ABOUT THIS EPISODE
Hey! I'd love to hear your thoughts, send me a voice note.
🎹 Excerpt of Waltz in C# Minor (Chopin) Op.64 no.2 played by Jeeyoon Kim🎵
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For Part 2 of Season 3, Episode 14, with Dr. Jeeyoon Kim, "Force of Nature," Concert Pianist, Art Activist, & Author, we discussed topics as follows:
🤔 How to guard our mind against negativity from inside and outside.
🤔 What does success look like for pianists?
🤔 How should we keep the classical music tradition while the world changes so rapidly
Many of you may be already familiar with Jeeyoon and her incredible work from her popular YouTube channel, recordings, podcast, and book. Still, in this interview, you will discover her genuine perspectives on how classical musicians should creatively connect with audiences of the 21st century so that classical music will continue to be relevant in the minds of general audiences and thrive in this rapidly changing world.🎧 ICYM, catch up on Part 1 of this episode HERE.
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[Dr. Jeeyoon Kim]
Jeeyoon Kim is an award-winning classical pianist, recording artist, art activist, author, YouTuber, podcaster, and educator. She has delighted audiences globally with her sensitive artistry, impeccable technique, and engaging and innovative concert experiences. Her dedication to pushing the boundaries of traditional classical music to connect with a new audience has inspired a dedicated and passionate fanbase both at concert venues and on digital platforms.
🎟️ Jeeyoon is coming to NYC in June 2023 for her performance at Carnegie Hall! Get your ticket here.
[Sponsors]
👉 Join Forte’s waitlist to connect with more potential music students: HERE.
Yukimi Song Studio LLC: providing an excellent educational experience. Visit the website for more info: https://yukimisongstudio.com
[The Piano Pod 🎙- Bringing PIANO into the 21st Century]
The Piano Pod is a bi-monthly podcast🎙 show hosted by Yukimi Song--classical pianist & educator from NYC. The Piano Pod aims to provide a platform for classical musicians and educators to reflect and discuss how to keep our industry robust and relevant in this rapidly changing world and move it forward in the post-pandemic era.
❤️❤️❤️❤️❤️ Please support The Piano Pod today! ❤️❤️❤️❤️❤️
😎 Executive Producer/writer: Yukimi Song
🕹Audio/Video Editor: Yukimi Song Studio
📱Social Media: https://linktr.ee/thepianopodnyc
📬 Email: thepianopodnyc@gmail.com
SHOW NOTES 🔗
TRANSCRIPT 🔗
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You know, the most beautiful concert or the most, I would not say perfect, but the most
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rewarding concerts, it's not last mistake concerts, but then the concerts that I felt
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the most engaged with music, with myself and the music and inevitably with audience receive
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as well.
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Welcome back to the PianoPod.
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I am your host, Yukimisong.
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Thanks for tuning in for the second half of season three, episode 14 with a guest, Dr.
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Ji-Yoon Kim.
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Hope you enjoyed part one of this episode.
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In part two, we're going to tackle some philosophical topics like how do we define success as a
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musician and how can we keep the classical music industry thriving and relevant in this
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fast paced society and more.
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Before continuing the show, I want to welcome everyone listening to the PianoPod for the
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first time.
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I'm a classical pianist and educator from New York City, passionate about creating a
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thriving and meaningful community of the classical music industry through this podcast.
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Please visit yukimisongstudio.com to find out more about my work.
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In each episode of the PianoPod, I interview a guest speaker who has been breaking exciting
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new ground in the industry.
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Please rate the show and review it on your favorite podcasting platform because every
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rating review will help people find my show.
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So dear friends, here is part two of the PianoPod season three, episode 14 with Dr. Ji-Yoon
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Kim.
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Please enjoy the show.
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You are listening to the PianoPod where we talk to the brightest minds in the industry
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about how they are bringing the piano into the 21st century.
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And then I totally enjoyed reading your book whenever you're ready.
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Actually, I knew of you from YouTube, you know, one of the algorithms and then triggers
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and I saw your video, but then afterwards during the COVID time, I got an email from
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probably your publicist to reach out to me because we started a podcast and then you
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just published a book, right?
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And then we didn't get to interview you till now.
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I didn't get to, but I was reading the book during that time and it was very, very good.
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And then starting out sort of, you know, it's intended for all the readers, not just limited
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to pianists.
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So the way you're explaining, you know, this is like, this book is like a movement of sonata
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and then it goes like this.
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And then in each chapter, you have this sort of exercise for readers to do certain things.
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And then the first chapter, first few chapters were easy to read.
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Then it gets actually quite deeper philosophical.
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And then I was able to reread again to just to prepare for this interview and it was very
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encouraging.
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Can you tell me how this is structured and what motivated you, what inspired you to write
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this book?
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I think, you know, I mean, the whenever you're ready is where, where it comes from is that
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every concert stage, often there's a stage manager holding that door to the stage and
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say whenever you're ready.
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And then I look at that person and thinking, am I ready?
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Will I ever be ready?
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But then I'm thinking deep, deep in that moment and create a courage and strength within myself
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and make a decision to walk towards the stage.
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And that's in order to make that transition into the split second of whenever you're ready
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to, okay, in order to make that transition, I have to do so million things daily basis.
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It's not just easy.
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Okay, I'm ready.
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Go.
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So much of a mind training, so much of a how lifestyle reflects to that this is making.
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And so that I wanted to this book to be like written concert.
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So that's why I structured in such a way the movements that each movement has deal with
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the different topic and the first movement about like perseverance, discipline, and then
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about second movement is negativity and the creativity on the third movement and fourth
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movement is about connection with oneself or others.
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And the fifth movement about the body self, the environment.
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And then in between there's intermission where I get to be a missionary of classical music
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again and talk about one of my favorite pieces.
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And there's a QR code for them to go to listen to it.
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And then there's encore at the end.
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And what I was thinking is that whenever I prepare for a concert, it feels like a preparing
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for life.
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And I often think that we all have a stage called life.
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Whenever we have a difficult phone call, when we have to face a difficult decisions, a difficult
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conversation, embark something new unknown, life challenges us.
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But that very moment like you still I'm going to do it.
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That is what I wanted to give the sense of inspirations, those of strength to the readers
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in their performance of life.
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Whenever you are ready.
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And it's not like go do it.
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But it's like I'm giving you a moment.
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And so when you're ready, you go.
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But it's on you.
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For musicians, I think they get it because they live that.
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But most more importantly, for other people through the lens of classical musician, and
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by you going through my life, they realize, oh, that is a life that I do have a stage
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called life.
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So that I wanted to this book to be not from someone who knows better, went through more,
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but more as a fellow friends and fellow human being who struggles as much.
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And as if we are sitting in a cafe, very friendly, light, but empathetic, warm, honest, vulnerable,
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so that we all go through this.
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It's not only you, me too.
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But this work actually, this really helped.
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So that's why my voice is not dominant, but more of, hey, did you try that?
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It worked for me.
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Then you're like, you know, maybe many, know many of these tools that I mentioned in the
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book already.
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But since because I say it, because you feel like I'm your friend, you think like, oh,
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maybe I try meditation.
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I know that's good, but maybe something out there.
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You know, that was my goal for people to remind that these tools are already always there.
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But from my delivery, just like classical music through my performance, they get it.
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Maybe there's one or two more people they pick up on those life tools to make their
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life better.
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In the first movement of the book, you know, and I really appreciate you for clarifying
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the myths about becoming or being a pianist.
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Like everybody says, oh, you're so talented.
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You can just play play on the fly.
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But you have no idea how much of a work how much of ups and downs of life to go through
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to get there.
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Right.
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So and I love the quote.
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It is not willpower, but habit that makes things happen.
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Because you know, willpower is exhausting.
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And that's why a lot of people quit.
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But the delayed gratification is a really difficult lesson to learn and teach also.
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And so where is a good place to start learning this important lesson in life like of delayed
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gratification, meaning building a good habit?
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I think it's early as possible, which is why now it's good to place to learn.
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I think it's important to know that every learning has the learning curves like boiling
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water, it wouldn't boil until 100 Celsius.
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But you all alone, it has been boiling, but we don't feel it.
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You know, but we have to believe that we are making progress, even though we don't see
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a progress.
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And I think that is really important to for us to remind ourselves.
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I get frustrated, too, because I practice this much.
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I thought it would get better, but it's not yet.
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But then it's not yet.
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It's not never.
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But it's not yet.
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And the growth mindset is something that we can train ourselves.
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It's not like you have and you don't.
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But it's I can make it better.
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Maybe not yet, but I'm making it.
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You know, so I think focusing on the system, which is a habit, is the key, because if I
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have to think when I'm going to practice a day, every single day, have to think about
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it, it's exhausting already because my day I have to do this, I have to do that.
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When I'm going to do it, it takes already like I'm exhausted even thinking about it.
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But if I have a habit of just a certain amount, not all the time, but certain amount of practice
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is right after breakfast, I'm going to practice in an hour or two, then that is secured no
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matter what, because I became a habit after breakfast.
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Even though I have this complex, I don't want to practice.
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I'm already sit down and play piano.
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But you know, it's funny people think that it's my willpower to make me practice every
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day.
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But it comes from I know why I know already own why.
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Why is I love piano, right?
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But I don't question that why anymore once I own it.
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I don't question like, do I want to practice?
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Do I love piano?
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Like, of course you love someone today and you don't love someone tomorrow because you
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know, they saw and so acted this way, but it's an old couple.
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They love each other.
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They know even though they hate each other, they hurt themselves, you know, each other.
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They do things for each other.
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They do it by showing the action.
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Not made not feeling it's so flimsy thing.
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You know, you would focusing on Oh, do I love piano?
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Do I love this person?
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You know, the answer is that it will change every single day, even every hour it might
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change.
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You know, so someday we like this and someday we don't.
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Sometimes we angry.
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Sometimes we happy, happy, but joy, but sad.
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All of it.
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It's so flimsy.
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Our emotions are not reliable thing.
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So once you own the love, why then I even though I would think that I hate practicing,
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but I ignore that chatter because I don't question that.
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I don't question the core meaning, but I sit down and play.
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Once I sit down and practice it 99% 99 time, I love it.
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You know, not maybe first five minutes.
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It's still there's a conflict.
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But then I get into certain section like, Oh, this needs some cleaning up.
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Oh, this Oh, this is nice.
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You know, more likely 30 minutes pass by an hour easy.
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And then after an hour, I feel good because I overcome myself.
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I made music.
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I actually enjoyed it.
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But if I question it, when I do it, then I already adjusted and I don't think I would
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keep up with piano practicing.
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You know, I'm 42 years old.
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I started when I was four, 38 years of practicing every day.
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Forget it.
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Right?
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I mean, ask someone to do something constantly all the time other than eating and sleeping.
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You know, this is not major human, you know, instinct thing, you know?
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So for me, it's very important to make that transition easy as possible.
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I prioritize it and try not to think as much as possible, at least the first section of
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the practice.
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Then if I wanted to add more, some days more, some days less.
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So then whenever you wanted to add on to your life, if that is important to you, then own
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that why.
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Simply ask seriously why, because you can go back and forth.
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So let's say that, you know, the exercise is important to you, and you really want to
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make that working out as a part of your life.
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That you don't question that you want to do it, would not want to do it.
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Once you own it, then make a system.
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Let's say you wanted to, you know, work out every single morning.
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When?
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When after we wake up or after before breakfast, then make it a small, very, very small amount,
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like 10 minutes of stretching until you get that habit into your system for at least,
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you know, a couple a month or two.
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Don't push yourself too much because you have to have a longevity of a lifestyle, not like
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a month.
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Gym every single day, and from the February, everybody's like go back to their couch, you
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know.
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If you want something in your life, you have to start slow.
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But then what I really emphasize is that the two day rule, which is you can skip a day,
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but not two days in a row.
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I do skip practice some time, but never two days in a row.
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So that rule gives me some room to wiggle, but then ask myself gently back into the track
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and then also not too hard on myself.
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Yes, you can skip a day.
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It's fine.
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The world still continues.
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But what is important is that you gain yourself again and continue.
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So I think it's very, very important that you own why and then create a system that
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hopefully that system is actually right after you always do, which is eating is always good
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to tag along or drinking coffee or something already existing habit.
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You build on to it and make small, very small.
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If you want to read a book, just read up one page, not a whole chapter, you know.
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And then every time you finish, you know, we always feel good.
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Like an hour of practice afterwards, I feel great.
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And I remember that feeling savory.
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Just take a moment to think how amazing that feel after workout or after the practice.
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So every time you feel that resistance, I don't want to work out or I don't want to
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practice.
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Go ahead to feel that joy.
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Think that joy, that moment.
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I'm going to feel amazing afterwards.
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Then it will be easier for you to go there.
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And then the truth is that we are not in the marathon.
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You're not going to become Olympian by working out.
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You're not, you know, even though there is a miniature goal or long term goal of whatever
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we do or piano practicing or maybe concert coming up.
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But the real truth is that I love playing piano.
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I am playing piano.
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I'm expressing my love of piano every day by doing it, which means I'm loving this very
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day.
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I think that's the key.
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You're not going somewhere.
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You're thinking so much of a goal, then you lose why you're doing it.
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The reason you're doing it because you want to do the very thing.
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So thinking about the activity and the reason we are doing it is so that you love your today.
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Yeah, great advice.
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Now, so creating a habit of action, but also movement too.
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You talk about creating a good habit of your mind, guard your mind.
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And then so let's talk about the elephant in the room, you know, negativity in our industry.
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So I sometimes I have quite a good group of students, advanced students, and then they
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get more harsh criticism than others who are doing it for fun.
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Now there is a constructive feedback, of course, and then everybody should get that.
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But there's this insult that is just not really necessary.
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And sometimes people say, Oh, don't be so naive.
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You know, it's just a little feedback to help you.
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But this is actually not really a feedback.
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It's not really helpful for anybody, you know, when you something like this to happen.
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What do you think about this?
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Yeah, I think when you're young, it's definitely harder because you're forming yourself, your
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mind and if you have like, you know, very harsh teacher, if which is often in music,
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unfortunately, the higher their level is, it's harsh, they get and or parents, the more,
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you know, harsh parents that is very difficult.
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So I really empathize that the young people who go through it.
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But I think we also in the because this is the piano community as well as the dear pianist
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that your piano community, let's not be a nerd.
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Let's not it doesn't matter how so and so plays faster, this tempo and how they phrasing
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at the end of it.
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It doesn't matter.
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But I find that the more classical musicians ourselves are such a hard critic to each other.
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They degraded each other and saying, Oh, she's not that good.
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I don't know why she got that.
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Or oh, well, so on, so and so win the competition, which means that there's one last position
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in your in your life.
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Or you know, this scarcity mindset really is toxic.
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There is enough in this world that world love goes around the all the things you want to
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do beyond your imagination if you make that action.
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So that if you we start to compare each other, competition to each other, that's where it
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becomes toxic, whether that the so and so fellow pianist that advanced students think
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that, oh, well, he plays like, you know, I don't know, he was like, really sound bad,
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but he won that that that competition.
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I don't know what the judge was thinking, whatever that is, that it comes from jealousy
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and comes from the scarcity mindset and competition to each other.
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But if you think that, you know, just for a moment, so and so winning that competition,
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did it do anything harm to you?
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And think it as a joy.
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So and so win the competition.
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How joyous that is.
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If you kind of sense that joy and get a crumb of that joy for yourself, you can actually
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make your life so much more joyous.
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So then your life is much more positive.
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And I always find that without retrying, it's going to be always negative.
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Just know that it's always going to be negative.
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So we have to do something about it to be neutral, even at least less negative, because
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the world is more negative tendency.
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So especially negativity from outside world is that I said it's avoiding is not a sign
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of weakness.
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So because why you keep facing the trash, you just throw it away, rather than, you know,
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just look at it and talking about it.
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And I think the best advice that I could give for you for the negativity from outside is
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unless you accept the negativity into your heart, none of the negativity has that power.
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It's you allowing the negativity works to your heart.
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So I think it is important for you to recognize that it's not them.
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It's you to allow it.
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So whenever I go get into the trap all the time, but if so and so or some teacher or
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some outside of world to be negative towards me, then I chin up and think, try to ignore
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as much as possible.
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Again, it is not criticism, you know, like constructive feedback.
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It's coming from love.
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It's not coming from love.
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Then then I recognize that and then try to erase as soon as possible.
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And also, if I don't allow it, it doesn't have a power.
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If someone came to your house with all bag of, you know, filthy trash and throw it in
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your house, what would you do?
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You'll be like, what are you doing?
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But if you allow other people talking bad, and if you allow that, that means you allow
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in your living room in this filthy trash to your mind so that you have to protect it.
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You are the one who protects it.
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There's all the people out there is going to try to throw the garbage inside of your
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mind.
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So you're like, vigilant about it, and hopefully there's one last can trash can is coming into
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your mind.
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And the same goes with our mind, too.
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We always battle with negative and positive thoughts and negative thoughts are referred
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to as cognitive distortions.
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So sometimes we exaggerate.
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Let's say I made a little mistake on stage and then but in my mind, it's like, oh, my
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gosh, that was a fatal mistake.
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And I can't recover from that.
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In your book, you talk about it, too.
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But briefly, can you tell us?
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I think it is, you know, if we are talking in the context of the performance, performance
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anxiety, I would say we have to separate.
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Are you ready?
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Are you ready to perform yet?
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That's also I'm assuming all the tips that I actually want to give is based on you already
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you you all the steps that you made it efficient practice strategy and you are ready to perform.
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But still, there is performance anxiety.
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That's different thing.
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So I'm going to assume that you are absolutely ready to perform.
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And then then you this this negative voices in your head.
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And to know that the tiger inside of you never going to go away, no matter how advanced you
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are even Horvitz has to kicked out to the stage because he was like, I don't want to
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go to the stage.
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The manager will kick him out.
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You know, so it's not a depending on the level of your performance.
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It's human mind, you know, so just know that our pain is your pain, too.
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Then it feels a little easier to deal with it.
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And then we still have to deal with it, though.
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And I think that one of the most effective way to any issues that you have in your life,
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it's writing down.
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Writing gives you gives a cloding to your thoughts.
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If you only think in your mind that's just floating and, you know, in the randomly bites
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you.
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But if you start to write it down, it feels like, oh, it's nothing.
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We, as you said, is we tend to exaggerate.
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But if you actually grab it down and write it down, what exactly I'm worrying about,
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I am worrying about people think that I'm bad.
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I'm worrying about if I'm going to make them mistake, you know, so writing down all of
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the negative thoughts is bothering you.
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And define it, define it where this coming from.
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Is it coming from my own voice, from my teacher in the past?
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What is based on?
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And then also defend these tendencies with a positive voice like, no, you're going to
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be great.
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This performance, no matter what, it's going to be a beautiful experience.
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So you actually come back with this negativity with at least five different positive sentences.
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And that exercise helps in the moment of battle.
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I battle in the during the performance that, oh, the difficult section coming up.
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And then this angelic voice that you train so much and think, oh, you got this.
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You got this.
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And even if you make mistakes, it is just a small, you just pick it up and keep going.
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You know, all of those ready made, prepared, the positive sentence will help you.
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And also write the affirmation sentences saying, I am, I'm excited to play this concert.
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I'm going to connect with audience.
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I love expressing this music or, you know, all of this affirmation sentences that you
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say out loud, it's like fake it until make it.
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And also write a visualization in your actual performance, the most positive way in details
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on the day.
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You write it down, it sits, you know, read it out loud.
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This visualization technique is not, you know, unknown to other field is sports or Olympian
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will do all the time before their game.
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You know, so you, we have to give a food to the positive positivity more.
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Otherwise we all have a tendency to be more negative.
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So in that comes down to how we use words.
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I can't emphasize more about the power of words or how you say, whether writing or the
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say out loud, you do it with yourself or with others, but mostly saying out loud.
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Notice yourself how negatively you are saying, Oh, this is difficult.
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Oh, I'm going to make a mistake.
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That was horrible.
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You think that it would be, it would be okay because you're just telling to yourself, but
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it's not.
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But very, that moment you're giving the power to the negativity.
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So even though you think that moment that way, just don't say out loud, then at least
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you can make that into a little more power.
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So even when you're saying with others, notice yourself, are you saying something negative
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about this thing with others or someone else?
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Are you gosh, are you complaining?
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Are you giving a bad energy to someone?
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All of these things ultimately come back to you.
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So it's all of it is, it's to protect yourself, but it's also creating the environment so
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that more positive people are going to come to you.
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You know, negative people want to grab the negative people.
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They want to gather in the restaurant and talk about negative things.
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They love that.
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So you don't want to be part of it.
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If you choose P not to be in that negative group, you know, you will find out the world
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is great because there you will see those positive people.
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You're doing great.
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Oh my gosh.
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You're going to do great.
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Oh my gosh.
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I'm so excited for your project.
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Well, I can't wait to be there in your concert.
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They're not going to come back to you and I go, oh my gosh, that's going to be so difficult.
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How are you going to fund that?
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You create your own environment.
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That's the only way.
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And then, you know, going to movement three of your book, you talk about create dream
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play and then what struck me was the quote.
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You say, what is success?
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What does that success life look like to me?
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What is to you?
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You know, it's very difficult to live in this time of era.
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Everything is pneumatic, you know.
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So some people will say if you make X amount of money, that you are successful.
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If you're like a hundred hundred thousand a year is that successful?
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Is it two hundred thousand then successful?
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Is it eighty thousand?
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Then it's not successful.
427
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If you have a thousand, you know, hundred thousand followers, is that successful?
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If you win number one competition and then Cliven, is that successful?
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It may look successful to our eye.
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It's like, yeah, we'd love to win that competition.
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But then why do they are depressed?
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Why some people commit suicide?
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You know, they have millions and millions in their bank account.
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So, you know, I hope that we are not limiting ourselves to being happy only if you accomplish
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something tangible or expect of you, because that's a dangerous trap, because you can never
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get enough.
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If you get X amount, you need another.
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If you have a hundred thousand of spending, then you will.
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Your spending is so much that you need a two hundred thousand, you know.
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So I think it's very, very important for us to think life as a game, that all of your
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projects, all of these things, like it's fun game, you know, you push it as much as possible
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with all intensity.
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But then the outcome is not out of your control.
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If it's it's it's you just detaching yourself self value with what you do.
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I don't think that my dream of success is not depending on what I do.
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Yes, I do play piano.
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I do all these things, but it's not measure of my success.
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My success is the status of my being.
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I do what I love to do in my life daily basis.
450
00:29:50,440 --> 00:29:56,840
My picture of success is not shaken by, you know, if I don't make that money or if I don't
451
00:29:56,840 --> 00:30:03,520
get that concert or I fail something, it's not depending on that.
452
00:30:03,520 --> 00:30:14,280
I want to keep my mind content, happy, simple, calm and able to generate myself a self energy
453
00:30:14,280 --> 00:30:20,040
of life so that I'm in a happy place on a daily basis.
454
00:30:20,040 --> 00:30:23,920
You know, who can say to you, you are successful?
455
00:30:23,920 --> 00:30:30,120
I mean, they're not they're they're not living my life if I say I'm happy.
456
00:30:30,120 --> 00:30:31,120
I am.
457
00:30:31,120 --> 00:30:32,920
That's a success.
458
00:30:32,920 --> 00:30:38,400
So I really believe that you can be successful today.
459
00:30:38,400 --> 00:30:44,080
As of now, it's because it's based on your mind.
460
00:30:44,080 --> 00:30:49,100
So I want to get to your the recent project, see you very soon.
461
00:30:49,100 --> 00:30:54,680
But then I think the lockdown of 2020 had something to do with it, probably to get to
462
00:30:54,680 --> 00:30:55,680
that project.
463
00:30:55,680 --> 00:31:00,400
So when I read your book, I kept all the quotes from the book.
464
00:31:00,400 --> 00:31:02,280
So let me quote one more.
465
00:31:02,280 --> 00:31:07,400
So you're saying in the book, we may need to find ways to deliver the core values of
466
00:31:07,400 --> 00:31:09,880
what we do without physical contact.
467
00:31:09,880 --> 00:31:16,280
Even after this crisis, many jobs have disappeared and new ones have been and are being created.
468
00:31:16,280 --> 00:31:21,360
As much as it can be daunting and frustrating, it can also be liberating to reset one's life
469
00:31:21,360 --> 00:31:22,360
course.
470
00:31:22,360 --> 00:31:24,100
The change is already here.
471
00:31:24,100 --> 00:31:28,840
And we just have to be much more active and forward thinking to accept it.
472
00:31:28,840 --> 00:31:34,800
And quote, so I could not help but say amen out loud after reading that specific quote,
473
00:31:34,800 --> 00:31:40,000
because I feel the same way and how but how can we keep the classical music tradition
474
00:31:40,000 --> 00:31:43,080
while the world changes so rapidly?
475
00:31:43,080 --> 00:31:47,680
First, we need to change with the change.
476
00:31:47,680 --> 00:31:51,280
We can't just be stubborn.
477
00:31:51,280 --> 00:31:58,920
Our classical musicians are also in heart, right, because we are dealing with Bach and
478
00:31:58,920 --> 00:32:04,720
Mozart and love, you know, we can be in touch with those music because we have that soul
479
00:32:04,720 --> 00:32:06,300
in us.
480
00:32:06,300 --> 00:32:08,480
But we're only moving forward.
481
00:32:08,480 --> 00:32:13,360
We're not going back to 1800, where one of the piano recitals is the most exciting thing
482
00:32:13,360 --> 00:32:15,160
happening in their life.
483
00:32:15,160 --> 00:32:18,920
So we have to kind of reassess where are we.
484
00:32:18,920 --> 00:32:24,280
You know, the good news is that what we're doing, as I said, the classical music is has
485
00:32:24,280 --> 00:32:28,720
the ultimate power and beauty, which is timeless.
486
00:32:28,720 --> 00:32:31,760
So be confident with this content.
487
00:32:31,760 --> 00:32:35,680
If we are selling, I don't know, like a laundry machine or something, you know, if you're
488
00:32:35,680 --> 00:32:40,360
really confident this laundry machine is the best in the world, you will sell it.
489
00:32:40,360 --> 00:32:41,360
Right.
490
00:32:41,360 --> 00:32:45,720
Same thing with the classical music has such a beauty and power.
491
00:32:45,720 --> 00:32:46,920
You believe in it.
492
00:32:46,920 --> 00:32:51,760
So then we have to just find a way to deliver.
493
00:32:51,760 --> 00:32:58,040
You know, I believe that people go crazy over Mozart and Chopin or Rachmaninoff.
494
00:32:58,040 --> 00:33:01,280
We just have to tweak the delivery.
495
00:33:01,280 --> 00:33:08,400
No more straightforward recital, you just show up and, you know, no talk at all and
496
00:33:08,400 --> 00:33:09,400
play intermission.
497
00:33:09,400 --> 00:33:14,400
And yes, that tradition is still going and there are some people going too.
498
00:33:14,400 --> 00:33:19,200
But you that's the danger right there because the presenters and the concert boards are
499
00:33:19,200 --> 00:33:25,720
older and older and the younger generation don't even bother to even go there.
500
00:33:25,720 --> 00:33:27,520
But it's still continue.
501
00:33:27,520 --> 00:33:33,080
I think we have to think about people focused.
502
00:33:33,080 --> 00:33:40,720
You as a person who has a messenger, you know, so I think that change might be more connection
503
00:33:40,720 --> 00:33:46,800
based, you know, people want connection as much as we have this fancy devices and all
504
00:33:46,800 --> 00:33:48,480
and all of that.
505
00:33:48,480 --> 00:33:56,560
But we still want to be, you know, cozy up and hearing, listen, really listen, you know.
506
00:33:56,560 --> 00:34:03,200
So I think when I even create an album, I create a manual, album manual, which is a
507
00:34:03,200 --> 00:34:09,480
very simple manual, which is can you spare an hour from your life, not as a background
508
00:34:09,480 --> 00:34:17,320
of music when you're cooking, but actually using good sound system and read each paragraph
509
00:34:17,320 --> 00:34:23,080
that I wrote about this piece and close your eyes and dive into an experience.
510
00:34:23,080 --> 00:34:24,880
Isn't that just simple?
511
00:34:24,880 --> 00:34:29,840
But nobody ever told them, nobody ever told them how to listen.
512
00:34:29,840 --> 00:34:35,920
They thought like music is something they hear in while they'll drive, you know.
513
00:34:35,920 --> 00:34:41,360
But since we know how to listen, because we know the beauty of live music or just hearing
514
00:34:41,360 --> 00:34:46,200
someone play in front of you in the living room, that connection.
515
00:34:46,200 --> 00:34:55,440
So we wanted to, as a teacher mind or friend, empathetic mind, that you have to open yourself
516
00:34:55,440 --> 00:35:01,840
to people, the vulnerability, like the belief in the power of storytelling.
517
00:35:01,840 --> 00:35:05,420
The storytelling can be, you know, I love this piece.
518
00:35:05,420 --> 00:35:09,600
I hate this piece too, you know, because this is such a technical challenges.
519
00:35:09,600 --> 00:35:11,880
It's like, it drives me crazy.
520
00:35:11,880 --> 00:35:17,760
Better read it, start storytelling, you know, or open up your life and ask them to join
521
00:35:17,760 --> 00:35:20,360
into the experience.
522
00:35:20,360 --> 00:35:21,360
Passion is contagious.
523
00:35:21,360 --> 00:35:26,080
If I think like, oh my gosh, this piece drives so good.
524
00:35:26,080 --> 00:35:28,160
And then they'll be like, oh, what is it?
525
00:35:28,160 --> 00:35:32,440
No, because I am so passionately talking about it.
526
00:35:32,440 --> 00:35:38,120
So being a missionary of classical music, I believe that any small effort doesn't have
527
00:35:38,120 --> 00:35:43,880
to be anything fancy or visual or illustration, doesn't have to be anything.
528
00:35:43,880 --> 00:35:49,120
We just make small tweak to want to connect.
529
00:35:49,120 --> 00:35:54,040
That makes a big difference to the audience, especially the young audience.
530
00:35:54,040 --> 00:36:00,800
And keep thinking about how could you deliver that music, how to set it up so people can
531
00:36:00,800 --> 00:36:02,040
experience the deeper way.
532
00:36:02,040 --> 00:36:04,400
We are not changing this one to the new age.
533
00:36:04,400 --> 00:36:08,360
We are not going to be held all of a sudden drum set next to piano.
534
00:36:08,360 --> 00:36:12,840
Music is going to be right there, there, you know?
535
00:36:12,840 --> 00:36:21,520
I think what we want to do is that just how to get there and empathetic way, connect way,
536
00:36:21,520 --> 00:36:23,720
warm and friendly, you know?
537
00:36:23,720 --> 00:36:29,040
And then thinking as a, how much barrier can I get rid of?
538
00:36:29,040 --> 00:36:35,000
Is this bowing in between pieces necessary, intermission necessary?
539
00:36:35,000 --> 00:36:37,000
Is it clapping in between necessary?
540
00:36:37,000 --> 00:36:41,080
Question every tradition other than music itself.
541
00:36:41,080 --> 00:36:47,800
Question it and try to different and experiment and see if people respond differently.
542
00:36:47,800 --> 00:36:51,160
You know, then they want to feel you.
543
00:36:51,160 --> 00:36:54,160
They want to feel you who delivers.
544
00:36:54,160 --> 00:36:59,240
Yes, they care about Mozart, but not as much as you.
545
00:36:59,240 --> 00:37:07,440
So, bring yourself into a delivery man, a messenger, open up yourself, then people will
546
00:37:07,440 --> 00:37:08,440
get it.
547
00:37:08,440 --> 00:37:10,360
People will get the Mozart no matter what.
548
00:37:10,360 --> 00:37:11,360
Right.
549
00:37:11,360 --> 00:37:16,600
So, where does your this gift of seeing hope and despair and possibilities and failure
550
00:37:16,600 --> 00:37:17,600
come from?
551
00:37:17,600 --> 00:37:24,840
But, you know, I don't believe in toxic positivity either and you're not in denial of failures
552
00:37:24,840 --> 00:37:26,200
and despair, right?
553
00:37:26,200 --> 00:37:27,800
So where does this come from?
554
00:37:27,800 --> 00:37:29,040
Is it therapy?
555
00:37:29,040 --> 00:37:32,960
Is that a meditation you do or philosophy, philosophy you read?
556
00:37:32,960 --> 00:37:35,880
Or is it some sort of a religious belief?
557
00:37:35,880 --> 00:37:38,000
What is it?
558
00:37:38,000 --> 00:37:44,780
I do believe the resilience that I have is strength that I have as something that probably
559
00:37:44,780 --> 00:37:47,840
I cultivated throughout my life.
560
00:37:47,840 --> 00:37:53,160
You know, I cannot say I only have difficult times because we all have difficult times
561
00:37:53,160 --> 00:37:54,360
of life.
562
00:37:54,360 --> 00:38:02,240
So, but I'm so thankful that my parents who gave me unconditional love so that I could
563
00:38:02,240 --> 00:38:11,000
learn to love myself in the first place and not rely on others to give me that value to
564
00:38:11,000 --> 00:38:12,000
me.
565
00:38:12,000 --> 00:38:19,200
So, whenever the storm of my life hits me in a hard way, since I care for my life, my
566
00:38:19,200 --> 00:38:26,520
own, I got up, started to walk again, knowing that life goes on, that it's still beautiful
567
00:38:26,520 --> 00:38:28,720
as it is today.
568
00:38:28,720 --> 00:38:34,400
You know, funny but something I learned that when I was young about like going to dentists,
569
00:38:34,400 --> 00:38:39,800
you know, like as much as I hated going to there, my mom always reminded me that, you
570
00:38:39,800 --> 00:38:44,920
know, the dental problem never goes away on its own, only worse and over time, right?
571
00:38:44,920 --> 00:38:47,000
Better go and fix it now.
572
00:38:47,000 --> 00:38:49,660
And I think it's similar to life.
573
00:38:49,660 --> 00:38:52,120
Life is short and finite.
574
00:38:52,120 --> 00:38:55,560
I wish it could last forever, but it doesn't.
575
00:38:55,560 --> 00:39:03,240
You know, so in more days you waste with the negativity, the last days you would enjoy
576
00:39:03,240 --> 00:39:05,640
this beautiful time on earth.
577
00:39:05,640 --> 00:39:13,600
And I think this limit of life gives one perspective of appreciation of what we already have.
578
00:39:13,600 --> 00:39:19,320
But I also want to add that that is coming from all kinds of conscious training throughout
579
00:39:19,320 --> 00:39:24,680
my life, especially in the efforts to see positive, being careful with words that I
580
00:39:24,680 --> 00:39:32,520
said with others, writing and journaling all the time, being aware of my own voices through
581
00:39:32,520 --> 00:39:38,920
meditation, daily meditation, and of course, always trying to learn something wisdom from
582
00:39:38,920 --> 00:39:44,120
all of the people in my life that has a broader perspective.
583
00:39:44,120 --> 00:39:46,600
And life is never easy.
584
00:39:46,600 --> 00:39:52,160
But I think it's definitely some pathway that we can learn.
585
00:39:52,160 --> 00:39:56,520
You know, meditation was in the thousand years of history, yoga was thousands of years of
586
00:39:56,520 --> 00:40:02,520
history that all people use somehow to deal with this life.
587
00:40:02,520 --> 00:40:08,880
And then we can learn from those wisdoms and adapt and make it easier for ourselves.
588
00:40:08,880 --> 00:40:13,120
And I think, you know, I believe music is one of it to make it all better, you know.
589
00:40:13,120 --> 00:40:14,120
Right, right.
590
00:40:14,120 --> 00:40:15,120
Absolutely.
591
00:40:15,120 --> 00:40:20,040
Hey, friends and listeners, the piano part is in its third season.
592
00:40:20,040 --> 00:40:25,840
Thanks to all of you for watching or listening to every episode since the launch in 2020.
593
00:40:25,840 --> 00:40:31,200
I started this show with a simple question I have had in mind for quite some time, which
594
00:40:31,200 --> 00:40:38,940
is how can we as classical pianists and music educators present the beautiful tradition
595
00:40:38,940 --> 00:40:45,280
of classical music to the 21st century audience in a fun, contemporary and engaging way?
596
00:40:45,280 --> 00:40:48,160
It's been an incredible journey for the last three years.
597
00:40:48,160 --> 00:40:53,560
And I love what I do through this podcast, providing a platform for pianists and educators
598
00:40:53,560 --> 00:41:00,320
to think and discuss freely without any judgment about how we can keep the classical music
599
00:41:00,320 --> 00:41:07,240
industry thriving and relevant in this constantly and rapidly changing world.
600
00:41:07,240 --> 00:41:12,040
Now more than ever, I need your financial support so that I can continue my work by
601
00:41:12,040 --> 00:41:19,480
bringing you highly valuable content bi-weekly by interviewing groundbreakers in the industry.
602
00:41:19,480 --> 00:41:25,800
Your support will go directly to all the costs of the piano part, such as yearly subscription
603
00:41:25,800 --> 00:41:32,800
to the podcasting platform, software I use for high quality recording sessions and tech
604
00:41:32,800 --> 00:41:39,120
gears, as well as all the hours I spend researching and audio video editing.
605
00:41:39,120 --> 00:41:44,440
You can make one time donation or monthly pledge by clicking the PayPal link in the
606
00:41:44,440 --> 00:41:50,420
show notes or go to the Piano Paws website at the pianopod.com.
607
00:41:50,420 --> 00:41:55,360
As a thank you, you will receive the Piano Paws fun logo sticker in the mail.
608
00:41:55,360 --> 00:42:00,360
So please support my show today and don't forget to subscribe to my channel, continue
609
00:42:00,360 --> 00:42:05,480
listening and tell your friends and colleagues about the Piano Paws.
610
00:42:05,480 --> 00:42:07,080
Let's continue with this episode.
611
00:42:07,080 --> 00:42:11,120
We were released from the lockdown.
612
00:42:11,120 --> 00:42:12,760
It's the Siam.
613
00:42:12,760 --> 00:42:17,120
We did the concert, which is, is it a concert, right?
614
00:42:17,120 --> 00:42:22,760
And 2022 and then you're doing it again in Carnegie Hall, June 7th and tickets will be
615
00:42:22,760 --> 00:42:26,360
available very soon or is it already available?
616
00:42:26,360 --> 00:42:32,280
If this is air after March 7th, it will be available to purchase today.
617
00:42:32,280 --> 00:42:33,480
Okay, perfect.
618
00:42:33,480 --> 00:42:35,820
Now can you tell us about the Siam?
619
00:42:35,820 --> 00:42:36,820
What is it about?
620
00:42:36,820 --> 00:42:41,400
Yeah, so well, this is my returning appearance in Carnegie Hall.
621
00:42:41,400 --> 00:42:43,320
I'm so excited about it.
622
00:42:43,320 --> 00:42:48,920
So if you're in New York or if you need an excuse to come to New York, please use it
623
00:42:48,920 --> 00:42:52,000
as an excuse.
624
00:42:52,000 --> 00:42:57,520
This project is my COVID baby.
625
00:42:57,520 --> 00:43:03,720
It took almost two years to make it into your appearance, first of experience to the public
626
00:43:03,720 --> 00:43:10,960
and she means poetry and um is first part of umak, which means music in Korean.
627
00:43:10,960 --> 00:43:15,320
So my idea started as I wanted to use poetry.
628
00:43:15,320 --> 00:43:21,360
I never tried poetry and I wanted to try the poetry and then when I thought of it, I loved
629
00:43:21,360 --> 00:43:22,360
that idea.
630
00:43:22,360 --> 00:43:24,800
Although I had no idea what is poetry.
631
00:43:24,800 --> 00:43:29,040
English is not even my main language when I was just like tackling this words, you know,
632
00:43:29,040 --> 00:43:32,280
writing a book and courageous moves.
633
00:43:32,280 --> 00:43:39,920
But to me, I always thought music is poetry and poetry is music with, with the words,
634
00:43:39,920 --> 00:43:46,480
you know, that succinct process of editing and editing and editing and practicing and
635
00:43:46,480 --> 00:43:53,200
practicing and practicing making into something that polished delivery is very much some in
636
00:43:53,200 --> 00:43:55,720
line with the class of music.
637
00:43:55,720 --> 00:44:04,120
And so I wanted to pair with the poem per piece and that process was not really easy,
638
00:44:04,120 --> 00:44:09,900
very rocky at first actually because I commissioned entire like 13 pieces in my album or a concert
639
00:44:09,900 --> 00:44:15,160
or one poem, which I'm going to not tell who because I did not like any of it.
640
00:44:15,160 --> 00:44:20,360
What he did and I was really desperate because I thought creating something new would be
641
00:44:20,360 --> 00:44:22,240
the way to go.
642
00:44:22,240 --> 00:44:27,600
But then I was not connected with it that he did and then I was in a very difficult
643
00:44:27,600 --> 00:44:28,600
place.
644
00:44:28,600 --> 00:44:29,600
What now?
645
00:44:29,600 --> 00:44:36,960
You know, um, so then I had to dig deeper and I asked you so many advices and realized
646
00:44:36,960 --> 00:44:39,560
that still I am the messenger.
647
00:44:39,560 --> 00:44:41,660
I am the creator.
648
00:44:41,660 --> 00:44:47,840
So whatever I feel the most strongly match with the piece, that's all we need.
649
00:44:47,840 --> 00:44:53,440
I'm not looking for the greatest poem in the world or in this history.
650
00:44:53,440 --> 00:44:54,960
I'm not looking for that poem.
651
00:44:54,960 --> 00:44:59,320
I'm looking for the poem that reflects the very feeling that I'm trying to convey in
652
00:44:59,320 --> 00:45:01,080
that very piece of music.
653
00:45:01,080 --> 00:45:05,580
It's only I can know very best in my interpretation.
654
00:45:05,580 --> 00:45:10,660
So then I gain a little bit of strength to in the choosing.
655
00:45:10,660 --> 00:45:16,840
So the 13 different poems that I selected are some from the past poet that passed away
656
00:45:16,840 --> 00:45:19,800
or the newly commissioned that which I actually liked.
657
00:45:19,800 --> 00:45:25,140
So each one is a self selected or some poems already existed.
658
00:45:25,140 --> 00:45:27,440
And then I asked for permission.
659
00:45:27,440 --> 00:45:33,920
And then afterwards that I thought, Oh, what if I have created something to hold this music
660
00:45:33,920 --> 00:45:41,120
to hold at home, which was came about very randomly from, from a friend of mine who's
661
00:45:41,120 --> 00:45:46,560
a photographer in his sixties is now in eight late eighties.
662
00:45:46,560 --> 00:45:51,000
And he showed me this box of negatives, you know, black and white film photography and
663
00:45:51,000 --> 00:45:52,000
I was like, what's this?
664
00:45:52,000 --> 00:45:55,460
You know, and it's like almost like a throw away.
665
00:45:55,460 --> 00:45:58,960
And I was looking into it, into the, into the light.
666
00:45:58,960 --> 00:46:03,040
And I was thinking like, Oh my gosh, what is this thing?
667
00:46:03,040 --> 00:46:07,560
All the nature of photography he took, you know, film photography goes so much layers
668
00:46:07,560 --> 00:46:13,640
to you go to dark room and develop from negatives, going to the same spot multiple times to get
669
00:46:13,640 --> 00:46:15,400
that perfect shot.
670
00:46:15,400 --> 00:46:19,160
It's not like digital that you can take thousands and one.
671
00:46:19,160 --> 00:46:23,560
And when I saw his photography, it was so poetic.
672
00:46:23,560 --> 00:46:25,960
Sometimes it's the sunlight reflecting something.
673
00:46:25,960 --> 00:46:30,200
You don't even recognize what that is, but then you make you think.
674
00:46:30,200 --> 00:46:35,600
And that was the place that I'm going to hold this all three elements together.
675
00:46:35,600 --> 00:46:41,800
So in my sheen project on concert and an album, there is one nature, black and white film
676
00:46:41,800 --> 00:46:44,880
photography projected on the screen.
677
00:46:44,880 --> 00:46:51,020
Before I play, I tell about the story or sometimes recite the poem that I selected.
678
00:46:51,020 --> 00:46:56,960
And then out of this project that I created, you know, nowadays people say they don't have
679
00:46:56,960 --> 00:47:00,960
a CD player and in fact, I don't even have a CD player anymore.
680
00:47:00,960 --> 00:47:08,180
So that is like, but as a recording artists, like that's really heart wrenching in reality.
681
00:47:08,180 --> 00:47:13,720
So then I thought I still want to create, but we still want to create a music.
682
00:47:13,720 --> 00:47:20,680
So I created this package, which is the postcards, 13 different postcards match per piece, 13
683
00:47:20,680 --> 00:47:28,640
different poems, and then there's download card of this album and then the backup postcard
684
00:47:28,640 --> 00:47:36,280
that my request or idea of this packaging was that think of someone when you listen
685
00:47:36,280 --> 00:47:42,920
to this music, along with the poetry and photography, write a note to that person on that postcard
686
00:47:42,920 --> 00:47:44,960
and send it to that person.
687
00:47:44,960 --> 00:47:49,620
There's a QR code on the back of postcard and that person can also listen to my album.
688
00:47:49,620 --> 00:47:54,200
So this project starts on my end side, but end on your side.
689
00:47:54,200 --> 00:48:01,760
And that's like the way of interacting with the audience that they may not see me in person.
690
00:48:01,760 --> 00:48:07,960
And I love that idea that again, start from the poetry, so random idea, but then turning
691
00:48:07,960 --> 00:48:15,800
into something beyond imagination and turning into some beautiful thing that I can share.
692
00:48:15,800 --> 00:48:25,160
But on top of all of it, what I wanted to share, maybe that Scalar di Sonata, that maybe
693
00:48:25,160 --> 00:48:31,480
all of that is that I wanted to share that very piece Rachmaninoff a better way.
694
00:48:31,480 --> 00:48:38,200
So I explained all this process, but at the end of it, the music is the reason I did it.
695
00:48:38,200 --> 00:48:45,640
So at Carnegie Hall, you'll be maybe without the photos, but somebody will be reading the
696
00:48:45,640 --> 00:48:46,640
poem.
697
00:48:46,640 --> 00:48:50,080
I am the reading.
698
00:48:50,080 --> 00:48:54,560
In my concert, there's always a signature thing, which is a microphone on stage.
699
00:48:54,560 --> 00:48:59,440
So sometimes people are very uncomfortable because I often don't give out program at
700
00:48:59,440 --> 00:49:03,240
the beginning, but give out at the end when they walk out.
701
00:49:03,240 --> 00:49:06,440
The idea is again, you don't have to know anything.
702
00:49:06,440 --> 00:49:08,720
Let me guide you.
703
00:49:08,720 --> 00:49:09,720
Just let it go.
704
00:49:09,720 --> 00:49:10,720
Let it go.
705
00:49:10,720 --> 00:49:14,200
You want to know the future in 20 minutes from now.
706
00:49:14,200 --> 00:49:15,840
You must be there.
707
00:49:15,840 --> 00:49:23,160
I prepared this one so thoroughly beforehand for you, even from the appetizer to dessert.
708
00:49:23,160 --> 00:49:28,440
So just take me into, take you to the experience.
709
00:49:28,440 --> 00:49:31,000
And so I will recite poem sometimes.
710
00:49:31,000 --> 00:49:36,220
I tell you some story about a piece, but the more importantly, you will get a deeper level
711
00:49:36,220 --> 00:49:42,320
of experience of the very piece that you never heard or you heard a thousand times already.
712
00:49:42,320 --> 00:49:44,480
So that's going to be experienced in Carnegie Hall.
713
00:49:44,480 --> 00:49:49,960
Fortunately, there's not going to be a photography, but I'm on tour of Shium still currently.
714
00:49:49,960 --> 00:49:54,920
And you most more likely if you catch me, you will have that photography.
715
00:49:54,920 --> 00:50:00,320
And if you can catch me, you can always, you know, purchase an album or the postcards and
716
00:50:00,320 --> 00:50:03,120
experience on your own way in your living room.
717
00:50:03,120 --> 00:50:07,940
And I think in April, I forgot the date, but if you come to my website, there's another
718
00:50:07,940 --> 00:50:10,280
concert coming up in Chicago.
719
00:50:10,280 --> 00:50:14,720
So the Shium is coming in Chicago as well.
720
00:50:14,720 --> 00:50:15,720
Wonderful.
721
00:50:15,720 --> 00:50:20,280
Make sure to check out Jiyun's website at jiyunkim.com.
722
00:50:20,280 --> 00:50:21,280
Yeah.
723
00:50:21,280 --> 00:50:25,960
Best way to connect with me is through newsletter.
724
00:50:25,960 --> 00:50:32,280
And so you can sign up on that on my website where I write once maybe two or three weeks
725
00:50:32,280 --> 00:50:36,040
about things that I've learned in that week.
726
00:50:36,040 --> 00:50:43,040
So it's about like ongoing process of communicating with people in a written world, which is the
727
00:50:43,040 --> 00:50:46,760
most fitting for me actually, besides talking.
728
00:50:46,760 --> 00:50:52,400
I mean, today was very much a fitting in my alley.
729
00:50:52,400 --> 00:50:55,800
But I think that would be the closest way to stay connected.
730
00:50:55,800 --> 00:50:59,800
Of course, you can follow me Instagram or YouTube and podcasts and all that.
731
00:50:59,800 --> 00:51:05,440
But I think the most intimate way and direct will be newsletter.
732
00:51:05,440 --> 00:51:06,440
That's great.
733
00:51:06,440 --> 00:51:10,400
So then the tickets for that Carnegie will be available very soon.
734
00:51:10,400 --> 00:51:13,800
I mean, by the time this episode will be released, it's up.
735
00:51:13,800 --> 00:51:18,820
So it's the concert at the Wild Hall Carnegie on June 7th.
736
00:51:18,820 --> 00:51:20,800
And then I hope to be there also.
737
00:51:20,800 --> 00:51:23,040
Yeah, yeah, yeah.
738
00:51:23,040 --> 00:51:29,080
So Jiyun, this has been such a fun and inspirational competition, really.
739
00:51:29,080 --> 00:51:31,300
And I enjoyed it every moment.
740
00:51:31,300 --> 00:51:32,480
So thank you so much.
741
00:51:32,480 --> 00:51:36,080
So before I let you go, we have one more thing to do.
742
00:51:36,080 --> 00:51:38,680
It's called the piano part rapid fire questions.
743
00:51:38,680 --> 00:51:42,840
So this is a part of the show where I get to ask fun questions to each guest.
744
00:51:42,840 --> 00:51:44,860
Now here's a little bit of running.
745
00:51:44,860 --> 00:51:50,520
So as fun and as silly as these questions may sound, your answers may reveal who truly
746
00:51:50,520 --> 00:51:51,520
are.
747
00:51:51,520 --> 00:51:52,520
So are you ready?
748
00:51:52,520 --> 00:51:53,520
Oh, good.
749
00:51:53,520 --> 00:51:54,520
Yeah.
750
00:51:54,520 --> 00:51:56,240
What is your comfort food?
751
00:51:56,240 --> 00:51:57,240
Ramen.
752
00:51:57,240 --> 00:51:58,240
Mm hmm.
753
00:51:58,240 --> 00:51:59,240
Yes.
754
00:51:59,240 --> 00:52:00,920
How do you like your coffee?
755
00:52:00,920 --> 00:52:02,720
Oh, I like matcha.
756
00:52:02,720 --> 00:52:04,120
Oh yes.
757
00:52:04,120 --> 00:52:05,120
That's great.
758
00:52:05,120 --> 00:52:07,600
Now, cats or dogs?
759
00:52:07,600 --> 00:52:10,400
Oh, tricky.
760
00:52:10,400 --> 00:52:12,680
I'm always cat person at heart.
761
00:52:12,680 --> 00:52:13,680
Okay.
762
00:52:13,680 --> 00:52:15,640
But I love dogs too.
763
00:52:15,640 --> 00:52:18,920
What is your word or words to live by?
764
00:52:18,920 --> 00:52:19,960
Peace.
765
00:52:19,960 --> 00:52:24,320
What is the most important quality you look for in other people?
766
00:52:24,320 --> 00:52:25,760
Honesty.
767
00:52:25,760 --> 00:52:30,200
Name three people who inspire you, living or dead.
768
00:52:30,200 --> 00:52:31,920
All the people you may not know.
769
00:52:31,920 --> 00:52:37,000
Well, my teacher, Ray Gunn-Eriki from Indiana University.
770
00:52:37,000 --> 00:52:40,960
David Bremer was my mentor who passed away.
771
00:52:40,960 --> 00:52:43,720
I think it's my mom.
772
00:52:43,720 --> 00:52:44,760
Beautiful.
773
00:52:44,760 --> 00:52:48,000
So name one piece in your current playlist.
774
00:52:48,000 --> 00:52:55,880
Oh, I listened to yesterday, our Ensky Piano Trio and I couldn't get enough of it.
775
00:52:55,880 --> 00:53:01,560
I think it's a third movement scherzo, you know, I love that.
776
00:53:01,560 --> 00:53:04,240
Now the last one, fill in the blank.
777
00:53:04,240 --> 00:53:06,440
Music is blank.
778
00:53:06,440 --> 00:53:08,040
Gift from God.
779
00:53:08,040 --> 00:53:09,040
Beautiful.
780
00:53:09,040 --> 00:53:10,040
Ding ding.
781
00:53:10,040 --> 00:53:11,040
That's it.
782
00:53:11,040 --> 00:53:12,040
You won.
783
00:53:12,040 --> 00:53:13,040
Thank you.
784
00:53:13,040 --> 00:53:14,600
Thank you so much.
785
00:53:14,600 --> 00:53:17,240
So this concludes this episode of the Piano Fall.
786
00:53:17,240 --> 00:53:22,280
Thank you, Ji-Yoon, for joining my show today and then sharing your stories, insights, expertise.
787
00:53:22,280 --> 00:53:27,120
And you can find more information about Ji-Yoon's work through her website at jiunkim.com.
788
00:53:27,120 --> 00:53:31,560
And please check out her YouTube channel at Ji-Yoon Kim Pianist.
789
00:53:31,560 --> 00:53:34,200
And thank you to my wonderful audience and fans for tuning in.
790
00:53:34,200 --> 00:53:39,320
If you enjoyed today's episode, please rate and review it on whatever podcasting platform
791
00:53:39,320 --> 00:53:40,320
you use.
792
00:53:40,320 --> 00:53:44,280
And if you're watching us on YouTube, remember to hit the thumbs up button and subscribe
793
00:53:44,280 --> 00:53:45,320
to my channel.
794
00:53:45,320 --> 00:53:48,760
You can also find my show on Facebook, Twitter, Instagram and LinkedIn.
795
00:53:48,760 --> 00:53:51,120
The links are listed in the show notes.
796
00:53:51,120 --> 00:53:53,600
I will see you for the next episode of the Piano Fall.
797
00:53:53,600 --> 00:53:55,880
Bye everyone and thank you, Ji-Yoon.
798
00:53:55,880 --> 00:53:56,880
Thank you.
799
00:53:56,880 --> 00:53:57,880
Thank you.
800
00:53:57,880 --> 00:54:21,880
Thank you.