# Colleen Renihan

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Cheryl Bruce, PhD Candidate, Cultural Studies, supervised by Dr Colleen Renihan

Topic: The rold of women orchestral conductors, particularly within the Canadian context. Overview:  Although in the early stages of my research, my current focus has been identifying some of the ways in which women are excluded from orchestral conducting at the highest levels. This includes mento…

Educating Artists in 2020: What the Pandemic has Taught Us

The pandemic has magnified many issues that we face as a society, including post-secondary programming in the arts, including music. Post-secondary music programs have been criticized in recent years for their lack of equity and diversity, a problem that is undeniably systemic. Changes to post-seco…

...after 99 Episodes (Ep. 100)

It's been over two years since host Ben Charland kicked off this podcast in a basement in Kingston, Ontario. After nearly 100 fascinating conversations about everything from the mafia to the water supply, from science to philosophy, we're revisiting some of the best moments. Author, science broadc…

LIVE EPISODE: ...with Live Performance in the Digital Age (Ep. 42)

Watch the video of this episode. What does it mean to be live? Can a hologram be considered performance? Is going to the theatre a private or communal act? And should performing artists embrace and incorporate technological change—or should they resist, and build an oasis from social media and scr…

Episode 5 Part 1

This weeks episode features three Canadian musicologists - Colette Simonot of Brandon University, Colleen Renihan of Queen's University and Sherry Lee of the University of Toronto- who offer their insights to Louis Riel the opera, past and present. Correction: Prof. Simonot has since informed me …

Trauma and Vocal Utterances in Ellen Reid’s p r i s m (2018) - Aaron D'Zurilla

In this week's episode, Aaron D'Zurilla explores how the vocal utterances and non-verbal vocalisms in Ellen Reid’s opera p r i s m (2018) convey the complexities of the trauma experienced by survivors of sexual assault. This episode was produced by Zach Lloyd along with Team Lead Matthew Ferrandino…

Power and Captivity in Thea Musgrave’s Mary, Queen of Scots - Zachary Simonds

In this week's episode, Zachary Simonds uses tools developed by Robert Hatten to analyze Mary, Queen of Scots by Thea Musgrave, focusing on the melodically ascending octave and its use as a complex narrative device throughout the opera. This episode was produced by Jose Garza along with Team Lead M…

Gender and the Death Trope in Judith Weir’s The Black Spider - Luis Matos-Tovar

In this week’s episode, Luis Matos-Tovar gives us a look into Judith Weir’s The Black Spider, a children's opera that challenges gendered expectations of women dying and men surviving that is common in many traditional operas. Weir does this in a manner that is musically accessible to younger perfo…