TRANSKRIBEERI 🔗
WEBVTT
1
00:00:01.490 --> 00:00:04.129
WBUR Podcasts, Boston.
2
00:00:09.490 --> 00:00:12.949
Do you have a calling? Something you feel you were
3
00:00:13.230 --> 00:00:16.589
destined to do or become? We're about to meet a
4
00:00:16.609 --> 00:00:20.829
woman who feels called to play music, even after she
5
00:00:20.949 --> 00:00:22.809
gives up music altogether.
6
00:00:23.809 --> 00:00:25.809
¶ ¶.
7
00:00:31.149 --> 00:00:34.710
I'm Rebecca Shear, and welcome to Circle Round, where storytime
8
00:00:34.789 --> 00:00:38.289
happens all the time. Today, our story is called The
9
00:00:38.429 --> 00:00:41.619
Sweetest Sounds. Versions of this tale come from the Roma
10
00:00:41.659 --> 00:00:46.119
people of modern-day Hungary in Central Europe. Some really great
11
00:00:46.159 --> 00:00:48.960
people came together to bring you our adaptation of this folktale,
12
00:00:49.259 --> 00:00:52.799
including public radio veterans Rachel Martin and Ayesha Rasko, along
13
00:00:52.820 --> 00:00:56.399
with guest musician Christian Habel. Rachel Martin has hosted weekend
14
00:00:56.439 --> 00:00:59.259
edition Sunday, morning edition Up First, and the new NPR
15
00:00:59.299 --> 00:01:03.390
podcast Enlighten Me. Aisha Rasko currently hosts Weekend Edition Sunday
16
00:01:03.450 --> 00:01:06.269
and the Saturday episodes of Up First. Christian Habel has
17
00:01:06.310 --> 00:01:09.310
toured with Sting, Barbara Streisand, and Billy Joel, and most
18
00:01:09.349 --> 00:01:12.400
recently performed John Williams' score for Indiana Jones and The
19
00:01:12.480 --> 00:01:15.299
Dial of Destiny. You Broadway fans may have heard him
20
00:01:15.319 --> 00:01:19.019
perform the music of Wicked. So, circle around, everyone, for
21
00:01:19.060 --> 00:01:20.540
the sweetest sounds.
22
00:01:21.540 --> 00:01:23.540
¶ ¶.
23
00:01:36.329 --> 00:01:39.989
Lillian, the traveling musician, made her way through life and
24
00:01:40.069 --> 00:01:44.379
the world, playing the one thing she treasured above all else,
25
00:01:44.390 --> 00:01:55.530
her violin. In her worn-out shoes and faded coat, she
26
00:01:55.560 --> 00:01:59.090
journeyed from city to city, village to village, playing her
27
00:01:59.140 --> 00:02:04.299
violin in town squares and taverns, carnivals and cafes, festivals
28
00:02:04.359 --> 00:02:07.500
and fairs. And each time Lillian put her bow to
29
00:02:07.519 --> 00:02:12.000
the strings, people would gather round, close their eyes, and
30
00:02:12.039 --> 00:02:20.710
begin to dance and sway. Then, when the music stopped,
31
00:02:22.650 --> 00:02:25.330
they would toss some coins into Lillian's upturned hat.
32
00:02:25.669 --> 00:02:27.409
Thank you! Thank you so much!
33
00:02:27.949 --> 00:02:29.729
And hurry back to their business.
34
00:02:30.310 --> 00:02:31.349
Glad you enjoyed the music!
35
00:02:33.810 --> 00:02:37.280
Despite the power of Lillian's violin, she didn't make a
36
00:02:37.310 --> 00:02:40.539
lot of cash. Some days all she could afford to
37
00:02:40.639 --> 00:02:42.759
eat was a hunk of bread and a cup of tea,
38
00:02:43.400 --> 00:02:45.719
and some nights she had no choice but to sleep
39
00:02:45.800 --> 00:02:49.219
under the sky, with the twinkling stars above her head
40
00:02:49.800 --> 00:02:53.360
and a soft clump of moss beneath it. So after
41
00:02:53.539 --> 00:02:57.210
many years of roughing it, Lillian began to wonder.
42
00:02:58.030 --> 00:03:00.569
Maybe I should just give up my music and settle down.
43
00:03:01.009 --> 00:03:04.300
I could find a nice conventional job and buy my
44
00:03:04.340 --> 00:03:07.699
own place with my own land. Maybe I could even
45
00:03:07.759 --> 00:03:10.039
raise some chickens and a cow or two.
46
00:03:10.879 --> 00:03:13.840
But then she would remember her calling to play music,
47
00:03:14.439 --> 00:03:19.689
and she would let the daydream go. One day in
48
00:03:19.770 --> 00:03:22.729
early spring, Lillian found her way to a country fair
49
00:03:23.360 --> 00:03:27.370
Thousands of fairgoers crowded the village green to watch jugglers
50
00:03:27.439 --> 00:03:31.409
and musicians play sports and games and gobble up sweets
51
00:03:31.490 --> 00:03:34.689
and treats sold by the many rows of peddlers and vendors.
52
00:03:35.469 --> 00:03:38.870
Standing off to one side, Lillian took her violin out
53
00:03:38.889 --> 00:03:43.069
of its well-worn case. She tucked her beloved instrument beneath
54
00:03:43.129 --> 00:03:46.469
her chin. And the moment she touched the bow to
55
00:03:46.509 --> 00:03:53.409
the strings, everyone around seemed to freeze in As if
56
00:03:53.449 --> 00:03:55.889
in a trance, the people dropped what they were doing
57
00:03:55.949 --> 00:03:59.770
and crowded around Lillian. Their eyes shut tight as they
58
00:03:59.789 --> 00:04:03.500
began to sway and dance. Standing up front was a
59
00:04:03.530 --> 00:04:08.219
mysterious woman wearing a red velvet dress and cape. Unlike
60
00:04:08.280 --> 00:04:13.319
everyone else, her piercing gray eyes remained wide open, unblinking,
61
00:04:13.759 --> 00:04:17.360
as she stared at Lillian and her violin. When the
62
00:04:17.379 --> 00:04:21.000
music came to an end and the fairgoers tossed their
63
00:04:21.079 --> 00:04:26.019
coins into Lillian's hat, Thank you. Thanks. Then returned to
64
00:04:26.060 --> 00:04:30.139
their revelries. Glad you like the song. The mysterious woman
65
00:04:30.439 --> 00:04:31.319
stayed behind.
66
00:04:32.040 --> 00:04:38.350
That was wonderful, my dear. Truly wonderful. I must commend
67
00:04:38.379 --> 00:04:41.310
you on making such glorious music.
68
00:04:41.790 --> 00:04:43.709
Lillian flashed the woman a smile.
69
00:04:44.269 --> 00:04:47.550
I thank you for the praise, ma'am. Music is my passion.
70
00:04:47.970 --> 00:04:48.750
Always has been.
71
00:04:49.389 --> 00:04:54.509
Well, it's a very powerful passion. The sweet sounds of
72
00:04:54.550 --> 00:04:59.100
Load full transcript
your violin seem to take people over, enchant them. The
73
00:04:59.199 --> 00:05:02.660
moment they hear you play, it's like you have total control.
74
00:05:03.180 --> 00:05:03.560
Maybe.
75
00:05:03.980 --> 00:05:06.459
If only I could control how much money they toss
76
00:05:06.500 --> 00:05:08.290
into my hat when I stop playing.
77
00:05:08.819 --> 00:05:10.389
The woman tilted her head.
78
00:05:10.949 --> 00:05:15.189
So, are you saying your passion isn't the most profitable
79
00:05:15.250 --> 00:05:16.050
thing in the world?
80
00:05:16.750 --> 00:05:17.509
Sadly, I am.
81
00:05:18.209 --> 00:05:20.259
Last night I camped out by the river, and this
82
00:05:20.339 --> 00:05:23.040
morning all I had for breakfast were some berries I
83
00:05:23.120 --> 00:05:26.600
foraged from the forest. But hey, that's the life of
84
00:05:26.660 --> 00:05:27.839
a traveling musician, right?
85
00:05:28.379 --> 00:05:31.310
So you say, but what if I told you it
86
00:05:31.810 --> 00:05:33.209
doesn't have to be that way?
87
00:05:33.769 --> 00:05:34.310
What do you mean?
88
00:05:34.970 --> 00:05:38.769
Well, what if I could promise that you didn't have
89
00:05:38.829 --> 00:05:42.920
to struggle another day in your life? What if I
90
00:05:42.959 --> 00:05:45.959
could promise that you could have your own place with
91
00:05:46.000 --> 00:05:49.139
your own land, maybe even raise some chickens and a
92
00:05:49.220 --> 00:05:50.079
cow or two?
93
00:05:51.199 --> 00:05:53.050
Lillian's eyes grew wide.
94
00:05:53.639 --> 00:05:56.970
Would you believe I sometimes dream of doing that very thing?
95
00:05:57.509 --> 00:05:58.790
Do you now?
96
00:05:59.370 --> 00:06:03.250
What a coincidence, because I know exactly how you can
97
00:06:03.290 --> 00:06:06.569
do it. All you have to do is give me
98
00:06:06.589 --> 00:06:07.250
your violin.
99
00:06:07.990 --> 00:06:12.389
The woman's mouth curled into a smile. Lillian's mouth dropped
100
00:06:12.529 --> 00:06:13.610
into a frown.
101
00:06:14.310 --> 00:06:17.949
Give you my violin? But I can't give you my violin.
102
00:06:18.069 --> 00:06:21.180
It's the only instrument I've ever had, and I need
103
00:06:21.199 --> 00:06:21.319
it to.
104
00:06:21.319 --> 00:06:23.800
To do what? To starve every day of your life?
105
00:06:24.139 --> 00:06:27.240
To sleep on yet another rock by the river? Give
106
00:06:27.279 --> 00:06:30.560
me your violin, and I will give you gold. Heaps
107
00:06:30.660 --> 00:06:33.379
of gold. All the gold you can carry.
108
00:06:34.800 --> 00:06:39.600
Lillian fell silent. After playing her violin for all these years...
109
00:06:40.160 --> 00:06:45.379
She couldn't imagine life without music. But she could imagine
110
00:06:45.459 --> 00:06:51.189
life without an empty belly. And it was awfully appealing. So, Lillian,
111
00:06:51.430 --> 00:06:52.189
what will it be?
112
00:06:52.199 --> 00:06:55.410
A life of scraping by or a life of luxury?
113
00:06:56.250 --> 00:07:07.310
The choice is yours. What choice will Lillian make? What
114
00:07:07.319 --> 00:07:10.129
would you choose if you were in the musician's worn-out shoes?
115
00:07:12.110 --> 00:07:22.959
We'll find out what happens after a quick break. Welcome
116
00:07:22.980 --> 00:07:23.959
back to Circle Round.
117
00:07:24.339 --> 00:07:28.430
I'm Rebecca Shear. Today our story is called The Sweetest Sounds.
118
00:07:29.250 --> 00:07:30.750
The Sweetest Sounds.
119
00:07:38.209 --> 00:07:42.189
Before the break, a mysterious woman offered a struggling musician
120
00:07:42.269 --> 00:07:47.069
named Lillian a trade, her beloved violin for gold.
121
00:07:47.730 --> 00:07:51.529
Listen, ma'am, I will consider giving you my violin, but
122
00:07:51.629 --> 00:07:53.649
I must see the gold first.
123
00:07:54.209 --> 00:07:57.970
Can you show it to me? I'd be delighted. The
124
00:07:58.009 --> 00:08:00.850
woman waved her arms, and all at once, she and
125
00:08:00.889 --> 00:08:05.800
Lillian were enveloped in a cloud of red smoke. When
126
00:08:05.810 --> 00:08:08.379
the smoke cleared, They were standing at the foot of
127
00:08:08.439 --> 00:08:12.470
a foaming, churning waterfall, beside a shallow pool lined with
128
00:08:12.629 --> 00:08:16.410
pebbles made of pure gold. Is that.
129
00:08:17.170 --> 00:08:20.290
is that the gold you were talking about? And how
130
00:08:20.329 --> 00:08:21.389
did you bring us here?
131
00:08:22.180 --> 00:08:26.399
Well, to answer your questions, yes. That is the gold
132
00:08:26.459 --> 00:08:30.279
I was talking about. And I am a wizardess.
133
00:08:31.000 --> 00:08:31.879
A wizardess?
134
00:08:32.620 --> 00:08:32.990
Indeed.
135
00:08:33.000 --> 00:08:33.139
Indeed.
136
00:08:33.889 --> 00:08:36.029
And as such, I have the power to do all
137
00:08:36.210 --> 00:08:39.120
sorts of things. But I don't have the power to
138
00:08:39.179 --> 00:08:43.519
do what your violin does, to entrance people, to enchant them.
139
00:08:44.259 --> 00:08:47.340
So in exchange for your instrument, I will give you
140
00:08:48.019 --> 00:08:49.659
all the gold in this pool.
141
00:08:51.120 --> 00:08:54.570
Lillian took a long look at her violin. Then she
142
00:08:54.610 --> 00:08:57.970
took a long look at the gold pebbles. With riches
143
00:08:58.049 --> 00:09:01.610
like these, she'd never have to forage for berries or
144
00:09:01.750 --> 00:09:04.490
sleep by the river again. She could buy a house,
145
00:09:05.090 --> 00:09:10.190
some land, some animals. She could settle down and live easy.
146
00:09:10.990 --> 00:09:14.879
All right, I will trade you my violin for your gold. After,
147
00:09:14.889 --> 00:09:17.100
I play one last song.
148
00:09:17.960 --> 00:09:20.379
She took her violin from its case and tucked it
149
00:09:20.440 --> 00:09:29.330
beneath her chin. And then, she began to play. The
150
00:09:29.429 --> 00:09:34.070
song that came forth from Lillian's violin would stir any soul,
151
00:09:34.409 --> 00:09:40.960
melt any heart, and jerk any tear. Her own eyes
152
00:09:41.059 --> 00:09:43.820
misted over as she moved her bow back and forth.
153
00:09:44.620 --> 00:09:48.240
Tears fell hot against her cheeks before sliding off her
154
00:09:48.299 --> 00:09:54.870
chin and landing on her violin with a plop. And
155
00:09:55.129 --> 00:10:01.129
when at last her song came to a close... she
156
00:10:01.169 --> 00:10:04.529
brought the violin to her lips and gave it a
157
00:10:04.590 --> 00:10:07.950
kiss then she slipped the instrument and the bow into
158
00:10:07.970 --> 00:10:11.289
their case clasped it shut and handed it to the
159
00:10:11.309 --> 00:10:17.299
wizardess the wizardess smiled a cold triumphant smile then waved
160
00:10:17.320 --> 00:10:21.049
her arms and disappeared in a cloud of red smoke.
161
00:10:24.590 --> 00:10:27.580
Now that Lillian had made good on her promise, she
162
00:10:27.649 --> 00:10:30.200
knelt down by the pool and stuffed handfuls of gold
163
00:10:30.259 --> 00:10:33.100
pebbles into her satchel. When she found her way to
164
00:10:33.139 --> 00:10:36.399
the nearest town, she used the gold to purchase food
165
00:10:36.440 --> 00:10:40.039
and clothing. She even bought the perfect house, a trim
166
00:10:40.059 --> 00:10:43.340
yellow cottage with vegetable fields out back and a flower
167
00:10:43.379 --> 00:10:46.259
garden out front. To the side was a coop full
168
00:10:46.299 --> 00:10:49.429
of chickens, And in the barn was a whole herd
169
00:10:49.450 --> 00:10:53.610
of cows. Lillian happily took to her new life. She
170
00:10:53.649 --> 00:10:57.710
woke up each day to feed her chickens. Chow time, ladies!
171
00:10:58.269 --> 00:10:59.090
And to milk her cows.
172
00:10:59.850 --> 00:11:01.070
Nice work, Bessie.
173
00:11:01.509 --> 00:11:04.370
You're next, Elsie. Then she went out to water her
174
00:11:04.409 --> 00:11:05.190
vegetable fields.
175
00:11:05.769 --> 00:11:07.610
These cabbages are bigger than my head!
176
00:11:08.350 --> 00:11:09.710
And weed her flower garden.
177
00:11:10.269 --> 00:11:13.309
Could these lilies smell any more divine?
178
00:11:15.250 --> 00:11:19.639
After a life of hardship, Lillian was thriving and living
179
00:11:19.779 --> 00:11:24.870
her dream. And yet, after a while, she couldn't help
180
00:11:24.889 --> 00:11:29.570
but feel like something was missing. My music!
181
00:11:30.110 --> 00:11:33.529
I'm finally living a life of comfort, yet in my
182
00:11:33.700 --> 00:11:37.940
heart of hearts I'm anything but comfortable. It just isn't
183
00:11:37.960 --> 00:11:41.379
the same without my violin. But I made the wizardess
184
00:11:41.440 --> 00:11:43.860
a promise, and so I guess I'll just have to.
185
00:11:44.879 --> 00:11:45.960
Oh, who could that be?
186
00:11:46.500 --> 00:11:47.480
Is someone in trouble?
187
00:11:48.720 --> 00:11:51.659
Lillian raced to the door and threw it open. And
188
00:11:51.679 --> 00:11:55.500
do you know who she found standing outside? It was
189
00:11:55.740 --> 00:11:59.799
the wizardess! In her trembling hand was Lillian's violin case.
190
00:12:00.600 --> 00:12:03.259
And on her furious face was a scowl.
191
00:12:03.980 --> 00:12:05.480
You! You cheated me!
192
00:12:06.120 --> 00:12:07.779
Lillian's mouth dropped open.
193
00:12:08.460 --> 00:12:11.840
I cheated you? How can you say that? I gave
194
00:12:11.899 --> 00:12:16.090
you my violin, didn't I? Yes, you did! But you
195
00:12:16.110 --> 00:12:20.220
didn't give me its power. I don't understand.
196
00:12:20.919 --> 00:12:23.700
Look, you don't know it, Lillian, but the day we
197
00:12:23.759 --> 00:12:26.259
met wasn't the first day I laid my eyes on
198
00:12:26.320 --> 00:12:27.679
you or my ears.
199
00:12:28.419 --> 00:12:29.000
It wasn't?
200
00:12:29.740 --> 00:12:33.889
No. I had been following you for a very long time.
201
00:12:34.289 --> 00:12:38.409
I heard you play at town squares and taverns, carnivals
202
00:12:38.470 --> 00:12:43.500
and cafes, festivals and fairs. And based on what I witnessed,
203
00:12:43.879 --> 00:12:47.179
this violin should have given me power over everyone who
204
00:12:47.259 --> 00:12:47.639
heard it.
205
00:12:48.279 --> 00:12:48.899
Everyone.
206
00:12:49.860 --> 00:12:52.389
The problem is, it didn't.
207
00:12:53.070 --> 00:12:55.470
She opened the case and held up the violin.
208
00:12:56.230 --> 00:13:00.909
Lillian, when you played this violin, it made the sweetest sounds.
209
00:13:01.470 --> 00:13:03.649
I played this violin, and do you know what it made?
210
00:13:04.149 --> 00:13:10.580
Squeaky sounds. Squawky sounds. Screechy sounds. So harsh, so shrill,
211
00:13:10.820 --> 00:13:14.990
people covered their ears and ran away. I didn't enchant anyone.
212
00:13:15.330 --> 00:13:19.110
I annoyed them. What happened to the violin's magic, Lillian?
213
00:13:19.450 --> 00:13:23.570
Where did it go? The wizardess stared at Lillian. Lillian
214
00:13:23.789 --> 00:13:27.470
stared back. Then, she smiled.
215
00:13:29.409 --> 00:13:33.129
You really want to know what happened to the violin's magic? Well,
216
00:13:33.149 --> 00:13:35.820
the truth is, There was no magic.
217
00:13:36.480 --> 00:13:37.980
There was just me.
218
00:13:38.879 --> 00:13:40.080
What do you mean?
219
00:13:40.600 --> 00:13:44.269
What I mean is, when I play my violin, I
220
00:13:44.330 --> 00:13:45.649
give it everything I have.
221
00:13:45.990 --> 00:13:47.690
My entire soul.
222
00:13:48.490 --> 00:13:52.190
It's my soul that inspires the music and makes those
223
00:13:52.309 --> 00:13:56.970
sweet sounds. I may have traded the violin, but my soul,
224
00:13:56.990 --> 00:13:58.590
I did not trade.
225
00:13:59.129 --> 00:13:59.960
And I never would.
226
00:14:00.509 --> 00:14:02.580
Not for all the gold in the world.
227
00:14:03.500 --> 00:14:07.559
The wizardess fixed her steel-gray eyes on Lillian's face. She
228
00:14:07.620 --> 00:14:13.279
held them there, giving Lillian a most curious look. And then, slowly,
229
00:14:14.080 --> 00:14:17.899
she placed the violin in its case, placed the case
230
00:14:18.080 --> 00:14:22.879
in Lillian's hands, and with a strange little smile, she
231
00:14:23.100 --> 00:14:30.379
vanished in a cloud of red smoke. Lillian stared at
232
00:14:30.399 --> 00:14:34.450
the spot where the wizardess had been standing. Then she
233
00:14:34.519 --> 00:14:37.549
opened the lid of her case, took out her violin
234
00:14:38.409 --> 00:14:41.889
and her bow. Then she tucked the violin beneath her
235
00:14:42.029 --> 00:14:52.320
chin and began to play. She played with tears in
236
00:14:52.379 --> 00:14:56.519
her eyes and joy in her heart. But most of all,
237
00:14:57.159 --> 00:15:01.419
she played with passion in her soul. And to Lillian,
238
00:15:02.320 --> 00:15:20.210
that was more precious than anything. Now it's your turn.
239
00:15:20.730 --> 00:15:24.409
Music can be truly powerful, especially when you make your own.
240
00:15:24.990 --> 00:15:27.710
Pick some music you enjoy, or write some music of
241
00:15:27.750 --> 00:15:30.490
your own. Then record yourself singing it or playing it
242
00:15:30.649 --> 00:15:33.389
on an instrument. A grown-up can help you with the recording.
243
00:15:33.720 --> 00:15:36.039
You can use an audio program on a computer or
244
00:15:36.059 --> 00:15:38.519
the voice memo app on a smartphone. When you're done,
245
00:15:38.779 --> 00:15:40.940
send the recording to someone you have fun with. And
246
00:15:41.000 --> 00:15:43.639
if you'd like, send it to us. Our email address
247
00:15:43.779 --> 00:15:51.049
is circleround at wbur.org. This week's episode, The Sweetest Sounds,
248
00:15:51.090 --> 00:15:53.629
was adapted by me, Rebecca Scheer. It was edited by
249
00:15:53.710 --> 00:15:56.889
Sophie Codner. Our original music and sound design is by
250
00:15:56.929 --> 00:16:00.279
Eric Shimalonis. Our artist is Sabina Haim. Sabina has drawn
251
00:16:00.320 --> 00:16:01.970
a black and white picture for all of our Circle
252
00:16:02.000 --> 00:16:04.139
Round stories, and you can print them out and color
253
00:16:04.159 --> 00:16:07.990
them in while you listen. Grown-ups, visit our website, wbur.org
254
00:16:08.009 --> 00:16:11.929
slash circleround, and click on Coloring Pages. And while you're
255
00:16:11.950 --> 00:16:15.490
at wbur.org slash circleround, you can support our public radio
256
00:16:15.529 --> 00:16:18.750
podcast by joining the Circle Round Club. To show our thanks,
257
00:16:18.909 --> 00:16:22.509
we'll send you a Circle Round welcome box, activity emails, newsletters,
258
00:16:22.570 --> 00:16:25.460
plus early access to Circle Round events. You can also
259
00:16:25.500 --> 00:16:30.000
get ad-free episodes, bite-sized bedtime stories, music education videos, even
260
00:16:30.019 --> 00:16:34.919
a personalized birthday message from me. Visit WBUR.org slash
CircleRound
261
00:16:35.000 --> 00:16:38.590
and click CircleRound Club. Special thanks to this week's actors,
262
00:16:38.850 --> 00:16:42.250
Rachel Martin and Ayesha Rasko. Rachel Martin has hosted such
263
00:16:42.370 --> 00:16:45.669
NPR favorites as Weekend Edition Sunday, Morning Edition, Up First,
264
00:16:45.789 --> 00:16:49.389
and the new podcast, Enlighten Me. Ayesha Rasko currently hosts
265
00:16:49.450 --> 00:16:52.809
Weekend Edition Sunday and the Saturday episodes of Up First.
266
00:16:53.549 --> 00:16:56.870
Our featured instrument this week was, yes, the violin, played
267
00:16:56.889 --> 00:17:00.490
by our guest artist Christian Habel. Along with his lengthy
268
00:17:00.509 --> 00:17:03.350
stint in the Broadway musical Wicked, Christian has toured with Sting,
269
00:17:03.549 --> 00:17:06.890
Barbra Streisand, and Billy Joel. He also performed John Williams'
270
00:17:06.910 --> 00:17:10.170
score for the latest Indiana Jones movie, The Dial of Destiny.
271
00:17:10.569 --> 00:17:12.230
To learn more about the violin and to see a
272
00:17:12.259 --> 00:17:17.900
picture of Christian Habel, visit our website, wbur.org slash circleround. Grownups,
273
00:17:17.960 --> 00:17:20.779
if you enjoy Circle Round, please leave us a five-star
274
00:17:20.819 --> 00:17:23.740
review on your favorite podcast app. We also invite you
275
00:17:23.759 --> 00:17:25.980
to tell your friends about the show and talk about
276
00:17:26.019 --> 00:17:29.180
us on social media. Our handle on Facebook and Instagram
277
00:17:29.259 --> 00:17:32.339
is at Circle Round Podcast. Circle Round is a production
278
00:17:32.359 --> 00:17:40.509
of WBUR, Boston's NPR news station. I'm Rebecca Shear. Thanks
279
00:17:40.589 --> 00:17:47.470
for circling round with us. Now that you've made it
280
00:17:47.509 --> 00:17:50.210
to the end of this Circle Round episode, we want
281
00:17:50.250 --> 00:17:54.779
to know, What's your favorite Circle Round story? Thousands of
282
00:17:54.859 --> 00:17:57.019
fans just like you have been telling us about the
283
00:17:57.059 --> 00:18:00.539
Circle Round stories they like best. Take a listen. Maybe
284
00:18:00.599 --> 00:18:02.930
one of their favorites is one of yours, too.
285
00:18:02.950 --> 00:18:08.789
Hi, my name is Mason. I live in Meridian, Idaho.
286
00:18:09.269 --> 00:18:14.170
And my favorite Circle Round story is called The Giant's Causeway.
287
00:18:14.619 --> 00:18:18.950
I like the part when Finn McCool says,'.
288
00:18:18.440 --> 00:18:20.220
Squeeze me like a lemon!
289
00:18:21.049 --> 00:18:24.630
Hi, my name's Harlow, and I live in Golden Valley, Minnesota,
290
00:18:24.670 --> 00:18:27.299
and my favorite circle around is Princess and the Eye,
291
00:18:27.309 --> 00:18:30.710
because I like when the innkeeper says she has to
292
00:18:30.750 --> 00:18:35.130
pay double, and she sends away tonight. My name is Owen,
293
00:18:35.579 --> 00:18:39.180
and I live in Devon, Pennsylvania, and my favorite circle
294
00:18:39.200 --> 00:18:42.920
around story is The Pot of Gold, and I like
295
00:18:43.039 --> 00:18:48.839
the part when Rufus the baker says, Money in the honey.
296
00:18:49.240 --> 00:18:53.140
Hi, my name is Margo, and I live in Newtown, Connecticut.
297
00:18:53.160 --> 00:18:56.809
And my favorite Circle Island story is Strong Minded Kind Heart.
298
00:18:57.230 --> 00:19:01.210
And my favorite part is when Kind Heart gets his
299
00:19:01.450 --> 00:19:01.990
tree palace.
300
00:19:02.890 --> 00:19:05.549
It's Jacob, and I'm from California.
301
00:19:05.990 --> 00:19:10.210
And my favorite Circle Island is Kingaroo and Joey, too.
302
00:19:11.039 --> 00:19:13.380
My favorite part is when the mom.
303
00:19:13.099 --> 00:19:14.160
Says, Joey!
304
00:19:14.200 --> 00:19:14.440
Joey!
305
00:19:15.849 --> 00:19:16.549
My name is Colby.
306
00:19:16.609 --> 00:19:21.799
I'm from Port Morgan, and my favorite podcast is Donkey Business.
307
00:19:22.220 --> 00:19:29.400
My favorite part is when Carmella puts coin in Luigi's.
308
00:19:30.880 --> 00:19:31.200
Booty.
309
00:19:32.279 --> 00:19:36.000
Did someone mention a story you've missed? Not to worry. Grown-ups,
310
00:19:36.200 --> 00:19:38.779
you can find all of our Circle Round stories, plus
311
00:19:38.839 --> 00:19:41.940
links to the Circle Round Club, picture books, coloring pages,
312
00:19:42.089 --> 00:19:46.779
and oh so much more on our website, WBUR.org slash CircleRound.