Vollständiges Transkript von Know what a Script Supervisor does?

00:03:27,229 --> 00:03:28,582 and R Carlton. 91 00:03:28,980 --> 00:03:29,878 I loved 92 00:03:30,652 --> 00:03:32,802 production. As soon as I was able to, 93 00:03:32,882 --> 00:03:34,793 you know, sell a Tv spot and get 94 00:03:34,793 --> 00:03:37,195 on set for, you know, making a Tv 95 00:03:37,195 --> 00:03:39,423 commercial. I just thought that was the best 96 00:03:39,423 --> 00:03:42,230 thing Ever to hear my words come alive 97 00:03:42,367 --> 00:03:44,299 in, you know, in the actors 98 00:03:45,010 --> 00:03:47,010 And so I kind of, you know, got 99 00:03:47,010 --> 00:03:49,330 hooked on that drug and figured out a 100 00:03:49,330 --> 00:03:51,490 way to make my way into the the 101 00:03:51,490 --> 00:03:54,639 film industry from there. And I did some 102 00:03:54,696 --> 00:03:56,765 teaching down at Ring College of Art Design 103 00:03:56,765 --> 00:03:57,879 in Sara of Florida, 104 00:03:58,436 --> 00:04:00,266 then moved to Richmond, 105 00:04:00,759 --> 00:04:02,696 And I'm now teaching at Vc 106 00:04:03,393 --> 00:04:06,187 in their arts school in the cinema program. 107 00:04:06,426 --> 00:04:08,582 To what prompted you did Leave Florida come 108 00:04:08,582 --> 00:04:09,300 to Vc. 109 00:04:09,873 --> 00:04:12,185 My husband got a job in Richmond actually. 110 00:04:12,504 --> 00:04:14,737 He works in the investment industry. So it's 111 00:04:14,737 --> 00:04:17,607 the complete opposite of Right. Right. Creative work 112 00:04:17,607 --> 00:04:19,212 that I do. But that's good cause at 113 00:04:19,212 --> 00:04:22,068 least he can support you. Exactly. Yeah. He 114 00:04:22,068 --> 00:04:23,893 took care of the taxes and the numbers 115 00:04:23,893 --> 00:04:25,480 and all of our finances, which is great. 116 00:04:25,638 --> 00:04:27,084 And I just get to go But fun 117 00:04:27,084 --> 00:04:29,561 making movies. But Right. But we moved, actually, 118 00:04:29,800 --> 00:04:32,676 August 20 20, right, Smack dab middle below 119 00:04:32,676 --> 00:04:33,176 with 120 00:04:33,715 --> 00:04:36,280 Yeah. Which is interesting because we couldn't even 121 00:04:36,280 --> 00:04:38,032 meet our neighbors, you know, for a long 122 00:04:38,032 --> 00:04:39,568 time. And then 123 00:04:39,944 --> 00:04:41,936 once kind of we were coming out of 124 00:04:41,936 --> 00:04:43,051 the trenches of Covid, 125 00:04:43,781 --> 00:04:45,685 and colleges were starting to hire again, 126 00:04:46,320 --> 00:04:48,858 you know, I applied to Vc and their 127 00:04:49,334 --> 00:04:50,128 cinema program, 128 00:04:50,699 --> 00:04:53,597 and started teaching as an adjunct professor there 129 00:04:53,736 --> 00:04:54,955 in 20 130 00:04:55,414 --> 00:04:58,450 22, I believe. Great. Your resume got all 131 00:04:58,450 --> 00:05:00,298 kinds of stuff from... Obviously, writing to be 132 00:05:00,298 --> 00:05:01,729 in an Ep to being in a production 133 00:05:01,729 --> 00:05:04,989 manager and a script supervisor which caught my 134 00:05:04,989 --> 00:05:06,420 attention because that's something that a lot of 135 00:05:06,420 --> 00:05:08,487 people have no idea what a script supervisor 136 00:05:08,487 --> 00:05:10,176 does. So why don't you give us a 137 00:05:10,176 --> 00:05:10,676 little 138 00:05:11,054 --> 00:05:13,447 breakdown basically of what a script supervisor does? 139 00:05:13,687 --> 00:05:15,203 And how did you get trained for something 140 00:05:15,203 --> 00:05:17,685 like that? Yeah. So, I've done a lot 141 00:05:17,685 --> 00:05:19,933 of work, you know, writing and producing, but 142 00:05:19,989 --> 00:05:22,292 those are really above the line positions. And 143 00:05:22,292 --> 00:05:24,278 so they're really hard to get, and it's 144 00:05:24,278 --> 00:05:25,414 really hard to 145 00:05:25,867 --> 00:05:28,583 to get time on set. I really got 146 00:05:28,583 --> 00:05:30,887 into script supervising as a way to get 147 00:05:30,887 --> 00:05:31,387 more 148 00:05:31,761 --> 00:05:34,564 experience on set. That's smart. And so 149 00:05:35,115 --> 00:05:38,235 last summer, I signed up for a training 150 00:05:38,235 --> 00:05:40,735 program. I went through Daniela Ion 151 00:05:41,355 --> 00:05:44,074 director Whisper script supervisor training program. 152 00:05:44,489 --> 00:05:45,129 She's done, 153 00:05:45,848 --> 00:05:47,147 my big factory wedding 154 00:05:47,526 --> 00:05:50,402 and suits and s in a simple favor. 155 00:05:50,562 --> 00:05:52,240 So she's got a lot of amazing experience. 156 00:05:52,734 --> 00:05:54,724 And she's got this program that you go 157 00:05:54,724 --> 00:05:56,317 through and you do, you know, your homework 158 00:05:56,317 --> 00:05:58,706 assignments. And then you get certified. 159 00:05:59,184 --> 00:06:00,776 I've done a number of short films. 160 00:06:01,428 --> 00:06:05,073 Thus far. And then my own project, I'm 161 00:06:05,073 --> 00:06:07,293 planning to script supervised that when that feature 162 00:06:07,293 --> 00:06:09,533 goes into production as well. And so what 163 00:06:09,533 --> 00:06:12,885 exactly does a script supervisor do? A script 164 00:06:12,885 --> 00:06:16,237 supervisor is in charge of continuity for the 165 00:06:16,237 --> 00:06:18,639 entire production. You know, when you get to 166 00:06:18,639 --> 00:06:20,066 set and you're shooting a film, 167 00:06:20,621 --> 00:06:22,919 you don't shoot it in order. You should 168 00:06:22,919 --> 00:06:24,425 start seeing 1 and go all the way 169 00:06:24,425 --> 00:06:26,901 to, seen 150 or whatever it might be. 170 00:06:27,140 --> 00:06:29,285 Right. You know, your Ad, will take that 171 00:06:29,285 --> 00:06:31,509 script and break it down and reorganize the 172 00:06:31,509 --> 00:06:33,550 schedules so that your, you know, your blocked 173 00:06:33,669 --> 00:06:35,587 shooting all of your scenes in 1 location 174 00:06:35,587 --> 00:06:36,946 on 1 day and then you move to 175 00:06:36,946 --> 00:06:38,863 a different location,

you know, you have a 176 00:06:38,863 --> 00:06:41,920 script supervisor who makes sure that even though 177 00:06:41,980 --> 00:06:44,013 you're kind of going back and forth 178 00:06:44,392 --> 00:06:47,029 in this puzzle of a schedule between all 179 00:06:47,029 --> 00:06:47,928 of these scenes 180 00:06:48,467 --> 00:06:50,225 that when you get to the editing room, 181 00:06:50,799 --> 00:06:52,895 everything is gonna cut together seamlessly 182 00:06:53,273 --> 00:06:55,427 because they've tracked all of the continuity video 183 00:06:55,427 --> 00:06:58,061 of key props and wardrobe and hair and 184 00:06:58,061 --> 00:07:00,621 makeup, that and even the coverage that you're 185 00:07:00,621 --> 00:07:02,925 shooting, making sure that the characters eye lines 186 00:07:02,925 --> 00:07:03,560 will match up. 187 00:07:04,196 --> 00:07:07,707 We are the director's second brain because... We're 188 00:07:07,707 --> 00:07:10,412 looking at all those details and we're catching 189 00:07:10,412 --> 00:07:13,276 all of those things that, hopefully. Yeah. Hopefully, 190 00:07:13,435 --> 00:07:14,310 catching all the ways. 191 00:07:15,203 --> 00:07:16,961 I that well but, you know, if those 192 00:07:16,961 --> 00:07:19,677 things don't get caught, then it takes people 193 00:07:19,677 --> 00:07:21,928 out of the story. Right? Right lives like, 194 00:07:22,087 --> 00:07:23,682 oh, gosh. I'm watching Game of Thrones and 195 00:07:23,682 --> 00:07:26,153 there's a Starbucks Customers out. Just gonna mention 196 00:07:26,153 --> 00:07:29,022 yeah. Yeah. I am no longer in Westeros. 197 00:07:29,261 --> 00:07:29,795 Right? He 198 00:07:30,708 --> 00:07:32,852 Footnote. The scene that she's referring to is 199 00:07:32,852 --> 00:07:35,313 that a Starbucks coffee cup was mistakenly left 200 00:07:35,313 --> 00:07:36,981 in a shot in 1 scene in game 201 00:07:36,981 --> 00:07:37,537 of Thrones. 202 00:07:38,827 --> 00:07:40,502 Yeah. I so we we make sure that, 203 00:07:40,582 --> 00:07:41,960 you know, there's gonna be 204 00:07:42,337 --> 00:07:44,332 the... You're staying in that world and that 205 00:07:44,332 --> 00:07:46,420 believable call in the director can just focus 206 00:07:46,420 --> 00:07:47,137 on the performance. 207 00:07:47,775 --> 00:07:49,050 Sure. And it can be something as simple 208 00:07:49,050 --> 00:07:50,963 as, okay. He had 3 buttons un buttons 209 00:07:50,963 --> 00:07:52,557 here. So when we shoot the scene the 210 00:07:52,557 --> 00:07:54,637 next day. 3 buttons or the cup was 211 00:07:54,637 --> 00:07:56,620 half full in this shot, so we gotta 212 00:07:56,620 --> 00:07:57,811 make sure it's half. That those are the 213 00:07:57,811 --> 00:07:59,636 kind of things that stand out usually to 214 00:07:59,636 --> 00:08:01,874 me because I obviously, look for those continuity 215 00:08:01,874 --> 00:08:02,906 things. And those are the kind of things 216 00:08:02,906 --> 00:08:06,241 that script supervisors all over. Yes.

Exactly. We 217 00:08:06,241 --> 00:08:07,988 also serve as the eyes and ears of 218 00:08:07,988 --> 00:08:11,098 the the editor onset. The editors are typically 219 00:08:11,098 --> 00:08:12,709 not on set. They don't know 220 00:08:13,081 --> 00:08:15,461 what happened on any given day. We document 221 00:08:15,461 --> 00:08:16,730 all of our... All of the notes every 222 00:08:16,730 --> 00:08:18,969 day into reports that then go to the 223 00:08:18,969 --> 00:08:20,879 editor and the post team. So that's the 224 00:08:20,879 --> 00:08:21,913 other thing you do is you keep a 225 00:08:21,913 --> 00:08:23,584 log of every take and tell them which 226 00:08:23,584 --> 00:08:25,573 tank is chosen, which is the alternate safe 227 00:08:25,573 --> 00:08:26,607 float, stuff like that too. 228 00:08:27,338 --> 00:08:29,566 Yes. Exactly. But it's fascinating and it's interesting 229 00:08:29,566 --> 00:08:31,635 to know that somebody sits there watching all 230 00:08:31,635 --> 00:08:32,988 that stuff, like I do when I'm sitting 231 00:08:32,988 --> 00:08:33,545 in the movies. 232 00:08:35,152 --> 00:08:36,586 Surprise guests drop in. 233 00:08:37,543 --> 00:08:39,296 And I wanna talk about the movie that 234 00:08:39,296 --> 00:08:40,730 you talked about that you're working on because 235 00:08:40,730 --> 00:08:42,579 somebody wanted to drop in and... Share it 236 00:08:42,579 --> 00:08:43,937 with us a little bit. Hold on 1 237 00:08:43,937 --> 00:08:44,976 second. Let's see you who this is. 238 00:08:46,175 --> 00:08:48,812 Footnote. Max Fisher is a cinematographer, an owner 239 00:08:48,812 --> 00:08:50,890 of gear head camera. Here in Richmond. 240 00:08:51,942 --> 00:08:53,856 Well, hello, Max. Welcome to Sift. I haven't 241 00:08:53,856 --> 00:08:55,611 seen you in a while. I now. How 242 00:08:55,611 --> 00:08:57,764 you been? Life is good I'm retired, so 243 00:08:57,764 --> 00:08:59,120 life is better for me than it probably 244 00:08:59,120 --> 00:09:00,338 is for you, but 245 00:09:01,369 --> 00:09:03,922 That's great. Thanks for joining us. So how 246 00:09:03,922 --> 00:09:06,954 are you involved with Vivian? But I decided 247 00:09:06,954 --> 00:09:08,470 to make an independent film. 248 00:09:09,044 --> 00:09:11,918 And I reached out to a producer that 249 00:09:12,077 --> 00:09:13,674 I'm close with that I work with a 250 00:09:13,674 --> 00:09:16,947 lot. Unfortunately, she wasn't available, but she said 251 00:09:16,947 --> 00:09:19,278 she had someone great. That she could recommend. 252 00:09:19,518 --> 00:09:21,595 And Vivian and I hit it off right 253 00:09:21,595 --> 00:09:23,832 away, and I definitely hit the jackpot because 254 00:09:23,832 --> 00:09:25,850 she saved my tail 255 00:09:26,164 --> 00:09:28,237 day in and day out, and made the 256 00:09:28,237 --> 00:09:30,391 project go as smooth as possible. It was 257 00:09:30,391 --> 00:09:33,284 great. You wrapped already. We are in 258 00:09:33,900 --> 00:09:35,517 post production. We are 259 00:09:35,989 --> 00:09:37,659 super super close to picture lock. 260 00:09:38,296 --> 00:09:40,125 Actually, we had... We had picture lock on 261 00:09:40,284 --> 00:09:42,273 Monday, and then I woke up Tuesday morning, 262 00:09:43,485 --> 00:09:45,165 with a bit of an epiphany and tilt 263 00:09:45,165 --> 00:09:45,884 the editor wait. 264 00:09:46,764 --> 00:09:48,605 You might wanna tell people who you are 265 00:09:48,605 --> 00:09:50,857 because I know directing is not your... First 266 00:09:50,857 --> 00:09:52,842 thing or producing is not your your main 267 00:09:52,842 --> 00:09:54,192 gig. It's not how you make a living. 268 00:09:54,510 --> 00:09:56,018 That is for sure. Yeah. Just to be 269 00:09:56,018 --> 00:09:58,083 clear, I did not direct this film. So 270 00:09:58,242 --> 00:09:59,274 I am a 271 00:10:00,164 --> 00:10:00,664 freelance 272 00:10:01,041 --> 00:10:01,997 camera person, 273 00:10:02,555 --> 00:10:05,107 have been for close to 30 years. Worked 274 00:10:05,107 --> 00:10:07,897 as a camera assistant, a camera operator, than 275 00:10:07,897 --> 00:10:09,509 as a Dp. The name of the movie 276 00:10:09,509 --> 00:10:12,225 is Saturn nail. What's it about? This is 277 00:10:12,225 --> 00:10:13,984 an Italian ja film. 278 00:10:15,102 --> 00:10:17,914 Footnote. Yellow is Italian for yellow, Hints, the 279 00:10:17,914 --> 00:10:20,306 pulp fiction reference. It's a genre of horror 280 00:10:20,306 --> 00:10:23,497 with sometimes supernatural elements, erotic and violence. 281 00:10:23,975 --> 00:10:26,608 The similar example is the 19 77 Italian 282 00:10:26,608 --> 00:10:28,773 film Superior. Which some don't consider a part 283 00:10:28,773 --> 00:10:29,410 of the genre. 284 00:10:30,524 --> 00:10:32,991 They're very visual films, not a whole lot 285 00:10:32,991 --> 00:10:35,140 of character development, the music plays a huge 286 00:10:35,140 --> 00:10:36,971 part in it takes place in the seventies, 287 00:10:37,384 --> 00:10:39,225 we did not have it take place in 288 00:10:39,304 --> 00:10:39,705 Italy, 289 00:10:40,264 --> 00:10:42,504 although, would be there. Sure. 290 00:10:43,384 --> 00:10:45,784 And it's the story about a boarding school 291 00:10:45,784 --> 00:10:46,284 for 292 00:10:46,599 --> 00:10:49,246 orphan youth that came from, 293 00:10:49,939 --> 00:10:52,086 upper class, the school has a lot to 294 00:10:52,086 --> 00:10:53,915 hide. I'll say that. Of course, there's an 295 00:10:53,915 --> 00:10:55,999 evil head mistress. Right. Gotta have an evil 296 00:10:55,999 --> 00:10:56,477 head, mister. 297 00:10:57,354 --> 00:10:59,743 Just like Superior as it it starts out 298 00:10:59,743 --> 00:11:02,292 kind of normal, and then turns into a 299 00:11:02,292 --> 00:11:04,459 a bit of a supernatural twist. And then 300 00:11:04,459 --> 00:11:05,657 we have a big twist at the end. 301 00:11:05,977 --> 00:11:07,734 Most of the filming took place at Dover 302 00:11:07,734 -->

00:11:10,930 hall, which is a big grand estate Right 303 00:11:11,184 --> 00:11:13,024 out in Mannequin Sabbath. They do a lot 304 00:11:13,024 --> 00:11:14,465 of weddings and corporate events. 305 00:11:15,024 --> 00:11:16,544 We started right after the New year. We 306 00:11:16,544 --> 00:11:19,105 started maybe January fifteenth. Shot for 3 weeks. 307 00:11:19,679 --> 00:11:21,855 Which was a great timing because 308 00:11:22,233 --> 00:11:25,347 nobody was working. I mean, I ended up 309 00:11:25,347 --> 00:11:27,662 hiring a lot of my close friends and 310 00:11:27,662 --> 00:11:28,380 work associates, 311 00:11:28,954 --> 00:11:30,867 paying them whatever I could afford. And they 312 00:11:30,867 --> 00:11:32,700 ended up being very happy for the work 313 00:11:32,700 --> 00:11:35,091 because there was nothing going on. This was 314 00:11:35,091 --> 00:11:36,765 all at the heels of the writers in 315 00:11:36,765 --> 00:11:38,132 act strike, and that was part of the 316 00:11:38,132 --> 00:11:39,723 reason I actually made the film. And you 317 00:11:39,723 --> 00:11:40,837 said, well, that was part of the reason 318 00:11:40,837 --> 00:11:42,349 you made it why Because you had time 319 00:11:42,349 --> 00:11:43,861 during the strike to come up with it. 320 00:11:44,274 --> 00:11:45,947 A lot of times, I was watching a 321 00:11:45,947 --> 00:11:47,940 lot of movies. I love horror movies. I 322 00:11:47,940 --> 00:11:50,410 love Gia movies, and I watched Spirit for 323 00:11:50,410 --> 00:11:52,498 probably the 20 fifth time. And when it 324 00:11:52,498 --> 00:11:54,913 was over it's, like, man, I would kill 325 00:11:55,291 --> 00:11:57,365 to shoot a movie that looks like that 326 00:11:57,365 --> 00:11:59,774 because it has really strong visuals. Right. And 327 00:11:59,934 --> 00:12:01,535 I said, well, why don't I shoot a 328 00:12:01,535 --> 00:12:03,375 movie like that? And I started reaching out 329 00:12:03,375 --> 00:12:05,615 to people I work with? So what's next 330 00:12:05,615 --> 00:12:07,215 do you have you planning to do the 331 00:12:07,215 --> 00:12:10,110 festival circuit? Once it's locked and... Finished. I'm 332 00:12:10,110 --> 00:12:12,429 not a big festival guy... A filmmaker kind 333 00:12:12,429 --> 00:12:12,829 of guy, 334 00:12:13,470 --> 00:12:16,610 but we have chosen to select few to 335 00:12:17,082 --> 00:12:20,816 submitted to. Fortunately, Vivian also developing a horror 336 00:12:20,816 --> 00:12:22,722 film, so she has done a ton of 337 00:12:22,722 --> 00:12:24,390 research on that already. So she's helped pick 338 00:12:24,390 --> 00:12:25,129 a couple 339 00:12:25,438 --> 00:12:27,344 that she thinks are are valuable. 340 00:12:28,138 --> 00:12:29,886 It's kind of the next business step. And 341 00:12:29,886 --> 00:12:31,712 then I also have some industry connections. Obviously, 342 00:12:31,871 --> 00:12:33,514 been in the industry for many, many years 343 00:12:33,634 --> 00:12:35,702 so I'm hoping that either way we can 344 00:12:35,702 --> 00:12:37,770 get some sort of distribution. And it's obviously 345 00:12:37,770 --> 00:12:40,236 a genre film. Right. Right. It's not for 346 00:12:40,236 --> 00:12:40,316 everyone. 347 00:12:41,604 --> 00:12:43,754 But I think the people that do like 348 00:12:43,754 --> 00:12:45,585 this type of film are really gonna enjoy. 349 00:12:45,983 --> 00:12:48,394 I love horror. It is the 1 genre. 350 00:12:49,024 --> 00:12:53,671 Where you have really really strong female protagonist. 351 00:12:53,969 --> 00:12:56,122 Yep. Which is also true of Saturn area, 352 00:12:56,282 --> 00:12:58,276 the film Max and I made together. 353 00:12:59,009 --> 00:13:00,466 And it's also 354 00:13:00,844 --> 00:13:03,260 1 of the genres where women have 355 00:13:03,717 --> 00:13:06,884 more lines than men in the film. So 356 00:13:07,163 --> 00:13:07,720 I love her. 357 00:13:08,754 --> 00:13:10,027 So you mentioned, 358 00:13:11,299 --> 00:13:13,606 and we were actually lucky enough that we 359 00:13:13,606 --> 00:13:16,331 have, Claudio Simon Eddie, who did the score 360 00:13:16,331 --> 00:13:17,288 for the original. 361 00:13:18,245 --> 00:13:20,158 Oh, wow. Going to be scoring our film 362 00:13:20,158 --> 00:13:21,992 as well. So it's gonna move over to 363 00:13:22,072 --> 00:13:24,471 Italy, Right. Audio to do his work very, 364 00:13:24,630 --> 00:13:27,331 very soon. Well, that's exciting. Max is exciting. 365 00:13:27,648 --> 00:13:29,952 I'm looking forward to getting an invitation when 366 00:13:29,952 --> 00:13:32,096 you have a big screening, and we'll get. 367 00:13:32,429 --> 00:13:33,543 We'll get you back on the show to 368 00:13:33,543 --> 00:13:35,293 talk about that and about your career at 369 00:13:35,293 --> 00:13:37,202 a future date. I look forward to that. 370 00:13:37,440 --> 00:13:39,350 Thank you very much. Great. Thanks see you 371 00:13:39,350 --> 00:13:40,702 guys. Bye bye. Hey. Hi. 372 00:13:41,354 --> 00:13:43,268 He was talking about a producer. He mentioned 373 00:13:43,268 --> 00:13:45,821 briefly what a producer does, And I know 374 00:13:45,821 --> 00:13:47,815 obviously, you were producer on that movie. So 375 00:13:47,815 --> 00:13:49,888 why don't you explain what the differences between 376 00:13:49,888 --> 00:13:52,844 an executive producer a producer and a production 377 00:13:52,844 --> 00:13:54,983 manager. Yeah. So... And because I get a 378 00:13:54,983 --> 00:13:56,197 producer is typically 379 00:13:56,648 --> 00:13:58,154 someone who is... 380 00:13:58,804 --> 00:14:01,752 Financing the project or is able because of 381 00:14:01,752 --> 00:14:04,381 the connections that they have to package the 382 00:14:04,381 --> 00:14:06,612 project. So that might mean bringing on, you 383 00:14:06,612 --> 00:14:08,148 know, a particular director 384 00:14:08,698 --> 00:14:11,560 or a set of actors that might make 385 00:14:11,560 --> 00:14:14,977 the project more attractive

to financier years. And 386 00:14:14,977 --> 00:14:17,735 they stay involved, you know, with the production 387 00:14:18,252 --> 00:14:20,799 from prep production, production and post. They make 388 00:14:20,799 --> 00:14:22,948 a lot of the the big decisions, especially 389 00:14:22,948 --> 00:14:24,142 when it comes to money and where the 390 00:14:24,142 --> 00:14:26,467 money is gonna be spent. Right. They may 391 00:14:26,467 --> 00:14:27,981 or may not be involved in the day 392 00:14:27,981 --> 00:14:30,532 to day business of the film, whereas your 393 00:14:30,532 --> 00:14:32,605 producer is really the 1 that is involved 394 00:14:32,605 --> 00:14:35,014 in the day to day business. Of getting 395 00:14:35,014 --> 00:14:37,415 the film made. You know, they work on, 396 00:14:37,894 --> 00:14:39,174 screwing up the project. 397 00:14:40,615 --> 00:14:42,303 I'm sure. He's... I thought you said... They... 398 00:14:42,462 --> 00:14:43,973 And then they work on screwing up the 399 00:14:43,973 --> 00:14:46,995 project. Screwing up. No. Crew up. Yes. You 400 00:14:46,995 --> 00:14:50,134 crew the project. Grew up. Oh, yeah. Hiring 401 00:14:50,192 --> 00:14:52,821 your, you know, your director and your production 402 00:14:52,821 --> 00:14:55,052 designer and all the way all the way 403 00:14:55,052 --> 00:14:56,566 down the line while your Dp, 404 00:14:57,058 --> 00:14:57,456 And then, 405 00:14:58,092 --> 00:15:01,274 the production manager is typically the boots on 406 00:15:01,274 --> 00:15:04,893 the ground person who is set. Every day 407 00:15:05,031 --> 00:15:07,424 managing the production from start to finish. They're 408 00:15:07,424 --> 00:15:09,200 taking the budget that was created 409 00:15:09,657 --> 00:15:11,832 either by the producer or the line producer 410 00:15:11,890 --> 00:15:12,289 and, 411 00:15:13,406 --> 00:15:16,055 executing that budget, making sure that, you know, 412 00:15:16,294 --> 00:15:18,450 they're putting out all of the fires as 413 00:15:18,450 --> 00:15:20,126 they come up on set and making sure 414 00:15:20,126 --> 00:15:22,282 that you're prepped for the next day and 415 00:15:22,282 --> 00:15:24,288 the next week and dealing with all of 416 00:15:24,288 --> 00:15:26,692 the challenges that may come with that parking 417 00:15:26,826 --> 00:15:30,238 and logistics and catering and, you know, management. 418 00:15:30,397 --> 00:15:32,715 Yeah. Yeah. All the management Another thing that 419 00:15:32,715 --> 00:15:34,069 you did We're gonna... I wanna talk about 420 00:15:34,069 --> 00:15:36,457 the cult detective because that's your movie that 421 00:15:36,457 --> 00:15:39,186 you actually wrote. And I noticed in the 422 00:15:39,323 --> 00:15:41,331 resume said that... You're gonna be the post 423 00:15:41,331 --> 00:15:44,284 production supervisor. What is that job entail? Yeah. 424 00:15:44,443 --> 00:15:46,539 We've shot a little proof of concept short 425 00:15:46,597 --> 00:15:48,923 for a cult detective. To give people the 426 00:15:48,923 --> 00:15:50,434 idea of, you know, what the film is 427 00:15:50,434 --> 00:15:52,900 gonna look and feel like. So I've, you 428 00:15:52,900 --> 00:15:55,206 know, produced that and then acted as post 429 00:15:55,206 --> 00:15:58,880 production supervisor, which basically means you're ensuring that 430 00:15:58,880 --> 00:16:02,142 the project is completed. So you're creating that 431 00:16:02,142 --> 00:16:04,369 post production schedule of, you know, when removing 432 00:16:04,369 --> 00:16:06,217 from editing just... Sound to color, 433 00:16:07,094 --> 00:16:10,844 you're hiring the post production team, you're making 434 00:16:10,844 --> 00:16:12,654 sure that you get all of the deliverables 435 00:16:12,694 --> 00:16:14,682 that you need and whatever format you need 436 00:16:14,682 --> 00:16:17,067 them in for however you're gonna display the 437 00:16:17,067 --> 00:16:19,133 final product. So tell me about a call 438 00:16:19,133 --> 00:16:21,121 detective. Where did that idea come from? And 439 00:16:21,121 --> 00:16:22,884 how did you develop it? That It's a 440 00:16:22,884 --> 00:16:27,252 paranormal thriller. It's about a psychic detective who 441 00:16:27,252 --> 00:16:28,285 is... A woman. 442 00:16:28,920 --> 00:16:29,714 A woman. Yes. 443 00:16:31,004 --> 00:16:32,922 And she's on the hunt for a serial 444 00:16:32,922 --> 00:16:33,422 killer 445 00:16:33,801 --> 00:16:35,659 because she's psychic. She can 446 00:16:36,118 --> 00:16:39,635 communicate with the victims who have been murdered. 447 00:16:39,969 --> 00:16:41,908 And In the in the course of her 448 00:16:42,047 --> 00:16:44,764 investigation, she actually ends up shooting a man 449 00:16:44,764 --> 00:16:47,662 and killing him, this man, she she believes 450 00:16:48,041 --> 00:16:50,531 might be the serial killer. And But what 451 00:16:50,531 --> 00:16:52,941 happens when you kill someone 452 00:16:53,475 --> 00:16:55,067 and you can see dead people. 453 00:16:55,863 --> 00:16:58,011 Right? So it's it's the story of, you 454 00:16:58,011 --> 00:17:00,094 know, this woman who has... You know, killed 455 00:17:00,094 --> 00:17:03,349 this man and now he's sort of haunting 456 00:17:03,349 --> 00:17:06,524 her in the afterlife and trying to exact 457 00:17:06,524 --> 00:17:07,024 his, 458 00:17:07,570 --> 00:17:08,680 revenge on her, 459 00:17:09,473 --> 00:17:12,906 psychic. So she's desperate to prove his guilt 460 00:17:12,961 --> 00:17:14,809 and rid herself of his 461 00:17:15,119 --> 00:17:17,114 you know, vengeful spirit. What is the process? 462 00:17:17,353 --> 00:17:18,630 I know you said you've produced a proof 463 00:17:18,630 --> 00:17:20,466 of concept? What is the next step Are 464 00:17:20,466 --> 00:17:22,461 you looking for financing at this point? And 465 00:17:22,620 --> 00:17:24,251 Yes. We're looking for financing, 466 00:17:24,786 --> 00:17:27,652 talking to investors. We're applying for grant

money. 467 00:17:27,891 --> 00:17:29,483 Our goal is to go into production in 468 00:17:29,483 --> 00:17:31,075 the summer of 20 25. 469 00:17:31,408 --> 00:17:34,370 And this is actually a story that is 470 00:17:34,585 --> 00:17:37,921 set in Florida, which is where my writing 471 00:17:37,921 --> 00:17:40,162 partner, who will also be direct, directing it, 472 00:17:40,401 --> 00:17:42,631 he lives in Florida. So all the filming 473 00:17:42,631 --> 00:17:46,375 will take place down there. So very busy. 474 00:17:46,788 --> 00:17:48,614 Yes. Yeah. That's crazy. And will you go 475 00:17:48,614 --> 00:17:50,305 down to produce it or will you be 476 00:17:50,360 --> 00:17:52,901 stuck here at Vc teaching? I'm gonna be 477 00:17:53,377 --> 00:17:56,258 producing that project? And will also be scripts 478 00:17:56,258 --> 00:17:58,809 supervising on set. So you're working at Vc 479 00:17:58,809 --> 00:18:00,244 like you said, you were down at Ring 480 00:18:00,244 --> 00:18:02,476 before. What is it you like about teaching? 481 00:18:03,049 --> 00:18:04,428 The new young filmmakers. 482 00:18:04,967 --> 00:18:08,402 I think teaching young people filmmaking is really 483 00:18:08,402 --> 00:18:09,520 exciting because... 484 00:18:10,332 --> 00:18:10,832 They 485 00:18:11,207 --> 00:18:11,707 have 486 00:18:12,558 --> 00:18:15,897 such interesting ideas on the world, on themselves, 487 00:18:16,056 --> 00:18:18,202 on their identity, on their culture, 488 00:18:18,838 --> 00:18:19,338 the 489 00:18:19,649 --> 00:18:21,482 older you get, and, you know, especially the 490 00:18:21,482 --> 00:18:23,315 more entrenched you get into filmmaking, you're thinking 491 00:18:23,315 --> 00:18:25,229 a lot about, you know, gosh, what's gonna 492 00:18:25,229 --> 00:18:27,301 sell and what does the audience really want 493 00:18:27,301 --> 00:18:29,776 and Right. Students don't have any of those 494 00:18:29,776 --> 00:18:31,995 constraints. You know? But they're just so self 495 00:18:31,995 --> 00:18:34,476 expressive, and they're... They just wanna make something 496 00:18:34,689 --> 00:18:37,563 because... They're passionate about it, and they think 497 00:18:37,563 --> 00:18:39,174 it's really cool and interesting 498 00:18:39,707 --> 00:18:42,748 just being around that energy and that youthful 499 00:18:42,804 --> 00:18:45,205 energy of, you know, anything is possible. So 500 00:18:45,205 --> 00:18:47,434 it's great to just have that grounding to 501 00:18:47,434 --> 00:18:50,060 come back to when we're writing these stories 502 00:18:50,060 --> 00:18:52,527 and developing these films, it should be something 503 00:18:52,527 --> 00:18:54,700 that you know, speaks to us and that 504 00:18:54,700 --> 00:18:56,559 we're passionate about and 505 00:18:56,860 --> 00:18:58,799 isn't necessarily with an eye on 506 00:18:59,180 --> 00:19:00,860 on the commercial end of things, You know? 507 00:19:01,500 --> 00:19:03,186 I I kinda know the answer to this 508 00:19:03,186 --> 00:19:05,118 question already, but I always like to ask 509 00:19:05,493 --> 00:19:07,403 when you're not working on your own projects. 510 00:19:07,641 --> 00:19:09,088 What do you like to watch? I What 511 00:19:09,088 --> 00:19:11,315 are you watching now? Oh, yes. I mean, 512 00:19:11,554 --> 00:19:13,701 I'm a big horse thriller girl. Like I've 513 00:19:13,701 --> 00:19:16,190 said, I am currently watching 514 00:19:16,724 --> 00:19:19,845 Rip league? On netflix. Okay. Make that. It's 515 00:19:19,845 --> 00:19:22,156 a a remake of the talented and, mister 516 00:19:22,315 --> 00:19:24,068 Rip, they turned it into a series though. 517 00:19:24,307 --> 00:19:25,917 I'm only a few ups then... Black and 518 00:19:25,917 --> 00:19:27,592 white, it's beautifully made. I thought it could 519 00:19:27,592 --> 00:19:29,585 have been an episode shorter and tighter, but 520 00:19:29,585 --> 00:19:32,057 it was beautifully made. Yeah. Yeah. I would 521 00:19:32,057 --> 00:19:33,652 love to go there. The Vista is the 522 00:19:33,652 --> 00:19:34,152 scenery 523 00:19:34,704 --> 00:19:37,892 It's beautiful. Also watching the bear, binging it 524 00:19:37,892 --> 00:19:39,646 as fast as possible. I think it's 1 525 00:19:39,646 --> 00:19:41,399 of the best shows on Tv right now. 526 00:19:41,638 --> 00:19:43,648 I've, I've gotten through this... Second episode of 527 00:19:43,648 --> 00:19:44,447 of the new season. 528 00:19:45,086 --> 00:19:47,083 And it's like, the same thing I've said 529 00:19:47,083 --> 00:19:48,281 about it from the beginning. I'm 1 of 530 00:19:48,281 --> 00:19:49,560 the few people who doesn't get it. It's 531 00:19:49,560 --> 00:19:52,443 just mad angry, unhappy people yelling at each 532 00:19:52,443 --> 00:19:54,753 other the whole time. Have you ever worked 533 00:19:54,753 --> 00:19:55,231 in a kitchen? 534 00:19:56,028 --> 00:19:58,030 No I haven't. That's how it is. I 535 00:19:58,189 --> 00:20:00,570 I wait just a bit in college and 536 00:20:01,047 --> 00:20:02,793 not, you know, nothing on that scale of 537 00:20:02,793 --> 00:20:04,595 of kind of the the high end rest 538 00:20:04,714 --> 00:20:06,075 drunk that they're trying to do on the 539 00:20:06,075 --> 00:20:08,634 show now. But Right that's how it is 540 00:20:08,634 --> 00:20:10,875 in the back there. And it's just this 541 00:20:10,875 --> 00:20:13,285 crazy world but, you know, No 1 in 542 00:20:13,285 --> 00:20:16,388 the restaurant usually knows about, and I I 543 00:20:16,388 --> 00:20:17,900 just love it. I don't know. Again, It's 544 00:20:17,900 --> 00:20:19,833 there... They've been able to capture that 545 00:20:20,304 --> 00:20:23,101 back of house energy so well. It's just 546 00:20:23,101 --> 00:20:25,259 so visceral. I I love that. I love 547 00:20:25,259 --> 00:20:27,497 being able to feel it, you know, through 548 00:20:27,497 --> 00:20:30,068 come through the screen. Good. Okay. I have 549 00:20:30,068 --> 00:20:31,824 a

daughter who's 7 and in a sun 550 00:20:31,824 --> 00:20:33,181 who's 10. So I don't get to the 551 00:20:33,181 --> 00:20:34,857 movie theater as much as I would like 552 00:20:34,857 --> 00:20:36,693 to, especially for horror movies. 553 00:20:37,650 --> 00:20:39,341 It's been a lot of inside out too. 554 00:20:39,580 --> 00:20:41,414 I'll you to say inside out too. Yeah. 555 00:20:41,813 --> 00:20:42,052 Yeah. 556 00:20:42,691 --> 00:20:45,902 And Super Mario Brothers lately. But, yeah, definitely 557 00:20:46,679 --> 00:20:48,208 putting some time in my schedule this month, 558 00:20:48,366 --> 00:20:49,634 because, like I said, there's a lot of 559 00:20:49,634 --> 00:20:52,250 good horror coming out. I'm... I'm dying to 560 00:20:52,250 --> 00:20:52,750 see 561 00:20:53,201 --> 00:20:56,152 long legs and maxine. It's I'm gonna see 562 00:20:56,231 --> 00:20:58,144 Maxine Wednesday night. Nice. 563 00:20:58,941 --> 00:21:00,455 Well, this has been interesting. It's great to 564 00:21:00,455 --> 00:21:01,970 get a chance to meet you. I'd heard 565 00:21:01,970 --> 00:21:04,453 about you already, and Have some amazing stuff 566 00:21:04,453 --> 00:21:06,203 on your resume. So thank you for doing 567 00:21:06,203 --> 00:21:08,112 this. And obviously, when we get closer to 568 00:21:08,192 --> 00:21:09,862 Saturn being ready to be shown, 569 00:21:10,672 --> 00:21:11,942 we'll get Max on the show, and maybe 570 00:21:11,942 --> 00:21:12,974 we'll get you back on there too to 571 00:21:12,974 --> 00:21:14,800 talk about it. Yeah. Sounds great. I would 572 00:21:14,800 --> 00:21:16,705 love to. Alright. Thank you very much. You 573 00:21:16,705 --> 00:21:18,467 so much, Jerry. Have a great day. The 574 00:21:18,547 --> 00:21:20,638 V Owen has been a screen writer script 575 00:21:20,695 --> 00:21:22,604 supervisor and producer for several years and is 576 00:21:22,604 --> 00:21:24,990 currently working on 2 features, both thriller. 577 00:21:26,433 --> 00:21:27,306 Coming soon. 578 00:21:28,734 --> 00:21:29,448 In theaters. 579 00:21:30,161 --> 00:21:32,779 Long legs, Vivian will be excited because this 580 00:21:32,779 --> 00:21:35,891 highly hypo... Thriller opens this weekend. Nicholas Cage 581 00:21:35,891 --> 00:21:38,513 plays the titular character who's also a serial 582 00:21:38,513 --> 00:21:41,055 killer, and an Fbi agent uncover a series 583 00:21:41,055 --> 00:21:43,531 of a cult clues that She must solve 584 00:21:43,531 --> 00:21:45,039 to end his killing spree. 585 00:21:45,912 --> 00:21:48,293 Fly me to the moon. Scarlet Johansson plays 586 00:21:48,293 --> 00:21:50,372 a marketing manager who to create a fake 587 00:21:50,372 --> 00:21:53,786 moon landing featuring astronaut Chan Tatum from director 588 00:21:53,944 --> 00:21:54,603 Greg Be. 589 00:21:55,532 --> 00:21:58,232 Robot dreams. The animated adventures and mis portions 590 00:21:58,232 --> 00:22:00,319 of Dust Robot in New York City during 591 00:22:00,319 --> 00:22:00,877 the eighties. 592 00:22:01,515 --> 00:22:04,067 Touch. This import follows a man in search 593 00:22:04,067 --> 00:22:06,721 for his first love in iceland in Japan 594 00:22:06,779 --> 00:22:09,748 50 years ago. Hog Dan Lyon follows a 595 00:22:09,748 --> 00:22:11,905 singer song writer in South Dakota where she 596 00:22:11,905 --> 00:22:13,822 meets a guitar who walked away from his 597 00:22:13,822 --> 00:22:16,472 dream long ago, with original music from Bryson 598 00:22:16,551 --> 00:22:18,619 Aaron Dress. He's best known as a member 599 00:22:18,619 --> 00:22:19,414 of the national. 600 00:22:20,050 --> 00:22:23,072 The convert, a late preacher guy Pearce arrives 601 00:22:23,072 --> 00:22:25,219 at a british settlement in 18 thirties, caught 602 00:22:25,219 --> 00:22:27,621 in the middle of bloody war between Maori 603 00:22:27,621 --> 00:22:27,940 tribes. 604 00:22:28,656 --> 00:22:31,601 June 0, the 19 61 trial of Ado 605 00:22:31,681 --> 00:22:33,512 Ike mass murder of the Jews in War 606 00:22:33,512 --> 00:22:35,600 war 2, is the focal point of 3 607 00:22:35,600 --> 00:22:38,870 stories, his Jewish Moroccan Prison guard and Israeli 608 00:22:38,870 --> 00:22:41,103 investigator for the prosecution and a 13 year 609 00:22:41,103 --> 00:22:42,379 old holocaust cost survivor. 610 00:22:43,017 --> 00:22:44,149 Tv and stream king. 611 00:22:45,028 --> 00:22:47,266 Dis descendants, the rise of red on Disney. 612 00:22:47,665 --> 00:22:49,423 Red, the daughter of the queen of Hearts 613 00:22:49,423 --> 00:22:51,501 and Chloe, the daughter of Cinderella team up 614 00:22:51,501 --> 00:22:53,751 to save Aura by traveling back in time. 615 00:22:54,707 --> 00:22:57,519 Sorry, not sorry. On video on demand, an 616 00:22:57,736 --> 00:22:59,809 examination of comic Louie Ck k after his 617 00:22:59,809 --> 00:23:01,898 sexual harassment charges and his comeback back. 618 00:23:02,698 --> 00:23:05,734 Mammals on Amc plus and Bbc America. Tour 619 00:23:05,814 --> 00:23:08,292 David Att edinburgh examine how mammals live in 620 00:23:08,292 --> 00:23:09,171 extreme environments. 621 00:23:09,810 --> 00:23:12,555 Hit monkey on Hulu, about a wrong Japanese 622 00:23:12,691 --> 00:23:14,940 snow monkey who's mentored by an American assassin 623 00:23:14,996 --> 00:23:16,348 in the Tokyo underworld. 624 00:23:17,064 --> 00:23:18,438 Cobra kai on Netflix 625 00:23:18,748 --> 00:23:20,655 The series based on the karate kit enters 626 00:23:20,655 --> 00:23:21,608 its final season. 627 00:23:22,403 --> 00:23:25,048 Those about to die on peacock, a series 628 00:23:25,105 --> 00:23:27,170 about Rome in the days when gladiators and 629 00:23:27,170 --> 00:23:28,617 up bloody sports were popular. 630 00:23:29,253 --> 00:23:30,844 Fine to me falling on Netflix. 631 00:23:31,242 --> 00:23:33,389 Harry Ko junior stars as a rock star 632 00:23:33,389 --> 00:23:36,585 who retreats to a Mediterranean island. Her divorce 633 00:23:36,585 --> 00:23:39,050 in the black. On prime. The latest drama 634 00:23:39,050 --> 00:23:39,924 from Tyler Perry. 635 00:23:40,799 --> 00:23:43,899 The serpent queen on stars, Samantha Morton returns 636 00:23:43,899 --> 00:23:45,741 as Catherine D medici medici in sees 2. 637 00:23:46,771 --> 00:23:49,783 Exploding kittens on Netflix, this animated weirdness has 638 00:23:49,783 --> 00:23:52,636 god satan's spawn on Earth as talking cats. 639 00:23:53,289 --> 00:23:55,289 Next week, Deb Freeman will be here to 640 00:23:55,289 --> 00:23:57,369 talk about her new Vp series focused on 641 00:23:57,450 --> 00:23:59,690 Fame Black Chef Ed Lewis. This is Jerry 642 00:23:59,849 --> 00:24:00,890 Williams. Thanks for listening. 643 00:24:01,784 --> 00:24:05,048 For more sister, including literally thousands of reviews. 644 00:24:05,446 --> 00:24:07,515 Visit t v jerry dot com. 645 00:24:08,710 --> 00:24:09,267 That's a wrap.