buy blind bag vinyl toys, and you know, that's when it starts getting collectible and really expensive.
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I'm glad we've brought it to La Boo Boos.
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The death of collectibles it didn't take long to track it down.
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But that's where you got the inspiration from.
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So, yeah, it was from it was from those that liking music really, and then reading all the magazines.
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I used to, you know, I used to buy all kinds of magazines, very short-lived magazines, you know, and and I'm old enough now that I'm starting to see some of those magazines in museum exhibits and stuff.
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Um you know, I I I went to the Barbican sort of last year and was looking at uh an exhibition about something I can't remember what it was, but it was music-based, and it had some some magazines that were Kiss FM when Kiss FM was still a pirate radio.
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Oh wow, and it had two magazines in there, like in a you know, a nice glass vitrine sort of, and I was thinking, well, I've got that one and I've got the other one.
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I know you remember reading them, don't you?
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And you know what's on what's on all the pages.
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Well, I keep them as well.
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Yeah, I'm I'm one of those people.
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I saw mine out ones when I was moving house, and it makes me so sad.
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I had all the Grand Royal uh Beastie Boys magazines and I chucked them out, and I was just like, oh, no, that would never affect.
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I used to love the car heart rugged magazine as well.
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And uh what else was around at that time?
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You chucked them away.
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Yeah, no, I can't believe it.
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There was so many kinds of shorts.
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David's just crying now, isn't it?
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He's pouring a little bit of drink on the curb for these uh these magazines.
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What other magazines were around at the time?
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Oh, there was Miles ahead, Soul Underground, Blues and Soul, uh I used to I'd hip hop connection, there was Oh, classic, yeah.
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But it's it's funny that there was this scene and it was real like a scene of the time.
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I don't know, you know, what sort of what's around now because you know we're too old, we're we're irrelevant now.
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And that at that time it was exciting, you know.
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I've I've I met Gempster recently in um in Chelmsfest.
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Okay, yeah.
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And and I and we were like we
were talking about you know, like big chill times and 93 feet east, and I feel like this there's this whole life in London.
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Well, I went to university in in Brighton, and uh, and when I was down in Brighton, you know, you used to be able to go down there and and you'd have the jazz rooms on with Russ Dubri on and and all that stuff was mixed up in it until it got to the point where there was some some lads on my course who were running a DJ night down there, and then that was getting listed in straight no chase.
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So we're thinking, hang on, what's going on here?
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And then the the another guy I was with on my course, he ended up doing the covers for um all the skint releases, so fat boy skin, yeah.
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So yeah, so all that sort of stuff just sort of kept happening, and you kept thinking, oh, this is this is really cool.
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And I just got more and more into it, really.
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What was really cool though, I think about that time was just that had like music, have fashion, had had uh visual, you know, like collectibles.
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Everyone was interested in all these little things and knowing about them, and it was very like early internet days.
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Yeah, that's right.
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So yeah, so so sometimes it was like this knowledge you'd have from magazines and things you'd have in your head, you know, like you'd know about stuff, and you meet someone else and they knew more than you, and you're learning from them.
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Yeah, yeah.
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In Straight No Chase, I remember they at the back they used to they would put like a web link in, and it would always be something like you know, like massive attack.demon dot whatever stuff.
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Oh my god, you've got to dial up to see it, and it would more or less be an image and some text, and that you know, and it was pretty awful.
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But they used to push it, yeah.
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And it uh straight no again, Straight Note Chase used to have you would lay out kind of the best clothes from Japan, you'd have hysteric glamour and all the Nego stuff, yeah.
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And it was it was still just kind of oh, yeah, I'd love to have so you couldn't get it as well.
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That was the other thing because you because you couldn't just go online and buy it if you wanted it, you had to go somewhere specific to get it, and it was hard to get, and that was part of the the enjoyment.
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Mate, I'm I'm in Japan next week, and I uh and I know bathing apes not as cool as it used to be, but I used to go there 20 years ago and buy bathing ape.
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I'm still gonna go there and buy it because bape stars are really wicked shoes.
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I love it, they last ages.
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I I'm gardening mines now, honestly, and I and I think one day like there's gonna be a hype beast coming around past my house.
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Being like, I just saw a guy at Bape Stars gardening.
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They're ruined, like I can't wear them anywhere else.
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It's funny how you go to gardening, isn't it?
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Because my wife loves gardening, and I my dad always used to like you know, and you always think, Oh, it's good that they like gardening, but I'm never gonna do that.
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Do you know what I mean?
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I'll I'll never do that.
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Before you know it, before you know it, you're doing the garden.
00:13:24.159 --> 00:13:26.240
You can yeah, you've got your Japanese streetwear up there.
00:13:26.399 --> 00:13:26.720
Yeah, yeah.
00:13:26.879 --> 00:13:29.679
Well, that's uh if you if you buy the Niwaki stuff, of course.
00:13:29.759 --> 00:13:32.480
So Niwaki's like a Japanese brand, and of course they make gardening.
00:13:33.120 --> 00:13:36.559
If you want a Niwaki jacket and jeans, you're looking at the wrong end of 500 quid.
00:13:37.120 --> 00:13:41.279
Mate, if you're not gardening with if you haven't got a Japanese spade, you know, you're not you're not cutting earth properly.
00:13:41.519 --> 00:13:43.519
Fortunately, I've got a Japanese secretaire.
00:13:44.000 --> 00:13:46.320
Yeah, they're two samurai blades.
00:13:50.799 --> 00:14:04.000
So, Kate, I think um, just you know, to to bring this back, you know, like if you see like Farrell Williams stuff, you know, a lot of his artwork is by Nigo, this um the bathing ape guy from Japan, from this collectibles world.
00:14:04.159 --> 00:14:11.279
So you probably have seen like bear brick and things like that, because um Farrell often uses that sort of language in his artwork as well.
00:14:11.440 --> 00:14:11.679
Yeah.
00:14:11.840 --> 00:14:13.679
And Kenye West for a bit as well.
00:14:14.000 --> 00:14:19.360
Yeah, it's it it it's it's probably in the public consciousness, but you just it's not something you unless you pay.
00:14:19.759 --> 00:14:31.039
Unless you know, yeah, you're not really you're just gonna be something you've seen, it's just like a another thing that's just and you someone unlock it like now, like you'll know, and you'll be like, Okay, that's what they were talking about.
00:14:31.360 --> 00:14:36.399
It's it it's like cause, you know, like no, like cause the street artist who does the crosses on the eyes of stuff.
00:14:36.559 --> 00:14:38.960
Yeah, and and you know, I hate cause.
00:14:39.679 --> 00:14:45.440
Okay, yeah, what I'm but the reason I hate the reason I hate is because I customise one of his toys and his legal team chase me out.
00:14:45.840 --> 00:14:49.519
Oh but but but he does
stuff with Uniclove and things like that now, you know.
00:14:49.600 --> 00:14:55.279
So it's like suddenly you you become aware of these artists um and they but they become in the public conscious.
00:14:55.519 --> 00:14:58.720
He's he's massive, but I mean, yeah, it just really bothered me actually.
00:14:58.799 --> 00:15:02.240
So yeah, well that's it, he's done for me.
00:15:02.320 --> 00:15:03.200
I'm finished with it.
00:15:03.440 --> 00:15:06.480
Adam, Adam, don't let the surprise guests come out of the cupboard.
00:15:06.879 --> 00:15:08.320
David might attack him.
00:15:10.960 --> 00:15:17.360
Oh, look, oh Sankita, what we have here, there you go, Adam has found a bear brick for us in his studio.
00:15:17.840 --> 00:15:20.240
That is a that is a 100% bear brick.
00:15:20.559 --> 00:15:21.519
Oh, look at these.
00:15:21.600 --> 00:15:25.279
So we've we we have got some bear bricks in the studio.
00:15:25.759 --> 00:15:29.360
So they're the 100% ones, the little ones kind of like they're done the equivalent.
00:15:29.440 --> 00:15:35.120
Then you buy a 400% one which is about a foot high, and then if you buy the thousand percent ones, they're about three foot high.
00:15:35.440 --> 00:15:38.799
So, how long does it take you to create to make one of these?
00:15:39.039 --> 00:15:45.600
So to to to paint one's probably one of those little bear bricks, but probably just a few hours to a three hours.
00:15:46.000 --> 00:15:50.720
But like the big, big versions or customized or 40, 50 hours, I don't know.
00:15:50.879 --> 00:15:51.039
Wow.
00:15:51.440 --> 00:15:57.200
So Sankia, let's explain the process to you actually, because because this is a whole weird world.
00:15:57.679 --> 00:16:01.039
What what you get is a bear brick is like having a canvas, right?
00:16:01.200 --> 00:16:10.720
Yeah, it is you just get this blank, and then David will take it and and some people will customize them, even take them apart, like you know, cut bits out of them and stick them back together again.
00:16:10.960 --> 00:16:13.200
But what David does, you mainly just draw on the top of that.
00:16:13.440 --> 00:16:14.240
That's not my bag, yeah.
00:16:14.320 --> 00:16:16.799
Re-sculpting them is not really something I want to do, if I'm honest.
00:16:17.120 --> 00:16:18.960
So, what what do you use to draw on them?
00:16:19.360 --> 00:16:25.919
So when you get one like that, you have to strip the paint off it first of all with acetone, which is deeply unpleasant stuff.
00:16:26.000 --> 00:16:27.279
So I don't recommend that to anybody.
00:16:27.360 --> 00:16:42.879
But um you once you strip the paint off it, it's effectively blank, then I spray paint it, and then I will use sort of like uh model kit spray paints to to get sort of base sprays down and stuff, and then I I literally just use Posca pens on them.
00:16:43.120 --> 00:16:45.279
Poska penska pens about it.
00:16:45.440 --> 00:16:47.519
I love drawing with Posca pens and the best.
00:16:47.919 --> 00:16:51.679
Absolutely, everything is done with that, yeah, and they are very expensive, and I have it.
00:16:51.840 --> 00:16:53.519
That's why customs cost so much money.
00:16:54.559 --> 00:16:55.840
Poska pens, honestly.
00:16:56.080 --> 00:17:02.960
Yeah, I I probably have got about, yeah, at any given point, I've probably got about 600 quids worth of pension around the side.
00:17:03.200 --> 00:17:03.600
Oh my god.
00:17:03.840 --> 00:17:05.839
Yeah, that's that's what they got security at the end.
00:17:08.799 --> 00:17:09.680
That's crazy.
00:17:09.839 --> 00:17:16.000
So I mean, drawing in 3D must be really difficult, like you know, like um you know, working around the shapes of them.
00:17:16.240 --> 00:17:24.720
Yeah, it can be because obviously, yeah, the pens don't lend themselves to detail and what have you because they tend to flick and then the paint spatters, which is not something I'm happy about.
00:17:24.880 --> 00:17:27.279
But um and your work's super precise as well.
00:17:27.519 --> 00:17:30.319
Yeah, which is that's another terrible decision on my part.
00:17:32.559 --> 00:17:34.160
Should have gone a lot freer.
00:17:34.240 --> 00:17:36.240
Um should have gone a bit more future, right?
00:17:36.319 --> 00:17:36.880
Yeah, exactly.
00:17:36.960 --> 00:17:39.119
Yeah, I should just be a little bit more blasé about it.
00:17:39.279 --> 00:18:06.720
But um, yeah, no, I I I like it to be uh a certain way, and also the method I've kind of developed over the years is again is a is a terrible way of doing it because I I tend to do like all my black work first, then I'll do a colour, then I go back with black, and then I do another colour, and by the time I've got to two or three layers, I've obliterated half the stuff I've done twice at least, and then I'm still gonna other people do the black layer last because that's like doing the outlines and stuff, right?
00:18:07.119 --> 00:18:08.799
It's the only way you can get the look, right?
00:18:08.880 --> 00:18:09.920
So you have to layer it.
00:18:10.000 --> 00:18:17.440
So you you you if you to do what I do, if you want it to look the way it looks, then yeah, you have to be prepared to basically scrub out half your work all the time.
00:18:17.519 --> 00:18:19.039
So it's yeah, it's it's painful.
00:18:19.359 --> 00:18:23.359
We we should um I mean, David, do you want to get some of your customs out?
00:18:23.599 --> 00:18:31.920
Because I think we'll describe it'd be good to describe them, but I think for Sankia to see them, it's gonna Sankita, use your words when you see them, yeah?
00:18:32.079 --> 00:18:44.640
Okay, describe them, describe them, use your words, they're very big compared to what Adam gave me.
00:18:44.799 --> 00:18:45.279
Yeah.
00:18:45.920 --> 00:18:48.559
Oh my gide days.
00:18:49.119 --> 00:18:49.519
Wow.
00:18:49.759 --> 00:18:50.720
What are you looking at?
00:18:50.880 --> 00:18:54.240
I'm looking at this monster-looking thing, but it's very creative.
00:18:54.400 --> 00:18:57.200
Very my favourite colours, can I touch it?
00:18:57.359 --> 00:18:57.920
Yeah, yeah.
00:18:58.640 --> 00:19:00.240
Sangeet, use your words.
00:19:00.480 --> 00:19:06.799
Right, so my words are colourful, different, absolutely different.
00:19:07.680 --> 00:19:10.160
Looks like they belong in Star Wars.
00:19:11.599 --> 00:19:40.960
So David's actually brought in some of his customers to the studio, which you'll be able to see if you watch the video of this, but if if not, these are probably about you know um 10-15 centimetres high, these vinyl toys, and they look kind of like these mad space aliens, a bit like um in the fifth in the fifth element when the sort of monster things come along, and they're covered in graffiti, like sort of stylized graffiti, which is what David's drawn on them.
00:19:41.759 --> 00:19:43.599
There is so much detail.
00:19:44.160 --> 00:19:52.720
Look at looking at these, so what you're sort of doing, you're almost applying this sort of super stylized smart graffiti style over the top of these toys.
00:19:52.880 --> 00:19:53.119
Yeah.
00:19:56.400 --> 00:19:58.640
Where where did you develop your style?
00:19:59.599 --> 00:20:09.039
I honestly I don't really I I I I if you want the full story, I did go to university and I did fine art at university, so I was a painter, I did painting.
00:20:09.279 --> 00:20:16.240
Um I quickly realised I was not gonna make a living as a painter because it's effectively impossible.
00:20:16.640 --> 00:20:20.880
Um so I ended up I I got a normal job, I got a proper job, blah blah blah blah.
00:20:21.279 --> 00:20:26.960
And then as I say, I sort of always maintained my interest in kind of laptop culture kind of stuff.
00:20:27.119 --> 00:20:31.519
Um eventually there was in Selfridges in London, they once had a pop-up of Kid Robot.
00:20:31.680 --> 00:20:32.000
I remember.
00:20:32.160 --> 00:20:46.640
And Kid Robot was the the the people who make dunnies, and and they another toy they used to call was called a money, yes, and it was blank, and the idea was you would draw on it, and so I got one, and I mean I was you know, I was still quite old even then.
00:20:46.799 --> 00:20:54.559
Yeah, um, I got one, I drew on it, and then it encouraged you to post it up on this early internet on a forum, on the kid robot forums.
00:20:54.799 --> 00:20:57.359
So I thought, well, let's stick it up, see what happens.
00:20:57.440 --> 00:21:02.079
Um so I I I put it up on it, and and people were sort of like, oh, I like that's good, I like that.
00:21:02.400 --> 00:21:04.960
And and this was this was with your sort of graffiti style, wasn't it?
00:21:05.279 --> 00:21:11.279
Nowhere near as uh technical as this nothing like literally, I was drawing on it with a Sharpie, I think, the first few I did.
00:21:11.519 --> 00:21:17.519
Yeah, um so I draw on it with a Sharpie, just literally like doodled it, um, put it up.
00:21:18.079 --> 00:21:18.960
Oh, I like that.
00:21:19.039
--> 00:21:23.119
Um and then of course that appealed to my vanity a lot.
00:21:23.359 --> 00:21:25.279
So I was sort of like, oh this is good.
00:21:25.440 --> 00:21:33.680
Um so uh then I I I sort of started doing more kind of what I because when I was doing my paintings, they were always abstract, that's what I preferred.
00:21:34.000 --> 00:21:40.240
Um and so I I tried to think, well, I could you maybe I could use this as a sort of small canvas, you know.
00:21:40.400 --> 00:21:42.559
So uh so that's where I went with the fan.
00:21:43.039 --> 00:21:48.000
You know, you know what, people you can never underestimate the importance of encouragement like for creativity.
00:21:48.079 --> 00:21:48.400
Oh yeah.
00:21:48.559 --> 00:21:56.079
And I and I think you know, that instant feedback, you know, when you post something online, you know, you you might have just done it put on your shelf and been like, Oh, that was fun.
00:21:56.240 --> 00:21:59.839
Yeah, but you see, the internet's not it's not really like that anymore, is it?
00:22:00.000 --> 00:22:05.519
You know, but back then it was it was very much kind of like, oh, there's a forum, there's loads of people on here, they're all into it.
00:22:05.839 --> 00:22:10.559
And they would they would comment, you know, people would spend a little bit of time commenting on it.
00:22:10.799 --> 00:22:21.519
So you would just sort of even that on its own, you just kind of appreciated the fact that there was other people who are interested and you could share kind of what you were doing and if they liked it or if they didn't like it, you know.
00:22:21.599 --> 00:22:22.720
I didn't mind if they didn't like it.
00:22:23.279 --> 00:22:26.880
And were people were were people sort of swapping tips or um, yeah.
00:22:26.960 --> 00:22:29.440
That was the other thing you could find out, like to start with.
00:22:29.599 --> 00:22:35.680
I didn't, you know, really realise that yes, ideally you need to strip the paint off, and then you need to prime it.
00:22:35.759 --> 00:22:41.839
And somebody would it would just explain it to you, just you know and and so this was like a m whole money community, or is like a kid robot community.
00:22:42.000 --> 00:22:43.039
It was all kid robot community.
00:22:43.200 --> 00:22:44.720
Mate, I miss Kid Robot so much.
00:22:44.799 --> 00:22:45.759
I loved Kid Robot.
00:22:46.000 --> 00:22:47.759
Are some of those people still knocking around that?
00:22:47.839 --> 00:22:49.119
You know, they're still about, yeah.
00:22:49.440 --> 00:22:53.200
Um so yeah, you you know, you still you still talk to them, uh even now.
00:22:53.279 --> 00:22:54.960
And I mean it's yeah and that's amazing.
00:22:55.039 --> 00:22:58.160
So you almost built a little community from Kid Robot what are we talking about?
00:22:58.319 --> 00:23:04.480
All these disparate communities, the Mo Wax community, like the jazz jazz heads and stuff, and you've got your Kid Robot community, yeah, yeah, yeah.
00:23:04.640 --> 00:23:17.200
And and you still chat to them and you still swap eat swap customs, still knocking around, yeah, and I still get I it's all moved kind of onto Instagram now, but um a lot of the people that I used to sort of speak to still will still comment on Instagram and and so on.
00:23:21.440 --> 00:23:26.400
I was going through your Instagram earlier, I got exhausted, it just kept going on forever.
00:23:26.720 --> 00:23:31.359
Yeah, I can't honestly, I cannot believe how many figures you've customized.
00:23:31.519 --> 00:23:32.319
Yeah, I've done a lot.
00:23:32.559 --> 00:23:33.200
You've done a lot.
00:23:33.279 --> 00:23:36.400
I bet you can't even remember them all, but I it was it was exhausting for me.
00:23:36.559 --> 00:23:37.920
I can remember most of them, but yeah, yeah.
00:23:38.000 --> 00:23:38.960
No, I yeah, I have done a lot.
00:23:39.119 --> 00:23:46.960
But but thinking about that level of craft as well and seeing how precise your work is, and knowing how much love that you put into each single, every single one, yeah.
00:23:47.200 --> 00:23:50.079
I was just thinking, oh my god, this is like this is a million hours.
00:23:50.720 --> 00:23:54.319
It is when it's not kind of what you do for a living as well, yeah.
00:23:54.400 --> 00:23:55.920
So I they they do take a long time.
00:23:56.079 --> 00:24:06.400
I and I'm doing a show in in May in in London at Hammersmith called the Toy Con, which is the it's pretty much the only toy show in in the UK for this kind of stuff.
00:24:06.799 --> 00:24:11.359
Um and it's a two-day event, and I I finally have gone back.
00:24:11.440 --> 00:24:15.839
I I did the first three or four, and then I gave it up because they moved it to like a weekend format.
00:24:16.000 --> 00:24:24.799
I just couldn't I could not make enough stuff to sell to to have the point of having a table for two days because I couldn't, I just didn't have enough stuff to sell.
00:24:24.880 --> 00:24:25.119
Yeah.
00:24:25.279 --> 00:24:34.000
Um, but I've I made a sort of point this year of trying to get enough stuff together, and I've got about I reckon I've got about 30 bits by the time.
00:24:34.400 --> 00:24:35.759
Yes, wow, come on.
00:24:36.240 --> 00:24:38.480
Hopefully that will see me see me through.
00:24:38.960 --> 00:24:41.680
And and will you be customising stuff live on the stand as well?
00:24:41.920 --> 00:24:43.279
I don't normally, but I could do.
00:24:43.519 --> 00:24:49.279
I mean, yeah, I don't it's just I normally I mean I don't mean like someone bringing up a thing and say, Can you draw on my asthma inhaler or whatever?
00:24:49.839 --> 00:24:51.839
Actually, really, yeah, weirdly, that's more what you get.
00:24:51.920 --> 00:24:53.599
Yeah, you do tend to get paper to cover.
00:24:53.920 --> 00:25:02.640
Can you just draw on that from okay, yeah, uh come back in two hours and yeah, so because your your wait your um yeah, your wait list must be really long.
00:25:03.279 -->
00:25:05.839
Do you do you sign every piece of your work somewhere?
00:25:06.000 --> 00:25:07.920
Yeah, is there a little secret signature of it?
00:25:08.240 --> 00:25:09.279
Yeah, that one's covered in them.
00:25:09.519 --> 00:25:09.839
Really?
00:25:10.079 --> 00:25:10.720
Where is it?
00:25:10.960 --> 00:25:12.559
So that's me there.
00:25:12.880 --> 00:25:13.599
DMB, yeah.
00:25:13.920 --> 00:25:16.880
Ah I love that.
00:25:17.359 --> 00:25:18.559
They're all over, basically.
00:25:18.640 --> 00:25:19.680
Yeah, little tang on there.
00:25:19.839 --> 00:25:21.599
So even if you think it's yours, it's really not.
00:25:21.759 --> 00:25:26.559
No, it is you I mean, you never actually did graffiti then.
00:25:26.640 --> 00:25:29.599
You you just went straight to graffiti on these small characters.
00:25:29.920 --> 00:25:31.279
Yeah, I always just really like they are.
00:25:31.599 --> 00:25:42.880
That kind of that that was the artwork I kind of outside of fine art, which with the best will in the world, I'm not gonna come to a a toy like this and do you know something fine art related on it because it's just not gonna work.
00:25:43.039 --> 00:25:46.880
But um, that was the kind of outside of that that's what I liked, actually.
00:25:47.039 --> 00:25:50.319
Um, and so that's what I pursued in my style, yeah.
00:25:50.480 --> 00:25:54.160
Because and and it was particularly Futura was the the guy that I really liked.
00:25:54.799 --> 00:26:00.799
You can see it, you can see it, but but what what's nice, it it doesn't look like a rip of Fujuri, you can see the inspiration there, yeah.
00:26:00.960 --> 00:26:06.160
It's that initial pen work, you know, where he would just literally just swing marks, wouldn't he?
00:26:06.319 --> 00:26:06.720
Yeah, yeah.
00:26:06.880 --> 00:26:08.799
And I just took it on from there, really, yeah.
00:26:08.880 --> 00:26:13.119
But my I used to do a lot of work when I was at at college with handwriting, yeah.
00:26:13.440 --> 00:26:16.960
And so it kind of wasn't it wasn't massively far removed from it, actually.
00:26:17.119 --> 00:26:23.759
So um when I when I came to doing these, I sort of started in that direction, and then I've just developed it.
00:26:24.000 --> 00:26:34.880
Actually, it's part of it's come out of the way that the pens behave when you draw on the surfaces, but because like you said, because they're round, the pens tend to make kind of particular kinds of marks anyway.
00:26:35.119 --> 00:26:45.839
So you kind of get not help, but you know, you you you you work with the shape of the the thing that you're you're drawing on, so you tend to get a different effect on on each piece, which is what I like about it.
00:26:46.240 --> 00:26:52.079
When when you start, do you actually have a vision in your head of where it's gonna go or does the pen the pen will just sort of take you a bit?
00:26:52.400 --> 00:26:53.039
Absolutely no idea.
00:26:53.359 --> 00:26:54.000
I I love that.
00:26:54.079 --> 00:26:57.359
So you you you just you just sit down, you start, and the pen will take over.
00:26:57.599 --> 00:27:00.640
If I knew what I was doing, I would I wouldn't do it.
00:27:01.680 --> 00:27:04.400
Yeah, I mean for random, look at that.
00:27:04.480 --> 00:27:05.920
Like to go with that.
00:27:06.000 --> 00:27:07.200
This is proper creative.
00:27:07.519 --> 00:27:07.759
Yeah, yeah.
00:27:08.160 --> 00:27:08.480
I love that.
00:27:08.559 --> 00:27:14.640
So so but you get you like literally you sit down, blank out, blank figure, yeah, and you just get in the zone and you just start drawing.
00:27:15.680 --> 00:27:17.440
Just somebody's someone switches you on.
00:27:17.599 --> 00:27:18.160
Yeah, you just start.
00:27:18.319 --> 00:27:20.000
Go like run run DMB.
00:27:20.160 --> 00:27:26.319
You start drawing, you start, you know, you start with a black marks, you try and and balance them out so you it feels right.
00:27:26.400 --> 00:27:28.960
I don't even know what that you know how to explain that to someone.
00:27:29.039 --> 00:27:31.039
But you know, you know, you feel it up.
00:27:32.160 --> 00:27:33.599
That looks like you've got your own language in your head.
00:27:33.839 --> 00:27:35.440
Yeah, this is this is this is right.
00:27:35.599 --> 00:27:47.200
Then I I sort of tidy that up with a little pen, and then I'll go back in with another colour, and like I say, that so on on that piece, you know, that was sprayed grey, then I sprayed the white on it black on the base, but you know, etc.
00:27:47.519 --> 00:27:49.039
until it was sprayed up.
00:27:49.359 --> 00:27:55.759
Then you you'd go with with the grey colour outline, the grey, and then well, I quite like the blue.
00:27:55.839 --> 00:27:56.400
I'm gonna put some.
00:27:56.799 --> 00:27:57.680
I was gonna say, yeah.
00:27:58.079 --> 00:28:01.759
That's what you would do, and that that that's basically how I that's basically how I do everything.
00:28:02.079 --> 00:28:07.839
This is why you got kicked out of fine art, because you because in fine art you can't say, I just thought I put some blue on it because I like blue.
00:28:08.079 --> 00:28:21.839
Well, you know, you you actually can if you really want, you can, you can, but I yeah, I did get I got I got told off once in uh in a crit at at university because they thought I was being too flippant.
00:28:21.920 --> 00:28:22.559
Yeah, yeah, yeah.
00:28:22.720 --> 00:28:33.440
Uh, and I actually wasn't being flippant, and what happened was I did my explanation, then somebody else clearly thought that maybe flippancy was a good thing, and and then gave the explanation of their piece in a very similar vein.
00:28:33.519 --> 00:28:36.160
And I think the the tutor got really sick of it really quick.
00:28:36.559 --> 00:28:37.839
Was it was it why did you do that?
00:28:38.000 --> 00:28:39.119
Because I thought it'd look good.
00:28:39.200 --> 00:28:45.839
Yeah, it was more because I mean I was I just gave them sort of straight
answers to things, you know.
00:28:46.160 --> 00:28:50.720
He asked me why I had stripes in, and I said the the stripes on the piece, it's the one in my studio, actually.
00:28:50.799 --> 00:28:55.359
I never I couldn't let myself give it away to anybody, so somebody tried to buy it off me the other day.
00:28:56.240 --> 00:28:57.599
I can't I can't sell it to you.
00:28:57.920 --> 00:29:07.839
Um but um it's got two it's got a blue-black stripe on it, and at the time when I was at university, I used to wear this this top that was blue and black stripes all the time.
00:29:08.000 --> 00:29:09.680
It was like an inter Milan shirt, yeah.
00:29:09.920 --> 00:29:13.599
So and I really loved it, and I wore it all the time, all the time.
00:29:13.759 --> 00:29:16.160
And uh that was my signature basically.
00:29:16.240 --> 00:29:21.039
So I put this down the centre, and I it also broke up a two-part painting, so it was a diptych.
00:29:21.519 --> 00:29:23.680
Yeah, we want to get arty about it.
00:29:23.839 --> 00:29:28.480
Um, and and that was and I I gave that explanation, they were not happy with that explanation.
00:29:28.720 --> 00:29:28.799
Really?
00:29:31.039 --> 00:29:32.160
How dare you be honest?
00:29:32.319 --> 00:29:37.519
Yeah, I'm from Brighton, I'm skint records, I like my football shirt, it's into Milan, I'm using the colours.
00:29:37.680 --> 00:29:45.440
When I was at your yeah, when I when I did go to the fine art course, I mean I turned out I was the only person who liked football, so yeah, of course.
00:29:45.759 --> 00:29:47.359
I was slightly surprised about that.
00:29:47.440 --> 00:29:50.240
Um, yeah, that was that's fine art course.
00:29:52.799 --> 00:29:54.559
So have you ever done a piece?
00:29:54.720 --> 00:30:04.079
I mean, you said that you've got a piece at home that you would never get rid of because that's your piece, but have you ever been commissioned a piece where it's come out so good where you're thinking, I've just really.
00:30:07.119 --> 00:30:11.920
I've even said to people, I said I'd rather not give you it back, but um, you know, they have paid for it.
00:30:12.000 --> 00:30:14.400
So can I buy it back off you?
00:30:14.559 --> 00:30:20.000
Yeah, honestly, a few of them I I I would uh just because I I did like them at the time.
00:30:20.079 --> 00:30:28.880
But um I had that I I had I had my photo taken the other day on a Victorian camera on wet plate on wet plate with um silver silver colloid.
00:30:28.960 --> 00:30:35.359
Yeah, and the guy said to me, can I might ask for this back in the future for um exhibitions and stuff.
00:30:35.519 --> 00:30:36.240
Is that okay?
00:30:36.400 --> 00:30:36.799
Yeah, okay.
00:30:37.680 --> 00:30:40.720
And I was like, I was like, it must be so hard to just let things go, you know.
00:30:40.799 --> 00:30:44.960
And then I mean you can't end up being like the Damian Hurst Foundation where you're buying all your own artwork.
00:30:45.359 --> 00:30:52.319
Yeah, no, yeah,
it's it it it's it's difficult because it obviously when I I don't just trip them off.
00:30:52.400 --> 00:30:58.720
I don't I I um I don't want to just do them because I don't I don't do it for a living, so I don't I don't have to.
00:30:58.960 --> 00:31:07.039
So um so I do what I want and and I also I don't I kind of object to people asking me to do specific things as well.
00:31:07.200 --> 00:31:13.359
So I would usually basically say no if if if you want something specific.
00:31:13.519 --> 00:31:19.359
I will do like a colour scheme if you really want, yeah, but by and large I try to say no.
00:31:19.680 --> 00:31:22.720
You're just gonna be like, look, listen, dude, I'm going where the pen takes me.
00:31:23.039 --> 00:31:23.359
Absolutely.
00:31:23.759 --> 00:31:27.200
You know, I uh I'm I'm not gonna draw at you, Homer Simpson, on this on this thing.
00:31:27.599 --> 00:31:36.880
And to be fair, the the vast majority of people are like, well, I don't wanna, you know, I don't wanna I don't wanna stop you doing something, so yeah, I just do whatever you want, and they're quite happy with that.
00:31:37.039 --> 00:31:45.119
They might say they'd like it a bit of blue or something, which is fun, but I'm hate, but so then really two pieces are never the same, they're never the same because they're all quite pretty unique, yeah.
00:31:45.279 --> 00:31:52.720
Yeah, and if and I I guess if someone's coming to you and they already like your style, you're like, trust the process, yeah, you know, and what you get is gonna be a one of one.
00:31:52.799 --> 00:31:55.440
Yeah, no one will ever have seven for something the same.
00:31:55.680 --> 00:32:00.559
Yes, that's basically what I say is that you you're you're gonna get what you're gonna get.
00:32:00.640 --> 00:32:06.319
Um it means it's gonna be unique to you, yeah.
00:32:06.480 --> 00:32:08.000
And I'm and I'm just gonna post it to you.
00:32:08.079 --> 00:32:09.200
I'm not even gonna show you everything.
00:32:09.680 --> 00:32:14.960
It's the thing, I don't I don't take any money off anyone until uh until they've until they've seen it, until it's done.
00:32:15.279 --> 00:32:26.480
So because uh in the scene, kind of a lot of people will take kind of half the money up front and stuff like which I I don't want anyone's money while I'm working on it because other than then they can guilt you into having to do it quicker.
00:32:27.119 --> 00:32:28.799
So I'm again not interested in that.
00:32:28.960 --> 00:32:32.000
You're like it's ready when it's ready, you're on David Bishop's time.
00:32:34.640 --> 00:32:35.839
So that's what happens.
00:32:36.319 --> 00:32:38.000
Don't call me, I'll call you.
00:32:38.240 --> 00:32:40.960
Hey, look, look, I've just got to tell our listeners here, right?
00:32:41.039 --> 00:32:43.519
So I'm holding one of these vinyl customs, right?
00:32:43.599 --> 00:32:47.680
I would say it's like like the size of the biggest baked potato you've ever had, right?
00:32:47.839 --> 00:32:48.160
Yeah, yeah.
00:32:49.680 --> 00:32:50.880
Like an alien thing.
00:32:51.119 --> 00:32:56.480
Now, how long would this one that's about as big as the biggest baked potato you've ever seen in your life?
00:32:56.720 --> 00:32:57.920
So that one would that take?
00:32:58.400 --> 00:32:59.440
I don't know how long I've spent on that.
00:32:59.519 --> 00:33:01.759
Maybe uh 20 hours, probably something like that.
00:33:02.000 --> 00:33:02.559
20 hours.
00:33:02.640 --> 00:33:04.640
And how many sittings would that be?
00:33:05.039 --> 00:33:05.920
Uh it depends.
00:33:06.079 --> 00:33:14.400
If if I've got a bit of time, if I like when I do the open days at Highlands, I actually I I quite like that because I get to spend quite a lot of time on the same thing.
00:33:14.640 --> 00:33:21.279
And also, if you've got four or five in front of you, you you work on one, you put it down, you let it dry, pick up another one and work on that.
00:33:21.599 --> 00:33:26.000
Okay, but apart from when loads of people come in and ask you questions about them like me.
00:33:26.160 --> 00:33:26.640
I don't mind.
00:33:26.799 --> 00:33:32.799
Yeah, I'm I I'm I like talking to people there, but it I think a lot of people don't even know it's there, to be honest with you, when they when they come round.
00:33:32.960 --> 00:33:39.599
I mean, yeah, it's it do you do you find um because you know, doing like close work, I used to paint Warhammer figures, right?
00:33:39.920 --> 00:33:46.720
Okay, yeah, you know, and and like doing close work and doing like detailed work, you've really got to zone in and it does get exhausting, you know.
00:33:46.799 --> 00:33:51.359
Like after a while you suddenly realize, oh my god, I've had my face right up to this model for ages.
00:33:51.519 --> 00:33:55.599
Yeah, I'd I I could never paint Warhammer figures for exactly that reason.
00:33:56.000 --> 00:33:57.359
Well, I couldn't now my eyes are ruined.
00:33:59.839 --> 00:34:11.039
I have got my glasses in my jacket there, and I was just pretending I don't need them at the moment, but um, yeah, no, that it's yeah, sometimes you you get a bit too drawn into it and it's a bit fine.
00:34:11.119 --> 00:34:15.119
But that part of the whole process of it was not not to do that.
00:34:15.280 --> 00:34:16.800
Yeah, because I don't want to do that.
00:34:17.039 --> 00:34:31.519
What what what's cool about these as well is because you know you're thinking about it as a large canvas, you know, you there's an overall like a holistic look to it, yeah, but then there's all these small details in the like your uh your d your DMB signatures, and you know, the more you look at it, the more you discover.
00:34:31.679 --> 00:34:32.320
The more you find.
00:34:32.400 --> 00:34:40.880
So I've got this little piece here, and it's got lots of little colours, and I can see a skeleton, but as I look closer, I can see the word no, then I can see some numbers.
00:34:41.039 -->
00:34:43.440
So you're right, you have to get really detailed.
00:34:43.760 --> 00:34:49.519
Yeah, but you can appreciate you you can appreciate it from a from a from a top level as well as looking at it in more detail.
00:34:49.760 --> 00:34:53.199
Well, I I hope the people who do have them do actually have a good look at it.
00:34:53.280 --> 00:35:06.320
I mean there was a bit of um a sort of approach, quite a lot of people, where they they would paint the front, yeah, not really worry too much about the back because the back's on you know, when you've got it on the shelf, well no one's gonna look at the back.
00:35:06.400 --> 00:35:08.159
But I'm like, well no, you've done amazing.
00:35:08.400 --> 00:35:10.159
But you your men are look at it all the way around.
00:35:11.440 --> 00:35:12.800
You know, it's not worth having.
00:35:13.440 --> 00:35:16.960
Well, it makes you it it actually makes you want to look all the way around, to be honest.
00:35:17.199 --> 00:35:21.360
Well, I hope that I mean I hope the people who buy them do, but I mean, you know, I don't know what they do with them.
00:35:21.440 --> 00:35:28.880
I know some people have got outrageous displays with with yeah, built-in cabinets along massive long what I mean, it's ridiculous what some people do.
00:35:29.199 --> 00:35:34.159
Do you have have you got that customer that will constantly come back to you because they're so addicted to this?
00:35:36.400 --> 00:35:38.880
This is like their Faberget eggs, isn't it?
00:35:39.039 --> 00:35:39.360
Yeah, yeah.
00:35:39.679 --> 00:35:41.360
Every year I'm gonna order one.
00:35:41.679 --> 00:35:47.760
I have, I have got some, and you know, that they're the people that you you know you save your best stuff for as well, aren't they?
00:35:48.239 --> 00:35:59.679
Yeah, if I if for instance one of these big ones, if if I if I knew it was a certain that there's a few people who buy for me, and if I know it's them, it's there's no way it's going until it's absolutely perfect.
00:35:59.920 --> 00:36:04.239
Because I know that's that's that's that's neat ego when Nego sort of one.
00:36:04.480 --> 00:36:05.280
It's the best thing, isn't it?
00:36:05.360 --> 00:36:07.360
Is it is it somebody who really care values it?
00:36:07.599 --> 00:36:08.159
That's what you want.
00:36:08.239 --> 00:36:09.119
That's who I want to have for.
00:36:09.599 --> 00:36:11.039
Do you do you have Japanese customers?
00:36:11.360 --> 00:36:15.519
A few, yeah, not not loads, I say because they and they're gonna care the most out of everyone, right?
00:36:15.760 --> 00:36:17.599
It's mostly mostly Americans, yeah.
00:36:17.920 --> 00:36:25.199
Weirdly, um quite a few in Europe, so Japan and Italy and many from the UK, yeah, quite a few.
00:36:25.519 --> 00:36:33.840
Yeah, there's one one one chap in particular name, but he he buys a lot of my stuff, and there was an another guy who used to buy a lot and he ran out of of yeah.
00:36:34.320 --> 00:36:36.159
And it's
is there a secondary market for it?
00:36:36.239 --> 00:36:37.679
You know, can can people resell it?
00:36:37.760 --> 00:36:40.880
Is that is it like this is a run D M B original?
00:36:41.280 --> 00:36:45.760
Yes, there is, which is I I don't I don't mind actually.
00:36:45.920 --> 00:36:50.880
Uh funnily enough, uh things like Toy Con when you will get a lot of people who are flippers basically.
00:36:50.960 --> 00:36:54.000
So you know, like when people buy the new trainer releases and stuff.
00:36:54.159 --> 00:36:56.880
Yeah, not dolphins, they'll just literally buy them, yeah.
00:36:57.039 --> 00:37:00.559
No, you know what a flipper do you know what a flipper is?
00:37:03.199 --> 00:37:03.840
Yeah.
00:37:04.960 --> 00:37:15.199
So they will come along and they will they will they will buy the pieces and they will literally get out of the venue and then they will sell them again for twice as much money as they bought them for.
00:37:15.440 --> 00:37:16.079
That's crazy.
00:37:16.239 --> 00:37:23.440
Um and that's because the the people selling them in there obviously are are ultimately just sort of this is what I'm gonna charge for them to be reasonable.
00:37:23.599 --> 00:37:24.000
Yeah.
00:37:24.239 --> 00:37:34.480
Even though they they probably know in truth that they can go for more than that, but then you become the person who's just trying to rinse it for money, and then that's not that doesn't fit the the the scene if you're gonna be able to do it.
00:37:34.880 --> 00:37:36.239
So do you sound someone out?
00:37:36.320 --> 00:37:39.119
Like you got like little interviews and you work out if they're a flipper or not?
00:37:39.519 --> 00:37:41.840
No, it's like do you like do you like the taste of sardines?
00:37:42.079 --> 00:37:46.079
You just know they give away that one.
00:37:47.679 --> 00:37:54.320
They can't help themselves, but can you communicate over large distances underwater?
00:37:55.599 --> 00:37:59.199
Can you can you can you balance a ball on your nose and jump through a hope?
00:37:59.360 --> 00:38:00.880
No, you're stereotyping dolphins.
00:38:01.119 --> 00:38:04.400
Yeah, I know, sorry, yeah, I don't I don't want to be dolphinist.
00:38:04.559 --> 00:38:10.800
Um but do you do you get a feel for like if someone if someone's like a tie kicker or they're like you know just looking to get something to flip?
00:38:10.880 --> 00:38:14.800
Yeah, and they know that if you draw a hot Homer Simpson on it, then they're gonna be able to sell it for twice as much.
00:38:15.119 --> 00:38:15.679
No, yeah.
00:38:17.039 --> 00:38:20.800
My view on it is that I ultimately I'm I ask what I think it's worth.
00:38:20.880 --> 00:38:21.280
Yeah.
00:38:21.440 --> 00:38:28.719
And then if they make twice as much money out of it because they found somebody who'll pay more, that's fine by me, because I've got what I thought it was worth.
00:38:28.800 --> 00:38:32.159
So and you're happy that your time's been compensated, you've enjoyed the process.
00:38:32.800 --> 00:38:35.280
Yeah, I've done it, I've got what I what I wanted for it.
00:38:35.360 --> 00:38:38.239
So if somebody else can get more, that's up to them, and that's that's fine.
00:38:38.320 --> 00:38:39.519
I don't, it doesn't bother me.
00:38:39.599 --> 00:38:46.639
But um I've gotta say, I think you might be like our most chill guest ever.
00:38:47.039 --> 00:38:48.639
Right, right, right, no, no, Sagittarius.
00:38:49.119 --> 00:38:49.519
Do you know what?
00:38:49.679 --> 00:38:50.559
Am I the oldest guest?
00:38:51.039 --> 00:38:52.320
No, no, no, no, no, not at all.
00:38:52.480 --> 00:38:54.639
The oldest guest I've had was about um 95.
00:38:55.280 --> 00:39:01.440
So um, but what I'm gonna say is I think that this as you this is your hobby, right?
00:39:01.519 --> 00:39:04.079
Yeah, you're you say you're a part-time toy customisation.
00:39:04.559 --> 00:39:06.719
I think this is the most zen thing, right?
00:39:06.880 --> 00:39:17.039
If you're doing close work and you're like locked in on on this customisation, yeah, and you're just letting a pen do its work, it's easy to- You must be like that, must be like a real happy place for you.
00:39:17.199 --> 00:39:20.400
Yeah, I I just I just like I mean it's easy to lose a lot of time, yeah.
00:39:20.480 --> 00:39:30.159
You know, um I like for example, when I'm at uh work at lunchtime, I will I will do these and I'll sort of start, and I've got about you know about an hour, let's say, in it.
00:39:30.800 --> 00:39:35.519
You realise that you've I've I've barely sort of started before I went on that.
00:39:36.159 --> 00:39:36.880
The hour's gone.
00:39:37.039 --> 00:39:38.719
The hour's gone, so it's like right, okay.
00:39:39.039 --> 00:39:48.559
So I do this, I I I do a lot of um pen work, I do merch for bands and stuff, and I and I and I hand draw it and I put a podcast on, and the end the podcast will end, and I'd be like, What?
00:39:48.639 --> 00:39:49.360
That was an hour?
00:39:49.920 --> 00:39:54.159
Yeah, you know, because you just you're just locked in, like drawing and it and it and it feels so chilled afterwards.
00:39:54.320 --> 00:39:56.159
Like, we'll have another episode of that, another episode.
00:39:56.559 --> 00:39:59.760
Before you know it, you've done four four So what sort of pen and ink work do you do then?
00:40:00.159 --> 00:40:05.199
I always use the same Stabilo as Stabilo the stripy black and white pen.
00:40:05.280 --> 00:40:10.800
Yeah, and I and and I I just do black and white drawing and then I'll scan it in and um yeah.
00:40:11.679 --> 00:40:16.320
I I have not got on to doing it on a tablet or uh iPad or anything with procreators.
00:40:16.480 --> 00:40:17.280
Yeah, I've never done that.
00:40:17.599 --> 00:40:22.239
I still like the physical analogue drawing, yeah.
00:40:22.400 --> 00:40:22.639
Same.
00:40:22.960 --> 00:40:27.920
Um and and I love it, it just makes me so chilled, and it's so nice to get away from a screen
as well.
00:40:28.239 --> 00:40:41.760
I don't need to be on the um because I know you know you're a graphic designer during the day as well, and I do similar work as well, and it's just so nice to to separate corporate paid work from stuff that I enjoy doing.
00:40:41.840 --> 00:40:42.239
Yeah, exactly.
00:40:42.559 --> 00:40:44.880
I'd enjoy doing that as well, but you know, yeah, I know what you mean.
00:40:45.199 --> 00:40:48.400
To be in the analogue world, yeah, it's just and this why I I'm feeling your zen.
00:40:48.639 --> 00:40:50.320
Yeah, I just get all the pens out, you know.
00:40:50.480 --> 00:40:51.360
I get all the pens out.
00:40:51.440 --> 00:41:06.800
I've got 40-50 colours there, most of which I know I'm probably not going to use, but you know, it's it's just and then I'll look at graffiti books or whatever, and I'll just say, all right, yeah, quite I like that colour combination, and I'll try a bit of that, and and that that's all I have to do, you know.
00:41:06.960 --> 00:41:14.000
So I uh like on that purple one, I was just quite enjoying there was a little bit where it was kind of feeling a little bit neon, and I was thinking, oh that's working.
00:41:14.079 --> 00:41:15.760
Yeah, that's amazing.
00:41:15.840 --> 00:41:16.880
The colours in that area.
00:41:17.039 --> 00:41:19.679
So you know, I was I was that's that's what I like, yeah.
00:41:20.000 --> 00:41:22.480
I just that's that's the bit that's really enjoyable, isn't it?
00:41:22.559 --> 00:41:26.400
Is when you do it and then something really works, and you think, oh that's the one.
00:41:26.480 --> 00:41:28.079
But then but then you've got to know when to stop.
00:41:28.239 --> 00:41:29.119
That's the problem, isn't it?
00:41:29.199 --> 00:41:31.920
The problem with that is then you do the next piece, you think it'll never be as good as that.
00:41:32.079 --> 00:41:32.559
That one I do.
00:41:32.719 --> 00:41:34.880
Yeah, that one I did the other day, that's the best one I've ever done.
00:41:35.360 --> 00:41:36.559
Yeah, I'll never better that.
00:41:37.599 --> 00:41:38.639
I'm basically finished.
00:41:39.119 --> 00:41:40.960
I'm pegged, I'm on the decline now.
00:41:41.039 --> 00:41:42.559
Yeah, yeah, it's all that it's all downhill.
00:41:42.719 --> 00:41:44.159
Then right, you have bought this, right?
00:41:44.239 --> 00:41:46.159
You've bought this funny little figure in here.
00:41:46.239 --> 00:41:49.679
He's like some sort of fat Elvis guy with sideburns, right?
00:41:50.000 --> 00:41:57.519
So even when you think you've done, you've peaked, you've done your futurists you've done your mad like robots, yeah, then does a new vinyl figure come out and you're like, okay, it's brilliant.
00:41:57.599 --> 00:41:58.880
I now I'm gonna start mucking around with it.
00:41:59.039 --> 00:42:00.159
Yeah, yeah, you always get really all that.
00:42:00.400 --> 00:42:01.360
I did one of those the other day.
00:42:01.440 --> 00:42:03.039
That that is for Tell us what
it's called.
00:42:03.440 --> 00:42:04.559
He's called Jerry.
00:42:05.599 --> 00:42:06.000
What is he?
00:42:06.079 --> 00:42:06.719
What is Jerry?
00:42:06.880 --> 00:42:13.440
I think Jerry is based on a sort of 1970s sitcom, a bit like think the good life, think Jerry in the good life.
00:42:13.760 --> 00:42:15.360
He looks like a used car salesman, this guy.
00:42:17.199 --> 00:42:18.480
We're gonna call him Grumpy.
00:42:18.639 --> 00:42:20.480
Yeah, he looks like he's got a miserable soldier.
00:42:20.800 --> 00:42:21.599
We've got this vinyl figure.
00:42:21.679 --> 00:42:26.880
He's got he's got a he looks like he's got a toupee on, and he's got like a double-breasted jacket, yeah, and he's got a cigar.
00:42:26.960 --> 00:42:28.239
He looks like he's gonna sell a used car.
00:42:29.199 --> 00:42:32.480
The guy who made him is is from a uh a thing called Modern Toss.
00:42:32.880 --> 00:42:34.079
Have you heard of Modern Toss?
00:42:34.320 --> 00:42:35.519
I love Modern Toss.
00:42:35.760 --> 00:42:39.679
If you if you they used to have their cartoons sort of printed.
00:42:40.079 --> 00:42:40.159
Mr.
00:42:40.239 --> 00:42:42.400
Tourettez is one of the greatest characters ever.
00:42:42.719 --> 00:42:43.199
There you go.
00:42:43.280 --> 00:42:44.960
Yeah, and Jerry Flat.
00:42:45.280 --> 00:42:49.360
Jerry is famously sweary, a famously sweary character.
00:42:49.519 --> 00:42:51.119
Yeah, um, yeah.
00:42:51.360 --> 00:42:58.880
So the guy I met him at um, funnily enough, at a weird little again, a little toy thing in in derby last year.
00:42:59.280 --> 00:43:05.760
And he said, Oh, yeah, he had a Jerry figure, and it actually had uh it had um an electric cigarette in it.
00:43:05.920 --> 00:43:10.639
So he did actually smoke, and it was like, oh this is brilliant, this is the best thing I've ever seen.
00:43:11.039 --> 00:43:13.679
Um and I I just was talking to him and I said, Oh, I could do one.
00:43:13.760 --> 00:43:26.480
And so I I did one recently for him, actually, and it was Jerry, and he said, Oh yeah, put him in a like a Poochie Pattern suit, which I I had to look it up, I didn't know what Poochie Pattern was, but actually it's quite once you've seen it, it's very 70s kind of psychedelia kind of thing.
00:43:26.639 --> 00:43:30.559
Um and yeah, I did a I did a Poochie Pattern version of Jerry for for him.
00:43:30.639 --> 00:43:39.840
And so it must be really interesting, you know, when you've got a new shape to work with, like and you take your pens for a walk and you start like going over it, it must unlock new levels for you of it.
00:43:40.000 --> 00:43:50.960
Yeah, it does, because yeah, that's that's what I was saying earlier, is just when you once you st depending on what the curves are and all the st all the details and parts, it you have to basically treat it in a different way.
00:43:51.199 --> 00:43:59.760
So I do a lot of ones called um like Kid Katanas and stuff, which is a kind of a like a samurai figure, and that and the uh the figure itself has got a load.
00:44:00.159 --> 00:44:00.880
Of detail on it.
00:44:00.960 --> 00:44:02.480
It's got lots and lots of detail on it.
00:44:02.639 --> 00:44:05.599
And it's kind of to the point where for me it's painful and I don't know.
00:44:06.480 --> 00:44:08.880
Well, cause the pens just can't flow like you want to do it.
00:44:09.760 --> 00:44:15.280
You keep hitting little pimples and bumps and ridges and edges and and yeah, and it it's really hard.
00:44:15.440 --> 00:44:22.480
So I kind of like that anything that's kind of flat, smooth, simple, um, because it's the easiest thing to react to.
00:44:22.559 --> 00:44:27.039
But uh, whereas the other ones they feel a little bit when they're very detailed, you feel like you're colouring them in.
00:44:27.119 --> 00:44:27.440
Yeah, yeah.
00:44:27.840 --> 00:44:29.519
It's a bit like bit boring.
00:44:29.599 --> 00:44:31.199
But um I think I quite enjoy that.
00:44:31.280 --> 00:44:38.719
You know, like Sagittarius, I think that's like when you know when you're a kid and you get like a um a little figure with like a little paint pot that to colour it in.
00:44:38.960 --> 00:44:39.360
That's right, yeah.
00:44:39.679 --> 00:44:41.360
You know, like an Ace of Bunny or something like that.
00:44:41.840 --> 00:44:45.920
This is like the this is taking that to the most elite level it could possibly go to.
00:44:46.159 --> 00:44:46.400
Absolutely.
00:44:46.639 --> 00:44:48.400
That's like a colouring book, isn't it?
00:44:48.480 --> 00:44:49.519
Yeah, yeah, it's quite nice.
00:44:49.760 --> 00:44:55.519
But um, yeah, you I just I just enjoy it and I just like the process really.
00:44:55.599 --> 00:45:04.079
It's just it's like you say, it's something that you can just do and and and time kind of drifts along a little bit more and it's it's it's more than that.
00:45:04.239 --> 00:45:05.440
When you're enjoying it, right?
00:45:05.599 --> 00:45:06.159
It's a remote.
00:45:06.480 --> 00:45:09.199
Where you're not I'm not thinking, oh god, I've got to do this, I've got to do that.
00:45:09.519 --> 00:45:10.239
Yeah, that's right, yeah.
00:45:10.480 --> 00:45:13.199
That's what's nice when you're doing it on your run D M B time as well.
00:45:13.280 --> 00:45:14.800
Like it's ready when it's ready, right?
00:45:14.880 --> 00:45:18.880
Yeah, so you're not hurrying, uh you'll always enjoy the process.
00:45:18.960 --> 00:45:21.760
Yeah, no one can like tighten that stress screw on you.
00:45:22.320 --> 00:45:26.400
Very occasionally somebody will like for ToyCon, for example.
00:45:26.559 --> 00:45:34.000
I I will get sent toys, and obviously I know it's got to be ready for ToyCon, so I've got X number of weeks to do it.
00:45:34.079 --> 00:45:45.679
Yeah, but by the same token, I've still got this long list of customs, and I'm like, well, this person's been waiting for a year and a half, so I can't I can't skip past that.
00:45:45.760 --> 00:46:00.239
But then I kind
of you have to be realistic and go, well, I have to do some things for Toy Con because if I don't sort of stay in the game, as it were, when when that big show's on, if I'm not there or I don't have anything on anyone's staff, you're not really part of it anymore.
00:46:00.480 --> 00:46:05.039
So you in in order to remain part of it, you have to kind of do those things as well.
00:46:05.199 --> 00:46:12.079
So sometimes people's customs will wait, but mostly people are pretty good about that, they don't mind.
00:46:12.159 --> 00:46:18.719
They just as long as they're on the list and they know it's gonna happen, which it will happen, and also, like I say, I'm not holding anyone's money, so no one's lost it.
00:46:18.800 --> 00:46:19.280
Yeah, that's true.
00:46:19.360 --> 00:46:20.400
I love this, it's so rare.
00:46:20.480 --> 00:46:23.119
Like it's just like, oh, I mean I'm I am in the wait list.
00:46:24.400 --> 00:46:27.280
It's like trying to get an ADHD assessment on the NHS.
00:46:29.920 --> 00:46:32.159
I know it's coming seven years' time.
00:46:33.920 --> 00:46:35.199
But it'll be worth it.
00:46:43.119 --> 00:46:47.119
Sagittarius, you might have seen a bit of David's um artwork and not known it.
00:46:47.519 --> 00:46:55.360
Which is, which is a um an open reach box near Chelmsford Station from concrete canvas.
00:46:55.440 --> 00:46:56.400
Yeah, that's right, yeah.
00:46:56.559 --> 00:46:56.800
Okay.
00:46:57.199 --> 00:46:59.119
And the one nearest Anne Knight building.
00:46:59.360 --> 00:47:01.360
It's right near the uh the zebra crossing.
00:47:02.000 --> 00:47:03.199
Oh, well, I'll go and have a look.
00:47:03.360 --> 00:47:06.320
So when did you do you did that last was that last year you did that?
00:47:06.559 --> 00:47:07.519
That was two years ago now, wasn't it?
00:47:07.920 --> 00:47:09.199
Is that the biggest thing you've ever done?
00:47:09.280 --> 00:47:12.960
Because that, you know, like when you're used to working at this tiny baked potato scale.
00:47:13.199 --> 00:47:14.559
It's the biggest thing I've ever done recently.
00:47:14.639 --> 00:47:15.280
I'll put it that way.
00:47:15.360 --> 00:47:20.000
Yeah, when I was at college, I used to paint sort of eight-foot canvases, but um now not so much.
00:47:20.239 --> 00:47:23.199
So um, but yeah, so that was the biggest thing I've done for a long time.
00:47:23.519 --> 00:47:24.239
How did you find that?
00:47:24.400 --> 00:47:30.079
Actually, you know, working one, working in public where people can walk past and talk to you, but also working on a larger canvas.
00:47:30.320 --> 00:47:45.679
Yeah, the the working in public, but it was quite I enjoyed the bit with the working in public because people did come and talk to you, and apart from the very odd few people who sort of really did genuinely seem to think I was just vandalising it, even though I was literally making no attempt to sort of hide it or anything.
00:47:45.760 --> 00:47:59.440
I I don't know, that was a
bit weird, but um yeah, no, mostly people just wanted to talk to you and they liked it, or they you know they just wanted to ask you what it was or what it was about, and the concrete canvas thing that was well, what I was told was it had to sort of relate to Chelmsford.
00:47:59.599 --> 00:48:04.880
Yeah, so um so I did mine on I had Square Pusher on it and C Fax Acid.
00:48:05.360 --> 00:48:05.840
Amazing, yeah.
00:48:06.159 --> 00:48:09.760
So Square Pusher was a couple of years below me at school, yeah, yeah.
00:48:09.920 --> 00:48:22.239
Um, and I used to lend him records occasionally when he was when he was younger, and then he wouldn't know who I was now, of course, but um and his brother is C Fax Acid who does really cool, still doing kind of retroacid.
00:48:22.880 --> 00:48:25.679
Absolutely warp records royalty, both of them.
00:48:25.920 --> 00:48:28.400
So Sangeti, when we talk about Mo Wax earlier, right?
00:48:28.480 --> 00:48:35.760
There were some big record labels at the time that were just the coolest things you could ever imagine, and it was MoWax, Warp Records, and Ninja Tune, yeah.
00:48:36.000 --> 00:48:40.639
And and we've got two of the absolute kings of warp records in Chelmsford.
00:48:40.880 --> 00:48:41.280
Yeah, wow.
00:48:41.360 --> 00:48:42.719
I've got and they're on the open records.
00:48:42.880 --> 00:48:44.239
They've got a lot of their records, yeah.
00:48:44.559 --> 00:48:46.559
So yeah, they are, and they were on there.
00:48:46.639 --> 00:48:48.960
So yeah, I put SquarePusher on it and I put C Facts as a question.
00:48:49.360 --> 00:48:50.000
Has he seen it?
00:48:50.159 --> 00:48:54.079
I have no idea, probably not, but uh how often how often do you walk past it?
00:48:54.239 --> 00:48:58.159
Because I always think about this, like you know, you when you talk about you know, you send them off, send your toys off.
00:48:58.320 --> 00:49:02.159
But when you've done something like an open reach box and you're probably walking past that like once a week or something.
00:49:02.320 --> 00:49:03.519
Yeah, I'll go past it reasonably.
00:49:03.760 --> 00:49:04.719
But you think I'll change that?
00:49:04.800 --> 00:49:06.239
Or I would I I wish I'd done that.
00:49:06.559 --> 00:49:08.159
Yes, quite a lot, yeah.
00:49:08.320 --> 00:49:20.639
I I sort of ran out of time on it because it was a weekend and and I uh I think I'd sort of overreached myself in the way I I did it because I was doing it with brushes and stuff, which is just insanely stupid to do.
00:49:20.880 --> 00:49:24.400
The reason why I'm asking is I'm gonna do a bollard, hopefully, this year.
00:49:24.559 --> 00:49:29.360
Yeah, and um and I'm starting to be like, oh my god, how long is it gonna take and how am I gonna do it?
00:49:29.440 --> 00:49:31.760
And with a stable though, it'll take you a long time, yeah.
00:49:31.920 --> 00:49:34.320
Yeah, no, I am not doing it.
00:49:34.480 --> 00:49:36.079
I would I would break so many nibs.
00:49:36.320
--> 00:49:38.000
The whole canal would just be filled up with broken.
00:49:40.239 --> 00:49:43.360
Yeah, that would no, that it it it takes longer than you think.
00:49:43.440 --> 00:49:45.760
Yeah, but it does it depends what your approach is, doesn't it?
00:49:45.920 --> 00:49:54.239
Because like like when I see a lot of the the guys uh spray painting, I mean they get huge areas covered really quick, and they're really good with them, really precise.
00:49:54.400 --> 00:49:59.119
That's I I love going to see them do their stuff, and I mean there's some terrific pieces around as well.
00:49:59.519 --> 00:50:21.519
Uh mine was just nothing like theirs at all, and I I I I do feel like I probably could have if I'd had a bit more time, I probably could have stenciled it a bit more and it would have been quicker and all the rest of it, but it would have been different, and I I didn't want to do that, I just wanted to paint it, so I painted it with brushes and acrylic paints, which was idiotic, really.
00:50:21.920 --> 00:50:33.599
Yeah, so you bate what's funny is like you've done graffiti derived artwork, but then in your fine art materials with like brushes and stuff, trying to replicate the graffiti, the original graffiti style.
00:50:33.840 --> 00:50:38.719
Yes, this is like this is like graffiti full circle, it's like ob Oberos the snake that's eating his tail.
00:50:38.880 --> 00:50:39.760
Yeah, yeah, yeah.
00:50:39.840 --> 00:50:44.320
It was yeah, I don't know why I went that way, but that's what I went for, yeah.
00:50:44.400 --> 00:50:52.960
Yeah, it's just again, it was you know, you've got the box, it's there, and it's kind of like it's got locks on it and stuff, and bits that are in your way, and you're kind of right, well, I've got to get it round that.
00:50:53.039 --> 00:50:59.039
And I'd uh I had a head on it, and the head didn't quite work round the lock and stuff, and it was that was quite irritating.
00:50:59.280 --> 00:51:02.719
So I know Square Pusher's eyes gone funny, like a weird like lock eye.
00:51:02.960 --> 00:51:04.639
The only thing is with that as well, isn't it?
00:51:04.719 --> 00:51:09.760
Is it you don't have to be miles off for it to then I thought it doesn't, it's not enough like him.
00:51:09.920 --> 00:51:15.039
Yeah, and I was like I mean, he looks different all the time, sometimes with beard, sometimes with long fair.
00:51:15.519 --> 00:51:16.480
Well, I kept faffing around with him.
00:51:16.639 --> 00:51:19.280
Sometimes with a bass, sometimes with like a a a 303.
00:51:19.519 --> 00:51:21.039
Yeah, yeah.
00:51:25.440 --> 00:51:26.559
I'm lovely, Sangir.
00:51:26.719 --> 00:51:28.000
I'm nerding out so much.
00:51:28.880 --> 00:51:29.519
I'm loving it.
00:51:29.599 --> 00:51:31.280
I'm absolutely in my nerd heaven.
00:51:32.559 --> 00:51:35.760
No, you you've done some you've done some like sneaker customs as well.
00:51:36.159 --> 00:51:36.559
Have you?
00:51:37.440 --> 00:51:43.119
How does someone go about like asking for a sneaker custom and then do they actually wear them or do they just put them on the shelves?
00:51:43.440 --> 00:51:45.440
Um that's a good question.
00:51:46.480 --> 00:51:46.880
I don't know.
00:51:47.039 --> 00:51:47.519
I don't know.
00:51:47.599 --> 00:51:53.599
I I that people just have occasionally asked me, and occasionally I've just done them because I felt like doing some trainers.
00:51:53.679 --> 00:52:03.679
So it's usually actually if I'm if I'm flicking through the the trainer sales, because I buy a lot of trainers, um, and I see something basically white and leather.
00:52:03.920 --> 00:52:04.960
It has to be white and leather.
00:52:05.039 --> 00:52:10.159
I don't I don't really want to do canvas stuff and because the pens bleed and they just don't behave the right way.
00:52:10.559 --> 00:52:18.960
Um so if I've got that, then I yeah, basically you do have to be a little bit careful if you want to wear them because you've got to strip their factory finish first.
00:52:19.039 --> 00:52:29.199
So you know you can buy there's a company called Anglers that that makes all these products that you can do that with, and it's quite straightforward to strip it down and and you will get it back to essentially white leather.
00:52:29.280 --> 00:52:40.320
Yeah, and then I will mask it up, I will spray paint it, and then I will draw on it, and and you will get and there's yeah, there's a chap in London who's bought three pairs of me now, I think.
00:52:40.559 --> 00:52:45.679
Um have you ever been approached by any of these sneaker brands to actually do like a proper full full collab on it?
00:52:45.920 --> 00:52:48.400
No, I just I don't really push them too much for that.
00:52:48.639 --> 00:52:59.920
No, but you know, like when you look at someone like Dave White, for example, like who he you know, he started out like he did some Jordan customs and things, and then you know, ends up before you know he's got his his his Jordan, which is what one of the all-time classics.
00:53:00.079 --> 00:53:04.079
Yeah, well, you know, it'd be nice, but uh yeah, I don't I don't think that's gonna happen.
00:53:04.239 --> 00:53:07.599
But um yeah, I the the superstars that I did for that guy, he wears them, yeah.
00:53:07.679 --> 00:53:10.079
And he wore he wore one pair out, so he asked me for another pair.
00:53:10.159 --> 00:53:10.480
So yeah.
00:53:10.719 --> 00:53:13.280
Well uh are you like don't do don't wear them.
00:53:13.440 --> 00:53:13.840
Yeah, yeah.
00:53:13.920 --> 00:53:16.400
No, I don't I want him to wear them, to be honest with you.
00:53:16.639 --> 00:53:22.559
Again, the only people that the only people that can wear run DMB superstars are run DMC, right?
00:53:23.199 --> 00:53:24.480
Anyone else that no?
00:53:25.199 --> 00:53:28.639
He wears his around, he's he's yeah, he's he likes them, he wears them all the time.
00:53:29.119 --> 00:53:31.039
Fat laces, yeah, he does actually.
00:53:31.199 --> 00:53:33.599
Yeah, and he he was I'll tell you what he was good at.
00:53:33.679 --> 00:53:35.280
He was good at putting different colour laces.
00:53:36.559 --> 00:53:37.519
I'd never thought of it.
00:53:37.599 --> 00:53:40.079
I just gave him back the ones with the white laces, and he put a different pair of.
00:53:43.920 --> 00:53:44.960
Well, he put a different colour lace.
00:53:45.119 --> 00:53:46.719
I thought, they look so much better.
00:53:46.880 --> 00:53:49.599
Uh it just look literally just for changing the lace colour.
00:53:49.760 --> 00:53:51.599
I thought it was miles better.
00:53:55.519 --> 00:54:02.960
You know, if anyone wants to start doing this, yeah, you know, and get inspired by it, yeah, you know, how can how can they how can they get started?
00:54:03.039 --> 00:54:05.039
Because these vinyl toys are pretty expensive.
00:54:05.119 --> 00:54:06.239
Anyway, it's a big commitment.
00:54:06.480 --> 00:54:08.719
Yeah, but the the things like the the monies and stuff.
00:54:08.800 --> 00:54:20.239
If you if you if for example, if you went along to ToyCon in May, so it's right at the start of May, there there's sellers there that just sell the the toys and they have all the old kid robot stuff, so they've got all the monies and stuff.
00:54:20.320 --> 00:54:22.719
They're about you'd probably get one for a 10 or 50.
00:54:22.880 --> 00:54:22.960
Really?
00:54:23.199 --> 00:54:23.760
Yeah, yeah, yeah.
00:54:23.920 --> 00:54:24.400
Not too bad.
00:54:24.719 --> 00:54:25.280
Not too bad.
00:54:25.920 --> 00:54:36.239
Uh for a reasonable size toy, it'd be blank vinyl, go to Halford's, buy some uh car body paint, so the car body primer, yeah, spray it with that, and you're good to go.
00:54:36.320 --> 00:54:37.199
You can you can paint on that.
00:54:37.599 --> 00:54:37.679
Really?
00:54:37.760 --> 00:54:42.239
And you could grab some sharpies or poskas or anything, and yeah, as long as you prime that vinyl with it.
00:54:42.320 --> 00:54:46.239
And like I say, Halford's quite like carb primer be absolutely fine.
00:54:46.400 --> 00:54:47.440
Why do you have to prime it?
00:54:47.519 --> 00:54:48.320
What's the importance of that?
00:54:48.559 --> 00:54:51.440
The primer stops it being that kind of slippery plastic.
00:54:51.519 --> 00:54:57.599
Oh, okay, and basically the paint sticks to the surface and the primer sticks to the plastic, so that's that's how you get around that.
00:54:57.840 --> 00:55:03.280
And then when you're finished, like do you how how do you do you varnish it or do you spray some fixer on it?
00:55:03.519 --> 00:55:04.880
No, it's it's varnished, yeah, yeah.
00:55:05.440 --> 00:55:08.559
Like a kind of standard varnish you'd use on models, like like Warhammer fixer.
00:55:08.719 --> 00:55:10.079
Like a spray, like a spray varnish.
00:55:10.559 --> 00:55:10.800
Yeah.
00:55:10.960 --> 00:55:14.000
Well, yeah, because I felt a bit naughty I felt naughty even touching them earlier.
00:55:14.079 --> 00:55:16.480
Like, I was
like, oh, I've got gloves on.
00:55:16.719 --> 00:55:18.239
They have not been varnished, so yeah.
00:55:19.280 --> 00:55:20.400
But they'll they'll be fine, yeah.
00:55:20.480 --> 00:55:27.199
I I I handle them a lot, obviously, while I'm doing them, but it it it does help kind of not to handle them too much, but yeah, it's fine.
00:55:27.599 --> 00:55:31.519
But do you think that could could anyone just grab anything and just start drawing on it and customise it?
00:55:31.760 --> 00:55:32.239
Yes, of course.
00:55:32.559 --> 00:55:35.519
We we had this we had this young uh graffiti artist Grubbin.
00:55:36.320 --> 00:55:36.719
Uh Grub.
00:55:37.440 --> 00:55:43.119
And he was brilliant because he because uh and I uh and I bought him some Hornby train trains because he's the only one that's painting a train.
00:55:43.199 --> 00:55:44.559
So me and Adam have both got one.
00:55:44.719 --> 00:55:45.440
Oh right, okay.
00:55:48.719 --> 00:55:49.440
It was fantastic.
00:55:49.599 --> 00:55:53.360
It wasn't just like one side customised, he was doing loads of tiny little um tags on it.
00:55:53.840 --> 00:55:59.199
Yeah, there's one you can get from uh he probably love is one you can get from America called um All City vinyl.
00:55:59.280 --> 00:56:01.920
Yeah, it's uh it's a half subway train, it's about that wide.
00:56:02.079 --> 00:56:03.360
Oh, I've seen yours, yeah, it looks amazing.
00:56:03.679 --> 00:56:10.480
And if you buy two of them, they do actually slot together so you can have a a a full carriage, and that they are amazing and they're really nice to work on.
00:56:10.719 --> 00:56:17.119
I I really want to go at this just for I mean, mainly like I want a creative output, but also like just the chill of doing it.
00:56:17.280 --> 00:56:22.960
Yeah, you know, like saying, you know, like you see all these stitch of bitch sessions and like art sessions and pubs and stuff.
00:56:23.119 --> 00:56:31.760
I feel like we could sit around a table doing this and just come away like you know, just glowing.
00:56:32.000 --> 00:56:40.239
I think that's the thing about it is if you are if you wanted to do it, the the the thing about it is to not to get hung up on doing some somebody else's stuff.
00:56:40.400 --> 00:56:40.800
Yeah, yeah.
00:56:41.039 --> 00:56:53.039
You know, I've I've seen guys who do those the the the half trains and they're just reproducing Don D carriages and oh yeah, really famous ones, and you're just like it's great, it really looks like it, but like to what end?
00:56:53.119 --> 00:57:01.920
Because you you've just done a drawing of someone else's carriage, and like the whole point of Dondi was he was you know climbing on trains in yards and painting them, and that was the that was supposed to be the fun.
00:57:02.159 --> 00:57:25.679
I saw the best central line painted the other day, a whole carriage, and it said, see it, spray it, sort it up, and it just honestly it looked it made me feel like that wild style New York sort of vibe, and and and it's just the fact that they're sprayed at such a big scale with such a good gag, so well executed.
00:57:26.000 --> 00:57:32.719
Love that how amazing.
00:57:32.880 --> 00:57:33.519
Yeah, how amazing.
00:57:33.599 --> 00:57:34.800
I mean strangeless.
00:57:35.360 --> 00:57:40.480
I kind of I kind of want one, but I feel like my wife would just make me get rid of it straight away.
00:57:40.639 --> 00:57:43.119
She'd be like, Can't believe you bought more junk in the house.
00:57:43.280 --> 00:57:44.159
Not junk, but you know what I mean.
00:57:45.840 --> 00:57:48.639
If you don't understand the culture, it's just like more stuff in the house.
00:57:48.800 --> 00:57:52.400
I think, yeah, I think my my wife would not collect them given the choice.
00:57:52.559 --> 00:57:53.840
Yeah, so put it that way, yeah.
00:57:54.079 --> 00:57:56.239
But they are absolutely beautiful.
00:57:56.480 --> 00:58:00.639
I would I I but I'd love to see like a ten-foot one, you know, I'd love to see like a gundam lift.
00:58:00.880 --> 00:58:04.559
Yeah, I'm sorry, I I would love to do a really like ridiculously large one.
00:58:04.639 --> 00:58:14.559
I don't know how I would do it, but I'd can can we organise that we just go and um paint Judge Tyndall one day in run DMB style?
00:58:14.880 --> 00:58:16.239
It might be a bit of a giveaway.
00:58:16.480 --> 00:58:24.719
I do think I think for concrete canvas, we should go down a 3D scan Judge Tyndall, the statue, get him replicated, right?
00:58:24.880 --> 00:58:27.039
And do a run run DMB one.
00:58:27.280 --> 00:58:28.159
It would look so good.
00:58:29.199 --> 00:58:31.280
Having a nice little mini Judge Tyndall would be quite funny.
00:58:31.440 --> 00:58:31.679
Yeah, yeah.
00:58:31.760 --> 00:58:32.400
Can I commission that?
00:58:32.559 --> 00:58:33.519
That would actually be really good.
00:58:33.599 --> 00:58:36.079
Well, if I you'd need somebody to make it for you.
00:58:36.159 --> 00:58:36.960
I don't really make that.
00:58:37.199 --> 00:58:39.679
No, no, no, if if I make it, you can you'll draw it.
00:58:39.920 --> 00:58:40.239
Of course.
00:58:40.480 --> 00:58:41.199
In about eight years.
00:58:42.320 --> 00:58:43.360
I'm just waiting for that.
00:58:44.159 --> 00:58:46.800
It's gonna be one one day, David's gonna get in touch.
00:58:46.960 --> 00:58:48.880
He's gonna be like, I've I've drawn that, I've drawn that judge.
00:58:49.280 --> 00:58:50.000
Who who's this?
00:58:50.800 --> 00:58:52.400
For you, Nick, I'll make an exception.
00:58:53.119 --> 00:58:54.400
Oh, there you go.
00:58:54.960 --> 00:58:55.519
How amazing.
00:58:55.760 --> 00:58:57.119
Right, so I'm gonna have I'm gonna have a go.
00:58:57.199 --> 00:58:59.199
I want to chill out and and and do one.
00:58:59.440 --> 00:59:01.679
I might customize one of my aspirin halers, actually.
00:59:01.760 --> 00:59:03.199
I think that'd be a nice canvas to do it.
00:59:04.000 --> 00:59:04.559
Honestly, it's so easy.
00:59:04.960 --> 00:59:05.599
Yeah, wicked.
00:59:05.760 --> 00:59:07.360
With all everything I've learned here.
00:59:07.679 --> 00:59:08.719
Absolutely amazing.
00:59:08.960 --> 00:59:13.519
Big up, and this good thing, like you could, you know, like down the youthie, you know, you get your kids to do this sort of thing.
00:59:13.599 --> 00:59:16.800
I think it's it I think it'd be such a great mental health exercise for everyone.
00:59:17.199 --> 00:59:27.679
Funny you should say that, because we've just bought some little dollies, wooden ones, yeah, um, to make them into the called worry dolls for young people that don't have families, and that's the concept.
00:59:27.840 --> 00:59:36.400
Um, and I did speak to Adam about it to do some signage on it, but we've got the young people who will be painting it, and then we'll stick the stickers on it with a little message.
00:59:36.639 --> 00:59:37.039
Amazing.
00:59:37.440 --> 00:59:37.920
This is amazing.
00:59:38.079 --> 00:59:43.199
But Lynn, you know, when you see how far you can push it, like with this fine art and stuff and this detail, it's so cool.
00:59:43.440 --> 00:59:44.079
Yeah, definitely.
00:59:44.320 --> 00:59:50.239
The key rock no defo big up 100%.
00:59:50.480 --> 00:59:50.719
Love it.
00:59:50.960 --> 01:00:00.239
It's just you know it's just it's an opportunity to do what you want and not what other people want, which is why I don't let other people control what it's about.
01:00:00.480 --> 01:00:02.239
But I'm just loving this alien theme.
01:00:02.639 --> 01:00:04.480
Oh, yeah, it's again just take any that you want.
01:00:04.639 --> 01:00:05.840
Davidson is fine.
01:00:06.000 --> 01:00:08.159
Um just take any home.
01:00:08.320 --> 01:00:09.119
I'll have all of them then.
01:00:10.079 --> 01:00:11.360
I've got five kids.
01:00:11.599 --> 01:00:24.079
Um but isn't it isn't it mad like this this amazing culture is happening in Chelmsford at Highland Studio, you know, next to Natalie Guinea Pig and all these other people that are there doing like all like different stuff.
01:00:25.119 --> 01:00:26.320
I would never have thought that.
01:00:26.400 --> 01:00:31.679
When you guys were saying Highlands, there's no way I would have thought this was being during your lunch break.
01:00:32.000 --> 01:00:38.880
You thought you thought it'd be some frousy art and they're gonna bring out this like amazing no, I was like, whoa! Yeah.
01:00:42.400 --> 01:00:43.599
More than dope, mate.
01:00:43.679 --> 01:00:45.199
Wait till you see the pictures.
01:00:45.760 --> 01:00:47.920
All right, thank hey, thanks for listening to Are You Creative?
01:00:48.000 --> 01:00:48.719
Thank you, Sengator.
01:00:49.039 --> 01:00:49.840
Thank you, Nick.
01:00:50.320 --> 01:00:50.960
Thank you, David.
01:00:51.199 --> 01:00:51.920
Thank you for having me.
01:00:52.079 --> 01:00:54.079
And thank you very much, Adam, at local media.
01:00:54.159 --> 01:00:56.639
Follow us at r.u.creative.podcast.
01:00:56.719 --> 01:00:57.519
Let us know you're listening.
01:00:57.679 --> 01:00:58.400
Send us messages.
01:00:58.559 --> 01:01:00.000
I love it when you hear people are listening.
01:01:00.239 --> 01:01:01.599
Could you want to put your number on then?
01:01:01.760 --> 01:01:01.920
What?
01:01:02.079 --> 01:01:04.000
Or has they got drop a miss call?
01:01:04.079 --> 01:01:06.000
No, you can you can get in contact on Instagram.
01:01:06.159 --> 01:01:06.559
Oh right.
01:01:06.719 --> 01:01:09.760
Yeah, and then um we've got loads of more great guests coming up as well.
01:01:10.239 --> 01:01:12.400
Oh my god, I've got so many good episodes coming out soon.
01:01:12.639 --> 01:01:15.440
This will come out after them, but you know, whatever.
01:01:16.880 --> 01:01:18.400
As long as not two years.
01:01:18.719 --> 01:01:22.000
David, David, where can people um see your work?
01:01:22.239 --> 01:01:25.760
Uh so um on Instagram, I'm at run D M B vinyl.
01:01:26.000 --> 01:01:27.519
Run D M B vinyl.
01:01:27.599 --> 01:01:27.920
Yeah.
01:01:28.079 --> 01:01:29.920
What's your favourite run D M C lyric?
01:01:30.480 --> 01:01:32.400
Oh well now you ask.
01:01:33.519 --> 01:01:34.639
Jesus, oh my god.
01:01:34.880 --> 01:01:39.440
It's the king of toys! There is none! He gets eleven pounds for his dungeon!