Lights Out - "The Revenge of India" (Old Time Radio, 1946)

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In India, Major Treveson learns that his brother Basil has
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been murdered, and Chicago gangster Monk Peroni is believed responsible.
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With his devoted servant Jeersing at his side, Treveson follows
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police leads through a South State street bar and toward
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Peroni's inner circle, where an uncanny connection between India and
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Chicago enters the case. The route also includes a Rogers
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Park apartment used by the gangsters. From NBC's 1946 summer revival,
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this is episode five of Lights Out, The Revenge of India,
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heard August 3rd, 1946, written by series creator Willis Cooper
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and directed by Albert Cruz. Wilms Herbert is featured, with
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Roy Engle in the cast. And now, we return to
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the original broadcast.
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Broadcasting Company presents Lights Out. A summer revival of some
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of the best.
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Stories in the series, which many of our listeners will remember.
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Tonight's story, the fifth in the current series, is called
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The Revenge of India.
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Lights Out. Everybody.
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This is The Witching Hour.
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The Witching Hour.
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It is the hour when dogs howl and evil is
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let loose on a sleeping world. Sit in the dark
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now and listen to Lights Out.
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Lights Out. I assure you, it's not a lot of torch, Bryce.
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When you've been in India as long as I have.
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Yes, quite, sir.
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But I've yet to see anything supernatural, you know. You
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stay here long enough and you'll see a jolly lot
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of it. Oh, come now, sir.
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I've read Kipling and Talbot Monday, you know, sir.
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Now, all I can say is they've.
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A fine imagination, each of them. But things, all this
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magic stuff and so on, they don't happen, really. You
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must meet Trevison sometime, Bryce. I should like to.
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Now, where the devil did.
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You come from? I'll have that pantry.
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Who now? Into you, beggar.
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In the name of Allah, Sahib.
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You can't come in here, you know, old man. This
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is the place of the commissioner, Sahib.
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Oh, in that case, Colonel Henderson, do you mind if
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I take off this stuff?
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What?
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Please, dear heart.
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What?
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Trevison! Leslie, by gad, man.
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Hope I didn't give you too much of a start, sir.
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I say, are you Trevison? Right.
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I'm dreadfully sorry, sir.
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I didn't realize it.
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I'm going to D.C. I know.
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How do you do?
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I say.
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Well, sit down, old chap.
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Chirrut?
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Cigarette.
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Thanks. Cigarette would be good. I haven't tasted tobacco for
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a long time.
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Like Mitra?
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Ah.
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God, that tastes good. Right you are.
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Well, needn't worry any more about Ismail Khan, sir.
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Really? No.
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He unfortunately met death a week ago. A Martini Henry
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slug right between his eyes. Basically missed too, if you
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ask me.
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And where did you get a Martini Henry, Leslie?
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Oh, the beggar man that shot Ismail Khan took it
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away from a patent gentleman he met one night up
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in the hills, you know.
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Did you shoot Ismail Khan, Major Traverson?
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I thought I said a certain beggar man shot him, Mr. Bryce.
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Oh, yes.
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So.
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As I was saying, I'm sorry to have barged in
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on you, as I did to complete with musical comedy
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costume and all. But there are chaps lurking about that
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would be delighted to snaffle Travis and you know.
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I'm sorry, sir, but just how did you get in here?
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There are two sentries to pass.
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They didn't see me, Mr.
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Bryce.
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They didn't... Oh, but I say, they're both sepoys out
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of that place.
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Be true now. So... Mr. Bryce.
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Major Traverson has said that they did not see him.
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I think it would be a good idea if you
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took his word for it.
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But it's impossible. Would you forgive me, sir?
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There's a scorpion alongside your foot, Mr. Bryce.
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What?
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Oh, the devil.
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Beastly thing.
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Now, how could a scorpion?
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Have a look at what you've trod on, Mr.
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Bryce.
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Dad, my... my watch. Why, where did the scorpion go?
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You must be more careful in mistaking your watch for
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a scorpion. Bad mistake, you know.
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But I say, I saw a scorpion. I saw the
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ruddy thing. Quite, Mr. Bryce. And the sentries did not
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see Major Pleverson.
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Well, right, man.
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Pop along. There's a good chat, Bryce. Pleverson and I
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have things to discuss. Yes, sir.
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Perhaps it isn't all tough, sir, is that?
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A rum chap.
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Just out, you know.
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Got a lot to learn. Yes, quite. So, Ismail Khan
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has gone to his reward.
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If any, yes. And now, sir, I should like to
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apply for a month's leave.
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Delighted, Leslie.
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You've earned it, if any man has.
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Going to do some shooting? Perhaps, sir.
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It's on account of that cablegram you've got lying around
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your desk.
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Cable grab. Cable grab. I'd forgotten about it. It came
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for you this morning.
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Here. No need to open it, sir. I know what's
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in it.
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You know? Oh.
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Well.
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It's about Basil, my brother. Oh, but my dear boy,
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how could you? He's dead, Colonel Henderson. And I've got
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to go to America to see certain people about it,
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you know.
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Thou art my father and my mother, sahib. I welcome
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thee home. How do you think?
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Good to see you.
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I have made ready a whiskey soda of great strength.
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Good man. And was the hunting good, sahib?
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If Mir Khan lies dead.
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May jackals rend his body and affreed his soul. How
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died he, sahib?
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By a Martina Henry slug between the eyes, do you think?
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And thy hand sped the bullets, sahib?
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The slightly unclean hand of Ali the Beggarman sped the bullet,
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my friend.
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But it's not called upon me, Sahib.
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There was no need, Joe Singh.
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In my youth, I knew this Ismail Khan. He was
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a man of many witnesses. Now he has gone away.
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The good Sahib. Will Sahib have his bath now?
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Yes, a bath and fresh linen, and then?
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Got a pack. The bath is ready. Good.
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Bring another whiskey soda in, too, Joseph.
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It is already awaiting thee, Sahib.
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Right.
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Well, shove these rags into the dustbin, will you, then?
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Aye, my master. Ah, fresh water. I will dress thy hair, Sahib,
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when the bath is done. And shave thee also.
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It is not fitting that Trevison of the police shall
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wear a beard like unto a sickle.
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Now, I should be glad if I rated it, Joe Singh,
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but being British.
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Being British, there are certain things, Sahib, that may not
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be done.
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Did this Sahib say we are to go away from
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this place?
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I am going away, Joe Singh, yes.
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And I, thy servant?
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You are to stay here.
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I hear and obey.
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But hast thou taken thought that I am useful as
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a gun-bearer, Sahib, for the shooting?
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Yes.
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But there's to be no shooting, you see, do you think?
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It is perhaps hidden from thy servant, then.
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You knew about my brother?
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I did not wish to speak, Sahib.
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You knew, though?
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It was not hidden from me, Sahib.
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They crushed his head, my friend.
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It was revealed to me, and I took thought how
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to avenge the brother of my master. If so be,
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my master return not from the hill.
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Good man, do you think?
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I have learned the manner of using the kukri, the
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curved razor knife of Johnny Gurkha, Sahib.
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Nay, it is not so written. It is my blood feud,
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and I must go.
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Sahib goes away to America?
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Aye, to America. Hand me the tower of your thing,
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will you?
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Here it is, Master. Thy bags are already packed, Sahib. Eh?
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For I took thought to myself, Sahib, how the woods
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do when the news was given unto thee.
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And I said, the Sahib will do thus and so.
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And so the bags are packed. Good.
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That's better than I hoped. I'm leaving tonight.
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And I go not with thee.
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No.
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No, it's a job for me, and I'm afraid you'll
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be recognized, dear Singh.
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But... Your robe, Master. Oh, thank you.
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If Master have need of, dear Singh, he has but
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to speak the word.
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Quite.
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Then go and do thus for me.
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I will go by airplane to Baghdad and on to London,
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then a swift ship to New York, an airplane to Chicago.
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And there? There. Thou wilt not take me, Sahib. No offense.
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I think this is a job for me alone. In
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my youth, Sahib Azrizalda of Lancers.
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No, no, Jersing.
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You go and arrange the bookings for me, and if
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I need you, I'll let you know. Now, my address
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will be in care of my friend Norman Gregg in Chicago.
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You could cable me. I must forget my master.
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Is not thought swifter than the cable?
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But surely, Captain, you have some idea where I might
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find this Monk Peroni?
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Unfortunately, Major Trevisan, we haven't. You do know of him, though,
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don't you?
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Yes.
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We'd like to know more.
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We're reasonably sure he's either behind or took part in
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at least three gang killings in.
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The last three years.
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But you lack proof.
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Is that it? It isn't always easy.
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I see. And what I've told you wouldn't be considered
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legal evidence.
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I'm afraid not, Major Trevisan. You won't mind my saying it,
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I know.
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Frankly, it seems a little fantastic to me that you
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in India could know exactly who murdered your brother when
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we right here on the ground haven't.
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A trace of the evidence. I know, Captain.
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The police are confined to more orthodox methods. But could
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you even give me a lead as to where I
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might find some of these men?
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Well, some of them used to hang around Mike's bar
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down on South State Street.
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Do you know where that is? Yes, I'll have the
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man at the desk outside give you the address.
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Good.
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I might visit the place. Perhaps if I went down
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there and made a pretense of drinking just a bit
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too much, I might be able to flush out something.
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I warn you. Please be careful, Major Clever.
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Don't worry about me. Monk Peroni is a gentleman who
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needs to do a little worrying. Oh, is that so?
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Just lead me to this Monk Peroni.
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Just lead me to him is all I ask.
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I think you've got about enough to drink there, buddy.
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I haven't either. Give me more whiskey.
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Whiskey!
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I'm going to find this Monk Peroni and knock him down.
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It wouldn't come so free and easy if I was you, buddy. Quiet!
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Give me more whiskey.
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This Monk Peroni did my brother in. I'll find him and...
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More whiskey.
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Listen.
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00:13:00.879 --> 00:13:04.659
Do you know where I can find Monteroni? I'll find
257
00:13:04.700 --> 00:13:06.340
him and knock his head right off his shoulder.
258
00:13:06.980 --> 00:13:08.539
Yes, boss. Yes, now.
259
00:13:10.879 --> 00:13:14.500
Yeah. Yeah, that's the guy. You can hear him a
260
00:13:14.519 --> 00:13:15.179
mile off.
261
00:13:15.200 --> 00:13:16.200
Who's the Englishman, huh?
262
00:13:16.440 --> 00:13:19.639
Yeah. You remember that young English guy that was kind
263
00:13:19.700 --> 00:13:21.929
of slumming down here a couple, three weeks ago and...
264
00:13:22.470 --> 00:13:24.809
You mean a crack when Monk poked Lucille.
265
00:13:24.450 --> 00:13:27.289
In the snoot? A young English guy. Yeah.
266
00:13:27.950 --> 00:13:29.889
Monk took a swipe at him with a brass knock
267
00:13:29.950 --> 00:13:30.809
and caved in his.
268
00:13:30.750 --> 00:13:35.000
Head till he croaked. Yeah, I, I, I remember. You oughta.
269
00:13:35.649 --> 00:13:37.419
He had a lot of bucks on him, and Monk
270
00:13:37.460 --> 00:13:39.399
went and split up the bucks with all of them.
271
00:13:39.419 --> 00:13:40.860
Oh, yeah, yeah, I remember.
272
00:13:40.940 --> 00:13:42.139
An Englishman, yeah.
273
00:13:42.960 --> 00:13:45.259
Well, this land here is brother, see? And he's come
274
00:13:45.299 --> 00:13:47.960
over here from dear old London to make.
275
00:13:47.779 --> 00:13:51.429
It out, come out even, see? So he talks too much, see?
276
00:13:51.929 --> 00:13:53.730
And that's why Muck's had you down here to give
277
00:13:53.750 --> 00:13:55.529
me a lift with him. But are we going to
278
00:13:55.549 --> 00:13:57.039
do bump him? No.
279
00:13:57.879 --> 00:14:00.419
I think Muck's going to give him a talking to
280
00:14:00.480 --> 00:14:02.460
or something and then set him down on the running
281
00:14:02.500 --> 00:14:04.759
board of the car and stretch.
282
00:14:04.360 --> 00:14:05.139
His legs out.
283
00:14:05.600 --> 00:14:06.740
Stretch his legs out?
284
00:14:07.259 --> 00:14:07.860
For four.
285
00:14:08.279 --> 00:14:10.820
And I'll use the crowbar on him, above and below
286
00:14:10.860 --> 00:14:11.600
the knee, see?
287
00:14:11.759 --> 00:14:12.000
There.
288
00:14:12.320 --> 00:14:14.840
And we leave him there to think it over. With
289
00:14:14.860 --> 00:14:19.690
maybe a busted jaw. So he won't go around howling
290
00:14:19.750 --> 00:14:20.789
out Monk's name so.
291
00:14:20.669 --> 00:14:23.710
Much, see? Oh, yeah, I get it.
292
00:14:24.169 --> 00:14:26.289
Hey, listen.
293
00:14:26.370 --> 00:14:27.330
He's talking again.
294
00:14:27.350 --> 00:14:29.970
Yeah, shall I go slap him down? No, no, just
295
00:14:30.169 --> 00:14:33.649
take it easy. Come on, we'll ankle over there by him. Yeah,
296
00:14:33.669 --> 00:14:35.509
and then I'll bust him. You don't do nothing till
297
00:14:35.580 --> 00:14:36.299
I tell you, see?
298
00:14:36.419 --> 00:14:38.120
Oh, yeah. All right.
299
00:14:38.779 --> 00:14:43.299
Come on, let's go. That's what he is. Roll down
300
00:14:43.360 --> 00:14:46.990
your cowls. Runs like a yellow dog, that's what he does.
301
00:14:47.250 --> 00:14:48.090
Hey, look, bud. Yes?
302
00:14:48.769 --> 00:14:51.460
It ain't healthy to keep cracking about the monk around
303
00:14:51.500 --> 00:14:54.220
this here place, and you've been doing it a long
304
00:14:54.320 --> 00:14:54.919
time now.
305
00:14:54.940 --> 00:14:57.120
Who are you?
306
00:14:57.879 --> 00:15:00.039
Just a guy that don't want to see you making
307
00:15:00.100 --> 00:15:00.620
a sap of.
308
00:15:00.580 --> 00:15:01.299
Yourself, see?
309
00:15:02.059 --> 00:15:05.730
You know Monk Peroni? He killed my brother. Listen, bud.
310
00:15:06.350 --> 00:15:07.950
Come on in the back room with me a minute,
311
00:15:08.009 --> 00:15:11.309
and I'll tell you something. What do you want to
312
00:15:11.330 --> 00:15:15.139
tell me? Come on, and I'll tell you. Too crowded
313
00:15:15.220 --> 00:15:19.100
out here, see? About Monk Peroni? Yeah, about Monk Peroni.
314
00:15:19.720 --> 00:15:20.019
Come on.
315
00:15:20.580 --> 00:15:21.639
Here, Mike, take all this down.
316
00:15:21.679 --> 00:15:23.070
Yes, sir. Come on, bud.
317
00:15:24.389 --> 00:15:27.669
Do you know any mister? You know this crowd, Monk Peroni?
318
00:15:27.730 --> 00:15:28.549
Open the door, Mike.
319
00:15:29.190 --> 00:15:29.769
Sure.
320
00:15:30.070 --> 00:15:31.330
Sure, I know one, boy.
321
00:15:32.190 --> 00:15:32.950
All right, one, boy.
322
00:15:47.710 --> 00:15:50.389
Hey, can I drag him in, Dotto? Yeah, hurry up.
323
00:15:50.409 --> 00:15:50.690
Yeah.
324
00:15:51.830 --> 00:15:55.889
He's from there on the Davenport.
325
00:15:55.970 --> 00:15:57.250
Hey, he's heavier than I thought.
326
00:15:57.269 --> 00:15:58.879
Yeah, he's too many to take over.
327
00:15:58.919 --> 00:16:03.360
Yeah, I think so. Hey, there he.
328
00:16:04.919 --> 00:16:05.139
Is.
329
00:16:05.419 --> 00:16:06.100
Now, what do we do?
330
00:16:06.679 --> 00:16:07.120
Sit down.
331
00:16:07.679 --> 00:16:08.720
Monk will be here pretty soon.
332
00:16:08.840 --> 00:16:09.970
Hey, we got to stay here.
333
00:16:10.000 --> 00:16:12.389
We got to stay here, yeah. Yeah, why don't we
334
00:16:12.409 --> 00:16:14.470
give him the books now and we won't have to wait.
335
00:16:14.809 --> 00:16:18.259
Monk said to wait. See if there's anything to drink in.
336
00:16:18.200 --> 00:16:25.139
That cupboard there. Okay, wait. Yeah, yeah, here's a bottle.
337
00:16:25.419 --> 00:16:26.220
Now bring it here.
338
00:16:26.240 --> 00:16:28.980
Okay. Hey, there ain't much in it.
339
00:16:29.139 --> 00:16:29.879
It'll be all right.
340
00:16:29.919 --> 00:16:32.710
Give me. Say, now, wait. Give me some.
341
00:16:33.639 --> 00:16:34.970
After me comes you.
342
00:16:36.330 --> 00:16:36.590
Here.
343
00:16:36.659 --> 00:16:36.970
Here.
344
00:16:37.009 --> 00:16:37.610
Thanks, Shutter.
345
00:16:37.889 --> 00:16:44.269
Don't mention it. Hey. Are you sure you didn't bust
346
00:16:44.289 --> 00:16:49.100
this gimmick's skull? Sure, I just hit him. He ain't
347
00:16:49.220 --> 00:16:50.200
breathing very tight.
348
00:16:50.240 --> 00:16:51.179
Ah, he'll be all right.
349
00:16:51.960 --> 00:16:53.080
I sure hope so.
350
00:16:53.519 --> 00:16:55.700
For your sake. He'll be all right.
351
00:16:56.100 --> 00:16:57.620
Hey. Who's that?
352
00:16:57.740 --> 00:17:00.769
Shut up, I'll... Ah, who is it?
353
00:17:00.820 --> 00:17:03.220
Is that you, Sonoff? No, it's the fish.
354
00:17:03.320 --> 00:17:03.919
Open the door.
355
00:17:03.940 --> 00:17:05.059
Yeah.
356
00:17:05.099 --> 00:17:05.480
Oh, yeah.
357
00:17:05.579 --> 00:17:07.569
Have you got that English in here, Sonoff? What do
358
00:17:07.609 --> 00:17:09.369
you think we was up here for? Well, the boss
359
00:17:09.400 --> 00:17:11.970
wants to see him. Where is he, downstairs? No, he
360
00:17:11.990 --> 00:17:13.950
says to bring him to the place out in Rogers Park.
361
00:17:14.190 --> 00:17:15.049
No kidding.
362
00:17:15.740 --> 00:17:18.960
Oh, listen, I should spend my time kidding you? Come on,
363
00:17:18.980 --> 00:17:19.900
he said be there by 11.
364
00:17:19.900 --> 00:17:22.259
What am I supposed to do, carry him on my hump?
365
00:17:22.539 --> 00:17:24.779
No, I got a car downstairs. Oh.
366
00:17:25.700 --> 00:17:28.660
Well, pick up the limey, Mike. Listen, all I do
367
00:17:28.740 --> 00:17:30.420
is carry guys around. Pick him up and shut up
368
00:17:30.440 --> 00:17:31.660
or I'll bend your noggin for you.
369
00:17:32.200 --> 00:17:32.720
All right.
370
00:17:34.559 --> 00:17:38.680
You ain't supposed to see nothing. Where's the heap, Fish?
371
00:17:39.059 --> 00:17:40.319
They're outside. Come on.
372
00:17:40.579 --> 00:17:41.079
Come on, Mike.
373
00:17:41.099 --> 00:17:41.299
Yeah.
374
00:17:45.109 --> 00:17:48.130
Yeah, this was a pipe, Fish. He's lit up like
375
00:17:48.170 --> 00:17:50.470
a new saloon, and I give Mike the office, and.
376
00:17:51.650 --> 00:17:52.269
It's all over.
377
00:17:52.670 --> 00:17:57.470
Well, come on, let's get going. You got a nice
378
00:17:57.549 --> 00:17:58.730
car that time, Fish.
379
00:17:59.190 --> 00:18:00.589
Yeah, it's all right, ain't it?
380
00:18:00.710 --> 00:18:02.950
Yeah, put him in the back. Yeah, and hurry up.
381
00:18:02.990 --> 00:18:04.170
Somebody open the door.
382
00:18:04.230 --> 00:18:04.710
All right.
383
00:18:05.319 --> 00:18:06.019
Yeah, get a boy.
384
00:18:06.099 --> 00:18:06.680
Okay.
385
00:18:11.420 --> 00:18:12.119
Is he all right?
386
00:18:12.579 --> 00:18:13.339
He all right, Mike?
387
00:18:13.400 --> 00:18:15.109
Very good, so... Let's go.
388
00:18:15.130 --> 00:18:23.390
How do you like this buggy, lad? All right. Where'd
389
00:18:23.430 --> 00:18:28.980
you get it? I found it.
390
00:18:29.599 --> 00:18:31.200
I guess the boss is kind of anxious to get
391
00:18:31.240 --> 00:18:32.400
his hooks in this Englishman.
392
00:18:32.539 --> 00:18:33.519
Yeah, I guess so.
393
00:18:33.559 --> 00:18:35.920
Yeah, he shot up his bazoo too much. Yeah.
394
00:18:36.880 --> 00:18:38.140
He come to yet, Mike?
395
00:18:38.180 --> 00:18:38.440
Yeah.
396
00:18:39.500 --> 00:18:45.799
When I cloud them, they stay clouded.
397
00:18:51.769 --> 00:18:57.750
Dear Singh. Dear Singh. I call thee, dear Singh.
398
00:18:59.269 --> 00:19:02.420
I just, I hear. I hear thy voice.
399
00:19:03.079 --> 00:19:06.460
Oh, dear Singh, hear me. I am in the hands
400
00:19:06.500 --> 00:19:07.339
of the deosites.
401
00:19:08.180 --> 00:19:09.539
I see thee, my master.
402
00:19:10.000 --> 00:19:13.160
I am bound and in a motor car. They take
403
00:19:13.200 --> 00:19:14.140
me to their master.
404
00:19:15.079 --> 00:19:18.019
I am with thee, my master. Why didst thou wait
405
00:19:18.059 --> 00:19:18.579
to call me?
406
00:19:19.240 --> 00:19:21.480
I had called thee before this dear thing.
407
00:19:21.500 --> 00:19:24.579
Say that I was struck from behind whilst I played
408
00:19:24.619 --> 00:19:27.039
the foolish drunkard to lure them to me.
409
00:19:27.059 --> 00:19:30.319
It was only a moment since I recovered.
410
00:19:31.079 --> 00:19:32.700
Dost thou know thy destination, master?
411
00:19:33.160 --> 00:19:33.960
I know it not.
412
00:19:34.789 --> 00:19:35.849
Remain thou with me.
413
00:19:36.450 --> 00:19:38.670
Or it may be that I shall learn.
414
00:19:39.369 --> 00:19:39.890
I'll check that.
415
00:19:43.119 --> 00:19:44.180
Well night, ain't it?
416
00:19:44.180 --> 00:19:46.039
Yeah.
417
00:19:46.869 --> 00:19:48.410
Look at the moon on the lake.
418
00:19:49.269 --> 00:19:49.970
What about the moon?
419
00:19:50.099 --> 00:19:51.740
On the lake? It's nice.
420
00:19:52.440 --> 00:19:53.839
Hey, where are we going?
421
00:19:53.859 --> 00:19:55.119
That place on Modern Avenue?
422
00:19:55.440 --> 00:19:56.680
Yeah. You know, it's funny.
423
00:19:57.579 --> 00:19:59.079
I got a sister living next door.
424
00:19:59.079 --> 00:20:01.819
1343. Oh, is that so? Yeah.
425
00:20:02.299 --> 00:20:03.920
I could go sleep there when we get done. We
426
00:20:03.940 --> 00:20:06.289
won't have to go back downtown. We ain't liable to
427
00:20:06.309 --> 00:20:08.619
stay there at the place. The boss will want to
428
00:20:08.660 --> 00:20:10.740
take him out somewhere in the car, like I said.
429
00:20:10.839 --> 00:20:12.710
I wouldn't talk so much if I was you, sort of.
430
00:20:12.829 --> 00:20:13.250
Oh, yeah?
431
00:20:13.289 --> 00:20:14.390
Who's going to say anything?
432
00:20:14.950 --> 00:20:18.430
Oh, anybody might. You know, the Englishman.
433
00:20:18.730 --> 00:20:20.369
Ah, he's still out like a light.
434
00:20:23.690 --> 00:20:24.670
Do you have things?
435
00:20:25.700 --> 00:20:26.880
I heed thee, Sahib.
436
00:20:27.380 --> 00:20:28.259
Hast thou heard?
437
00:20:28.880 --> 00:20:33.099
I have heard, my master. It is well. I see
438
00:20:33.119 --> 00:20:35.640
thee now as thy conveyance passeth. Is that a great
439
00:20:35.819 --> 00:20:39.650
body of water? I did also hear of thy destination.
440
00:20:40.799 --> 00:20:42.759
It is in the city of Chicago.
441
00:20:43.200 --> 00:20:48.400
Even so, now hark ye, dear thing. The time for
442
00:20:48.460 --> 00:20:52.400
vengeance is near to hand. Go thou and find Milti
443
00:20:52.509 --> 00:20:56.630
Gunj of the bazaar, and old Lally the fakir, and
444
00:20:56.710 --> 00:20:58.250
there await my word.
445
00:20:58.269 --> 00:21:00.349
Hearing and obeying, Lord.
446
00:21:01.869 --> 00:21:03.710
Watch out there on the corner. Not you.
447
00:21:04.680 --> 00:21:05.950
Well, that's with the squad coming.
448
00:21:06.009 --> 00:21:08.390
Well, I'll just unbust the old heater, though. Hey, keep
449
00:21:08.410 --> 00:21:09.369
that heater where it belongs.
450
00:21:09.430 --> 00:21:14.009
Hey, now, listen. They ain't gonna bother us. Well, all right.
451
00:21:14.849 --> 00:21:16.509
You see, they're going... Hey, hey, this is the place,
452
00:21:16.569 --> 00:21:19.369
ain't it? Huh? Oh, yeah, yeah. I was going right past.
453
00:21:19.609 --> 00:21:21.650
Now, get as close to that door as you can. Hey,
454
00:21:21.690 --> 00:21:22.569
who's driving this heap?
455
00:21:22.609 --> 00:21:23.109
Me or you?
456
00:21:23.250 --> 00:21:24.750
Okay, Barney, you'll feel.
457
00:21:24.789 --> 00:21:29.599
I was just telling you. Go ahead, Mike.
458
00:21:29.640 --> 00:21:30.180
Grab the gun.
459
00:21:30.640 --> 00:21:30.900
Okay.
460
00:21:35.210 --> 00:21:38.289
All right, go ahead and open the door, sort of.
461
00:21:38.930 --> 00:21:39.869
Here's the keys, Hulk.
462
00:21:47.529 --> 00:21:48.589
Now, don't bump him too much.
463
00:21:48.609 --> 00:21:51.140
All right, Walt, open the elevator.
464
00:21:53.640 --> 00:22:00.619
Hey, dirty floor, isn't it? I'll run it. Okay. Space
465
00:22:00.640 --> 00:22:02.539
turbine up. Yeah, he's going to put the car in
466
00:22:02.559 --> 00:22:03.240
the alley, I guess.
467
00:22:03.380 --> 00:22:03.660
Oh, yeah.
468
00:22:04.690 --> 00:22:07.289
I'll be glad when the boss gets here. I don't
469
00:22:07.329 --> 00:22:09.869
like galloping all over town with guys like this.
470
00:22:09.890 --> 00:22:10.250
Yeah.
471
00:22:12.990 --> 00:22:14.950
Now, let me out and I'll open the door.
472
00:22:15.079 --> 00:22:15.630
Okay.
473
00:22:16.519 --> 00:22:17.720
Put him on.
474
00:22:23.940 --> 00:22:26.259
The couch? I guess so. Yeah? Yeah.
475
00:22:30.059 --> 00:22:32.480
Hey, you must have sucked him awful hard.
476
00:22:32.500 --> 00:22:34.380
He's still on. Yeah, sure.
477
00:22:34.460 --> 00:22:35.539
When I suck.
478
00:22:35.759 --> 00:22:36.759
Stay, stay sucked.
479
00:22:36.960 --> 00:22:39.420
I know. Come on, let's go and sit down.
480
00:22:39.500 --> 00:22:40.019
I'm tired.
481
00:22:40.119 --> 00:22:41.720
You're tired. Ha!
482
00:22:41.940 --> 00:22:43.200
Now sit down.
483
00:22:47.619 --> 00:22:48.460
Dear Singh.
484
00:22:49.569 --> 00:22:50.589
I am with thee, master.
485
00:22:51.269 --> 00:22:54.269
Art thou with Moti Gunjen and old Lally?
486
00:22:54.769 --> 00:22:57.150
As thou sayest, even so, Sahib. Good.
487
00:22:57.970 --> 00:23:00.630
Let old Lally now bring forth his snakes.
488
00:23:00.869 --> 00:23:03.250
Snakes, master? Aye, so.
489
00:23:03.769 --> 00:23:08.150
Many serpents. Fetch the hooded cobras and the carites. Assemble
490
00:23:08.190 --> 00:23:10.049
them all in the place where thou art.
491
00:23:10.470 --> 00:23:11.250
And haste now.
492
00:23:11.809 --> 00:23:17.019
Even as thou dost speak, so shall it be done, master. Oh, mutigun. Oh, Lally.
493
00:23:17.500 --> 00:23:18.099
It is good.
494
00:23:18.759 --> 00:23:19.859
No more. Now.
495
00:23:19.880 --> 00:23:22.619
Ah. Ah.
496
00:23:25.630 --> 00:23:28.369
Hey, I think our little playmate's coming, too.
497
00:23:28.430 --> 00:23:28.950
Yeah.
498
00:23:30.230 --> 00:23:33.150
Just lay still, buddy, and nothing will happen to you.
499
00:23:33.630 --> 00:23:34.029
No.
500
00:23:35.250 --> 00:23:37.650
Where am I?
501
00:23:37.710 --> 00:23:38.650
You're in good.
502
00:23:38.509 --> 00:23:39.190
Hands, bud.
503
00:23:39.490 --> 00:23:41.769
Just lay still if you don't want another clout in
504
00:23:41.809 --> 00:23:46.210
this nozzle. Who are you? Shut him up, Mike. Yeah.
505
00:23:46.930 --> 00:23:48.390
Listen, pal, I'm going to.
506
00:23:49.390 --> 00:23:52.369
Hey. Hey. What are you looking at?
507
00:23:52.890 --> 00:23:53.009
Hey.
508
00:23:53.029 --> 00:23:57.900
What are you looking at, I said? Hey, let me in.
509
00:23:58.059 --> 00:23:58.680
Let him in, Mike.
510
00:23:58.859 --> 00:24:00.819
Yeah. Look at that.
511
00:24:00.859 --> 00:24:03.200
He's trying to stare me down. Hey, what are you
512
00:24:03.299 --> 00:24:05.599
mumbling about? He's trying to... Look at that.
513
00:24:05.640 --> 00:24:06.099
He's funny.
514
00:24:06.279 --> 00:24:09.380
Ah, you nut. Stop staring at me. Hey, is everybody
515
00:24:09.420 --> 00:24:11.960
around here nutty? Well, he's looking at me. Do I
516
00:24:12.019 --> 00:24:13.099
alarm you, my friend?
517
00:24:13.680 --> 00:24:16.369
Oh. Oh, so you're okay now, huh? Hey.
518
00:24:17.980 --> 00:24:20.730
Hey, cut that out.
519
00:24:22.460 --> 00:24:24.720
I'm going to get a drink. I need one, too.
520
00:24:24.740 --> 00:24:26.900
Will you bring me one, Soto? Yeah, all right. I
521
00:24:28.180 --> 00:24:30.029
don't like the way he looks at you. Well, smack
522
00:24:30.069 --> 00:24:30.740
him one. No.
523
00:24:30.769 --> 00:24:32.960
I don't want to.
524
00:24:33.029 --> 00:24:37.349
He's got something up his sleeve. What's up? It's Soto.
525
00:24:37.650 --> 00:24:41.369
What's the matter, Soto? What's the matter?
526
00:24:41.630 --> 00:24:41.829
No.
527
00:24:41.869 --> 00:24:42.109
No.
528
00:24:42.410 --> 00:24:42.809
What's up?
529
00:24:42.970 --> 00:24:43.529
It's a snake.
530
00:24:43.910 --> 00:24:48.049
A snake. Look at it. It's a great big.
531
00:24:48.069 --> 00:24:48.150
Oh.
532
00:24:53.539 --> 00:24:53.680
Oh.
533
00:24:54.940 --> 00:25:19.279
He's... He's dead. The snake... Where... Where'd it go? What
534
00:25:19.319 --> 00:25:21.859
I want to know is who done it. Yeah, but look.
535
00:25:22.420 --> 00:25:23.599
There was a snake buck on us.
536
00:25:24.000 --> 00:25:26.160
A great big snake with his head all kind of
537
00:25:26.180 --> 00:25:26.589
swelled up.
538
00:25:26.940 --> 00:25:29.170
And a thing like a pair of glasses on. You're
539
00:25:29.230 --> 00:25:29.730
a sap.
540
00:25:30.589 --> 00:25:31.650
Where would a snake come from?
541
00:25:31.670 --> 00:25:34.309
Well, don't ask us. It was our boss, no fooling.
542
00:25:34.809 --> 00:25:35.309
We seen it.
543
00:25:35.609 --> 00:25:38.150
It kept biting the saw right in the face all
544
00:25:38.230 --> 00:25:38.579
the time.
545
00:25:38.599 --> 00:25:41.259
You're both nuts. Hey, you, Englishman.
546
00:25:41.799 --> 00:25:45.099
Are you addressing me, my good man? My good man, huh?
547
00:25:45.740 --> 00:25:46.920
You want your neck busted?
548
00:25:48.920 --> 00:25:49.089
Hey.
549
00:25:50.569 --> 00:25:52.650
Stop. Stop looking at me. He was looking at us
550
00:25:52.690 --> 00:25:53.769
like that.
551
00:25:53.789 --> 00:25:54.950
Yeah, yeah, yeah.
552
00:25:54.970 --> 00:25:56.650
He was staring at us just like he's doing now,
553
00:25:56.690 --> 00:25:57.029
I tell you.
554
00:25:57.329 --> 00:25:58.549
Hey, look, it's Nick.
555
00:25:58.609 --> 00:26:01.279
Hey, when they come, get up on the chair.
556
00:26:01.299 --> 00:26:01.730
Help. Help.
557
00:26:01.970 --> 00:26:03.680
I can that. I'll get him.
558
00:26:04.140 --> 00:26:04.559
Help.
559
00:26:04.819 --> 00:26:07.920
Help. I say it won't do any good to shoot
560
00:26:07.940 --> 00:26:08.680
at them, you know.
561
00:26:08.740 --> 00:26:08.880
Help.
562
00:26:08.900 --> 00:26:10.240
Help. Coming after me.
563
00:26:10.279 --> 00:26:15.430
Coming after me. Oh. Oh.
564
00:26:15.890 --> 00:26:16.509
Oh.
565
00:26:16.950 --> 00:26:19.240
Oh. He got him, Monk. Who?
566
00:26:19.289 --> 00:26:19.869
Look out, Buck!
567
00:26:19.910 --> 00:26:20.210
Look out!
568
00:26:20.289 --> 00:26:21.970
Stop him! Stop him!
569
00:26:21.990 --> 00:26:22.529
You've got him here!
570
00:26:22.549 --> 00:26:22.930
You've got him!
571
00:26:22.950 --> 00:26:23.470
Yes, he's got him!
572
00:26:23.490 --> 00:26:23.900
He's got him!
573
00:26:23.930 --> 00:26:24.150
No!
574
00:26:24.549 --> 00:26:24.849
No!
575
00:26:25.150 --> 00:26:27.430
That's the great King Cobra, Perron!
576
00:26:28.349 --> 00:26:28.470
Ah!
577
00:26:28.750 --> 00:26:30.150
Oh, look!
578
00:26:30.809 --> 00:26:31.650
Hey, hey, hey!
579
00:26:31.710 --> 00:26:32.390
Kill him off me!
580
00:26:32.450 --> 00:26:33.049
Kill him off!
581
00:26:33.309 --> 00:26:33.730
Take him away!
582
00:26:33.799 --> 00:26:36.440
That little snakefish is called a carite. It is the
583
00:26:36.460 --> 00:26:37.980
most deadly snake of all India.
584
00:26:38.259 --> 00:26:39.160
Tiny, venomous. Ah!
585
00:26:39.180 --> 00:26:39.240
Ah!
586
00:26:49.470 --> 00:26:54.250
So, Brother Bazin, I think that evens things a little,
587
00:26:54.289 --> 00:26:56.390
old boy.
588
00:26:59.500 --> 00:27:00.759
It is so, Jersing.
589
00:27:00.779 --> 00:27:05.019
Thou hast done well. Say my thanks to Moti Gunj
590
00:27:05.420 --> 00:27:05.980
and Lali.
591
00:27:06.500 --> 00:27:07.059
Peace, Jersing.
592
00:27:17.599 --> 00:27:18.799
I will speak with the anon.
593
00:27:18.970 --> 00:27:19.390
Open up.
594
00:27:19.490 --> 00:27:20.299
We're police officers.
595
00:27:20.859 --> 00:27:21.720
Coming, gentlemen.
596
00:27:23.359 --> 00:27:24.140
You're Major Traverson?
597
00:27:24.940 --> 00:27:25.200
I am.
598
00:27:25.220 --> 00:27:30.319
Well, where's Monk? Holy mother. Will you look at him? Dead.
599
00:27:31.299 --> 00:27:32.039
And so is this one.
600
00:27:32.440 --> 00:27:32.960
Please show us.
601
00:27:33.859 --> 00:27:35.019
What the devil happened, Major?
602
00:27:36.079 --> 00:27:37.339
I really couldn't say, gentlemen.
603
00:27:37.359 --> 00:27:38.900
I was in the other room, you know.
604
00:27:39.160 --> 00:27:39.940
Well, I'll be.
605
00:27:41.180 --> 00:27:44.099
This is the dangest thing I've ever run up against.
606
00:27:44.220 --> 00:27:44.599
Tell me.
607
00:27:45.359 --> 00:27:46.680
How in the world did you happen to come.
608
00:27:46.619 --> 00:27:47.359
Up here, gentlemen?
609
00:27:48.170 --> 00:27:50.619
I was kidnapped in a place downtown. Why, the funniest thing,
610
00:27:50.640 --> 00:27:51.460
Major Traverson.
611
00:27:51.779 --> 00:27:53.980
You see, the chief got a cablegram. A cablegram?
612
00:27:54.019 --> 00:27:54.339
Yes, sir.
613
00:27:54.660 --> 00:27:56.440
It gave the address and all the details of this
614
00:27:56.460 --> 00:27:57.160
whole business here.
615
00:27:57.619 --> 00:28:00.170
And the funny thing was, it was signed by a
616
00:28:00.210 --> 00:28:02.269
Colonel Henderson, supposed to be the.
617
00:28:02.230 --> 00:28:04.869
Commissioner of Police in Calcutta, India, for the love of Mike.
618
00:28:21.769 --> 00:28:26.029
All right. You can turn them on now. You have
619
00:28:26.049 --> 00:28:28.230
just heard Lights Out.
620
00:28:29.470 --> 00:28:31.609
This was the fifth in the summer revival of the
621
00:28:31.650 --> 00:28:33.349
best stories of this famous series.
622
00:28:34.170 --> 00:28:36.230
In tonight's cast, you heard Wilms Herbert.
623
00:28:36.049 --> 00:28:40.049
As Trevison, Sidney Breeze as Henderson, Wallace Owen as Bryce,
624
00:28:40.690 --> 00:28:45.150
Tony Parrish as Jeer Singh, Boris Aplon as Peroni, Arthur
625
00:28:45.190 --> 00:28:49.490
Hearn as Sadoff, Roy Engle as Mike, and Les Spears
626
00:28:50.190 --> 00:28:54.589
as Fish Ellis. Next Saturday night, Lights Out presents the
627
00:28:54.609 --> 00:28:57.789
story of what happened to a newsreel camera crew that
628
00:28:57.829 --> 00:29:01.710
was sent out to photograph a haunted house. Well, they
629
00:29:01.750 --> 00:29:05.569
found the place all right. And they found the ghosts also,
630
00:29:05.670 --> 00:29:09.130
although they weren't very photogenic. But we won't tell you
631
00:29:09.150 --> 00:29:12.210
what happened after that. We suggest you kind of haunt
632
00:29:12.250 --> 00:29:15.329
your own radio along about this time next Saturday night
633
00:29:16.150 --> 00:29:19.269
and find out for yourself. Lights Out is produced and
634
00:29:19.289 --> 00:29:29.930
directed by Albert Cruz. This is NBC, the national broadcasting company.
635
00:29:30.490 --> 00:29:32.980
We close with Lights Out and The Revenge of India.
636
00:29:33.299 --> 00:29:35.650
Follow Lights Out for more classic broadcasts.