TRANSKRIPT 🔗
1
00:00:00,000 --> 00:00:05,360
Music.
2
00:00:05,206 --> 00:00:09,066
Are you a writer whose mind is a whirlwind of creativity and distraction?
3
00:00:09,546 --> 00:00:13,146
Hello and welcome back to Writing While Distracted, the podcast that helps you
4
00:00:13,146 --> 00:00:16,326
transform your scattered thoughts into literary brilliance.
5
00:00:16,666 --> 00:00:19,086
I'm your NeuroSpicy writing coach, Brenda Murphy.
6
00:00:19,646 --> 00:00:26,026
Stay tuned as we talk about novel pacing, the magic element to get your readers
7
00:00:26,026 --> 00:00:28,526
to stick around and to read your next book.
8
00:00:37,606 --> 00:00:41,946
Pacing. What do we mean when we talk about pacing in a novel?
9
00:00:42,346 --> 00:00:45,906
Pacing is how the reader perceives the speed of the story.
10
00:00:46,226 --> 00:00:50,246
So when we talk about pacing, we're talking about the reader's experience and
11
00:00:50,246 --> 00:00:52,526
how they feel reading through the novel.
12
00:00:52,866 --> 00:00:55,786
Whether they feel breathless, whether they're comfy and cozy,
13
00:00:56,066 --> 00:01:00,826
whether they're titillated and excited, or if they're bored because your pacing is off.
14
00:01:01,626 --> 00:01:07,086
Pacing that's off will yank a reader out of their experience and is more often
15
00:01:07,086 --> 00:01:10,646
than not the cause for a reader to not finish a novel.
16
00:01:11,571 --> 00:01:15,251
Writers who excel at pacing often get reviews from readers who say,
17
00:01:15,511 --> 00:01:19,491
I couldn't put this book down. I couldn't wait to find out what happened next.
18
00:01:19,731 --> 00:01:23,571
I stayed up all night reading this book because I wanted to know how it was going to turn out.
19
00:01:23,991 --> 00:01:29,171
Or this book is like a warm hug I didn't want to end. It was wonderful to settle
20
00:01:29,171 --> 00:01:31,971
down to the story and feel the world disappear around me.
21
00:01:32,771 --> 00:01:37,691
That's what excellent pacing can do for your novel. The primary tools for pacing
22
00:01:37,691 --> 00:01:41,251
your novel are sentence length, scene length, chapter length,
23
00:01:41,571 --> 00:01:45,331
word choice, and the length of your story overall.
24
00:01:45,891 --> 00:01:50,051
No matter if you're writing flash fiction or a 900-page novel,
25
00:01:50,371 --> 00:01:56,011
the point is that the length of your work affects how readers experience it
26
00:01:56,011 --> 00:01:58,191
and what expectations they bring to the story.
27
00:01:58,371 --> 00:02:01,671
If you're writing genre fiction, this is particularly important.
28
00:02:02,391 --> 00:02:06,991
People who read thrillers want to be thrilled. They don't want to be mired down
29
00:02:06,991 --> 00:02:10,031
in the the middle of the book wondering why their thriller isn't thrilling them.
30
00:02:10,591 --> 00:02:14,331
Thriller readers want to have stories that are rapid-paced and that drags them
31
00:02:14,331 --> 00:02:15,751
along, whether they're ready or not.
32
00:02:16,171 --> 00:02:20,191
If you write cozy mysteries, you're going to pace your story differently because
33
00:02:20,191 --> 00:02:25,031
cozy story readers want to experience the story like a warm comforter on a winter night.
34
00:02:25,231 --> 00:02:29,531
They want to wrap themselves in the narrative, trusting the author not to tell
35
00:02:29,531 --> 00:02:31,611
them the story at a pace that's uncomfortable.
36
00:02:31,611 --> 00:02:34,771
Comfortable they are reading cozy stories whether it's
37
00:02:34,771 --> 00:02:37,611
cozy fantasy or cozy mystery because they want
38
00:02:37,611 --> 00:02:40,771
to be tucked into that world that you've created and enjoy
39
00:02:40,771 --> 00:02:44,691
their reading experience at a leisurely pace romance readers
40
00:02:44,691 --> 00:02:49,471
depending on the reader want differently paced stories some want a slow burn
41
00:02:49,471 --> 00:02:55,211
others want a story that gets to the naughty bits right away some want the pacing
42
00:02:55,211 --> 00:02:59,971
of a romantic thriller and others want a cozy romance science fiction and fantasy
43
00:02:59,971 --> 00:03:04,651
readers tend to enjoy long stories that are well-paced with wonderful world-building,
44
00:03:04,771 --> 00:03:09,111
where the exciting bits and the stuff that make you turn the page are interspersed
45
00:03:09,111 --> 00:03:09,871
throughout the narrative.
46
00:03:10,968 --> 00:03:14,028
This is where knowing who you're writing your story for comes into play.
47
00:03:14,288 --> 00:03:18,808
Knowing what story you want to tell is really going to help you with your pacing,
48
00:03:18,948 --> 00:03:20,708
along with who you're telling it for.
49
00:03:21,428 --> 00:03:26,208
When trying to sort out the pacing of your novel, use your past reading experiences.
50
00:03:26,868 --> 00:03:28,708
Think of those books that kept
51
00:03:28,708 --> 00:03:32,628
you up all night long, no matter what your obligations were the next day.
52
00:03:32,988 --> 00:03:38,528
And those books you slugged through because it was required reading for a class,
53
00:03:38,688 --> 00:03:43,028
and other times because you were, I don't know, torturing yourselves into finishing
54
00:03:43,028 --> 00:03:44,068
a book you weren't enjoying.
55
00:03:44,628 --> 00:03:50,368
As I've gotten older, I do that way less often. If I am not feeling a story, I'll just stop.
56
00:03:50,728 --> 00:03:54,208
I may go back to the book later because I might be in a different frame of mind
57
00:03:54,208 --> 00:03:58,808
and I might finish it then, which is something else you need to remember as a writer.
58
00:03:59,248 --> 00:04:03,228
You don't know what frame of mind or expectations your reader is bringing to
59
00:04:03,228 --> 00:04:04,128
their reading experience.
60
00:04:04,868 --> 00:04:09,768
You can't control or anticipate their attitude. But what you can do is provide
61
00:04:09,768 --> 00:04:12,248
Load full transcript
your reader with a well-written, well-paced story.
62
00:04:12,708 --> 00:04:17,028
The words you choose affect your reader as much as anything in the book.
63
00:04:17,548 --> 00:04:21,968
The length of words, how snappy they sound, also affects pacing.
64
00:04:22,428 --> 00:04:24,928
And the example I like to give here is languid.
65
00:04:25,508 --> 00:04:28,748
Languid is one of my favorite words because you feel it when you say it.
66
00:04:29,168 --> 00:04:34,748
Languid is a sensual word and it conveys taking your time to do something at a leisurely pace.
67
00:04:35,628 --> 00:04:39,768
If you write that your character strode down the street, your story moves at
68
00:04:39,768 --> 00:04:44,548
a different pace than it does if you wrote that your character strolled down the street.
69
00:04:45,128 --> 00:04:49,288
Both of those words feel different to your reader and influence how the story moves along.
70
00:04:49,908 --> 00:04:54,888
No less important is sentence length. Long, drawn-out sentences make your readers
71
00:04:54,888 --> 00:05:00,048
slow down because they have to concentrate and focus on what you're trying to say in that sentence.
72
00:05:00,928 --> 00:05:04,228
Complicated sentences require more focused than short, snappy sentences.
73
00:05:05,028 --> 00:05:08,908
Short, direct sentences allow your reader to move through the paragraph and on to the next thing.
74
00:05:09,408 --> 00:05:12,848
If you're writing a fight scene, skip the paragraph-length sentences.
75
00:05:13,288 --> 00:05:16,748
If you're writing an argument or a breakup or any other intense negotiation
76
00:05:16,748 --> 00:05:22,108
that has a lot of emotion, you want to lean into snappy sentences for that dialogue.
77
00:05:22,648 --> 00:05:27,128
If you're explaining the details of a crime, that might be the time for those long sentences.
78
00:05:27,828 --> 00:05:32,748
The length of sentences affects the reader's experience of the character's experiences.
79
00:05:33,028 --> 00:05:35,388
For example, a scene that involves grief.
80
00:05:35,828 --> 00:05:38,828
Do you want your character and the reader wallowing in the grief?
81
00:05:39,468 --> 00:05:43,668
Writing long detailed sentences about the character's loss, the drive out to
82
00:05:43,668 --> 00:05:48,388
the graveyard, the burial, those are the kinds of things that can bring your
83
00:05:48,388 --> 00:05:52,568
reader into the story and have them experience what your characters experience.
84
00:05:53,208 --> 00:05:56,608
But what if you have a character who doesn't want to experience grief and they
85
00:05:56,608 --> 00:06:00,248
want to ignore it or skip over it and they just want to put it behind them.
86
00:06:00,548 --> 00:06:04,028
Writing shorter sentences and paragraphs and showing how they're avoiding their
87
00:06:04,028 --> 00:06:08,088
grief also moves the story at a pace that lets you know the character's avoiding
88
00:06:08,088 --> 00:06:09,968
their grief. It all ties in together.
89
00:06:11,013 --> 00:06:15,393
These are the details that are sometimes hard for new writers to grasp and are
90
00:06:15,393 --> 00:06:19,753
sometimes overlooked, but pacing is one of those things that brings people back
91
00:06:19,753 --> 00:06:23,393
to your books if they like how they felt while they were reading it.
92
00:06:23,713 --> 00:06:27,433
If they enjoyed the sensation of being so swept away in your story,
93
00:06:27,553 --> 00:06:28,953
they couldn't wait to get back
94
00:06:28,953 --> 00:06:32,133
to your book, or if they couldn't wait to find out what happened next,
95
00:06:32,273 --> 00:06:38,913
or if they enjoyed being in the world you created so long they hated to finish
96
00:06:38,913 --> 00:06:43,953
the book and and restarted reading it right away as soon as they finished reading it.
97
00:06:44,233 --> 00:06:48,773
Many cozy readers return to their favorite works because they enjoy the safe,
98
00:06:48,793 --> 00:06:52,873
cozy feelings of knowing what to expect after they've read it the first time
99
00:06:52,873 --> 00:06:55,713
and have enjoyed that comfort read.
100
00:06:56,533 --> 00:06:59,713
The next tool in your pacing kit is scene length.
101
00:07:00,133 --> 00:07:03,553
Short scenes versus long scenes versus medium length scenes.
102
00:07:03,893 --> 00:07:07,753
A scene can be as long as a paragraph or longer. It can be two to three pages
103
00:07:07,753 --> 00:07:12,093
or five pages or however long it takes for you to work through what's happening
104
00:07:12,093 --> 00:07:16,953
in that scene and how you want your readers to experience that scene.
105
00:07:17,413 --> 00:07:21,753
Is it a pivotal scene? Is it a big reveal? Is it something you want them to
106
00:07:21,753 --> 00:07:22,833
remember and understand?
107
00:07:23,493 --> 00:07:27,633
The thing to remember with scene length is that not all things you want your
108
00:07:27,633 --> 00:07:30,593
reader to know need to go into one scene.
109
00:07:31,033 --> 00:07:35,893
Many new writers, and particularly neurodivergent writers, fall into the category
110
00:07:35,893 --> 00:07:38,773
of authors who know volumes about their subject.
111
00:07:39,433 --> 00:07:43,373
We've done hours of research and we're carrying it all around in our heads.
112
00:07:43,733 --> 00:07:45,973
And we want to share that knowledge with you.
113
00:07:46,393 --> 00:07:50,813
We might have written pages and pages and pages of backstory for each of our
114
00:07:50,813 --> 00:07:54,213
characters. And we want you to know what we know about them.
115
00:07:54,713 --> 00:08:00,973
Sharing details and information for many NeuroSpicy folks is our love language.
116
00:08:01,533 --> 00:08:05,213
We care about you and we want you to know all of the tiny little details and
117
00:08:05,213 --> 00:08:07,813
minutiae that we know and have become obsessed with.
118
00:08:08,613 --> 00:08:12,373
We want you to know all the things that we know because we
think it's cool and
119
00:08:12,373 --> 00:08:13,653
we want everyone to know it.
120
00:08:13,993 --> 00:08:18,693
All of that information is rambling around in our head and we're overflowing with it.
121
00:08:19,583 --> 00:08:25,103
Neurodivergent folks are prone to info dumping all at once all of the things
122
00:08:25,103 --> 00:08:32,203
we know often overwhelming our family, friends, and random strangers if we get really excited.
123
00:08:32,523 --> 00:08:36,983
And if we're writers, we are in danger of doing that to our readers.
124
00:08:37,583 --> 00:08:41,683
And while you may want your readers to know all the cool things you found out
125
00:08:41,683 --> 00:08:45,463
while you're researching your novel or the amazing backstories of your characters,
126
00:08:45,703 --> 00:08:52,383
if you dump all that information out into one giant scene or one long paragraph or one chapter,
127
00:08:52,723 --> 00:08:57,803
your reader is going to be overwhelmed and they may walk away from your story
128
00:08:57,803 --> 00:09:00,663
because it's just too much to
129
00:09:00,663 --> 00:09:05,183
comprehend and they want to know what's going on, not what led up to it.
130
00:09:05,323 --> 00:09:09,243
So always remember to sprinkle that stuff around.
131
00:09:09,923 --> 00:09:15,303
One of the things that I see so often in new writers that trash their pacing
132
00:09:15,303 --> 00:09:19,363
and negatively affects their narrative is the info dump.
133
00:09:19,523 --> 00:09:23,083
It's all the things that they want you to know about the story.
134
00:09:23,643 --> 00:09:28,323
So what's the solution to info dumping? How do we do that? What do we do?
135
00:09:28,643 --> 00:09:30,663
Well, I call it the sprinkle method.
136
00:09:31,383 --> 00:09:35,983
You need to sprinkle all of those things that you learned and your backstory,
137
00:09:36,043 --> 00:09:37,443
and maybe not all of them, because
138
00:09:37,443 --> 00:09:43,123
let's face it, we often do 200 pages of research for a 60-page novel,
139
00:09:43,283 --> 00:09:47,563
and that's just us, but not all of that research needs to go into your novel.
140
00:09:47,883 --> 00:09:52,543
You need to sprinkle in the bits and pieces that make your world feel real and
141
00:09:52,543 --> 00:09:57,463
make your characters relatable, and so that your readers get finished with the
142
00:09:57,463 --> 00:10:01,043
sensation of having known your characters and knowing about them.
143
00:10:01,443 --> 00:10:07,683
So you sprinkle in all those little tidbits and backstory story and observations and research.
144
00:10:08,123 --> 00:10:12,563
Trickle it out over your narrative so that you don't overwhelm your reader and
145
00:10:12,563 --> 00:10:14,123
completely blow up your pacing.
146
00:10:14,763 --> 00:10:19,543
So while we're talking about scene length, let's combine that with talking about
147
00:10:19,543 --> 00:10:20,703
the length of your fiction.
148
00:10:21,717 --> 00:10:26,257
Flash fiction absolutely astounds me. It is amazing the emotions that can be
149
00:10:26,257 --> 00:10:28,077
generated in so few words.
150
00:10:28,337 --> 00:10:31,997
The same can be said for short stories and novellas.
151
00:10:32,777 --> 00:10:38,577
Anything that has a very short defined length requires you to pay attention
152
00:10:38,577 --> 00:10:40,797
to every single bit of it.
153
00:10:41,497 --> 00:10:46,017
Intense focus, word choice, sentence length, and in the case of short stories,
154
00:10:46,117 --> 00:10:47,577
paragraph length and scene lengths.
155
00:10:47,577 --> 00:10:50,497
Things now you may say well that's all
156
00:10:50,497 --> 00:10:53,477
well and good but I write longer things and that's when
157
00:10:53,477 --> 00:10:57,037
pacing it's always important but you
158
00:10:57,037 --> 00:10:59,997
really have to know how to pace yourself if you
159
00:10:59,997 --> 00:11:03,097
are going to write a very long novel and I'm
160
00:11:03,097 --> 00:11:07,977
talking particularly here usually fantasy and science fiction novels often run
161
00:11:07,977 --> 00:11:16,397
to 700 pages and if you are able to pace that well your reader will be very
162
00:11:16,397 --> 00:11:22,397
happy to stay in those 700 pages and work their way through your giant book.
163
00:11:22,877 --> 00:11:29,037
I have a favorite series where all of the books run to about 700 pages and I
164
00:11:29,037 --> 00:11:34,337
have read all nine books multiple times because they are so well paced.
165
00:11:34,377 --> 00:11:39,977
I never feel bored and even though I know the story, I keep reading it because
166
00:11:39,977 --> 00:11:41,477
I love the way it's written.
167
00:11:41,637 --> 00:11:45,957
I love the pacing. I love how I feel reading it and that's what you want.
168
00:11:46,117 --> 00:11:51,357
Pacing that sweeps your reader along with the story and is so seamless that
169
00:11:51,357 --> 00:11:54,217
it almost feels like magic behind the scenes.
170
00:11:54,357 --> 00:11:57,277
But you know what you're doing because I'm helping you figure that out.
171
00:11:57,957 --> 00:12:04,517
Using scenes and chapters and sentences and paragraphs is what will get your
172
00:12:04,517 --> 00:12:12,217
readers from the beginning to the end in a organized and hopefully enjoyable fashion.
173
00:12:13,867 --> 00:12:18,967
Maintaining pacing over a long novel is no different than maintaining pacing for flash fiction.
174
00:12:19,187 --> 00:12:22,967
Every word choice, sentence length, scene length, and other choices count.
175
00:12:23,487 --> 00:12:27,727
Each and every scene counts. And that's really what I'm trying to get you to understand.
176
00:12:27,987 --> 00:12:32,667
All of the choices you make when writing, your pacing choices matter the most.
177
00:12:33,207 --> 00:12:36,667
And I want you to embrace that idea when you're revising your novel because
178
00:12:36,667 --> 00:12:38,567
revisions are where you fix the pacing.
179
00:12:39,027 --> 00:12:42,487
I am a firm believer in and a fast first rough draft.
180
00:12:42,967 --> 00:12:47,687
And I believe that is the way for many, many folks to get their book written.
181
00:12:47,887 --> 00:12:51,767
Because I think a lot of folks get too balled up in editing and writing and
182
00:12:51,767 --> 00:12:55,507
making one thing perfect over and over and over again, and they never get to the end.
183
00:12:55,847 --> 00:13:00,887
So I'm asking you to let go of that desire for perfection and just vomit out
184
00:13:00,887 --> 00:13:03,027
a rough draft onto the paper. Don't care.
185
00:13:03,147 --> 00:13:06,387
Don't worry. Don't look back. Just keep going until you get to the end.
186
00:13:06,467 --> 00:13:09,467
Because all of of it can be fixed in revisions.
187
00:13:09,687 --> 00:13:15,267
Every single thing can be fixed in revisions. It doesn't matter what it looks like in the beginning.
188
00:13:15,407 --> 00:13:19,127
It will look like a big wobbly mess, and you're going to put it back together
189
00:13:19,127 --> 00:13:21,767
and make it make sense with revisions.
190
00:13:22,547 --> 00:13:28,627
I fix pacing at the same time I fix structure in my novel, as they're both very interrelated.
191
00:13:29,187 --> 00:13:37,027
I imagine structure as the trellis that my pacing grows on as my story progresses.
192
00:13:37,167 --> 00:13:38,987
That's the image I have in my mind.
193
00:13:39,307 --> 00:13:43,887
And I have a podcast about structure and working on your story structure and
194
00:13:43,887 --> 00:13:46,767
what exactly that means. And I will link that in the show notes.
195
00:13:47,067 --> 00:13:53,267
I will also add a link for a free PDF that I have for 30 pacing tools and how to use them.
196
00:13:53,647 --> 00:13:57,747
It's a little bit more of a detailed explanation. It goes into some finer points
197
00:13:57,747 --> 00:14:00,907
of what I'm talking about today. And you can have that for your reference.
198
00:14:01,547 --> 00:14:04,747
The other thing that I'm going to link to in the show notes is a book by Jordan
199
00:14:04,747 --> 00:14:06,387
Rosenfeld called Make a Scene.
200
00:14:06,567 --> 00:14:12,587
And it explains wonderfully how structure and pacing work together in scenes
201
00:14:12,587 --> 00:14:15,807
and how to build your novel with scenes.
202
00:14:15,967 --> 00:14:19,147
Because really, that's the basic part of a novel, the scenes.
203
00:14:19,767 --> 00:14:24,367
That's what it comes down to. Because words and sentences and paragraphs all
204
00:14:24,367 --> 00:14:27,507
go into making a scene. And that's what makes your novel.
205
00:14:28,227 --> 00:14:33,067
Understanding how scenes work together to move readers through your novel is
206
00:14:33,067 --> 00:14:34,967
key to understanding how pacing works.
207
00:14:35,307 --> 00:14:40,187
The final thing I want you to consider is that, and I've referred to it throughout
208
00:14:40,187 --> 00:14:44,927
this podcast, is that pacing is what gets your readers to finish your book.
209
00:14:45,527 --> 00:14:49,527
Nothing will make a reader give up on a story faster than wonky pacing.
210
00:14:50,007 --> 00:14:53,667
Even if you start out strong with a great couple of first chapters,
211
00:14:53,767 --> 00:14:58,527
if your pacing falls apart in the middle of the book, your reader's going to stop reading.
212
00:14:59,446 --> 00:15:05,266
So when you are revising, be ruthless. Cut the scenes that don't do anything. Be ruthless about it.
213
00:15:05,706 --> 00:15:11,846
Insert scenes or revise scenes that don't move the story along or don't show
214
00:15:11,846 --> 00:15:14,786
character development, which is also part of your story.
215
00:15:15,026 --> 00:15:22,186
Make sure every scene is doing its job to move the plot along or show character development or do both.
216
00:15:22,606 --> 00:15:26,846
If your mind is wandering while you are are reading through your manuscript,
217
00:15:27,066 --> 00:15:30,006
you've got a problem and you need to fix it.
218
00:15:30,406 --> 00:15:33,846
And you fix it by going back and looking at your word choices,
219
00:15:33,886 --> 00:15:36,726
looking at your sentence length, looking at your scene length,
220
00:15:36,886 --> 00:15:37,946
and your chapter length.
221
00:15:38,286 --> 00:15:42,406
And follow that read-through by looking at your narrative.
222
00:15:42,686 --> 00:15:48,106
Are you telling an interesting story that's going to encourage your readers to turn the page?
223
00:15:48,386 --> 00:15:52,486
Have you told an entire story in each chapter and not left your reader wondering
224
00:15:52,486 --> 00:15:58,026
what happens next? Each scene should end on an event that makes you want to read more.
225
00:15:58,186 --> 00:16:04,266
Make something happen, particularly at the end of a scene, even if it's just
226
00:16:04,266 --> 00:16:09,726
your character reflecting on what they're going to do about what just happened.
227
00:16:09,726 --> 00:16:13,066
Happened, mastering pacing is huge.
228
00:16:13,306 --> 00:16:17,566
And it's probably the biggest part of becoming a writer and being a writer is
229
00:16:17,566 --> 00:16:18,926
understanding that concept.
230
00:16:19,586 --> 00:16:25,146
You want something to happen that makes the reader go, wow, what's going to happen next?
231
00:16:25,466 --> 00:16:29,286
You want that. That's the experience you want your reader to have because they're
232
00:16:29,286 --> 00:16:32,266
not going to keep turning pages if they feel like they've already understood
233
00:16:32,266 --> 00:16:35,126
the story or if there's no reason to turn the page.
234
00:16:35,226 --> 00:16:40,226
If the end of your scene feels finite, night, they're not going to turn the page.
235
00:16:41,146 --> 00:16:46,966
Mastering pacing can be challenging, but it's part of the craft of novel writing and it can be learned.
236
00:16:47,246 --> 00:16:54,306
Keep at it. Use these tools. Keep your readers turning those pages and keep writing.
237
00:16:54,826 --> 00:16:57,466
Stay tuned. Stay inspired.
238
00:16:58,726 --> 00:17:03,186
If you have enjoyed today's podcast, please subscribe and leave a review.
239
00:17:03,346 --> 00:17:05,906
It really helps get the podcast in front of more folks.
240
00:17:06,366 --> 00:17:09,766
Don't forget to check out the show notes for the links I talked about for a
241
00:17:09,766 --> 00:17:12,046
free PDF about novel pacing.
242
00:17:12,626 --> 00:17:18,326
And until next time, take care. Thanks for tuning in to Writing While Distracted,
243
00:17:18,326 --> 00:17:22,546
where we navigate the winding roads of creativity amidst the chaos of distraction.
244
00:17:22,926 --> 00:17:28,166
If you've enjoyed this podcast and found it useful, please follow me for more updates.
245
00:17:28,826 --> 00:17:32,506
Share it and tag me. DM me and let me know what you found most useful.
246
00:17:33,026 --> 00:17:36,986
Leave a review. It really helps get the podcast in front of more folks.
247
00:17:37,106 --> 00:17:41,906
And remember, in the dance between focus and diversion, every stumble is a step
248
00:17:41,906 --> 00:17:43,586
closer to mastering the art of writing.
249
00:17:43,846 --> 00:17:47,726
Join us next time as we continue to unravel the mysteries of the writer's mind.
250
00:17:47,946 --> 00:17:53,566
Until then, keep writing, keep wandering, and embrace the distractions that fuel your creativity.
251
00:17:53,926 --> 00:17:56,266
Stay tuned, stay inspired.
252
00:17:58,726 --> 00:18:00,146
Thank you.