TRANSKRIPT 🔗
WEBVTT
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South Asian music and culture can be.
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Found around the world.
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We track down the best and present it here for
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you on Ruckus Avenue Radio.
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Sasi Kaal, this is Purra and you're listening to The
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Bridge with Sami Chand on Ruckus Avenue Radio.
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Hi guys, this is me, Amy West and you are
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listening to The Bridge with Sami Chand.
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Hi, this is Simmer, and you're listening to The Bridge
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with Sammy Jund on Ruckus Avenue Radio.
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What's up?
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Hope you guys had a great weekend. And thank you
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very much for finding this signal here on a Monday morning.
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And thank you for joining us on a September 28th
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edition of The Bridge. quite possibly folks the most entertaining
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hour in all of South Asian music making its way
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through some wires and some technology and ending up in
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your phone here and we're gonna share this next hour
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together you know as part of my Monday morning I
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always share with you some of the new music that
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made its way out over the weekend And Fridays are
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a traditional release day in the music business. So we
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have some new stuff to share with you today, including
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some brand new Karanodula. Some real cool stuff coming out.
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Got a great week program for you. We'll be joined
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today by Dr. Roy Doita Dasgupta, the Ruckus Avenue Radio All-Stars.
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We'll be joined by Meera Sharma today.
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With a mindful minute, as she does every Monday here
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on the big program. And as part of Ruckus Avenue
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Radio's partnership with the United Nations News Department, Daniel Johnson
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will be stopping by today. And for all the folks
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that checked out Bollywood Dance University over the weekend, wanted
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to give a big shout out to you guys. Of course,
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you're truly the music supervisor on that project. A lot
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of cool stuff going on. We'll share and talk more
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about it as the hour goes along here. But just
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like every other Monday morning, we begin today's show with
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what was the number one song from over the weekend.
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And this song is by Zeeshan Ali. The song is
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called Bande Zulfonte. Welcome to the bridge.
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Welcome to the bridge.
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Dekh ke tujh ko Aayna chamke Dekh ke tujh ko
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Aayna chamke Chaya aankho me teri kaisa Ye khumar hai tauba.
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Tauba Bandhe zulf.
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Jaana na mujh se toh kyun khafa hai.
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Jaana You told them Ja na na aaja mujh se.
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Mil ja na Ja na na aaja mujh se.
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Mil ja na Pyaar.
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Ke lamhe toh kismat mein hai toh chaar hi Tauba tauba.
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Sometimes it takes a second for.
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My voice to get going here on a Monday. Got
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a cup of coffee in hand here. Wanted to thank
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you all for tuning in today. That song called Bande
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Zulfonpe by Zeeshan Ali.
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Great way to start the show off. I love that song.
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We talked about the lavender on the onset of the show.
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It's his brand new single. It's called Aase Paase.
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Kholanje Tere Khulaase Tere Aase Paase Tikda Ye Maino Kaun
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Tikda Ye Maino.
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Kaun Kholanje Tere Khulaase Tere Aase Paase Tikda Ye Maino Kaun.
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Tikda Ye Maino Kaun When you laugh, you don't seem
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to laugh. You get stuck in the corners of your eyes.
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When you laugh, you don't seem to laugh. You keep
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all the things of your heart in your heart. If
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you come, without your laughter, who laughs? Kolaan je teri
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khola se, teri aase paase, dikhdaye maini. Kismat vich likhya
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si jo, ho hi saa. What happened to you? What
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did you get from me? By not wanting you, my
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heart starts to bleed I open your eyes, I come
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close to you You could die in my new house
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The album is scheduled for release right before Halloween folks.
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It's called Painted Feelings.
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And if you go looking for it, painted is spelt
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with two I's. Just like the Lavender's name. And that
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is the lead
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single. It's called Ase Pase. He's getting
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ready for a big fall into the winter here. The
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Lavender taking over Halloween season.
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Can't wait. Here's Priyaragu.
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Finally I found a lover, I know that it's like
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me I finally I found a girl, I know that
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excites me, yeah Finally I found a girl, I know
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that it's like me.
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Finally I found a lover, I know that it's like
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me For so long I didn't know What I have
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been looking for Faith be nothing at my door This
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doom doom doomsday is so short you finally i found
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you me i'm also enticing i finally i found a
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love with swagger that's so high finally i found a
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pure soul so enlightening finally i For so long, I
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didn't know what I had been looking for.
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Baby, knock me at my door. This doom, doom, doom
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is so short. I won't let you go. Our names
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in stone. Even when we are gone.
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One day we'll know. Someday we'll be free. For the
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world to see. Even when we're gone, this song will keep. Finally, finally,
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finally Baby, you make my hope get 180 Won't you
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come down and save me One million stars have been
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raining Just to get close to you Close to.
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You Switzerland's very own. Briaragu, everybody.
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The song is called Finally. Hope you're enjoying your morning
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wherever you may be. Let's turn over this microphone to
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our own Dr.
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Roy.
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What's up, Dr.
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Roy?
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Hey, guys.
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This is Dr.
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Roy with today's Word on the Avenue. In film and
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TV news... Frida Pinto stars in Unaccustomed Earth, an all-new
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series inspired by Chumpa Lahiri's internationally beloved short story collection,
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premiering December 17th. The series follows a wife and mother who,
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after a life-changing cancer diagnosis, moves her family from India
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back to Cambridge, Massachusetts, the place where she once felt
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truly at home, and also stars Siddharth Sarayu Blue, Indranil Sengupta,
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Adi Roy, Ila Sundar Singh McKay, and Frida Pinto. In
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media news, Rani Mukherjee brought timeless Indian elegance to the
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front row of Sabyasachi Mukherjee's New York Fashion Week showcase,
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wearing a sleek black silk sari paired with bold sunglasses
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and understated gold jewelry. Her appearance was especially fitting as
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Sabyasachi returned to New York Fashion Week after nearly two
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decades with his Bengal Byzantine Broadway collection, blending Bengali craftsmanship
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and Indian heritage with contemporary global fashion. In event news,
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Garan Johar and Prince Williams are teaming up ahead of
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the Earthshot Prize 2026, with the filmmakers sitting down with
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the royal to discuss this year's 15 finalists and their
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groundbreaking environmental solutions. The awards will take place in Mumbai
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on November 17th, marking the first time the Earthshot Prize
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is being held in India, with Johar making history as
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the first Indian host. That's it for today's Word on
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the Avenue.
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Until next time.
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Thank you, Dr.
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Roy.
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Got a big program ahead. Sonny Guttowall is stopping by.
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Can't wait for that. Sonny is going to be talking
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about his show that aired this morning at 5 a.m.
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And repeats again today at 5 p.m. Pacific time.
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Folks.
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This is Buddha. His song is called Lakkire. He's stopping
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by right after this song.
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Ho jaate dundale rah hamare likh dete Pyaar kisi aahiyo
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se tera mera naam Pyaar kisi aahiyo se tera mera
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naam Pyaar kisi aahiyo se.
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Tu naaraaj houwe Ji mere katdehne Jad tu.
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Rohnaaye Meri athroo vagdehne, jad toor se jaaveh Sooraj taldehne,
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enj toon hasdaveh Fuljh me khiddeh.
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Bhojh daasaaz hoveh Pyar di awaaz hoveh.
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Oh, yeah.
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Thank you.
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Sasi Kaal Saryanu, this is Burra and you're
listening to
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my new single On the Bridge with Sami Chand on
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Ruckus Avenue Radio. I'm a Punjabi artist out of New
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Delhi and I have a gut feeling that I'll be
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in LA soon and one day, I'm telling you, one
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day I'm claiming it. Very soon, we'll pack a stadium
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together in LA.
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Alright, see you soon.
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Bye-bye.
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Shout out to Burra there for stopping by.
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Yeah, brother.
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Hope we packed that stadium out for you here. That's
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his new song called Look Eat In. What a great
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job there on his new single. Now let's bring in
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Meera Sharma, who's got today's Mindful Minute for you.
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What's up, Meera?
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Hey, Sammy.
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Hey, everyone.
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Meera Sharma here with your weekly dose of mindful sass,
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helping you stay self-assured, spirited, and strong. As September comes
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to an.
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End, here's your reminder.
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Build a life that feels good to you, not one
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that simply looks good to everyone else.
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It's so easy.
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To get caught up in what society says success looks like,
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but your life doesn't have to follow someone else's blueprint.
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Maybe your version of happiness looks completely different and that's okay.
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So this week ask yourself, am I living for myself
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or for other people's expectations?
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Because at the end of.
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The day, you have to live your life, not anyone else's.
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You've got this.
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That's amazing advice.
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Great power for the Monday morning for you guys, courtesy
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of Meera Sharma, right here on the bridge on Ruckus
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Avenue Radio.
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Thank you, Meera.
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You know, there are a few albums that we're very
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excited about here for the fall. Of course, I shared
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one of them with you, which is coming out on
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the 29th of October. That's Delvinder. Painted Feelings is what
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it's called. And then we have God and Audula. who's
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dropping two EPs here. And the very first one just
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dropped on the 25th of September. It's called Aajla, season one.
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Here is the lead single. It's called Ashke.
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Bhabhi di saanu bakshe Karanatiyan gaani lashke Ni modde paundi
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chumrid naali kaike yashke Mir jor bala e pateche Nija
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tu saala hathche Tu tigra dekhi jateche Khad jaan da.
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Kala gathche Main sita.
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Chalda puthiyana Bingwal ni saala mathche Lata koi khichda khichle.
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Min trust ya nili.
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Shatche Saade kam kaale Teriyan galaan dey utne laliyani See
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Sony a kiss.
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I'm at home in Thailand.
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Yeah, I know that the only.
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Thing that I had yeah, yeah, yeah, yeah Baby, you
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so fire, I miss you so much, I miss you
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so much, I miss you so much.
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I miss you so much, I miss you so much.
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Wherever I keep my feet, my teeth are still there.
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I came to the village with a pair of sandals
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and a pair of shoes. I didn't want to give
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a show-off, so I went to India. I met a girl,
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but I couldn't even get a photo of her.
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I'm a young man from Siddharth, you're a young man
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from Taddi.
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You're a body girl, I'm a slim girl, and.
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I'm a girl from Kamshiri. We're from Tora, Fera, Enam, Raini, Lodha, Gedi.
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I don't know what to do Gadan Ajla collaborating with.
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One of his best producer collaborators, I think. Mercy Beats.
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It's called Audula Season 1. That is the brand new EP.
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That's the lead single from it.
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It's called Ashke.
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And a great, great vibe to kick off that album
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and the rollout for the whole Audula Season 1 EP.
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So big shout out to Karan Audula and a big
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shout out to Mercy Beats there. Looking forward to the
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rest of the project. And now, folks, let's bring in
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Daniel Johnson from the UN
News Department as he brings
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you a news break every Monday.
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What's up, Daniel?
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This is UN News Today with me, Daniel Johnson. The headlines.
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Violence in Yemen is causing an alarming hunger spike in children.
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How Sudan's people urgently need support to withstand war and
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the El Nino climate shock. And in the occupied West Bank.
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New Israeli demolitions deepen ethnic cleansing fears. We'll have the details.
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Aid agencies in Yemen have warned about the growing hunger
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emergency sparked by renewed fighting between Houthi opposition forces and
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government troops after mobile health clinics reported that hundreds of
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children displaced by the violence are suffering the deadliest form
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of malnutrition. Of nearly 2,900 children screened, The UN Children's
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Fund UNICEF said that more than one in four are
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00:23:36.839 --> 00:23:41.390
acutely malnourished, while around 200 were sick with severe acute malnutrition,
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which is even more dangerous. Approximately 130,000 people have fled
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00:23:46.670 --> 00:23:50.250
clashes in the southwest since fighting erupted in recent weeks.
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That number includes around 71,000 children, mostly from Taiz governorate.
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UNICEF representative in Yemen, Akhil Ayah, described the ordeal of
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one displaced family.
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We spoke to Haifa, a young mother who fled Yemen's
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west coast, and she told us that the sounds of
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gunfire were closing in on her house as her house
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was shaking. She told us that she didn't have time
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to think. She just knew that she had to run
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and run quickly with her family. Today, she and her
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family live in extreme heat in a side of a
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tent with no source of income and they are struggling
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for food and medicine.
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Providing health care for all those exhausted by repeated displacement
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is vitally important, but reaching communities with the highest health
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needs is becoming increasingly difficult, the UN World Health Organization said.
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To Sudan, where funding shortages are limiting UN efforts to
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help communities impacted by ongoing war and displacement, just as
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El Nino threatens to bring 30 to 40 percent less
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rainfall than usual. In an alert, the food and agriculture
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organization FAO warned of worsening food security for farmers, pastoralists
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and fishing communities in regions largely reclaimed by government forces
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during the protracted war with former paramilitary allies, the RSF.
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The agency has several ways of supporting the most vulnerable,
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such as vaccinating millions of livestock and providing goats to
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displaced women-headed households and mothers so that children have a
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ready supply of nutritious milk. With more, here's the agency's
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Rain Paulson.
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The things that we do are really to try and
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mitigate the impacts of rainfall losses and drought on livestock
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by ensuring essentially healthy animals to the extent possible. So
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this is about ensuring that the body weight of animals
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00:25:39.359 --> 00:25:43.220
are retained, that they're vaccinated against the types of diseases
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that will compromise their health, that they have access to
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animal feed concentrate.
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Another successful ongoing project that's brought investment returns of 30
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to 1 involves purchasing drought-resistant seed for farmers. From an
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00:25:57.339 --> 00:26:01.980
initial $ 17 million outlay, farmers produced sorghum crops worth more
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than $ 500 million. This year, the agency needs $ 193 million
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to support its initiatives. It is currently only 23% funded.
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The situation in the occupied West Bank continues to deteriorate,
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00:26:16.869 --> 00:26:19.670
The UN Human Rights Office has said, pointing to the
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00:26:19.910 --> 00:26:24.529
mass destruction of Palestinian villages and forcible transfer of residents
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00:26:24.869 --> 00:26:28.650
in Safayata, South Hebron Hills. In a call for an
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00:26:28.690 --> 00:26:33.039
immediate halt to the demolitions, the UN office OHCHR said
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00:26:33.079 --> 00:26:37.259
that Israeli bulldozers demolished homes, farm buildings, water tanks and
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00:26:37.319 --> 00:26:41.000
solar panels in the village of Jinba on Wednesday. The
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00:26:41.019 --> 00:26:44.579
forcible transfer of a civilian population from their land by
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00:26:44.599 --> 00:26:47.960
an occupying power is a war crime. said Ajit Sungay,
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head of OHCHR in the Occupied Palestinian Territory. Three more
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00:26:52.759 --> 00:26:57.160
villages in Masafayata have already been almost entirely destroyed in
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00:26:57.240 --> 00:27:02.869
September 2026, OHCHR said, highlighting fears of ethnic cleansing in
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the Occupied Palestinian Territory. Overall, there are 12 villages in
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00:27:07.109 --> 00:27:11.920
Masafayata housing over 1,100 Palestinians, most of whom have owned
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00:27:12.099 --> 00:27:15.799
and lived on the land for generations. Israeli demolitions of
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00:27:15.839 --> 00:27:20.000
Palestinian homes and infrastructure have displaced 1,500 people in the
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00:27:20.039 --> 00:27:22.839
occupied West Bank so far this year, according to the
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00:27:22.980 --> 00:27:27.960
UN Aid Coordination Office OCHA. Daniel Johnson, UN News. And
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00:27:28.000 --> 00:27:30.380
that's the bulletin, but if you'd like to catch up
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00:27:30.440 --> 00:27:33.109
with the latest news from the UN General Assembly in
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00:27:33.160 --> 00:27:37.849
New York, go to our website at news.un.org or follow
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00:27:37.890 --> 00:27:40.150
us online. Just search for UN News.
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Thank you, Daniel. Thank you so much.
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Daniel appears every Monday here as part of Ruckus Avenue
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00:27:45.400 --> 00:27:48.400
Radio's partnership with the UN News Department.
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Thank you. What should I do?
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00:28:23.660 --> 00:28:26.490
I don't know what to do without you.
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00:28:26.569 --> 00:28:30.509
Why is the environment so scary?
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00:28:30.549 --> 00:28:35.509
The whole of India is looking at you. Glory to
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00:28:35.549 --> 00:28:38.789
the Lord. I keep my friends and my friends in
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00:28:38.970 --> 00:28:41.450
my house. I don't know what to do. I don't
316
00:28:41.490 --> 00:28:43.490
know what to do. I keep my friends and my
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00:28:43.509 --> 00:28:44.650
friends in my house.
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00:28:53.000 --> 00:28:54.099
I don't know.
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00:28:53.799 --> 00:28:57.480
What to say, but you're my crush, you're my crush
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00:28:57.579 --> 00:29:01.460
It's such a beautiful imagination, they say Ask me, where
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00:29:01.500 --> 00:29:02.940
did you get the drugs from?
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00:29:02.960 --> 00:29:04.599
They say, you keep them in a big bag We
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00:29:04.619 --> 00:29:06.920
laugh and you follow us We shout and we get
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00:29:07.140 --> 00:29:09.920
beaten up every day How many times have we done
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00:29:09.940 --> 00:29:11.319
this in our lives?
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00:29:11.400 --> 00:29:12.700
Half of the rush is left.
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00:29:12.559 --> 00:29:15.960
Behind, the rest is very deep God's grace and goodness is.
328
00:29:15.880 --> 00:29:21.380
With everyone Hania, my love Don't worry about it I understand,
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00:29:21.440 --> 00:29:23.960
don't worry about it Honey.
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00:29:23.940 --> 00:29:30.490
I'm here so much attitude and
personality.
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00:29:28.890 --> 00:29:36.210
Passion Honey, I'm here.
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00:29:37.150 --> 00:29:43.440
So much attitude and personality packed into this song. My
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00:29:43.480 --> 00:29:46.359
favorite part might be these kind of parting words at
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00:29:46.400 --> 00:29:49.099
the end of the song. A lot of great self-affirmation
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00:29:49.160 --> 00:29:49.660
right there.
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00:29:49.700 --> 00:29:52.740
It's so funny. This next one we've got for you.
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00:29:53.640 --> 00:29:55.049
The song is called Radha.
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00:29:56.089 --> 00:29:56.529
Enjoy.
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00:29:56.549 --> 00:29:57.309
Enjoy.
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00:30:09.259 --> 00:30:15.829
Why does it keep falling, Radha?
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00:30:15.849 --> 00:30:16.710
Oh Radha!
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00:30:16.730 --> 00:30:24.670
My Radha is filled with water in the nest of birds.
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00:30:24.750 --> 00:30:30.259
These birds have lost their way.
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00:31:10.460 --> 00:31:15.089
Us ghum chadho lena naam tera kaha mujh se Mere
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00:31:15.269 --> 00:31:19.450
pank bheege hain paon chalate nahi.
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00:31:19.609 --> 00:31:24.539
And this jungle mein ek gid bhookha hai Jo mujh
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00:31:24.690 --> 00:31:25.900
ko dhund.
348
00:31:25.599 --> 00:31:32.920
Taar Gar kal sabha tak na ho khuda ki ganimet toh.
349
00:31:33.259 --> 00:31:38.440
Na saas ho na hi aahhte na ye jiwala So
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00:31:38.480 --> 00:31:42.849
tell my mother, Radha, that your son is happy.
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00:33:14.339 --> 00:33:16.000
Love the vibe. Love the track.
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00:33:16.680 --> 00:33:18.279
And you guys know we've been playing this quite a
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00:33:18.299 --> 00:33:20.460
bit here on the show over the last couple of weeks.
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00:33:22.140 --> 00:33:27.289
Ja Divari, collaborating with Nutcut on a song called Radha.
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00:33:28.630 --> 00:33:31.029
Hope you guys are enjoying yourselves wherever.
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00:33:30.630 --> 00:33:31.630
You may be.
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We've got a lot going on on this show today.
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00:33:33.630 --> 00:33:36.549
We'll be joined by Sonny Gutterwall, so don't go nowhere.
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00:33:37.210 --> 00:33:38.599
Sonny will give us a little bit of an update
360
00:33:38.630 --> 00:33:42.740
as to what's going on with their show airing.
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00:33:41.920 --> 00:33:45.779
Today at 5 p.m. Pacific time. This is Simran Chaudhary.
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00:34:14.860 --> 00:34:15.860
So so.
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Tere piche heer hoi duniya pulaaiya Heer jai naar rab
364
00:34:49.989 --> 00:34:55.329
teri choli paaiya Hona naraz mera dil kab raunda hai
365
00:34:55.449 --> 00:34:59.679
Pyaar da mazaak mainu das kyun banauna hai Ishke de
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00:34:59.739 --> 00:35:02.420
rog di daru Now it feels like I'm going to
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00:35:02.739 --> 00:35:06.059
kill you. I'll throw you in heaven with two eyes.
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00:35:06.400 --> 00:35:08.940
I'm yours and you become mine, my dear.
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00:35:08.980 --> 00:35:13.309
Bring a beautiful girl in the neighborhood.
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00:35:12.320 --> 00:35:13.429
Of your heart.
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00:35:13.730 --> 00:35:18.409
Bring a beautiful girl in the neighborhood of your heart.
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00:35:18.530 --> 00:35:20.269
My dear, look at your face, my dear.
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00:35:20.329 --> 00:35:23.889
Bring a beautiful girl in the neighborhood of your heart.
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00:35:23.969 --> 00:35:27.070
Bring a beautiful girl in the neighborhood.
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00:35:26.449 --> 00:35:27.070
Of your heart.
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00:35:35.210 --> 00:35:38.010
The song is from Simran Chowdhury. It's her latest single.
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Out now on Sarigama Music, everybody.
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Got a big week ahead, everyone.
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00:35:44.500 --> 00:35:47.840
Sunny Gariwal today will be joined by several other of
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00:35:47.860 --> 00:35:52.039
the Ruckus Avenue folks throughout the week. including Jeeva Mental
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00:35:52.079 --> 00:35:53.179
Health's Ekta.
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00:36:15.710 --> 00:36:47.440
I don't know. Tainu chate karke shami hoor ghazal yaaj
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00:36:47.480 --> 00:36:52.650
likh lai main Jado jado bhi likha tainu lagda duniya
384
00:36:52.670 --> 00:36:57.869
jat lai main Jado jado bhi likha tainu lagda duniya
385
00:36:57.889 --> 00:37:15.630
jat lai main Kadi rahi tum wadi rahi tum pake
386
00:37:15.690 --> 00:37:21.190
parde chawate Kool khano ta koi na jathe na tori
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00:37:21.230 --> 00:37:27.760
na raakhaate Kismat wala main raaniye saath jo tera labyaani
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00:37:28.599 --> 00:37:33.980
Tere bajon saath kise da hoor janam main mangyaani Kedre
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00:37:34.019 --> 00:37:38.079
saano nazir na lagje na photo paama islai.
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00:37:37.699 --> 00:37:39.099
Main Jado jado.
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00:37:41.300 --> 00:37:46.150
Jado jado bhi vekhaan tenu lagda duniyaan jatlai main Jion
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00:37:46.190 --> 00:37:48.389
jugye jionda hojaan vehke tere.
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00:37:48.150 --> 00:37:54.590
Haase ni Jaan te sade banyo di jad zulf ji
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00:37:54.650 --> 00:37:59.909
kardi faase ni Tu hi saanu kaafi hai fir nazar
395
00:37:59.969 --> 00:38:05.960
kumama kislai main Jado jado bhi vekhaan tenu lagda duniyaan
396
00:38:05.980 --> 00:38:07.440
jatlai main.
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00:38:14.329 --> 00:38:26.380
Siddhu is the artist. The song is called Duniya. I
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00:38:29.360 --> 00:38:31.980
was mentioning to you that tomorrow we'll be joined by
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00:38:32.159 --> 00:38:39.559
Shoman Mathur, an interesting artist. He's from Washington, D.C., multi-instrumentalist,
400
00:38:39.699 --> 00:38:41.860
and one of the most talented vocalists that I've heard
401
00:38:41.880 --> 00:38:45.599
from our community here. But he is the front man
402
00:38:46.119 --> 00:38:49.800
and the founder of a one-man rock band called Black
403
00:38:49.920 --> 00:38:52.510
Mustang Defense. He's joining us tomorrow.
404
00:38:53.570 --> 00:38:57.269
I don't know who it is. I don't know who
405
00:38:57.510 --> 00:39:11.119
it is. Yesterday I was free, why am I free today?
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00:39:11.139 --> 00:39:15.730
Yesterday I was free, why am I helpless today? I
407
00:39:16.030 --> 00:39:19.090
don't know who I am, I don't know I don't
408
00:39:19.829 --> 00:39:21.230
know who I am This world Who
knows who it
409
00:39:21.630 --> 00:39:27.050
is This world Is confused.
410
00:39:26.170 --> 00:39:32.409
This world Is confused.
411
00:39:56.420 --> 00:40:02.030
Yesterday, everything was close. Today, look, it's far away. Yesterday,
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00:40:02.210 --> 00:40:03.329
everything was special.
413
00:40:03.349 --> 00:40:04.329
Today, it's useless.
414
00:40:04.369 --> 00:40:06.530
Neither do we know who it is. Neither do we know.
415
00:40:06.630 --> 00:40:08.349
Neither do we know.
416
00:40:08.150 --> 00:40:09.389
Who it is. This world is a mess.
417
00:40:40.690 --> 00:40:43.000
All the way in from the UK, my brother from
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00:40:43.059 --> 00:40:45.010
another mother, Sonny Garewal.
419
00:40:45.070 --> 00:40:45.949
How are you, Sonny?
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00:40:46.130 --> 00:40:46.230
Hey.
421
00:40:47.210 --> 00:40:48.050
I'm doing well, brother.
422
00:40:48.070 --> 00:40:49.090
How are you keeping your cake?
423
00:40:49.329 --> 00:40:49.929
Good, brother.
424
00:40:50.150 --> 00:40:50.469
Good.
425
00:40:50.510 --> 00:40:53.590
Just working away over here, practicing dance moves.
426
00:40:53.989 --> 00:40:55.110
You know, we just put.
427
00:40:55.110 --> 00:40:58.809
Out a brand new show. I was the music supervisor
428
00:40:58.889 --> 00:41:04.349
of a show called Bollywood Dance University. And Bollywood Dance
429
00:41:04.389 --> 00:41:08.090
University is the accompanying documentary to the big Best of
430
00:41:08.150 --> 00:41:11.909
Best show that just got released on Netflix starring Hasan
431
00:41:11.929 --> 00:41:14.889
Minhaj and everybody like that. But, you know, which begs
432
00:41:14.949 --> 00:41:17.989
the question for me, Sonny. You know, what's the dance
433
00:41:18.030 --> 00:41:21.090
scene like over there from this kind of collegiate perspective?
434
00:41:21.110 --> 00:41:23.500
In the US, it's pretty competitive.
435
00:41:23.820 --> 00:41:26.880
We have these like annual events where these colleges get
436
00:41:26.940 --> 00:41:29.539
together and they compete and.
437
00:41:29.699 --> 00:41:32.090
It's a thing. Is there such a thing out there
438
00:41:32.110 --> 00:41:32.440
in the UK?
439
00:41:33.730 --> 00:41:36.650
It's interesting because, bear in mind, I am, you know,
440
00:41:36.670 --> 00:41:40.510
I've batted a half a century right now, right? And
441
00:41:40.610 --> 00:41:44.000
I'm into my 51st year in about a couple of days.
442
00:41:44.119 --> 00:41:44.960
Nice.
443
00:41:45.519 --> 00:41:47.559
And so I'll be honest with you. When I was younger,
444
00:41:47.599 --> 00:41:49.679
there was never a big thing about dancing. But there
445
00:41:49.699 --> 00:41:52.239
was always these little pockets of people who would have...
446
00:41:52.760 --> 00:41:55.719
dance off but it will be community based it will
447
00:41:55.760 --> 00:41:58.159
be if you're interested in hip hop if you're interested
448
00:41:58.199 --> 00:42:00.300
in break dancing I don't know yeah of course you
449
00:42:00.320 --> 00:42:02.280
would know so break dancing was a big thing when
450
00:42:02.320 --> 00:42:04.820
I was younger and it was and it was never
451
00:42:04.949 --> 00:42:08.409
recognized as a art form until a lot later at
452
00:42:08.449 --> 00:42:09.969
the time it was just like oh they're sort of
453
00:42:10.010 --> 00:42:13.949
like seedy down underground sort of thing and then but
454
00:42:13.969 --> 00:42:17.309
then when you look at colleges and universities when Michelle
455
00:42:17.349 --> 00:42:21.530
was at university there were these so they had these
456
00:42:21.710 --> 00:42:24.949
you know committees where they would have a Punjabi society,
457
00:42:24.969 --> 00:42:27.369
a Hindi society. They would have had like, you know,
458
00:42:27.409 --> 00:42:30.869
science society, chess board society. But they also have Bhangra
459
00:42:31.070 --> 00:42:35.409
and dance-related ones as well, like ballet or dancing. So
460
00:42:35.730 --> 00:42:39.340
over here, the one that I really conscribe to is
461
00:42:39.380 --> 00:42:43.380
the Bhangra one, right? And it's called Bhangra Showdown and
462
00:42:43.400 --> 00:42:45.860
it's called the Bhangra Dance-Off or whatever it's called. There's
463
00:42:45.900 --> 00:42:49.760
about three companies, there's three people who would normally set
464
00:42:49.780 --> 00:42:53.440
this up. And the universities would get together, about five,
465
00:42:53.480 --> 00:42:56.070
six big universities would come together and say, look, right, okay,
466
00:42:56.090 --> 00:42:57.090
so what we're going to do is we're going to
467
00:42:57.110 --> 00:42:59.849
do a Bhangra showdown, and you have to pass this, this,
468
00:42:59.889 --> 00:43:02.230
and this. And the judges come on board, and then
469
00:43:02.269 --> 00:43:06.050
they have one night of this massive dance-off against each other.
470
00:43:06.550 --> 00:43:09.449
And then the one who gets to the end gets
471
00:43:09.530 --> 00:43:15.579
crowned Bhangra team or Bhangra university of the year. So
472
00:43:15.639 --> 00:43:18.480
that's where, I guess, What you were just referring to
473
00:43:18.619 --> 00:43:19.639
is what we've got.
474
00:43:19.719 --> 00:43:20.059
Yeah.
475
00:43:20.579 --> 00:43:20.800
Yeah.
476
00:43:21.139 --> 00:43:24.590
And obviously, you know, we gave you guys the, you know, like,
477
00:43:24.730 --> 00:43:26.670
come dance with me or whatever it's called.
478
00:43:26.750 --> 00:43:27.869
I'm from the BBC, right?
479
00:43:27.989 --> 00:43:30.389
Yeah. Come dance with the stars. So that came from
480
00:43:30.409 --> 00:43:33.840
the BBC. So this country has a lot of heritage
481
00:43:33.880 --> 00:43:36.659
and a lot of, you know, a lot to do
482
00:43:36.699 --> 00:43:37.300
with dancing.
483
00:43:37.320 --> 00:43:37.480
Yeah.
484
00:43:38.039 --> 00:43:40.059
Uh, you know, and so as a result, we used
485
00:43:40.079 --> 00:43:43.300
to have dance halls and all of that kind of stuff. So, so,
486
00:43:43.340 --> 00:43:45.019
you know, come dance with whatever it is. I forgot
487
00:43:45.059 --> 00:43:46.579
the name of the show. I'm so, so sorry. I
488
00:43:46.639 --> 00:43:49.199
got blank, but it's like, that's the one that.
489
00:43:49.090 --> 00:43:51.750
We watch as a nation. That's interesting.
490
00:43:51.829 --> 00:43:55.559
And, and, Yeah, so that's the one that we would then,
491
00:43:55.840 --> 00:43:58.340
you know, watch it. But it would be like, oh,
492
00:43:58.360 --> 00:44:00.800
look who's going to be dancing with the stars now.
493
00:44:00.840 --> 00:44:01.659
Oh, look what happened.
494
00:44:02.000 --> 00:44:04.039
It's only the star element came later on and that
495
00:44:04.119 --> 00:44:08.610
was bringing a bigger view. And then obviously that format
496
00:44:08.650 --> 00:44:12.030
has now gone around the world from the BBC. And
497
00:44:12.110 --> 00:44:14.409
as a result, you know, that's the kind of dance
498
00:44:14.510 --> 00:44:15.030
aspect of it.
499
00:44:15.170 --> 00:44:15.889
But here's the thing.
500
00:44:16.550 --> 00:44:18.250
It's the music that brings you in.
501
00:44:18.250 --> 00:44:18.730
That's it, brother.
502
00:44:19.030 --> 00:44:21.210
And I think that's the key thing. And it's funny
503
00:44:21.230 --> 00:44:23.070
because you're the music supervisor. So I guess it must
504
00:44:23.090 --> 00:44:25.510
be really hard for you to think, okay, I need
505
00:44:25.610 --> 00:44:29.010
to be honorable to the, you know, to the dancing.
506
00:44:29.389 --> 00:44:32.090
But I also need to keep my finger on the pulse.
507
00:44:32.110 --> 00:44:34.480
That will bring people in who are probably not interested.
508
00:44:34.539 --> 00:44:37.480
How do you, you know, balance that sort of tight
509
00:44:37.519 --> 00:44:41.119
line with the show and also with the current fight guys?
510
00:44:41.440 --> 00:44:44.730
Yeah, it was interesting because these were filmed at certain points.
511
00:44:44.969 --> 00:44:48.090
And now, you know, to see those things performed, they
512
00:44:48.139 --> 00:44:51.179
feel dated, or they did at the time. But interesting
513
00:44:51.239 --> 00:44:54.320
enough in... In some of the scenes, we did recreate
514
00:44:54.380 --> 00:44:57.960
music to kind of modernize different things and add different
515
00:44:58.000 --> 00:45:00.079
effects to make it kind of come together. And that's,
516
00:45:00.139 --> 00:45:02.119
I guess, a musical trick that we used in the
517
00:45:02.139 --> 00:45:04.239
background there to kind of enhance what they were doing
518
00:45:04.260 --> 00:45:06.610
there with their mixes. But, you know, if there was
519
00:45:06.650 --> 00:45:09.610
anything that I took away from it, Sonny, was just
520
00:45:09.730 --> 00:45:13.409
the personal investment that each of the dancers made into
521
00:45:13.489 --> 00:45:14.090
each of their.
522
00:45:13.949 --> 00:45:17.719
Teams throughout the year. It almost felt like, to me.
523
00:45:18.500 --> 00:45:21.179
I was watching the story of like a local football
524
00:45:21.219 --> 00:45:24.099
team or something, you know, where the play, you know,
525
00:45:24.199 --> 00:45:26.719
each of them were coming together. They felt a responsibility.
526
00:45:26.760 --> 00:45:29.440
There were roles that they were being counted on for
527
00:45:29.480 --> 00:45:32.920
the greater good. And then the story itself, the arc follows,
528
00:45:32.980 --> 00:45:35.139
you know, this, a couple of the dance groups, of course,
529
00:45:35.179 --> 00:45:38.550
and how somebody wins and et cetera, et cetera. I'm
530
00:45:38.630 --> 00:45:40.250
not going to give me spoilers out there, but just
531
00:45:40.269 --> 00:45:42.670
so in case you haven't seen it, but it, to me,
532
00:45:43.659 --> 00:45:48.269
Just how much each of them gave the routine, not
533
00:45:48.389 --> 00:45:51.360
only in the actual confines of the dance group and
534
00:45:51.380 --> 00:45:54.320
the rehearsals and the actual performance, but just on a
535
00:45:54.380 --> 00:45:55.079
personal level.
536
00:45:55.400 --> 00:45:56.760
That, to me, was really interesting.
537
00:45:56.780 --> 00:45:56.860
Yeah.
538
00:45:58.340 --> 00:46:01.769
And also the platform they've got, they're on Netflix, right?
539
00:46:01.869 --> 00:46:04.429
And so it's going to be filmed. So I guess
540
00:46:04.449 --> 00:46:07.030
they had that much more that is not just going
541
00:46:07.050 --> 00:46:10.309
to be performed to a live studio audience. And whoever's
542
00:46:10.349 --> 00:46:12.170
in that room will see this is going to be
543
00:46:12.230 --> 00:46:12.909
witnessed by them.
544
00:46:13.130 --> 00:46:13.739
There's going to be.
545
00:46:14.030 --> 00:46:16.090
Probably immortalized I mean it's going to be there for
546
00:46:16.210 --> 00:46:21.219
archival and for continuous time does that add I guess
547
00:46:21.360 --> 00:46:23.920
that must add another layer of pressure on them in
548
00:46:23.980 --> 00:46:24.599
some way shape or.
549
00:46:24.619 --> 00:46:27.199
Form it's got to you know their whole story is
550
00:46:27.239 --> 00:46:30.519
being told out there but you know I think it
551
00:46:30.559 --> 00:46:34.260
was generally very positive I think everybody all the teams
552
00:46:34.320 --> 00:46:38.400
and the participants in the documentary did great and you
553
00:46:38.420 --> 00:46:40.079
know because I think the documentary has a little bit
554
00:46:40.119 --> 00:46:41.659
more of an arc to it in terms of the
555
00:46:41.699 --> 00:46:42.739
actual culture you.
556
00:46:42.699 --> 00:46:45.480
Know The film was a little bit more, you know,
557
00:46:45.500 --> 00:46:46.860
a little bit more Hollywoodized.
558
00:46:46.989 --> 00:46:49.340
And so there's like elements of the actual experience that
559
00:46:49.360 --> 00:46:52.269
we're missing. But the documentary did a great job of that. But,
560
00:46:52.429 --> 00:46:54.849
you know, I was just curious because I see it
561
00:46:54.909 --> 00:46:57.670
here in the U.S. and it's evolved so much over
562
00:46:57.710 --> 00:47:00.289
this generation of last, I would say, 20, 30 years
563
00:47:00.329 --> 00:47:03.250
from being, you know, just a few different Bhangra groups
564
00:47:03.329 --> 00:47:05.949
or different dance groups that are happening to men. These
565
00:47:05.989 --> 00:47:08.329
guys are like full on like clubs that are like
566
00:47:08.369 --> 00:47:11.809
being passed down from student year to student year and
567
00:47:11.869 --> 00:47:12.750
fascinating to watch.
568
00:47:14.039 --> 00:47:14.699
Oh, a hundred percent.
569
00:47:14.739 --> 00:47:17.559
And it's nice that, you know, like they say, don't they,
570
00:47:17.639 --> 00:47:19.239
if you want to get rid of a culture, if
571
00:47:19.260 --> 00:47:23.420
you want to shut down a practice of a certain.
572
00:47:23.119 --> 00:47:24.739
People, get rid of their language. Right.
573
00:47:25.260 --> 00:47:28.739
And alongside that, there's also the music element of it
574
00:47:28.840 --> 00:47:31.510
and also the way we move to our music. So
575
00:47:31.800 --> 00:47:34.570
if you can keep those elements alive, which is almost
576
00:47:34.670 --> 00:47:37.130
like part of your DNA, like the heartbeat, that heart,
577
00:47:37.289 --> 00:47:40.190
you know, there's always a rhythm to life. So I guess,
578
00:47:41.050 --> 00:47:43.619
I guess this is what the rhythm to our lives.
579
00:47:44.000 --> 00:47:45.449
No matter where I am in the world, if I
580
00:47:45.489 --> 00:47:50.269
hear at all, I'm going back. I'm up.
581
00:47:50.789 --> 00:47:53.130
That's my people. Let's go. We're my tribe.
582
00:47:53.309 --> 00:47:54.730
Let's go, man.
583
00:47:54.769 --> 00:47:55.269
Let's go.
584
00:47:55.849 --> 00:47:57.969
I guess that's the state for someone who probably hears
585
00:47:58.010 --> 00:48:00.769
the bagpipes. That's right, Sonny.
586
00:48:00.809 --> 00:48:02.110
That's right.
587
00:48:02.210 --> 00:48:03.409
I'm going to take on the world.
588
00:48:03.489 --> 00:48:05.530
It tugs at our heart like nothing else.
589
00:48:06.070 --> 00:48:06.489
It does.
590
00:48:07.599 --> 00:48:11.820
I love it, Sonny. Two guys that have probably not
591
00:48:12.079 --> 00:48:14.179
a foot of dance in us or an inch of
592
00:48:14.219 --> 00:48:17.380
dance capability in us both. Breaking down the dance scene
593
00:48:17.440 --> 00:48:18.019
out there, Sonny.
594
00:48:18.059 --> 00:48:20.440
How about that? Thanks so much for joining me today, brother.
595
00:48:20.480 --> 00:48:23.320
This has been fun. It's always a pleasure.
596
00:48:23.480 --> 00:48:23.880
God bless.
597
00:48:24.079 --> 00:48:24.489
Take care, brother.
598
00:48:24.570 --> 00:48:27.099
Thank you, Sonny. Here's the next song for you guys.
599
00:48:47.380 --> 00:48:51.239
600
00:48:51.280 --> 00:48:54.219
601
00:48:54.239 --> 00:48:57.219
602
00:48:57.260 --> 00:49:00.090
603
00:49:00.110 --> 00:49:03.230
604
00:49:03.269 --> 00:49:06.409
605
00:49:06.469 --> 00:49:09.449
606
00:49:09.469 --> 00:49:12.150
607
00:49:12.170 --> 00:49:14.519
They don't open their doors, they don't make
608
00:49:14.559 --> 00:49:16.960
their doors open They don't make their doors open, they
609
00:49:17.039 --> 00:49:22.280
don't make their doors open poppy on coming albums. I
610
00:49:22.320 --> 00:49:25.119
don't make a cap on worldwide greenery. I don't make
611
00:49:25.250 --> 00:49:27.250
a cap when I see myself drowning. I don't make
612
00:49:27.389 --> 00:49:33.250
a lot of money by doing little things.
613
00:49:33.269 --> 00:49:36.289
614
00:49:36.369 --> 00:49:38.900
615
00:49:38.920 --> 00:49:41.179
.
616
00:49:41.019 --> 00:49:42.840
.
617
00:49:42.739 --> 00:49:45.980
618
00:49:46.000 --> 00:49:49.000
619
00:49:49.019 --> 00:49:52.619
620
00:49:52.639 --> 00:49:56.139
621
00:49:56.159 --> 00:49:58.989
Chal dikhao e
622
00:49:59.030 --> 00:50:02.489
saki kinna botla mein tam Ja jubaan nahin lagi kyunki
623
00:50:02.510 --> 00:50:05.130
woh kala mein tam Mere kalle mein se jinnah ko
624
00:50:05.150 --> 00:50:08.349
nahin totla mein tam Rekh lo bali dikhega kinna lo
625
00:50:08.409 --> 00:50:12.019
kala mein tam Dikhao e saki kinna botla mein tam
626
00:50:12.079 --> 00:50:15.199
Ja jubaan nahin lagi kyunki woh kala mein tam Mere
627
00:50:15.260 --> 00:50:18.539
kalle mein se jinnah ko nahin totla mein tam Globally
628
00:50:18.559 --> 00:50:22.639
dekhaga kinna lokal aamdaar Dikhe top ke likhaari aaj choti
629
00:50:22.659 --> 00:50:23.780
na Vanayadu.
630
00:50:23.380 --> 00:50:26.449
Tera rap star e hip-hop ka goti na Vanayadu bronce
631
00:50:26.619 --> 00:50:28.210
odta aayi na meri.
632
00:50:27.949 --> 00:50:32.250
Voti na Vanayadu goat rapper aayi dekh liye thodi na Vanayadu.
633
00:50:31.829 --> 00:50:33.190
Culture bad bad.
634
00:50:32.909 --> 00:50:35.090
Jean saane dothi na Vanayadu.
635
00:50:34.670 --> 00:50:37.650
Door dangara ye rapper mai Thank you for watching.
636
00:50:55.280 --> 00:51:19.800
Keep on being a couple. Come on treat me special
637
00:51:43.809 --> 00:51:48.230
Come on, treat me special. Come on, treat me special.
638
00:51:49.449 --> 00:51:52.760
Come on, treat me special. Romy Huda.
639
00:51:54.380 --> 00:51:57.480
His collaboration with MC Square. It's a previous number one
640
00:51:57.519 --> 00:52:02.110
song from our top 20 countdown show. Want to give
641
00:52:02.130 --> 00:52:04.429
a big shout-out to Sonny Godewal for stopping by the
642
00:52:04.469 --> 00:52:09.010
big program today. Always a pleasure talking to him. And
643
00:52:09.170 --> 00:52:11.670
make sure you guys tune in to his big show today.
644
00:52:11.670 --> 00:52:14.489
5 p.m. Pacific time.
645
00:52:15.349 --> 00:52:17.789
And Sunny's
show, one of my favorites here on the air,
646
00:52:17.800 --> 00:52:19.380
it's called Off the Stream.
647
00:52:20.079 --> 00:52:21.800
And looking forward to that hour.
648
00:52:21.980 --> 00:52:25.639
Now let's bring in Doita Dasgupta, who's got today's artist
649
00:52:25.679 --> 00:52:26.579
spotlight for you.
650
00:52:27.039 --> 00:52:27.619
Hi, everyone.
651
00:52:27.679 --> 00:52:31.260
This is Doita Dasgupta, your Ruckus Avenue radio music correspondent,
652
00:52:31.340 --> 00:52:34.329
back with another artist spotlight. Today on The Bridge, we're
653
00:52:34.349 --> 00:52:38.530
spotlighting Rashmeet Gaur, the singer, songwriter, and performer whose powerful
654
00:52:38.590 --> 00:52:42.590
blend of Punjabi folk, Sufi music, hip-hop and contemporary pop
655
00:52:42.630 --> 00:52:45.159
has made her one of the most distinctive voices in
656
00:52:45.219 --> 00:52:48.400
Indian music today. Born in Punjab and raised in Delhi,
657
00:52:48.500 --> 00:52:52.400
Rashmi first gained attention through reality singing competitions before breaking
658
00:52:52.460 --> 00:52:56.679
into the mainstream with massive hits like Nadi Opar, Bajre Desita,
659
00:52:57.010 --> 00:53:00.710
Ish Nachawe and Khana Kasuta. Known for staying deeply connected
660
00:53:00.750 --> 00:53:04.610
to her musical roots while constantly experimenting with sound, Rashmeet
661
00:53:04.650 --> 00:53:08.969
has continued evolving her artistry through both Bollywood and independent music.
662
00:53:09.530 --> 00:53:13.300
In 2026, she's already released new tracks including Kaur Bat,
663
00:53:13.780 --> 00:53:17.940
Omran and her latest single Chore, showcasing a more emotional
664
00:53:18.179 --> 00:53:22.380
and introspective side of her music. She's also continued collaborating
665
00:53:22.530 --> 00:53:26.019
on film and soundtrack music, including the trending version of
666
00:53:26.119 --> 00:53:30.719
Dil Hai Ranjana with composer Shashwat Sachdev. Beyond streaming success,
667
00:53:30.800 --> 00:53:34.000
Rashmeet has also been making waves live, recently closing out
668
00:53:34.059 --> 00:53:38.590
Delhi University's 2026 fest season with a major performance at
669
00:53:38.650 --> 00:53:43.289
Hindu College's Mecca Festival. With her soulful vocals, fearless creativity,
670
00:53:43.449 --> 00:53:46.989
and ability to bridge tradition with modern sound, Rashmeet Kaur
671
00:53:47.030 --> 00:53:49.699
continues to prove why she's one of the most exciting
672
00:53:49.760 --> 00:53:52.800
and authentic artists in South Asian music right now. Well,
673
00:53:52.820 --> 00:53:55.500
that's all from me. Stay tuned for more only on
674
00:53:55.539 --> 00:53:56.820
Ruckus Avenue Radio.
675
00:53:57.900 --> 00:54:00.760
Thank you so much for that, Doita. Thank you so
676
00:54:00.800 --> 00:54:04.949
much for that artist spotlight there. Rashmeet Kaur, certainly one
677
00:54:04.969 --> 00:54:07.510
of our favorite artists here on the bridge. And we
678
00:54:07.550 --> 00:54:12.269
had an exclusive conversation with her earlier this year. One
679
00:54:12.289 --> 00:54:15.510
of our favorite interviews of the calendar year for sure.
680
00:54:16.210 --> 00:54:18.369
Here's her latest song called Ve Sajna.
681
00:54:18.730 --> 00:54:30.449
Ve Sajna Kaatu Kaise Ye Ratiya.
682
00:54:30.880 --> 00:54:32.219
Ve Sajna.
683
00:54:34.860 --> 00:54:44.460
How can I spend this night without you? I search
684
00:54:44.559 --> 00:54:50.190
for your traces You steal.
685
00:54:50.090 --> 00:54:58.570
My eyes How can I spend this night?
686
00:55:05.800 --> 00:55:07.070
Be 10 or better.
687
00:55:38.309 --> 00:55:40.949
Two eyes met, no work was left.
688
00:55:40.789 --> 00:55:46.579
Two eyes met, they became stars One eye met, the
689
00:55:47.219 --> 00:55:52.639
path was difficult Only two moments of life were left.
690
00:56:08.199 --> 00:56:14.789
Oh my love, how do I spend this night?
691
00:56:14.889 --> 00:56:20.699
Oh my love, how do I.
692
00:56:19.559 --> 00:56:41.630
Spend this night? How can I stay quiet?
693
00:56:41.789 --> 00:56:50.030
I haven't seen anyone like you How can I say anything?
694
00:56:50.050 --> 00:56:53.630
I won't say anything.
695
00:57:08.860 --> 00:57:24.599
Ve sajna, kathu kaise ye ratiya.
696
00:57:21.090 --> 00:57:26.610
Ve sajna, vite.
697
00:57:25.949 --> 00:57:38.909
Na bitaye ratiya.
698
00:57:33.750 --> 00:57:36.809
Rashmeet Kaur everybody, this song is called Ve Sajna.
699
00:57:38.219 --> 00:57:39.119
I hope you guys have had a.
700
00:57:39.099 --> 00:57:42.579
Great time hanging out with me today over this last hour.
701
00:57:43.519 --> 00:57:46.320
Certainly enjoyed this hour. We'll be back tomorrow with that
702
00:57:46.460 --> 00:57:49.219
exclusive interview with Shoman Mator, as I mentioned to you.
703
00:57:49.980 --> 00:57:52.900
And we'll leave you with Arjit Singh, who I can't
704
00:57:52.940 --> 00:57:56.900
decide if he is retired or not. He keeps dropping material.
705
00:57:57.679 --> 00:57:59.659
And this isn't the only new song that he has
706
00:57:59.719 --> 00:58:02.889
put out over the recent weeks. But this song is
707
00:58:02.929 --> 00:58:04.369
called Tu Hi Dista.
708
00:58:04.710 --> 00:58:05.630
Have a great day, everybody.
709
00:58:52.960 --> 00:58:54.090
I'm stuck here
710
00:59:56.969 --> 00:59:57.719
Thank you.