Vollständiges Transkript von The Wedding SInger (1998)

dressed like that and I thought weddings were like, yes, they used to have a, oh 05:11.587 --> 05:31.555 [SPEAKER_04]: Yeah, yeah, everything is so blinding colors and everybody's just so unapologetic with like they're dancing outfit choices and they're dancing and everything and When you consider it to now if we were to make the same time period difference that this movie was in 1985 It would be 2013 and I just like there's no way that you could make a movie about 2013 now and be like 05:32.815 --> 05:39.899 [SPEAKER_04]: Do you remember then remember how different everything was and everybody would have an nostalgia for it and everything What songs were in our 2013? 05:40.339 --> 05:42.080 [SPEAKER_00]: Jam a wagon makes to do it knows. 05:42.100 --> 05:42.861 [SPEAKER_00]: Would you remember that one? 05:43.601 --> 05:49.545 [SPEAKER_04]: Yeah, some of that were some of the tracks that a DJ snake turned down for what down for what that was back then That was 2013. 05:49.565 --> 05:51.046 [SPEAKER_04]: Yeah, that's the first one. 05:51.226 --> 05:55.688 [SPEAKER_04]: It comes to mind probably some Drake songs Who's you know still doing it the same clip. 05:55.748 --> 06:00.031 [SPEAKER_04]: I'd say so that's the thing is like one thing that I've noticed seems like it's like yesterday 06:00.311 --> 06:28.363 [SPEAKER_04]: The 90s really, I think love that nostalgia type presentation, you know, that you have that 70s show and stuff and like you show is your movies that would like take you back in time and that's something that made sense back then because decades back then all had such a specific identity if you watch something that was playing back to like all this was it was like an 80s or this was like a back in the 70s it had a very specific look vibe music type and I feel like we've gotten away from that a little bit a little bit because like 06:28.883 --> 06:31.664 [SPEAKER_04]: We could now make something that's the 90s and you would feel the 90s. 06:31.744 --> 06:35.905 [SPEAKER_04]: Maybe the early 2000s is the last bit of that, but maybe we're just too close. 06:35.925 --> 06:39.386 [SPEAKER_04]: So I don't know, but they just timed doesn't change like it used to. 06:40.086 --> 06:42.146 [SPEAKER_04]: And I'll give you a specific example of that. 06:42.967 --> 06:44.367 [SPEAKER_04]: Go to a club in the 70s. 06:44.407 --> 06:48.048 [SPEAKER_04]: If we were to time travel right now, what would it look like? 06:48.581 --> 07:13.092 [SPEAKER_00]: would it be more like a soul train feel to it no am I yeah disco and a lot of a heavy disco probably disco dance floor you know people yeah there you go exactly like that I'm the screen like a little soul train action you know by the way give me some credit on my fuck I was like a quick pull up right yeah that's what I want to catch I'd like to give my soul credit all the other the love languages I made he's a big credo me up do like 07:15.053 --> 07:16.034 [SPEAKER_00]: Yeah, I'm just like that.

07:16.234 --> 07:19.675 [SPEAKER_04]: So yeah, so now I'll be the 70s and then the 80s is what you get. 07:19.695 --> 07:20.756 [SPEAKER_00]: Stop this week. 07:20.956 --> 07:21.556 [SPEAKER_00]: Watch this first. 07:21.636 --> 07:23.377 [SPEAKER_00]: Uh, go ahead. 07:23.517 --> 07:24.958 [SPEAKER_00]: Oh, hey, go ahead. 07:25.258 --> 07:25.559 [SPEAKER_00]: What? 07:25.619 --> 07:27.239 [SPEAKER_04]: I don't like it. 07:27.259 --> 07:28.500 [SPEAKER_04]: Okay, move could be a little bit. 07:28.960 --> 07:30.061 [SPEAKER_04]: No, he's getting. 07:30.081 --> 07:30.701 [SPEAKER_04]: He's grooming. 07:30.741 --> 07:31.462 [SPEAKER_04]: He'll give him that. 07:31.482 --> 07:36.124 [SPEAKER_04]: Yeah, no, but they all have different move, but they have different sets of style. 07:36.744 --> 07:41.227 [SPEAKER_04]: And then the 80s, you would see a club like the fantastic club that is in this movie. 07:41.247 --> 07:41.827 [SPEAKER_04]: What are they called? 07:41.987 --> 07:43.048 [SPEAKER_04]: Spankies, you know? 07:43.788 --> 07:50.111 [SPEAKER_04]: Great club that I looked at that club scene and I was like this somebody looks like any better better than in club I've ever been it like I love it. 07:50.131 --> 07:52.152 [SPEAKER_04]: There's guy break dancing on the floor. 07:52.192 --> 08:01.797 [SPEAKER_04]: There's like crazy lights and young colors There would be like a little like water fountain wall like in the walls like little bubbles stuff all this stuff bright shoulders glistening. 08:01.897 --> 08:12.662 [SPEAKER_04]: Yeah, so that's what an 80s club look like then 90s had a very specific kind of club style look You know, and then if you think of what a club would look like any time in the past like 25 years I feel like 08:13.234 --> 08:15.235 [SPEAKER_00]: 90s was bustin' out with the sweaty dies. 08:17.255 --> 08:18.436 [SPEAKER_00]: Wait, what is this video, even? 08:18.796 --> 08:19.656 [SPEAKER_00]: Kidding play. 08:20.176 --> 08:20.757 [SPEAKER_04]: Okay, yeah. 08:20.897 --> 08:32.881 [SPEAKER_02]: Yeah, first of all, look like that. 08:33.221 --> 08:38.063 [SPEAKER_00]: So yeah, we can't continue with that, because you know you and I will start dancing, and I know we're matter of fact, come on Castle. 08:48.427 --> 08:50.729 [SPEAKER_00]: They used to sweat in the 90. 08:50.769 --> 08:51.870 [SPEAKER_00]: I thought I might back do these. 08:51.890 --> 08:52.630 [SPEAKER_00]: Why is it so fantastic? 08:53.031 --> 08:55.012 [SPEAKER_04]: Back then, they used to sweat in each one of these clothes. 08:55.052 --> 08:58.515 [SPEAKER_04]: But okay, let's describe a club scene and any of the last 25 years. 08:58.535 --> 08:59.095 [SPEAKER_04]: What does it look like? 08:59.776 --> 09:01.978 [SPEAKER_04]: It's probably gonna have a lot of service tables. 09:02.178 --> 09:03.039 [SPEAKER_04]: It's gonna have... 09:03.819 --> 09:17.958 [SPEAKER_04]: You go 25 years people were freaked and the point I'm getting at is that you could show anybody

a video from a club from the 70s To the 80s to the 90s and they immediately be like, oh, I know what tech hit that is early 2000s Last like 15 years though. 09:18.218 --> 09:19.440 [SPEAKER_04]: It'd be the exact same place 09:19.900 --> 09:39.368 [SPEAKER_04]: It hasn't changed the vision the view the way the style that everything looks has not changed and I think that's something that's missing from like the way we have nostalgic lens of how these decades mood very dramatically style presentation look and I think that's something is missing a little bit you know we haven't had enough shake maybe there's too much fear of like 09:40.148 --> 09:55.781 [SPEAKER_04]: Change and cringe and don't want to like change up my style too much because like this is was working Maybe there's just too much presentation of social media and stuff and that's what that's the thing I think it's more of like the focus on like okay, it's this cool enough to put out and then it's so I guess was it when you bring it to one point Look at the microscope. 09:55.861 --> 10:02.047 [SPEAKER_00]: Yeah, it's what she's like this everybody thought everything in general spectrum was cool Now it's like because there are algorithms like no, this is the only thing that's cool. 10:02.247 --> 10:03.108 [SPEAKER_00]: Yeah, I can add a year. 10:03.128 --> 10:03.508 [SPEAKER_00]: You fucking 10:03.668 --> 10:08.371 [SPEAKER_04]: And as a result, we get away from the change that would happen from these decades. 10:09.092 --> 10:15.596 [SPEAKER_04]: So it's nice to watch a movie that is actually now itself an nostalgic look at an nostalgic era. 10:15.996 --> 10:20.740 [SPEAKER_04]: And the 80s is a great era to do that too because the 80s had a vibe. 10:20.900 --> 10:22.701 [SPEAKER_04]: And this movie very much captures it. 10:23.081 --> 10:25.083 [SPEAKER_04]: And they honestly do it immediately. 10:25.183 --> 10:30.366 [SPEAKER_04]: Like that song that we opened with Adam Sandler's rendition of You Spin Me Round. 10:30.606 --> 10:31.027 [SPEAKER_04]: Right round. 10:31.907 --> 10:34.849 [SPEAKER_04]: Immediately, it tells you exactly what this movie is. 10:35.430 --> 10:36.371 [SPEAKER_04]: There's Adam Seller. 10:36.451 --> 10:37.412 [SPEAKER_04]: He's Robbie Hart. 10:37.632 --> 10:38.753 [SPEAKER_04]: He's a wedding singer. 10:39.053 --> 10:40.134 [SPEAKER_04]: He's rocking a wedding. 10:40.174 --> 10:41.575 [SPEAKER_04]: That is super 80s. 10:41.955 --> 10:43.276 [SPEAKER_04]: And immediately, you look at that wedding. 10:43.296 --> 10:44.837 [SPEAKER_04]: You're like, this just looks like a party. 10:44.877 --> 10:46.319 [SPEAKER_04]: It looks like everybody's having a blast. 10:46.379 --> 10:49.521 [SPEAKER_04]: Everybody's wearing unaballogenic bright colors. 10:49.581 --> 10:52.363 [SPEAKER_04]: The set of this wedding isn't sane. 10:52.383 --> 10:54.025 [SPEAKER_04]: And I gotta say, actually, for that first wedding, 10:55.266 --> 11:02.650 [SPEAKER_04]: I think it looks better

than most weddings I've seen on her day, like even though it's like clearly 80s and like a little tacky I think it's cool set, you know. 11:02.911 --> 11:06.593 [SPEAKER_00]: I think it's more because maybe you enjoy vibrance. 11:06.933 --> 11:08.334 [SPEAKER_00]: You enjoy a party. 11:08.434 --> 11:09.655 [SPEAKER_00]: You enjoy cars. 11:09.695 --> 11:09.835 [SPEAKER_00]: Yeah. 11:10.355 --> 11:13.757 [SPEAKER_00]: More of an energy scene rather than an elegant scene. 11:14.037 --> 11:16.899 [SPEAKER_00]: And yeah, the weddings will deal with an orange counting and stuff. 11:16.919 --> 11:18.700 [SPEAKER_00]: Go for more of the elegant vibe right then. 11:19.178 --> 11:25.943 [SPEAKER_00]: Robby in this scene he's saying we're partying spin it everybody be on the dance floor Grab each other's butts. 11:25.983 --> 11:26.563 [SPEAKER_00]: Let's go. 11:26.924 --> 11:28.645 [SPEAKER_04]: Well, it wasn't his party though. 11:28.665 --> 11:40.273 [SPEAKER_04]: It was the 80s type wedding and I do feel like maybe I mean I wasn't there in 1985, you know, so I don't know But I would say that maybe they were just more down to have like bold choices would say 11:40.433 --> 12:04.359 [SPEAKER_04]: set design bride and it's like a headband on and stuff like that and like they're just more daring with their fashion and that is very clear in this entire movie like they establish everything I'd say beautifully in that first scene just like this is gonna be the vibe of the movie he's pointed around and he's like hey somebody get some pants on that kid which yeah if you don't hey I'm gonna lick your kid some pants on that kid dude it's really at a wedding 12:11.323 --> 12:21.627 [SPEAKER_04]: I know you might be used to the vision of that if that's your kid, but like the rest of us You'd rather have a good kid have some pants on your fucking kids and if he shits Was pants or I got imagine on you. 12:21.687 --> 12:22.508 [SPEAKER_04]: She's holding him. 12:22.868 --> 12:30.811 [SPEAKER_04]: It's the bride holding him She's just yeah, they should have definitely repanced him before they started dancing around the floor But I digress 12:31.510 --> 12:34.071 [SPEAKER_00]: One thing you'll notice about this vibe. 12:34.352 --> 12:35.132 [SPEAKER_00]: Everybody's present. 12:35.892 --> 12:36.533 [SPEAKER_04]: Mm-hmm. 12:36.553 --> 12:37.673 [SPEAKER_04]: Nobody's there's no post. 12:38.054 --> 12:40.415 [SPEAKER_00]: There's no phones for people to be off on them. 12:40.815 --> 12:43.197 [SPEAKER_00]: Maybe kids running around and stuff, but everybody's there. 12:43.377 --> 12:45.218 [SPEAKER_00]: Like nobody's, nobody can be anywhere else. 12:45.238 --> 12:49.020 [SPEAKER_04]: The same thing that's present in that club scene when they go to that, they go to Spankies, you know? 12:49.080 --> 12:50.521 [SPEAKER_04]: Everybody's just dancing. 12:50.581 --> 12:52.502 [SPEAKER_00]: I got nothing else for you. 12:52.522 --> 12:53.002 [SPEAKER_00]: Yeah. 12:53.022 --> 12:56.684 [SPEAKER_00]: So gotta give and miss that part of this kind of scene. 12:56.904 --> 12:58.965 [SPEAKER_00]: What time I'm selling deal with this old group? 12:59.005 --> 13:04.587 [SPEAKER_00]: Like, he has a passion of making the elderly look a little ridiculous. 13:05.027 --> 13:06.327 [SPEAKER_00]: He's also giving him a scene. 13:06.387 --> 13:07.308 [SPEAKER_00]: So what in him work? 13:07.548 --> 13:07.908 [SPEAKER_00]: I don't know. 13:07.948 --> 13:08.748 [SPEAKER_00]: So how do you what do you think? 13:08.948 --> 13:17.111 [SPEAKER_04]: One of the things that you see in this movie that becomes a staple as you're more you watch at him selling movies over time is he has his certain things that are 13:17.711 --> 13:29.231 [SPEAKER_04]: He just clearly finds very funny and some of them are like very juvenile jokes like there's a lot of like gay jokes in this and like a lot of other stuff There's a lot of fat people jokes just Adam basic jokes 13:29.844 --> 13:33.427 [SPEAKER_04]: Adam Sandler clearly finds like old people hilarious. 13:33.687 --> 13:45.036 [SPEAKER_04]: Whatever they do when they're doing that montage of the opening scene and there's like that old woman and she's like grabbing the couple dancing like oh and then right after that we first meet Julia immediately sexually harassed. 13:45.056 --> 13:52.922 [SPEAKER_04]: She shows off the sexual harassment that lived in the 80s for any waitress and immediately some old guy grabs her ass and he's like 13:53.847 --> 13:57.169 [SPEAKER_00]: And then she gets sexually harassed by the cop sexually harassed throughout this movie. 13:57.209 --> 13:58.349 [SPEAKER_00]: Can we just say that about Julia? 13:58.369 --> 13:59.010 [SPEAKER_00]: Yeah, yeah. 13:59.430 --> 14:01.751 [SPEAKER_04]: As a waitress, that was just the life you lived, I guess. 14:02.111 --> 14:02.851 [SPEAKER_04]: Rose. 14:03.332 --> 14:13.496 [SPEAKER_04]: And then anything with Rosie, the entire, like, every time Rosie's on screen, she's talking about the men she was with and like, and then she's singing the rap song, I think. 14:13.516 --> 14:13.696 [SPEAKER_04]: Yeah. 14:14.977 --> 14:17.061 [SPEAKER_04]: Yeah, she's a sweet ole who wouldn't like that. 14:17.101 --> 14:26.237 [SPEAKER_04]: She's a great character in this, but like is another example of like whatever she's doing Adam just finds a funny like oh like tipping him in meatballs and stuff and then 14:27.304 --> 14:35.808 [SPEAKER_00]: Slamming her hands on it like she didn't know that she just put meatballs in there as payment as an I'm just As an I'm stuff like oh you're too old to know that you just did something ridiculous. 14:35.888 --> 14:38.069 [SPEAKER_02]: No I'm sure she's fine. 14:38.189 --> 14:46.373 [SPEAKER_03]: Yeah, but yeah No, please Take a bite I can watch you enjoy That's my favorite part. 14:46.593 --> 14:47.314 [SPEAKER_02]: Oh, okay. 14:47.414 --> 14:49.475 [SPEAKER_02]: Well, I go with the right one. 14:49.835 -->

14:54.797 [SPEAKER_02]: It looks good That's good maple 15:01.293 --> 15:05.056 [SPEAKER_03]: You're going to be a fine husband. 15:05.076 --> 15:06.718 [SPEAKER_02]: I hope so. 15:06.758 --> 15:08.920 [SPEAKER_00]: Almost takes it to a almost disrespectful point. 15:09.040 --> 15:09.581 [SPEAKER_00]: Let's be real. 15:09.641 --> 15:11.042 [SPEAKER_00]: He almost makes all people seem like... 15:11.642 --> 15:13.164 [SPEAKER_00]: They're just there to be funny. 15:13.264 --> 15:14.305 [SPEAKER_04]: Yeah, exactly. 15:14.345 --> 15:16.447 [SPEAKER_00]: They hold and dumb, like it's just ridiculous. 15:16.507 --> 15:20.831 [SPEAKER_04]: And then like when he's like, who wants to dance with this lovely lady Julia? 15:20.871 --> 15:23.594 [SPEAKER_04]: Another guy's like, I like to do more than dance with her. 15:24.194 --> 15:33.371 [SPEAKER_04]: Hi, there's like seriously like 10 different jokes or the guy in the bar the old guy that sends up being blue and old school Him like dancing like he's like teaching him out of dance and he's like, oh, I'm sorry. 15:33.471 --> 15:35.535 [SPEAKER_00]: I used to be much stronger like yeah 15:36.063 --> 15:45.271 [SPEAKER_04]: Constantly he's like making jokes about all like yeah, that's just one of the things that he finds funny as well as like having kind of funny Looking people like the guy that was in grandma's boy. 15:45.312 --> 15:52.458 [SPEAKER_04]: That was always high that guy's like at the beginning like looking at Steve Hashemi be a drunken mess As he's like the the best man. 15:52.498 --> 15:56.402 [SPEAKER_01]: He's like oh, he's drunken shit like he just likes those kind of guys 15:56.862 --> 16:11.278 [SPEAKER_04]: the mutants at table nine and at this point I think there was still fresh enough and they're polished enough as like a proper movie that he gets waited with it in this movie but it would be the kind of thing that as his career continues on it just felt like 16:12.019 --> 16:19.925 [SPEAKER_04]: was watered down with weaker examples of a weaker attempts in like, yeah, all the way to happy to get more to which I saw again and you were so right. 16:20.105 --> 16:22.447 [SPEAKER_00]: Yeah, it had against first watch for me. 16:22.467 --> 16:23.447 [SPEAKER_00]: It was like, oh, it's good first one. 16:23.648 --> 16:25.209 [SPEAKER_00]: Then the second one you're like, oh, this is terrible. 16:25.269 --> 16:25.929 [SPEAKER_00]: I don't know. 16:26.009 --> 16:28.211 [SPEAKER_00]: The freshness wore off of what I was just something. 16:28.471 --> 16:30.072 [SPEAKER_04]: It's a lot of theatrics happening anywhere going. 16:30.092 --> 16:32.553 [SPEAKER_04]: A lot of just basic spoon fed jokes. 16:32.593 --> 16:33.034 [SPEAKER_00]: I don't know. 16:33.054 --> 16:35.695 [SPEAKER_00]: I'm going off of tannies, but anyway, I'm similar at him. 16:35.735 --> 16:36.576 [SPEAKER_00]: So we can talk about it. 16:36.636 --> 16:44.240 [SPEAKER_04]: Adam Seller has always had this sort of juvenile like childish humor that has become clearly noticeable in his movies. 16:44.260 --> 16:45.240 [SPEAKER_04]: And it's very much stressful. 16:45.300 --> 16:48.122 [SPEAKER_00]: It's throughout this Bradboy, but I'd say a lot of favors. 16:48.242 --> 16:49.643 [SPEAKER_00]: Yeah, we'll be cause it really enough. 16:50.123 --> 17:05.991 [SPEAKER_04]: and I think because the combination of keeping it very 80s based but also there's a love story at play that's like a sort of tale as well as time but it's very well performed and acted through by him and like I said he has great chemistry with Drew Barrymore who I think 17:06.691 --> 17:28.203 [SPEAKER_04]: is perfect in this role because she's constantly sort of playing that role where you're like you could see she's not completely sold on her fiance like right from the beginning when he like first like oh that's a nice ring you have and she's like oh I don't know how serious the guy who gave me this ring is and then later on when they're in like having the sunday she's like you know when did you know Glenn was the right one she's like 17:29.294 --> 17:53.656 [SPEAKER_04]: right one like you could just see she's doing just enough to like you know like she has doubts about this guy but like she's just sort of and this is kind of thing I think we see in life sometimes where the the girl just you know the show end up dating a guy for like a long time that's life man yeah you kind of know it's stuck you get used to your routine with them and yeah and then it becomes more about like wanting to get married than even like really making sure like this guy's like the perfect one for you and 17:54.076 --> 18:11.030 [SPEAKER_00]: And that's an element that this movie explores that I think is done about as well as, you know, anything that we've seen, but But then you bring Glenn to the picture and this gentleman of a man, you know, he likes to This character, he does so many, they, the casting in this movie. 18:11.331 --> 18:13.953 [SPEAKER_00]: So, no, man, talk about Glenn. 18:14.373 --> 18:33.742 [SPEAKER_00]: he just comes across as derby the way he's dressed the way he carries himself yeah at him obviously he tells himself well drew a very more with her character Julia with the uh... with a benstiller's wife the way she plays her way everybody just perfectly cast and the fat friend no no buddy that's a derby he's like all right you talking about 18:34.502 --> 18:35.283 [SPEAKER_04]: Okay, I'm going to jump. 18:35.643 --> 18:38.525 [SPEAKER_04]: I'm going to jump to a category that we usually do later. 18:38.686 --> 18:43.950 [SPEAKER_04]: Oh, hit it because we started kind of leaving off on the opening seam. 18:44.330 --> 18:50.215 [SPEAKER_04]: It brings us to one of my favorite categories that we discuss and that is the six man off the bench award 19:00.944 --> 19:03.526 [SPEAKER_04]: Steve Busemming coming right out of the gate. 19:03.746 --> 19:04.406 [SPEAKER_00]: He was on my list. 19:04.426 --> 19:07.949

[SPEAKER_00]: He possibly top getting the best Rathage best man speech. 19:08.389 --> 19:27.982 [SPEAKER_04]: Yeah, who clearly has some pops issues that has not been resolved because he's just keeps throwing Darts at his dad over and over again Like right off the gate and you've been around a lot of weddings being a DJ wedding DJ and I don't know how familiar it is that like you have the person going up to give the best man speech or the the Bridesmaid speech and like 19:28.742 --> 19:57.808 [SPEAKER_01]: They clearly are a little nervous a little too drunk and they start like kind of thrown out some weird awkward statements and then do the nervous laughter like Oh Harold would never beat up his landlord Right pops and they just keep directing shit at him because Harold you know, he's always been the dependable one And I've always In the screw up one right dad Why can't you be more like your brother Harold would never beat up his landlord 20:00.295 --> 20:01.556 [SPEAKER_01]: He's a fucking shit. 20:02.056 --> 20:04.538 [SPEAKER_01]: Oh, shit. 20:04.638 --> 20:04.798 [SPEAKER_01]: What? 20:04.818 --> 20:04.919 [SPEAKER_01]: What? 20:04.959 --> 20:05.159 [SPEAKER_01]: What? 20:06.059 --> 20:08.721 [SPEAKER_01]: But, uh, a little news flash, pop. 20:10.082 --> 20:11.143 [SPEAKER_01]: Haroldine's so perfect. 20:13.945 --> 20:16.707 [SPEAKER_01]: I'm going to have time to Puerto Rico when we picked up those two, uh. 20:18.089 --> 20:20.290 [SPEAKER_01]: Well, I guess they would prostitute, but I don't remember, Dan. 20:20.931 --> 20:22.372 [SPEAKER_04]: OK, how about that? 20:22.412 --> 20:23.172 [SPEAKER_04]: How about that? 20:23.232 --> 20:24.133 [SPEAKER_04]: Yeah, how about that? 20:24.233 --> 20:24.814 [SPEAKER_01]: It's a good thing. 20:24.874 --> 20:26.435 [SPEAKER_01]: How about person, too, Bob? 20:26.475 --> 20:28.016 [SPEAKER_01]: God damn, and how about person, too? 20:28.096 --> 20:29.017 [SPEAKER_01]: You're a moron. 20:30.568 --> 20:41.875 [SPEAKER_00]: Is this the thing that you've you've had on the side I do you know what 900 wedding Wow, yeah, in my 24 years of my wedding it's what I do And which will come back to as far as wedding DJ and wedding singers? 20:41.955 --> 20:45.137 [SPEAKER_04]: Yeah, that's another thing I want to get into but in my 20:45.957 --> 20:46.718 [SPEAKER_00]: That amount of weddings. 20:46.818 --> 20:48.520 [SPEAKER_00]: I've seen this about 10 times. 20:49.120 --> 20:52.804 [SPEAKER_00]: One of the groups was actually good friends of ours, and we'll leave it at that. 20:53.344 --> 21:00.351 [SPEAKER_00]: But my goodness, this is why all you brides, grooms, all you guys, knock out the toast early before everybody starts drinking. 21:00.931 --> 21:08.058 [SPEAKER_00]: If you decide to wait till after dinner and they just had a buttload of shots, there's no telling what's going on this microphone. 21:09.559 --> 21:11.120 [SPEAKER_00]: You know, you probably don't want to hear it. 21:11.141 --> 21:13.122 [SPEAKER_00]: We need to just get that not that let that happen. 21:13.162 --> 21:16.025 [SPEAKER_00]: So yes, I think I've heard about 10 times in my career. 21:16.245 --> 21:20.429 [SPEAKER_04]: I think what happens is is clearly the case with steeper pennies guy here right here. 21:20.469 --> 21:27.615 [SPEAKER_04]: It's just like you have the maybe the concept of the wedding that you're at will bring up certain feelings within you. 21:28.216 --> 21:36.723 [SPEAKER_04]: And then once you kind of start like diving into your speech like those thoughts, the intrusive thoughts of like what that actual alcohol will bring those straight to the forefront. 21:36.883 --> 21:50.193 [SPEAKER_04]: And and your thoughts that maybe you should keep yourself about the wedding like once you kind of start like speaking from the heart as like bad as those thoughts from your heart Are kind of take over and then you know it is like sometimes when people have the microphone on the ground They're like I'm just going in alright. 21:50.253 --> 21:53.196 [SPEAKER_04]: I'm going in I'm going there Fuckin I started my as well. 21:53.216 --> 21:59.140 [SPEAKER_04]: Yeah, yeah, now I'm gonna grab the guitar Okay, it's cuz I'm the best good harbour in the world self-taught no lessons. 21:59.160 --> 22:00.201 [SPEAKER_04]: Thank you very much Pop Hey 22:06.148 --> 22:14.393 [SPEAKER_01]: Yeah, that's good, yeah, it's got some of the best guitar players in the world, yeah, self-taught, no lessons, thank you very much, pop. 22:14.853 --> 22:16.334 [SPEAKER_01]: Alright. 22:20.304 --> 22:39.168 [SPEAKER_00]: He's got some shit to say but like he he's awesome in this role and then of course He comes back at the hour realizes that the wedding singer and boy George George George Our fantastic is like I think I need to do that and by the end of the movie has become a wedding singer himself Yeah, yeah, yeah, I love it. 22:39.188 --> 22:40.668 [SPEAKER_00]: He closes out the movie six man. 22:40.688 --> 22:43.169 [SPEAKER_04]: All right, so steep a semi is one who ends up 22:48.451 --> 22:54.499 [SPEAKER_02]: I see you later sleep at all, all right, hey in a win-singer. 22:56.161 --> 22:56.461 [SPEAKER_02]: Ow! 23:01.848 --> 23:02.369 [SPEAKER_02]: Okay. 23:02.963 --> 23:08.226 [SPEAKER_04]: You can't nail the drop off the sidewalk and then walk all and then the walk off like down. 23:08.246 --> 23:08.447 [SPEAKER_00]: Cool. 23:09.147 --> 23:10.008 [SPEAKER_00]: Yeah. 23:10.188 --> 23:11.829 [SPEAKER_04]: So that's number two. 23:12.129 --> 23:16.532 [SPEAKER_04]: You've got to of course include John Levitt's any time John Levitt's job was a movie. 23:16.572 --> 23:16.972 [SPEAKER_00]: John Levitt. 23:17.532 --> 23:20.354 [SPEAKER_00]: He destroys his three minutes in this movie. 23:20.374 --> 23:20.854 [SPEAKER_00]: Are you kidding me? 23:21.735 --> 23:24.117 [SPEAKER_04]: This is exactly what the six man award is all about. 23:24.317 --> 23:30.201 [SPEAKER_04]: Just drop it in the

movie for like one scene and just he knocks out every second he's on screen. 23:30.742 --> 23:34.785 [SPEAKER_04]: Similar to he was the six man award winner when we dissected a league of the world. 23:34.805 --> 23:35.385 [SPEAKER_04]: Look at their own. 23:35.445 --> 23:36.286 [SPEAKER_00]: Same thing. 23:36.406 --> 23:37.607 [SPEAKER_00]: He's a great success. 23:37.727 --> 23:39.108 [SPEAKER_04]: Every second he's on scene. 23:39.669 --> 23:41.070 [SPEAKER_04]: Not a bad wedding singer, by the way. 23:41.610 --> 23:55.403 [SPEAKER_04]: But like, especially if you're like wanting like an 80's type wedding series, a little cheesy, he has this inflated ego and like performative nature that you kind of I think would want from your wedding singer a little bit if you're trying to go Does the box that you show the box that bro? 23:55.423 --> 23:57.244 [SPEAKER_04]: No, you're the one that keeps talking about the box tab. 23:57.525 --> 23:57.925 [SPEAKER_04]: You do it. 23:58.225 --> 23:59.867 [SPEAKER_04]: Oh, you're, oh, the actual him doing it. 23:59.907 --> 24:00.387 [SPEAKER_00]: So it's just 24:09.988 --> 24:34.533 [SPEAKER_02]: single baby mmm, sophisticated mama come on you disco lady save me that mama yes it's lady's not the whole world check on thank you this is Jimmy Moore saying letting no suck in my grudge okay take forward 24:34.972 --> 24:36.132 [SPEAKER_00]: I've loved that move. 24:36.452 --> 24:40.094 [SPEAKER_00]: Ladies and gentlemen, since I watched this movie, I've been doing that on the dance floor. 24:40.774 --> 24:45.335 [SPEAKER_00]: Since I saw that move, it's a classic smooth move. 24:45.695 --> 24:46.095 [SPEAKER_00]: John Levitts. 24:46.296 --> 24:47.956 [SPEAKER_00]: And then you got to check it out. 24:48.216 --> 24:48.796 [SPEAKER_00]: Check it out. 24:49.296 --> 24:51.177 [SPEAKER_04]: And then the... Hey, this is Jimmy Moore. 24:51.237 --> 24:51.397 [SPEAKER_04]: Yeah. 24:52.798 --> 24:53.438 [SPEAKER_04]: He slapped me. 24:53.458 --> 24:57.579 [SPEAKER_04]: Jimmy Moore is saying that he knows soccer, my garage. 24:57.619 --> 25:00.600 [SPEAKER_04]: Yeah, our favorite movie that he does is, or should I think, Linda? 25:02.000 --> 25:08.462 [SPEAKER_02]: the devil's snap and a little like a little snap top of a slap hey no thank you or what? 25:09.102 --> 25:25.988 [SPEAKER_02]: for quitting or should I thank Linda I business is tripled well you've just inspired me to hire a DJ so thank you oh 25:26.988 --> 25:31.553 [SPEAKER_02]: Well, good luck finding a DJ who can move, and shake like this! 25:34.056 --> 25:38.601 [SPEAKER_04]: And then of course, the last shot you see of him, where he's the curtain slowly. 25:38.641 --> 25:42.285 [SPEAKER_00]: He's losing his mind, and I'm going to revolve the benefits. 25:46.183 --> 25:47.925 [SPEAKER_04]: Yeah, literally every second. 25:47.945 --> 25:48.465 [SPEAKER_04]: He's on the screen. 25:48.505 --> 25:49.025 [SPEAKER_04]: He just cooks. 25:49.045 --> 25:50.887 [SPEAKER_00]: You have a smile on your face entire time. 25:51.067 --> 26:05.599 [SPEAKER_04]: Number two and number three All right, number three much more low-key presence, but again cooks with like every two lines that he has and that is Glenn's runk like fat friend when they have the engagement party and he's like hey, he's gonna be so wasted Of the wedding. 26:05.619 --> 26:07.320 [SPEAKER_04]: He's not even gonna know the flowers are there. 26:07.520 --> 26:07.981 [SPEAKER_04]: I thought 26:09.882 --> 26:18.005 [SPEAKER_04]: And then he sees spots robbies like oh, I heard what happened you're wedding you must have felt like shit No, I felt great. 26:18.125 --> 26:18.405 [SPEAKER_00]: Thanks. 26:18.525 --> 26:20.746 [SPEAKER_04]: Yeah, so those are the candidates. 26:21.026 --> 26:24.527 [SPEAKER_04]: I would throw out there I don't know who's your choice in that one if you had a pick one. 26:24.547 --> 26:25.088 [SPEAKER_00]: No, it was a three. 26:25.148 --> 26:26.008 [SPEAKER_00]: I'll pick out of those three. 26:26.068 --> 26:33.751 [SPEAKER_00]: Yeah Yeah, yeah, who's your who's your winner six man of the of the movie the third guy you threw into cool Like he definitely adds his stuff, but it's between the first two for sure 26:34.231 --> 26:39.174 [SPEAKER_04]: Yeah, and I would say words per second time screen stand point. 26:39.194 --> 26:43.157 [SPEAKER_04]: That guy has a strong case But it's hard to beat Levitt's in Bashemian this one. 26:43.177 --> 26:46.419 [SPEAKER_00]: Yeah, and then with that Man, what a toss-up. 26:46.619 --> 26:49.221 [SPEAKER_00]: Well, you have to give the 51% to 49 edge. 26:49.921 --> 26:55.625 [SPEAKER_00]: I got to give it to man I got to give it to the first guy the shemming Bashemian I love it's kills it. 26:55.645 --> 26:59.347 [SPEAKER_02]: He's bad, but just because I bet I don't know what no one 27:07.057 --> 27:09.879 [SPEAKER_00]: Yeah, I've been singing that bullshit forever with that. 27:10.139 --> 27:11.880 [SPEAKER_00]: It's plus he was in the beginning and the answer. 27:11.900 --> 27:18.905 [SPEAKER_04]: You could have done this book in book and moment, you know, which maybe also shows that he's grown since his whole life. 27:18.925 --> 27:20.787 [SPEAKER_04]: That was like a rock bottom moment for him. 27:21.587 --> 27:27.331 [SPEAKER_04]: Last literally we see of him when Adam's helping the the drunk kid throw up and he's like, wow, whoa. 27:28.232 --> 27:29.333 [SPEAKER_04]: He's like, I got it for this. 27:29.693 --> 27:30.374 [SPEAKER_04]: I got to go with love. 27:30.394 --> 27:31.374 [SPEAKER_00]: Yeah, I figured you would. 27:31.434 --> 27:33.516 [SPEAKER_00]: And I, you know what, on a different day. 27:33.816 --> 27:34.516 [SPEAKER_00]: Yeah, I might go with love. 27:34.536 --> 27:35.117 [SPEAKER_00]: It's because of my. 27:35.900 --> 27:39.241 [SPEAKER_00]: He plays Jimmy Moore say a man award given up. 27:39.662 --> 27:40.222 [SPEAKER_04]: All right. 27:40.242 --> 27:40.802

[SPEAKER_04]: All right. 27:40.822 --> 27:42.483 [SPEAKER_04]: So we brought it up a little bit. 27:42.523 --> 27:52.547 [SPEAKER_04]: We touched out of for a second But I would like to get we have a little bit of unique perspective from you as a person that said you did nine hundred wedding Right, okay, not a little more. 27:52.687 --> 28:03.192 [SPEAKER_04]: Yeah, so Described to me the difference between having a DJ which I see you see more nowadays is wedding singer still thing So what is singer is now called a cover band 28:03.831 --> 28:04.412 [SPEAKER_00]: Oh yeah, okay. 28:04.432 --> 28:07.975 [SPEAKER_00]: This is that simple and with that said somewhat. 28:08.175 --> 28:17.184 [SPEAKER_00]: It's transition obviously, but the 80s DJ wedding DJ Now the wedding DJ of now is what a wedding singer was at this time. 28:17.504 --> 28:17.824 [SPEAKER_04]: Okay. 28:18.205 --> 28:21.128 [SPEAKER_04]: Wait, is it like editing an 80s like theme DJ? 28:21.768 --> 28:26.110 [SPEAKER_00]: Actually you're everything all that back me as a wedding DJ. 28:26.470 --> 28:30.992 [SPEAKER_04]: Yeah, I am what a wedding singer would be in the It's most DJ you're very performant. 28:31.052 --> 28:32.312 [SPEAKER_00]: I'm performing about there. 28:32.332 --> 28:46.337 [SPEAKER_00]: I'm theatrical and it's lying If I need to and I know I want to take a step back, but I'm more of like the MC in charge of the dancing and keeping everybody going Most DJs actually are scarred scared to be in the mic there, but yeah, it would name as you know They don't get out there. 28:46.357 --> 28:46.878 [SPEAKER_00]: They don't dance. 28:46.898 --> 28:49.439 [SPEAKER_00]: They're like I focus on the music That's my art like shut up. 28:49.459 --> 28:49.619 [SPEAKER_00]: Dude. 28:49.839 --> 28:49.939 [SPEAKER_00]: So 28:51.050 --> 28:58.301 [SPEAKER_00]: As I thought about initially, I thought most DJ wedding DJs, but no very specific interactive DJs and know how to do it are what these were. 28:58.361 --> 29:00.925 [SPEAKER_00]: Now the difference, you gotta worry about six other people. 29:01.606 --> 29:01.786 [SPEAKER_04]: Yeah. 29:01.987 --> 29:03.469 [SPEAKER_00]: Let your base person not show up. 29:04.895 --> 29:24.017 [SPEAKER_04]: or let George not show up would be not show up like literally yeah they got sick i'm sick today oh yeah yeah i got sick last night i drank too much and these are the kind of things that you as like a DJ i got so up you're like very big i'm like yeah like i'm talking about everything and i'm not i just need one other person to cover me which they won't do is good of a job but at least i only have to find one 29:24.477 --> 29:38.530 [SPEAKER_00]: Yeah, you got to get another George got a free and a fun guy that can play who can play the trombone and the Like the clarinet within like a half a second from each other multi instrument player I think I've seen on screen. 29:38.750 --> 29:47.639 [SPEAKER_00]: Yeah, goes from the instrument to instrument to instrument and it has one fantastic song that he sings Yeah, but why did George not have to learn a couple he's needed to learn at least a second 29:47.959 --> 29:50.842 [SPEAKER_04]: When Robby takes a break, you need to at least have three in your back pocket. 29:51.042 --> 29:52.343 [SPEAKER_04]: They can all be boy George songs. 29:52.624 --> 29:53.485 [SPEAKER_00]: Oh, my god, yeah. 29:53.505 --> 29:56.187 [SPEAKER_04]: Slow, okay, clearly you're into the boy George thing. 29:56.608 --> 29:57.569 [SPEAKER_04]: That's your wheelhouse. 29:57.629 --> 29:58.890 [SPEAKER_04]: A plague comma chameleon. 29:59.050 --> 29:59.791 [SPEAKER_04]: You know, that'll work. 29:59.851 --> 30:00.692 [SPEAKER_04]: Oh, people dancing. 30:00.712 --> 30:01.693 [SPEAKER_00]: The dancing floor got mad. 30:01.713 --> 30:02.934 [SPEAKER_00]: Yeah, yeah, yeah, yeah, but he sticks with. 30:09.496 --> 30:14.359 [SPEAKER_00]: Yeah, and then by the second time, you get the greatest Yosu-san! 30:14.379 --> 30:15.860 [SPEAKER_00]: The possible cinema history. 30:15.880 --> 30:18.181 [SPEAKER_04]: I have a, I have another Yosu-suck that I always loved. 30:18.441 --> 30:18.961 [SPEAKER_04]: Which one is that? 30:18.981 --> 30:21.283 [SPEAKER_01]: Because this one is aggressive, and it's a good aggressive one. 30:21.303 --> 30:22.423 [SPEAKER_01]: When they're like, oh! 30:22.443 --> 30:23.604 [SPEAKER_04]: Hey, Robbie, you gotta get in there. 30:23.804 --> 30:25.425 [SPEAKER_04]: They're starting to turn on George, isn't it? 30:25.865 --> 30:27.086 [UNKNOWN]: Yosu-san! 30:28.066 --> 30:29.667 [SPEAKER_02]: Robbie, you gotta get back in there. 30:29.727 --> 30:30.968 [SPEAKER_02]: They're starting to turn on George. 30:31.308 --> 30:33.470 [SPEAKER_02]: Yosu-san, Yosu-san! 30:33.710 --> 30:34.130 [SPEAKER_02]: Yosu-san! 30:36.007 --> 30:36.628 [SPEAKER_04]: That's a good one. 30:36.848 --> 30:44.039 [SPEAKER_04]: There's a very understated low key when I always loved when an American pie when they have the band that's playing at their prom. 30:44.540 --> 30:46.503 [SPEAKER_04]: And they're like, all right, we're gonna take a break. 30:46.583 --> 30:48.005 [SPEAKER_04]: You are beautiful. 30:48.146 --> 30:50.870 [SPEAKER_04]: And then it's just like, it's silent for like two seconds and somebody's just like, 30:59.473 --> 31:00.074 [SPEAKER_04]: You know, it's good. 31:00.554 --> 31:06.359 [SPEAKER_04]: And I always just remember hearing that as, you know, when I used to watch it all the time, and I always like, wait, where I was, that's the best use suck I've ever heard. 31:06.459 --> 31:09.181 [SPEAKER_04]: But that one makes a strong case, man. 31:09.281 --> 31:12.684 [SPEAKER_04]: Let me just say this about George though, because George is an important piece of this movie. 31:12.724 --> 31:14.846 [SPEAKER_04]: We talked about like, you know, sort of the six men off the bench. 31:15.687 --> 31:20.351 [SPEAKER_04]: Arguably, even like a bigger character than just

like a six man, because like George is there throughout. 31:21.191 --> 31:27.136 [SPEAKER_04]: And it's an interesting, similar to the way Adam thinks that like old people doing stuff is funny. 31:27.997 --> 31:43.405 [SPEAKER_04]: It feels like the entire joke with George is just, George gets up there and presents immediately is just like making everybody uncomfortable and like in multiple scenes, and it's interesting because it's played by Alexis Arquette. 31:44.025 --> 32:09.010 [SPEAKER_04]: Who is a very early well-known trans person who was like Famous from the Arquette family brother David Arquette sister Rosanna Arquette So was kind of very well-known in like the 80s into the 90s and stuff and Odd that Alexis Arquette would choose to do this movie where it seems like the whole joke is you show up and everybody You're funny you are funny the way you are 32:09.470 --> 32:16.935 [SPEAKER_00]: Ha ha ha we're like everybody's like weird it out now with that place of funny parts the repeat of the song It's a good job of it. 32:16.975 --> 32:19.377 [SPEAKER_00]: Oh, yeah, the run it back the run it back. 32:19.397 --> 32:20.298 [SPEAKER_04]: Yeah, the run it back. 32:20.398 --> 32:24.401 [SPEAKER_04]: I only know You really want to laugh at the at the ceremony. 32:24.421 --> 32:30.305 [SPEAKER_04]: Oh, yeah, that's out forever remember that that's a good the crying immediately with like the mascara running down and everything 32:30.585 --> 32:40.693 [SPEAKER_00]: So some play some funny parts, but you're right, the junk behind the two of them are ridiculous words, old people are funny cuz they're old Yeah, trans people are funny cuz they're trans like, I don't know man. 32:40.713 --> 32:53.002 [SPEAKER_04]: This is not best Has an age the best I would say, but credit to a lexistarcafe for giving it socks and I think the the most redeeming part from my amy is like Switching from like the clarinet to the trombone within like a second. 32:53.082 --> 32:54.623 [SPEAKER_04]: I think that's a funny bit classic 32:54.803 --> 33:20.565 [SPEAKER_04]: but also as from a personality standpoint maybe gets a little redemption when they're all turned on the wedding dresses and they're like not sure and then they're and then here comes George is in the wedding dress and everybody's like oh I like this one which I don't understand that scene because why is everybody else trying on the wedding dresses and not Julia isn't Julia the only one that should be needing to fit her dressings right yeah yeah she'd be seeing what they look like on her she's the only one that never puts one on and that whole montage scene 33:21.526 --> 33:38.524 [SPEAKER_04]: Although that does remind me, one of the core elements of this movie is it's incredible 80s soundtrack and if you watch throughout it, one of the things they do throughout the entire movie is from scene to scene, they jump into the next scene with a classic 80s banger. 33:38.864 --> 33:42.685 [SPEAKER_04]: that somehow

like actually speaks to what this scene is. 33:42.765 --> 33:45.966 [SPEAKER_04]: Like that montage hits that whole notes song. 33:46.347 --> 33:50.728 [SPEAKER_04]: The white wedding, as soon as after Robbie gets left at the altar, the Billie Eidle song. 33:50.788 --> 33:52.369 [SPEAKER_04]: Like he's done in that next one. 33:52.729 --> 33:58.851 [SPEAKER_04]: When they're in the ice cream shop with him in Julia and they're like, sort of like, you know, talk a little personal with each other. 33:58.911 --> 34:01.072 [SPEAKER_04]: They have every little thing she does as magic. 34:01.092 --> 34:07.154 [SPEAKER_04]: Like literally, or when he's driving the limo, and he pulls up with, yeah, do it. 34:09.681 --> 34:13.804 [SPEAKER_02]: You know something I love about us, what's that? 34:29.931 --> 34:33.114 [SPEAKER_00]: I need to do it because I need to I need to boost to do these days. 34:33.154 --> 34:37.359 [SPEAKER_00]: I need to nearly need a positive statement from your hit me. 34:37.439 --> 34:43.085 [SPEAKER_04]: After nearly 200 episodes of doing this, we are on the same vibe. 34:43.305 --> 34:45.447 [SPEAKER_04]: I was literally about to call out past the Dutch. 34:45.467 --> 34:47.909 [SPEAKER_04]: You did the left-hand side and you had a queueed up ready to go. 34:48.550 --> 34:49.992 [SPEAKER_04]: And yeah, that's when he pulls up the limo. 34:50.392 --> 34:55.737 [SPEAKER_04]: One thing I love about that scene is what Sammy's wearing because he's got this outfit that's exactly what my dad used to wear back then. 34:55.777 --> 35:06.668 [SPEAKER_04]: It's kind of like somewhat like a denim like washed out jeans with like the the belt that's kind of like, you know, it's like Yeah, it's tied and he had like it tucked in with a shirt that sort of is a print on it. 35:06.848 --> 35:12.374 [SPEAKER_04]: It's the exact kind of clothes that by dad used to wear back then and you told me when I pointed it out to you that you said you're dead in the same 35:13.094 --> 35:14.095 [SPEAKER_00]: It was what all that's did. 35:14.115 --> 35:20.257 [SPEAKER_04]: Yeah, it was, I mean, they weren't really, I guess he was a young dad at that point, you know, but like, yeah, that was just the style. 35:20.897 --> 35:25.339 [SPEAKER_04]: And it's my favorite outfit that Sammy wears start to move because he's one of the characters. 35:25.459 --> 35:31.481 [SPEAKER_04]: I'd say him and Holly are both used as the, we're going to show the extreme 80s fashion. 35:31.701 --> 35:35.323 [SPEAKER_04]: And I have somewhere in my notes that I wrote down, uh, 35:36.003 --> 35:40.587 [SPEAKER_04]: I find it odd that Sammy puts on the thriller jacket twice in the movie. 35:41.107 --> 35:41.748 [SPEAKER_04]: Does it do it twice? 35:41.808 --> 35:42.408 [SPEAKER_04]: He does it twice. 35:42.808 --> 35:47.893 [SPEAKER_04]: He shows up to the engagement party and that's when he's like, what do you think of this look and he's like, I'll lose the glove. 35:47.913 --> 35:48.533 [SPEAKER_04]: You look nuts. 35:49.274 --> 35:50.374 [SPEAKER_04]: Let me just pick up a chicken. 35:50.394 --> 35:52.116 [SPEAKER_02]: We're going to be thinking of a jacket. 35:52.136 --> 35:54.418 [SPEAKER_02]: I don't know man. 35:54.438 --> 35:55.258 [SPEAKER_02]: I'll lose that glove. 35:55.278 --> 35:55.899 [SPEAKER_02]: You're looking nuts. 35:57.469 --> 36:18.260 [SPEAKER_00]: he ends up hitting him with a like telly brother Tito, I said I and then he shows up again at the end of the like later than moving when they're in the bar and he's like dancing and he's like teaching the old gada dance like before you continue could we go back to the first time he won't yeah he's wearing the glove he takes it off they walk into the party and one of the most disrespectful things that if Castle did this to me or I did this to Castle 36:19.020 --> 36:21.582 [SPEAKER_00]: Both of us are going to be like we're going to have words later, dude. 36:22.042 --> 36:22.663 [SPEAKER_00]: We might fight. 36:22.703 --> 36:23.883 [SPEAKER_00]: This is like you're out. 36:23.904 --> 36:25.264 [SPEAKER_00]: That's a disrespectful move. 36:25.625 --> 36:26.605 [SPEAKER_00]: Yeah, I might do it. 36:26.665 --> 36:27.286 [SPEAKER_00]: I'm going to snap. 36:27.306 --> 36:29.147 [SPEAKER_00]: He knows I'm going to turn Puerto Rico on his shit. 36:29.387 --> 36:32.029 [SPEAKER_00]: And then I already know I'm going to get shit from what was it? 36:32.049 --> 36:32.550 [SPEAKER_00]: What was the scene? 36:32.970 --> 36:33.890 [SPEAKER_04]: Well, like, you know what? 36:34.551 --> 36:39.434 [SPEAKER_04]: When this guy first met you, he said, She's going to get it and he doesn't even know it. 36:39.635 --> 36:40.475 [SPEAKER_04]: Are you kidding me? 36:40.735 --> 36:42.897 [SPEAKER_00]: Fuck, what's something I told you? 36:42.957 --> 36:43.277 [SPEAKER_00]: I told you. 36:43.357 --> 36:47.260 [SPEAKER_00]: I told my boy just to joke and possibly not joking being real, but either way, 36:48.536 --> 36:50.037 [SPEAKER_00]: I'm trusting you with just some bullshit. 36:50.257 --> 36:54.418 [SPEAKER_04]: Yeah, you're gonna like be kids You're gonna bring this up now and her and gay. 36:54.458 --> 36:57.979 [SPEAKER_04]: I've been party no less like I'm getting like that That's right right now. 36:58.099 --> 37:00.480 [SPEAKER_00]: I'm getting Getting right out. 37:00.540 --> 37:01.781 [SPEAKER_00]: I don't you don't do that. 37:01.961 --> 37:06.442 [SPEAKER_05]: I'm just God you guys came I'm gonna get to hang out at work so much, but we don't get to talk as well. 37:06.462 --> 37:07.103 [SPEAKER_05]: We're so busy. 37:07.763 --> 37:10.144 [SPEAKER_02]: Well It should make time to talk. 37:10.384 --> 37:10.904 [SPEAKER_02]: Don't you think? 37:13.770 --> 37:14.370 [SPEAKER_02]: You know what? 37:15.631 --> 37:18.411 [SPEAKER_02]: First time this guy saw you, he told me he was going to hit on you. 37:19.372 --> 37:19.792 [SPEAKER_05]: Really? 37:20.632 --> 37:21.312

[UNKNOWN]: That's natural. 37:22.012 --> 37:22.872 [SPEAKER_02]: Yeah, that is. 37:23.013 --> 37:24.613 [SPEAKER_02]: You told me she was in trouble. 37:24.673 --> 37:25.793 [SPEAKER_02]: She was going to get it. 37:25.813 --> 37:26.834 [SPEAKER_02]: She didn't even know it. 37:27.754 --> 37:28.414 [SPEAKER_02]: He's teasing. 37:28.454 --> 37:30.074 [SPEAKER_02]: I would never say that. 37:30.154 --> 37:31.855 [SPEAKER_05]: Oh, you said you were going to give it to her. 37:32.255 --> 37:33.575 [SPEAKER_05]: Give me what exactly? 37:33.615 --> 37:34.056 [SPEAKER_02]: Yeah. 37:34.496 --> 37:35.196 [SPEAKER_02]: You're a jerk. 37:35.356 --> 37:36.216 [SPEAKER_02]: What do you mean? 37:36.256 --> 37:37.696 [SPEAKER_02]: You didn't know she was engaged. 37:37.897 --> 37:40.397 [SPEAKER_05]: So now you're not going to give it to me. 37:40.497 --> 37:41.498 [SPEAKER_02]: Very funny. 37:41.858 --> 37:42.918 [SPEAKER_02]: Say how do you brother Tito? 37:45.367 --> 37:54.473 [SPEAKER_04]: It does establish that he loves like fucking with Sammy all throughout and like in certain respects It's like really funny like a whole Limo him doing him doing the limo test. 37:54.613 --> 37:57.915 [SPEAKER_04]: I think it would be in the running for the funniest scene in the movie Oh, caps. 37:57.955 --> 37:59.756 [SPEAKER_04]: Just like yeah, I know. 38:00.196 --> 38:05.280 [SPEAKER_04]: I just love when he stops and he grabs the groom and the bride to like stuff a man And she's just like wow look at him go 38:06.260 --> 38:26.971 [SPEAKER_04]: And then I'm a legendary who's the only level in the town like he means the track that And then hits up with the possibly the most legendary line in the movie Of course, I'm gonna hire him not only is your best friend, but is he only the mode driver in town Yeah, I just like everyone 38:37.683 --> 38:38.803 [SPEAKER_02]: Better move it, man. 38:40.564 --> 38:43.866 [SPEAKER_02]: You're not gonna make it. 38:49.648 --> 38:50.668 [SPEAKER_02]: You hit two cones. 38:51.749 --> 38:52.769 [SPEAKER_02]: Those could've been people. 38:52.789 --> 38:54.290 [SPEAKER_02]: Those could've been guests at her wedding. 38:56.631 --> 38:57.511 [SPEAKER_02]: They were cones. 38:59.152 --> 39:00.132 [SPEAKER_00]: They were cones. 39:02.425 --> 39:03.266 [SPEAKER_04]: perfectly executed. 39:03.306 --> 39:05.430 [SPEAKER_04]: That's where this movie actually just thrives. 39:05.490 --> 39:14.964 [SPEAKER_04]: It's it's ability to bounce back and forth between like keeping you engaged with these two characters and their different love stories and how they're kind of actually might be intertwining. 39:15.425 --> 39:18.189 [SPEAKER_04]: But then reminding you constantly to hit you with 80s moments. 39:18.469 --> 39:19.489 [SPEAKER_04]: and hit you with comedy. 39:20.129 --> 39:25.771 [SPEAKER_04]: And I will say that there are sometimes where they actually just really try hard to shoehorn in. 39:26.551 --> 39:32.152 [SPEAKER_04]: This movie does a lot of good, easy-going, 80s references, especially with the music. 39:32.212 --> 39:36.513 [SPEAKER_04]: Like, as we just mentioned, the music, some of them will have more impactful moments and others. 39:36.653 --> 39:45.895 [SPEAKER_04]: There are a few times in this movie where they really just shoehorn in 80s references that are just like, okay, you're just trying to hit me over the head with other, it's the 80s thing. 39:48.696 --> 39:50.819 [SPEAKER_04]: Yeah, a classic castle list for you. 39:51.539 --> 40:03.772 [SPEAKER_04]: The top 10 needlessly shoved in 80's reference from the wedding singer Number one the Frankie says relax shirt the cook when she's working on the wedding. 40:03.792 --> 40:07.095 [SPEAKER_02]: It's like hey, all you need to do is relax Relax 40:13.527 --> 40:15.529 [SPEAKER_04]: The Freaky says relax shirt, it's big deal in the 80s. 40:15.729 --> 40:16.830 [SPEAKER_04]: Everybody know it from the music video. 40:17.250 --> 40:19.292 [SPEAKER_04]: Number two, the kid with a Freddy Kruger mask. 40:19.692 --> 40:21.694 [SPEAKER_04]: Just running around with a Freddy Kruger mask for some reason. 40:21.914 --> 40:23.735 [SPEAKER_04]: He's like, all right, that's not nice. 40:24.536 --> 40:25.957 [SPEAKER_04]: Go back to the boiler room, Freddy. 40:26.197 --> 40:28.679 [SPEAKER_03]: I'm gonna destroy him for the audience. 40:28.719 --> 40:32.442 [SPEAKER_02]: Oh, thanks Freddy Kruger, that's not nice. 40:33.583 --> 40:34.564 [SPEAKER_02]: Very creative though. 40:35.244 --> 40:36.305 [SPEAKER_02]: Go back to the boiler room. 40:37.386 --> 40:40.649 [SPEAKER_04]: Number three, all tempered, cheered laundry. 40:41.422 --> 40:48.627 [SPEAKER_04]: which I literally had to look up, but there's that needleless moment when he's like sad and bad, and then Sammy lays down next to him. 40:48.647 --> 40:55.913 [SPEAKER_01]: He's like, these sheets are soft, and he's just like, it's all temperature, and it just says like whatever their slogan was and stuff. 41:11.533 --> 41:11.793 [SPEAKER_02]: really. 41:12.134 --> 41:12.954 [SPEAKER_04]: I literally had to look it up. 41:13.014 --> 41:21.762 [SPEAKER_04]: I'm like, okay, that must have been like a popular like detergent in the 80s and it looks like it was actually more of like a brand in the 70s and they had like a popular actress. 41:21.782 --> 41:27.707 [SPEAKER_04]: I don't know what like fair faucet or something that was like their spokesman, but yeah, so that was something that 41:28.367 --> 41:34.889 [SPEAKER_04]: your parents would probably be like, I remember all the time, but yeah, but I've never heard of it, but just the way it was thrown in there. 41:35.009 --> 41:35.269 [SPEAKER_04]: Yeah. 41:35.489 --> 41:38.930 [SPEAKER_04]: All right, this one I just picked up on earlier and we're watching it. 41:39.290 --> 41:46.812 [SPEAKER_04]: When Robbie goes to like babysit his sister's kids, and then his sister's like whatever her husband's name, you know, the guy with a

41:47.392 --> 41:50.174 [SPEAKER_04]: Pretty little throw yeah, it's like something out of it. 41:50.374 --> 41:53.677 [SPEAKER_04]: He looks like that guy from the Simpsons that was like one of the mobsters Like the exact. 41:53.777 --> 41:55.178 [SPEAKER_04]: Yeah, he has that mobster look for shit. 41:55.198 --> 41:55.338 [SPEAKER_04]: Yeah. 41:55.358 --> 41:55.538 [SPEAKER_04]: Yeah. 41:56.018 --> 41:56.298 [SPEAKER_04]: Yeah. 41:56.318 --> 41:59.000 [SPEAKER_04]: Uh, she's like I move her ass and he goes Hey, go on. 41:59.040 --> 42:00.081 [SPEAKER_04]: I'm watching Dallas. 42:00.401 --> 42:02.102 [SPEAKER_04]: I think something happened to JR. 42:02.222 --> 42:09.708 [SPEAKER_04]: They shot him or something I think I might be dead or something. 42:09.748 --> 42:10.728 [UNKNOWN]: They shot him. 42:10.748 --> 42:11.569 [SPEAKER_01]: Good night 42:12.007 --> 42:24.137 [SPEAKER_04]: because like there was like a famous episode of Dallas where they're like who shot J.R. And it was back in the days when like an episode that with stakes like that could end up like having the highest ratings of the year because like everybody watching network TV at the same time. 42:24.157 --> 42:26.538 [SPEAKER_00]: No, crazy. 42:26.899 --> 42:27.099 [SPEAKER_00]: Five. 42:27.579 --> 42:31.122 [SPEAKER_04]: Okay, the Dunkin Donuts commercial, they show, I don't know. 42:31.162 --> 42:35.065 [SPEAKER_04]: I guess this is a popular commercial in the 80s where they're at a one point they just show it. 42:35.405 --> 42:40.950 [SPEAKER_04]: And there's like, oh, don't you made the donuts and then it actually gets brought up later when they're in the club again. 42:41.510 --> 42:44.052 [SPEAKER_01]: Love David Bowie, he's so sexy. 42:44.352 --> 42:46.494 [SPEAKER_02]: You think they're time to make the donuts, guys, sexy? 42:46.994 --> 42:47.495 [SPEAKER_02]: Ha ha ha. 42:47.735 --> 42:48.756 [SPEAKER_02]: That guy is funny. 42:49.236 --> 42:49.957 [SPEAKER_04]: Miss that donuts? 42:49.977 --> 42:50.937 [SPEAKER_04]: Miss the donuts, one? 42:51.017 --> 42:51.958 [SPEAKER_04]: Yeah, you're sneaking these. 42:52.278 --> 42:52.459 [SPEAKER_04]: Yeah. 42:52.659 --> 42:54.200 [SPEAKER_00]: They snuck a bunch of these motherfuckers in there. 42:55.075 --> 42:55.635 [SPEAKER_04]: Number six. 42:56.116 --> 42:57.577 [SPEAKER_04]: Holly doing the Rubik's Cube. 42:58.458 --> 43:12.349 [SPEAKER_04]: Just getting her scene, she's like, got a Rubik's Cube and she's like, no one will ever sell these and she's like throws it because the Rubik's Cube forever in the 80s, which I remember as a kid, like, you would go to anybody's house and they did have a Rubik's Cube for something else. 43:12.369 --> 43:13.030 [SPEAKER_04]: Yeah, what was that about? 43:13.050 --> 43:13.370 [SPEAKER_04]: I don't know. 43:13.590 --> 43:15.252 [SPEAKER_04]: They did a good, a mess from job marketing. 43:15.272 --> 43:17.253 [SPEAKER_00]: You could take off the stickers and just put them where they need to

go. 43:17.353 --> 43:18.735 [SPEAKER_04]: I think that would actually be harder though. 43:19.335 --> 43:19.675 [SPEAKER_00]: It's done. 43:20.016 --> 43:20.816 [SPEAKER_00]: What should you do at your done? 43:21.096 --> 43:21.577 [SPEAKER_00]: Tell everyone. 43:21.837 --> 43:37.170 [SPEAKER_04]: Yeah, I remember one time doing all, but like I couldn't cover like one block and then my cousin like took the color off that was And then put it on and then put a sign on it that said done by Betsy She took her and I was like, well, all you did was cheat at the end. 43:37.770 --> 43:38.651 [SPEAKER_01]: I did the whole bucket. 43:38.711 --> 43:39.151 [SPEAKER_01]: All right 43:40.052 --> 43:40.852 [SPEAKER_04]: You see how it is? 43:40.872 --> 43:44.794 [SPEAKER_04]: Hey, I want everybody to give you the acknowledgement to credit. 43:45.374 --> 43:45.934 [SPEAKER_00]: Bye, Betsy. 43:46.394 --> 43:47.354 [SPEAKER_00]: Yeah, that's a Larry story. 43:47.734 --> 43:47.955 [SPEAKER_00]: All right. 43:48.295 --> 43:52.396 [SPEAKER_04]: Next one, Glenn coming in with a CD player being like, oh, no, it's a CD player. 43:52.416 --> 43:53.396 [SPEAKER_04]: It plays CDs. 43:53.836 --> 43:55.137 [SPEAKER_04]: Got it for 700 bucks. 43:55.497 --> 43:58.238 [SPEAKER_04]: You know, he's all psyched about it, because this is right around the turn. 43:58.678 --> 43:59.638 [SPEAKER_05]: Do you want to play a record? 43:59.658 --> 44:00.939 [SPEAKER_02]: No, it's Jules. 44:00.959 --> 44:01.879 [SPEAKER_02]: It doesn't play records. 44:01.939 --> 44:03.219 [SPEAKER_02]: It plays CDs. 44:04.220 --> 44:05.160 [SPEAKER_02]: It's a CD player. 44:06.182 --> 44:08.284 [SPEAKER_04]: I actually grew up in a house with a record player. 44:08.464 --> 44:10.246 [SPEAKER_04]: We didn't have a CD player and I was like eight or something. 44:10.266 --> 44:13.168 [SPEAKER_04]: I don't know if you ever actually lived through the record stuff. 44:13.228 --> 44:17.872 [SPEAKER_04]: But it might have been good for you because then you could learn how to like mix with the records. 44:17.912 --> 44:18.713 [SPEAKER_04]: Yeah. 44:18.733 --> 44:19.534 [SPEAKER_00]: My dad didn't invest. 44:19.694 --> 44:20.735 [SPEAKER_00]: So instead he spent. 44:21.278 --> 44:29.805 [SPEAKER_00]: Okay, so he was getting the seven all the shit Yeah, I would have had all the new shit when I was growing up at my dad so every weekend Everybody what is this? 44:29.845 --> 44:30.886 [SPEAKER_00]: He's like oh yeah, I bought this. 44:30.986 --> 44:31.607 [SPEAKER_00]: I went crazy. 44:31.627 --> 44:34.189 [SPEAKER_00]: Dude probably shouldn't have bought that But whatever it is. 44:34.529 --> 44:43.777 [SPEAKER_04]: Next one when Robby shows up and he's like drunk and linders back and she's like sitting on the This porch and he's all drunk and he looks at her niggas 44:56.443 --> 45:04.213 [SPEAKER_04]: that's a reference to show that was popular in the 80s was like a woman show she had a wig if it was supposed to be

wig it was like 45:05.535 --> 45:08.516 [SPEAKER_04]: She was like a housekeeper, something, Alice, mod? 45:08.536 --> 45:09.877 [SPEAKER_04]: Something, I don't know. 45:09.977 --> 45:12.278 [SPEAKER_00]: These parentheses got deep, so he went deep with the ladies. 45:12.338 --> 45:16.800 [SPEAKER_00]: Even though it was only 13 years prior, so it wasn't even that deep, but it seemed like it was ancient. 45:17.081 --> 45:17.561 [SPEAKER_04]: Yeah, yeah, yeah. 45:17.581 --> 45:18.121 [SPEAKER_04]: You watched it. 45:18.441 --> 45:22.283 [SPEAKER_04]: But Kiss My Grits was a popular catchphrase for 80's TV character. 45:23.204 --> 45:26.585 [SPEAKER_04]: The name of the show escapes me, but it's because I never watched it. 45:26.985 --> 45:28.546 [SPEAKER_02]: I don't know what you got to tell me. 45:28.566 --> 45:29.967 [SPEAKER_02]: No, male, there's one more thing. 45:30.747 --> 45:30.947 [SPEAKER_02]: What? 45:31.087 --> 45:32.008 [SPEAKER_02]: Kiss My Grits! 45:34.574 --> 45:38.137 [SPEAKER_04]: The last one, arguably the most egregious, I think it is. 45:38.618 --> 45:52.752 [SPEAKER_04]: When he goes to the airport, and he's chasing after Julia, the guy at the gate has the most absurd hairstyle that's like, I'll fuck it in a little flip and a thing, because there is a group in the 80s called a flock of seagulls, and they had this crazy hair. 45:53.172 --> 45:58.117 [SPEAKER_04]: So you're then contending that like, oh, because there was this band that was popular that had crazy hair. 45:58.437 --> 46:05.123 [SPEAKER_04]: You just see somebody at the airport no less that just was just sitting there like with that hair like it was a normal thing and that was just it wasn't completely ridiculous. 46:05.143 --> 46:06.264 [SPEAKER_04]: They make a reference that this person. 46:06.324 --> 46:07.926 [SPEAKER_04]: I don't and then they nail it. 46:07.966 --> 46:09.687 [SPEAKER_04]: They drive it home so hard. 46:10.068 --> 46:14.872 [SPEAKER_04]: They literally punch you in the mouth with it because the guy has to be like, they do like flock of sequels. 46:15.693 --> 46:16.433 [SPEAKER_04]: I can see you do. 46:18.914 --> 46:22.577 [SPEAKER_04]: So it wasn't enough that they were like, what'd it be funny to guy as a flock of seagulls hair? 46:22.977 --> 46:26.060 [SPEAKER_01]: He's gonna say it too, because he literally brings up to everybody. 46:26.080 --> 46:26.760 [SPEAKER_00]: Everybody knows this. 46:26.780 --> 46:36.027 [SPEAKER_04]: Yeah, he brings this up to everybody that goes through the TSA, you know, which leads to the final set piece on a plane, which I think is nowhere to be because this movie was made 1998. 46:36.107 --> 46:37.969 [SPEAKER_04]: A couple years later, I don't think you would've been able to do that. 46:38.509 --> 46:45.971 [SPEAKER_04]: We're like the final set piece of the movie like takes place on a plane where you're kind of like Surprised because they're like kind of creating a stir on a plane, you know what I mean? 46:46.311 --> 46:56.393 [SPEAKER_00]: Yeah, a plane of a land of a plane of which had two stories Yeah, and like a two different aisles fucking huge plane they got going on What do you please not have two aisles anymore? 46:56.533 --> 46:56.953 [SPEAKER_04]: You're right. 46:57.013 --> 47:07.195 [SPEAKER_00]: I haven't seen a two-year plane since I Like I think once in my entire flying history No, I feel like I used to seem a lot when I was kid Definitely not because you were you were going across country 47:08.128 --> 47:08.869 [SPEAKER_00]: Oh, I'll probably. 47:09.069 --> 47:25.978 [SPEAKER_00]: Yeah, yeah, so there's a big common back there, but no, they don't have to have a two-hour plane in forever Didn't they had two-hour plane two stories how big was this fucking plane that they were on and that's where he sings this classic song Which Adam Sandler has a couple of classic songs that he sings in this thing 47:26.350 --> 47:26.790 [SPEAKER_04]: Absolutely. 47:26.830 --> 47:27.650 [SPEAKER_00]: That lasted. 47:27.710 --> 47:29.251 [SPEAKER_00]: I especially in my DJing career. 47:29.271 --> 47:31.111 [SPEAKER_00]: I used to have to play the one in the play. 47:31.211 --> 47:32.531 [SPEAKER_00]: I'm on the make. 47:33.132 --> 47:37.352 [SPEAKER_00]: That mother fucker I had to play at weddings and then the the joke one over. 47:37.793 --> 47:40.253 [SPEAKER_00]: And I was bullshit. 47:40.293 --> 47:44.634 [SPEAKER_00]: Those two songs to this day still still last man. 47:44.694 --> 47:45.794 [SPEAKER_04]: It's not even over with that. 47:45.854 --> 47:48.055 [SPEAKER_04]: He also had the love stink song. 47:48.715 --> 47:56.059 [SPEAKER_00]: That one I still hear like played every now and then the redone ones though the one that he did himself with those Love stinks was an original was that it that's a real song really? 47:56.659 --> 48:13.547 [SPEAKER_04]: Yeah, I didn't know that I always thought he just created this one up and then oh he has another original one when he sings that song at the bar mitzvah Or it's like called like that's all or something the song that he sings while like Julius dancing with the hands you kid Believe that's an original song, too, maybe no, that's another one 48:13.907 --> 48:19.831 [SPEAKER_04]: All right, well, either way too solo, the two I said, and the other ones are really good, like, and then he also has been right around. 48:19.971 --> 48:30.678 [SPEAKER_04]: Yeah, all the good rendition, this is absolutely peak of like Adam Sandler like beat, like rock star stage because as Adam Sandler came up through us and now he always had the guitar and hand. 48:30.698 --> 48:37.602 [SPEAKER_04]: I was like a big part of his whole thing was like, I do music, I do like singing along with it, like it's a big part of my whole brand. 48:40.350 --> 48:41.553 [SPEAKER_04]: Oh, is this the other guy does it? 48:41.733 --> 48:42.875 [SPEAKER_02]: No, Stings. 48:43.076 --> 48:45.360 [SPEAKER_02]: No, Stings.

48:45.500 --> 48:49.027 [SPEAKER_02]: Oh, okay. 48:53.104 --> 49:04.833 [SPEAKER_04]: Up until this moment I always thought that was Adam Sandler original and I was sticking at the time Okay, so if he just started singing that song at this wedding because he's having a bad time Because he just got left at the altar and stuff. 49:04.853 --> 49:06.794 [SPEAKER_00]: No, we know what the fuck he's saying No, everybody. 49:06.874 --> 49:13.239 [SPEAKER_04]: I would argue the fechai that he goes to that he calls out He's just relentlessly attacking this guy. 49:13.259 --> 49:19.424 [SPEAKER_04]: He's just guys just certain there are chill at a wedding and he's like goes out as a way to be like And I'm pretty sure that guy right there. 49:19.484 --> 49:21.486 [SPEAKER_04]: He'll never find true love and they do just like 49:22.286 --> 49:23.607 [SPEAKER_00]: But then agrees with it. 49:23.847 --> 49:28.571 [SPEAKER_04]: I know and then he's like we got to get to the cake cutting because I'm sure fatty over there He's gonna have a heart attack. 49:28.591 --> 49:29.011 [SPEAKER_04]: It's like dude. 49:29.031 --> 49:29.532 [SPEAKER_04]: What the fuck? 49:29.552 --> 49:30.532 [SPEAKER_01]: What a zero. 49:30.632 --> 49:39.759 [SPEAKER_04]: I'm solicited Zings over here Like what a you literally calls out the entire mutants at table nine, which be fair Was a reference that I remember using throughout high school and stuff. 49:39.899 --> 49:44.303 [SPEAKER_00]: Yeah, it's like where the weird neighbors straight Mutants they did say they went hard on that table. 49:44.563 --> 49:45.824 [SPEAKER_00]: They decided to make that table look 49:47.222 --> 49:57.231 [SPEAKER_04]: Now that he know that it's a modern and actual song that he's just maybe I know now why he was able to call out what to say there, but before you had to give him a mic to the guy and he's like, What the fuck? 49:57.271 --> 49:57.952 [SPEAKER_02]: What the fuck? 49:58.012 --> 49:59.213 [SPEAKER_02]: What the fuck? 50:00.694 --> 50:01.295 [SPEAKER_05]: Stop stinks! 50:01.635 --> 50:02.997 [SPEAKER_02]: No stinks! 50:04.303 --> 50:24.036 [SPEAKER_04]: Yeah, yeah, yeah, let's take love stay This is what we did the guy's I was like if that guy doesn't hit that line that whole song falls apart So a lot hinged on him even though he was just talking shit on him and sideburns lady and the mutants at table nine Okay, the dad gave it to him about 20 seconds later. 50:24.096 --> 50:25.117 [SPEAKER_04]: Oh, yeah, I have question about that. 50:25.197 --> 50:32.482 [SPEAKER_04]: Okay, so that guy clearly was not having Robby's I'm being said and not really delivering it at this wedding thing 50:32.802 --> 50:35.203 [SPEAKER_02]: You are the worst wedding singer in the world, buddy. 50:35.683 --> 50:36.764 [SPEAKER_02]: Sir, one more outburst. 50:36.804 --> 50:39.345 [SPEAKER_02]: I was strangled you with my microphone, why are you understanding me? 50:40.986 --> 50:43.287 [SPEAKER_04]: Is this a common thing that you'll see a wedding sometimes? 50:43.307 --> 50:46.369 [SPEAKER_04]: We're like the guy who paid for it is like just again your case. 50:46.729 --> 50:47.889 [SPEAKER_00]: Again, an extreme times. 50:48.530 --> 50:50.010 [SPEAKER_00]: 10, 10, not the same 10. 50:50.491 --> 50:52.271 [SPEAKER_00]: That'd be trippy, it was the same exact 10 that went out. 50:52.532 --> 50:54.693 [SPEAKER_00]: Different 10 weddings, but yes, about 10 different weddings. 50:54.713 --> 50:58.014 [SPEAKER_00]: You'll get the guy goes, hey, go ahead and throw on a little Bob Seeger. 51:00.190 --> 51:06.775 [SPEAKER_00]: Yeah, they probably doesn't really want any old music, I have the one that, uh, I'm the one that That's fine. 51:06.815 --> 51:07.576 [SPEAKER_04]: It's this whole bitch. 51:07.596 --> 51:14.581 [SPEAKER_02]: You can play some Bob Seeger and it's going to be awesome all the time and I'm like rock and roll good name name name name name name. 51:14.781 --> 51:18.324 [SPEAKER_00]: You take all that's our dance with them because yeah, what he's right. 51:18.484 --> 51:22.907 [SPEAKER_04]: And now I won't go too far with that But you're going to give pop a little Bob Seeger. 51:22.927 --> 51:23.748 [SPEAKER_04]: That's what he's a Bobby. 51:23.788 --> 51:24.749 [SPEAKER_00]: That's what he's looking for. 51:24.769 --> 51:25.169 [SPEAKER_00]: You get it. 51:25.469 --> 51:25.649 [SPEAKER_00]: Yeah. 51:25.870 --> 51:27.231 [SPEAKER_00]: So yes, not often. 51:27.953 --> 51:28.593 [SPEAKER_00]: But it does happen. 51:28.773 --> 51:31.114 [SPEAKER_00]: You get the people that are like, I paid so my way. 51:31.294 --> 51:35.715 [SPEAKER_04]: And in some case, if you're really not delivering it, you might get a hand-maker to the jaw like Robby does, you know? 51:35.755 --> 51:36.836 [SPEAKER_00]: Yeah, you have to really go there. 51:36.896 --> 51:37.456 [SPEAKER_00]: It's been a long time. 51:37.476 --> 51:40.457 [SPEAKER_00]: I've only had one time that I potentially almost had that. 51:40.837 --> 51:46.279 [SPEAKER_04]: He did make an entire song called Love Stinks, and then as he walked by the Brad and Groome, actually said, I hate you. 51:46.519 --> 51:46.779 [SPEAKER_04]: So... 51:47.139 --> 51:47.979 [SPEAKER_00]: He might have had a comment. 51:48.259 --> 52:04.186 [SPEAKER_04]: I think I think once of that saw that it was on I think red bow tie actually had a case there And then it ended up in a brawl It's amazing that Adam had all those guys on his side that he just trashed and he said will never find true love And then they were immediately ready to go to bat for him like you right we won't 52:04.686 --> 52:07.429 [SPEAKER_04]: Hi, he's like biting his leg and the stuff and mutants. 52:08.029 --> 52:19.239 [SPEAKER_04]: Who do you think had the best like 80s fashion that you saw who did you think like bring because they try as we said to like some of them a little bit more outlandish others, but I mean, it's an easy one. 52:19.259 --> 52:24.264

[SPEAKER_00]: I got to I got to run her up, but they're the runner up as far from the top, but the runner up would be George. 52:25.102 --> 52:31.268 [SPEAKER_00]: Okay, yeah, because George kills it with every one of his whole George Alfie really dug George's outfit at the wedding with a headband. 52:31.448 --> 52:33.130 [SPEAKER_04]: I thought he had been all I love a good headband. 52:33.430 --> 52:35.452 [SPEAKER_00]: You know, he loves that shit. 52:35.532 --> 52:38.775 [SPEAKER_00]: So George's number two, but top dog is is Ben Stiller's wife. 52:38.795 --> 52:39.236 [SPEAKER_00]: What's her name? 52:39.376 --> 52:40.036 [SPEAKER_04]: Christine Taylor. 52:40.076 --> 52:41.338 [SPEAKER_00]: Christine Taylor. 52:41.438 --> 52:41.718 [SPEAKER_04]: Yeah. 52:42.198 --> 52:45.361 [SPEAKER_00]: I mean, just rocking the 80s here throughout the movie. 52:45.782 --> 52:47.203 [SPEAKER_00]: She's she's on point. 52:47.283 --> 52:49.005 [SPEAKER_00]: She's exactly again casting. 52:49.385 --> 52:49.866 [SPEAKER_00]: Exactly. 52:49.906 --> 52:58.392 [SPEAKER_04]: Cassie's great and you know who else was good cast as like good 80s looked at also had to look that perfectly worked with the character was Linda That was sort of she was a perfect. 52:58.492 --> 53:02.495 [SPEAKER_04]: I will make an argument that I Think that Linda hairstyle. 53:02.955 --> 53:03.636 [SPEAKER_04]: It's coming back. 53:04.276 --> 53:05.317 [SPEAKER_04]: No, that's coming in there. 53:05.397 --> 53:06.418 [SPEAKER_04]: That's coming in style again. 53:06.538 --> 53:11.021 [SPEAKER_04]: No, it's very 80s But I could definitely hey we there's a lot of styles. 53:11.061 --> 53:12.322 [SPEAKER_04]: It'll be like I don't know if that's a good. 53:12.342 --> 53:13.743 [SPEAKER_04]: I could I could see Linda's hairstyle 53:19.007 --> 53:22.368 [SPEAKER_04]: I don't think so, but, uh, yeah, Christine Taylor, okay, a holly. 53:22.668 --> 53:23.468 [SPEAKER_04]: Absolutely. 53:23.948 --> 53:24.329 [SPEAKER_04]: I'm not a kid. 53:24.349 --> 53:24.769 [SPEAKER_04]: I'm not a kid. 53:24.789 --> 53:25.689 [SPEAKER_04]: I'm not a kid. 53:25.729 --> 53:26.829 [SPEAKER_04]: I'm not a kid. 53:26.989 --> 53:27.469 [SPEAKER_04]: I'm not a kid. 53:27.489 --> 53:28.070 [SPEAKER_04]: I'm not a kid. 53:28.170 --> 53:28.850 [SPEAKER_04]: I'm not a kid. 53:28.870 --> 53:29.310 [SPEAKER_04]: I'm not a kid. 53:29.350 --> 53:29.930 [SPEAKER_04]: I'm not a kid. 53:29.950 --> 53:30.490 [SPEAKER_04]: I'm not a kid. 53:30.510 --> 53:30.910 [SPEAKER_04]: I'm not a kid. 53:30.950 --> 53:31.431 [SPEAKER_04]: I'm not a kid. 53:31.871 --> 53:32.331 [SPEAKER_04]: I'm not a kid. 53:32.351 --> 53:32.811 [SPEAKER_04]: I'm not a kid. 53:32.851 --> 53:33.411 [SPEAKER_04]: I'm not a kid. 53:33.571 --> 53:33.991 [SPEAKER_04]: I'm not a kid. 53:34.031 --> 53:34.491 [SPEAKER_04]: I'm not a kid. 53:34.571 --> 53:35.292 [SPEAKER_04]: I'm not a kid. 53:35.332 --> 53:36.152 [SPEAKER_04]: I'm not a kid. 53:36.232 --> 53:37.712 [SPEAKER_04]: I'm not a kid. 53:37.732 --> 53:38.172 [SPEAKER_04]: I'm not a kid. 53:38.192 --> 53:39.733 [SPEAKER_04]: I'm not a kid. 53:39.773 --> 53:40.593 [SPEAKER_00]: I'm not a kid. 53:40.673 --> 53:41.233 [SPEAKER_00]: I'm not a kid. 53:47.550 --> 53:51.652 [SPEAKER_00]: She's in the Brady Benchley Marcia and she was, you know, she's dodge ball. 53:51.912 --> 53:54.113 [SPEAKER_00]: I can probably, I love her as an actress. 53:54.133 --> 53:55.434 [SPEAKER_00]: She's absolutely stunning. 53:55.454 --> 54:01.116 [SPEAKER_00]: But as far as her 80's outfits, the way she approaches them in this movie, front to back kills it. 54:01.516 --> 54:02.017 [SPEAKER_00]: Front to back. 54:02.337 --> 54:05.078 [SPEAKER_00]: I think this movie is exactly why Ben's still there. 54:05.298 --> 54:06.479 [SPEAKER_04]: Probably he did up. 54:06.619 --> 54:08.700 [SPEAKER_04]: He clocked it and was like, man, that holly. 54:09.240 --> 54:11.341 [SPEAKER_04]: Gotta figure out where that, where I can track that doubt. 54:11.641 --> 54:14.443 [SPEAKER_04]: I helped her find some cling wrap once at Albertsons. 54:15.103 --> 54:18.786 [SPEAKER_04]: Fun little story, I can hide school, she asked me if I knew where the cling wrap was. 54:19.606 --> 54:21.067 [SPEAKER_04]: Fortunately, I was working there and I did know. 54:21.527 --> 54:23.188 [SPEAKER_01]: But that'll get me to my hot take. 54:24.129 --> 54:25.109 [SPEAKER_04]: Are you ready for my hot take? 54:25.269 --> 54:25.449 [SPEAKER_04]: Yes. 54:25.669 --> 54:26.930 [SPEAKER_04]: Everybody settle down for this one. 54:27.511 --> 54:30.472 [SPEAKER_04]: It might pinch a bit, but hear me out. 54:30.672 --> 54:30.913 [SPEAKER_04]: Uh-oh. 54:32.053 --> 54:33.254 [SPEAKER_04]: Robby should've just gone with Holly. 54:34.772 --> 54:49.839 [SPEAKER_04]: At that point after that moment Julia is throwing up Julia is ready to open her hair and she's by the way like a couple days away from getting married to look that week that week I get it you started having feelings with this girl that you have a connection way then you're like working with her and stuff 54:50.459 --> 55:12.656 [SPEAKER_04]: She's made no Indication to you that like she's moving away from that, you know what I mean like that's that's happening And now we can look at how things happened at the end of the movie and it's like this is like Oh one in a million shot that this is how things working on including needing a getting on the right flight Going to Vegas and just finding it like all the things that had to happen right for Robbie to work out the way he wanted to 55:13.476 --> 55:19.341 [SPEAKER_04]: At that moment, you got beautiful holly, literally being sweet to your ears. 55:19.401 --> 55:20.302 [SPEAKER_04]: To your ears. 55:20.382 --> 55:22.524 [SPEAKER_04]: Beating you fries to your mouth. 55:23.124 --> 55:24.425 [SPEAKER_04]: We'll say maybe game time. 55:24.445 --> 55:26.047 [SPEAKER_04]: Maybe a couple of little strong with some of that.

55:26.107 --> 55:27.568 [SPEAKER_01]: Don't you swallow my ass. 55:27.588 --> 55:28.869 [SPEAKER_01]: Don't we look like a cute couple? 55:29.229 --> 55:30.350 [SPEAKER_04]: Yes, we do. 55:31.591 --> 55:32.391 [SPEAKER_04]: Yeah, just go with it. 55:32.411 --> 55:33.292 [SPEAKER_04]: You just go with it at that point. 55:33.592 --> 55:36.092 [SPEAKER_04]: She literally rolls out the red carpet for you. 55:36.152 --> 55:41.054 [SPEAKER_04]: She's she's being sweet to your like insecurities Yes, being like look. 55:41.134 --> 55:42.294 [SPEAKER_04]: I know you're going through a lot. 55:42.494 --> 55:43.635 [SPEAKER_04]: You're shy right now. 55:43.835 --> 55:46.496 [SPEAKER_04]: You know you don't want to like make it on the side You're gonna get late. 55:46.516 --> 55:47.476 [SPEAKER_04]: You're gonna get late. 55:47.516 --> 55:50.337 [SPEAKER_04]: She literally just rolls it out for fucking kidding me and 55:51.077 --> 55:54.560 [SPEAKER_04]: What happens in the next scene with Robby on the next night anyways? 55:55.181 --> 56:03.428 [SPEAKER_04]: He ends up getting hammered because he brings his own bottle in a bar, which thankfully the bar was like, you're not allowed to do that Somebody that you so work at a bar That's what you're gonna be outside. 56:03.448 --> 56:06.551 [SPEAKER_04]: They're like, yep That bartender, I would have been like dude fuck you dude. 56:06.591 --> 56:17.100 [SPEAKER_04]: You're just taking my patrons on top of that I got a ear He ends up back home and he's hammered lindas just staying in right there and he's like I don't want to be alone 56:17.802 --> 56:22.125 [SPEAKER_04]: And it's like, alright, well last night, holy was right there 24 hours ago, Robbie. 56:22.265 --> 56:23.846 [SPEAKER_04]: And not even being trashy about it. 56:23.946 --> 56:27.988 [SPEAKER_04]: If I may add that, like she wasn't like, she was being honest. 56:28.008 --> 56:30.509 [SPEAKER_04]: She was saying it to you in a sweet manner and everything. 56:30.689 --> 56:34.692 [SPEAKER_04]: And like she was like, if Robbie ends up with Holly, he ends up happy. 56:34.812 --> 56:36.713 [SPEAKER_04]: She looks like somebody that would take care of her man. 56:37.430 --> 56:49.619 [SPEAKER_00]: And she looks great in her 80s gear like just yeah, just go full holly at that point by the way, you were throwing in a spot light on player on the how you call it you always say something special, but can we give the kid a little spotlight. 56:49.899 --> 57:00.467 [SPEAKER_00]: Oh, the kid that like with a Freddy Krueger mask, Frank who mess and then he's just on real and then throughout the I think there's like two or three lines with the main line is like they linda you a bitch like forever classic line. 57:00.487 --> 57:03.750 [SPEAKER_04]: No, no, to me it's the other kid that actually nails the line when he's like. 57:03.958 --> 57:12.162 [SPEAKER_04]: I heard you're going to go on a mental institution and he's like what who said that and he's like Everybody's been saying that he bills that line really well. 57:12.182 --> 57:14.384 [SPEAKER_04]: Yeah, yeah, I'll give that Break down 57:23.002 --> 57:24.604 [SPEAKER_02]: Everybody, you're eight years old. 57:24.624 --> 57:25.545 [SPEAKER_02]: You only know your parents. 57:25.586 --> 57:26.767 [SPEAKER_02]: What are you talking about? 57:26.827 --> 57:27.889 [SPEAKER_00]: I can't love kids' lives. 57:27.909 --> 57:28.329 [SPEAKER_00]: They're funny. 57:28.349 --> 57:28.469 [SPEAKER_00]: Yeah. 57:28.529 --> 57:28.730 [SPEAKER_00]: Yeah. 57:28.770 --> 57:29.230 [SPEAKER_00]: Yeah. 57:29.250 --> 57:29.351 [SPEAKER_00]: Yeah. 57:29.371 --> 57:29.471 [SPEAKER_00]: Yeah. 57:29.491 --> 57:29.911 [SPEAKER_00]: Good addition. 57:30.132 --> 57:30.712 [SPEAKER_00]: Not too much. 57:30.953 --> 57:32.715 [SPEAKER_00]: Just a little dabble of the kids. 57:32.775 --> 57:33.075 [SPEAKER_00]: Yeah. 57:33.095 --> 57:33.396 [SPEAKER_00]: Yeah. 57:33.416 --> 57:39.344 [SPEAKER_04]: Let me go back to the actual like the main turning point in the movie because up until this point everything just seems like. 57:40.018 --> 58:03.319 [SPEAKER_04]: Oh yeah Robby's a happy wedding singer and he's getting married and he's psyched about that and we meet Julia and like she's engaged, she's a little unsure about how serious the guy I gave it to her, feeling like she's doomed to walk the planet alone like the incredible Hulk uh which one of two great moments I love in that conversation showing in synchonection and then the other is when he's like and uh you give him forks everybody needs forks 58:04.180 --> 58:04.960 [SPEAKER_04]: like how he says that. 58:05.561 --> 58:08.262 [SPEAKER_04]: Good instant like showing that these two have good connection. 58:08.282 --> 58:11.423 [SPEAKER_04]: I like that saying when he gets no showed on his wedding. 58:11.823 --> 58:16.285 [SPEAKER_04]: First thing I will say about the wedding scene that journey don't stop believing is like an orchestra set. 58:16.445 --> 58:17.425 [SPEAKER_04]: Vitamin string quartet. 58:17.465 --> 58:18.266 [SPEAKER_04]: Really good. 58:18.346 --> 58:19.746 [SPEAKER_04]: That's a good uh string yeah. 58:19.806 --> 58:23.728 [SPEAKER_00]: Vitamin string quartet in renditions of songs comes across really well. 58:24.028 --> 58:24.208 [SPEAKER_04]: Yeah. 58:24.268 --> 58:27.970 [SPEAKER_04]: First ceremony is especially journey you brides journey works well. 58:34.928 --> 58:35.393 [UNKNOWN]: Thank you. 58:43.915 --> 58:45.616 [SPEAKER_04]: Don't sleep on don't stop believing. 58:45.676 --> 58:46.157 [SPEAKER_04]: That's a good. 58:46.257 --> 58:47.657 [SPEAKER_04]: Yeah, keep that one going. 58:48.038 --> 59:00.286 [SPEAKER_04]: So then he gets no show to my question of that is this is a bit that we see on TV and movies all the time How many times do you think the whole like not showing up to wedding or a runaway bride is actually like really happening in life? 59:00.546 --> 59:03.628 [SPEAKER_00]: I have had

one No, you've seen it happen. 59:03.828 --> 59:08.131 [SPEAKER_00]: Oh, no, it's just that the bride canceled the wedding day of yeah, okay 59:08.610 --> 59:11.854 [SPEAKER_00]: So I showed up with all my DJ equipment at the Queen Mary. 59:11.975 --> 59:12.535 [SPEAKER_00]: Wow. 59:12.615 --> 59:16.681 [SPEAKER_00]: And then as I was getting out to start unloading, I got a call from, because this is when I worked for a company. 59:16.701 --> 59:18.664 [SPEAKER_00]: They were like, hey, the weddings canceled. 59:19.385 --> 59:20.146 [SPEAKER_00]: I was like, oh, do I, 59:21.354 --> 59:21.854 [SPEAKER_00]: What do I do? 59:21.894 --> 59:25.555 [SPEAKER_00]: And he was like, I don't know, bring the equipment back and go home, do I still get paid? 59:25.915 --> 59:27.836 [SPEAKER_00]: Yeah, do you know, I was like, fantastic. 59:27.856 --> 59:28.856 [SPEAKER_04]: Yeah, you still got paid though, right? 59:28.956 --> 59:29.496 [SPEAKER_04]: Full great. 59:29.756 --> 59:30.656 [SPEAKER_04]: They had to pay everything, yeah. 59:30.716 --> 59:31.597 [SPEAKER_04]: I guess it was all good. 59:31.637 --> 59:33.857 [SPEAKER_04]: Do you know any background about like what actually happened? 59:33.877 --> 59:34.297 [SPEAKER_00]: No, no idea. 59:34.637 --> 59:35.958 [SPEAKER_00]: I was, yeah, this is my early years, too. 59:36.038 --> 59:36.218 [SPEAKER_00]: Wow. 59:36.238 --> 59:36.558 [SPEAKER_00]: So yeah. 59:36.738 --> 59:38.678 [SPEAKER_00]: No, this is my second year DJing or something like that. 59:38.698 --> 59:39.018 [SPEAKER_00]: Yeah. 59:39.139 --> 59:39.659 [SPEAKER_00]: And that happened. 59:39.679 --> 59:41.079 [SPEAKER_00]: I remember just the greatest thing. 59:41.099 --> 59:43.500 [SPEAKER_00]: I think we were having a party here so many of that, because this is a party. 59:43.740 --> 59:44.200 [SPEAKER_02]: And I was like, 59:45.260 --> 59:46.442 [SPEAKER_00]: Yeah, I think I blacked out that night. 59:46.462 --> 59:49.266 [SPEAKER_00]: I'm not sure because I got paid for nothing Yeah, for sure. 59:49.286 --> 59:51.149 [SPEAKER_04]: I was like I'm buying everything Super stuff. 59:51.209 --> 59:51.810 [SPEAKER_00]: You know me. 59:51.830 --> 59:54.834 [SPEAKER_00]: I would come back with like three handles just like we're going there tonight. 59:55.335 --> 59:59.962 [SPEAKER_00]: Oh, yeah, I guess what I got two more in the car Yeah, I didn't tell you guys about that was crazy 01:00:00.142 --> 01:00:09.008 [SPEAKER_04]: Well, that's what I feel like if the wedding was going to not happen, it would have been decided before everybody's there and like waiting right like I just don't think Yeah, to that point. 01:00:09.108 --> 01:00:18.695 [SPEAKER_04]: Yeah, yeah, we're like the bride just decides she's not going to walk down like I just don't think that actually I could see I could see it happening because the cold free that happened like I know 01:00:19.115 --> 01:00:20.196 [SPEAKER_00]: They lose their kind of mind. 01:00:20.256 --> 01:00:21.837 [SPEAKER_04]: I feel like you've come to Florida at that point. 01:00:22.017 --> 01:00:33.164 [SPEAKER_00]: Yeah, but I'm just saying I could see the anxiety attack possibly Overcoming okay possibly if you got that kind of person because you've seen some people Why so now they're just you're they're just nerves are gone. 01:00:33.664 --> 01:00:38.988 [SPEAKER_00]: I could see it, but yeah, the chant they're how often One in a thousand yeah one in a thousand weddings. 01:00:39.188 --> 01:00:40.689 [SPEAKER_00]: Yeah nine point nine chance. 01:00:40.709 --> 01:00:45.592 [SPEAKER_00]: It doesn't have one of the guys got to be more I would say one in a thousand yeah Which is not which is crazy. 01:00:45.692 --> 01:00:48.674 [SPEAKER_00]: It's still a lot if you really think about it one in a thousand is actually quite a bit 01:00:49.650 --> 01:00:52.091 [SPEAKER_00]: Yeah, 10,000 weddings. 01:00:52.151 --> 01:01:05.919 [SPEAKER_04]: I especially feel like nowadays we're like every so much more stuff is like documented It would just be that much more like absurd Happened yeah, because if you saw that shit, could you imagine if you saw it be like a super viral clip They're like oh my god, oh this is crazy. 01:01:05.940 --> 01:01:06.960 [SPEAKER_04]: Yeah, you just be standing there like 01:01:12.163 --> 01:01:20.126 [SPEAKER_04]: Yeah, yeah, like Robby was, you know, and just being like, so it was a bad no, it was a bad no, it's okay, man. 01:01:20.267 --> 01:01:21.567 [SPEAKER_00]: Yeah, everything's going to be alright. 01:01:23.768 --> 01:01:24.868 [SPEAKER_02]: Yeah, I don't think it happens that often. 01:01:24.908 --> 01:01:25.289 [SPEAKER_02]: It's crazy. 01:01:25.709 --> 01:01:30.211 [SPEAKER_00]: Now, the bride coming back in a week and be like, are you still mad about the whole wedding thing? 01:01:31.572 --> 01:01:33.273 [SPEAKER_00]: It's like I know what happened that word. 01:01:33.673 --> 01:01:54.010 [SPEAKER_04]: I know what happened there Linda then went on like a couple dates had some bad experiences with a few guys Maybe tried to hook up with a guy didn't go down well and then she was like, you know, maybe he wasn't as bad with Robbie as I thought Yeah, I'm actually gonna I'll check back in with that and she thinks he could just like walk back in and take him back Yeah, one guy had a boy on his ball and she was like 01:01:54.610 --> 01:01:56.533 [SPEAKER_04]: Whoa a single. 01:01:56.733 --> 01:02:02.422 [SPEAKER_00]: Yeah, just like you'd boil just yeah, and she was like I can't do this Robbie never had a boil 01:02:02.908 --> 01:02:04.610 [SPEAKER_02]: Yeah, yeah, what am I talking about right now? 01:02:04.710 --> 01:02:05.311 [SPEAKER_02]: I don't know. 01:02:05.871 --> 01:02:15.080 [SPEAKER_00]: I get the that's for Bart Lord's Boyle Classic but speaking of what a boyle is no Look it up everyone was it. 01:02:15.321 --> 01:02:15.621 [SPEAKER_04]: I don't know. 01:02:15.721 --> 01:02:24.310 [SPEAKER_04]: I can guess

of but speaking of like last minute wedding plans I think arguably the most Egregious thing that happens in his movie 01:02:25.359 --> 01:02:28.741 [SPEAKER_04]: Julia, she goes over to try to profess her love. 01:02:28.941 --> 01:02:41.789 [SPEAKER_04]: To Robbie, now Linda's there answers the door and she's like shocked and he's like, oh my god, he got back with Linda and everything and she just, you know, she says the word that you thought was hilarious or a great word, just unlike his good words. 01:02:41.829 --> 01:02:43.630 [SPEAKER_00]: I like his, he's indispoosed. 01:02:43.770 --> 01:02:46.712 [SPEAKER_00]: He's a theater, theater source word and I'll look up to you. 01:02:48.410 --> 01:02:49.350 [SPEAKER_04]: Yeah, I like good words, too. 01:02:49.390 --> 01:02:53.891 [SPEAKER_04]: In this pose, in this pose, in this pose, in shower, and he's like, okay, well, you tell him I come by. 01:02:54.632 --> 01:02:55.692 [SPEAKER_04]: She ends up like leaving. 01:02:55.752 --> 01:03:07.575 [SPEAKER_04]: She's so mad that now she thinks Robby's back with Linda that she's ready to throw off the whole wedding plans that she's been setting up and tomorrow tomorrow tomorrow to go to Vegas now. 01:03:08.055 --> 01:03:08.535 [SPEAKER_04]: And it's like, 01:03:09.420 --> 01:03:19.143 [SPEAKER_04]: All right, this is like not a time period either where you can just send a mass text out and be like hey everybody goes Well, people showing up in front of town. 01:03:19.463 --> 01:03:20.883 [SPEAKER_04]: You have vendors involved. 01:03:21.163 --> 01:03:35.667 [SPEAKER_04]: You have a dinners and like all these things They're going to a wedding and you're just gonna be like no, I got mad because I was gonna try to go see another guy Not my fiance by the way and he's with his ex which she has honestly every right to be you're getting married tomorrow 01:03:39.348 --> 01:03:50.286 [SPEAKER_00]: you're at Carl and anti-linda just checking to their being our Airbnb like yesterday and have been enjoying their festivities and they're planning to be at your wedding and have a thousand dollars ready to pay for you but no. 01:03:50.845 --> 01:03:51.465 [SPEAKER_00]: You're going to Vegas. 01:03:51.525 --> 01:03:52.266 [SPEAKER_04]: No, we're going to Vegas. 01:03:52.306 --> 01:03:56.008 [SPEAKER_00]: The romance capital 30 100,000 that we just spent on the wedding. 01:03:56.288 --> 01:04:02.691 [SPEAKER_00]: We're going to spend another 10 to 20 just going at the romance capital the world romance capital the world. 01:04:02.711 --> 01:04:14.857 [SPEAKER_04]: Which is a great effect that Glenn refers to Vegas is that immediately let you know who Glenn is and he would hammer that Hawaiian home all through the movie to the point where he's literally bragging a robby about like you know how he 01:04:15.357 --> 01:04:18.459 [SPEAKER_04]: He's gotten hotter and younger, tent, tried 10 days ago. 01:04:19.099 --> 01:04:28.584 [SPEAKER_04]: As he says that, it reminds me when he's like, oh man, like when he says that reminds me of any time I say something that you think might be controversial, I guess. 01:04:28.885 --> 01:04:30.726 [SPEAKER_04]: It's the exact response I get for view. 01:04:32.006 --> 01:04:33.207 [SPEAKER_02]: How do you do it, man? 01:04:33.227 --> 01:04:35.949 [SPEAKER_02]: I mean, how do you do without getting caught? 01:04:38.750 --> 01:04:42.092 [SPEAKER_02]: Julia's solely preoccupied with the wedding, and she doesn't let's go on. 01:04:43.172 --> 01:05:03.713 [SPEAKER_04]: Oh man, oh man, there it is, oh man, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, 01:05:04.013 --> 01:05:14.075 [SPEAKER_04]: So yeah, she's gonna go ahead and throw off her entire wedding pledge Just because she's that mad and he's gonna be like, no, let's go get married at like a chapel and everything Which Glenn was like more than down to do. 01:05:14.135 --> 01:05:25.738 [SPEAKER_04]: He's like, cool We could go party and he's all just waking up like She noticed when he went when she first woke him up He kind of looks around because like the last time we saw him he was like partying with like a group of girls and 01:05:26.898 --> 01:05:30.582 [SPEAKER_04]: And that guy the guy from earlier, which by the way, I just saw my notes. 01:05:30.602 --> 01:05:43.174 [SPEAKER_04]: I forgot to say I said the drunk guy with Glenn at the engagement party steps in for one minute in knocks down three, three's just Actually like drops as a couple of lines 01:05:43.835 --> 01:05:44.395 [SPEAKER_04]: He's there. 01:05:44.716 --> 01:05:50.398 [SPEAKER_04]: And I would say for that scene, this is the very time where Adam doesn't play the character that could just beat everybody's ass. 01:05:50.418 --> 01:05:51.039 [SPEAKER_04]: We're just steps in cool. 01:05:51.059 --> 01:05:52.780 [SPEAKER_04]: Every other movie Adam's sailor can just step in and like beat anybody. 01:05:52.800 --> 01:06:03.125 [SPEAKER_04]: Yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah,

yeah, yeah, yeah, yeah, yeah, yeah, 01:06:03.326 --> 01:06:24.955 [SPEAKER_04]: of all the doucheery things that Glenn does in this movie I would definitely say that the most doucheous thing he does is his little dance and he's like I got punched in the nose first thing I might know who's another people's business is this fucking move dude that that's the fucking one that's when he actually set the record for arguably biggest douchey movie history and stuff 01:06:26.179 --> 01:06:30.803 [SPEAKER_04]: Well, like you said, that guy well casted because he's just creepy enough. 01:06:30.823 --> 01:06:32.464 [SPEAKER_04]: He's definitely let you know about his creepy voice. 01:06:32.484 --> 01:06:34.686 [SPEAKER_00]: You're looking enough that you know he does probably pull out. 01:06:34.746 --> 01:06:40.810 [SPEAKER_04]: But you could see him as like your friend that's like engaged to this guy and you're like, I kind of see why sharp. 01:06:40.830 --> 01:06:42.732 [SPEAKER_04]: Oh, he's like crushing it in the stock market. 01:06:42.972 --> 01:06:56.449 [SPEAKER_04]: bond market the high yield bond he's got the high yield bond game on luck and stuff and you know he's especially in the 80s and maybe you think that Don Johnson style is you know it's dashing so you could see that but 01:06:57.771 --> 01:07:10.100 [SPEAKER_04]: I will say, though, as a final set piece, to do it in a plane like that, and the way that scene gets put together, just after Rosie Rune's rapper's delight for five years. 01:07:10.781 --> 01:07:13.683 [SPEAKER_04]: For five years, rapper's delight was ruined because of this movie. 01:07:14.083 --> 01:07:22.626 [SPEAKER_04]: where every time they would play it, people would think it'd be funny, DJs would be like, oh, it'd be funny if we play Rosie's version of it, and then it'll be it's the only day again. 01:07:22.726 --> 01:07:30.409 [SPEAKER_04]: Goes back to that whole, old people doing stuff is fun, but rapper's delight is a legendary song, and it was ruined because everybody always wanted to play Rosie's version of it. 01:07:30.789 --> 01:07:33.189 [SPEAKER_03]: After that, after that, 01:07:40.773 --> 01:07:48.660 [SPEAKER_04]: We end up with this final set piece on a plane where like I said a few years later you wouldn't have been able to do this because people were very sensitive to stuff happening on planes. 01:07:48.680 --> 01:07:49.941 [SPEAKER_04]: I'm predictable stuff on planes. 01:07:50.021 --> 01:07:50.242 [SPEAKER_04]: Oh yeah. 01:07:50.777 --> 01:07:56.780 [SPEAKER_04]: The very fact that he ends up like at the gate with Holly and Sammy is like, why would you possible? 01:07:56.900 --> 01:07:57.600 [SPEAKER_00]: Why would either? 01:07:57.660 --> 01:07:59.121 [SPEAKER_00]: Why would both of you join here? 01:07:59.241 --> 01:08:01.982 [SPEAKER_00]: But he's four different security checks that you would have to go through. 01:08:02.082 --> 01:08:02.842 [SPEAKER_04]: That's a drop off. 01:08:03.102 --> 01:08:06.864 [SPEAKER_04]: We're not going all the way to the gate and like not sure what the ticket he's getting is. 01:08:07.304 --> 01:08:09.345 [SPEAKER_04]: So then Robby ends up in first class. 01:08:09.425 --> 01:08:11.366 [SPEAKER_04]: He that first class is crazy. 01:08:11.406 --> 01:08:12.627 [SPEAKER_04]: Like the colors of it. 01:08:12.667 --> 01:08:15.208 [SPEAKER_04]: There's a fact that there's like a double-decker staircase behind it. 01:08:20.857 --> 01:08:46.311 [SPEAKER_04]: shows another thing that I just don't think would happen in real life or in movies from that point is like where the whole plane is like in a group conversation no shot there's ever like a group conversation on a planet that happens if one person is causing a ruckus and yeah exactly and then he brings up that song which is a classic that is it actually as far as like well like organized songs go like like oh self-produced song for a movie 01:08:46.811 --> 01:08:47.812 [SPEAKER_04]: That's about as good as you get. 01:08:47.832 --> 01:09:01.242 [SPEAKER_04]: I think I would argue this is peak rock star Adam Sandler because like I said earlier He started his career as the guy with the guitar in his hand on S&L He used to put out those CDs that were like half sketches and like half original songs and the fact that he was able to 01:09:01.942 --> 01:09:21.691 [SPEAKER_04]: Throughout this entire movie, do great original works, and then reimagined like songs, like spin me around, and then he even has that bar mitzvah song, which I got to imagine was fun for him to do because, you know, Adopsalar famously Jewish probably went to a lot of bar mitzvahs as a kid, so like him kind of doing that song, performative the way Adopsalar does. 01:09:33.444 --> 01:09:49.817 [SPEAKER_04]: Yeah, yeah, yeah, it kind of crushes the way they do the final moment Billy Idol ends up just having a fan That's right there at the perfect moment to like put Glenn into the bathroom, which brings me to this We in the movie What the fuck have been a Glenn? 01:09:50.818 --> 01:09:59.765 [SPEAKER_04]: How did that play out so he ends up just locked to they keep him locked in there the rest of the plane and that brings me our next question This wedding that was canceled so nobody else could go to 01:10:00.792 --> 01:10:10.333 [SPEAKER_04]: Did they just slot Robby in and then just like everything else when the same because the next scene they're just getting married tomorrow over the question they say got Baby Robby just did Robby just 01:10:11.605 --> 01:10:12.986 [SPEAKER_04]: All right, I'm taking Glenn's body. 01:10:13.026 --> 01:10:15.107 [SPEAKER_04]: Wow, for like, the Glenn's family. 01:10:15.527 --> 01:10:17.868 [SPEAKER_00]: Oh, Glenn's family is working like this guy. 01:10:18.168 --> 01:10:20.289 [SPEAKER_04]: I thought Glenn been dating this girl for like five years. 01:10:20.329 --> 01:10:21.810 [SPEAKER_04]: Like, where does this guy come from? 01:10:21.970 --> 01:10:25.251

[SPEAKER_04]: The wedding singer dude is just, yeah, she got on a plane. 01:10:25.271 --> 01:10:29.053 [SPEAKER_04]: Imagine being told that story, second hand, what happened at Glenn? 01:10:29.273 --> 01:10:34.595 [SPEAKER_04]: And Julia, I think we got on a plane and then she's a wedding singer, like, assaulted him. 01:10:34.615 --> 01:10:37.877 [SPEAKER_04]: You could like, you know, would you could put any kind of spin on a, I mean, there's a, 01:10:38.597 --> 01:10:55.334 [SPEAKER_04]: altercation on the plane and then when they landed us she decided she wants to marry the wedding singer now and now he's just taken her place of the wedding and the drunkard out of the movie by the way is now waiting singer he had already been hired though she took him instead of Levits who how could you said she was going to fire higher did you know yeah 01:10:56.154 --> 01:11:00.755 [SPEAKER_00]: Can we go I'm gonna die me more every dissect the I want to grow with you real quick I'm gonna do it really quick. 01:11:00.815 --> 01:11:01.255 [SPEAKER_00]: I'm sorry. 01:11:01.595 --> 01:11:16.939 [SPEAKER_00]: I want to make you smile whenever you're sad hard thing to do Just want to let you know from a relationship you're you're trying to do a old strategy Care you're around when your arthritis is bad So again, this is he's really focused on the when they get old so that's why the song is going on. 01:11:17.439 --> 01:11:20.220 [SPEAKER_00]: I'll get you medicine when you're tummy aches That's sweet. 01:11:20.480 --> 01:11:22.360 [SPEAKER_00]: They'll do a fire when the furnace breaks 01:11:27.802 --> 01:11:29.582 [SPEAKER_00]: Okay, so is he building a fire do they have a fireplace? 01:11:29.602 --> 01:11:33.203 [SPEAKER_00]: Yeah, that brick layer down only way is if they have a fireplace are you a brick layer? 01:11:33.343 --> 01:11:47.767 [SPEAKER_00]: Are you gonna like yeah, there's a lot of of mechanical cuz ingenuity that goes into a fireplace This is that might be the reason because I come from place that doesn't have fireplaces so my brain goes We're the fuck the fire going to go, but if he's building our fire in the fireplace and the furnace breaks and he's still a fireplace And it isn't really not an issue. 01:11:48.067 --> 01:11:57.189 [SPEAKER_00]: So now that I think about it now It's been I miss you kiss you give you a coat when you are cold Good need you feed you even let you hold the remote control 01:11:58.169 --> 01:11:59.550 [SPEAKER_00]: I'm not giving him a fucking mocha troll. 01:11:59.570 --> 01:12:07.034 [SPEAKER_04]: I was gonna say this one sounds sweet when you're like getting engaged, but I think 20 years down the line if this was like a hard rule, you'd be like, FLORP! 01:12:07.115 --> 01:12:07.755 [SPEAKER_01]: Why did I? 01:12:08.695 --> 01:12:10.476 [SPEAKER_01]: Gave up my remote privileges. 01:12:10.516 --> 01:12:11.617 [SPEAKER_01]: Anyway, this is what I can do it. 01:12:13.098 --> 01:12:14.699 [SPEAKER_04]: Gave up my remote privileges. 01:12:16.183 --> 01:12:21.769 [SPEAKER_04]: 30 years ago, and I've been living with this woman who has to watch prices right every day. 01:12:22.209 --> 01:12:24.031 [SPEAKER_04]: She always has to watch Dallas reruns. 01:12:24.051 --> 01:12:25.393 [SPEAKER_04]: We've seen the same episode. 01:12:25.593 --> 01:12:27.094 [SPEAKER_04]: We know who shot JR. 01:12:27.114 --> 01:12:28.616 [SPEAKER_04]: I mean, we've seen this episode. 01:12:30.365 --> 01:12:32.346 [SPEAKER_04]: Get smart as long as I'm up as on eight eight o'clock. 01:12:32.526 --> 01:12:36.367 [SPEAKER_00]: I'm not watching murder she wrote right now No, give me the remote. 01:12:36.707 --> 01:12:37.547 [SPEAKER_00]: No, you gave it to me already. 01:12:37.587 --> 01:12:38.028 [SPEAKER_00]: Yeah, anyways. 01:12:38.328 --> 01:12:42.309 [SPEAKER_04]: We're not watching mod again I've seen the every kiss my grits. 01:12:42.969 --> 01:12:54.673 [SPEAKER_00]: I forget I wish I knew what that show was just look up kiss my grits So let me do the dishes in our kitchen sink as long as I don't have to always do them Put you in the bed when you have too much to drink. 01:12:54.973 --> 01:12:56.374 [SPEAKER_00]: Oh, all I want to do is grow with you. 01:12:56.394 --> 01:12:57.454 [SPEAKER_00]: I want to grow old with you 01:12:58.667 --> 01:12:59.969 [SPEAKER_04]: Sweet charming song careful. 01:13:00.350 --> 01:13:04.117 [SPEAKER_00]: Yeah, I got a partner with threw me off again I think it's just cuz I didn't grow up with a fireplace on anyways. 01:13:04.537 --> 01:13:09.606 [SPEAKER_00]: Oh, yeah, this movie is forever One of the top movies that I can throw on at any point 01:13:10.443 --> 01:13:37.530 [SPEAKER_00]: and enjoy because of the 80s feel because of the little jokes here the some of jokes throughout the movie each scene you can almost give it a second but like oh that was funny and then continue on it made me turn into without thinking about it a wedding did it inspire you a little without thinking about it yeah now I'm not the center of tension singing and new thing but I am the atrick I could and if I was to if I grew up in the 80s and I was going to be a DJ I could have been a wedding singer I think I would actually would have killed that position all right well here's 01:13:39.360 --> 01:13:57.850 [SPEAKER_04]: bring them back here's a question that came up throughout this do you think wedding singers look favorably upon this movie because while it's called the wedding singer and it stars at a sender's one and he's like showing how much fun it could be they also take a lot of shots at them throughout she's like oh what while you seeing weddings at sixty bucks a pop and then 01:13:58.270 --> 01:14:03.532 [SPEAKER_04]: He says that line where he's like, I sing karaoke while they serve prime rib. 01:14:03.592 --> 01:14:04.732 [SPEAKER_04]: I'm a fucking joke. 01:14:04.892 --> 01:14:07.533 [SPEAKER_04]: You know, they have a few shots that they give at like

wedding singers. 01:14:07.553 --> 01:14:14.456 [SPEAKER_04]: So I wonder if you did this as your profession, would you come out of this movie being like, you know, fuck that might be a little bit ugly. 01:14:14.616 --> 01:14:16.716 [SPEAKER_04]: I mean, it's going to take a digs in my possession. 01:14:16.736 --> 01:14:18.197 [SPEAKER_00]: The same thing I say about me as DJing. 01:14:18.837 --> 01:14:20.158 [SPEAKER_00]: So how did you look at it? 01:14:20.278 --> 01:14:21.018 [SPEAKER_00]: How did you come out of it? 01:14:21.278 --> 01:14:26.700 [SPEAKER_00]: I get to have five days off and not have a boss and just perform and enjoy people's 01:14:27.760 --> 01:14:31.002 [SPEAKER_00]: and help people enjoy their one day that they have come together. 01:14:31.562 --> 01:14:34.023 [SPEAKER_04]: Hey, so with that, checkmate, bitch. 01:14:34.043 --> 01:14:35.644 [SPEAKER_04]: Yeah, like you like performing. 01:14:35.824 --> 01:14:36.545 [SPEAKER_04]: I can bring it up. 01:14:36.585 --> 01:14:38.606 [SPEAKER_00]: Get his party going and get paid to live. 01:14:38.646 --> 01:14:39.186 [SPEAKER_00]: Like, get him. 01:14:39.326 --> 01:14:39.906 [SPEAKER_04]: Justin, check it out. 01:14:39.926 --> 01:14:41.007 [SPEAKER_04]: We can bring it all the way up here. 01:14:41.227 --> 01:14:42.388 [SPEAKER_04]: Hey, checkmate, bitch. 01:14:44.248 --> 01:14:45.288 [SPEAKER_04]: You're just a little bit farther. 01:14:45.508 --> 01:14:47.189 [SPEAKER_04]: You know, this is fun. 01:14:47.229 --> 01:14:47.609 [SPEAKER_04]: Check me. 01:14:47.689 --> 01:14:49.129 [SPEAKER_04]: You can actually bring the microphone with me. 01:14:49.189 --> 01:14:50.270 [SPEAKER_00]: I'm less musically. 01:14:50.310 --> 01:14:50.990 [SPEAKER_00]: Everybody with that. 01:14:51.070 --> 01:14:52.750 [SPEAKER_00]: There's certain motherfuckers that have a business. 01:14:52.770 --> 01:14:53.811 [SPEAKER_00]: We've got one more to that day. 01:14:53.931 --> 01:14:55.311 [SPEAKER_00]: I'm not putting in some of your time. 01:14:55.391 --> 01:14:56.391 [SPEAKER_00]: Are the life of the party? 01:14:56.411 --> 01:14:57.832 [SPEAKER_00]: Brother be broke. 01:14:57.852 --> 01:15:04.473 [SPEAKER_04]: Life of the party and they get to make somebody's like best day of their life even better, which is something you get to do all the time. 01:15:04.673 --> 01:15:05.294 [SPEAKER_00]: And I agree with that. 01:15:05.334 --> 01:15:09.095 [SPEAKER_00]: And I'm good at what I do and a lot of people are putting the trust. 01:15:09.335 --> 01:15:10.495 [SPEAKER_00]: I could blow your wedding day. 01:15:11.397 --> 01:15:13.899 [SPEAKER_00]: If you decide, I'm gonna be like, describe below your wedding. 01:15:13.919 --> 01:15:18.264 [SPEAKER_00]: Oh yeah, they're like, I want Dr. Dre, I want Snoop, give me some hip-hop. 01:15:18.664 --> 01:15:20.125 [SPEAKER_00]: I got, oh sounds good. 01:15:20.366 --> 01:15:24.269 [SPEAKER_04]: And then you play the rosy singing, uh, represents the light and think that's

hip-hop. 01:15:24.449 --> 01:15:26.171 [SPEAKER_00]: Boom, throw it on some rosy. 01:15:26.411 --> 01:15:27.092 [SPEAKER_00]: Don't want some fuck. 01:15:27.112 --> 01:15:29.674 [SPEAKER_04]: If you did that in my wedding, I would punch you in the dick. 01:15:29.855 --> 01:15:31.156 [SPEAKER_00]: I punch you in the dick. 01:15:31.236 --> 01:15:33.238 [SPEAKER_00]: Oh, you wanna hear what that song was actually sampled from? 01:15:33.538 --> 01:15:37.581 [SPEAKER_00]: Let's throw on some Elvis and I'm like, no, you hear the beat that's the hip-hop beat. 01:15:37.621 --> 01:15:39.002 [SPEAKER_00]: When are you talking about dude? 01:15:39.042 --> 01:15:43.484 [SPEAKER_00]: Like, I could fucking, I could play music and fuck, I could mess up, I could turn off the music. 01:15:44.025 --> 01:15:44.685 [SPEAKER_00]: You're mid-party. 01:15:44.845 --> 01:15:45.286 [SPEAKER_00]: No music. 01:15:45.306 --> 01:15:45.986 [SPEAKER_00]: What are you going to do? 01:15:46.006 --> 01:15:46.967 [SPEAKER_00]: How are you going to do? 01:15:46.987 --> 01:15:47.847 [SPEAKER_00]: Do you know how to work my shit? 01:15:47.887 --> 01:15:48.027 [SPEAKER_00]: No. 01:15:48.367 --> 01:15:55.052 [SPEAKER_00]: I could fucking wedding up and the fact that everybody trusts me with their wedding really puts a lot on me to know that, okay, they're trusting me so let's bring the party. 01:15:55.292 --> 01:15:58.454 [SPEAKER_00]: So, there's perks to every job and I like mine because... 01:15:59.334 --> 01:16:05.476 [SPEAKER_00]: Like you just said modern day wedding singer the one and day wedding singer do like give it up to me All right, and with that my we're doing slaps of stuff for this. 01:16:05.496 --> 01:16:06.036 [SPEAKER_00]: This is a movie. 01:16:06.056 --> 01:16:06.816 [SPEAKER_00]: Do we do that with movies? 01:16:07.896 --> 01:16:10.737 [SPEAKER_04]: We haven't ever really done slaps and stuff for movies Well, here's what we do here's what we do. 01:16:10.797 --> 01:16:11.417 [SPEAKER_04]: Here's what we do. 01:16:12.158 --> 01:16:16.299 [SPEAKER_04]: I do like to do a segment that I call let's clean off the note sheet 01:16:18.983 --> 01:16:31.137 [SPEAKER_04]: And that is where I like to just go ahead and do one of the kind of look at the notes I took during the movie and anything that I missed on I'm just going to throw in there right now is a final note alright seriously someone gets some pants on that kid 01:16:32.852 --> 01:16:35.935 [SPEAKER_04]: I already discussed that I feel it was worth bringing up again. 01:16:35.975 --> 01:16:47.924 [SPEAKER_04]: Don't dance with your your babies like just no pants on and just think everybody's gonna be comfortable with it It's not comfortable for the rest of us all right 90's wait for sexual harassment is slam dunked home within one minute of introducing Julia throughout this movie. 01:16:47.944 --> 01:16:49.806 [SPEAKER_04]: We all We touched on that. 01:16:49.846 --> 01:16:53.289 [SPEAKER_00]: Yeah, but like that's she says and I get it when they get the cook. 01:16:53.449 --> 01:17:00.295 [SPEAKER_00]: Why is he so nice to you and she's like I showed my boobs with a Christmas party Not my finest half hour 30 minutes of showing like what the 01:17:01.087 --> 01:17:22.633 [SPEAKER_04]: What an awkward I want to respect you as much as they try to make me lose respect for you Holly still my favorite I want to see actual footage like back in the day winning singers I would love to see some actual footage like some VHS That's a thing is like tube shots They in order to actually have those cameras back then like and I'm sure if you have me footage I got to look it up 01:17:23.333 --> 01:17:30.860 [SPEAKER_04]: I'm sure a few people have like uploaded to like YouTube, but I probably have looked through like my parents like VHS collection There's probably some wedding footage. 01:17:30.920 --> 01:17:43.049 [SPEAKER_04]: My dad used to be one of the guys that would come come around with a camcorder when I was a kid So if they look like getting much of a fun party is the one that you know what I think some of that 80s like wedding fashion went to for a bit it went to like prom fashion 01:17:43.730 --> 01:17:48.952 [SPEAKER_04]: Because like in the opening scenes, you see a lot of like the guys with like the colorful bow ties and like a cumberbun. 01:17:49.472 --> 01:17:53.554 [SPEAKER_04]: I feel like then throughout like the 90s and maybe even a little bit into the 2000s. 01:17:53.774 --> 01:17:57.496 [SPEAKER_04]: When we were in school, you'd see some like prom attire that sort of. 01:17:57.756 --> 01:18:01.197 [SPEAKER_04]: I at least remember when you'd go to like men's warehouse or something. 01:18:01.237 --> 01:18:03.678 [SPEAKER_04]: They'd have the mannequins set up for like prom. 01:18:03.818 --> 01:18:08.320 [SPEAKER_04]: They you'd see the one that would be like a, a teal cumberbun with matching bow tie. 01:18:08.340 --> 01:18:11.121 [SPEAKER_04]: And that's, you saw a lot of that in the early scenes of this movie. 01:18:11.422 --> 01:18:12.163 [SPEAKER_00]: There's no footage. 01:18:12.263 --> 01:18:13.544 [SPEAKER_00]: Everything is just the wedding singer. 01:18:14.205 --> 01:18:18.128 [SPEAKER_04]: Yeah, I mean, it probably killed the algorithm for actually the famous wedding. 01:18:18.208 --> 01:18:19.629 [SPEAKER_00]: Yeah, there's nothing. 01:18:19.649 --> 01:18:24.894 [SPEAKER_00]: You have to go back like probably thousands of pages just to find the drummer and Robby's band. 01:18:25.414 --> 01:18:32.200 [SPEAKER_04]: Just a steady hand at keeping it beat never moves his head never has an expression throughout the whole movie. 01:18:32.221 --> 01:18:37.085 [SPEAKER_04]: We're always focused on George back there with all his different instruments and his wild outfits. 01:18:37.385 --> 01:18:39.427 [SPEAKER_04]: There's just this old guy on drums. 01:18:39.587 --> 01:18:42.309 [SPEAKER_04]: I don't think his head ever moves, but he keeps beat.

01:18:42.409 --> 01:18:48.014 [SPEAKER_04]: He does everything he needs to do, which as a wedding singer, kind of exactly what you want from your drummer, am I wrong? 01:18:48.174 --> 01:18:48.895 [SPEAKER_04]: That's what you need, man. 01:18:48.915 --> 01:18:49.576 [SPEAKER_00]: Yeah, he's crush. 01:18:49.596 --> 01:18:50.096 [SPEAKER_00]: That he needs. 01:18:50.236 --> 01:18:51.497 [SPEAKER_00]: It's always needs, that's steady beat. 01:18:51.718 --> 01:18:54.540 [SPEAKER_00]: Zero charisma, but he lets Robbie have all the charisma. 01:18:54.820 --> 01:18:56.682 [SPEAKER_01]: Cars could use more suicide doors. 01:18:57.162 --> 01:18:58.764 [SPEAKER_04]: Why is that a thing we stopped in the 80s? 01:18:58.784 --> 01:18:59.725 [SPEAKER_04]: That's such a cool look. 01:18:59.745 --> 01:19:02.067 [SPEAKER_04]: It's actually easier to enter and exit, right? 01:19:02.107 --> 01:19:03.047 [SPEAKER_04]: When the cars go like, 01:19:03.848 --> 01:19:22.700 [SPEAKER_04]: he has like a delorean with like the uh... that might be vice-themed plane i don't know why they don't design more doors with suicide or i would love to actually get it in out of a car with uh... suicide doors such as me that's just to me if you're re-named with that's the problem how did robby even get a sit down interview at a bank with zero experience for job just that easy back then 01:19:23.535 --> 01:19:26.537 [SPEAKER_04]: You just like walk in and he's like, I don't have any experience. 01:19:26.697 --> 01:19:27.317 [SPEAKER_04]: I like money. 01:19:27.557 --> 01:19:29.458 [SPEAKER_04]: I have a little bit to keep it in a jar. 01:19:29.698 --> 01:19:30.339 [SPEAKER_04]: I'd like more. 01:19:30.579 --> 01:19:31.419 [SPEAKER_04]: That's where you come in. 01:19:32.200 --> 01:19:37.202 [SPEAKER_04]: And then Kevin Neelon playing the rare character in an Adam Seller movie that has zero funny lines. 01:19:37.262 --> 01:19:38.503 [SPEAKER_04]: He's just, he's good at that. 01:19:38.783 --> 01:19:45.144 [SPEAKER_04]: Yeah, well he's usually comes in and like has a quick hit or joke, but in this one he's just the the straight man who's like Yeah, he just get out. 01:19:45.264 --> 01:19:45.604 [SPEAKER_00]: Yeah. 01:19:46.145 --> 01:19:57.027 [SPEAKER_04]: Oh and Julia telling Robbie he's a selfish for wanting a job and not being just a Yuppie idiot who wants material things kind of not reading the room about what's going on. 01:19:57.187 --> 01:20:06.469 [SPEAKER_04]: We'd be all too right now You know exactly how Robby's probably feeling how he looks at their relationship with Glenn and you're gonna tell him he's selfish because he wants a better job 01:20:08.585 --> 01:20:35.930 [SPEAKER_04]: Did the room Julia read the room bit of a kind of a dickhead move had Julia really not considered that her name would be Julia Gullia until like the day before her wedding I think so like why was this just a realization for her when she's like looking in the mirror like in dating this guy for like five six years you've been waiting for him to plan a wedding day you never considered that it's gonna be Julia Gullia and you just make you cry this time and I got a bullshit on that oh best needle drop of the movie is definitely nucleus jam on it 01:20:37.942 --> 01:20:38.202 [SPEAKER_01]: All right. 01:20:38.242 --> 01:21:07.529 [SPEAKER_02]: Yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, yeah, 01:21:09.334 --> 01:21:14.678 [SPEAKER_02]: But trust your private number, we're here. 01:21:14.838 --> 01:21:16.979 [SPEAKER_04]: And it's the way you can find it. 01:21:17.099 --> 01:21:20.922 [SPEAKER_02]: All I know is that you're looking like you're lots of fun. 01:21:21.022 --> 01:21:22.523 [SPEAKER_02]: Open up, damn love at all. 01:21:23.183 --> 01:21:25.345 [SPEAKER_02]: I want some more sun. 01:21:27.046 --> 01:21:30.108 [SPEAKER_02]: I sit my sats on your own. 01:21:30.348 --> 01:21:32.970 [SPEAKER_02]: Who else will you deny? 01:21:34.871 --> 01:21:36.432 [SPEAKER_02]: I got to have my wish. 01:21:41.275 --> 01:21:57.565 [SPEAKER_02]: That's a me, you look like you're lots of fun Oh man, I've sent it up and off Watch out here You shouldn't be right now Baby right now, like a record, baby right now I'll take it for me Next