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Welcome to Creativity on Tap.
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Creativity on Tap is a series of conversations produced by Compass about the value and importance of creativity.
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This year, Compass turns 50.
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That's half a century of putting creativity into the hands of millions of Minnesotans.
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We are working really hard to be doing this for 50 more years.
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Creativity on Tap is part of Creativity Saves the World, a year-long initiative led by Compass to explore the role creativity can and must play in solving the unique challenges of this era.
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For more information about Compass and how Creativity Saves the World, please visit compass.org.
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That is C-O-M-P-A-S dot org.
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We are live today in our first podcast and webcast recording from the Minnesota Spokesman Recorder Podcast Studios.
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Minnesota Spokesman Recorder is a news publication that has been in the Twin Cities for 90 years.
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For more information about the Minnesota Spokesman Recorder news publication, please go to www.spokesman-recorder.com.
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And for other Minnesota Spokesman Recorder YouTube programming, please visit the historic Minnesota Spokesman Recorder's content page on YouTube.
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Today's episode, we find ourselves welcoming a group of young artists that have all cultivated under the mentorship of renowned DJ and music producer, as well as Compass teaching artist, DJ Bionic.
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DJ Bionic's guests that he's brought in the studio today are MC, JG Manman, performing artist, interdisciplinary artist, poet, rap, fashion designer, as well as beadwork and metalwork artist, Bella.
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Saint KX, interdisciplinary photography, spoken word, and visual artist, and Niaje, performing artist in spoken word and singer.
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Welcome to Creativity on Tap.
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How are we doing today?
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Real good.
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Right, we got live energy up.
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Yes, that's what I'm talking about.
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Well, we're so glad that you guys could make it.
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You are our first guest at the Spokesman Recorder Podcast Studios.
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And as you see, it's a lovely and professionally put together podcast studio.
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And we are excited to be here and we are excited to have y'all here.
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So we're just going to fire away some questions.
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I'm going to ask you guys about your careers, about maybe even a little bit about your upbringing and how creativity's played a
Load full transcript
role in your upbringing, where you're at, where you've been and where you're going and how creativity has played a role in all of it.
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Bet?
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Let's do it.
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Right, let's get it going.
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All right, well, we'll start off.
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On my right, we have MC, JG Manman, who I understand is the most experienced of all of the performers that we have with us.
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So I'm going to ask you this question first.
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What's the first thing you remember creating or the first time you thought, as you created art, man, I love doing this.
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I want to say probably like two years ago, it was this song I made.
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And I wasn't too sure about it, but the more I listened to it, I'm like, I think I got somewhere.
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Then I performed it.
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The crowd went crazy.
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Yeah.
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You got a big stage bug.
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For sure.
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Yes.
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Yeah.
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I can relate to that very much.
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So once it bites you, you hit it now.
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So, yeah.
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Well, what is your favorite thing about being on stage?
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Provide, setting the tone, everything.
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It just let me know I'm doing something right to make people feel good.
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Man, that's what's up.
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That's what's up.
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And Bella, I'm going to ask you the same question.
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What's the first thing you remember creating or the first time you thought, man, I love doing this art thing.
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I feel like art has honestly always been a part of my life, but it wasn't until like, I think it was really my mother that encouraged me to take myself seriously as an artist from a younger age.
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So like she connected me with this program called The School of Rock St. Paul is like an outlet for me because I was really struggling growing up.
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And that was like, I didn't have like the words to like put to it then.
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But like, I really think that was like a catalyst, like for my own being able to process what I was going through.
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So that was, I think doing the music with School of Rock is really like where I started.
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I was like, okay, like I can actually like do this.
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Not only am I capable, but also this is something that like speaks to something deeper within me.
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Yeah.
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But and to your second question, I think that also like, I also had a very hard time, just like, connecting with others.
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And like, I think it's still something that I struggled with as a young adult, just due to anxiety.
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But like, I feel like when I'm on stage, my true self is showing and that I can be vulnerable and also connect with others who may feel the same anxiety.
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And so we're able to create an experience together because you're co-creating even with your audience, like you're feeding off.
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I don't think feeding off, but I would just say like, you're, yeah, co-creating is the only way I can explain it.
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It's a conversation.
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It's an exchange.
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An absolute exchange.
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So that's the part that I learned most about.
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Now, really quickly, were you already, because you do a lot of things, were you already kind of dabbling with jewelry work or fashion work before you got on stage?
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Or did the experience with School of Rock and being on stage kind of then open up a door to these other creative expressions that you have in you?
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I think it's quite interesting because like the fashion design and jewelry, like I had been unpacking it recently and I was like, I made designs when I was like single digits.
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I was like dresses and like different things like that.
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And like, I was always very like into it, but like, I never really, at least in that part of things, or like that was the thing that seemed more like, oh, it's like a hobby or like whatever.
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So I didn't really take that portion seriously until probably about a couple of years ago.
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Um, because I really started delving into like my ancestors' relation to those mediums.
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Yeah, it's also a way for me to reconnect with them.
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And, and at the same time, like that's something that I hope to be able to pass on.
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Like, eventually I would like to go back to some of my ancestral homelands and like, not just with the beadwork, but with like the textiles, like even like regalia coming from like, um, West Africa and, um, just different things like that.
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And being able to, um, pass those things on and preserve those things.
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Like that's really where my passion came from, um, for the medium.
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Okay.
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That's what's up.
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Very, very, uh, well thought out and introspective and you put a lot of depth into the processing
of what your art means in relationship to your spirit.
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That was a very profound response.
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Um, Saint KX, first off, I got to ask you, what does the KX stand for?
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So the shortened version of my name, my full legal name is Dakota.
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So it's Koda.
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So K-O, and then I just did an X.
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It's easy.
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No, no, no.
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Yes.
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Pretty much.
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That's what's up.
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So, so tell us, um, what was the first time, first thing you remember creating or the first time you, as you were being a creative thought, man, I love doing this.
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This is it.
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Yeah.
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So I wanted to be an artist like for most of my life.
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Um, when I was like probably about three years old, I started drawing and like people in my family just noticed I was like good at it.
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So they just started supporting me, you know, which is different than a lot of people's stories.
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Um, I read somewhere that people learn if they're good or not at art went by the time they're seven.
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So somebody's already told them that they're bad when they're seven.
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Right.
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Wow.
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And so for me, like having that has been really cool, but I think for me, like it's, it has become something more than that.
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So as a kid, I was a skateboarder.
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I still am.
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I skate, I've been skating for almost two decades.
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Um, so 2006, when I started skating and that really led me into more of this, you know, art space type of way of being.
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Um, I would say that like when I was about 13, I got into a lot of trouble.
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Um, I did a lot of home invasions, just got into a lot of trouble.
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I was looking at a long time.
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And, um, when I was, when I was locked up in juvie, you know, that's where I really found my love for, you know, drawing and writing.
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And I got really into poetry.
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You know, I had my first charge by the time I was, you know, 11 years old and then my first misdemeanor by the time I was 12.
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And so, you know, getting, getting in trouble was like just something that was just natural to me.
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So I needed an outlet to move all that negativity and all that negative energy into.
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And so, you know, when I found, uh, poetry actually in juvie, it was just like something I fell in love with.
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So that was my first love with spoken word poetry, I would say.
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And, um, I've been writing now for, uh, like pretty consistently for going on 10 years.
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So, you know, that's something that I pride myself in.
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It's just being, you know, not just a good artist, but understanding the history, being intellect.
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Um, and so that led me to getting really into policy work and, um, understanding more about my culture.
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And then, um, I ended up going to the university of Minnesota and I graduated with my degree in political science.
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Yeah, I graduated top of my class.
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And so, you know, being able to, to be in a space, um, that is really rigid in this thinking and being able to use my art as a way to expand that thinking has been really cool.
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So I've had a couple, um, journals posted in some, um, some articles posted in some journals, there we go.
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Um, and that kind of a thing.
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So, and I got minors in my culture.
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So I got minors in Afro indigenous studies, um, American Indian studies.
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And so, you know, in that way now that I'm making my own music and doing art more, um, more regularly, I would say, you know, as a full-time artist, um, I had the opportunity to really engage with my culture a lot.
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Like Bella, you know, I get to learn more about my indigenous heritage.
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I get to, you know, every time I go to a protest, I feel like I'm learning something more about my people.
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You know what I mean?
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Just being curious and authentic in the world is something that art taught me.
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Um, and now I'm just trying to give back for real, like, you know, I've done a lot of harm in my community and art is an opportunity for me to also give back.
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So yeah, I'm making money, but I'm also being able to give back.
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And so right now I'm in the bridge makers program with a Cole Stevenson, um, through Ramsey County workforce solutions.
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And I'm working on getting a, um, getting my business up and running.
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So right now I'm working on an art, an art store, an art space and skate shop.
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So the whole idea is, you know, people that want to create good.
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Um, and so I'm hoping to make it like more of a nonprofit to where, you know, young people have a place to go on the weekends or in the
evenings where they're not getting in trouble.
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Right.
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Have access to how do you, how do you use certain programs?
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How do you use Canva?
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How do you use Adobe Photoshop?
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Right.
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Like trying to create a space in St.
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Paul geared towards local artists who are also young people who just need a space to go.
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That's what's up.
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That's what's up, man.
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True success story.
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Thank you.
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Thank you.
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Wow, man.
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We're gonna, we're gonna come back to all of this.
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So many things buzzing in my mind, hearing you guys talk about your stories and journeys so far.
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So we're going to come back to all of this.
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Um, but before we even move further, Niaje.
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Yes.
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Performing artists, spoken word artists, singer.
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Um, tell us, tell us when you first remember creating or the first time you thought like, yo, this, this is me right here.
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Um, well, to be honest with you, ever since I was little, I promised, I promised to God that I would be famous.
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Then I switched over to just being well known.
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And I always wanted to sing.
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I've been in my church choir.
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I've been in school plays.
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I've been, I've been, I've been a lot, you know, I've been everywhere.
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And I've always had, I always had a love for music.
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I've always had a love for sound, you know, some good old singing.
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Always had the love for it.
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But, um, for poetry though, I found real love with poetry by like last year I was going through it.
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I was homeless and I was just looking through some stuff.
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I was at my cousin's house.
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I was looking through some books.
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I started writing some, uh, some words down and I literally went on my phone.
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I put them words to together and I just, I made a poem and I was like, Oh, I was like, Oh snap.
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I just snapped.
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And I was like, okay.
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I was like, okay, I could actually, I could actually do something.
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Like I always, I always thought, you know, like writing is hard, but whole time is really not.
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And ever since I wrote my first poem, I was like, I'm finna, I'm finna keep this, keep going.
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Cause I promised you, I used to read, I used to, I started reading, I was on my own.
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I was starting my self journey and I was just changing bad habits to, to good new habits.
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And I was just, I was rejuvenating myself and writing and journaling helped me a lot.
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And that's really what, that's what gives me the, the boost to really make poetry and to write.
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Cause I, I make a little short whoop.
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I'm like, okay, I'm gonna keep going.
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Then I don't, I'm like, you know, that sounds fire.
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I make another one and snap.
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You seem to have, I think as a spoken word artist, the most difficult thing down, which is to know when a piece is done.
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For me, that's, you know, that's the hardest thing is to know when enough is enough in a poetic conversation.
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And so I'm listening to you like, okay, I made a whoop and I snapped.
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Okay, that's done.
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Now it's time to make the next one.
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I'll be making whoop forever.
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I'll still be whoopty, whoopty, whoopty and all.
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Um, real quick.
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Um, I just, uh, I want to kind of go in reverse here.
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If you guys don't mind sharing your ages and we'll start with you, Niajé.
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Okay.
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Um, I'm 20.
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Big toys.
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I'm 25 Aries.
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25 Virgo.
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25 Virgo.
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Oh man.
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Y'all giving me like, what am I going to tell my age?
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And I always forget to do this every podcast because it's never about me, but for the listener's sake, my name is Frank Centrale.
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I am the Compass Principal Teaching Artist, uh, on staff as well as spoken word teaching artists.
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It's what I do, um, and have been doing for over 20 years now with Compass.
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And so I put that out there just for the listener.
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I always forget to introduce myself because I'm always so enamored with our guests.
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Um, I'm going to come back to you, uh, J.G. man, man.
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I got to get the J.G. in there.
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Uh, what does the J.G. stand for?
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Uh, I had a
friend that passed.
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Okay.
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So it's kind of like Joseph Gale.
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Paying homage.
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That's what's up.
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Um, what, is there one particular person that either inspired you to make art or that you consider like your primary inspiration for what you do to this day?
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Honestly, my kids, they gave me life.
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Yeah.
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Yeah.
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How many kids do you have?
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Six.
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Me too.
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Me too.
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Yeah.
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And so they keep you motivated and keep you working, right?
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Sure.
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That's what's up.
00:16:55.409 --> 00:16:56.090
That's what's up.
00:16:56.470 --> 00:16:57.250
Um, Bella, how about you?
00:16:57.370 --> 00:17:02.389
Uh, what is, what is the, I know you mentioned like the school of rock and you mentioned your mom.
00:17:02.610 --> 00:17:06.970
Um, is that who you would say is what continues to inspire you?
00:17:07.108 --> 00:17:13.710
Or is there someone other than your mom that also was like really, um, uh, pivotal in, in inspiring your, your creation?
00:17:14.368 --> 00:17:26.269
I say I've been very lucky and blessed to have the opportunity to work with and be taught by, um, community artists in the Twin Cities.
00:17:26.750 --> 00:17:31.609
And so I feel like another one, um, her name is Crystal Spring.
00:17:31.910 --> 00:17:35.170
She runs the Black Box Theater in Washington.
00:17:36.670 --> 00:18:01.410
She was the one who really got me into poetry and to starting to, um, because I feel like from like school of rock, I really got more of like the fundamentals or just like the technical skills and learning how to like, uh, learning stage performing, things of that realm.
00:18:01.730 --> 00:18:07.730
But I was still like fine tuning, like, and what, what really is like my sound?
00:18:07.990 --> 00:18:08.250
Yeah.
00:18:08.529 --> 00:18:17.190
Does my voice sound like, um, and so it was kind of, I was just kind of all over the place, you know, just trying, just trying man.
00:18:17.789 --> 00:18:37.730
But, um, I really think that program and her, and also, um, because Crystal Spring was taught by, um, Jan Mendel, who is, um, the co-founder of the Irreducible Grace Foundation, and alongside, um, Dr. Darlene.
00:18:38.410 --> 00:18:59.130
Um, and so that, that whole crowd really, I think, helped me to make the connection between like really getting down to like, what is my truth and at the same time, like, I feel like IGF took it deeper because they, they taught me about the biology of thought.
00:18:59.569 --> 00:18:59.670
Yes.
00:19:00.049 --> 00:19:01.690
And that changed everything.
00:19:02.009 --> 00:19:02.450
Yes.
00:19:02.630 --> 00:19:03.069
Yes.
00:19:03.369 --> 00:19:05.390
It, it changed the way that I wrote.
00:19:05.609 --> 00:19:25.369
It changed the way that I interacted with my art completely because like, I feel like before it was kind of just like, you know, again, like kind of like a shot in the dark, but it's like, oh, this is like something that is real and it's incorporated into like my, my, I would say, my healing journey at this point.
00:19:25.750 --> 00:19:30.109
Like it's, it's an active, um, healing tool, I would say.
00:19:30.430 --> 00:19:30.569
Right.
00:19:31.049 --> 00:19:31.349
Yeah.
00:19:31.430 --> 00:19:35.549
And it's funny you mentioned Crystal because I do know she's a disciple of Jan Mendel.
00:19:35.690 --> 00:19:36.990
Jan and I go way back.
00:19:37.670 --> 00:19:45.210
I, uh, started working with Jan in 1999 when I built my spoken word residencies.
00:19:45.470 --> 00:19:52.809
Jan brought me in the Black Box and I was the first spoken word artist that would, that introduced spoken word to the Black Box Theater at St. Paul Central.
00:19:53.150 --> 00:19:54.390
Oh, Mark.
00:19:56.450 --> 00:20:04.690
And so I just, matter of fact, I just, um, did a interview with Jan that is on our Compass website as a blog.
00:20:04.809 --> 00:20:11.809
So if you go to the Compass website and look up the blog postings, I wrote a blog on my interview with Jan Mendel.
00:20:12.170 --> 00:20:21.769
And she said something that actually, as all you guys were introducing yourselves and your journey in the beginning, she said something that really, um, it resonated with me when I listened to you all.
00:20:21.809 --> 00:20:26.809
And she said, I was only ever trying to save children that the system would kill their gifts.
00:20:27.069 --> 00:20:38.950
And as I listened to you guys tell your story, and especially as I was listening to you saying KX and I was like, yeah, I was like that, that, that is the young people that Jan Mendel was talking about.
00:20:39.130 --> 00:20:56.450
And all of you, like, if it was up to the system, it would kill your gifts before they could, before you could hone them and become who you're becoming, you know, before you could get a political science degree, the system would have killed your gifts if it wasn't for art and creativity and theater and people like Jan in the world, you know?
00:20:57.029 --> 00:21:01.690
Um, so yeah, I, when you said that, I was like, oh yeah, I know Crystal and yeah, I know Jan very well.
00:21:02.509 --> 00:21:02.950
Yeah.
00:21:03.230 --> 00:21:05.509
All my, all my peoples, those are my spirit animals.
00:21:07.789 --> 00:21:08.190
Yeah.
00:21:10.210 --> 00:21:10.609
Crystal.
00:21:11.670 --> 00:21:11.970
Yeah.
00:21:12.150 --> 00:21:12.809
That's what's up.
00:21:12.890 --> 00:21:12.990
Yeah.
00:21:13.069 --> 00:21:14.390
Tell the frame since while they said hi.
00:21:16.029 --> 00:21:24.029
Um, so saying KX who, uh, who would you say, um, uh, really inspired you in your
journey?
00:21:24.029 --> 00:21:33.970
And it sounds like you had a lot of inspiration just from your experience, but somebody in that process had to pull you aside and be like, yo, we got something better over here for you.
00:21:34.109 --> 00:21:34.230
Yeah.
00:21:34.369 --> 00:21:38.390
So I think the first person that did that was actually one of my high school English teachers.
00:21:38.589 --> 00:21:41.470
His name was Aaron Nebo and he's an amazing person.
00:21:41.630 --> 00:21:46.089
He's an amazing teacher, an amazing artist, and he was a creative writing teacher.
00:21:46.289 --> 00:21:49.309
And he really pulled me aside and was like, yo, you're killing this.
00:21:49.490 --> 00:21:49.910
You know what I mean?
00:21:49.910 --> 00:21:50.930
You're doing really, really good.
00:21:51.009 --> 00:21:52.210
I think you should keep going with this.
00:21:52.250 --> 00:21:54.170
And so, you know, I just kept writing.
00:21:54.269 --> 00:22:00.630
Like I just never stopped after that, you know, and growing up, I was somebody who also struggled with dyslexia and dysgraphia.
00:22:00.769 --> 00:22:10.009
So writing and reading was always really, really hard for me, but creative writing gave me an avenue to really start to understand the English language in a way that traditional teaching couldn't.
00:22:11.150 --> 00:22:23.029
Um, and as I got, um, further into, you know, art, the arts, you know, I've had a lot of struggles in my life, um, homelessness, um, and just being in a space that like, it's a really bad mental space.
00:22:23.029 --> 00:22:30.609
You know, I grew up, you know, in and out of foster care, you know, just in the streets doing kiddy stuff, you know what I mean?
00:22:30.769 --> 00:22:32.809
I think about it now and I'm like, wow, that was childish.
00:22:33.109 --> 00:22:36.609
But, you know, I needed to go through that to learn how to live.
00:22:36.750 --> 00:22:37.589
You know what I mean?
00:22:37.910 --> 00:22:40.289
And the thing that taught me how to live was art.
00:22:40.890 --> 00:22:41.650
You know what I mean?
00:22:41.750 --> 00:22:50.509
And so like, with art, I'm just so grateful to the people who were in my life, who gave, who said like, you know, this can be your way of life.
00:22:50.630 --> 00:22:52.990
Because without that, I definitely wouldn't be alive.
00:22:53.170 --> 00:22:54.549
I can guarantee you, I wouldn't be alive.
00:22:54.690 --> 00:22:56.150
You know, I was, I was carrying guns.
00:22:56.250 --> 00:22:57.470
I was doing home invasions, right?
00:22:57.569 --> 00:23:02.069
Like I was doing drugs and alcohol, you know, I actually just hit, uh, 18 months sober.
00:23:02.289 --> 00:23:03.309
So congratulations.
00:23:04.869 --> 00:23:15.549
You know, but like the things that got me there were, you know, not just myself, but like art and the people who really make, really just were like, no, you don't got a choice.
00:23:15.609 --> 00:23:16.190
You're going to do it.
00:23:16.349 --> 00:23:16.869
You know what I mean?
00:23:16.869 --> 00:23:17.809
Like I didn't get a choice.
00:23:17.809 --> 00:23:19.589
Like if it was my choice, I would have been outside.
00:23:19.769 --> 00:23:20.630
You know what I mean?
00:23:20.630 --> 00:23:24.930
But them sitting here and being like, no, I'm going to give you eight things of homework to do.
00:23:25.009 --> 00:23:26.190
That's not required.
00:23:26.869 --> 00:23:27.329
You know what I mean?
00:23:27.369 --> 00:23:30.029
That kept me inside because the thing that I love too was school.
00:23:30.190 --> 00:23:31.029
I love school.
00:23:31.170 --> 00:23:31.750
I love learning.
00:23:32.309 --> 00:23:44.890
Um, and I'm, was, um, blessed with the opportunity to go to a small public art school in downtown St. Paul, creative arts secondary school, which is where I met, um, Aaron Lebo and a bunch of other amazing artists through that.
00:23:44.950 --> 00:23:54.269
And so, you know, I've been really blessed a lot, like Bella said, and, um, my fellow artists here that like art really has blessed us with opportunities that I don't think we would have gotten anywhere else.
00:23:55.009 --> 00:23:55.269
So yeah.
00:23:55.730 --> 00:23:58.170
I need you to say that for the legislature.
00:24:02.569 --> 00:24:11.269
Um, I've, I'm actually in contact with governor walls and I'm a deputy mayor of St.
00:24:11.329 --> 00:24:11.589
Paul.
00:24:11.670 --> 00:24:13.230
I'm on a couple of youth advisory boards.
00:24:13.230 --> 00:24:21.619
And so, you know, that's another part of my art that I've to, you know, expand on is being able to talk to people at the policy level.
00:24:21.960 --> 00:24:28.940
Like, yo, like we need this, like young kids just need the opportunity, especially like young black and Brown kids.
00:24:29.160 --> 00:24:33.579
Like we don't have the same opportunities as our white counterparts.
00:24:33.579 --> 00:24:42.220
And so like, we need these, these opportunities to grow and learn and be like functioning members of our communities.
00:24:42.420 --> 00:24:42.779
You know what I mean?
00:24:42.779 --> 00:24:43.539
Not even society.
00:24:43.779 --> 00:24:52.660
I don't give a fuck about societies and my brunch, but like our communities, like our communities need more young people who grow up to be leaders and mentors.
00:24:52.940 --> 00:24:53.440
You know what I mean?
00:24:53.619 --> 00:24:54.819
And so arts and Avenue.
00:24:55.200 --> 00:24:56.859
So the system doesn't kill their gifts.
00:24:57.380 --> 00:24:57.480
Exactly.
00:24:58.859 --> 00:25:02.900
Um, same, same, same question to you.
00:25:03.019 --> 00:25:10.539
Like, uh, you know, you talked about finding some poems, who was the person that either inspired you or that co-signed for you?
00:25:10.539 --> 00:25:11.779
Cause you seem very self-confident.
00:25:11.980 --> 00:25:17.279
So somebody probably had to co-sign along the way of you like, yeah, girl, you are, you are her.
00:25:18.779 --> 00:25:19.299
Okay.
00:25:20.079 --> 00:25:25.980
Um, yeah, uh, honestly, um, first person for sure is my mom.
00:25:26.440 --> 00:25:27.420
I like you.
00:25:27.519 --> 00:25:28.140
I love you, mama.
00:25:28.799 --> 00:25:33.339
Um, my mom has been my biggest fan since the beginning.
00:25:36.980 --> 00:25:45.740
She's by herself and I found out after she died, like girl, but, um, but yeah, that's definitely my number one.
00:25:46.480 --> 00:25:48.279
Um, one of my best friends is here.
00:25:48.900 --> 00:25:49.980
Mr. Montrey.
00:25:50.319 --> 00:25:58.200
He has pushed me through my journey and has helped her a lot and very appreciative of everybody in my circle.
00:25:58.640 --> 00:26:13.920
Um, I would say open mics have definitely, uh, been a big, big mind opener and has helped me through with confidence, nervousness, all types of, you know what I'm saying?
00:26:14.519 --> 00:26:19.140
Um, but also, uh, I do appreciate Bionic for sure.
00:26:19.680 --> 00:26:24.579
Cause, uh, nobody else, I feel like I would not be in this position without him.
00:26:25.180 --> 00:26:26.740
I'm not gonna lie to y'all.
00:26:27.720 --> 00:26:32.359
Uh, he definitely seen me and now we are literally sitting here.
00:26:32.759 --> 00:26:35.700
So I just want to say I'm grateful for sure.
00:26:35.980 --> 00:26:37.220
And then it was my peoples.
00:26:38.099 --> 00:26:39.839
Well, there it is.
00:26:40.079 --> 00:26:40.519
Yeah.
00:26:41.099 --> 00:26:46.240
Well, I'm glad you mentioned Bionic cause that's where I was going to go next and we'll, we'll keep it with you.
00:26:46.440 --> 00:26:51.619
Um, Niazay, um, how would you say Bionic has helped you grow most as an artist?
00:26:52.559 --> 00:26:53.200
Oh my goodness.
00:26:53.900 --> 00:27:02.619
Um, well, first off, when I first came to Bionic, I literally, my first question was, can you help me with some, I need help with lyrics.
00:27:03.480 --> 00:27:05.579
Then, then it came to us.
00:27:05.779 --> 00:27:05.960
Literally.
00:27:06.180 --> 00:27:08.940
I had my first, my first, first month on my ever written.
00:27:09.519 --> 00:27:15.700
He had, he said, you know, he, I pulled it out for them and it literally started from right there.
00:27:15.700 --> 00:27:19.299
He made me a beat called Swan, like my poem is called Swan.
00:27:19.779 --> 00:27:21.160
And that's literally, that's legit.
00:27:21.240 --> 00:27:36.440
When it started, I promise you from that day on, it's been, it's been that, like I've been, I've been getting, I've been, uh, I've been helping myself get back on track.
00:27:36.539 --> 00:27:38.859
Really, you know, like it's, it's, it's consistent.
00:27:39.140 --> 00:27:40.220
You know what I'm saying?
00:27:40.319 --> 00:27:45.200
Like I'm expressing myself more than I probably ever have.
00:27:46.240 --> 00:27:53.900
And like, I, I know what art is and it makes me feel very good inside.
00:27:54.019 --> 00:28:04.339
Like I love the feeling of how, of how it makes me feel because at the end of the day, like I said,
I would not be here with, you know, without, without my system, without my system.
00:28:05.839 --> 00:28:06.720
So yeah.
00:28:06.960 --> 00:28:08.059
The glow is showing.
00:28:08.180 --> 00:28:09.700
I can tell you're in a happy place.
00:28:09.700 --> 00:28:14.200
Of course, you got to keep the vibrations up there.
00:28:14.599 --> 00:28:25.299
We absolutely have to, especially in today's society where not only, um, is the world trying to, trying to kill the positive vibe.
00:28:26.140 --> 00:28:36.160
Um, so not only do we have to keep that vibe for ourselves, but then we get to represent what that vibe is to other people in the world so that they can be inspired.
00:28:36.259 --> 00:28:37.839
And that's part of what we do as artists.
00:28:37.839 --> 00:28:41.019
Um, Madman, how has working with Bionic helped you grow as an artist?
00:28:42.259 --> 00:28:49.619
Honestly, it's like, I always had to, I always had the talent, but he just showed me like, you can do this better, tighten this up.
00:28:49.900 --> 00:28:54.660
You know, just little add-ons that make me a better artist than what I was already.
00:28:55.019 --> 00:28:55.759
That craftsmanship.
00:28:56.160 --> 00:28:56.440
Yeah.
00:28:56.680 --> 00:28:56.980
Yeah.
00:28:58.720 --> 00:29:10.640
What's your, what's your, what's your, um, what's your favorite part when you're, when you're looking out at a crowd and the beat comes on, like, what's the first thing that just, is it, is it when the beat, the crowd vibes with the beat?
00:29:10.720 --> 00:29:21.279
Is it when somebody you see responds to a bar or, or a lyric you said, what, what is that thing that just is like, like, boom, I'm glad I'm here in this moment.
00:29:21.319 --> 00:29:21.779
I don't know.
00:29:21.880 --> 00:29:23.980
When I see hands start bopping, I start bopping.
00:29:27.440 --> 00:29:33.440
Man, if we had time, I'll tell you, after the pod, I'll tell you a story, man, that I have a story about that.
00:29:33.599 --> 00:29:36.740
The first time I was 15, the first time I was on a big stage in front of thousands.
00:29:37.720 --> 00:29:39.519
And, uh, and yeah, I'll tell you about it.
00:29:39.539 --> 00:29:43.559
Cause that, you just reminded me, I know that feeling too well.
00:29:44.720 --> 00:29:47.519
Uh, how has Bond, working with Bond helped you grow as an artist?
00:29:48.460 --> 00:30:06.940
I really think it's taking this and making it this discernment, this consistency, you know, that I think that's the thing, like, where it's like, I feel like it's true for all of us.
00:30:06.940 --> 00:30:11.319
Like we have the content, we have the talent, we have this passion.
00:30:12.160 --> 00:30:20.440
Um, but it just, I feel like Bionic has the experience of the professional side of things.
00:30:20.619 --> 00:30:28.240
And I think like, it's helped me to, instead of getting overwhelmed by like, what am I going to do?
00:30:28.319 --> 00:30:29.220
How am I going to do it?
00:30:29.259 --> 00:30:38.420
It's
like, these are the steps, the measured steps that you can take in order to grow, um, over time.
00:30:38.660 --> 00:30:53.819
You know, I feel like speaking of society again, we're just like in this instant gratification or, or the shame based place where it's like, if I'm not exactly here, then like, I should never try to achieve this thing.
00:30:54.400 --> 00:31:01.799
And just like, you know, just try and, and do what I can to, to, I don't know, hopefully survive.
00:31:02.059 --> 00:31:02.220
Yeah.
00:31:02.640 --> 00:31:19.779
And I think he's, he, I think we're really starting to talk about like, transforming the mind and like, in the sense of like, okay, these things are, these goals are reachable.
00:31:20.359 --> 00:31:27.819
And here's what we do to get there instead of just like being like, I can never get there.
00:31:28.759 --> 00:31:30.220
Making it tangible for you.
00:31:30.400 --> 00:31:36.319
The mountain is so big when you look at it, you know, it's like, well, where do I even start?
00:31:36.539 --> 00:31:49.579
You know, but I think especially like there's, and just the fast paced, fast pacedness of our society of just like, we need to be out there, we need to be seen, we need to make it immediate.
00:31:49.900 --> 00:32:50.380
And it's like, well, you don't see like really all those struggles that those people have made it, or even just like the people who were deemed successful, like you don't see all those times that they failed, that they were told no, that they had to like, push and overcome, like, even when like, they wanted to die, even when they wanted to, you know, just like, the life of an artist that I feel like to be an artist is to be a warrior in a way, like in the sense of like, I feel like at least like for our, our cohort, like we're, I don't even know how to explain it, but like, being able to bring forth these messages and these forms of expression and to like connect with each other, despite everything that is threatening to take it out or like, shut it down.
00:32:50.559 --> 00:32:55.299
Like, I feel like that to me is like some of the ultimate form of revolution and resistance.
00:32:55.299 --> 00:32:55.920
Absolutely.
00:32:58.839 --> 00:33:03.259
So I feel like Bionic is really like a change agent.
00:33:04.660 --> 00:33:08.140
He's like one of those silent masters, you know what I'm saying?
00:33:08.440 --> 00:33:19.619
That is just like, I was literally just talking to my brother about this earlier, because he really was just like getting like, well, everything in the world is just terrible.
00:33:19.920 --> 00:33:21.660
So it's always going to be terrible.
00:33:21.660 --> 00:33:23.799
And I can't do anything about it.
00:33:23.799 --> 00:33:58.079
And like, it's like, bro, um, when you, when you focus on that light that you got in you, and you focus on pouring into that and the others around you, it's like, it's those small drops that create ripples and waves, you know, it's like, it's not so dramatic, you know, it's not as instantaneous as you wish it, but then those are those roots that grow and become the strongest foundation.
00:33:58.539 --> 00:34:04.220
You know, like, I feel like some of those things that go up just immediately like that, they can burn up just like that.
00:34:04.380 --> 00:34:06.559
Or they come crashing down just as fast.
00:34:06.640 --> 00:34:07.299
Yeah, exactly.
00:34:07.579 --> 00:34:08.099
Exactly.
00:34:08.599 --> 00:34:08.980
Yeah.
00:34:09.519 --> 00:34:12.880
No, I, I, I hear you 100% on that.
00:34:12.940 --> 00:34:14.579
And he is an agent of change.
00:34:14.679 --> 00:34:28.940
I mean, the evidence is sitting here having this conversation, you know, the, the connection that you all have to bionic and through safe zone, and you are creating change throughout you all's lives, not only for your life, but for the life of those who care about those around you.
00:34:29.679 --> 00:34:35.280
And, and so that keeps expanding, just like Jan into Crystal into you, right?
00:34:35.360 --> 00:34:42.000
And then, you know, me and Jan in our relationship, and now here we all are creating change together, right?
00:34:42.000 --> 00:34:46.400
I'm saying KX, what happened, you know, how's working with bionic helped you?
00:34:46.780 --> 00:34:48.400
Yeah, bionic is fire.
00:34:48.539 --> 00:34:49.260
I love bionic.
00:34:49.460 --> 00:34:50.800
That's, that's my dude right there.
00:34:50.900 --> 00:35:00.039
You know, I think the part about bionic that I love so much is that he doesn't force you to be in a box, but he helps you refine all the boxes that you're in.
00:35:00.500 --> 00:35:00.920
Right.
00:35:01.179 --> 00:35:03.340
And so for me, like, I do a little bit of everything.
00:35:03.500 --> 00:35:13.460
Like I think our first the first show that I worked with these, these amazing artists on was, I made a shirt, just I was like, let me just let me just make a shirt.
00:35:13.579 --> 00:35:15.300
I wasn't even really involved in the show like that.
00:35:15.400 --> 00:35:18.860
But I made a fire design and bionic was like, we got to get you on board.
00:35:18.980 --> 00:35:19.559
You know what I mean?
00:35:19.619 --> 00:35:27.619
Like, so he really helps you like, not just like, hone your craft, but also like he just creates a space for everybody to be.
00:35:27.800 --> 00:35:44.639
And I've been really grateful for the opportunity to learn like, I think being involved in shows and learning what it takes on the back end, you know, to create a show just because I do a lot of background stuff to, you know, I've gotten to learn a lot about like, what does it look like to be an artist long term?
00:35:44.800 --> 00:35:46.519
What does it look like to produce a show?
00:35:46.599 --> 00:35:55.360
What does it look like, you know, to be do all those technical aspects, but also what does it look like to make sure that you're feeding yourself and your own art and your own craft?
00:35:56.139 --> 00:36:00.519
And so like, right now, like, I'm looking at getting into like teaching.
00:36:00.900 --> 00:36:03.500
I love watching young kids like develop.
00:36:03.699 --> 00:36:05.340
That's like probably one of my favorite things.
00:36:05.760 --> 00:36:06.940
You know, their craft.
00:36:08.400 --> 00:36:13.300
And, and I want to be that mentor that like, I wish I had a lot sooner.
00:36:13.340 --> 00:36:17.420
Like, I wish I had bionic way back when I was like, you know, 1213.
00:36:17.639 --> 00:36:18.099
You know what I mean?
00:36:18.980 --> 00:36:20.820
I'm grateful for how things played out.
00:36:20.900 --> 00:36:28.699
I have a lot of gratitude for like the things that I went through and like how it how, you know, cultivated my own art and who I am as a person.
00:36:29.460 --> 00:36:35.719
But to get kids at a young age when they need more guidance, you know what I mean?
00:36:35.860 --> 00:36:38.500
Like, that's the piece that a lot of us were missing.
00:36:39.000 --> 00:36:39.460
You know what I mean?
00:36:39.519 --> 00:36:41.679
So how do you step in and like pass that forward?
00:36:41.780 --> 00:36:44.500
Like we're talking about those small ripples and you're turning into waves.
00:36:44.940 --> 00:36:51.460
But I think more than that to like, bionic bionic just like teaches me about life.
00:36:52.159 --> 00:36:52.980
Like, you know what I mean?
00:36:53.119 --> 00:36:58.920
Like, art is, is more than just I'm producing a product or I'm producing this song.
00:36:58.940 --> 00:37:02.039
It's like how you live and how you breathe and how you move.
00:37:02.340 --> 00:37:02.719
Right?
00:37:02.820 --> 00:37:10.400
And so for me, like, the way that I move is like, really integral to how I'm doing my art.
00:37:10.860 --> 00:37:18.880
So like my art will shift with where I'm at in life and what I'm doing and how, how I'm just like, existing.
00:37:19.380 --> 00:37:19.480
Right.
00:37:19.559 --> 00:37:32.099
And so I've gone from poetry and visual arts to making hip hop and rap music to making, now I'm making a lot of like deep ambient music, like just a place where I feel centered.
00:37:32.340 --> 00:37:32.559
Right.
00:37:32.619 --> 00:37:36.940
Like, and so just like, as I'm moving on my journey, my art moves with me.
00:37:37.019 --> 00:37:40.860
So if you follow my journey, you'll see like where I was at to where I'm going.
00:37:41.760 --> 00:37:47.380
And, and honestly, like the thing about me is like, I, I'm not going to lie.
00:37:47.440 --> 00:37:49.559
I don't really care what other people think about me or my art.
00:37:49.679 --> 00:37:55.000
Like I'm, I'm strong and I stand in that my art can fluctuate with where I'm at in life.
00:37:55.159 --> 00:37:55.920
That's okay.
00:37:56.239 --> 00:37:56.780
You know what I mean?
00:37:56.800 --> 00:38:01.039
I have a lot of people who are like, I just wish you would do this just all the time.
00:38:01.039 --> 00:38:04.679
And it's like, yeah, but like, I'm not in the same place all the time.
00:38:04.820 --> 00:38:04.920
Right.
00:38:04.920 --> 00:38:05.400
You know what I mean?
00:38:05.440 --> 00:38:07.860
I like, I'm also human, you know what I mean?
00:38:07.860 --> 00:38:10.059
I'm going to fluctuate with my art.
00:38:10.280 --> 00:38:13.400
And so for me, like, I don't really listen to a lot of that.
00:38:13.719 --> 00:38:15.559
Like, it's not even hate.
00:38:15.659 --> 00:38:21.099
I think it's people just genuinely wanting to hear more, you know, of a certain kind of music, but I'm just not in that place.
00:38:21.280 --> 00:38:21.820
You know what I mean?
00:38:21.900 --> 00:38:26.699
And so I have to like hold both like what people want because they pay my bills.
00:38:26.699 --> 00:38:26.960
Right.
00:38:27.019 --> 00:38:31.980
But I also have to hold, like, I'm allowed to be human and I'm allowed to like shift where I'm at in life.
00:38:32.019 --> 00:38:32.840
And like, that's okay.
00:38:33.280 --> 00:38:36.559
And Bionic has really created a space to where that's okay.
00:38:36.880 --> 00:38:37.679
You know what I mean?
00:38:37.920 --> 00:38:42.980
And so, so learning how to just like, be okay and stand in my decisions.
00:38:43.380 --> 00:38:47.940
Like, I think like as an artist, you always are trying to perfect right is constant.
00:38:47.940 --> 00:38:50.920
When I'm doing a show, I'm perfecting every little thing.
00:38:51.059 --> 00:38:53.059
Like, am I going to read off my phone?
00:38:53.179 --> 00:38:57.099
Or am I like, what type of experience do I want my audience to have?
00:38:57.219 --> 00:38:57.760
You know what I mean?
00:38:57.780 --> 00:39:02.880
And, and once I figure that out, I'm sitting there and I'm going over it again and again and again.
00:39:02.980 --> 00:39:05.760
And like, that can seep into your life too.
00:39:06.360 --> 00:39:09.800
And so how do you just allow yourself to like be in your creativity?
00:39:10.440 --> 00:39:12.159
And Bionic creates that space for me.
00:39:12.400 --> 00:39:13.079
That's what's up.
00:39:13.199 --> 00:39:13.320
Yeah.
00:39:13.539 --> 00:39:13.920
What's up.
00:39:14.039 --> 00:39:15.760
Very Andre 3000-ish.
00:39:17.380 --> 00:39:18.099
Thank you.
00:39:18.460 --> 00:39:19.579
He's one of my favorite artists.
00:39:19.840 --> 00:39:23.619
So, you know, I'm just going to do a flute album because that's where I'm at right now.
00:39:26.539 --> 00:39:32.760
So Bella, have you ever tried something creatively that just didn't work in the way you expected it to?
00:39:32.940 --> 00:39:33.920
And what did you learn from it?
00:39:34.219 --> 00:39:38.780
Can you think of like one time where you're like, oh, okay, that, that one, yeah, maybe, I don't know.
00:39:38.880 --> 00:39:39.579
That one ain't it.
00:39:40.420 --> 00:39:42.739
I think, well, I think- Or a song or a poem or something.
00:39:42.840 --> 00:39:43.139
Yeah.
00:39:43.340 --> 00:39:45.179
Like, and especially with the beat work.
00:39:45.199 --> 00:39:46.880
Cause like, I'm such a
perfectionist.
00:39:48.099 --> 00:39:55.840
Even when I'm like writing and stuff, like I have to like go over it and it has to have like a certain structure and a flow.
00:39:56.000 --> 00:39:58.519
And then I'm like, okay, this is right.
00:39:58.679 --> 00:40:02.440
And if it's not, then I'm just, I'm working on it obsessively.
00:40:03.039 --> 00:40:08.260
But I think that's where I've had to pivot and just like letting go of that.
00:40:08.719 --> 00:40:11.400
Go to the Niaje school of, okay, that's done.
00:40:13.920 --> 00:40:14.500
You know?
00:40:14.760 --> 00:40:22.059
And so like, I would say like really just being open to, to messing up.
00:40:22.059 --> 00:40:22.619
Ah.
00:40:23.480 --> 00:40:33.679
And being a beginner at certain aspects and knowing that with time and dedication and practice, those things will grow.
00:40:33.820 --> 00:40:34.380
Yes.
00:40:34.699 --> 00:40:35.280
Yes.
00:40:35.300 --> 00:40:36.300
That's a great lesson.
00:40:36.619 --> 00:40:37.000
Yeah.
00:40:37.179 --> 00:40:38.099
It's very hard.
00:40:38.900 --> 00:40:42.280
And we walk with the guys, again, stories.
00:40:42.579 --> 00:40:46.920
There are things that I don't do anymore before I go on stage that in my twenties I used to do.
00:40:47.019 --> 00:40:52.139
And now I'm just like, yeah, no, can't use that as an excuse for not having a dope show.
00:40:52.539 --> 00:40:54.559
So, you know, so I get it.
00:40:55.199 --> 00:40:56.920
I've been there and you grow from it.
00:40:56.980 --> 00:40:57.179
Right.
00:40:57.280 --> 00:40:58.239
You're like, oh, okay.
00:40:59.099 --> 00:41:02.920
Let me, let me refine how I move with my creativity.
00:41:03.340 --> 00:41:15.860
Or just, you know, just allowing space for exploration and like, just to let that inner voice shine through no matter how it comes out.
00:41:15.940 --> 00:41:38.320
You know, I guess like something that shifted for me, especially within like this cohort is just like, I feel like before I was really trying to, um, cater more towards the audience, like there was, but then like I was losing my own self in that, you know?
00:41:38.460 --> 00:41:44.000
And so like, I feel like I'm, I'm being encouraged to delve deeply within.
00:41:44.599 --> 00:41:49.519
And so that's like, it's, it's messy.
00:41:49.980 --> 00:41:56.000
It's at times scary, but it's, it's also necessary because it's like without yourself.
00:41:56.860 --> 00:41:57.420
Right.
00:41:57.739 --> 00:41:58.519
What do you got?
00:41:59.539 --> 00:42:00.099
Right.
00:42:00.199 --> 00:42:01.599
What is it?
00:42:01.699 --> 00:42:01.960
Right.
00:42:02.639 --> 00:42:03.980
I hear you there.
00:42:04.280 --> 00:42:11.619
Niazeng, have you ever written and performed a poem and you're like, oh, that didn't happen the way I thought it was going to happen?
00:42:12.000 --> 00:42:12.739
Oh, of course.
00:42:13.800 --> 00:42:15.219
Um, I ain't gonna lie.
00:42:15.400 --> 00:42:22.699
When we performed our, uh, our first performance, I was overly nervous for no reason.
00:42:23.559 --> 00:42:30.420
And I, after, after my two songs, I was like, it was like a big burden off my shoulders.
00:42:30.480 --> 00:42:33.219
I was like, okay, like that felt really good.
00:42:33.239 --> 00:42:35.300
Like that felt really good.
00:42:35.980 --> 00:42:49.739
And I don't know what I learned from that is that I need, I just need to have a little bit more faith in myself to know enough to where I know for a fact that ain't no reason to be nervous.
00:42:49.900 --> 00:42:55.019
These people finna, finna, they finna, they finna jam out to what I got and they finna love it.
00:42:55.079 --> 00:42:55.880
They finna enjoy it.
00:42:55.900 --> 00:42:58.260
And I'm finna, I'm finna do my thing.
00:42:59.019 --> 00:43:09.400
So one thing I for sure learned is I gotta, I gotta work with myself a little bit more and give myself a little bit more credit to give myself a little bit more credit and push myself.
00:43:09.960 --> 00:43:17.059
So I ain't got to really do so much, but yeah, nervousness is one thing for me that be eating meat.
00:43:17.719 --> 00:43:23.440
Uh, I always tell my students that, uh, nerves is part of the uniform of performance.
00:43:23.800 --> 00:43:25.199
It never goes away.
00:43:25.440 --> 00:43:27.980
You just, you know, you got, you got to show that day.
00:43:28.079 --> 00:43:37.800
You, you put, you take your shower, you put on your socks, you put on your, you know, your garments, you put on your clothes, your pants, your shoes, and you put on your nerves and you walk out the door.
00:43:38.139 --> 00:43:40.139
No, it never goes away.
00:43:40.559 --> 00:43:44.280
And as a matter of fact, if I'm not nervous when I'm performing now, I'm worried.
00:43:44.480 --> 00:43:47.679
And I'd much rather be nervous than be worried, you know?
00:43:47.699 --> 00:43:55.000
Cause I'm like, okay, what is it about this that I don't feel connected to enough to feel anxious enough about wanting to do well.
00:43:55.159 --> 00:43:57.599
So to me, nervousness is just, it means you care.
00:43:57.900 --> 00:44:00.539
And so if I'm not nervous, then that means I'm not caring.
00:44:00.639 --> 00:44:01.699
And then there's a problem.
00:44:01.699 --> 00:44:02.460
It's true.
00:44:02.900 --> 00:44:04.980
So that's part of my uniform, you know?
00:44:05.059 --> 00:44:10.460
And who knows, maybe it's the Cape that allows us to all go out there and put our best foot forward, you know?
00:44:10.480 --> 00:44:12.320
So, so don't worry about being nervous.
00:44:12.420 --> 00:44:13.400
Just embrace it.
00:44:13.400 --> 00:44:14.239
Oh, eat it.
00:44:15.079 --> 00:44:15.519
Yeah.
00:44:16.579 --> 00:44:17.019
Sure.
00:44:17.119 --> 00:44:17.920
I snap on that.
00:44:17.960 --> 00:44:18.860
I snap on that snake.
00:44:19.019 --> 00:44:19.840
I said, that's named.
00:44:21.980 --> 00:44:34.800
I know that I have worked over it by making more, making more content of myself, singing by myself, myself
singing and go back to like, okay, I'm gonna look at that and be like, you know what?
00:44:35.000 --> 00:44:38.360
My next performance, I'm going to give, I'm going to give everybody eye contact.
00:44:39.019 --> 00:44:54.619
I'm not going to put down, you know, like I, you know, kind of how Bella said, you know, I kind of critique myself so I can grow, grow as myself, but also grow as an artist to enough to where, you know, each time is every other time is going to be perfect.
00:44:54.719 --> 00:44:55.000
Perfect.
00:44:55.079 --> 00:44:55.320
Perfect.
00:44:55.539 --> 00:44:57.039
You know, just how I want it to be.
00:44:57.260 --> 00:44:59.480
And the film study era is great.
00:44:59.659 --> 00:45:02.719
The camera ball era, you can record yourself, study yourself.
00:45:02.920 --> 00:45:03.500
Oh man.
00:45:03.639 --> 00:45:05.039
I was born too soon.
00:45:08.400 --> 00:45:19.059
KX, I'm going to ask you a little bit different question about this, this cohort, as you guys keep calling it, this group of people that are with us today.
00:45:19.360 --> 00:45:23.179
How do you inspire and challenge each other creatively?
00:45:24.320 --> 00:45:27.199
And, and, you know, do you guys have fun working with each other?
00:45:29.780 --> 00:45:30.179
Yeah.
00:45:30.380 --> 00:45:33.639
So I think the really cool thing about this cohort is like, we're all really good friends.
00:45:33.900 --> 00:45:40.719
So we met in a time in our lives where we were all like kind of struggling, but we were all doing art and it was like just a dope experience.
00:45:41.199 --> 00:45:47.139
But we, I think we push each other because I think we all see like, oh, like, I love that Bella does this thing.
00:45:47.179 --> 00:45:48.599
Or I love that JJ does this thing.
00:45:48.639 --> 00:45:54.400
Or I mean the two other two who aren't here.
00:45:54.559 --> 00:46:09.599
But I think like, for me, I get really pushed in, how do I create, you know, the best environment where we all get to learn?
00:46:09.880 --> 00:46:30.039
I think what that's like the most important thing for me, you know, it's like to constantly be pushing each other means to constantly be learning, means to constantly be bouncing off each other, it means calling each other at two in the morning, like, hey, I have this written, can you help me figure out the ending line?
00:46:30.380 --> 00:46:31.519
Or like, you know what I mean?
00:46:31.539 --> 00:46:45.539
Or just like creating a constant way to just like keep that line of communication open to where, you know, we, it could be three in the morning and we're texting each other like, yo, I thought I saw you downtown.
00:46:45.920 --> 00:46:46.920
And it's just a whole show.
00:46:47.019 --> 00:46:59.940
And that's cool to me, like having a relationship with artists outside of, you know, just performing means that you get to develop together, not just as artists, but as people.
00:47:00.239 --> 00:47:01.719
And so that's been really cool.
00:47:01.820 --> 00:47:12.760
Like I got to go to one of Bella's shows outside of our cohort and just like just being able to engage and seeing what everybody is up to is really cool.
00:47:13.119 --> 00:47:15.880
Like, so it's much more like I wouldn't even call us a cohort.
00:47:16.079 --> 00:47:18.179
Like I would really just call us like extended family.
00:47:18.480 --> 00:47:19.360
You know what I mean?
00:47:19.460 --> 00:47:25.619
Like being able to, to be that like, you know, like, yeah, you're killing it.
00:47:25.719 --> 00:47:27.420
Let's adjust this way or like, you know what I mean?
00:47:27.420 --> 00:47:28.519
Just bounce off each other.
00:47:29.719 --> 00:47:40.400
I think for me personally, the thing that I think I've grown and how I like you just get to learn how artists think and how they talk.
00:47:40.539 --> 00:47:49.019
Like, I think when you're just doing art by yourself, like you're like, I don't know what I'm doing in the industry, but the more that you hang out with artists, the more you can move in the industry in a more fluid way.
00:47:49.420 --> 00:47:53.400
And so I've learned how to make more connections, how to communicate with other artists, right.
00:47:53.400 --> 00:47:56.360
Just by communicating with my really good art friends.
00:47:56.639 --> 00:47:57.360
So, right.
00:47:57.500 --> 00:47:58.739
That's, that's what's up.
00:48:00.179 --> 00:48:06.860
And your role in inspiring and working with each other, how have they inspired you or how do you feel like you inspire them?
00:48:06.880 --> 00:48:19.559
Because you, as, as someone who's primarily, correct me if I'm wrong, primarily an MC, you have maybe a little bit more narrow focus on exactly like trying to create the best rap songs or be the best MC.
00:48:19.760 --> 00:48:31.840
You can be really have a more narrow focus on that while at the same time being, being connected to these artists that, you know, especially these two that do so many things outside the medium of stage performance.
00:48:32.179 --> 00:48:32.659
Right.
00:48:32.739 --> 00:48:37.820
So how do you feel like your role fits in, in terms of the relationship with, with this group?
00:48:38.699 --> 00:48:42.119
Well, for one, I'm going to turn our friend out the group.
00:48:43.380 --> 00:48:46.059
Every day, all day, I'm doing something.
00:48:46.579 --> 00:48:46.679
Yeah.
00:48:47.659 --> 00:48:53.300
But like you said, just outside of this, we're friends, you know?
00:48:53.539 --> 00:48:53.760
Yeah.
00:48:53.960 --> 00:48:54.960
We'll be around each other.
00:48:55.019 --> 00:48:55.739
We have a group chat.
00:48:55.800 --> 00:48:56.380
We text there.
00:48:57.420 --> 00:48:59.179
We see the music inside the group chat.
00:48:59.539 --> 00:49:00.320
That is sound.
00:49:00.440 --> 00:49:01.239
What you think of this one?
00:49:01.900 --> 00:49:06.019
And then I don't think none of us afraid to tell each other, like, you can do this better.
00:49:06.119 --> 00:49:07.079
You can
switch this up.
00:49:07.239 --> 00:49:08.920
Or, you know, that's important.
00:49:09.199 --> 00:49:09.500
Yeah.
00:49:10.719 --> 00:49:18.880
And then you determine heights is humble.
00:49:19.059 --> 00:49:23.860
Like, JG is the one who makes sure that all of us are like, ready to go over a performance.
00:49:23.860 --> 00:49:26.539
Like if anybody is on something, it's JG.
00:49:27.000 --> 00:49:28.980
And it makes us like to go perform.
00:49:29.019 --> 00:49:32.099
So yeah, we like, yeah, he's being too humble about it.
00:49:32.159 --> 00:49:32.780
You know what I'm saying?
00:49:32.780 --> 00:49:35.320
But JG is not just a hype man.
00:49:35.440 --> 00:49:36.179
He's a cool guy.
00:49:36.239 --> 00:49:36.619
Yeah.
00:49:36.760 --> 00:49:37.239
Yeah.
00:49:37.239 --> 00:49:39.199
He's my friend.
00:49:40.280 --> 00:49:48.820
I love you guys are reminding me so much of when we were, you know, when our collective, we call it a collective.
00:49:49.000 --> 00:49:54.219
And it was, man, it was Fuoss, it was EduPoetic and Abraham, and it was OSP and Calus.
00:49:54.440 --> 00:49:56.659
It was, you know, Desdemona was part of it.
00:49:56.900 --> 00:50:04.199
It was a collection of artists that all, much like you all, did different things.
00:50:04.599 --> 00:50:11.179
And, you know, we performed, I think there's only one song we were ever all on together.
00:50:11.320 --> 00:50:13.780
And we did that at First Ave and the 7th Street Entry.
00:50:14.179 --> 00:50:18.960
But it was, you know, it was four different groups or solo acts all performing.
00:50:19.360 --> 00:50:21.619
And we would all book shows for each other.
00:50:22.039 --> 00:50:26.139
And so as I'm having this conversation with you guys, it's really taken me back.
00:50:26.239 --> 00:50:38.659
And I'm like, it's a continuation of the legacy of creativity and how each generation has its voices that become beacons for their environment, you know, for their community, for their peers.
00:50:38.860 --> 00:50:48.019
And so I'm really grateful to be able to have this conversation with you all and know that process with each generation continues.
00:50:48.599 --> 00:50:53.420
And so I'm laughing inside because I'm like, yeah, that's Sister Leslie over there.
00:50:53.679 --> 00:50:55.300
Yeah, that's ODOT right there.
00:50:55.780 --> 00:50:58.679
You know, it's awesome to see this.
00:50:59.800 --> 00:51:06.320
And I hope that whether it's through Compass or some other medium, we can all get together and maybe have a generations thing.
00:51:06.559 --> 00:51:10.599
And really, I think that's important now because, you know, it's Kendrick.
00:51:10.639 --> 00:51:13.119
And Kendrick wouldn't lie when he said it's time for the party to die.
00:51:13.579 --> 00:51:28.960
And you guys are representing that recycling of spiritual and philosophical and intellectual art while at the same time being able to have what we like to call the revolutionary party, right?
00:51:29.079 --> 00:51:41.260
Knowing when to turn up and at the same time having a substantive approach to that turn up where the art is bigger than just the party, but the art is about both of your peers.
00:51:41.420 --> 00:51:43.380
And so I think that's a beautiful thing.
00:51:43.719 --> 00:51:57.639
I have just a few more questions for y'all because I want to save about 10 minutes or so to get Bionic in here so he can talk about how proud of you all he is and his process in this journey.
00:51:58.500 --> 00:52:01.300
So I'm going to rapid fire this one really quick.
00:52:01.480 --> 00:52:02.820
Can I say one thing?
00:52:02.920 --> 00:52:03.340
Absolutely.
00:52:03.619 --> 00:52:05.360
Since we're talking about the group.
00:52:05.559 --> 00:52:05.820
Yeah.
00:52:05.820 --> 00:52:09.059
You've been a little quiet, but I want to shout out to our future cameraman.
00:52:09.800 --> 00:52:10.679
Coming soon.
00:52:10.860 --> 00:52:11.239
Okay.
00:52:11.820 --> 00:52:12.219
Okay.
00:52:13.179 --> 00:52:14.400
That's his role here.
00:52:14.519 --> 00:52:16.820
He's going to do the videography, huh?
00:52:16.900 --> 00:52:18.199
Put the documentary together.
00:52:18.320 --> 00:52:18.840
Coming soon.
00:52:18.940 --> 00:52:19.360
Real soon.
00:52:19.380 --> 00:52:19.980
Yes, indeed.
00:52:20.340 --> 00:52:21.059
All right.
00:52:21.119 --> 00:52:21.599
All right.
00:52:21.639 --> 00:52:23.059
Well, I'm glad that you are here, man.
00:52:23.159 --> 00:52:31.619
Thank you for supporting and being a part of what seems to be an amazing energy and creativity doing what it's supposed to do, bringing people together.
00:52:32.300 --> 00:52:32.980
Yes, indeed.
00:52:35.159 --> 00:52:35.599
Niazadeh.
00:52:35.739 --> 00:52:36.179
Yes.
00:52:36.320 --> 00:52:37.019
One sentence.
00:52:37.360 --> 00:52:40.880
All of you are going to get one sentence for this one because it's on here.
00:52:42.980 --> 00:52:44.360
It's on the prompt.
00:52:44.820 --> 00:52:49.320
If you could describe what creativity means to you in one sentence, what would it be?
00:52:49.739 --> 00:52:50.599
In one sentence?
00:52:50.760 --> 00:52:51.639
Yeah, I know.
00:52:51.760 --> 00:52:52.480
I know, right?
00:52:52.699 --> 00:52:52.920
What?
00:52:53.059 --> 00:52:53.500
Okay.
00:52:54.440 --> 00:52:55.380
Can you repeat that one more time?
00:52:55.380 --> 00:52:55.940
Absolutely.
00:52:56.400 --> 00:53:01.519
If you could describe what creativity means to you in one sentence, what would it be?
00:53:02.260 --> 00:53:11.280
Creativity to me is being open-minded and versatile.
00:53:12.039 --> 00:53:12.380
Okay.
00:53:12.760 --> 00:53:13.539
That's what's up.
00:53:13.820 --> 00:53:16.440
I would agree because you can't create with a closed mind.
00:53:17.659 --> 00:53:20.619
You're just stuck in the prison of a closed mind.
00:53:20.619 --> 00:53:22.820
Facts and man.
00:53:24.960 --> 00:53:25.980
I'll talk about that.
00:53:26.079 --> 00:53:26.820
All right.
00:53:27.219 --> 00:53:28.840
Yes, ma'am.
00:53:30.500 --> 00:53:31.280
All right.
00:53:32.539 --> 00:53:39.659
Saint KX, which I love to say in front of the name and listening to your journey, you can own that.
00:53:39.940 --> 00:53:40.800
Come along.
00:53:41.039 --> 00:53:41.380
Yeah, I do.
00:53:41.940 --> 00:53:43.000
Qualify for shows.
00:53:43.760 --> 00:53:44.059
Yeah.
00:53:44.420 --> 00:53:45.659
Every saint has a past.
00:53:45.800 --> 00:53:46.219
Man.
00:53:46.360 --> 00:53:47.219
Every sinner has a future.
00:53:47.219 --> 00:53:48.300
And don't we all.
00:53:48.760 --> 00:53:49.820
Don't we all.
00:53:50.480 --> 00:53:54.860
If you could describe creativity in one sentence, what would it be?
00:53:55.260 --> 00:53:57.199
What it means to you in one sentence?
00:53:57.699 --> 00:53:57.840
Yeah.
00:53:58.079 --> 00:54:06.380
Creativity means to me creating a space where person development and the betterment of community is created.
00:54:07.360 --> 00:54:08.280
That's what's up.
00:54:08.420 --> 00:54:08.820
And produced.
00:54:09.139 --> 00:54:09.659
I like that.
00:54:09.699 --> 00:54:11.400
How you brought community into it, right?
00:54:11.460 --> 00:54:16.199
Because a better individual by default isn't going to be a part of a better community.
00:54:16.199 --> 00:54:17.559
That's what's up.
00:54:17.639 --> 00:54:18.400
I like it.
00:54:18.719 --> 00:54:21.460
Well, you're profound thinkers.
00:54:22.219 --> 00:54:28.619
Bella, if you could describe creativity and what it means to you in one sentence, what would it be?
00:54:30.860 --> 00:54:36.500
I feel creativity is like turning home.
00:54:38.480 --> 00:54:44.760
And reminding me of how intrinsically connected I am to everyone and everything.
00:54:46.199 --> 00:54:48.440
And that we all have that creation in common.
00:54:50.219 --> 00:54:51.679
All right, Spirit Energy.
00:54:52.500 --> 00:54:53.380
Yes, indeed.
00:54:54.300 --> 00:54:56.019
Mama Bella, Mama of the Earth.
00:54:57.480 --> 00:55:00.980
I played a character called Nana Tree one time.
00:55:02.320 --> 00:55:05.619
It was wild, but.
00:55:06.119 --> 00:55:07.679
You didn't know that you would be Nana Tree.
00:55:08.820 --> 00:55:11.960
You didn't know that you would become Nana Tree, huh?
00:55:13.079 --> 00:55:14.659
Maybe it's something inside of me.
00:55:14.659 --> 00:55:16.480
Yes, yes.
00:55:16.519 --> 00:55:17.619
That's what's up.
00:55:18.000 --> 00:55:18.659
All right.
00:55:18.760 --> 00:55:21.179
And then same question to you, J.G.
00:55:21.340 --> 00:55:21.780
Manman.
00:55:21.880 --> 00:55:26.019
If you could describe what creativity means to you in one sentence, what would it be?
00:55:26.960 --> 00:55:34.880
I feel like if I ever have a voice, you never know who around you or how it may affect other people in your life.
00:55:35.400 --> 00:55:40.139
For real, for real, just be outspoken, creative, open-minded, like you said.
00:55:41.539 --> 00:55:42.659
It'll take you a long way.
00:55:42.659 --> 00:55:44.599
Yeah, that was about five good sentences.
00:55:48.199 --> 00:56:00.420
I do like that what you said about forever having your voice, because when I'm teaching young people, the first thing I teach them about my spoken word residency is this is a journey into finding your voice.
00:56:01.119 --> 00:56:03.599
And I think that is so important.
00:56:03.800 --> 00:56:09.719
And I'm glad that you are also mentoring because you're helping the next generation of young people find their voice.
00:56:09.719 --> 00:56:11.860
And you're doing it through an authentic journey.
00:56:12.039 --> 00:56:13.599
Like you said, every artist has a story.
00:56:13.960 --> 00:56:22.460
So the authenticity in your journey is what gives you the credibility when you all speak to folks about either what you do or what they can do.
00:56:22.900 --> 00:56:23.360
Right?
00:56:23.760 --> 00:56:25.639
And so I think that's an awesome thing.
00:56:26.079 --> 00:56:29.360
I'm going to ask you each one last question.
00:56:29.800 --> 00:56:34.320
And this is also an opportunity for you to plug any work that you have.
00:56:35.199 --> 00:56:48.320
For you as an artist, is there something that you have produced or created that you'd like to share with the listening audience and then follow that up with what's next or what would you like to accomplish next that you're excited about?
00:56:48.860 --> 00:56:51.139
And I guess we'll just kind of go.
00:56:51.199 --> 00:56:52.260
We'll go back to Bella.
00:56:52.460 --> 00:56:55.119
And then we'll let the queens go first, ladies first.
00:56:55.280 --> 00:56:57.619
We'll go Bella and then Niaje on this one.
00:56:57.739 --> 00:57:04.699
And then we will go Man Man, JG Man Man, and then St. KX.
00:57:06.239 --> 00:57:16.960
So I don't have anything dropped right now, but I am planning to release an EP within the next year.
00:57:17.280 --> 00:57:19.079
So be looking out for that.
00:57:19.280 --> 00:57:25.980
My Instagram is B-E-L-L-A underscore 444-888.
00:57:26.539 --> 00:57:31.559
And I also have my business called Diaspora Dreams LLC.
00:57:32.079 --> 00:57:37.699
That's where I'll be selling all my jewelry and apparel, anything like that.
00:57:38.099 --> 00:57:47.699
So that is also on Instagram at Diaspora Dreams LLC or wait, no, it's at Diaspora Dreams Designs.
00:57:47.719 --> 00:57:48.119
I forgot.
00:57:48.579 --> 00:57:48.960
Yeah.
00:57:49.139 --> 00:57:50.380
Make sure you get it right now.
00:57:50.500 --> 00:57:51.599
Don't be sending people that.
00:57:52.260 --> 00:57:57.820
Well, the thing is I have a very complicated relationship with social media.
00:57:57.980 --> 00:57:59.119
I feel like everybody does.
00:57:59.360 --> 00:57:59.460
Yeah.
00:57:59.460 --> 00:58:00.579
And do we all?
00:58:00.820 --> 00:58:01.019
Yeah.
00:58:01.239 --> 00:58:02.300
Everybody does.
00:58:02.440 --> 00:58:09.380
But I feel like that's another thing that within this cohort that I've been like pushed to like, it's like, yes.
00:58:09.880 --> 00:58:11.940
Because like being perceived is hard.
00:58:13.000 --> 00:58:21.500
You know, being perceived is very vulnerable in those states where like you're able to like control at least somewhat of like your image.
00:58:21.659 --> 00:58:22.320
You know what I'm saying?
00:58:22.480 --> 00:58:25.380
Like it's still like a window into you.
00:58:25.579 --> 00:58:26.019
Absolutely.
00:58:26.980 --> 00:58:30.099
So I'm learning to get more comfortable with that.
00:58:32.360 --> 00:58:35.360
I do said it best and it will never be said better.
00:58:35.599 --> 00:58:39.000
I'm an artist and I'm sensitive about my shirt.
00:58:43.480 --> 00:58:44.039
Yeah.
00:58:46.139 --> 00:58:46.420
Yeah.
00:58:46.619 --> 00:58:48.920
She's a she's a universal for certain.
00:58:50.699 --> 00:58:56.139
Miaget, is there something that you have out that you want to plug?
00:58:56.280 --> 00:58:59.159
What's next for you that you're excited about?
00:58:59.320 --> 00:59:04.159
What have you created that is like, this is my this is my pride and joy at the moment.
00:59:04.300 --> 00:59:04.800
Talk to us.
00:59:05.000 --> 00:59:05.320
Okay.
00:59:05.900 --> 00:59:09.460
Well, first, um, well, she was ready.
00:59:10.719 --> 00:59:16.719
She's like, since I got time to have it all together.
00:59:16.860 --> 00:59:17.599
I like that.
00:59:18.659 --> 00:59:26.760
Um, uh, what's in the works right now is some poems that me and Bionic have been working on some some poems that I did perform.
00:59:27.000 --> 00:59:28.179
I got those recorded.
00:59:28.500 --> 00:59:30.500
I'm working on those to get dropped.
00:59:31.300 --> 00:59:34.760
I've been creating new poems.
00:59:35.539 --> 00:59:38.099
I have been singing.
00:59:38.480 --> 00:59:40.300
Y'all can see me at open mics.
00:59:40.519 --> 00:59:41.699
I'll be popping out.
00:59:41.840 --> 00:59:43.039
I'll be doing my thing.
00:59:43.179 --> 00:59:44.559
Get them stage miles up.
00:59:44.920 --> 00:59:45.260
Yeah.
00:59:45.980 --> 00:59:47.159
In the stage.
00:59:47.360 --> 00:59:50.599
I've been, you know, I've been I've been getting I've been getting it done.
00:59:52.739 --> 00:59:58.179
Honestly, I might be I want to start some more church singing, some more choir singing.
00:59:58.679 --> 00:59:58.780
Okay.
00:59:59.139 --> 01:00:02.920
Um, also, I have a cleaning business.
01:00:03.280 --> 01:00:10.559
If y'all know anybody that needs their house clean, I I have good rates at nice prices.
01:00:11.320 --> 01:00:12.380
Don't sleep.
01:00:12.579 --> 01:00:18.920
I get the job done real good, real clean, real thorough, and a job guarantee for sure.
01:00:19.019 --> 01:00:19.920
Just bring the money.
01:00:20.119 --> 01:00:21.099
Creative entrepreneur.
01:00:22.059 --> 01:00:23.000
Yes, indeed.
01:00:23.300 --> 01:00:24.019
I do it all.
01:00:24.380 --> 01:00:25.039
All right.
01:00:25.179 --> 01:00:26.000
All right.
01:00:27.099 --> 01:00:31.159
Um, J.G. Man Man, what's dropping?
01:00:31.500 --> 01:00:34.760
When can we get
that J.G. Man Man hotness?
01:00:35.420 --> 01:00:40.340
So I just dropped the EP on YouTube like two weeks ago called Don't Count Me Out.
01:00:40.519 --> 01:00:40.760
Okay.
01:00:40.840 --> 01:00:42.659
If you don't know me, that's the way you can get to know me.
01:00:42.760 --> 01:00:44.119
I'll talk about a little bit of everything.
01:00:44.360 --> 01:00:44.639
Okay.
01:00:45.840 --> 01:00:51.159
2026, I have an album coming with some very, very big names and producers on there.
01:00:51.380 --> 01:00:51.760
All right.
01:00:51.920 --> 01:00:53.239
So just be looking out for it.
01:00:53.340 --> 01:00:53.460
Yeah.
01:00:53.519 --> 01:00:54.059
All right.
01:00:54.360 --> 01:00:55.539
That's what's up.
01:00:56.340 --> 01:00:57.460
I like that too.
01:00:57.599 --> 01:00:57.960
Teaser.
01:00:58.300 --> 01:01:00.019
No, I will go with teaser in there.
01:01:00.460 --> 01:01:02.239
2026, big names, big producers.
01:01:02.840 --> 01:01:03.280
Look out.
01:01:03.380 --> 01:01:04.460
J.G. Man Man, y'all.
01:01:04.559 --> 01:01:06.139
What's the name of the album or the EP again?
01:01:06.960 --> 01:01:07.699
Don't Count Me Out.
01:01:07.880 --> 01:01:08.760
Don't Count Me Out.
01:01:08.820 --> 01:01:09.460
And it's on YouTube.
01:01:09.860 --> 01:01:10.679
All right.
01:01:10.699 --> 01:01:11.800
So we can just type it in.
01:01:12.179 --> 01:01:12.719
All right.
01:01:12.739 --> 01:01:15.199
And for those of you that need to know how to spell it, that's J.G.
01:01:15.199 --> 01:01:17.860
M-A-N, M-A-N.
01:01:17.900 --> 01:01:18.760
All right.
01:01:19.119 --> 01:01:21.400
And then we got St. KX.
01:01:21.539 --> 01:01:24.900
What you working on besides, you know, getting ready to be the next mayor of St.
01:01:24.960 --> 01:01:27.440
Paul after Melvin moves on to bigger things.
01:01:27.719 --> 01:01:30.340
And what else we got going on?
01:01:30.579 --> 01:01:32.039
I wish I wanted to be a mayor.
01:01:32.119 --> 01:01:32.699
I hate politics.
01:01:33.139 --> 01:01:33.239
Yeah.
01:01:33.239 --> 01:01:35.059
So I'm more on the policy side.
01:01:35.079 --> 01:01:35.800
I like creative policy.
01:01:36.039 --> 01:01:38.760
But, you know, be on the lookout for some new art policy.
01:01:39.159 --> 01:01:40.280
You know what I'm saying?
01:01:42.420 --> 01:01:44.960
I'm not going to lie to you.
01:01:45.079 --> 01:01:50.460
But my Instagram for my personal art is St. Midwest underscore.
01:01:50.639 --> 01:01:55.059
So underscore S-A-I-N-T-M-I-D-W-X-S-T.
01:01:55.239 --> 01:01:55.480
OK.
01:01:55.960 --> 01:01:57.500
So that's my personal Instagram.
01:01:58.019 --> 01:02:00.820
Hit me up if you want some photographs taken of your shows.
01:02:00.940 --> 01:02:05.920
I do it from anywhere from 50 to 175, depending on prints, that kind of a thing.
01:02:06.340 --> 01:02:12.380
I have another EP dropping beginning of the year, end of January.
01:02:14.360 --> 01:02:16.360
And that was called Love Exodus.
01:02:17.079 --> 01:02:18.639
So I'm pretty excited for that one.
01:02:18.719 --> 01:02:21.880
That one is just like all deep ambient electronica music.
01:02:22.400 --> 01:02:23.659
But it'll be a good time.
01:02:23.780 --> 01:02:24.300
It's fire.
01:02:24.440 --> 01:02:31.860
I put some violins, some a lot of classical stuff along with some more synths and pads and stuff like that.
01:02:31.920 --> 01:02:33.599
So I'm pretty excited for that.
01:02:33.659 --> 01:02:38.539
And then the skate shop and art store that I'm trying to open is called St.
01:02:38.599 --> 01:02:39.559
Collective M-N.
01:02:39.920 --> 01:02:41.780
And so that's literally all it is.
01:02:41.980 --> 01:02:48.199
S-A-I-N-T-C-O-L-L-E-C-T-I-V-E M-N on Instagram.
01:02:48.719 --> 01:02:55.099
And we are a skate shop and a collective art space where we try to create good and create a space for young people to come.
01:02:55.460 --> 01:02:57.860
So, yeah, just keep an eye out for that.
01:02:58.019 --> 01:02:59.199
Follow me on that kind of stuff.
01:02:59.400 --> 01:03:02.559
And yeah, I mean, I do a lot of independent contracting work, too.
01:03:02.639 --> 01:03:07.719
So if you want something done, t-shirts, photographs, videos, you know me not to take Trey's stuff.
01:03:08.119 --> 01:03:10.380
Y'all can do that, right?
01:03:11.260 --> 01:03:12.239
Two cameras, shoot.
01:03:12.579 --> 01:03:14.400
Hey, hey, that part, you know what I'm saying?
01:03:14.880 --> 01:03:16.860
Just DM me on Instagram.
01:03:17.320 --> 01:03:18.360
It'll go to my request.
01:03:18.460 --> 01:03:19.460
I look at all my requests.
01:03:19.619 --> 01:03:20.460
I delete a lot of them.
01:03:20.679 --> 01:03:22.039
But, you know, here we are.
01:03:23.500 --> 01:03:25.000
Y'all don't just talk about it.
01:03:25.019 --> 01:03:26.159
Y'all be about it.
01:03:26.159 --> 01:03:28.119
Y'all don't talk about it.
01:03:28.280 --> 01:03:28.659
Right.
01:03:33.659 --> 01:03:38.920
I want to thank you all so much for coming in and joining us on Creativity on Tap.
01:03:39.059 --> 01:03:40.800
This has been a really fun podcast.
01:03:41.639 --> 01:03:44.559
I think one of the better ones that we've done.
01:03:45.460 --> 01:03:55.960
Just real quick, before I let y'all go, Niajeng, do you know that they now have a Best Spoken Word album in the Grammy category?
01:03:57.320 --> 01:04:00.000
And so something to think about in the future.
01:04:00.760 --> 01:04:10.639
One of our previous guests, Queen Sheba out of Atlanta, she's, I still have to edit her episode of Creativity on Tap, but I interviewed her about a month ago.
01:04:10.920 --> 01:04:13.079
And she actually is one of the finalists.
01:04:13.519 --> 01:04:15.179
And I've known her for years.
01:04:15.179 --> 01:04:19.079
And so I'm definitely plugged in with the national spoken word scene.
01:04:19.480 --> 01:04:23.239
So spoken word artists in the crew, holler at me.
01:04:23.719 --> 01:04:28.760
I can definitely help plug you guys in with some opportunities in other cities.
01:04:29.159
--> 01:04:31.000
Because that's my field.
01:04:32.280 --> 01:04:35.440
Thank you all for coming in for the listening audience.
01:04:35.820 --> 01:04:39.719
And for those viewing, I'm going to go from my right to the left.
01:04:39.820 --> 01:04:44.219
So we have J.G. Manman, emcee and performing artist extraordinaire.
01:04:44.699 --> 01:04:48.099
We have Bella, Bella Dawson, interdisciplinary artist.
01:04:48.260 --> 01:04:49.780
She blends poetry and rap.
01:04:49.900 --> 01:04:50.699
She does fashion.
01:04:50.840 --> 01:04:51.679
She does beadwork.
01:04:51.780 --> 01:04:52.760
She does metal work.
01:04:52.960 --> 01:04:54.739
And she's definitely a universal.
01:04:54.920 --> 01:04:55.719
She's a celestial.
01:04:56.400 --> 01:04:59.579
We got Saint KX, interdisciplinary artist.
01:04:59.679 --> 01:05:02.219
He does photography, spoken word, visual art.
01:05:02.519 --> 01:05:04.400
Basically, he's a one-stop shop.
01:05:04.539 --> 01:05:05.159
You need it.
01:05:05.719 --> 01:05:11.300
And if you needed to come and talk about political policy and about art policy, that's your man.
01:05:11.380 --> 01:05:16.920
He can come and talk to the young people about why they need to make sure they champion art going forward.
01:05:17.219 --> 01:05:21.880
And then Niaje, performing artist, spoken word artist, and singer.
01:05:22.840 --> 01:05:27.900
And they are all under the mentorship of the next person we're going to bring in, DJ Bionic.
01:05:27.980 --> 01:05:31.539
So thank you all for coming down, being a part of Creativity on Tap.
01:05:31.739 --> 01:05:33.179
Awesome conversation.
01:05:33.500 --> 01:05:35.300
Best of luck in your ventures, y'all.
01:05:35.360 --> 01:05:36.179
Keep representing.
01:05:36.519 --> 01:05:38.960
Welcome back to Creativity on Tap.
01:05:39.579 --> 01:05:42.519
Wonderful conversation with our young artists.
01:05:42.760 --> 01:05:47.219
And we are now here with the man himself who has been working with these young people.
01:05:47.420 --> 01:06:06.760
And they spoke so highly of you and your guidance, really, in both helping them find linear directions so that they can stay structured in their path, while at the same time giving them a wide breadth of possibility so that they didn't feel pigeonholed in one thing.
01:06:07.079 --> 01:06:08.940
Welcome, DJ Bionic, man.
01:06:08.940 --> 01:06:09.800
Thanks so much.
01:06:09.880 --> 01:06:11.260
Real quick, I'm not a DJ.
01:06:11.719 --> 01:06:12.480
You're not a DJ.
01:06:12.800 --> 01:06:14.159
I'm a producer and a composer.
01:06:14.380 --> 01:06:16.300
A DJ plays other people's music.
01:06:16.980 --> 01:06:22.519
I play all my own compositions and produce and develop artists and then support them live.
01:06:22.619 --> 01:06:25.099
So I often am not DJing at all.
01:06:25.179 --> 01:06:27.199
So why do they keep telling me DJ Bionic?
01:06:27.239 --> 01:06:31.139
Because when you see somebody standing up on stage behind a computer, that's what people think.
01:06:31.440 --> 01:06:31.920
You assume, right?
01:06:31.980 --> 01:06:32.260
It's okay.
01:06:32.360 --> 01:06:34.019
I like to keep people guessing anyway.
01:06:34.480 --> 01:06:35.019
Okay, what's up?
01:06:35.019 --> 01:06:40.079
And all those artists saying such nice things about me is really humbling.
01:06:40.820 --> 01:06:51.239
And as is usually the case, artists are underselling themselves and not realizing they're the ones with the passion, the determination, the hard work, the consistency.
01:06:51.840 --> 01:06:52.800
I'm just here.
01:06:53.179 --> 01:06:55.079
They show up over and over again.
01:06:55.260 --> 01:07:01.460
You know, so it's a real privilege to have them consider me in that way because that's the way I feel about them.
01:07:01.539 --> 01:07:03.099
They're the ones really doing the work, you know?
01:07:03.099 --> 01:07:13.639
Well, it's very, very evident that they appreciate your mentorship and guidance and using your experience and expertise to kind of give them vision really and help them.
01:07:14.039 --> 01:07:15.320
I shouldn't say give them vision.
01:07:15.619 --> 01:07:18.960
Help them see that their visions are possible is a better way of putting it.
01:07:19.179 --> 01:07:19.619
What a privilege.
01:07:19.659 --> 01:07:24.860
That was a common theme that you've helped them kind of really see, oh yeah, we can do this.
01:07:24.920 --> 01:07:25.800
This is a possibility.
01:07:26.059 --> 01:07:27.000
This is a real thing.
01:07:27.179 --> 01:07:39.820
And working with young people, you know, for the audience, you are a Compass teaching artist and you clearly have dedicated a lot of your life and time to working with and mentoring young people.
01:07:40.380 --> 01:07:41.920
And you could be doing a lot of things.
01:07:41.980 --> 01:07:48.659
So what inside you made you make time and space for working with young people?
01:07:48.900 --> 01:07:49.099
Wow.
01:07:49.860 --> 01:08:01.699
So I've only been teaching for about 10 years and it started volunteering at my son's preschool a day a week to show kids music, get them involved in making electronic, you know, music.
01:08:02.380 --> 01:08:06.239
And it was just such a natural kind of thing.
01:08:06.539 --> 01:08:10.400
I love to see people be inspired and it inspires my own art.
01:08:10.900 --> 01:08:14.179
So it's like this self-fulfilling kind of thing.
01:08:14.860 --> 01:08:16.880
And I really didn't see it coming.
01:08:18.119 --> 01:08:25.239
But I have spent my life as, you know, past over 30 years, I've been a white practitioner of black traditional art forms.
01:08:25.680 --> 01:08:33.479
So I've not only made all the comfort and all the things that I have in life off of black music.
01:08:34.000 --> 01:08:39.899
I've also been through a lot of experiential pitfalls being an artist.
01:08:40.319 --> 01:08:46.899
And so it's a natural fit to just try to pass this experiential information on to young artists.
01:08:47.239 --> 01:08:57.439
And I'm
also trying to hit people that are within my wheelhouse, my discipline, artists that are doing hip hop, spoken word, R&B, black American art forms.
01:08:57.739 --> 01:09:07.060
And so just passing this knowledge on so that the new generation of artists is better equipped to get around those pitfalls, you know?
01:09:07.239 --> 01:09:09.920
Yeah, those old artists too could probably use a tip or two.
01:09:10.579 --> 01:09:14.880
They teach me is the truth too, you know, it's a reciprocal thing.
01:09:15.039 --> 01:09:15.979
So it's great.
01:09:16.159 --> 01:09:18.640
That led right into the next question I was going to ask you.
01:09:18.760 --> 01:09:21.500
You talked about what you've been able to, you know, offer them.
01:09:22.420 --> 01:09:24.699
What have you learned from working with them?
01:09:25.800 --> 01:09:32.939
I learned that naivete is one of the most powerful things about art.
01:09:33.199 --> 01:09:38.659
Not knowing what the right thing to do is, is where the new things come from.
01:09:39.060 --> 01:09:57.000
And so they're showing me new perspectives all the time, turning me on to artists that I don't know about, broadening my own perspective on my own art forms, how they change, how to how to stay relevant, how to speak to a younger group of artists and have some common ground.
01:09:57.460 --> 01:09:59.359
So they really teach me a lot.
01:09:59.439 --> 01:10:04.680
They teach me all the things that drew me to my art forms in the first place.
01:10:04.819 --> 01:10:13.960
The culture behind it, the language, the fashion, the way you carry yourself, the way you transmit your ideas.
01:10:14.859 --> 01:10:19.739
And they're the, you know, the youth is the strength and the old are the experience.
01:10:19.739 --> 01:10:22.119
And so we got to trade, we have to trade.
01:10:22.420 --> 01:10:23.260
That's what's up, man.
01:10:23.319 --> 01:10:32.020
That reminds me outside, I guess it is still art related, but Terrence Crawford is one of my favorite boxers and watching his training regimen.
01:10:32.180 --> 01:10:39.079
He talks about how he always makes sure that his training camp is full of young up and coming fighters for that exact reason.
01:10:39.079 --> 01:10:55.520
It's like, yeah, I have a lot of knowledge of what I can teach them, but they keep them hungry and they keep them coming up with a creative approach to a old problem that maybe, you know, he has his way of solving it, but then there's a way these young people, these young fighters have that he hadn't thought about.
01:10:55.699 --> 01:10:58.199
And it's how he stays hungry and stays fresh.
01:10:58.239 --> 01:11:01.500
And it sounds like that's a similar approach you're taking with music.
01:11:01.500 --> 01:11:12.100
Like it might be an old problem and you have your way of solving it in the past, but here comes this young person with a totally new line of thinking about how to solve this old problem.
01:11:12.220 --> 01:11:12.920
New perspective.
01:11:13.399 --> 01:11:22.119
And like my son who's 16 has turned me on to more great artists in the past two years than myself searching in the past 20.
01:11:22.880 --> 01:11:27.479
And so I recognize that's a perspective I need in on.
01:11:27.579 --> 01:11:34.880
You know, if I want to do this, if I want to continue to be a productive artist in my own community, you've got to change and grow.
01:11:35.000 --> 01:11:36.899
It's the one thing you can count on is change.
01:11:37.220 --> 01:11:38.800
So yeah, always be changing.
01:11:39.060 --> 01:11:46.359
And now music is, you know, it's not easy to make, it's easy to access music making resources.
01:11:46.899 --> 01:12:04.300
You know, we're both probably around the same age and, you know, two inch tape was really expensive, you know, and now, you know, 10 year olds are coming up with crazy funky vibes or crazy creative vibes with the technology we have today.
01:12:04.439 --> 01:12:07.939
I just had to learn how to use GarageBand editing just to edit podcasts.
01:12:08.079 --> 01:12:08.880
You need to know.
01:12:09.199 --> 01:12:11.460
Yes, you know, so wow.
01:12:11.899 --> 01:12:20.720
Matt, I just want to say thank you for helping these young artists get to creativity on tap, for your mentorship of them.
01:12:20.899 --> 01:12:23.500
Your work with Compass is much appreciated.
01:12:24.180 --> 01:12:39.699
I want to ask you, where do you think creativity is going next as it relates to access and resources for young people, our social political landscape, our economic landscape?
01:12:40.100 --> 01:12:54.640
How is the idea of young people having access to creativity going to survive in an environment, a society where economic resources for creating art is constantly being pulled back, at least on a federal level?
01:12:55.840 --> 01:13:13.199
So obviously Compass is an answer in a sense because Compass is the stopgap between this lack of arts education in our public schools and in our public forums and, you know, plugging artists in with these places where they can inspire people.
01:13:13.720 --> 01:13:25.319
But I really feel like I'm inspired by where creativity is going because it isn't that everyone's just on the most popular Spotify playlist listening to those songs.
01:13:25.560 --> 01:13:33.619
I see with all these young artists I work with, they are searching out independent artists with less than 10,000 listens a month.
01:13:33.720 --> 01:13:40.079
They're trying to find their own niche and their own cultural voice through these artists.
01:13:40.300 --> 01:13:42.439
And everybody isn't just toeing the line.
01:13:42.739 --> 01:13:50.680
So the idea that everybody's just on TikTok listening to the same songs, they hear those songs, but they are digging in the crates just like we did.
01:13:50.939 --> 01:13:54.579
It's just a different methodology, but it's the same impulse.
01:13:54.659 --> 01:14:03.920
So I see that and I think we got nowhere to go but up because people
are, they're searching outside of the curve and looking for those unique voices that are going to inspire them.
01:14:04.159 --> 01:14:12.579
So I'm excited about where the future is going for art because I see so many young people that are pioneering right now.
01:14:12.779 --> 01:14:20.000
And I know in five or 10 years, they're going to be the next foundational level that is feeding what's going on.
01:14:20.180 --> 01:14:22.079
So it's cool and exciting.
01:14:22.239 --> 01:14:23.579
We had four of them in this room.
01:14:23.920 --> 01:14:30.319
Hey, I just want to say too, you asking those artists those questions is really important.
01:14:30.699 --> 01:14:40.779
And in a world where people don't feel very important to be an artist and have somebody ask you about your process, your intent, your discovery is a big deal.
01:14:41.060 --> 01:14:43.140
And these people deserve to feel important.
01:14:43.340 --> 01:14:44.220
They're passionate.
01:14:44.600 --> 01:14:45.600
They're consistent.
01:14:46.439 --> 01:14:49.920
They're the epitome of what artists are to me.
01:14:50.140 --> 01:14:54.699
So having that recognition just makes me feel so, so good to see that.
01:14:55.000 --> 01:14:57.380
Well, I'm honored that I was able to be a part of it.
01:14:57.439 --> 01:14:59.000
It's very nostalgic for me.
01:14:59.760 --> 01:15:18.819
I remember having opportunity to be them at 25 and 26 and 27 and 28 and luckily at that point in time, technology was just making it a way where us young aspiring artists could do radio interviews.
01:15:19.079 --> 01:15:28.720
It wasn't podcasts, but KFAI welcomed us, KMOJ welcomed us, public radio welcomed us, gave us a voice.
01:15:28.960 --> 01:15:34.140
And back then it was the Fuoss and the Truth Maze and the Pencil and EduPoetic.
01:15:34.659 --> 01:15:53.159
And so I told them, I said, it's heartwarming to see the evolution of creativity and yet the camaraderie of collaborative creativity still exists and then be representing for your peers on a communal, for a whole community of peers.
01:15:53.380 --> 01:15:55.640
And so I'm honored to have that opportunity.
01:15:56.060 --> 01:16:06.619
And so thank you so much for your work with them and helping them find that cohesion so that we could bring these things full circle while at the same time advancing them.
01:16:07.100 --> 01:16:07.199
Amazing.
01:16:07.399 --> 01:16:09.899
No one better than you to ask them those questions too.
01:16:10.079 --> 01:16:23.939
And with your experience and your insight, you're the kind of artist they need to meet in their community so that they know there's these support pillars that have been through it and that can guide me when I don't know what's going to happen.
01:16:24.119 --> 01:16:25.560
So appreciate you too, man.
01:16:25.560 --> 01:16:26.039
Likewise.
01:16:26.359 --> 01:16:30.640
I'm going to ask one more question and then we're going to close and I'm going to ask you the same question I asked them.
01:16:30.899 --> 01:16:37.260
If you could describe what creativity means to you in one sentence, what would it be?
01:16:38.319 --> 01:16:40.100
I guess I could do it in one word.
01:16:40.300 --> 01:16:41.399
I would say growth.
01:16:42.680 --> 01:16:44.720
Creativity equals growth.
01:16:45.300 --> 01:16:53.560
So self-expression, self-discovery, self-value, where we are in the universe and how we're perceived.
01:16:53.800 --> 01:16:55.760
I really feel like we find out all that.
01:16:56.319 --> 01:16:58.779
We grow in that way through art as the lens.
01:16:59.079 --> 01:17:02.039
Well, may we forever continue to be creatives then.
01:17:02.359 --> 01:17:03.100
Definitely and grow.
01:17:03.420 --> 01:17:04.020
Yes, indeed.
01:17:04.399 --> 01:17:08.640
Thank you, Bionic, for bringing your mentees down and for coming in.
01:17:08.840 --> 01:17:12.779
You have been listening to Creativity on Tap with Compass.
01:17:13.340 --> 01:17:19.180
Creativity on Tap is a series of conversations produced by Compass about the value and importance of creativity.
01:17:19.739 --> 01:17:21.420
This year, Compass turns 50.
01:17:21.420 --> 01:17:26.079
That's half a century of putting creativity into the hands of millions of Minnesotans.
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We are working really hard to ensure we'll be doing this for 50 more.
01:17:30.520 --> 01:17:41.739
Creativity on Tap is part of Creativity Saves the World, a year-long initiative led by Compass to explore the role creativity can and must play in solving the unique challenges of this era.
01:17:42.180 --> 01:17:48.520
For more information about Compass and how creativity saves the world, please visit compass.org.
01:17:48.859 --> 01:17:52.260
That's C-O-M-P-A-S.org.
01:17:52.460 --> 01:17:56.539
Special thank you to the Minnesota Spokesman Recorder Podcast Studios.
01:17:56.920 --> 01:18:06.479
For more information about the Minnesota Spokesman Recorder news publication, please go to www.spokesman-recorder.com.
01:18:06.960 --> 01:18:12.899
Spokesman Recorder on YouTube also offers more programming from the Spokesman Recorder Podcast Studio.
01:18:12.899 --> 01:18:16.500
Please go to their Spokesman Recorder content page.
01:18:16.880 --> 01:18:20.720
For Compass and Creativity on Tap, I'm your host, Frank Centrale.
01:18:21.659 --> 01:18:22.340
Peace.