TRANSKRIPT 🔗
WEBVTT
00:01:09.599 --> 00:01:10.640
Yes, I will be sure.
00:01:21.120 --> 00:01:25.680
She mistook you for my husband and I didn't correct her.
00:01:27.120 --> 00:01:27.920
Oh really?
00:01:31.840 --> 00:01:34.079
Obviously we make a good couple.
00:01:34.719 --> 00:01:35.920
What do you think?
00:01:37.840 --> 00:01:39.200
What was she saying?
00:01:40.719 --> 00:01:42.000
She's surprised.
00:01:42.159 --> 00:01:47.519
You you you don't speak Italian when uh your wife and son live here.
00:01:48.799 --> 00:01:50.319
That's not entirely my fault.
00:01:50.400 --> 00:01:52.959
Uh they taught me French at school.
00:01:56.319 --> 00:01:58.799
My family lives their lives and I live mine.
00:01:59.120 --> 00:02:01.599
They speak their language and I speak mine.
00:02:02.000 --> 00:02:03.359
That makes sense, doesn't it?
00:02:12.479 --> 00:02:14.400
No, on a une on a maison.
00:02:18.400 --> 00:02:18.800
Fermé.
00:02:19.360 --> 00:02:20.719
Church, tu vas la trouver.
00:02:21.199 --> 00:02:23.759
Va, va, va en haut dans mon bureau, à l'étage.
00:02:23.919 --> 00:02:25.759
Va, je t'attends, vas-y, vas-y.
00:02:27.919 --> 00:02:30.879
Congratulations for your great wisdom.
00:02:31.280 --> 00:02:34.560
My family lives their own lives and I live mine.
00:02:34.960 --> 00:02:37.039
What kind of philosophy is that?
00:02:41.039 --> 00:02:41.599
Get real.
00:02:42.000 --> 00:02:43.520
Listen to what he's doing to me.
00:02:43.680 --> 00:02:44.479
Talk to him.
00:02:44.639 --> 00:02:46.560
Maybe you'll do better than me.
00:02:46.879 --> 00:02:48.400
There's nothing wrong with what I said.
00:02:50.719 --> 00:02:53.439
Ultimately, people must live their lives for themselves.
00:02:54.240 --> 00:02:55.840
You might be living your life.
00:02:56.080 --> 00:03:00.080
He might be living his own life, but you're both ruining life.
00:03:13.520 --> 00:03:16.879
Of course, our present can give comfort and pleasure.
00:03:17.280 --> 00:03:19.919
No, no, no, don't fall, just don't fall.
00:03:23.840 --> 00:03:27.360
Of course, our present can give comfort and pleasure to those around us.
00:03:27.840 --> 00:03:30.400
Look at us talking about presents.
00:03:30.800 --> 00:03:33.840
When was the last time the three of us had breakfast together?
00:03:34.000 --> 00:03:34.319
When?
00:03:36.319 --> 00:03:39.120
We we to two flats don't fall.
00:03:39.599 --> 00:03:40.639
Can you remember?
00:03:41.280 --> 00:03:44.400
I certainly can't remember the last time you came down to breakfast in a good mood.
00:03:44.560 --> 00:03:45.759
Ah, bavila!
00:03:50.639 --> 00:03:51.599
You have to go on to the door.
00:03:51.840 --> 00:03:54.560
Wait, if I want to left the five footage on me left.
00:03:55.599 --> 00:03:59.280
It's not really fair of you to give me this role of absolute parent.
00:03:59.840 --> 00:04:04.319
Besides, there are about to be certain times when one parent or the other has to be away for whatever reason.
00:04:04.479 --> 00:04:06.000
And you can't blame me for that now, can you?
00:04:06.319 --> 00:04:08.400
Of course not, but you don't spend times.
00:04:08.560 --> 00:04:10.960
And in your case, it's constant.
00:04:11.360 --> 00:04:12.400
When have you been here?
00:04:12.560 --> 00:04:12.960
When?
00:04:16.560 --> 00:04:20.160
A middle-aged man and woman, almost strangers.
00:04:21.120 --> 00:04:23.920
An Italian cafe in the afternoon.
00:04:25.120 --> 00:04:28.319
In his distraction, his coffee has gone cold.
00:04:29.279 --> 00:04:33.519
The cafe owner mistakes them for a long-married couple.
00:04:33.920 --> 00:04:35.839
And she doesn't correct her.
00:04:36.800 --> 00:04:42.560
And then, out of nowhere, they've been married for fifteen years.
00:04:43.439 --> 00:04:48.079
By a simple omission, a whole life together emerges.
00:04:49.519 --> 00:04:51.120
When have you been here?
00:04:51.920 --> 00:04:52.560
When?
00:06:19.519 --> 00:06:20.800
You always do this.
00:06:21.360 --> 00:06:22.800
You never say thank you.
00:06:23.199 --> 00:06:24.319
You're never present.
00:06:27.839 --> 00:06:29.439
Why can't you let it go?
00:06:46.160 --> 00:06:51.199
When she opens her eyes, her partner isn't reacting the way she expected.
00:06:52.079 --> 00:06:57.680
He's just looking at her, a hand on her forearm, a little scared.
00:06:59.120 --> 00:07:01.279
This isn't what she had in mind.
00:07:11.279 --> 00:07:19.199
In Abbas Chiaro Stami's 2010 film Certified Copy, two strangers have an afternoon to fill.
00:07:19.759 --> 00:07:23.600
James is an English writer in Italy to give a lecture.
00:07:24.000 --> 00:07:29.839
Elle is a French antique dealer who lives there, who has read his book.
00:07:30.800 --> 00:07:32.959
His train leaves at 9.
00:07:33.839 --> 00:07:37.839
She's driving him around the city, nowhere in particular.
00:07:38.399 --> 00:07:41.040
She speaks with him in his own language.
00:07:41.519 --> 00:07:44.240
Fitfully, a bit awkwardly.
00:07:44.480 --> 00:07:46.560
They try to make conversation.
00:07:49.439 --> 00:07:52.319
So where are we headed?
00:07:54.879 --> 00:07:56.560
I see what you're saying.
00:07:56.720 --> 00:07:58.399
Uh I don't know.
00:07:59.839 --> 00:08:08.720
I don't know where we are now, and just meandering around with no goal.
00:08:09.680 --> 00:08:10.879
That's fine with me.
00:08:11.920 --> 00:08:13.600
Intentionally aimless.
00:08:25.839 --> 00:08:26.319
I don't know.
00:08:26.480 --> 00:08:28.160
Uh nowhere I particularly want to go.
00:08:28.240 --> 00:08:29.439
I'm happy just driving.
00:08:32.879 --> 00:08:33.679
I have an idea.
00:08:35.679 --> 00:08:39.120
I can take you to a place you find it in a interesting.
00:08:39.759 --> 00:08:40.480
Oh, just one thing.
00:08:40.639 --> 00:08:41.519
Uh will it take long?
00:08:42.080 --> 00:08:42.879
How far is it?
00:08:43.360 --> 00:08:43.759
Half hour.
00:08:44.240 --> 00:08:44.960
Is that okay with you?
00:08:45.120 --> 00:08:45.919
Yeah, that'll be fine.
00:08:46.080 --> 00:08:48.480
I have to be back
Load full transcript
here at nine for my train.
00:08:48.639 --> 00:08:49.360
Nine o'clock.
00:08:51.120 --> 00:08:51.600
All right.
00:08:54.879 --> 00:08:59.600
So, uh, you were saying yeah, it was difficult to be simple?
00:08:59.840 --> 00:09:00.399
Is that it?
00:09:00.559 --> 00:09:01.679
Yeah, that's it, yeah.
00:09:01.919 --> 00:09:03.360
Well, we're not worms, right?
00:09:03.679 --> 00:09:05.200
We're not supposed to be simple.
00:09:05.600 --> 00:09:07.120
Just uh complex being.
00:09:07.679 --> 00:09:11.200
And where's the line between simple person and simple simple mind?
00:09:11.519 --> 00:09:12.480
Where's the line?
00:09:12.720 --> 00:09:13.600
Tell me.
00:09:14.960 --> 00:09:16.639
There isn't a simple answer.
00:09:19.600 --> 00:09:23.519
My sister says no struggle.
00:09:24.159 --> 00:09:26.799
Only idiots work hard in life.
00:09:27.519 --> 00:09:28.480
That's her belief.
00:09:28.639 --> 00:09:31.360
You shouldn't be around things that make problems.
00:09:31.519 --> 00:09:37.360
Like uh gas fire is better than uh real fire.
00:09:37.759 --> 00:09:39.360
Just stick the switch.
00:09:40.320 --> 00:09:41.919
Safer, easier.
00:09:44.080 --> 00:09:46.320
She's married to the simplest man on earth.
00:09:46.480 --> 00:09:47.919
To her, he's the best man alive.
00:09:48.080 --> 00:09:49.039
He stammers.
00:09:49.840 --> 00:09:52.720
Uh Marie.
00:09:53.600 --> 00:09:55.840
She for her it's a love song.
00:09:59.039 --> 00:10:00.399
Well, I can understand that.
00:10:00.480 --> 00:10:02.320
He's lingering over her name.
00:10:03.679 --> 00:10:05.600
Okay, take a risk now.
00:10:06.000 --> 00:10:09.279
Can I tell you my favorite joke?
00:10:09.440 --> 00:10:09.919
Yeah.
00:10:11.440 --> 00:10:14.639
A man is cast away on a desert island.
00:10:15.600 --> 00:10:20.159
One day he's walking along the beach and he finds a brass lamp buried in the sand.
00:10:20.320 --> 00:10:24.480
So he digs it up, dusts it off, and a genie appears.
00:10:25.519 --> 00:10:27.679
I am the genie of the lamp.
00:10:27.840 --> 00:10:29.519
I will grant you three wishes.
00:10:29.600 --> 00:10:31.200
What is your first wish?
00:10:31.519 --> 00:10:35.519
So the man who is hard and tired said, I know.
00:10:35.840 --> 00:10:39.440
I want an everlasting bottle of ice-cold Coca-Cola.
00:10:39.840 --> 00:10:46.159
So the genie weighs his hand, the bottle appears, the man takes an enormous drink, and then the bottle just fills itself back up.
00:10:46.480 --> 00:10:48.240
So the genie says.
00:10:52.080 --> 00:10:53.120
Hurry up.
00:10:54.399 --> 00:10:55.679
And you know what the man says?
00:10:55.840 --> 00:10:57.840
Two more Coca-Cola's.
00:11:01.120 --> 00:11:01.840
Thank you.
00:11:02.399 --> 00:11:02.879
Look.
00:11:03.679 --> 00:11:07.519
Alright, so look, it's not the joke what's the point.
00:11:07.600 --> 00:11:09.360
It's not the joke that's the point, it's the moral.
00:11:09.519 --> 00:11:10.960
Here's a guy, hasn't he?
00:11:12.960 --> 00:11:19.120
Whose life is so simple that he doesn't need to be satisfied with a bottle of Coca-Cola.
00:11:20.320 --> 00:11:22.399
Oh, it's a pretty bad joke, I'm sorry.
00:11:22.559 --> 00:11:23.120
I knew it.
00:11:26.399 --> 00:11:29.440
She leads him to a small town in the countryside.
00:11:29.600 --> 00:11:31.600
They meander and chat.
00:11:32.080 --> 00:11:39.919
And then, in a cafe, a woman mistakes them for a long married couple, and Elle doesn't correct her.
00:11:40.559 --> 00:11:47.519
From here, they speak to each other through years of accumulated resentment and disappointment.
00:11:47.919 --> 00:11:56.639
In her telling, he fell asleep last night, on their 15th wedding anniversary, while she was in the bathroom getting ready.
00:11:57.600 --> 00:12:01.440
By the end of the day, they're in an empty Tritoria.
00:12:02.080 --> 00:12:03.679
The waiter ignores him.
00:12:03.919 --> 00:12:05.600
The wine is bad.
00:12:06.480 --> 00:12:16.720
She goes to the restroom, carefully applies lipstick, puts on a pair of large, elaborate earrings, and returns to find him distracted and irritated.
00:12:17.279 --> 00:12:19.840
They each speak their own language.
00:12:20.159 --> 00:12:22.320
She asks him to look at her.
00:12:22.799 --> 00:12:26.320
Outside, the music of a wedding party.
00:12:28.639 --> 00:12:33.840
Regarde, the femme qui se fed bad for toi.
00:12:34.960 --> 00:12:35.759
Regarde.
00:12:38.720 --> 00:12:41.200
This is just not the moment.
00:12:41.519 --> 00:12:42.639
It's five o'clock.
00:12:42.720 --> 00:12:43.360
I'm hungry.
00:12:43.759 --> 00:12:45.039
I need a drink.
00:12:52.480 --> 00:12:53.759
When is the good moment?
00:12:54.639 --> 00:12:56.480
Yes, one of the moment.
00:13:00.720 --> 00:13:01.840
I was tired.
00:13:02.639 --> 00:13:07.200
Why couldn't you just think about my poor husband is so exhausted, he's fallen asleep.
00:13:12.240 --> 00:13:13.600
My poor husband.
00:13:13.840 --> 00:13:16.399
What is he's he's so exhausted?
00:13:16.960 --> 00:13:19.279
But he's fallen asleep again, was he?
00:13:30.799 --> 00:13:31.919
Not after 15 years.
00:13:32.639 --> 00:13:33.360
Things have changed.
00:13:33.440 --> 00:13:36.879
Of course things have changed, but not as ridiculously as you make out.
00:13:44.080 --> 00:13:45.679
You've got to come to terms with that.
00:13:46.080 --> 00:13:47.279
Why can't you understand that?
00:14:02.159 --> 00:14:05.120
I do not know, and of course I'm not sure.
00:14:05.279 --> 00:14:06.960
You've talked so long in the bathroom.
00:14:07.120 --> 00:14:08.240
Of course I fell asleep.
00:14:33.200 --> 00:14:34.559
I apologize.
00:14:35.600 --> 00:14:37.360
I apologize for last night.
00:14:38.159 --> 00:14:40.000
I apologize for five years ago.
00:14:40.159 --> 00:14:45.360
I apologize for the restaurant, for the waiter, for the wine.
00:14:46.080 --> 00:14:51.840
I apologize for the last 15 years, and I I apologize for my existence.
00:15:19.039 --> 00:15:21.679
Where did the capacity come from?
00:15:22.960
--> 00:15:27.759
In the dreamlike way that one moment doesn't have to follow from another.
00:15:28.000 --> 00:15:35.120
They go on wandering together after a fight bitter enough to damage a more fragile marriage.
00:15:35.519 --> 00:15:40.639
They sit on the steps of a building and she rests her head on his shoulder.
00:15:40.960 --> 00:15:42.879
Something has softened.
00:15:43.519 --> 00:15:47.919
She tells him this is the hotel where they spent their wedding night.
00:15:48.240 --> 00:15:50.480
He doesn't remember, he says.
00:15:51.120 --> 00:15:52.639
She goes inside.
00:15:53.440 --> 00:15:57.600
He follows her up the stairs to the room she says was theirs.
00:15:58.080 --> 00:16:00.960
Now they speak only in her language.
00:16:01.279 --> 00:16:02.799
Night has fallen.
00:16:03.279 --> 00:16:07.759
She lies across the bed and speaks almost in a whisper.
00:16:08.000 --> 00:16:13.360
Something has loosened in him, and the talk slows down enough to breathe.
00:16:13.679 --> 00:16:17.039
There is only this room, this night.
00:17:54.799 --> 00:17:57.279
He says he has to catch his train.
00:17:58.960 --> 00:18:02.079
She holds herself and stays gentle.
00:18:02.400 --> 00:18:04.400
She stammers his name.
00:18:04.960 --> 00:18:06.720
He leaves the room.
00:18:07.920 --> 00:18:09.839
We don't see her again.
00:18:13.039 --> 00:18:15.200
All along she leads.
00:18:15.359 --> 00:18:22.400
She drives him out of the city with nowhere in particular to go, and then to somewhere he might find interesting.
00:18:22.799 --> 00:18:25.680
She lets the cafe owner's mistake stand.
00:18:26.240 --> 00:18:31.200
She answers his small talk with a depth of hurt no one is prepared for.
00:18:31.759 --> 00:18:35.599
She goes to the restroom and comes back wanting to be looked at.
00:18:35.839 --> 00:18:41.839
And at the end of the day, she discovers where they are as though she has always known where they were going.
00:18:43.599 --> 00:18:48.960
What passes between them in the restaurant isn't only anger, it's precision.
00:18:49.599 --> 00:18:51.359
They know where to aim.
00:18:52.000 --> 00:18:55.839
That kind of accuracy usually takes years to develop.
00:18:56.079 --> 00:19:01.200
They are fluent not only in each other's languages, but in each other's wounds.
00:19:02.000 --> 00:19:11.839
And then they survive it and go on walking together into the evening, which makes what happens in the room upstairs more astonishing rather than less.
00:19:12.799 --> 00:19:19.119
Maybe a relationship is as strong as what two people can say to each other and survive.
00:19:20.559 --> 00:19:23.920
Not what they do say, what they could.
00:19:25.680 --> 00:19:33.519
The last thing we see is James alone at the mirror, water running, the bells ringing out in the plaza.
00:19:34.480 --> 00:19:36.799
All the words have fallen away.
00:20:24.720 --> 00:20:25.839
She gets there first.
00:20:26.799 --> 00:20:31.599
She tells me she was hurting under my embarrassment and regret.
00:20:44.400 --> 00:20:48.079
A few minutes later, she says, I feel like you heard me.
00:20:49.920 --> 00:20:53.680
Something in the way she says it means we can move on now.
00:20:54.799 --> 00:20:56.799
I don't think it was anything I said.
00:20:57.599 --> 00:21:00.480
But she could tell I wasn't surprised.
00:21:28.640 --> 00:21:30.480
And if we might still.
00:21:31.200 --> 00:21:42.799
In Andrew Hayes' 2023 film, All of Us Strangers, Adam is a middle-aged screenwriter living alone in a nearly empty high-rise on the outskirts of London.
00:21:43.839 --> 00:21:52.240
Trying to write something about his childhood, he takes the train back to the house he grew up in and finds his parents living there.
00:21:53.200 --> 00:21:56.000
That they died in a car crash when he was ten.
00:21:57.680 --> 00:21:59.519
They are the age they were.
00:22:00.000 --> 00:22:06.480
When they died, younger than he is now, he visits with them.
00:22:06.880 --> 00:22:08.480
They begin to know each other.
00:22:09.599 --> 00:22:14.160
He tells his mother he's gay, doesn't go well, and he leaves.
00:22:16.559 --> 00:22:22.000
The next time he comes back, he finds his father alone in the living room, putting on a record.
00:22:33.839 --> 00:22:35.440
Sure, she won't be long.
00:22:36.400 --> 00:22:37.599
It's okay.
00:22:38.400 --> 00:22:39.920
Just wanted to talk to her.
00:22:40.160 --> 00:22:41.200
Yeah, I know you did.
00:22:43.440 --> 00:22:45.200
This was your granddad's favorite.
00:22:46.640 --> 00:22:48.079
I never really liked it much at the time.
00:22:49.440 --> 00:22:50.400
It's grown on me.
00:22:52.799 --> 00:22:54.240
You want to see your mom really loses a shit?
00:22:54.319 --> 00:22:55.599
Go ahead and break that bloody thing.
00:23:16.720 --> 00:23:17.839
Scared he wouldn't come back.
00:23:20.480 --> 00:23:24.000
You know what your mum's like, you know, don't be don't be too disappointed.
00:23:24.720 --> 00:23:25.279
No no.
00:23:26.079 --> 00:23:29.519
She just needs to rearrange some things in her head, and all the story was actually just built up.
00:23:31.440 --> 00:23:33.200
She'll soon realize it's not actually about her.
00:23:39.359 --> 00:23:40.079
What about you?
00:23:42.559 --> 00:23:43.279
What about me?
00:23:44.079 --> 00:23:44.799
What do you think?
00:23:54.880 --> 00:23:58.160
Couldn't throw a ball for shit no matter how many times I tried to teach you.
00:23:58.480 --> 00:23:59.200
Couldn't for shit.
00:23:59.359 --> 00:23:59.920
Couldn't do it.
00:24:02.400 --> 00:24:03.359
Well, can you throw a ball?
00:24:03.599 --> 00:24:03.920
Not at all.
00:24:04.000 --> 00:24:04.960
Well, there you go.
00:24:15.200 --> 00:24:16.559
Would you like me to know?
00:24:18.319 --> 00:24:19.039
I don't know.
00:24:25.440 --> 00:24:26.720
The boys bully you as well.
00:24:29.440 --> 00:24:30.480
Not just the boys.
00:24:35.519 --> 00:24:36.559
Call me a girl.
00:24:38.160 --> 00:24:42.000
Ignore me, refuse to play with me, stick my head down the
toilet.
00:24:42.720 --> 00:24:44.319
Like drawing pants in my face.
00:25:02.720 --> 00:25:05.200
So why didn't you come into my room if you hear me crying?
00:25:06.400 --> 00:25:08.559
Why don't you tell me what was happening at school?
00:25:10.160 --> 00:25:12.079
You know, you answer me first.
00:25:13.039 --> 00:25:13.759
Be honest.
00:25:16.640 --> 00:25:19.680
I just didn't want to think of you as the kind of boy that the other lads would pick on.
00:25:19.839 --> 00:25:23.519
And uh I knew that if I was at your school, I'd probably pick on you too.
00:25:26.000 --> 00:25:28.960
Yeah, I think I always probably thought that anyway.
00:25:38.160 --> 00:25:42.400
You told me not to cross my legs like a woman over and over and over again.
00:25:51.039 --> 00:25:55.359
Yeah, I still I still think about it every time I cross my legs.
00:26:04.240 --> 00:26:05.839
I have good memories too.
00:26:22.960 --> 00:26:23.359
Oh, really?
00:26:23.519 --> 00:26:24.079
It's okay.
00:26:28.000 --> 00:26:28.880
It was it was so long.
00:27:20.079 --> 00:27:22.799
The film invites the wrong questions.
00:27:23.680 --> 00:27:25.200
Is this really happening?
00:27:25.440 --> 00:27:27.200
Is it Adam's fantasy?
00:27:27.440 --> 00:27:28.880
Is he writing this?
00:27:29.200 --> 00:27:31.119
Do his parents know they're dead?
00:27:32.559 --> 00:27:34.640
All of that is beside the point.
00:27:35.440 --> 00:27:38.160
Nothing new is learned in this conversation.
00:27:38.640 --> 00:27:40.720
His father already knew.
00:27:41.039 --> 00:27:46.799
Adam already understood at some level why his father never came into his room.
00:27:47.200 --> 00:27:50.319
The facts aren't in question and never were.
00:27:51.200 --> 00:27:55.279
They begin to live inside what they both already knew.
00:27:55.920 --> 00:27:58.640
Why didn't you come in when I was crying?
00:27:59.200 --> 00:28:04.960
Can you love me when you also fear and hate something essential to who I am?
00:28:06.960 --> 00:28:09.039
The question is a statement.
00:28:09.680 --> 00:28:12.160
We both know why you didn't come in.
00:28:12.960 --> 00:28:16.480
But I've waited decades for the chance to ask you anyway.
00:28:17.119 --> 00:28:19.440
The unspoken is the ground.
00:28:19.839 --> 00:28:22.640
What gets said is only the figure.
00:28:23.359 --> 00:28:27.839
And you only find the edges of what's sayable by saying something.
00:28:29.200 --> 00:28:32.480
L and James find ground they never had.
00:28:33.279 --> 00:28:36.559
Adam and his father had almost no ground at all.
00:28:36.960 --> 00:28:38.559
That was the tragedy.
00:28:39.200 --> 00:28:43.920
Their relationship was constituted by a question that could not be asked.
00:28:44.240 --> 00:28:46.880
And then it is asked, an answer.
00:28:47.359 --> 00:28:50.400
And it turns out there was ground after all.
00:28:52.079 --> 00:28:54.799
A father capable of receiving this.
00:28:55.279 --> 00:29:01.920
A father who never existed, or who existed in potential, and never got the chance to be.
00:29:03.119 --> 00:29:05.279
Adam tells him it's okay.
00:29:05.839 --> 00:29:07.680
His father won't have it.
00:29:08.880 --> 00:29:13.279
Has any time passed at all inside their relationship?
00:29:14.319 --> 00:29:17.759
The conversation doesn't close the gap between them.
00:29:18.240 --> 00:29:21.920
It lets them stand inside it together.
00:29:42.880 --> 00:29:44.640
Something is exchanged.
00:29:46.079 --> 00:29:52.559
An older man I've seen for years brings a heavy brown grocery bag to his session.
00:29:54.079 --> 00:29:56.319
We have so many plums all around the yard.
00:29:56.480 --> 00:29:58.400
I've been pawning them off on everyone.
00:29:58.880 --> 00:29:59.920
Would you take some?
00:30:02.160 --> 00:30:04.880
At home, I look up how to make a jam.
00:30:05.759 --> 00:30:07.279
Simpler than I thought.
00:30:07.839 --> 00:30:10.640
Just lemon and sugar and slow boil.
00:30:11.279 --> 00:30:13.279
And an animal that has an iron pot.
00:30:14.559 --> 00:30:18.480
I watch the plums and break it down.
00:30:21.039 --> 00:30:26.559
Spread someone a piece of weed and then spacer the most of it into a mason jar.
00:30:27.200 --> 00:30:28.400
Leave it in the fridge.
00:30:30.000 --> 00:30:33.279
The remaining part is spread into a smaller container.
00:30:36.400 --> 00:30:37.920
Bring it to our next session.
00:30:39.200 --> 00:30:40.559
I have something for you.
00:30:51.440 --> 00:30:54.960
He looks down at it for a moment and then starts talking.
00:30:56.559 --> 00:30:59.839
He holds it in his hand until our time is up.
00:31:52.720 --> 00:31:56.400
And featured Juliette Benoche and William Schimmel.
00:31:57.440 --> 00:32:01.359
All of Us Strangers was written and directed by Andrew Hay.
00:32:01.599 --> 00:32:05.039
And featured Andrew Scott and Jamie Bell.
00:32:06.880 --> 00:32:08.880
This is public referees.