1
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I'm an artist who doesn't tick any boxes.
2
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I don't fit neatly into a style or an expectation.
3
00:00:10,000 --> 00:00:21,000
I'm very multi-faceted and my background, my education, my training and now my work
4
00:00:21,000 --> 00:00:26,000
gives this multi-diverse approach.
5
00:00:26,000 --> 00:00:32,000
And I think that as my artistry has been growing and changing and I've been
6
00:00:32,000 --> 00:00:37,000
maturing as a pianist, I'm starting to realise that it's being yourself and being
7
00:00:37,000 --> 00:00:40,000
authentic is what makes you an artist.
8
00:00:40,000 --> 00:00:45,000
Join us for an exciting episode, Blurred Boundaries Classical Meets Jazz, featuring
9
00:00:45,000 --> 00:00:50,000
Ophelia Gordon, concert pianist, recording artist and one of the world's leading
10
00:00:50,000 --> 00:00:52,000
interpreters of Nikolai Kapustin.
11
00:00:52,000 --> 00:00:57,000
Ophelia shares how Kapustin's genre-defying music helped her find her artistic
12
00:00:57,000 --> 00:01:01,000
identity, blending classical precision with jazz freedom.
13
00:01:01,000 --> 00:01:06,000
It can take a long time to figure out who you are and then when you start realising
14
00:01:06,000 --> 00:01:10,000
that you're not meant to be another person, you're not meant to be another type
15
00:01:10,000 --> 00:01:17,000
of musician, and we will only grow as an individual if we embrace ourselves.
16
00:01:17,000 --> 00:01:24,000
And I think it's that distinction between kind of doing what's expected and then
17
00:01:24,000 --> 00:01:30,000
actually playing really what connects to you and just going with that.
18
00:01:30,000 --> 00:01:35,000
And as soon as I started almost like rebelling in some way and not playing the
19
00:01:35,000 --> 00:01:40,000
repertoire that everyone was expecting me to play, my performing was improving
20
00:01:40,000 --> 00:01:45,000
because I felt this is really what I should be doing, and especially with Kapustin
21
00:01:45,000 --> 00:01:50,000
because it speaks to me and it speaks to my education as well.
22
00:01:50,000 --> 00:01:55,000
It's made me feel very at home.
23
00:01:55,000 --> 00:02:01,000
We also explore improvisation in classical music, the influence of jazz and the
24
00:02:01,000 --> 00:02:05,000
making of her upcoming album, Between the Lines.
25
00:02:05,000 --> 00:02:10,000
Kapustin doesn't fit into a box either, and I think that must be what drew me to
26
00:02:10,000 --> 00:02:16,000
him, and I'm hoping with Kapustin that I'm able to show my journey through the
27
00:02:16,000 --> 00:02:22,000
album because I'm not playing his music purely because I like it.
28
00:02:22,000 --> 00:02:27,000
It's for a very different reason, and I think the album has come exactly at the
29
00:02:27,000 --> 00:02:33,000
right time in my life, and it's an album about a journey.
30
00:02:33,000 --> 00:02:38,000
Tune in Tuesday, February 25th at 8pm Eastern Time on YouTube and all major
31
00:02:38,000 --> 00:02:40,000
podcast platforms.
32
00:02:40,000 --> 00:02:44,000
Substack subscribers get early access one day before the official release.
33
00:02:44,000 --> 00:03:13,000
Don't miss this inspiring conversation on music, artistry, and breaking boundaries.
00:00:00,000 --> 00:00:05,000
I'm an artist who doesn't tick any boxes.
2
00:00:05,000 --> 00:00:10,000
I don't fit neatly into a style or an expectation.
3
00:00:10,000 --> 00:00:21,000
I'm very multi-faceted and my background, my education, my training and now my work
4
00:00:21,000 --> 00:00:26,000
gives this multi-diverse approach.
5
00:00:26,000 --> 00:00:32,000
And I think that as my artistry has been growing and changing and I've been
6
00:00:32,000 --> 00:00:37,000
maturing as a pianist, I'm starting to realise that it's being yourself and being
7
00:00:37,000 --> 00:00:40,000
authentic is what makes you an artist.
8
00:00:40,000 --> 00:00:45,000
Join us for an exciting episode, Blurred Boundaries Classical Meets Jazz, featuring
9
00:00:45,000 --> 00:00:50,000
Ophelia Gordon, concert pianist, recording artist and one of the world's leading
10
00:00:50,000 --> 00:00:52,000
interpreters of Nikolai Kapustin.
11
00:00:52,000 --> 00:00:57,000
Ophelia shares how Kapustin's genre-defying music helped her find her artistic
12
00:00:57,000 --> 00:01:01,000
identity, blending classical precision with jazz freedom.
13
00:01:01,000 --> 00:01:06,000
It can take a long time to figure out who you are and then when you start realising
14
00:01:06,000 --> 00:01:10,000
that you're not meant to be another person, you're not meant to be another type
15
00:01:10,000 --> 00:01:17,000
of musician, and we will only grow as an individual if we embrace ourselves.
16
00:01:17,000 --> 00:01:24,000
And I think it's that distinction between kind of doing what's expected and then
17
00:01:24,000 --> 00:01:30,000
actually playing really what connects to you and just going with that.
18
00:01:30,000 --> 00:01:35,000
And as soon as I started almost like rebelling in some way and not playing the
19
00:01:35,000 --> 00:01:40,000
repertoire that everyone was expecting me to play, my performing was improving
20
00:01:40,000 --> 00:01:45,000
because I felt this is really what I should be doing, and especially with Kapustin
21
00:01:45,000 --> 00:01:50,000
because it speaks to me and it speaks to my education as well.
22
00:01:50,000 --> 00:01:55,000
It's made me feel very at home.
23
00:01:55,000 --> 00:02:01,000
We also explore improvisation in classical music, the influence of jazz and the
24
00:02:01,000 --> 00:02:05,000
making of her upcoming album, Between the Lines.
25
00:02:05,000 --> 00:02:10,000
Kapustin doesn't fit into a box either, and I think that must be what drew me to
26
00:02:10,000 --> 00:02:16,000
him, and I'm hoping with Kapustin that I'm able to show my journey through the
27
00:02:16,000 --> 00:02:22,000
album because I'm not playing his music purely because I like it.
28
00:02:22,000 --> 00:02:27,000
It's for a very different reason, and I think the album has come exactly at the
29
00:02:27,000 --> 00:02:33,000
right time in my life, and it's an album about a journey.
30
00:02:33,000 --> 00:02:38,000
Tune in Tuesday, February 25th at 8pm Eastern Time on YouTube and all major
31
00:02:38,000 --> 00:02:40,000
podcast platforms.
32
00:02:40,000 --> 00:02:44,000
Substack subscribers get early access one day before the official release.
33
00:02:44,000 --> 00:03:13,000
Don't miss this inspiring conversation on music, artistry, and breaking boundaries.
