1
00:00:00,000 --> 00:00:07,320
Franz Liszt is really my favorite. Just the sheer amount of works that you can explore
2
00:00:07,320 --> 00:00:13,420
and the amount of different styles that all of those compositions encompass. You can also
3
00:00:13,420 --> 00:00:18,060
look at his transcriptions. I mean, Liszt transcribed stuff from Bach, Prelude and Fugue
4
00:00:18,060 --> 00:00:25,040
for organ to completely free fantasies on Bach works to things that are like multi-stylistic,
5
00:00:25,040 --> 00:00:30,240
like this Handel transcription, things based on popular tunes, like a ridiculous amount
6
00:00:30,240 --> 00:00:36,360
of variety, really experimental works. So with Franz Liszt, you're just never going to run
7
00:00:36,360 --> 00:00:42,480
out of repertoire ideas. At some point, you have to really think, how do I want to play
8
00:00:42,480 --> 00:00:48,520
this composition? Or, you know, what do I want to play? And why am I picking it? At
9
00:00:48,520 --> 00:00:55,000
least I think when you get to the point where you can play what you want and how you want
10
00:00:55,000 --> 00:01:02,040
to play, I think that's already a win. Early training is based on restriction, what not
11
00:01:02,040 --> 00:01:07,920
to do. And you also learn by imitation. That's a very good thing up to a certain point. When
12
00:01:07,920 --> 00:01:13,760
you're finally given a completely free pass to do whatever you want, what are you going
13
00:01:13,760 --> 00:01:19,640
to do? That's an interesting, when you get to that point, that's pretty interesting.
14
00:01:19,640 --> 00:01:23,940
What are you going to pick? How are you going to play it? And why?
15
00:01:23,940 --> 00:01:31,840
You know, with the accessibility in technology, and you'll be able to do if you are willing
16
00:01:31,840 --> 00:01:36,960
to do this, take this path, no? Yes, absolutely. You have to, you have to be completely behind
17
00:01:36,960 --> 00:01:41,560
it and then you can't back down. Once you go for it, you go for it. You know something?
18
00:01:41,560 --> 00:01:46,800
When I started investing my own money into this, I started playing better. Really, it's
19
00:01:46,800 --> 00:01:51,240
like a really bad thing to say. But it's like, no, when your own money is on line, you are
20
00:01:51,240 --> 00:01:58,080
absolutely going to prepare to your best ability. So you can create your pathway. It's so awesome.
21
00:01:58,080 --> 00:02:03,280
Tune in tomorrow night, Tuesday, September 5th at 8pm Eastern on the Piano Pods YouTube
22
00:02:03,280 --> 00:02:09,560
channel for an enthralling chat with Dr. Michael Kacov, a renowned concert pianist, recording
23
00:02:09,560 --> 00:02:15,720
artist and educator. The audio episode will be divided into two segments, with part one
24
00:02:15,720 --> 00:02:21,400
launching simultaneously on your preferred podcast platform during the video premiere.
25
00:02:21,400 --> 00:02:28,040
Make sure to hit subscribe or follow the Piano Pod. Find all the necessary links in the description.
26
00:02:28,040 --> 00:02:46,440
Catch you this Tuesday.
00:00:00,000 --> 00:00:07,320
Franz Liszt is really my favorite. Just the sheer amount of works that you can explore
2
00:00:07,320 --> 00:00:13,420
and the amount of different styles that all of those compositions encompass. You can also
3
00:00:13,420 --> 00:00:18,060
look at his transcriptions. I mean, Liszt transcribed stuff from Bach, Prelude and Fugue
4
00:00:18,060 --> 00:00:25,040
for organ to completely free fantasies on Bach works to things that are like multi-stylistic,
5
00:00:25,040 --> 00:00:30,240
like this Handel transcription, things based on popular tunes, like a ridiculous amount
6
00:00:30,240 --> 00:00:36,360
of variety, really experimental works. So with Franz Liszt, you're just never going to run
7
00:00:36,360 --> 00:00:42,480
out of repertoire ideas. At some point, you have to really think, how do I want to play
8
00:00:42,480 --> 00:00:48,520
this composition? Or, you know, what do I want to play? And why am I picking it? At
9
00:00:48,520 --> 00:00:55,000
least I think when you get to the point where you can play what you want and how you want
10
00:00:55,000 --> 00:01:02,040
to play, I think that's already a win. Early training is based on restriction, what not
11
00:01:02,040 --> 00:01:07,920
to do. And you also learn by imitation. That's a very good thing up to a certain point. When
12
00:01:07,920 --> 00:01:13,760
you're finally given a completely free pass to do whatever you want, what are you going
13
00:01:13,760 --> 00:01:19,640
to do? That's an interesting, when you get to that point, that's pretty interesting.
14
00:01:19,640 --> 00:01:23,940
What are you going to pick? How are you going to play it? And why?
15
00:01:23,940 --> 00:01:31,840
You know, with the accessibility in technology, and you'll be able to do if you are willing
16
00:01:31,840 --> 00:01:36,960
to do this, take this path, no? Yes, absolutely. You have to, you have to be completely behind
17
00:01:36,960 --> 00:01:41,560
it and then you can't back down. Once you go for it, you go for it. You know something?
18
00:01:41,560 --> 00:01:46,800
When I started investing my own money into this, I started playing better. Really, it's
19
00:01:46,800 --> 00:01:51,240
like a really bad thing to say. But it's like, no, when your own money is on line, you are
20
00:01:51,240 --> 00:01:58,080
absolutely going to prepare to your best ability. So you can create your pathway. It's so awesome.
21
00:01:58,080 --> 00:02:03,280
Tune in tomorrow night, Tuesday, September 5th at 8pm Eastern on the Piano Pods YouTube
22
00:02:03,280 --> 00:02:09,560
channel for an enthralling chat with Dr. Michael Kacov, a renowned concert pianist, recording
23
00:02:09,560 --> 00:02:15,720
artist and educator. The audio episode will be divided into two segments, with part one
24
00:02:15,720 --> 00:02:21,400
launching simultaneously on your preferred podcast platform during the video premiere.
25
00:02:21,400 --> 00:02:28,040
Make sure to hit subscribe or follow the Piano Pod. Find all the necessary links in the description.
26
00:02:28,040 --> 00:02:46,440
Catch you this Tuesday.
