Monet, Manet, and a Gentleman Thief
Episode 51: Monet, Manet, and a Gentleman Thief
This week’s prompts: Parisian, Crown, 540, Fuschia
What do you get when a birthday party is interrupted by a hostage situation with a grenade landing in your neighborhood? You get Lauren’s summer.
In this episode, Lauren and Neal return with u…
EP 36: Paris History Avec a Hemingway (Berthe Morisot)
Berthe Morisot, one of the few women of the Impressionist Movement, with her dark locks and stunning gaze, was the perfect model for Édouard Manet. However, she would become an artist in her own right stepping behind the canvas to create paintings that showed everyday family life, forging her own …
Basics, Deconstructed - Good vs. Bad - If It Feels Safe, It's Dead
In 1863, the Paris Salon rejected Édouard Manet's The Luncheon on the Grass for being too messy, too flat, too "unfinished." Today, it's one of the most important paintings in art history. Meanwhile, the "perfect" paintings that won the medals? Nobody remembers them.
In this episode, we're deconstr…
No Gods, No Masters, Just Luncheon on the Grass
In this episode of The Bigger Picture, Dr Peter Tuka explores Édouard Manet’s Le Déjeuner sur l’herbe (The Luncheon on the Grass), one of the most important masterpieces of nineteenth-century French art and a landmark in the birth of modern art. Painted in 1863 and rejected by the Paris Salon, Mane…
The Venus of the Gutter: Decoding Manet’s Olympia
In this episode of The Bigger Picture, Dr Peter Tuka explores Édouard Manet’s Olympia, the scandalous 1863 painting that shocked the 1865 Paris Salon and became one of the key turning points of modern art. We decode why Manet’s nude was so controversial, how Olympia rewrites Titian’s Venus of Urbin…
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