TRANSKRIPT 🔗
WEBVTT
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hey um welcome to the overshare pamphlet uh one
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man show coming to you every monday 6 a .m uk
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time and this is rob your host coming to you
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with a movie review it's been quite a bit to
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be honest since i've done um a proper movie reviewing
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us and it's only fitting that i come back with
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something that i thoroughly enjoyed and that
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is resident evil the latest movie reboot, whatever
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we want to call it. But the most important bit
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about this movie is that it is directed by yours
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truly, Zach Echreger. And it's also written by
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him and Shea Hutton as well. It is based loosely
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on the video games, but also it sees Austin Abrams,
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long collaborator of now... zack kreger coming
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back as this time the main character who is technically
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not from the games but he is you know sort of
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fit it sort of fits the the game uh character
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by so well so yeah resident evil 2026 specifically
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is just um i would i would argue is a proper
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reboot in the right direction for the franchise
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the franchise has never thrived in terms of critical
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reception or horror reception i mean they've
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made so many movies there are so many games and
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my sort of opinion on all those movies and um
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and and sort of the games as well is they're
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like very millennial at core like it's just a
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product of its time and uh it desperately i think
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needed a rehabilitation and a reorientation towards
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new generations and dare i say zack kreger did
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it man i i was so impressed with the movie not
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simply as a horror fan but also as a video game
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in general fan the stylistic choices taken in
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this movie are brilliant they're so immersive
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they're so um first person video game like shooter
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There are plenty of shots where Austin Abrams,
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this character, Brian, uses his gun. And whenever
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he does, we see his point of view and his first
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-person point of view. And it's so creative.
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Load full transcript
I think it's so fun. It's such a great nod to
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the video games as well. And just in general,
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I feel like also the direction and the writing
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of the whole movie was just so good. It just
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really, again, re -centered the franchise to
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something a bit more current and modern. And
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it did basically rotate. I've seen this around
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quite a bit also in social media, people saying
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that they found in Bryan, in Austin Abrams' Bryan,
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the perfect Gen Z character and, you know, protagonist.
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Because at the end of the day, like, this guy
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is so perfect. so relatable to our current generation
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so funny also in a way that is funny to people
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from you know from to gen z and i think this
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is just also as i was saying with the x -men
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and spider -man it's a general direction that
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the industry is trying to move into and this
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is also of course how and why specifically um
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obsession worked super well because it leaned
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heavily gen z and this It does take an already
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established franchise and directs it towards
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a more Gen Z approach and a more Gen Z humor.
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It just works. It just worked beautifully. I
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think it just revived the franchise in such a
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beautiful way. It brought such a good breath
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of fresh air that the franchise desperately needed.
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And again, this is the only Resident Evil movie
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that is... that has a 90 or above i think it's
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96 uh run tomatoes 96 and run tomato score i
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think most of the movies are not that they're
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all rotten in terms of uh scores but just in
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general like the critical reception of this movie
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has been amazing and even surprisingly the fans
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which was a bit of a you know unknown given the
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changes they've made to the story and the fact
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that it's loosely related to the games We wouldn't
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know if this was going to work, and it worked.
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The fans loved it. Because, again, one, there
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are so many nods to the video game culture in
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general, but also, I think, to the actual games.
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Raccoon City is a real thing. Umbrella, the Umbrella
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Corporation is also a real thing. There are so
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many interesting nods to the world of the game.
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i just loved it i think i think it was such a
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good combination of taking inspiration from the
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games and making something completely different
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and of its own and in a way i think like this
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is such a smart idea to like just not really
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fully incorporate any of the games into this
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movie because again you would have had a lot
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of baggage from the movies and it would have
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been maybe something too niche and only for the
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fans of the games and movies well this opens
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up the the movie and potentially the future franchise
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if they make anything from this one they open
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it up to new people which they have they have
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done successfully i think um i mean it is one
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of his best performing movies already attack
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rangers um i think in two weeks already reached
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200 uh million in the box office which is incredible
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um and yeah i only have praises for this so here
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are my elements i guess of the story the story
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i think like what my thoughts at least about
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it i thought the the story is just again so video
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gamey you're just a random person a nobody basically
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and by virtue of just simply doing your job you
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get somehow thrust uh thrust it into this like
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weird um world that you know nothing of and you're
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nothing but an ant basically compared to how
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big the the lore is and it's so funny because
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basically um i mean of course for the warning
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if you haven't watched the movie but uh brian's
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um whole purpose and whole thing in the movie
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is that He's working his ass off as a... I actually
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don't know if there's a proper name for this
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job. But he's sort of like a delivery man, but
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for hospitals. Like, he delivers organs and transports
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organs from one hospital to
another and all that.
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And he's just trying to, like, you know, survive
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and live another day, basically, in his normal
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world. And then he accepts his job, even though
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he's having... problems with his girlfriend and
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her possibly having a baby and him not being
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exactly happy about it um not being sure uh and
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yeah i mean he just accepts this last minute
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job and this ends up bringing him to raccoon
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city eventually um and The thing, so basically
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we discover with him how big the lore is behind
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Raccoon City, because it only starts off first
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with this random lady that he runs over, and
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then from that on, one event leads to the other,
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and it just keeps on expanding and expanding
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and expanding and expanding, and you realize
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very quickly that Brian is just simply an ant,
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as I said, in this whole world. He's just not
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aware of many things, and he's basically played
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around. by this massive corporation that cares
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about nothing but getting rich. And there's a
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lot of commentary. I mean, that's the beauty
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of horror sometimes. I think horror is so experimental
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and so daring that there are so many layers if
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it's done properly. And there are layers to this
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movie. Like, the commentary on Big Pharma and
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just in general, like, you know, rich people
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doing experimentation and, like, you know, funding
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their own little thing and then their mistakes
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affecting everyone else in the world and... They
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don't really give a fuck, to be honest. There's
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separation between, you know, the infected and
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the scientists on top of the tower, like in Raccoon
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City, and they seem to be, like, the people in
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the tower are completely oblivious to what's
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going on most of the times about what's going
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on. I mean, they know that there is an epidemic
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that they've accidentally unleashed, but they
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don't seem to do much except waiting for this
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package. And even when the package arrives and
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they manage to get the cure done, There's all
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kerfuffle about whether they should use it on
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one person or not, and it's just, you know, typical,
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typical. I know the ending is quite jarring,
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but I think it works, and it works just simply
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in terms of how the rules of the game are. Like,
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this massive corporation doesn't care about Brian.
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They don't care about normal people. They just
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care about saving face and making their money
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back. And all that. And so when there's an opportunity
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for Brian to be cured. Technically it doesn't
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happen. Because those scientists. I think they.
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Care more about their own lives. Rather than
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actually helping people. Which is technically
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what they're supposed to do. As scientists and
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doctors and whatever. So yeah. So many fun things.
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So many fun layers to this movie. I think also
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one other element. That I really thoroughly enjoyed.
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Was just how scary it was. It was just so scary.
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Like, the jump scares in this movie are impeccable.
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It's a lot about vision and about framing and
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about how it's filmed. There are so many cues
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in the movie that, you know, I thought, for example,
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the simple idea of him, which, again, is very
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theater game inspired, of Brian going around
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with a torch or, like, a phone flashlight. So,
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therefore, like, walking in the dark, and we
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get to see him from his POV, whatever he sees,
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which is... practically almost nothing made it
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so much more enticing and scary because you you
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wouldn't know what was going to come out of these
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woods or whatever it was out in in the in the
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big tunnel or in the city it's just it was just
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so so well done so well directed so well shot
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and again yeah the movie is mostly happening
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in a night in the dark but the use of lights
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here is also quite quite interesting and quite
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um quite innovative i mean i think for example
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--> 00:11:39.279
like the the back lights of the of the car for
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example create this like hue this red hue that
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is super ominous and you can see also in the
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poster it's very similar to that and the icy
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um snowy uh roads are so you know atmospheric
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in a way and then there's the one shot of the
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zombie disappearing and then reappearing back
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and he's and the only way we see it is because
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she starts running um and covering the lights
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of it of another car so like we you wouldn't
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even notice it until it pops out of nowhere it's
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just the use of lights it's just incredible in
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this so smart and so creative um everybody's
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so creative this is so good it's really really
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good um And yeah, I mean, there's a whole, also,
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monologue that Brian gives to his girlfriend
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who's pregnant. This, I think, happens right
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towards the end of the movie, if I remember correctly,
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like, right before he gets to the tower. And
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it's just funny. Even the way it's, like, delivered
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is just really, really good. But also, like,
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there's a lot of comedic timings in this whole
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movie that are just so well done. And I'm impressed.
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I mean, uh, Brian's, um, actor, like, that's,
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um, I always forget his name, man, like, uh,
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Austin Abrams, I've always thought he was great
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in Euphoria, I always thought he was great, um,
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in that, like, he really acted his ass off, especially
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when, uh, the musical thing happened in the season
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two, the second season, like, at the end, so
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charming and charismatic in that, it was so funny,
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um, And then also in weapons, I thought it was
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good for what he had in terms of scenes. But
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here, he really shines. I think it's a perfect
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role for him. I'm not quite sure who else could
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have played this role, to be honest. I don't
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think it would have worked as well, especially
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in terms of tone. He's one of the few people
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who can give this performance that is about this
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innocent, technically, youngster who is... low
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-key kind of funny but also doesn't understand
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much about what's going on around him and just
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is trying his best to survive and also doesn't
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know anything about guns which is also a very
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funny element to the um to the movie like he
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literally every turns he picks up a gun he doesn't
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know how to use it and it just uh most of the
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times ends up being a mess so yeah i mean kudos
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to him i think that was um such a good revelation
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such a good trampoline for him. And I think we
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have unlocked a new director -ex -actor combo
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in a sense. They work really well together. I
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think it was just a good match, the way they've
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directed the movie and he acted in it. So, yeah,
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I mean, I guess what I want to talk about now
00:14:48.110 --> 00:14:50.049
is just the potential of this movie and what
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this could mean for the, just in general, the
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franchise long term and if there's going to be
00:14:57.750 --> 00:15:00.090
a franchise coming out of this or not i mean
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i would i would say it should there should be
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something else coming out of this although it's
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it really seems that suck record is um sort of
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like directing to um another movie with jennifer
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lawrence i think it was um that was fun that
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seems fun But I think they should really hone
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in on Resident Evil and have him come back because
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he does a great, great job at this. So, yeah.
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I mean, there's so many things that now you can
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incorporate also if you want to get more inspiration
00:15:34.000 --> 00:15:36.480
from the movies. Sorry, from the big games. If
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you want to start bringing in new characters
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from the games, that would be super fun. I think
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it's such a good idea. And there are so many
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good storylines you could do and so many things
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you could say. But again, I think if it's not...
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i mean unfortunately um i'll say abrams cannot
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come back for a future resident evil movie maybe
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he can there are some ways
of bringing him back
00:15:59.179 --> 00:16:03.580
but nothing too sure because he's technically
00:16:03.580 --> 00:16:07.259
turns into a zombie at the end um spoiler but
00:16:07.259 --> 00:16:11.860
yeah i think it would be great for him to come
00:16:11.860 --> 00:16:15.600
back as a gregor and to direct a new movie i
00:16:15.600 --> 00:16:19.120
think there's a good potential here i personally
00:16:19.120 --> 00:16:22.759
love zombie movies but i think Most of the times
00:16:22.759 --> 00:16:25.120
I haven't done anything as scary as this. This
00:16:25.120 --> 00:16:27.820
has been really, really good. The tendrils situation,
00:16:28.100 --> 00:16:32.139
the way they mutate the zombies to make them
00:16:32.139 --> 00:16:37.120
look like, you know, like one big clump of bodies
00:16:37.120 --> 00:16:42.289
was just so weird, but so effective. And he managed
00:16:42.289 --> 00:16:44.710
it so much, man. Like in Raccoon City, just in
00:16:44.710 --> 00:16:46.669
a small amount of time that we spent in there,
00:16:46.889 --> 00:16:50.649
it just fleshed out, he fleshed out the city
00:16:50.649 --> 00:16:53.919
so well and the lore behind it. So, so good.
00:16:54.059 --> 00:16:56.720
I cannot speak any better. Like, you know, I
00:16:56.720 --> 00:16:58.220
feel like you guys should, like, if you haven't
00:16:58.220 --> 00:16:59.460
watched it already, you should definitely go
00:16:59.460 --> 00:17:01.860
and watch the movie. It's scary. It is scary.
00:17:02.080 --> 00:17:04.920
I can't believe it's rated 15, but at least here
00:17:04.920 --> 00:17:09.809
in the UK. But that's scary as fuck. I got scared
00:17:09.809 --> 00:17:12.289
multiple times. Jump scared so many times. But
00:17:12.289 --> 00:17:14.910
you need to watch it. It's so good. So, so good.
00:17:15.009 --> 00:17:18.170
An entertaining time. A beautiful time. So, yeah.
00:17:19.359 --> 00:17:22.500
Thank you, Zach Greger, for bringing back Resident
00:17:22.500 --> 00:17:25.240
Evil. That's... A big task and you accomplished
00:17:25.240 --> 00:17:28.299
it. Kudos. Words for sponsor none song of the
00:17:28.299 --> 00:17:42.670
week. One thing I've been trying to do lately
00:17:42.670 --> 00:17:46.589
is to cut back a little on caffeine without giving
00:17:46.589 --> 00:17:48.809
up the ritual of having a really good cup of
00:17:48.809 --> 00:17:51.390
coffee. And that's why I also want to tell you
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about Severista Coffee. They make craft decaf
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and half -caf coffee that actually tastes like
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normal ones. And they're both rich, bold, and
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also, most importantly, full of flavor. use premium
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using water or sugarcane derived processes so
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you're not sacrificing the great coffee flavor
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just because you want less caffeine and the small
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uh batch roast their beans which i really like
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as well and it does make a lot of a difference
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they've got some great options too their colombian
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inspiration decaf as a chocolate caramel and
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citrus notes and their total eclipse is a darker
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roast with walnut baker's chocolate and molasses
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that's where bourbon pecan and minted mocha are
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for you they also do half cav if you're looking
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for the middle ground and enough of a boost without
00:18:45.849 --> 00:18:48.309
going all in on caffeine. So if you're a coffee
00:18:48.309 --> 00:18:51.490
person just like me, and who's been thinking
00:18:51.490 --> 00:18:53.009
about cutting back on caffeine specifically,
00:18:53.309 --> 00:18:55.829
or just want a great cup of coffee you can really
00:18:55.829 --> 00:18:58.450
enjoy later in the day as well, you can check
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out Severista. And if you are convinced by that,
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for sponsoring the episode. Okay, here's a batch
00:19:37.910 --> 00:19:43.509
of songs for the... playlist of the month so
00:19:43.509 --> 00:19:45.710
if you just go on spotify and search the overshare
00:19:45.710 --> 00:19:48.450
pamphlet songs of the week october 2026 you'll
00:19:48.450 --> 00:19:50.950
find all the songs that i'll be talking about
00:19:50.950 --> 00:19:53.650
for the for this month and this is the first
00:19:53.650 --> 00:19:55.369
batch because it's going to be the first episode
00:19:55.369 --> 00:19:58.710
of the month so first thing i want to talk about
00:19:58.710 --> 00:20:03.799
is dream baby dream by suicide that's a song
00:20:03.799 --> 00:20:06.599
that i just stumbled upon it's such a weird way
00:20:06.599 --> 00:20:14.480
um so the actress who um is in Sense and Sensibility,
00:20:14.599 --> 00:20:19.220
who plays the middle child. Oh my god, I forget
00:20:19.220 --> 00:20:24.690
her name now. But basically, the actress posted
00:20:24.690 --> 00:20:30.250
a behind -the -scenes situation, like a
carousel
00:20:30.250 --> 00:20:33.390
of photos from the set of Sense and Sensibility,
00:20:33.509 --> 00:20:38.529
and she put this song on Instagram as part of
00:20:38.529 --> 00:20:41.759
the photos, and it was... When I heard it, I
00:20:41.759 --> 00:20:43.759
was like, oh my god, this is actually so good.
00:20:43.880 --> 00:20:49.329
It's such a good song. And yeah, this is an old
00:20:49.329 --> 00:20:54.150
song. It's from the late 70s, and it keeps on
00:20:54.150 --> 00:20:56.809
resurfacing every now and then, apparently, especially
00:20:56.809 --> 00:21:04.019
for the Brits. It has inspired a lot of artists,
00:21:04.079 --> 00:21:08.819
of course. Wim Butler from Arcade Fire released
00:21:08.819 --> 00:21:12.059
a cover, for example. of the song under his dj
00:21:12.059 --> 00:21:16.839
alias uh dj windows 98 there's you know basically
00:21:16.839 --> 00:21:20.579
a dj version of this as well so it just keeps
00:21:20.579 --> 00:21:23.660
on finding its ways in but it's a very 70s uh
00:21:23.660 --> 00:21:28.119
song very like again fitting with the title but
00:21:28.119 --> 00:21:32.079
like a very dreamy production very cute um it
00:21:32.079 --> 00:21:35.549
was also If I remember correctly, in Civil War,
00:21:35.710 --> 00:21:42.190
the movie, the A24 Civil War movie that was released
00:21:42.190 --> 00:21:47.109
in A24 by Alex Garland. But yeah, very, very
00:21:47.109 --> 00:21:49.970
fun. Such a good track. Very soundtrack -y, I
00:21:49.970 --> 00:21:53.890
guess. So it fits. Then I have La Pluie by Luan.
00:21:54.549 --> 00:21:57.809
This French song, French pop. It's so good. I
00:21:57.809 --> 00:22:00.309
mean, I've gotten into the repertoire of Luan.
00:22:02.509 --> 00:22:08.369
She mostly does ballads and, like, piano songs,
00:22:08.609 --> 00:22:12.170
like, slower tracks. This is one of the few upbeat
00:22:12.170 --> 00:22:15.450
songs that she does, and it's so good. It's produced
00:22:15.450 --> 00:22:19.970
by Tristan Salvati, who worked with Angel, like,
00:22:19.970 --> 00:22:24.750
very famously. And so it makes sense. Like, the
00:22:24.750 --> 00:22:30.710
song is very Angel -coded in that sense. So,
00:22:30.710 --> 00:22:35.559
yeah. Their partnership, you know brings like
00:22:35.559 --> 00:22:37.779
a very good actual pop like track basically like
00:22:37.779 --> 00:22:42.309
having Catchy rhythms and also super super catchy
00:22:42.309 --> 00:22:48.160
Chorus so love it. I just cannot listen to it
00:22:48.160 --> 00:22:54.180
like it's that good Yeah Definitely if you like
00:22:54.180 --> 00:22:57.470
want to explore a bit more of the French pop
00:22:57.470 --> 00:23:00.549
situation, this is it. This is a good one then
00:23:00.619 --> 00:23:05.089
I have Pillified by Ms. Tenashi from her latest
00:23:05.089 --> 00:23:08.670
album Popstar, I think it's called. Yeah. Anyways,
00:23:08.730 --> 00:23:14.000
this was released a few weeks ago with I'd Rather
00:23:14.000 --> 00:23:16.819
Be Alone as well as singles to the album as well.
00:23:18.329 --> 00:23:23.309
Like, this song is just so, so good. Such a good
00:23:23.309 --> 00:23:27.769
R &B track as well. The production is super captivating.
00:23:27.849 --> 00:23:32.150
Her vocal... style in this track is just amazing
00:23:32.150 --> 00:23:38.240
so so polished Latin actually is the one of the
00:23:38.240 --> 00:23:40.299
quintessential architects of pop that works behind
00:23:40.299 --> 00:23:43.480
the scenes like she is inspiring as fuck so and
00:23:43.480 --> 00:23:45.119
this is proof of that just go listen to this
00:23:45.119 --> 00:23:48.619
it's so so good and then I have another old song
00:23:48.619 --> 00:23:50.859
uh right into the sun by the velvet underground
00:23:50.859 --> 00:23:58.849
uh this was released also quite a while ago Maybe
00:23:58.849 --> 00:24:05.529
in 1969, I can't remember. But, yeah. Like, the
00:24:05.650 --> 00:24:10.670
remastered version, like the mix made in 2014,
00:24:10.970 --> 00:24:13.329
is the version that I prefer the most about the
00:24:13.329 --> 00:24:18.440
song. And it recently resurfaced in my go -to
00:24:18.440 --> 00:24:21.259
songs, and it's just a classic. I don't know
00:24:21.259 --> 00:24:23.539
if you guys know this song, but if you do like
00:24:23.539 --> 00:24:25.380
The Velvet Underground, this is like a legendary
00:24:25.380 --> 00:24:30.490
song. Like, just... so so good it was originally
00:24:30.490 --> 00:24:35.210
recording i think in 1969 but um apparently didn't
00:24:35.210 --> 00:24:39.799
make it didn't make it until onto the album until
00:24:39.799 --> 00:24:46.759
later on until i think 1986 uh so yeah it's it's
00:24:46.759 --> 00:24:49.099
a bit of like it's been played live ever since
00:24:49.099 --> 00:24:52.160
it was out but it's such a good good track um
00:24:52.160 --> 00:24:57.420
i definitely recommend listen to this very cinematic
00:24:57.420 --> 00:25:00.549
as well Super, super good. And by the way, Unground
00:25:00.549 --> 00:25:03.150
is just legendary. Like, you need to know the
00:25:03.150 --> 00:25:05.869
view of Unground's music. Like, it's just that
00:25:05.869 --> 00:25:10.019
good. Yeah, so these are the songs that I, you
00:25:10.019 --> 00:25:13.420
know, suggest for the week that I've been listening
00:25:13.420 --> 00:25:19.779
to on repeat. Very fun, very good stuff. Totally
00:25:19.779 --> 00:25:22.200
recommend checking them out. So just go to Spotify
00:25:22.200 --> 00:25:25.089
and you can just find them in the playlist. but
00:25:25.089 --> 00:25:27.049
thank you for listening hope you also check out
00:25:27.049 --> 00:25:29.930
again Resident Evil and let me know your thoughts
00:25:29.930 --> 00:25:31.410
about the movie if you like it if you didn't
00:25:31.410 --> 00:25:35.009
like it if you have any problems with the fact
00:25:35.009 --> 00:25:38.210
that it's not like super loyal to the game and
00:25:38.210 --> 00:25:39.470
yeah enjoy